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00:11Congratulations to Dorothy for winning the best original screenplay at the Rising Stars
00:15Movie Awards.
00:19Three years ago, I was the most sought after screenwriter.
00:25Three years later, I fell in love with Drake, keeping my identity a secret for the sake of his pride.
00:32I thought we were happy until...
00:39Hi!
00:46Where the hell have you been?
00:47I told you that Stephanie was coming to help set up for my brother's birthday,
00:51and instead of helping us, he just disappeared.
00:54What, did he bail so he could go and laze around or something?
00:57You know, people say that the only reason you're allowed to stay by Drake's side
01:01is because you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:08What? A maid?
01:10I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great, and it could be really good for us.
01:19But the risk is way too high.
01:22Dad.
01:24Please.
01:26Okay.
01:28And I'm sure you don't want him to know the real reason why I'm investing.
01:36Think about it, Dorothy.
01:38Since you got married, has he ever even touched you?
01:40How often does he actually come home?
01:42He doesn't even want to look at you.
01:46Let alone sleep with you.
01:48That's enough, Ellie.
01:49We're all here to celebrate Drake's birthday.
01:51I'm sure he wouldn't be happy to see us like this.
01:53Everybody knows that if it weren't for her, you would be married to Drake
01:57instead of being my late brother's widow.
01:59Ellie!
02:01Whatever happened between me and Drake is all in the past.
02:04Besides, I'm carrying Nick's baby.
02:10It's the perfect time.
02:14Oh, my God!
02:15Oh, my God!
02:16Oh, my God!
02:16Oh, my God!
02:16So, Dorothy just pushed Stephanie into the pool!
02:19What?
02:26Quick!
02:27Save Stephanie!
02:27She's carrying Nick's baby!
02:32Quick!
02:33Get in there!
02:35Oh, my God!
02:46He chose Stephanie over me.
02:51My baby!
02:53My baby is gone!
02:55Why would you do this to me?
02:58How dare you!
02:59You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:04Are you happy now that Stephanie's baby's gone?
03:06I didn't do it.
03:07I know you don't want me here.
03:09I told you whatever happened between me and Drake is in the past.
03:12You can hate me however you want to, but how could you be so cruel as to kill my unborn
03:16child?
03:17I didn't do it.
03:18You know me.
03:18I would never do that to Stephanie.
03:21Just apologize to Stephanie.
03:24I'm not going to apologize for something I didn't do.
03:26Apologize to Stephanie right now or I will divorce you.
03:35Divorce.
03:36Divorce.
03:37If you apologize right now, then I'm willing to give you another chance.
03:46It's been three years, Drake.
03:48I gave up everything to be your wife.
03:52I've always kept to the shadows, Dorothy.
03:54I already have a life.
03:56And right now I just want to focus on being on my marriage with Drake.
04:02I thought you would always be by my side, but I was wrong.
04:06The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:12Since you got married, has he ever even touched you?
04:14He doesn't even want to look at you.
04:18Fine.
04:20Let's get a divorce.
04:29There's nothing left in my heart.
04:32Drake's nothing without me.
04:36My ring!
04:38My ring is gone!
04:40Well, you must have taken it.
04:42Why would I take her ring?
04:43Well, look how quickly you packed your suitcase.
04:46You're probably seeing someone else.
04:49Dorothy.
04:51Yes?
04:52We were married for three years.
04:53Were you seeing someone else?
04:55Of course she was.
04:56Probably been cheating on you for a really long time.
04:59I couldn't wait for the divorce.
05:01So what if I was, huh?
05:03And what about you?
05:04Still hung up on your so-called sister-in-law?
05:07What gives you the right to talk about me?
05:10I only look after Stephanie because she's my brother's widow.
05:14But you actually seeing someone else.
05:16Who is he?
05:17Big talk!
05:18Don't bring me down to your level.
05:21I'm not like you.
05:23Since your sister-in-law lost her ring,
05:28why don't you take...
05:35This one.
05:37You've been waiting for this for a long time, haven't you?
05:45Bye.
05:52And so I left.
05:56This is ridiculous!
05:58We, the Bennett family,
06:00are one of the four major production companies in the world.
06:02I let him marry my daughter,
06:04and even invested in his business.
06:07How dare that Drake do this to my daughter!
