- 7 hours ago
How To Get To Heaven From Belfast S01E02 [Full Movie] [Official Release]Full EP - Full
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Short filmTranscript
00:28The call from the song, we're at him.
00:37The call from the song, we're at him.
01:00The call from the song, we're at him.
01:07The call from the song, we're at him.
01:17The call from the song, we're at him.
01:35The call from the song, we're at him.
01:58The call from the song, we're at him.
02:23We're at him.
02:33The call from the song, we're at him.
03:01The call from the song, we're at him.
03:13It's a stupid fucking idea.
03:14Our friendship with Greta ended a long time ago, and for good reason.
03:17So let's just get the fuck out of this place.
03:19Hey.
03:21Is that the mechanic?
03:22Yeah.
03:23Last night.
03:24Outside the thing, the hotel.
03:28He told me he was actually all right.
03:30A cop.
03:30Can I look okay?
03:31No.
03:32Great.
03:33Hey.
03:33Hi.
03:34How are you feeling?
03:35You okay?
03:36I'm fine.
03:37Sure.
03:39Yeah.
03:40Good.
03:42We're fine too, by the way.
03:45Myself and Dara here.
03:46Fellow victims of the crash.
03:48Yet yous are very lucky, you know.
03:50I mean, you only have to take one look at the car.
03:52Oh.
03:53Sweet and gentle.
03:54Jesus, my car.
03:56I've barely had it a month.
03:58Jim's going to go absolutely mental.
04:00I can't listen to him.
04:01I cannot listen to him.
04:03Maybe he'll just stay here.
04:04Maybe he'll just live here.
04:05In the mountains.
04:06Alone.
04:07Forever.
04:08When you're back home, you're going to have to get something.
04:10Cosmetic work done.
04:11No shit.
04:12Give us a hand getting her down.
04:14No, I'm heading back to work, Uncle Hughie.
04:16Two minutes.
04:17I'm in the uniform.
04:19Take the uniform off.
04:20Yes, Liam.
04:22Take your uniform off.
04:23He's young enough to be your son.
04:25He's 26.
04:27He's 12 years.
04:28Oh, you've done the maths, have you?
04:29You hate maths.
04:30You're gauged, seriously.
04:31I know my gauged, Jesus.
04:32I was joking.
04:33Hardly going to forget the fact that I'm in gauged.
04:35Forget.
04:36What?
04:36My ring, honest to Christ, where to put it now?
04:44Everything alright?
04:45Oh, yeah.
04:45I lost my ring.
04:47Again.
04:48You're going to need to get one tattooed off.
04:52Hey, what is it?
04:55Nothing.
05:01Harry, yeah.
05:02Sasha, what time do you think you'll arrive?
05:03We're going to meet before the red carpet because it's an absolute cluster.
05:06Is that tonight?
05:07Have you forgotten?
05:07No, I didn't forget.
05:09The thing is, I'm going to need a new flight because the other flight is, well, it's gone now and
05:14I wasn't on it.
05:15You missed your flight.
05:16Well, can someone in the office sort that?
05:18It's the BAFTAs.
05:19It's the fucking BAFTAs, Sasha.
05:22I was in a car crash, actually, Harry.
05:25A car crash?
05:26Jesus Christ.
05:27Jesus Christ, are you okay?
05:28What?
05:29Yeah.
05:30I...
05:31Can you hear me?
05:31I'm fine.
05:32Okay, let's just get you on a plane.
05:33Yeah, well, I have to go straight to the venue, so help you.
05:36Ideally.
05:37Are you sure you're alright?
05:37No, I'm...
05:38I'm fine.
05:39I'm still going to be able to write.
05:41You're still going to get your commission.
05:43Bye-bye, Harry.
05:46Nice.
05:49You're a writer?
05:50I am, yeah.
05:52What do you write?
05:54Um...
05:55I write a TV show.
05:56A cop show, actually.
05:58It's called, um, Murder Code.
06:01Is it not huge?
06:02Yeah, yeah, I suppose it is.
06:03I mean...
06:05I have no idea why.
06:09So you're interested in cops?
06:16Saoirse, your ring was in the glove compartment.
06:20Oh, thank God.
