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Bergerac.2025.S01E05.540p.x265.AAC [Full Movie] [Full Series]Full EP - Full
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06:26Ok, fine.
06:31You need to go to this address.
06:35It's the house I grew up in.
06:37You need to go into my old bedroom.
06:39Top of the stairs first on the right.
06:41There's a wardrobe.
06:43Taped to the inside of the wardrobe is an old mobile phone.
06:46I need you to get it and I need you to bring it to me.
06:50But why can't you get it?
06:53It's not safe for me to go then.
06:56But it is safe for me to go then.
06:58You said you need evidence.
07:00Wait, so there is evidence?
07:03Well, why didn't you use it at trial?
07:06You'll see.
07:31So, we know that Julian took out a life insurance policy on Kate right around the time he went into
07:35debt with Ruccini.
07:36People have life insurance policies.
07:38For all we know, maybe she had one on him.
07:39It doesn't mean that he was desperate enough to kill her.
07:41And besides, insurance companies don't pay out immediately after a murder.
07:47It's a long shot, Barney.
07:48He was desperate enough to fake a ransom note to his father for his own daughter.
07:52That's opportunistic.
07:53It's not premeditated, Barney.
07:55It's a key difference.
07:55Not premeditated.
07:56He knew that she was at home, alone, with no CCTV.
07:59He snuck out of the opera house.
08:01He took his dad's car.
08:02Master Wakefield in the nursery with a candlestick.
08:05Julian, look, is definitely promising, but Arthur is still in the frame.
08:12Hold on.
08:12Any luck enhancing the CCTV of Arthur Wakefield's car?
08:16Yeah, I sent her to tech, but I'll show you some of them.
08:18Yeah.
08:20What?
08:22What exactly did she say?
08:24I haven't gone into any detail with her.
08:25She just gave me the headline and I put her in here.
08:32Chief Inspector, I came here to tell you that it was me driving Arthur's car from the opera house.
08:47I slipped out from the stalls, took Arthur's keys from his coat pocket, and drove back to the house to
08:53talk to Kate.
08:54What about?
08:55Something she said before we left about Ellie Robson.
08:59I presume Julian must have told her we'd been receiving threatening letters.
09:03Why? What did Kate say?
09:05That she empathised with Ellie, and that concerned me.
09:10And then during Nonon Tremare o Perfido...
09:14Sorry?
09:15Oh, do not tremble your treacherous one, Act 1, Scene 9.
09:18It struck me that they may have been in contact with each other.
09:22Okay, so you left, yeah?
09:24Mm-hmm.
09:24Okay.
09:25What happened when you got back to the annex?
09:27Well, we talked, and I was right.
09:30I mean, Ellie had convinced Kate that there was some great conspiracy, that she was denied all this money, and
09:38Kate was naive enough to believe her.
09:41Okay, so an easy target for a vengeful woman.
09:43Well, I'm sure Ellie was very convincing.
09:47It's just one problem.
09:49The usher told us that no one left the stalls before the interval.
09:53Well, they're wrong.
09:54Well, they're wrong.
09:55I don't know.
09:56And it doesn't seem inconceivable to me that you wouldn't step up and take one for the Wakefield team.
10:02Was this Arthur's idea?
10:05That you would put yourself in the frame to save him?
10:08You're petticoat showing, Chief Inspector.
10:10I'm sorry?
10:12Your fixation with Arthur.
10:16Okay.
10:17For the sake of argument, then, you go back to the annex, because Kate and Ellie are conspiring.
10:23Conspiring to do what, exactly?
10:24Well, that's what I wanted to find out.
10:26I mean, there isn't any proof, so the best Kate could hope to do would be to, I don't know,
10:33undermine Arthur in some way?
10:35Damage his profile?
10:37Well, our profile, and I made it very clear that that would be a very, very bad idea, and I
10:43left.
10:44Right, and Kate was still alive?
10:49Yes, absolutely.
10:50Why didn't you tell us this before?