06:11It's actually a good thing, Dad.
06:15Now we know who he really is,
06:16and he has no idea who I am.
06:19Still, you're my daughter.
06:20I can't let him do this to you.
06:22If it weren't for you,
06:23I would not have considered investing in his company.
06:26We're gonna pull our investment immediately.
06:28Yes.
06:29It's time to cut him off.
06:30He doesn't deserve you.
06:32I'm over Drake.
06:34If we withdraw the plans now,
06:36it's going to hurt the family business.
06:39He's not worth it.
06:41Honey,
06:44why don't you just take a vacation?
06:46Or just put all this aside,
06:49and take some time out for yourself.
06:51Yeah.
06:53No.
06:57I've wasted too much time with Drake over the three years.
07:02You know, now I want to focus on something that actually matters.
07:06You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:13Universal, Paramount, every major studio wants this.
07:19Liar's Game.
07:20Your story on the big screen.
07:22If you're in, I'd be happy to be the one headlining you.
07:25Oh.
07:26So that's why they're making it.
07:27Because of you.
07:28I'm sorry, Christopher Santoro.
07:31See?
07:32They're not funding the film.
07:34They're funding you.
07:35Oh.
07:36They're funding the story.
07:38It's more than good.
07:40It's phenomenal.
07:42Christopher is right.
07:44I'm taking my life back.
07:50I'm going to adapt it myself.
07:53You are?
07:54Yes.
07:55I will.
07:57What the f*** are you?
07:59They won't tell anyone I'm asking.
08:11Congratulations to Aria Wong for winning the best director.
08:19This is my close friend from college.
08:22Aria, I need your help.
08:24I want to adapt the Liar's Game myself.
08:26And I want you to direct it.
08:29Of course.
08:32There's just one thing.
08:34I want to keep my identity as the writer a secret.
08:38I don't want anyone to know.
08:40Especially not the team.
08:42SQ.
08:43Are you sure?
08:44But why keep it a secret?
08:46I just want people to focus on the story itself.
08:49Got it.
08:50Your secret's safe with me.
08:52Hey.
08:54My God.
08:58Jeff.
08:59It's a bit weird.
09:01Ever since news got out about our movie,
09:04my phone has not stopped ringing.
09:06Really?
09:07Really?
09:12It's Stephanie.
09:17Yeah, just take it.
09:22Hello?
09:23Hello, Miss Wong.
09:25I've heard Liar's Game is being made into a movie.
09:27I'm interested in playing the lead.
09:29Can we arrange an audition?
09:33I'll speak to the writer and I'll let you know.
09:36Thank you, Miss Wong.
09:39What do you think?
09:42Anyone can audition, right?
09:44As long as they're right for the role.
09:47What happened between me and Stephanie is not important here, so...
09:51Okay.
09:53I'll call her back and let her know.
09:55Mm-hmm.
10:05What about me?
10:08Can I be your hero?
10:14Oh, you mean, uh, a film, right?
10:18I...
10:19I've never considered anyone else.
10:24I have to take this.
10:26Hi?
10:32You know, I'm not just talking about the film, Dorothy.
10:36It's okay.
10:38I can wait.
10:41Waited this long.
10:46Well, well, well.
10:48Look who it is.
10:52Why are you here?
10:54Oh, I see.
10:55You're the production assistant.
10:58Well, do your job.
11:00Get me a water.
11:03What's happening?
11:05Get your own water.
11:07I'm not your PA.
11:08Look.
11:09It's my first day on set,
11:11and I want to buy coffee for you.
11:12Thank you for the crew.
11:13Why don't you be a doll and mark down everyone's order?
11:17Are you deaf?
11:18I'm not a PA.
11:21Here's your tip.
11:22Go on.
11:24Show some respect, Stephanie.
11:26Do you know who she is?
11:30What were you doing?
11:32Oh, no.
11:33She can't know I'm rescued.
11:38I want to keep my identity as the writer a secret.
11:41I don't need anyone to know,
11:42especially not the team.
11:47What do you mean?
11:49Who is she?
11:52No one but a lower PA, I'm sure.
11:58Isn't that right?
11:59Well, actually, she's...
12:04She's just a PA.
12:06You're right.
12:09So why don't you show me a lower PA, your acting skills?
12:13Maybe I'll be impressed even by who the gopies myself.
