- 3 hours ago
A.Taste.For.Murder.2026.S01E05.540p.X265.AAC [Full Movie] [Full Episodes]Full EP - Full
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Short filmTranscript
00:09We think we could be the first people to track her down in years.
00:13There's someone in there.
00:15The question is, is it Glenda Goodrich?
00:18Only one way to find out.
00:21Emily has cracked the code.
00:23It's a date Glenda receives her only nomination for Best Actress.
00:27What's the worst that could happen?
00:57What's the worst that could happen?
01:17What's the worst that could happen?
01:27B
01:29Frankie!
01:31Brenda?
01:40Brenda?
01:57Oh my god!
02:39The End
03:14What do you call this again?
03:16Sofrito.
03:17Sofrito.
03:18Ciao.
03:19Ciao.
03:20Ciao.
03:21We're having a lesson.
03:23Now, do you know where your big black book is?
03:26Is this it?
03:28Yes.
03:30He keeps all his recipes in there, broken down by their ingredients, so we can decide a pricing strategy.
03:37What margin are you looking for?
03:39We'd be happy with any profit at all, wouldn't we?
03:42Keep steering.
03:43You work it all out by hand?
03:45He doesn't trust computers.
03:48I thought the money would be your job, Nana.
03:50Well, your Nana decided to take it over.
03:55Add the meat back in now.
03:58What are you guys making?
03:59Slow-cooked ragu.
04:01Mmm, with pork belly?
04:02Yes.
04:03Mom used to make it with bacon.
04:04It was cheaper.
04:05But not so fatty or full of flavor.
04:10This looks pretty fancy.
04:12Cook with wine, you're happy to drink.
04:15You have expensive taste, Nana.
04:18Elena, can I have a word, please?
04:22Keep steering.
04:24Yes, Chef.
04:27Smells good.
04:37I don't want her seeing the accounts.
04:41You don't want anyone to see them.
04:43What am I supposed to do with her?
04:45She can't wake tables anymore.
04:47I just don't understand what you think this is going to achieve.
04:51You know perfectly well.
04:54Elena, I told you.
04:56You're playing with fire.
04:57Nonsense.
04:58I'm only trying to help.
05:00I don't want to miss the ferry.
05:02Ah.
05:03Uh, you're going to Maples?
05:06Si.
05:06To look at a catering college.
05:08I'll see you guys later.
05:09Ciao.
05:09Ciao.
05:12You've got her visiting schools now.
05:14It's for the boy she likes.
05:18Anyway, wouldn't it be wonderful if she was?
05:32What did you think?
05:34I can't make the decision for you.
05:37I wish you could.
05:39You have to want this for yourself.
05:43Come on.
05:45I guess I could just about afford it if I get a job in the evenings.
05:49Working in a restaurant, maybe.
05:50I mean, my nonna says it's a good career.
05:53You can work anywhere, travel the world.
05:55And yet he's still here.
05:57He spent 15 years in London.
06:03I'm going to apply.
06:05Oh.
06:06I didn't pick up the application phone.
06:08I'll come with you.
06:09No, stay.
06:10I'll only be a few minutes.
06:13I have my own money.
06:14It's not what you think.
06:19I'll be a few minutes.
06:46I'll be sure I was in charge.
06:47Capisce?
06:49Start the book.
07:18You add the time to this.
07:20My nonna always put it in beef stew.
07:22Hmm.
07:24And something else.
07:29Honey?
07:31Balsamic vinegar.
07:32Hmm.
07:34Okay.
07:34Okay as in it's just okay?
07:37Okay as in it's good enough.
07:40Good enough for what?
07:41Good enough to be served, Joe.
07:44Daria?
07:45We are changing the lunch menu.
07:48Okay.
08:00Joe?
08:03You've made it to the menu.
08:09Do you want to taste it?
08:23I can't believe I've made this.
08:26Sophia would be proud of you.
08:31Go on, sit.