06:30God, I can't wait to get home.
06:32Sat Nav, it's totally fucked.
06:34Here, have the map on my phone.
06:36Say I was right.
06:37I think we're turned off here somewhere.
06:39Stick your arm through so I can see the map.
06:41What if it wasn't her body in the coffin?
06:42Do you know how to arrange your sign?
06:44Why can't I just come up front?
06:45The passenger window's all over the seat, Dara.
06:47And picking shards of glass out of your arse is not how you want to end this already.
06:51Quite mental weekend.
06:52If I saw what I think I saw...
06:54If being the significant word, you can't just dismiss it.
06:56Okay, that's it.
06:57Dara, open the door and fuck her out.
06:59I don't really want to fuck her out.
07:00I'm not mad.
07:01Look, I know going there was a big deal, considering...
07:04The thing we never talk about.
07:08Stop it, Dara.
07:09Stop what?
07:09Looking at her to check how you should react?
07:11Have you no fucking mind of your own?
07:13Sorry.
07:13You don't have to apologise.
07:14What are you apologising for?
07:15Sorry!
07:16I really think something weird is going on here.
07:20Okay, we all know Dara was a bit complicated.
07:24Just leave it alone.
07:25We've left it alone for 20 fucking years.
07:27And shit!
07:33Again?
07:34Are you fucking serious?
07:37Are you talking to God?
07:39If you are, you might want to raise the attitude.
07:54Right.
07:55Stay here.
07:57Jesus!
07:58Bloody car!
08:02I am so, so sorry.
08:05Are you okay?
08:06I'm usually a really careful driver.
08:09The condition of your car would suggest otherwise.
08:12Right.
08:13Is that a dairy accident I'm detecting?
08:15I'm, I'm from Belfast.
08:17I'm not really feeling the old six-county solidarity at the minute.
08:20Fair enough.
08:21Let's do the thing and get going then.
08:25Well, it's not actually that bad.
08:29I mean, wing mirror side.
08:36It's a nightmare.
08:38She never looks where she's going.
08:41Hi.
08:43Hi.
08:43Are you okay?
08:45Not really.
08:46I should probably kill you all, but I don't have room in my boots.
08:58Here.
08:59Put on your details.
09:00Scheme of yours now.
09:01I'll do the same.
09:01Right.
09:10Right.
09:11There you go.
09:12I'll be in touch.
09:13I look forward to it.
09:17Dairy people are always such weirdos.
09:21Bye.
09:43Good gear.
09:47What the hell are you looking at?
10:01The어재 one.
10:08It's on!
10:14There it is.
10:16Mm.
10:19The jury's on.
10:20The jury's on.
10:21The jury's on.
10:21It's on.
10:22The jury's on.
10:22It's on.
10:25The jury's on.
10:39Look, Saoirse, I know Greta Diane, the wake, maybe brought up a lot of stuff.
10:48Yeah.
10:50But I really think we just...
10:52Right.
10:55Right.
10:56I've had it with Oz.
10:58Let's get the fuck back to Kansas.
11:07Jesus Christ.
11:08I was in a car crash, Harry.
11:09What were you expecting?
11:10Oh, my God, baby.
11:12I'm fine.
11:13This whole thing is a bloody nightmare.
11:14You were in a car crash.
11:16Gina sent the wrong waistcoat over.
11:17Yeah, that's the same.
11:18Guys.
11:19It's horrific.
11:20Guys, we need to go out on the red carpet for the photographs.
11:23Right now?
11:23Right now.
11:24Ah, shit.
11:25You'll have to get changed here.
11:26You'll have to get changed in the fucking street, Harry.
11:28Oh, grow up.
11:28Oh, over here, over here.
11:30Some fans left these for you at the venue.
11:32So sweet.
11:33Oh, yeah.
11:34Oh, yeah.
11:35I mean, they're usually just story-ling ideas which, nine times out of ten, are fucking psychotic.
11:39It's just such a weird fit.
11:41It feels sort of boxy.
11:43Is it boxy?
11:44I'm just going to talk you through the plan.
11:45That's called Sishi.
11:46Sishi?
11:47Seriously?
11:48Zeb, can we have a hand, please?
11:49For God's sake.