10:52Because I knew how it would look, and I didn't want Arthur grieving a daughter-in-law.
10:59He was, in effect, stabbing him in the back.
11:02But I can't stand by and watch Julian be incriminated, so, um...
11:07Kate thought there was proof.
11:08I'm sorry?
11:09About the illegal purchase of our light serial cell.
11:11You said there wasn't any proof.
11:12Kate thought there was.
11:14Their plan was Kate would go to the theatre.
11:17Ellie would sneak into the house and go to Arthur's laptop and take all of the incriminating evidence and sneak
11:22out and take it to the press.
11:23I mean, Kate had sent Ellie hand-drawn plans of the house, the location of the laptop, the passcode.
11:29I see.
11:29Ellie got cold feet.
11:31Kate's last message to Ellie was, if you won't expose Arthur, I will.
11:36Kate feigned illness so she could get the information herself.
11:41Where did this argument take place?
11:43It was more of a conversation.
11:46Where did this conversation take place?
11:48In the nursery.
11:50Lily was in her cot.
11:52I need, I need to understand the conversation.
11:57Where were you?
11:58Where was she?
11:59I was in the doorway.
12:01Kate was by the fish tank.
12:03Okay.
12:04This is what I don't get.
12:05Why?
12:05Why would Kate put herself and her baby at risk by conspiring against Arthur Wakefield while under his roof?
12:18She was leaving.
12:21She was taking Lily and she was leaving.
12:22That's why there was a half-packed bag in the nursery.
12:24She was packing and she got interrupted.
12:25And that was the ultimate kick in the teeth, wasn't it?
12:29After everything you and Arthur and Julian had done for her, she was going to break up the Wakefield Empire,
12:34your surrogate family, run for the hills.
12:36No wonder you lashed out.
12:37No, that's not what happened.
12:39This wasn't just about Arthur, it was about you.
12:42You'd given your whole life to this family, to this company, and this ungrateful bitch was going to destroy it
12:47all.
12:47No, that... I told you what happened. We talked. I went back and we talked. That's all. I went to
12:57talk to her.
13:01So, Margaret finds Kate about to leave with the intention of exposing Arthur Wakefield. She tries to stop her, it
13:07gets out of hand. She bashes Kate over the head.
13:09Unless Arthur has put pressure on Margaret to sacrifice herself in order to protect the family name.
13:16Arthur will have told her about the speed cam picture of the car, so maybe she's come forward because she
13:21knows it's only a matter of time before we identify her anyway.
13:24And her story ties in with the time of death.
13:27Julian and Arthur still don't have alibis. And the usher said that no one left the stalls.
13:32Get Simon to talk to the usher again.
13:36If he still says no one left the auditorium, then we charge Julian Wakefield.
13:41If he says he's not sure now, then it looks like Margaret's our killer.
13:45Where are we with forensics?
13:46Finally came back this morning. Other than the family, Mia and Margaret, there are four unidentified DNA traces.
13:52They did just have decorators in, so we have to track them down so we can eliminate them.
13:55This fucking guy, I swear to God.
13:58I have to go.
13:59Another lunch date, is it?
14:01Just there's stuff to do here.
14:03Meeting with my therapist, actually.
14:08You know, I would not say that he was the best advert for the effectiveness of therapy.
14:12Thought you had stuff to do.
14:37Hi.
14:38I'm so sorry to do this.
14:40I was just in the area, and I saw the for sale sign, and I just couldn't resist asking for
14:47a sneaky peep.
14:50Come on.
14:51Come on.
14:52Come on.
14:52Come on.
14:52There's a lady here that wants a viewing.
15:00Hi.
15:00No viewings without an agent.
15:02You could be anyone.
15:03No, totally.
15:04No, totally.
15:05Absolutely fine, Alan.
15:06I'll talk to you.
15:09I've just been a bit reluctant to deal with agents.
15:12You have to give over your details, don't you, and then you just become inundated, especially if you're a cash
15:18buyer and not in a chain.