08:33Never tastes as good on your own, does it?
08:35Daria can sit with you.
08:37Well, I don't want to get her into trouble.
08:39Gennaro can spare her for a bit.
08:41I'll get another bowl.
08:43Okay.
08:44Okay.
08:48Oh, I hope I'm not interrupting.
08:51No, just the chat between cooks.
08:56That, that thing we talked about, Joe.
08:58Yeah.
09:02Sorry, Daria.
09:03Oh, it's okay.
09:04I'm probably needed in the kitchen.
09:06Excuse me.
09:10Sophia's file.
09:11I called in a favor.
09:14You're acute with me looking.
09:16Yeah.
09:17Yeah, no, thank you.
09:18One other thing.
09:21There's been an unexplained death.
09:23A Mrs. Valerie Pope.
09:25Want to hang along?
09:26You're basically part of the team.
09:30Yeah.
09:32Great.
09:42Excuse me.
09:46I've only seen Mrs. Pope's face a few times in my life.
09:49And that was years ago.
09:52You can't identify your own employer?
09:54She always wore sunglasses.
09:56And a mask.
09:58Any idea why?
09:59She said she was afraid of germs.
10:00But Lizzie, Miss Andrews,
10:03said Mrs. Pope was ashamed of the surgery she'd had.
10:06And who is this Miss Andrews?
10:08Her assistant.
10:09Until they fell out.
10:10And when was that?
10:12Three summers ago, maybe.
10:14Any idea where she is?
10:15She told me she was going home.
10:18And where is home?
10:20I have no idea.
10:22But whenever she spoke English,
10:24she spoke with an accent.
10:26So there was a puncture wound near the navel.
10:29She might have been injected.
10:32Anything else?
10:34A bottle of eye drops
10:35and a glass of water.
10:39They're being tested.
10:40Any signs of a struggle?
10:43Blood?
10:43Fibers?
10:44Nothing that suggests foul play.
10:47Hey, sir.
10:47Hey, sir.
10:49Hey, sir.
10:50Sir, sir, sir.
10:50You shouldn't be here.
10:51I'm sorry.
10:52I'm sorry.
10:53This is a restricted area.
10:54But I work here.
10:55In what capacity?
10:57I'm Mrs. Pope's assistant.
11:03I'm afraid we have some bad news.
11:13Here you go.
11:19I've only been gone for three days.
11:22Unlucky timing.
11:24I feel bad I wasn't with her.
11:27It was me she relied on.
11:31Gracias, señor Andre.
11:33ID checks out.
11:34So, flown in from Bucharest.
11:36That's right.
11:37My family's there.
11:39Will you live here with Mrs. Pope?
11:40So, it's a perk on the job.
11:43How was her health?
11:45Fine.
11:47She was agoraphobic, but otherwise...
11:51Could you formally identify her first?
11:54Of course, I'll do anything to help.
12:08It's her.
12:10Are you sure?
12:12I worked for her for three years.
12:15Does she have any relatives?
12:16Friends?
12:18I told you.
12:19She was a recluse.
12:21And what about her former assistant, Miss Andrews?
12:24Could she back up your ID?
12:26You don't believe me?
12:28We're just being thorough, sir.
12:30We're told she always wore a mask and sunglasses.
12:34We couldn't find any photo ID.
12:37Mrs. Pope kept her papers in the safe.
12:41Can you help us gain access to them?
12:44Yes.
13:05It's definitely our woman.
13:12That's a great help.
13:19A last will and testament.
13:21Do you need a warrant?
13:22You might.
13:23I don't.
13:30It all goes to animal charities.
13:38Except 10% or 2 million euros, whichever is greater.
13:42Equipped to a Dr. Mario Maitreya.
13:47Do you know who that is?
13:49Mrs. Pope's plastic surgeon.
13:56Yeah, just like that.
13:57That's really great.
13:59Oh.
14:00What are you doing?
14:01Stop that.
14:01It's for our video blog.