12:17Watch this.
12:22I loved you once.
12:25Or so I thought.
12:28But now I see that it was all just a lie.
12:32A beautiful...
12:35painful lie.
12:40You took everything from me!
12:42You took everything from me!
12:44My dreams!
12:46I need a job.
12:50See?
12:51There's no soul.
12:53That's not acting, it's just...
12:56reciting lines.
12:58Why don't you show how it's done?
13:00What?!
13:01Go on.
13:05Go on.
13:06Go on.
13:27I loved you once.
13:30Or so I thought.
13:33What?
13:34But now I can see.
13:36It was all a lie.
13:38A beautiful, painful lie.
13:42You took everything from me.
13:48My heart.
13:49My dreams.
13:52My future.
13:54And for what?
13:58For your own personal gains.
14:08For your own personal gains.
14:10How is that possible?
14:13Dorothy, that was perfect.
14:15The role is yours if you want it.
14:18No!
14:20This role is mine!
14:23I'm the one with the investment.
14:24Without me, there's no funding for this movie.
14:26Your investment?
14:27Do you even know who she is?
14:31Who is she?
14:36Who is she?
14:38As you know, no one but a PA.
14:41Dorothy.
14:43This movie is important to Stephanie.
14:45I mean, why are you here? You're not a real actress.
14:47What are you doing? You're trying to ruin her career.
14:49You're trying to get back at me by ruining her career.
14:51I'm not ruining anything.
14:53If she can't handle the role,
14:55that's on her, not me.
14:57You can't blame this on anyone else.
14:58You embarrassed her in front of everyone.
15:01I mean, I know what you're doing.
15:02You're the one pulling all the strings here.
15:04You're trying to make her fail so you can take her place.
15:07She's using this whole thing to get to you, Drake.
15:09She's been jealous from the start,
15:11trying to ruin my chance just to get back to you.
15:13Okay, no. I don't want to fight anymore.
15:15Well, I'll just take a look at this script
15:17and maybe we can work something up.
15:20And you were just so damn selfish.
15:23You already care about yourself.
15:25Just give Stephanie her role back.
15:27You know what?
15:30I didn't want to do this.
15:32But I will.
15:33I'll take the role.
15:35I'll play the lead.
15:40No way. You can't be serious.
15:43She's not even a real actress.
15:47Dorothy's performance was far stronger than yours.
15:50Everyone in the room can see it.
15:54I'm so glad you agreed to do the role.
15:58Right, it's settled then.
16:00The lead roles go to Christopher and Dorothy.
16:04I will double my investment in the role.
16:08If you give Stephanie a role.
16:13I never thought I'd see the day my ex-husband would go this far.
16:17For his sister-in-law.
16:19I can always count on you, right?
16:25I will double my investment to give a role to Stephanie.
16:29You two are just such...
16:34Okay, look.
16:36If the money's on the table, there's no reason to turn it down.
16:38Let's just give her a part.
16:41We have nothing to lose.
16:42I guess that'll be fine.
16:45I'll talk to SQ.
16:52Your father's production company is already the biggest investor in your movie.
16:55So why take Drake's money?
16:57You don't...
16:58You don't still have feelings for Drake.
17:01No.
17:02He's an asshole.
17:04Come on.
17:06I've got an idea.
17:09Why don't we just give her a character?
17:11That'll make her miserable.
17:15Wow, Mr. Sontaro.
17:17I feel bad now.
17:23I only wish she didn't have feelings for Drake anymore.
17:29How did she land herself the role?
17:31She's practically a nobody.
17:32The fan base, her real experience.
17:35Just one good scene.
17:37Doesn't make sense.
17:41Find out everything you can about Dorothy.
17:43I want all the dirt.
17:51Director, there must be a mistake.
17:54I'm only a side character and not even in the main scene.
17:57You wanted a role, we gave you a role.
18:00I came in with an investment.
18:03Well, you're more than welcome to take it back and leave the set.
18:09Even a small role in SQ's film is going to do great things for your career.
18:12Now is not the time for you to be messing around.
18:16Fine.
18:23Two, take one.
18:25Action.
18:26Lily, you are my best friend. How could you do this to me?
18:29I'm sorry, but this is-
18:33What the hell are you doing?
18:35It's part of the scene!