15:20But, no.
15:22No.
15:23So sorry to disturb you.
15:26Wait.
15:29All right.
15:31All right.
15:33Thank you.
15:34Thank you so much.
15:36Thank you.
15:37Thank you.
15:41Wow.
15:43Original features.
15:44Why are you selling up?
15:46Oh, we're going to live with our son, Mark, in Scotland.
15:50Oh, lovely.
15:52Is he your only child?
15:54Do you want a viewing or our life story?
15:57No.
15:58Tea?
15:58Coffee?
15:59Coffee would be great.
16:01Thanks.
16:03Well, go on, now.
16:09Oh, it's okay.
16:11I can whiz round.
16:13Save you.
16:14I've been enough of a nuisance already.
16:20You said that no one left the stalls during the first act.
16:23Are you sure about that?
16:25Yeah, yeah.
16:26No.
16:26Definitely.
16:27I need you to be certain.
16:30The thing is, I'm not supposed to leave my post at the door.
16:33Josh, if you're dead, that's not a criminal offence.
16:36But withholding evidence is.
16:41This girl that works here, in the cloakroom, she...
16:50Uh...
16:50She asked me to meet her in the storeroom.
16:52Okay.
16:53So, I did.
16:54And what time was it?
16:56This is really important, Josh.
17:058.40.
17:13How quick was this quickie?
17:18I was back in position for the interval at 9.20.
17:239.20.
17:23And you're telling me the truth this time?
17:25Yeah, look.
17:39Coffee's ready.
17:41I'll be down in a minute.
17:51Come on.
17:54Can you see?
17:55I don't know if she's in the closet.
17:57I don't know if she's in the closet.
17:57Yeah.
17:59Can you see?
18:00It's really good for her and I don't know it.
18:00It's really good for you.
18:04That's really good.
18:09What a chance of doing?
18:38¿Qué están poniendo en aquí?
18:40I'm a photographer
18:41I just thought this would make a really good dark room
18:44It's time you went
18:56She won't be having coffee
19:36And back in the room
19:38Yeah, it's not that easy to navel gaze
19:40When you've just had a lead on a murder investigation
19:42Oh
19:44Well, you're my priority
19:45Oh, wow, thanks, Pete
19:47I'm touched
19:50How did it go with Kim?
19:53Not great
19:55We got interrupted
19:56Oh, because of the case?
19:58It does have a habit of doing that
20:01Well, go on then
20:02What's this lead?
20:05Arthur Wayfield's looking less likely
20:08Margaret is PA
20:10She caught Kate
20:11Trying to leave the house
20:12The night she was killed
20:13Kate was planning
20:14To expose Arthur
20:16For defrauding Jonathan Robson
20:18She was working with his daughter Ellie
20:21Everyone talks about
20:22Kate being weak
20:25And
20:26Naive
20:28Gullible
20:28But the Kate
20:29That sent messages to Ellie
20:30From her secret phone
20:32Was sharp
20:33She was confident
20:34She was principled
20:35There's so much about Kate's life
20:37That we don't know about
20:38What's that graze on your knuckles?
20:40Oh, that's nothing
20:43I punched a wall
20:45I was quite restrained
20:46Considering the alternative
20:47Was John Blakely
20:48Where did this happen?
20:50John's hostel
20:51Yeah, I know
20:53I know I shouldn't have gone there
20:55But
20:56No damage done
20:58Well
20:59Apart from to my hand
21:01Why did you want to punch him?
21:03The point is
21:03I didn't punch him
21:05Why are you still hounding
21:07John Blakely?