14:03Didn't you used to be famous?
14:04It's the name we post under on TikTok.
14:07Is that where you were at the villa?
14:08Yeah.
14:09Glenda Goodrich.
14:11Guys, the movie star.
14:13Ex-movie star.
14:14Now, ex-person.
14:16You mean the deceased?
14:17We've spent, like, literally lost six weeks tracking her down.
14:21Thanks to tip-off from a follower.
14:24Unfortunately, your tip-off was incorrect.
14:26Like most things you find online.
14:30The deceased has been formally identified as a Mrs. Valerie Pope.
14:34Not Glenda Goodrich.
14:36They're only interested in clickbait.
14:39Agreed.
14:40But I'd feel happier if we had someone else to confirm the ID.
14:43We should keep looking.
14:46Want to eat a drink?
14:47Oh, not tonight.
14:48I'm too tired.
14:51Tomorrow, maybe?
14:52I'm meeting someone.
14:54Hot date?
14:55A colleague from Narcotics.
14:58He says he has intel.
15:01On a friend of yours.
15:06Come with me.
15:08Tell Conte why you're interested in Rocco di Biasi.
15:12I need to speak to my source first.
15:16Not now, Joe.
15:18Then when?
15:19I don't know.
15:19Maybe later.
15:20Just not now.
15:21You could get him off your back.
15:23Can you guarantee that?
15:24Of course not.
15:25Yeah.
15:26But I trust Lara.
15:27I'm not ready for this, Joe.
15:29Not ready for what?
15:31Um, Gennaro says I'm not ready to cook a meal for myself.
15:36You just did.
15:37Yeah, but I held his hand the whole way.
15:39He did.
15:40Well, then, he's going to go hungry.
15:42We're visiting friends tomorrow, and the restaurant is closed.
15:46Oh, it's okay.
15:47I'll get a takeaway.
15:48Not in this house, you won't.
15:50Maybe Daria could help.
15:52Help with what?
15:53Joe needs someone to cook with him tomorrow night.
15:57Honestly, it's not necessary.
16:00I'm not doing anything.
16:02That's agreed, then.
16:10Good night.
16:12Good night, my darling.
16:18Elena, can I ask you something?
16:21Of course.
16:22Anything.
16:23What's the idea with Joe and me?
16:26I don't know what you mean.
16:28I think you do.
16:33You don't like him.
16:38He belongs to Sofia.
16:41Not forever, he won't.
16:44It's when I saw you with him.
16:48When you were going for that dinner.
16:51Looking so handsome together.
16:54It made me think.
16:56That wasn't why I went.
16:58I know.
17:00But Gennaro's right.
17:02One day, his heart will mend.
17:06I'd rather it was someone we care for.
17:13Elena, I don't know what to say.
17:15How about mind your own business?
17:19No.
17:30Don't tell me, God, I'm not going to leave it like this.
17:42Proviamoci ancora
17:43Voglio stare con te
17:47So this is Glenda in 1986.
17:52And that is ten years later.
17:54It is not the same woman.
17:56It is.
17:57It was taken a year after her divorce at the premiere of what they were calling her comeback movie.
18:01But the critics panned it.
18:03Said her face didn't move.
18:04Speculated that she'd had a facelift.
18:07Is that Valerie Pope?
18:08That is the last known photo of Glenda Goodrich.
18:12They could be twins.
18:13It was taken eight years ago at a film festival.
18:16And that guy there, that's Glenda's ex-husband, Walt Elwood.
18:20Maybe he can help us tell them apart.
18:22Boss, the dead woman.
18:25Something is online.
18:26What is it?
18:35You should be thanking us, not threatening us with a rest.
18:39Don't push your luck.
18:41It's this guy who gets the credit.
18:44Drawlet Law 56.
18:45Valerie Pope is Glenda Goodrich's birth name.
18:48Do you know who that is?
18:50No clue.
18:51We do have 136,000 followers online.