11:54Oh, fucking hell!
11:57Hold it nice and high.
11:58So, I've just been with Marnie and we are very sensitive to the fact that there are some creative discussions
12:05going on.
12:06Um, but from a channel perspective, we are super keen that you walk the red carpet together.
12:12How are you feeling about that?
12:14Not brilliant.
12:15Right.
12:16Um, we wouldn't push it if we didn't feel it was super important.
12:20Imp, imports?
12:22Do you mean, do you mean important?
12:23Does she mean important?
12:24I think she means important.
12:25She's a dick.
12:26Right.
12:27She's a dick.
12:27Isn't she, Zeb?
12:28There was some definite dick-like behavior on set.
12:31Then again.
12:32No, then again.
12:32We will not be needing a then again unless you'd like me to call off our engagement.
12:36She really regrets some of the things that she said.
12:38She told her that?
12:39I very much got that vibe.
12:42Um, isn't apology something that you'd be open to?
12:44She's not going to apologize.
12:46Come on.
12:47No.
12:51Sorry, you want me to apologize?
12:53Get the fuck.
12:54Cisha.
12:55I'm so sorry.
12:56She's Irish.
12:56What can you do?
12:57We're just thinking of the fans.
12:59Are you?
12:59Especially the women.
13:01Because they see you two out there.
13:03The showrunner and the star.
13:05This unstoppable, inspirational, feminist force.
13:10And they feel empowered by it, Cishi.
13:13Fans like the show because of the murders.
13:16They like to solve a mystery because it makes them feel in control.
13:19It makes them feel like good will prevail.
13:21It makes them feel like this fucked up, messy existence can somehow be figured out when the truth is.
13:27Of course, they're not in control.
13:28Good won't prevail.
13:29And life is fucking meaningless.
13:30So, you do whatever it is that you need to do.
13:34Because I am not apologizing to that narcissistic, ungrateful dickhead.
13:41And I am not walking the red carpet with her.
13:45End of scene.
13:53God, you're just welcome.
13:54You think you're going to win tonight?
13:55Oh, Scott, look, we're just delighted to be nominated and in such great company.
14:01And also, it's a good excuse for a girly night out, isn't it, Cish?
14:05Totally.
14:06Yeah, we've definitely brought our dancing shoes.
14:09And you have a new nemesis this series, I believe.
14:12Yes, indeed.
14:14Rosemary de Cassis.
14:15So, how do you come up with such fabulous character names?
14:18It depends, really.
14:19Sometimes it's just about what things are right or, like, real, truthful.
14:24But with the villains, I can have a bit of crack.
14:26A bit of fun.
14:27So, what I do is...
14:34What I do...
14:36G-Harden.
14:37I can't see it.
14:38I'm not hanging.
14:40I'm so sorry.
14:48My name is G-Harden.
14:51So now you know?
14:54You know who sent that email?
14:57You know, it wasn't me in that coffin.
15:01I don't know anything.
15:04Not for certain.
15:06If it wasn't you, who was it?
15:08Are you ever planning on telling Seb you don't want children?
15:10Jesus, where'd that go?
15:11I don't know.
15:12I'm a figment of your imagination, Ciarcia.
15:13You're the one calling the shots here.
15:15We are talking about you being in a coffin or not being in a coffin.
15:18Can we please just stick to it?
15:20Jesus Christ, I can't breathe.
15:22Do you know what?
15:23I'm not doing this.
15:24Not now.
15:25Not here.
15:26I'm going to close my eyes, and when I open them again, you're going to be gone, okay?
15:30Whatever you say.
15:37Why don't you do this, G-Harden?
15:44Guess it didn't work.
15:46False!
15:47You have to tell the others about your little epiphany.
15:49They won't listen.
15:50Make them listen.
15:51I'm not sure I can.
15:53Fine, ignore it.
15:54Pretend it didn't happen.
15:55You're good at pretending things didn't happen, aren't you?
15:59Is this connected to...
16:03What we did?
16:09That's what you have to figure out.
16:19That's what you have to figure out.
16:20Stop this.
16:22Take yourself back there.
16:24No.
16:26Take yourself back there and look at it again.
16:44And ask yourself this.