21:09I
21:09You know
21:10This anger I'm picking up on
21:11This lack of control
21:13Ah, here we go
21:13What if it's projection
21:14For the anger you feel
21:16At losing Rachel
21:17You're hurling yourself into work
21:19To avoid dealing with your grief
21:21And
21:22As a result
21:23Your emotions are getting
21:24Displaced
21:25Because you're not targeting
21:26The original source
21:27Or maybe I'm doing it
21:28Because I'm trying to find out
21:29Who killed a young woman
21:29Who was brave enough
21:30To bring that fucking tyrant down
21:33I need to find Kate's second phone
21:35So let's just chat
21:36When her killer's been caught
21:37Yeah
21:50I knew there was a reason
21:51I kept every charge
21:52I'd ever end
21:55So you saw her then
21:58How was mum?
22:00She seems
22:03Sad
22:06Yeah
22:07He won't let her reach out to me
22:09He's a beast
22:13There
22:14There
22:14You see
22:16I took some photos
22:17I took some photos
22:17That I was going to send to her father
22:18But I never used this one
22:19No, no, no
22:20Go back
22:21You see through the window
22:22That is my father's red metro
22:24That's not my car
22:25That is not the car
22:26That they planted the evidence in
22:27That's Sophie Armstrong
22:33You wanted proof
22:34There it is
22:35No, you said you were innocent
22:37You lied to me
22:38Not about Bergerac planting the evidence
22:40It's
22:40That was true
22:42Look
22:42She was a child
22:45I'd have never pursued this if I'd known
22:50Fine
22:51Fine
22:53Just take a minute
22:56I mean, you've met with her
22:57She's fine, isn't she?
22:59She was a child
23:00Look what you did to her
23:01I served my sentence
23:04He hasn't
23:06I think we're done
23:07Yeah
23:12I fucking see you
23:34Well
23:38I, um
23:39I've been charged with perverting the course of justice
23:43And bailed to attend court
23:47Well, I'm, uh
23:49Sorry to hear that, Mark
23:53However
23:55There is an upside
23:57We know it wasn't Julian
24:02Why, what were you going to say?
24:05Well, they know I didn't do it
24:08I wouldn't be so sure
24:10Bergerac's convinced I'm covering for you
24:12Out of some sort of die-hard loyalty
24:16Even when we're telling the bloody truth
24:17You're determined to pin it on me
24:20I'm telling you
24:21The man's not well
24:28You've got a tenant
24:33Arthur, we were just talking about you
24:35The Bergerac expose
24:37Enough dicking around
24:38You run the story tomorrow
24:39I'm sorry, Arthur
24:40But whatever Bergerac did to frame him
24:43We have evidence that proves conclusively
24:45That Blakely did, in fact, abduct that girl
24:47Yeah, right
24:47But, I mean
24:48You're not saying Bergerac didn't falsify evidence, are you?
24:51No, I'm saying I'm not jeopardizing my career
24:55Or my reporters
24:56By printing a story that champions someone who abducts young girls
25:01Fine
25:02I'll be talking to the owner and the board
25:04Be my guest
25:05I'm sure they'll agree with me
25:07This isn't a story
25:08It's a suicide note
25:09Thank you for your time
25:10Arthur, please
25:11Please just, just listen to me
25:14All that Blakely cares about
25:15Is hurting Bergerac
25:17Now, I know that aligns with your objective
25:20But Blakely, he's, he's a very sick man
25:24So take my advice
25:25I have nothing more to do with him
25:27He's toxic, Arthur
25:28If you have to go after Bergerac
25:30Find another way
25:32Noted
25:36Yeah, I'm
25:39You know that, um
25:42Man you brought here
25:43To my house
25:44John Blakely
25:45Turns out he abducted the girl
25:48So now they're not running the story
25:50Well, I'm, I'm sorry
25:52I
25:53Thought he'd be able to help somehow
25:57Just explain to me again
25:58Why were you in the annex
26:01When Kate died
26:03As you know
26:04She'd been speaking with Ellie Robson
26:06And wanted to find out
26:07What they were planning
26:09So you would have been the last person
26:11To see Kate alive
26:13Hmm
26:13Bergerac was right
26:14You were loyal to a fault
26:18What's she saying, Arthur?
26:20Hmm?