18:56Fine, all right.
18:58You can go.
18:59But first hand in your phones.
19:02Just until the investigation's over.
19:04What will we do without them?
19:06Sightsee.
19:08Read a book.
19:12So if Valerie is Glenda, and Glenda is Valerie, who does that make you?
19:18Exactly who I said I am.
19:22Except I'm not her assistant.
19:27I'm her son.
19:34There's no mention of you on her wiki.
19:36She never publicly acknowledged me.
19:39My father took me back to his native Romania.
19:42Brought me up on his own.
19:43And you were estranged from her?
19:46For years.
19:49Until she came back to Romania.
19:51She came looking for you?
19:53She was visiting a plastic surgeon.
19:57You had reason to hate her.
19:59I made peace with my past.
20:01Will you come to the station, take a DNA test?
20:03Sure.
20:04Why not?
20:05Shall we?
20:13Do you know that guy?
20:15My mother's surgeon.
20:18The one named in the will?
20:20Dr. Mitrea.
20:22Yes.
20:23Any idea what he's doing here?
20:24Sucking what's left of her dry.
20:27Okay.
20:38Boss.
20:39The results of the autopsy.
20:43Thanks.
20:47Your mother's heart stopped eating.
20:49With no explanation.
20:52Popula flow to the organs.
20:56That's it?
20:57The pathologist mentions evidence of numerous cosmetic surgeries.
21:00Repeated exposure to anaesthetic.
21:04It might cause cardiovascular damage.
21:06What about toxicology?
21:08We're still testing.
21:10Right now we only have preliminary forensics from the scene.
21:12Okay.
21:13And what did they detect?
21:14Basically nothing.
21:16A used syringe was found next to her body, but it just contained a tanning agent.
21:20Melanotone.
21:21And a bottle of eyedrops.
21:23Eyedrops?
21:24They can be very dangerous if ingested, but there was no trace of chemicals in the glass of water at
21:29the scene.
21:32May I?
21:38Here's to Valerie.
21:40May she rest in peace.
21:42So you knew her as that?
21:44Not as Glenda?
21:45She was Valerie to her friends.
21:47According to her assistant, she had none.
21:51Did you know he claims to be her son?
21:54Stefan said that.
21:56She didn't mention it?
21:57Perhaps you're not such good friends at all.
21:59We were very close.
22:01Close enough to be named in her will.
22:04That's news to me.
22:06Stefan doesn't like you very much.
22:08Maybe he objects to what you did to his mother's face.
22:12The mutilation of her looks.
22:14That was long before I knew her.
22:17Her first surgery in the 90s.
22:20It was disaster.
22:22Nerve damage, if what I read is true.
22:24She sued, received settlement, retired, disappeared from view.
22:30Then turned up at your clinic.
22:32I was recommended by her assistant.
22:35Lizzie Andrews?
22:36I don't recall.
22:38When Valerie came to Bucharest, she was desperate.
22:42I operated on her to soften the scar tissue.
22:45Got rid of what I could.
22:46All that surgery.
22:49The anesthetic.
22:51It made her heart fail.
22:53She knew the risks.
22:55She said they were worth it.
22:57For the way I made her feel.
23:00Then why did she hide away?
23:04People are cruel, Inspector.
23:08Especially about women.
23:10And their looks.
23:13So sorry to bother you, Dr. Mitra.
23:16And it really seems like someone's broken into your room.
23:21If you'll excuse me.
23:44Anything missing?
23:46It appears not.
23:49Have they taken any drugs or medicines?
24:02Well, it's hard to say.
24:05Nothing that I can see.
24:15He visited her on the day she died to give her the tanning agent.
24:19And the will proves he's got a motor.
24:20But the post-mortem gives no indication of foul play.
24:23We need to wait for this option, Paul.
24:25Mm-hmm.
24:28Hang on.
24:29Oh, Kutu wants to discuss PR strategy.
24:32Ouch.