16:47What should we have done?
17:02Hey, there you are.
17:03You must meet Marcus Dalton Foster.
17:05He produces...
17:05Oh, my God.
17:06We were obsessed with it.
17:07I'm so sorry.
17:07I just need to steal him for a second, okay?
17:10What's going on?
17:10I have to go.
17:11Can I have the room key?
17:12Because they took all my stuff.
17:13What do you mean you have to go?
17:14It's my friend.
17:15You know, the dead one.
17:16It's an emergency.
17:17What kind of emergency?
17:18Has she died again?
17:20It's a whole thing.
17:21I can't really get into it right now.
17:22Can I just have the key?
17:23Um, it's here, sure.
17:24Babe.
17:24It's the Baptist.
17:26Mm-hmm.
17:26Um, do you think you might have a concussion?
17:29Oh, no, I'm fine.
17:30You sure?
17:30Yeah, yeah, yeah.
17:31Oh, yeah.
17:31Okay, great.
17:32Um, if we win, you're going to have to do the speech.
17:35Do not let Marnie do the speech.
17:39Wow.
17:41Thank you so much.
17:43Um, what a huge honor.
17:45For he who conceals his transgressions will not prosper.
17:52But he who confesses and forsakes them will find compassion.
18:01Take this, all of you, and eat it.
18:04For this is my body, which will be given up for you.
18:09Body of Christ.
18:10Body of Christ.
18:16Body of Christ.
18:17Body of Christ.
18:23Jason Meadows.
18:24He's here.
18:31Stand back, please.
18:37I mean, like, what do you think happened?
18:40Do you think I woke up?
18:41Oh, my son.
18:42Wait.
18:44Mars, if you make Patrick, I don't want to be how responsible for my actions.
18:49Well, if anyone's going to make Patrick, I mean...
18:51Do you think I've decided?
18:52I know.
18:52I got a completely banjax in my brand new car.
18:55That'll be class correct.
18:56No, of course not.
18:57It's just, well, you know, like, it was bloody expensive, Robin.
19:00And I work hard, though.
19:03I don't work hard.
19:04No, no.
19:05That, that, that, that, that, that, that's not what I said.
19:07Well, maybe all this is easy.
19:10Maybe I'm overthinking this whole motherhood thing, you know.
19:12Maybe I'll just fire the three of them outside and let nature take care of it.
19:16It'll be like Chicken Boy.
19:17Who's Chicken Boy?
19:19The elephant from Anna.
19:20Who was raised by chickens?
19:21Chicken Boy.
19:23What do we know?
19:24Look, who gives a shit about the car?
19:26I could have died, Jim.
19:27Well, obviously, I'm glad you're not dead.
19:30Oh, my God, really?
19:32It's sick.
19:34Oh, Jesus.
19:37Obviously, I'm glad you're not dead.
19:40Fuck.
20:14Oh, Father, I'm so sorry.
20:17Please, don't worry about it.
20:19These things happen.
20:19I'm going to be left to the bingo, Dara.
20:21In a minute, Mammy.
20:22Father, I was wondering.
20:23Yes.
20:23Will you take my confession?
20:25Oh, for a first sight.
20:26Could we do it tomorrow?
20:28Well, I'd rather do it now.
20:29It's just that the confessional closes at nine.
20:31Well, can't you just open it?
20:33Normally, I would.
20:34But Rome's encouraging us all to examine our work-life balance.
20:38Work-life balance?
20:39You're a priest.
20:40And I'm heading to the bingo now myself, so...
20:42But listen, tomorrow I'll be all ears.
20:45Of course.
20:46Oh!
20:49Someone handed that in to the sacristy for you.
20:52And I'll see you at the bingo, Mrs. Freed.
20:54Bye, caller.
20:58Oh, my God.
21:08All right, Mammy, darling.
21:10Come home!
21:10Um, Jesus Christ.
21:11I'd have rung to tell you I was coming, but, you know, I didn't.
21:15How come you're here and there?
21:18I'm not there.
21:19I'm just here.
21:20What?
21:21We just saw you on the red carpet.
21:23It's edited.
21:24What do you mean edited?
21:26Do you want me to explain what edited means?
21:28Why?