18:40Okay, take it again from the slap.
18:43Action!
18:48Cut!
18:49Stephanie, why aren't you saying your lines?
18:52You have to keep going in the scene.
18:55I think you've had enough for today.
18:57We'll just try again tomorrow.
19:06Did you see her face?
19:09Absolute gold!
19:10I mean, she got what she wanted.
19:12She asked for a role and that's what we gave her, so...
19:15Seriously, her performance is all over the place.
19:18Maybe we should just cut down on her screen time.
19:22We all know the film's better without her slowing us down.
19:26You're right.
19:28I'm not gonna let anyone ruin your story.
19:34So if you can just give me something that's a bit more...
19:39Something about her job.
19:47What's going on with my scenes?
19:48Why have so many of them been cut?
19:50It's a collective decision.
19:54Fuck that! Let me talk to the writer!
19:57The writer is SQ and as you know, they never show their face.
20:00So their decision is final.
20:04I'll see you on set in five.
20:09Oh!
20:18Now it all makes sense.
20:25Now it all makes sense.
20:27That's the head of the production company.
20:30No wonder she got the role.
20:32Let's see how John's wife feels about that.
20:44Everyone, I have an announcement to make.
20:47Today will be Stephanie's last day on set.
20:54You really think I don't see through your little gaze?
20:58Somebody will be walking out that door today.
21:00But it won't be me.
21:03You really think you can get away with this?
21:05Sleeping your way up?
21:10John's wife is on her way.
21:11Let's see how you talk your way out of this one.
21:14Slut.
21:19That's enough!
21:24So were you the one who was stalking and secretly taking photos?
21:27What? Scared the truth is going to come out?
21:30Someone had to expose her for who she really is.
21:33So you admit it.
21:35You did it.
21:36Damn right I did.
21:37And I'd do it again if I had to.
21:41You don't know who you just cross.
21:43Oh I know.
21:45Just some rich old bastard throwing a tantrum.
21:48I sent those photos to your wife too.
21:50And now your mistress is about to be exposed.
21:54Yeah. Security.
21:57Stephanie is banned from the studio.
21:59Make sure she never sets foot here again.
22:01You can't just do that.
22:03Oh this is insane.
22:04Why are you right?
22:05I was only telling the truth.
22:07She is a mistress.
22:08A loose woman.
22:09A lady of the night.
22:18Is it true that Dorothy is John's sugar baby?
22:21Otherwise why would he come onto the set and get me banned from the movie?
22:25That's unbelievable.
22:27And he humiliated me.
22:28He had me dragged off the set like a criminal.
22:30You should have seen it.
22:32I'm not gonna let her just ruin her reputation like this.
22:36I mean this whole mess is just making us look like fools.
22:40Dorothy's always been trouble.
22:43I mean first she goes off with a married man and now this.
22:46I don't know.
22:47I don't know how you put up with her for three years.
22:49You should have got a divorce earlier.
22:53Stephanie, are you 100% sure that Dorothy is John's sugar baby?
22:57It's the only explanation.
22:59She's clearly nothing but a slut.
23:01Oh!
23:03Drake.
23:04Stephanie is your sister-in-law.
23:07Now you need to take care of her and forget about Dorothy.
23:11Can't you see she's the one behind all of this?
23:14She was sleeping her way to the top.
23:16Killing Stephanie's unborn child.
23:20And John dragging her off the set.
23:22You should be sticking up for Stephanie.
23:28I'm not gonna let her do this to you.
23:44Do you think you can just walk away from what you did like nothing happened?
23:47I didn't walk away from anything.
23:49You did.
23:50You chose Stephanie over me.
23:52Remember this one?
23:53And she's my sister-in-law.
23:54I'm so sick of hearing this.
23:57You have feelings for her and I'm just tired of it.
24:00You are out of your mind if you think I'm gonna let you get away with this.
24:04You do what you want to do.
24:06For now, get out!
24:09Why?
24:15We were married for three years.
24:17We never-
24:18We got you!
24:18Fuck!
24:19You might let go!
24:20Hey!
24:21Shit!
24:30No wonder you want me to go!
24:33Just look at yourself.
24:35You're not half the man Christopher is.
24:38Get out
24:39Or I will call the cops
24:42Just go
24:51Are you okay?