24:32And I have that drink with my colleague.
24:35Maybe I could go in your place.
24:37That's a great idea.
24:38Who too loves you?
24:39I meant the other guy, can't he?
24:41I'll text.
24:41Say you're on the way.
24:51Where is the inspector, Serencino?
24:54She asked me to come in her place.
24:56If the press finds out, I'm paying an English cop to solve Italian crimes.
24:59I'm happy to step back if you want.
25:01No, no, no, no, no.
25:02Stay.
25:02It's the tox report.
25:04I want to confirm death from natural causes as soon as possible.
25:07Seems like we might be rushing it a bit.
25:09No, if we don't close these down quickly, it's going to be a media frenzy.
25:23Are you reading or are you helping?
25:26Sorry.
25:27What can I do?
25:28Add those into the pan and give it a stir.
25:32And what are we making?
25:33We are making gnocchetti.
25:35Half pasta, half gnocchi.
25:42Ha, ha, ha.
26:08do you want to try
26:12yeah
26:15here
26:18really go in
26:19with the palm of your hands
26:22sorry
26:24Sophia and I
26:25we made Nocchetti
26:28oh Joe
26:29do you want to stop
26:30no
26:31no
26:33it's a good memory
26:35I have to learn not to push those away
27:18she thought you well
27:19she thought you well
27:28come on
27:35hey hey hey
27:37good to see you
27:38hi
27:39guys this is Angelica
27:41hi
27:43hey
27:46cheers
28:05if you weren't here I'd lick it
28:07don't mind me
28:08enjoy
28:17when you said you were making another ragu
28:19my heart sank a little
28:20but
28:21this one is different
28:23no
28:24totally
28:26it was just as delicious
28:29good
28:43you've finished
28:47let me help you
28:48no
28:48you cook
28:49I'll wash up
28:51we could do it together
28:53honestly
28:53I work better on my own anyway
28:58maybe I should go
29:00there's a
29:01gelato in the freezer
29:03that's nice of you to suggest
29:05but
29:05your sister's expecting you back
29:08no
29:09I
29:09I don't really eat dessert
29:19Angelica
29:20downloaded a film to my laptop
29:23it's got Glenda Goodrich in it
29:27okay
29:28okay
29:33okay
29:35okay
29:36okay
29:36okay
29:37okay
29:39okay
29:39okay
29:39okay
29:44okay
29:44okay
29:45okay
29:45okay
29:46okay
29:47okay
29:47okay
29:50Oh, my God.
30:23I'm done.
30:25Are you all right?
30:31Oh, no, no, no!
30:34Oh, no, no!
30:38Oh, no, no!
30:39Oh, no, no!
30:40Oh, no, no, no!
30:48Whoa, whoa, whoa, whoa!
30:50Peace!
30:51Angelica!
30:53Let me help you.
31:02Oh, no!
31:04Oh, no!
31:10Oh, no!
31:11Oh, no!
31:12Oh, no!
31:13Oh, did you hit him?
31:15I got it, too.
31:17Okay.
31:21I'll have this around about you the whole way.
31:34What the bloody hell's that?
31:41Joe, I'm sorry. You need to see these.
31:46I'm sorry. I didn't know you had company.
31:49Oh, it's not.
31:51Angelica's boyfriend.
31:52He's dealing.
31:54When were these taken?
31:56Yesterday morning.
31:57Ten minutes apart.
32:01She's with him now.
32:03Is Angelica in trouble?
32:05She may be providing cover for him.
32:08Her phone's switched off.
32:10Do you know where she is?
32:11Well, she mentioned something about a party.
32:13Some abandoned beach club.
32:15I know it is. I can show you.
32:17Yeah?
32:17All right, let's go.
32:29She all right?
32:30Too much to drink, I take her home.
32:56It's all right, I'm here.
33:05We need to cool you down.
33:18Angelica!
33:21Angelica!
33:23Have you seen an English girl?
33:24No.