21:28Look, there's a delay.
21:30See, it might even be...
21:31Oh, my God, we won.
21:33What?
21:34How the hell could you know that?
21:36Give me strength.
21:37What are you doing home now?
21:38Listen, do you remember my notebooks, like, from school?
21:41All my old stories and scripts and ideas and things.
21:44You're not on that cocaine stuff, are you, Saoirse?
21:47I kept them in that wooden box in my room.
21:50They're all at that cocaine stuff now.
21:53We turned your room in, dear, Jim.
21:54Well, you put a cross-trainer in there, which you now use as a clothes horse.
21:57Well, we don't always get the weather to dry things on the line, Saoirse.
22:01Where's the box?
22:02I fired that stuff up into the attic.
22:03Okay, quick.
22:06You need to clear that alley.
22:07Oh, will you stop, I?
22:09Come down, I'm just one of these days.
22:11Give over, woman.
22:12One more time.
22:36Bye-bye.
23:07I don't believe it.
23:09Maybe it's just a shower.
23:13Maybe it'll stop soon.
23:20Time for plan B then?
23:22What's plan B?
23:26We bury him?
23:43I didn't go.
23:44I didn't want to.
23:44I don't think so.
23:48I don't know.
24:22I don't know.
24:46What are you doing here?
24:48I don't really know.
24:51I got this weird ladder
24:52and I just find myself
24:54walking and walking.
24:58What are you doing here?
25:05It's not...
25:12And when you called, I realised
25:14I had one too.
25:15It was amongst some fan mail.
25:23It says the same thing.
25:25Please find me.
25:27What the fuck is going on?
25:29It's Greta.
25:30I'm sure of it.
25:30Jesus Christ, Saoirse.
25:32It's Greta.
25:33She sent us these
25:33and she sent us that email too.
25:35What?
25:35So, earlier,
25:37I'm on the red carpet.
25:38God, the Oscars.
25:39Is that the night?
25:39Fuck it.
25:40Yeah, yeah, yeah.
25:41We won an Oscar.
25:42Plus.
25:43Well done.
25:44Thanks.
25:44Anyway,
25:45so I was talking about the show
25:46and I realised
25:47that I sometimes...
25:48Well, I do this thing
25:50just to amuse myself.
25:52Really, I bury a clue
25:53in a character name.
25:54Which character?
25:55The body, usually.
25:56What's the clue?
25:56Well, that would be a spoiler.
25:57You don't watch it?
25:59Then it would be meaningless.
26:00Look, this isn't the point.
26:01So what is the fucking point?
26:02Well, I started thinking,
26:03where did I get that idea?
26:04And then I remembered
26:05we'd do this thing in school.
26:07So look at this list of names.
26:09This first one,
26:10Rosie Conbay,
26:11that's you,
26:12Robin O'Casey,
26:12and then the next one,
26:13Rhea Dorffel,
26:14that's you,
26:15that's Dara Freel.
26:16We'd do this.
26:17Remember?
26:18We'd like anagram or names.
26:20We were bored, I guess.
26:22Not like the kids today.
26:23No Twitter.
26:24Kids don't use Twitter.
26:25Whatever.
26:25It's not even called Twitter.
26:26Grant, this one here,
26:27this is me,
26:28Sasha Shaw,
26:28but look at the last one.
26:38Gratahini!
26:38Gratah sent that email,
26:41girls.
26:42She wanted us to go to that wake
26:43to see that something was wrong.
26:45I think
26:47she needs our help.
26:49I'm not sure I can help Gratah again.
26:54The thing is,
26:55Gratah didn't do you anything wrong.
26:57None of us did.
27:01We've become so afraid
27:02we've lost sight of the truth.
27:05Jason Meadows...
27:06Stop it, Saoirse, please.
27:07No, I will say this.
27:08I will say his name.
27:10I will say these words.
27:12Jason Meadows deserved
27:13what happened to him.
27:17Do you know what I realized tonight?
27:20There was nothing
27:21we could have done differently.
27:23There was no other way.
27:37And what happened that night,
27:39it binds all of us together.
27:43Forever.
27:48Jesus.
27:51Greta needs us.
28:00She's obviously scared.