24:59Ruthie
24:59Remember, safety first
25:03The lifeguard's right there
25:04If you need him
25:05Okay
25:08Anything you need
25:09Let the AD know
25:10Okay
25:11Got it
25:11Got it
25:20Here's a coffee for you
25:22Thank you
25:22It's still early before the shoot
25:24Take your time
25:38Let's get her
25:47Take your time
25:48And
25:49Come in
25:58Let your pen
25:59Oi
25:59They are
25:59Look at it
26:01I do
26:02Let your pen
26:02we go Tim
26:03discipled
26:03K St
26:03You
26:03Too
26:03You
26:05noch
26:18something's wrong
26:22that's not acting
26:23she's in trouble
26:30where's the lifeguard
26:35where's the lifeguard
26:56where the fuck is the lifeguard
27:07go on Dorothy
27:09go on Dorothy
27:14go on Dorothy
27:32why did you do that
27:35I'll do anything for you Dorothy
27:40Christopher risked everything
27:41without hesitation
27:43how could I have been so blind
28:08I wasn't expecting that
28:18where were you
28:18Dorothy could have drowned
28:20I'm sorry
28:20I had a stomachache
28:22I had to go get a bite
28:23make sure it doesn't happen again
28:29do you think that I should call Dorothy
28:30just to make sure she's okay
28:33are you still hung up on her
28:36no
28:38it's not like that
28:38I'm just trying to be helpful
28:40don't you remember
28:41Jane
28:42she's the one who had me kicked out of the movie
28:46she's the one who killed my baby
28:48not just my baby
28:49but Nick's baby
28:50I know I just was sister-in-law
28:53whatever happened between us is in the past
28:55but I have no one now
28:58no husband
28:59no baby
29:02I have left as humans
29:05don't you see through Dorothy
29:08she's nothing but a slut
29:09sleeping her way to the top
29:10you don't know that
29:13you know I'm right
29:15what else would John come onto the set
29:16and stand up for her
29:17not just John but Christopher too
29:19she's sleeping around with anyone she can find
29:22she's a whore
29:22shut up
29:32you want war
29:34we'll give you war
29:39do it
29:41make sure Dorothy feels every bit of it
29:49breaking news
29:50unknown actress seduces Hollywood heartthrob
30:07rising star or opportunist
30:10actress story the shocking affair with Christopher
30:12Christopher's new flame for a heartless gold digger
30:15Dorothy
30:17liar
30:18this is getting out of hand
30:23maybe we should just reveal her real identity
30:26let everyone know she's not just some random actress
30:33no
30:34Dorothy once we tell them who you are
30:36there's no reason for them to attack you
30:38there's someone behind us
30:40and whoever they are
30:42I'll make them pay
30:49fuck off
30:57this can't be right
31:02I die in the second scene
31:05this must be Dorothy and John
31:06forcing SQ to cut me out
31:09they won't get away from this
31:16Trank can you believe this
31:17they've completely written me out of the script
31:20do you remember when Nick was lying in that hospital bed
31:23you promised him you'd look after me
31:26I've already lost my husband and my baby
31:28I can't lose my career too
31:30don't worry
31:31I'll get you your character back
31:49there's a tape of a documentary that apparently SQ has always wanted
31:54so we win this bid and we gift it to them
31:57you should be able to get you your robot
32:01up next
32:02a rare gem
32:04the original film documentary
32:06chronicling the creative journey
32:08of none other than herself
32:10legendary screenwriter
32:12Margaret Lane
32:1360,000
32:16what's she doing here
32:19I don't know
32:20I'm not gonna let her win this
32:2260,000
32:2870,000
32:31100,000
32:35this is my grandmother's documentary
32:37it's her legacy
32:39she's the one who inspired me to become a screenwriter
32:42I can't let her fall into the wrong hands
32:47500,000
32:58500,000
33:01I'm trying to get you your role
33:03don't worry
33:04I've got it covered
33:05ladies and gentlemen
33:07we are down to the final bid
33:09standing at a whopping 500,000
33:13500,000 going once
33:17500,000 going twice
33:19sold
33:20to the lady in the blue dress
33:30I can't believe this
33:32you have no right
33:34to take that film reel with you
33:36you have no right
33:40to take that film reel with you
33:45what's going on?
