- 2 weeks ago
RUРАUL'S DRАG RАСЕ S13E02
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00:06Here we all are in the Porkchop Lounge, who famously went home first.
00:11Is that what's going to happen to all of us?
00:15Attention, queens.
00:17You all have a chance to return to the competition.
00:21But first, you must give one of your fellow queens the chop.
00:29Let the voting begin.
00:34Boy for RealReal?
00:35How do, what?
00:36This is fun.
00:37This is crazy.
00:41We all have a chance to stay, but we have to vote one of the girls in the room out
00:44the competition.
00:45That becomes overwhelming.
00:47What are we going to do?
00:49I don't want to vote anyone off.
00:50I don't know any of you.
00:51We literally just met.
00:52None of us saw each other's lip syncs.
00:54I don't know how to pick.
00:54I mean, the only thing we know about each other is our first impression.
00:58We have to vote someone off.
00:59This is the competition.
01:01This is what we signed up for.
01:03All right, bitches.
01:05Shit's about to go down.
01:09Each individual girl has to walk up to the box, select the lipstick with one of the girls' names on
01:15it, and drop it in the box.
01:18We're going off of first impressions.
01:20I don't know you, sis.
01:21But where's the look?
01:23I don't see the wow factor.
01:26I hate to be this shallow bitch, but I'm just not a fan of chicken feathers.
01:30Kimora and myself, we're both in ostrich feathers, and she's in the lower quality feathers, so sorry, girl.
01:36I've got to go.
01:39Meany, meany, miny, moe.
01:40Utica, you've got to go.
01:44It sucks to have to vote.
01:45I don't want to crush somebody's dream, and I definitely do not want my dream to be crushed.
01:49I'm scared that I could be voted out.
02:08Attention, queens, in the pork chop loading dock.
02:12The boats are in.
02:15We have a tie.
02:19Between Elliot with two T's and Utica, let the tiebreaker voting round begin.
02:30Oh, no.
02:33We have to do a tiebreaker.
02:34This time, we can only vote between Utica and Elliot.
02:39I'm trying to fight for this crown, and I feel like my dream is slowly fading away.
02:44As each queen goes up and chooses again, my heart just drops lower and lower as the queens pick theirs.
02:51I'm just dreading the worst.
03:02The boats are in.
03:04The queen, who's getting the pork chop, is Elliot with two T's.
03:15Alrighty then.
03:19It's been a lovely 15 minutes with all of you.
03:23I'm disappointed that it ended like this because I got sent home for something that I didn't have any say
03:29in or any power over.
03:33And that sucks.
03:35And I feel like I've let my fiance down.
03:37I'm 100% heartbroken.
03:42Oh, my God.
03:44Unfortunately, we had to vote somebody out, and it was Elliot.
03:48And while that's sad, it's also a joyous occasion because the less people here, the closer I am to the
03:54crown.
04:00It's a new day.
04:01Last week was crazy.
04:02The twists and turns, I still don't even know what's going on, but I'm just happy to be here.
04:07You guys, this is our, like, first kind of day.
04:10Day.
04:10It's official.
04:11After all that craziness, bitch, bro.
04:13All right.
04:13Hello, winner's circle.
04:15Hello.
04:15Hello, winner.
04:16There's high expectations now for us, now that we've won the Slip Sync.
04:20See?
04:20I wonder if I'm going to get to meet the other girls.
04:22Oh.
04:22We already sent them home.
04:23That's it.
04:24And if they're saved, we went through that on our first day.
04:26That's true.
04:26That's shady.
04:27I know, and if they're back, they're going to have a vengeance, mama.
04:30So whatever reason they happen to come back is us against them.
04:32Because it's top six, the winner's circle, and they can't take that from us.
04:34No, they can't.
04:35I want to see some bitches fight.
04:36Your hooves got to go.
04:37I'm ready for you to fight, bitch.
04:39Not me.
04:40Okay, all of the Brooklyn.
04:41Bitches don't really think I'm causing trouble, and I'm just going to be a good girl.
04:44You are causing trouble, Candy.
04:45Can you walk in the room and cause trouble?
04:46You capped in trouble, honey.
04:48In New York, Candy is known to be, like, cunty and bitchy, and, like, trying to literally
04:53cause drama.
04:54It's just not my t-sis.
04:56We'll see.
04:56We shall see you, ladies and gentlemen.
04:58See me, Annie.
04:59Oh, girl.
05:01She's not ready to have her job.
05:03Okay, let's go.
05:04Hello.
05:05My queens, con-drag-ulations.
05:08I want to thank you for a job well done.
05:11But now is the time to guard your charisma, uniqueness, nerve, and talent from the fickle
05:18finger of fate.
05:21I don't think I know those words.
05:23What the hell does that show mean?
05:26Hello, hello, hello.
05:30You better come on in the suit.
05:33Racers, welcome to RuPaul's Drag Race.