28:05She could be in real danger.
28:10What can we do?
28:11Like, we're not the fucking A-team, Saoirse.
28:14Yeah, where would we even start?
28:16We would start with the body.
28:19If that body
28:21isn't Greta's,
28:22it proves something really fucked up
28:23is going on here.
28:24It's the one piece of evidence
28:26we have.
28:27I'm not sure we should get involved.
28:29We're already involved.
28:33She's made sure that
28:35she wants us
28:36to shine a light on this.
28:37Come on, girls.
28:38We put a bad guy in the ground
28:40once.
28:40What's become of us?
28:42We grew up.
28:44We grew afraid.
28:50Okay, say...
28:53Say we do this, right?
28:55Say we prove
28:56that the body isn't Greta.
28:57That is it.
28:59That's our bit done.
29:00It has to be.
29:01Okay.
29:02That is it.
29:02Over.
29:03Sure.
29:04You promise?
29:04I promise.
29:13Fuck it.
29:20We do a different theme
29:21every month.
29:22The young ones come from
29:23Letterkenny
29:24and Dunningall Town
29:25by the busload.
29:26It's mad crack altogether.
29:28How thrilling.
29:28Now, you've just missed one,
29:29unfortunately.
29:30Oh, say it isn't so.
29:32But don't you worry.
29:33We'll keep you entertained.
29:34We have a country and western
29:35night this evening.
29:38Standard room okay?
29:39Yes.
29:41Just yourself, is it?
29:42Why is that relevant?
29:47Now, it's not so much
29:48an official night
29:49as a kind of memorial.
29:51A memorial?
29:52Fell over in Bally Bunyan.
29:53A Kenny Rogers impersonator,
29:55I believe he was.
29:56Didn't he only go
29:57and get himself killed
29:58on one of them,
29:58whatchamacallit,
29:59one of them
29:59bucking broncos.
30:01Thrown to his death,
30:02John Boots Goodenboogie.
30:04Some friends of his
30:06are having a bit of a do
30:08in his honour.
30:09It'll be Gantz.
30:10Well, at least poor Kenny
30:11didn't die in vain.
30:12Every cloud,
30:13as they say.
30:14You're only back
30:15from Donegal.
30:16Yeah, but we have
30:16business to attend to.
30:18What sort of business?
30:19I can't tell you,
30:20but you trust me,
30:20don't you?
30:21Not really, no.
30:22And it's Jack's party
30:22tomorrow, love.
30:23I'll be back in time
30:24for the party.
30:24I'm hardly going to miss
30:25the son's birthday party.
30:27We have so much to do,
30:28there's nothing in.
30:29Why is that her problem?
30:30For God's sake,
30:31Saoirse,
30:31will you stay out of this?
30:32I'm not going to ask you again.
30:33Don't you speak to her like that.
30:35We can grab the party stuff
30:36on right, Jen.
30:37There's no trouble.
30:38You can handle it.
30:42And when I do come back,
30:44you're going to be
30:45really glad I didn't die
30:46in that car crash.
30:48Let's go, girls.
31:13How do we prove the body
31:14isn't Greta, though?
31:15We need a plan.
31:17Why don't we have a plan?
31:18Well, I called Noctara
31:20parochial house.
31:21The funeral's first thing.
31:23So her coffin
31:23won't have left home yet.
31:25Well, you can't go back there.
31:28I remember when I was a lad
31:30I went to part
31:32And we were back
31:33And there's a silver light
31:35And three high
31:35And every cloud
31:37And just four people
31:39That's all we were
31:40Trying to make a living
31:41I'm a black man third
31:42Will you meet again,
31:44Inspector O'Neal?
31:46Here.
31:47Everything okay
31:48With your food?
31:50Everything as much as it was
31:51When you last asked
31:52Not five minutes ago.
31:54The manager makes it say
31:55I don't actually care.
31:59Too many Dolly Partons
32:00If you ask me.
32:02Dolly Parton
32:03Is one of the greatest artists
32:04Ever they've graced this planet.
32:06A musical icon.
32:09Storyteller.
32:10You're a philanthropist.
32:11I didn't mean
32:14I like Dolly Parton.
32:16Hmm.