26:21Oh, no, no
26:22Just thinking aloud
26:24That's all you know
26:36One day someone's going to walk through that door
26:39And it won't be about Jim
26:42Every time I get close to a breakthrough
26:44He talks about work
26:45The lines between personal and professional are blurred
26:50I think he's projecting his buried rage
26:52At losing Rachel onto his suspects
26:54Yes
26:55He was ranting about Arthur Wakefield this morning
26:57Again
26:58And then there's John Blakely
27:00Oh, that's sorted
27:01He's no longer in the frame
27:02Yeah
27:03Jim went to see him last night
27:05At his hostel
27:06Ended up punching a wall
27:08Dickhead
27:09Rather than being a healthy diversion
27:11This case has become an addiction of sorts
27:13A replacement for alcohol
27:15Which he'll do anything he can to perpetuate
27:18Everyone can master a grief
27:20But he that has it
27:22Bumper sticker
27:23Shakespeare
27:25My bad
27:28I'm gonna have to take him off the case
27:59Where?
28:00¿Dónde están? ¿Dónde están? ¿Dónde están las fotos de Cate Santayly?
28:05Oh, en aquí.
28:16¿Están los forenses en la anexa?
28:19Sí.
28:51¿Dónde están?
28:51¡Gracias!
28:52Poppe, es DCL Bergerac.
28:53¿Estás en el Hueyfield House?
28:55Sí, sí.
28:56¡Vamos a ir a la universidad!
28:58¿Qué te haces, Jim?
28:59Just go to the fish tank
29:04Jim, I need a word
29:05In my office
29:06Sorry, Poppy, you've gone quiet, where are you?
29:08Yeah, I was downstairs
29:10I'm in the nursery
29:11You see the fish tank? Just go to it, I need you to look inside
29:15What am I looking for?
29:16There's just loads of fish
29:17What about the, isn't there like stones at the bottom?
29:21Little tiny stones, just can you dig around in there?
29:23What is he doing?
29:24I have no idea
29:26Poppy?
29:28What are you doing?
29:30Poppy?
29:31Poppy, talk to me
29:32I don't want to harm the fish
29:34No, the fish are fine, we can replace the fish
29:36Okay enough
29:37Jim
29:37Jesus, would you, wait
29:41Poppy?
29:53Nothing in the stones
29:54Uh, what else?
29:55A log, it's quite realistic for plastic
29:57Okay, can you pick that up, can you look inside?
30:03Jim, hang up, I need to talk now
30:06Yeah, just hold on
30:07Um, Poppy, talk to me
30:14There's like a freezer bag, and there's a phone in it
30:17Yes!
30:18Yes, what?
30:19Excellent word, Poppy
30:20I'm coming to pick it up now
30:21Um, we got it, we got Kate's second phone
30:28Oh, Margaret said that Kate was by the fish tank
30:30And, you know, I thought, um, she's not going to be feeding them, so why is she there?
30:35She was hiding her secret phone because someone was heading into the annex
30:37And then I saw the waterproof bag in the corner of the photo that Kate sent to Ellie
30:41I enlarged it, why would Kate have a waterproof bag?
30:44For the phone in the fish tank, thank you and good night
30:46That's actually very smart
30:48Yeah, I know, right?