05:35How do you like the season so far?
05:37Crazy.
05:38Crazy, crazy.
05:38Well, this week, you can all take a deep breath and just relax.
05:43Oh, who am I kidding?
05:47That's never gonna happen.
05:49Now, before we get to know you officially, I want to introduce you to a fabulous queen
05:54who will be joining you in the competition.
05:57Uh-uh.
05:59That's right.
06:00Someone I don't think got a fair chance last week.
06:03And I think she'll fit in with this group just right.
06:10Hello.
06:13Guess we're back in the house.
06:15Yeah.
06:16Ha-ha.
06:18This little angel twink walks in.
06:20I have no idea who it is, but I'm gagged.
06:24Elliot, with two T's.
06:25I thought I'd send you home.
06:27We told you this season would be full of surprises.
06:29What the hell?
06:31Why do you get to come back into the competition if you weren't one of the girls that won their
06:35lip sync during the first week?
06:38What the fuck?
06:40I sent that bitch back in.
06:41What's going on?
06:42Why is she back?
06:43And what did she do to get back here?
06:46You smell that?
06:47It's distrust.
06:48Hey, Elliot.
06:49Hello.
06:50You went through it last week, but you are back to prove once again that losing is the
06:55new winning.
06:56Hashtag drag race.
06:58Now, I want you all to really hear this.
07:01No queen is a loser on RuPaul's Drag Race.
07:04Victoria Porkchop Parker was the very first queen to ever be eliminated on RuPaul's Drag
07:10Race 13 years ago.
07:12And today, she is a living legend.
07:15Just ask anyone at the Golden Corral.
07:19Now, Shangela and Vanjie were the first eliminated from their seasons.
07:23Miss Vanjie.
07:24Only to return and reach new heights of international fame.
07:28That's great team.
07:29Racers.
07:30You signed up for a competition.
07:32Queens will be eliminated.
07:34But the moral of this fairy tale is simple.
07:36No matter what happens here, out there, or online, don't let anyone make you feel like
07:44a loser.
07:44Hello.
07:45Amen.
07:45Right.
07:45You know why?
07:46Because you're a winner, baby.
07:48Yay!
07:50So let's get started.
07:51Right.
07:51Time to test your fashion skills.
07:54For your first mini-challenge, you need to stomp the runway in two devastating looks.
08:00First, a ladylike daytime look.
08:03And second, a vampy nighttime look that says, I'm a whore.
08:08Can you pull that off?
08:10Every day.
08:10Okay, glamazons.
08:12I'll see you on the runway.
08:14Let's go.
08:15Oh, no.
08:18You're a linebacker.
08:20Our first mini-challenge is a sickening runway show.
08:25My soul has completely returned to my body.
08:27I'm ready to compete.
08:29Girl, I get to pull out my looks.
08:30I get to model.
08:31Let's do it.
08:32Cue the music.
08:33Let's go.
08:35Oh, my God.
08:35I'm living my mirror fantasy.
08:37I've always dreamt about getting ready in these workroom mirrors.
08:41It's making me so excited.
08:43I totally feel like the real competition is about to start.
08:47Start your engines, bitch.
08:50Oh, the melanin girls on this side.
08:52Oh, yes.
08:53Hello.
08:54Hello.
08:54Drongo Power.
08:55Okay.
08:56So, bitch, how y'all feeling about?
08:57Having a new bitch in the competition.
08:59I'm a little bit alpha because I like the top six from the beginning.
09:01I thought it was a cute moment, too, but we should have known.
09:03Bitch, what are you here to do?
09:05You spite on us.
09:06Ms. RuPaul's at the mall.
09:08She thinks she's slick, but I already called out to her game.
09:11Tina, how you feeling?
09:12Because you sent Ms. Elliot home, correct?
09:13Well, we obviously know that you can send somebody home, and here they are.
09:17All right.
09:18You never know.
09:19You never know.
09:19You never know.
09:20I do not trust Elliot.
09:22Elliot, this lie, honey.
09:24Well, keep your friends close, keep your enemies close.
09:26Guess who I painted next to?
09:28Elliot.
09:32Isn't it so crazy to think, like, you're a Ru-Girl?
09:34You're a Ru-Girl.
09:35Candy Muse, you've been saying you're a Ru-Girl for the last six years, so I don't want to hear
09:38this.
09:39People call me an adjacent Ru-Girl before this, but that's because a lot of my drag family's been on
09:44Drag Race before.
09:45Aja's my drag mother, and Dolly is my drag sister.
09:47So, I walk into things thinking I'm already famous.
09:51So, I may not be a Ru-Girl before this, but I'm going to walk in there like I am
09:53a Ru-Girl.
09:54You're going to think I'm a Ru-Girl.
09:55But I have a question.
09:56It's something that I've noticed a lot in the past seasons.