32:23Such an interesting case.
32:26Where is she now?
32:27It's better if you don't know.
32:29You brought what I asked for.
32:31Uh-huh.
32:32Uh-huh.
32:42Very good.
32:45It's better work, Booker.
32:47Oh, I don't think
32:48I appreciate your tone.
32:50I'm sorry.
32:52Address me like that again
32:53And you will be.
32:54It's just
32:55Well, I'm very
32:56You.
32:57Hmm.
32:57Not for me.
32:59I'm a professional.
33:00Oh.
33:02Remember?
33:04Unless
33:05We break in
33:06Steal the body
33:06Drive it somewhere
33:07And then dump it
33:07With like an anonymous note.
33:09Drive it where?
33:10I don't know
33:10Somewhere with a lab
33:12Somewhere they could do tests
33:13Like a hospital
33:14Or university
33:15Or, oh, dentist.
33:16Yeah, that sounds
33:17Like an awful lot of hassle.
33:18Dara, what is all this shit?
33:20I grabbed some
33:21Pass the parcel prices.
33:22I usually just see cash.
33:24What?
33:24A few fivers
33:25A few tenners
33:26A couple of twenties.
33:27Sorry, you wrap up cash
33:28For Pass the parcel?
33:28Kids love it.
33:30Dara?
33:33Oh, Chris
33:34Look, just
33:34Just
33:35Just try to act normal.
33:38I thought it was you.
33:39Niamh
33:40Oh, God.
33:42Well, you
33:42You remember Robin
33:43And Serta?
33:45Of course
33:45Yeah
33:48How have you been?
33:49Yeah
33:50Good
33:51Yeah
33:52You
33:52You're
33:53You're in London now here.
33:54Oh, really?
33:55Me too.
33:55You don't live in London.
33:57It was not there today.
33:58And now you're back here.
33:59Not now, girls.
34:01Is your mum keeping well?
34:03Yeah, she's good.
34:04Yeah, she's got
34:05She's got water aerobics tomorrow.
34:08So
34:08Right.
34:12Congratulations on the whole
34:14On the wedding
34:15On the Mars thing.
34:16Thanks.
34:17Thanks.
34:17Is she here?
34:18Is she here?
34:19The wife?
34:19The old ball and shame.
34:22No, it's just a flying visit, really.
34:26Someone had to stay home
34:27And mind the baby.
34:29The baby?
34:31Hmm.
34:33Oh, there's the baby.
34:35That's
34:36Well done.
34:38Dara
34:38Dara's just got a big promotion at work.
34:42Really?
34:42That's amazing.
34:43Yeah, and she's, uh, she's got her eye on a little place in France.
34:47My God.
34:49What an absolute dream.
34:50It certainly is that.
34:51And she's having lots of sex.
34:53Okay.
34:54Well, it was great to see you.
34:59You too, Dara.
35:02Take care of yourself.
35:06Christ, she's always so far off her own home.
35:10Could we not?
35:29Okay.
35:31Let's think.
35:35What if we send a message?
35:36What?
35:37The body.
35:38What if we call someone?
35:40A newspaper.
35:41Tell them it's not Greta.
35:44Too easily dismissed.
35:46No.
35:47We need something that's going to bring it right out into the open.
35:54I have an idea.
35:59Okay, you ready?
36:00Are we absolutely sure about the mask thing?
36:02The mask thing is brilliant.
36:03The mask thing is the best of bent.
36:05Can I at least be Ariel?
36:06No!
36:07You're Belle!
36:08Yeah, Belle.
36:09Belle's a dick.
36:10Well, she slags off her entire town like she's the only person who's ever read a book.
36:14Who are you again?
36:15Eeyore.
36:16So lucky Eeyore's class.
36:17I know.
36:18Okay, so we go in there, we do the thing and then we lag it.
36:21We're back in the car before they know what's hit them.
36:23I have to say, it doesn't feel foolproof.
36:24Well, it was Dara's idea and she's the one who's just found out the love of her life has had
36:28a baby with someone else.
36:30Fair enough.
36:39Do not be alarmed.
36:40We come in peace.
36:41We mean you no harm.
37:07Are you going to charge us for something or what?