30:49I, I, now we're going to find out who the real Kate is because I think it's on there
30:53Everything we need to know
30:54Jim, we need to talk
30:54Absolutely, I'm just going to pick up the phone and swing by once I'm done
30:57I know you went to see John Blakely and punched his wall
31:03Okay, um, I didn't touch Blakely, um, but no, look, I messed up
31:08I appreciate that, but I swear that will never happen again
31:11It's harassment, Jim
31:13Um
31:15My God
31:17You arrested Arthur Wakefield when I expressly told you not to
31:20You took your daughter on an arrest and now this
31:22I took a huge risk on you
31:24Yeah, and I just got as a massive breakthrough
31:26Yes, and I need to secure a conviction
31:28We can't risk some lawyer getting the case thrown out because you freestyled protocol
31:32I'm sorry, Jim
31:33I have no choice but to
31:35No, no, no, no, no, no
31:36Take you off the case
31:39I found Kate's fault
31:42And you can rest easy that Tech Forensics will help us with it
31:46No
31:46I never doubted your brilliance as a detective, Jim
31:49Please, don't do this
31:51Not now
31:52Don't take this away
31:53I need this
31:55Take some time
31:56Get your priorities straight
31:58Go home
32:00Be a dad
32:05Right
32:05Back to work, everyone
32:07Thanks to Jim, we have Kate's phone
32:10Our best lead so far
32:16Showtime
32:18Listen to your stories
32:26Come on
32:26Speak for you
32:42We have Kris
32:55¿Qué pasa?
33:27¿Qué pasa?
33:43I am not silenced because of the darkness, nor because the thick darkness covers my face.
33:50God has made my heart faint.
33:53The...
33:58Fuck off.
33:59There's a good lad.
34:09I won't stay long.
34:11The last thing I need today is tetanus.
34:15You haven't been quite straight with us, have you, son?
34:18No, I said Bergerac planted evidence to secure my conviction.
34:22No, you weren't straight about who you are.
34:25You failed to mention that you're a grubby little sicko that abducts young girls.
34:31One.
34:33Young girl.
34:36It's an interesting hill to die on.
34:38Fine.
34:39What can I do for you, sir?
34:42You wasted my time.
34:43However, my forgiveness knows no bounds.
34:46Nor does my generosity.
34:52Bergerac's address.
34:55And what am I expected to do with this?
34:58Use your imagination.
35:02And what do I get in return?
35:03Well, he's as mature and amusing as he is mine.
35:06You said he lost you, your job.
35:09Well, we're always looking for fit, hardworking young men for our sights.
35:12Fresh start.
35:14Clean break.
35:16Blah, blah, blah.
35:21I'm not just an animal that you can let loose on someone.
35:26Really?
35:28Because I think that's exactly what you are.
35:39Hello, darling.
35:41How was your day?
35:42I didn't attend any arrests.
35:44You'll be glad to know.
35:49Starting early, Gran?
35:52Maybe we have something to celebrate.
35:54Oh, what?
35:55And I want to place a break to Corfu.
35:57Very funny.
35:58I'm not that drunk.
36:02I've seen this.
36:04They do skiing trips.
36:05They have a state-of-the-art music department.
36:08Complete with a recording studio.
36:12Places are like gold dust.
36:14So I took the liberty of signing you up for next term.
36:19What?
36:40I have a thirst for knowledge and already possess a broad understanding of the cultural, historical, and geographical, which makes
36:47me eager to discover more.
36:51Is she AI-generated?
36:54What about my friends?
36:55You'll keep your old ones and make new ones.
36:58With these trots?
36:59Your mother, darling, was very happy there.
37:02Well, she'll should agree.
37:05Think of it as a new adventure.
37:09There's been enough change.
37:11Darling, sweetheart, you were so keen before.
37:14I was being nice.
37:17It's my life.
37:19It's my life.
37:19My decision.
37:20Dad was trying.
37:22About what?
37:23Don't you surprise me?
37:24You're trying to take over.
37:27Because right now, it seems I'm the only responsible adult in your life.
37:33It's not me who keeps letting you down.
37:36Remember that.
37:58Granny's only going to sign you up to the posh private school.
38:01It says I have to start next term.
38:04What?
38:05Granny's trying to turn me into a version of mum that doesn't even exist.
38:09You're right.
38:09She's trying to take over.
38:14Not on my watch, love.
38:29Hey, it's just the one.
38:32Fuck you, Dad.
38:34Kim.
38:34Stay away from me!
38:36Kim.
38:37Kim.
38:38Kim, I'm sorry.
38:39Leave me alone.
38:40Just, please, you just come back and we can talk.
38:43It's not when you're pissed we can't.