33:24Anyone seen an English girl?
33:25No.
33:27You've seen an English girl, dark hair.
33:29No.
33:30Nope.
33:32Angelica!
33:33Huh?
33:33Sorry.
33:34Sorry.
33:34Excuse me.
33:37Angelica!
33:40Angelica!
33:41Angelica!
33:44Angelica!
33:44The couple back there.
33:46They saw her.
33:47Where?
33:47They went back that way.
33:52Let me go.
34:09Oh, yeah.
34:12Stop!
34:14Stop!
34:17Stop!
34:18Stop!
34:18Stop!
34:18Get out!
34:31Angelica, Angelica, I'm here sweetheart, I'm here.
34:45Hey Jo, is she okay?
34:47I think her drink's been spiked.
34:52She drank too much.
34:54You're a lying bastard!
34:56Jo, just let her go. It's not worth it. Come on.
35:25Do you want me to stay with her?
35:32I think it's best if I do.
35:36Yes, of course.
35:38But, um, thank you for everything.
35:43Good night.
35:45You're welcome.
35:46Good night.
35:51Daria?
35:53Yes?
35:57About earlier.
36:02It's not... it's not you.
36:05I know Jo.
36:08It's okay.
36:10Buonanotte.
36:11Good night.
36:21Good night.
36:24Good night.
36:25Good night.
36:33Good night.
36:38Good night.
36:59She can't eat something.
37:02She won't manage your life.
37:04That is for you. This is for her.
37:08Angelica.
37:10Fancy some toast, sweetheart?
37:13What's that?
37:17With pork sausage and fennel.
37:21Gonna try some. It's really good.
37:42A ragu is just a sauce with meat in it. The name is changed to tell you how it is
37:46made, or where it comes from.
37:54Oh, so where is she now?
37:55In her room. Let her rest.
37:58I wish I'd have followed my instincts.
38:00You couldn't have known.
38:01I should have paid more attention.
38:04The boy was her choice to make.
38:07She's a child, Eleanor.
38:08Yes, you're right. But you can't blame yourself, Jo.
38:12Oh, thank you for being there, Daria.
38:15I'm just so glad that I was.
38:17Jo, I'm sorry your phone was ringing, so I answered it.
38:20Some guy from LA. Something about his ex-wife.
38:29Jo, you should go.
38:32No, I'm not leaving Angelica.
38:34Now's not the time to smother her.
38:39I won't be long.
38:41A birthmark.
38:44Whereabouts exactly?
38:46How did you guess it was him?
38:56His username.
39:01It's Walt Elwood written backwards.
39:05So was the ex-husband who revealed the secret of Glenda's identity?
39:09And told us how to check it's really her.
39:32Nothing.
39:34This isn't Glenda or Valerie.
39:37And who the hell is it?
39:38And what happened to Glenda?
39:44That explains why she wore the mask.
39:47She was worried someone would realize she was not who she claimed to be.
39:51We hadn't come across anyone who knew Glenda, or what she should look like.
39:55Except Stefan and Mitria.
39:57The results of the DNA test, boss.
40:01It's a match.
40:03Stefan and our mystery woman are mother and son.
40:06Romanian origin.
40:08One hundred percent.
40:09Both of them.
40:11He did say his father was from Bucharest.
40:14And now it seems his mother, our dead woman, she's too.
40:20The gardener said she spoke with an accent.
40:23Who did?
40:24Lizzie Andrews.
40:27Glenda's former assistant.
40:29She's been staring us in the face.
40:43It's like a ragu.
40:44You change the name to explain where it comes from.
40:47So she's our dead woman.
40:59You need it.
41:00You poison her.
41:02That's why you're here.
41:04Stefan.
41:04You don't know your plan.
41:05Put it down.
41:07Stefan, we know who your mother is.
41:10She killed her.
41:11Her heart gave out.
41:14She was there the day she died.
41:17Yeah, he was, but her death isn't suspicious.