33:51ladies and gentlemen
33:53I've just been informed
33:54Miss Dorothy
33:55is in fact not
33:57an invited guest
33:58therefore as per our rules
34:01this documentary reel
34:03will not be released
34:04to Miss Dorothy
34:05this is ridiculous
34:06I was invited
34:07well in that case
34:10may I see your invitation?
34:17I did have it
34:18I swear
34:18I'm sorry Miss Dorothy
34:20if you do not have
34:21the invitation at hand
34:22the documentary reel
34:23has to go to the second highest bidder
34:24this is the protocol
34:25I'm sorry
34:46I'm sorry
34:47these are the rules
34:48the documentary reel
34:50will go to the honourable couple
34:58thank you
35:11Stephanie wait
35:13just sell it to me
35:15name your price
35:16I'll pay you anything you want
35:17it's really important to me
35:19please
35:20why are you doing this?
35:22are you just trying to get my attention
35:23by going after something
35:24that Stephanie wants?
35:26no you don't understand
35:29just let me buy this
35:31whatever it takes
35:33you think this is about money?
35:37please
35:37this isn't something you can just buy
35:41what the hell?
35:43why do you always have to go against her like that?
35:45this reel is important to Stephanie
35:46she can use this to help her career
35:49her career?
35:51is this about your role being cut from the dead?
35:55is that why you're doing this?
35:59I'm the writer
36:00I can't fix this
36:02then you write the story
36:03and bring your character back
36:05just
36:06just let me have the real place
36:08you're the writer
36:10are you telling me that you're SQ?
36:16you
36:16the writer SQ
36:18can you give us a break?
36:20look
36:20this reel is important to Stephanie
36:23end it
36:24don't make this harder than it has to be
36:28you've been with Dorothy for so long
36:29and you don't even know her
36:31oh and you do
36:31a hell of a lot more than you
36:33what do you think you are?
36:34both of you can't do it
36:35ah
36:36ah
36:50scratched all over
36:51it's ruined
36:52not even fit to be a gift anymore
36:54i can't fix this
36:56Stephanie i know someone who can restore it
36:58just sell it to me please
36:59just name your cries
37:03even if i had no use for it
37:05I'd never give it to you.
37:34I want to be a writer like you, Grandma.
37:37I want to make movies like you do.
37:40This reel has more than pictures and sound on it.
37:45Really?
37:46An entire world I've captured.
37:49But it's just one way of seeing things.
37:52The magic is creating it yourself.
37:55Someday you will.
38:07Dorothy.
38:10I need you to go apologize to Stephanie and give her her rollback.
38:14Apologize?
38:15To her?
38:17She destroyed the reel.
38:18She wouldn't have done that if you hadn't pushed her.
38:24So go apologize or I'm pulling my funding.
38:28Look, Dorothy.
38:30Let's be real here.
38:32Without Stephanie, Paris couldn't invest.
38:36Even the production company will pull out if they hear that she's not involved anymore.
38:39Her name carries weight.
38:41Let's not pretend that your reputation is exactly stellar right now.
38:45Christopher's fans hate you.
38:47Stephanie's fans hate you.
38:48Even if you actually make this film, no one's going to support you.
38:52You will be buried.
38:56If you apologize to Stephanie now, I can help you.
39:02I can control the press.
39:04I can control the narrative.
39:05I can actually give you a chance.
39:09What's so funny?
39:13What's so funny?
39:15Pull your funding.
39:17Do it.
39:18You'll see it does nothing for the movie.
39:21Okay.
39:22So what if I tell the production head to pull his funding too?
39:25Didn't I tell you that I know Mr. Bennett?
39:27No.
39:29Go ahead.
39:30Quiet.
39:31You want me to call?
39:33Go ahead.
39:34Fine.
39:39Hi, Mr. Bennett.
39:40It's Drake.
39:41Drake Mossbacher.
39:43Yeah, I'm pulling my funding from Liars Game and I suggest that you do the same thing.
39:46I've seen it and it's a sinking ship.
39:50You're pulling up?
39:51Great.
39:51I'll take full control of the investments.
39:54Not a problem.
40:01So you slap with him.
40:06That's why he's supporting you, isn't it?
40:10Is this how you see me?
40:12The type of woman who would use her body to get what she wants?
40:14What other explanation do you have?