37:09We don't know yet. You see, we're not quite sure at this present juncture if what you did was actually
37:15a bona fide crime or just something like...
37:19Really feckin' weird.
37:21Exactly. Also, and furthermore, we need to wait for another one of our colleagues to be in situ, as it
37:28were.
37:29Should I call Liam?
37:30Sir, he's at the funeral. The boss's wife. They moved out to Donegal Town. His phone will be off.
37:35Who's funeral? Greta's funeral? They moved it.
37:38Call the crematorium.
37:39The crematorium? He cremated the body. He knew what I saw. He knew he had to get rid of the
37:46body.
37:49Not very much.
37:51Who turned to the murder as well?
37:52Overreed the body.
37:52Overreed the body.
38:03Overreed...
38:04Overreed...
38:04Overreed...
38:04Here...
38:05Overreed!
38:06Overreed...
38:06Overreed...
38:07Overreed...
38:07Overreed...
38:08Overreed...
38:08Overreed...
38:10Overreed...
38:29i thought someone from the station should come and pay their respects you're very thoughtful
38:35thank you it was supposed to be a private service family only you understand if i had known i'd
38:44never i'm glad you did it it was for maria she was finding everything so
39:01overwhelming of course of course i get it
39:26we weren't really sure what to do i'm not surprised lads we thought it was greta's funeral how does that
39:32make it better exactly but let's get some statements you come with me
39:42should i call my solicitor it's not funny those people were probably really scared they probably
39:47thought it was some sort of terrorist attack oh because we're from belfast i suppose jesus like
39:53the good friday agreement never happened because you burst in on a funeral service wearing clown
39:57masks they weren't clown masks they were disney princess masks well two of them were the other
40:02one was from the winnie the pooh line is winnie the pooh disney i don't know probably most things
40:07are disney was this like a pact or something what you said your old friends in school was this like
40:11a stupid prank you agreed to do if one of you died not really now what's going on if i
40:18tell you you'll
40:19think i'm mad that ship sailed sir she we're quite different in this environment take it all quite
40:25seriously don't you this is my job i don't take my job seriously you don't have a serious job
40:32can i ask you something what what happened to greta when she died where did she go
40:38in a spiritual sense in a physical sense where did her body go first unseen would have brought her here
40:45once they realized there was nothing else they could do to the station to the mark yeah why were you
40:50uh
40:51working that night paul was on that night one of the guards you just met did paul know greta
40:57i don't think so no why was anyone who knew greta working that night i'm not sure
41:02seriously what's all this really about
41:11you can tell me
41:25you were right what what you said about the pact about the prank that was it that was right so
41:30just
41:30like fine us or whatever seriously can i go now
41:36of course you can
41:58all right
41:59all right brujette i just need a quick look at the lock there don't step on me floor all right
42:06i have to do this next there's nobody in there sure there's not no all clear
42:15my sister-in-law she cleans for the medical institute in limerick she opened one of these
42:19things once and wasn't the fella inside only still alive is that right here let me give you a hand
42:30i think there's something jamming it
42:46all great social media is gone i noticed that there's no trace of her at all
42:51it's starting to feel like we imagined ourselves we didn't what the hell is going on i have no idea
43:02but i have an eight-year-old's birthday party to organize so
43:06excuse me can we get the bill please
43:20multi-colored moods of love alike it's satin wings
43:25i feel it when you're with me it happens when you kiss me that rare and gentle feeling that i
43:48feel
43:49yeah hey hey the night greater o'neill died that was supposed to be my shift wasn't it
43:56before they were swapped around yeah what happened the boss said you had done three nights the previous
44:02week so it was owen's idea
44:16love makes your heart feel strange inside it flutters like soft wings and black
44:23love is now everyone's talking about what you did right now everyone thinks it was fact and mental okay
44:29thank you for your feedback can we just get the bill someone's already settled it what who
44:38oh they're here a second ago oh wait it's so oh em over there
45:16i'll talk to you later
45:16You'll see, love is like a butterfly, a rare and gentle fly.
46:14You'll see, love is like a butterfly.
46:25You'll see, love is like a butterfly.
46:57You'll see, love is like a butterfly.
47:28You'll see, love is like a butterfly.
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