41:20It was atropine in the eye drops again.
41:23It weren't those kind of drops.
41:25I promise you.
41:27Your mother died of natural causes.
41:30I swear.
41:34Where did ya?
41:40You broke into Dr. Mitreya's hotel room.
41:44What were you looking for?
41:46Evidence that he poisoned your mother?
41:50You'd seen the will.
41:52You knew he had a motive to want her dead.
41:54You worked out he was at the villa on the day she died.
41:58Couldn't come to us.
42:00You risk incriminating yourself.
42:04Dr. Mitreya is cooperating with us.
42:07He claims that you and your mother killed Glenda.
42:09No, but it's a lie.
42:10He says Elisabetta gave her a massive dose of atropine that you supplied.
42:14It was him.
42:15Mitreya killed Glenda.
42:17He's the doctor.
42:18It was in a Botox injection.
42:31Shall we?
42:32Yes, boss.
42:36How did you know about the eye drop?
42:38Stefan knew it had been used to poison and kill Glenda.
42:42When he'd heard we'd found a bottle of eye drops next to his mom's body, he became fixated on the
42:46idea that Mitreya had done the same to her.
42:49And then we're looking for the proof in Mitreya's hotel room.
42:52If we find the body of Glenda, will there still be traces?
42:55Hard to say.
42:57It's difficult to detect post-mortem.
42:59It could be why they decided to kill Glenda that way.
43:03Dean, are you sure about that?
43:06Stefan claims Elisabetta and Mitreya were lovers.
43:08They bled her dry through the plastic surgery, then went a step further and killed her.
43:14He says the murder was Elisabetta's idea, but Mitreya injected Glenda.
43:18What does Mitreya say?
43:20He hasn't breathed a word.
43:22Okay. And where are we of motive?
43:24Elisabetta spent 30 years in Glenda's shadow, growing to hate and resent her.
43:30We'll need to be more than that.
43:31Glenda had 10 million dollars for her settlement. It's mostly been moved to Romanian bank accounts.
43:38One was in Stefan's name. His mother was buying his silence.
43:43I see.
43:51So, what made them think they could get away with impersonating her?
43:55Glenda was so isolated. There was no one left to tell the difference.
44:00After a few tweaks and talks to Elisabetta's face from Mitreya, you'd struggle to tell them apart.
44:04The U.S. Embassy couldn't. They renewed her passport, but with the photograph of Elisabetta in it.
44:10If they'd all done so well out of killing Glenda, why did Stefan suspect Mitreya of murdering Elisabetta?
44:17Well, Elisabetta told Stefan that Mitreya had squandered his share of the money.
44:21Stefan assumed Mitreya had killed her to get his hands on the last bit of it that she had left
44:25him in a will.
44:26It was all paranoia on his part, but it helped us crack the case.
44:29It was a big deal from there.
44:33Yes.
44:33Yeah.
44:34Yeah?
44:36Oh, yeah.
44:39Huh.
44:39Oh.
44:42Oh, yeah.
45:16The result of the blood test is back.
45:19It proves Angelica was drugged.
45:27Well, bastard.
45:30The prosecutor is happy to charge him.
45:34If that's what you want.
45:38Why the hell would you ask me that?
45:40You've seen him. He's on the edge.
45:42Good, he should be.
45:43I know.
45:47But is that the smart thing to do, Joe?
45:50Laura, what the fuck are you talking about?
45:52I have to ask Joe.
45:54My daughter. He was about to...
45:56I know what he was about to do.
45:59But if we offer him a deal, maybe he can help us nail the others.
46:05These bastards.
46:07Maybe even Rock would be us himself.
46:09I know.
46:14But I don't know.
46:14But I know where it is.
46:24I know no, I want to tell you.
46:32If you are a first one, we ain't gonna leave that one.
46:32I know.
46:32But I know.
46:33Uh, you know.
47:08Transcription by CastingWords
47:11CastingWords
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