40:17You know nothing about Dorothy.
40:23Apologize to Stephanie.
40:24Cut ties with Mr. Bennett and end this.
40:26Dorothy, come back to me.
40:27Whatever he's offering you, I'll match it.
40:29I'll double it.
40:30You must be able to hear the fucking mind.
40:33What makes you think I would ever go back to that living hell?
40:37Living hell?
40:38You heard me.
40:39Being married to you was a fucking nightmare.
40:43You made me believe you loved me.
40:46And then you had me waiting in vain for three years, Drake.
40:50You said you'd always protect me, but then when I needed you the most,
40:55you just turned your back on me.
40:57You chose your sister-in-law over your wife.
41:03We've had enough, Drake.
41:05You were my prison.
41:07So just go back to your precious Stephanie.
41:14Let's just go.
41:24Why are you hurt?
41:25Are you okay?
41:33What is that?
41:34What are you doing?
41:34Well, you want me, don't you?
41:36Just kiss me.
41:37I'm all yours.
41:38Steph, you're Nick's wife.
41:40I've always thought of you like a sister.
41:42Sister?
41:44Funny.
41:45Don't you remember when you came to me the night Nick and I got married?
41:48Don't you remember what you said?
41:52Remember this?
41:53Yeah.
41:53Why not marry Stephanie?
41:56God.
41:56You were practically begging me not to marry Nick.
41:58You were practically begging me not to marry Nick.
41:59No, I shouldn't have said that.
42:00I shouldn't have said that.
42:00I shouldn't have said that.
42:00I don't see that.
42:04What's that?
42:05Oh, it's nothing.
42:06What is that?
42:07No, Drake, no.
42:08Please.
42:11You lied about this.
42:15You lied about this.
42:19You said that Dorothy pushed you into the water, but this shows you shoving her in.
42:24It's a glitch.
42:26A glitch.
42:28So, do you actually expect me to believe that?
42:30What's this?
42:33Find pills off the black market.
42:36And then hit your pregnancy.
42:39It's me.
42:40This time when you blamed Dorothy like some sort of scapegoat and she was innocent the whole time.
42:44Please, no.
42:45You have to believe me.
42:46I didn't...
42:47Do you know what?
42:47I've always thought of you like a sister.
42:50I've always taken care of you.
42:51I even thought that I loved you once, but that was before you were Nick's wife.
42:56You've changed.
43:00You've changed.
43:03You're not the person I thought you were.
43:07I only looked after you because I thought it was my duty, as Nick's brother, to look after his widow.
43:12I guess there's no need to look after you anymore, huh?
43:16What does that mean?
43:17You're just going to throw me away?
43:19I'm not going to throw you away.
43:22But this is my house.
43:25When I'm back, I hope you'll be gone.
43:27But you can't just walk away from me like that.
43:29I've said everything that I need to say.
43:31No, I'm going to go find the person that I actually care about.
43:37Oh, my God.
43:39It's all your fault.
43:44Let's take this bitch down.
43:59Can I say please?
44:04No.
44:06I was wrong.
44:09I misunderstood everything about you and about us.
44:16Can you please just hear me out?
44:18You think you can just come here and apologise?
44:22After everything?
44:23I didn't mean to hurt you.
44:26Look, I understand what I did, but it was just because of Stephanie and anyone.
44:30Can you please just forgive me?
44:33I don't need your apology, Drake.
44:35You let me down.
44:37You abandoned me.
44:39When I needed you the most.
44:41Because you used me, manipulated me, and now you beg for my forgiveness?
44:47Look, please, just don't show me out.
44:49I can fix this.
44:51I can fix it.
44:52I can do anything, Dorothy, please.
44:54No.
44:56You were never the person I thought you were.
45:00And I'm not either.
45:02I've moved on.
45:05I don't need you.
45:10Not my pains.
45:12Just stay back.
45:13After everything.
45:15Yeah.
45:15That's it.
45:27Make yourself better than this.
45:48You did it.
45:56Before you all celebrate this movie, there's something you should know.
46:01Dorothy is nothing but a homewrecker.
46:04What's going on?
46:05A glorified mistress who's been playing the part of a wonderful actress
46:09when all she's really done is ruin lives.
46:14This is true, Dorothy.
46:16Will you be involved with a married man?
46:17What's your response to Stephanie's claim?