38:46Why did you have to prove Granny right?
39:01Kara, it's not a good time.
39:03What?
39:09Kate only had two contacts in her phone.
39:12Ellie Robson and someone called Fred.
39:17Ellie's phone is Ellie's phone.
39:18But Kate's and Fred's were paid-as-you-go so untraceable.
39:22And it looks like she deleted the messages about once a week.
39:25So they don't go back very far.
39:27But what she says is really interesting.
39:38Margaret hates me.
39:41Watching and listening, pretending to be on my side.
39:45Right, and this is to the, uh, um, Fred guy, straight woman.
39:50Heart emoji is a reply.
39:51Right.
39:52Um, the more I dream about breaking free, the more she keeps tabs on me.
39:56Margaret.
39:57Fred says you can do this.
40:01How many of these are there?
40:02Loads.
40:03And this is just one week.
40:04Almost all of them about Margaret.
40:06Margaret told me today how lucky I was to be welcomed into the family that I was adopted like Lily.
40:11A stray.
40:12Look at this.
40:13A few days later.
40:14Just had a big argument with Margaret.
40:15She said Julian would be better off without me.
40:17Then she said they'd all be better off without me.
40:19I can't breathe, Fred.
40:21And this?
40:22The night she was killed.
40:24They've all gone.
40:25Tonight's the night.
40:25Arthur needs to be exposed.
40:26I just need the documents and then I go.
40:30And then, I couldn't resist saying something to Margaret, though, which is probably silly.
40:36Funny, though.
40:38Cry laughing and magic from Fred.
40:39Then Kate says, thank you.
40:40I couldn't have done this without you.
40:41Fred replies, you did this all yourself.
40:43What a joy it's been to know you.
40:45Safe travels.
40:46Kate was clearly terrified of Margaret.
40:48What you said in her interview, I think you were right.
40:51She comes back to the annex.
40:54She talks to Kate.
40:56Kate tells her what she's planning to do.
40:58And Margaret kills her.
41:04Um...
41:04Sorry, I need to take this.
41:07Charlie, look, I need to talk to Karen.
41:09I thought she was with you.
41:11She ran away, hasn't gone to her violin class.
41:13Her friends haven't seen her.
41:14And now she's not answering her phone.
41:17Um, look, I'm going to send you an address.
41:20Meet me there.
41:25I need to go.
41:28Let me give you a lift.
41:30You don't need to be breathalyzed on top of everything else.
41:52I'd say she left my island just after half past four.
41:55I'm half an hour away on foot.
41:58How long was she with you?
42:00About a minute.
42:03Um, okay, find the nearest footage to my house.
42:10There.
42:11There she is, there.
42:13Can you...
42:14Where is she going?
42:16Uh, what have you got on King Street?
42:18Try to Massie's.
42:20There, is that her?
42:21What has she got?
42:22She's got flowers.
42:24She didn't have those before.
42:27She's going to the graveyard.
42:29I adore champagne Charlie to do.
42:31I'm a St. Bichadette school, Mum.
42:33I know you were bullied there, but were too nice to tell her.
42:38I don't even know who knows you anymore.
42:40I know, I miss you.
42:46I just want to hug you.
42:49Hold on to you.
43:09Where is she?
43:12Where is she?
43:13She was here.
43:13She was...
43:14She was here.
43:14We saw her just...
43:16Just a minute ago.
43:21Wait a minute.
43:27Hey.
43:31We'll find her.
43:38Hey.
43:39Hey.
43:45Miss you.
43:47Every day.
43:49Kim left with a man.
43:51Average height.
43:52Fair hair.
43:52Dark jumper.
43:53He had his arm around her.
43:54What?
43:56Who?
43:58Who could it be?
44:14Who could it be?
44:25Vengeance is mine.
44:28I will repay.
44:31I will repay.
44:32I will repay.
44:33Who could it be?
44:41I will repay.
44:55See you next time.
44:55Bye-bye.
45:01Gracias por ver el video.
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