46:22This is ridiculous.
46:24Let's talk about how she got here, shall we?
46:28She didn't get here off her talent.
46:30Oh no, she got here by clinging to powerful men.
46:35No real experience, no skill, just a man's name and a man's money.
46:40Security, get her out of here.
46:42Wait, if she has something to say, let's hear it.
46:46Dorothy, it's a trap.
46:48I'm not afraid of the truth.
46:51Let's see what she's got.
46:55What's going on?
46:57Go tell us, Dorothy.
46:59How did you get here?
47:01Did you use your relationship with John Bennett to land the part?
47:20A homework, are you saying?
47:22Is there something wrong with me appearing with my own dad?
47:26You're the one who sent me this photo, right?
47:28How about you take another one?
47:30This time, of my lovely family of three.
47:33Dorothy, Dorothy, Dorothy.
47:34Are you really John Bennett's daughter?
47:36Yes.
47:37I bet you'll never ask my last name.
47:39It's Bennett, by the way.
47:42So, Dorothy is the producer's daughter.
47:46Dorothy, so, did you use your father to get the part?
47:50Well, so, it's just nepotism, then.
47:57Well, even if she didn't fuck her way to the top, she still only got here through her connections.
48:00Whether you like it or not, my performance speaks for itself.
48:04And everyone here saw it.
48:06She was actually really good.
48:07Yeah, she handled the mother.
48:09Oh, are you saying that everyone here is wrong?
48:11You think you're so clever, don't you?
48:15Fine.
48:15You can act a little bit.
48:17But let's be real.
48:19You didn't land this role on your own.
48:20You just snapped your bony little fingers and let Daddy give you a role.
48:24How else would a nobody like you have landed yourself the lead otherwise?
48:28Dorothy isn't just a nobody.
48:32She wrote Liar's Game.
48:35She is SQ.
48:41Dorothy is SQ.
48:43How can that be possible?
48:45Liar's Game is a masterpiece.
48:47There's no way you could have written it.
48:48You don't have to believe me.
48:50Just let the credit speak for itself.
48:55How can this be true?
48:58Oh, God.
49:03Dorothy Bennett, you're the daughter of the producer and the famous writer, SQ.
49:07Why did you keep your identity a secret so long?
49:13Why did you keep your identity a secret so long?
49:15Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker.
49:18I'm arresting you on suspicion of defamation.
49:20No, no, no, no.
49:21I didn't do anything wrong.
49:22This was all Stephanie's idea.
49:23I didn't do anything.
49:31This whole time, she was actually telling the truth.
49:35Dorothy's SQ.
49:37She's genius.
49:40That's why she always had a book in her hand.
49:44Always writing something on her laptop.
49:46Always lost in her thoughts.
49:50Didn't even see her.
49:53I guess I was blind all along.
49:57I don't deserve that.
50:17I've missed this place.
50:20Don't you remember?
50:21Of course I do.
50:23We saw so many films here.
50:25We would just stay in our seats and talk about life and everything.
50:33But you just made me feel like I could face more anything, really.
50:40God, I used to be so nervous back then.
50:43About everything.
50:44About the future.
50:48But you just made me feel like I could face more anything, really.
50:54Someone had to be there to make sure you didn't ever think everything.
50:57I remember you used to unpick every little detail like it was a life or death situation.
51:06You know, Dorothy.
51:10Life's not been the same without you.
51:15Even when we parted ways, I...
51:18I always knew that we would find each other again.
51:23I don't care what we've been through.
51:25I don't care what's happened.
51:27All I know...
51:30Is that I need you now.
51:33More than ever.
51:48And the award for Best Adapted Screenplay goes to...
51:53Dorothy Bennett with Liar's Game!
51:58Wow.
52:00Best Screenplay.
52:02What, shall I start calling you Your Majesty?
52:04I think that's a great idea.
52:06Why don't I start now?
52:09You deserve this.
52:11Your Majesty.
52:13Every bit of it.
52:15Now.
52:17Since you've won,
52:18I think this calls for a reward.
52:21Oh, yeah?
52:24And what would that be?
52:27Me.
52:29Me.
52:29Me.
52:30Me.
52:31Me.
52:31Me.
52:33Me.
52:39Me.
52:41Me.
52:46Thank you very much.
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