09:58When girls come in and they instantly say, oh, my mom was on this season, whatever, this season.
10:03They usually go home early.
10:05Oh?
10:05Do you think that's going to affect you?
10:08No.
10:09No?
10:10First of all, bitch, who is talking to you?
10:13Second of all, girl, I don't even know you.
10:15You don't just walk into the workroom, okay?
10:17Because, like, Banshee came in and was like, I'm Alexis Mateo's daughter.
10:20Went home.
10:21Dahlia, I'm Aja's daughter.
10:22Went home.
10:23Like, it's weird.
10:24It's interesting to me.
10:25You better break the mold, sis.
10:28Elliot walks in here, first time de-dragging, just snapping like that.
10:31Like, I think she is here to stir the pot a little bit.
10:35Aren't you worried that your sister went home first and you could go home first?
10:39Might want to come down, Miss Elliot with two teeth.
10:41Miss Gill, there ain't no girl I would just come for if I don't know her.
10:47I don't know if that shady has questions.
10:50She's done it with the girl.
10:52Because, uh-huh, there's everything in me to keep it together.
10:54I know it, because he was getting there to a filter.
10:56Mm-hmm.
10:57Girl, you just walked in here.
10:59I don't know if Miss Elliot with two teeth wants to prove to the other girls that she's a big,
11:03bad wolf
11:04because she just walked into this competition, but I'm going to do what I'm going to do and that's focus
11:07on me
11:08because the pressure's definitely on because my sister Dahlia went home first on season 12
11:12and I don't want to repeat history, so no ma'am.
11:22The category is daytime drama, mama.
11:27Fashion!
11:28First up, got Nick.
11:30She's your weather girl and has she got news for you.
11:34My daytime look represents my drag style because it's a fitted latex number, oversized shoulder,
11:40structured hair, but with a girly twist.
11:43OMG, we match.
11:45We're rainbros.
11:46It's cutesy and I feel like a little princess in the middle of the day.
11:50I'm normally intense with my looks and I usually paint my face clown white, so hello, showing them rains already.
11:56A 100% chance of gorgeous.
11:59I'm going to say everything like Dawn Adams.
12:01Would you believe?
12:02A 100% chance of gorgeous.
12:05Candy Muse.
12:06Rock me, Mama Deus.
12:07Mama Deus?
12:09I am excited to walk the runway because this is what I do.
12:12Baby, I've been modeling in the fucking streets of New York my entire life.
12:15Bitch, I'm like pretend I'm walking down a fashion show in Paris.
12:17I'm just like,
12:20even though I'm in the hood, but it's fine, it's cool, I love it.
12:23This look isn't necessarily a classic candy look,
12:26but I'm trying to show the judges that a big girl can be fashion for it.
12:28I'm going to give you a tour.
12:30The Red Queen.
12:31Off with her head.
12:33Don't braid me, la la re.
12:35Ooh, the braid of it all.
12:37She's part of the Brady Bunch.
12:38Okay.
12:39Ms. La La Re is giving me very Southern Belle tees.
12:42I'm in the field with a glass of lemonade.
12:43You know, she got her braids cocked to the side,
12:45and she's switching back for the boys to see, you know,
12:47hey, how you doing?
12:48I'm walking down the runway living my best life,
12:50and then boom, bitch, I trip over all this extra-ass fabric.
12:53I'm like, bitch,
12:54bitch, I know you did not just trip on these good people's runway,
12:58but don't fall home, do not fall, and I did not fall.
13:02She going back to her secret garden.
13:03Okay.
13:04Put the pedal to the metal.
13:06Olivia Lux.
13:07She looks at life through lilac-colored glasses.
13:10I prefer rose nylon glasses.
13:12This daytime drag is flirty fashion.
13:16She's walking down Fifth Avenue without a care in the world,
13:20and she has her weekend bag in hand,
13:22everything she needs for the weekend.
13:24You know, you can tell a lot about a queen by the size of her purse.
13:27When I walk, the ponytail's going like,
13:29ding, ding, ding.
13:30I'm living this lavender fantasy.
13:33Olivia Lux.
13:34She has no Lux left to get.
13:37Ladies and gentlemen, Simone.
13:39The circus is in town, and she's the big talk.
13:41Well, that makes one of us.
13:42Well, there's got to be at least one.
13:45My look inspired by the 90s with Players Club hair.
13:48My shoulders are a little peek-a-boo,
13:50and then you turn around and boom,
13:52there's a cape in the back, honey.
13:54Little bits of old meets new, which is very Simone.
13:57Giving you everything.
14:00Simone Pointer, the Lost Pointer Sister.
14:02Tina Burner.
14:03She got my kettle boiling.
14:05In my daytime look, I'm living my Carrie Bradshaw fantasy
14:08in like a tutu, but like fitted Dior top.
14:11I got a big-ass bow.
14:12People are going to bow down, honey.
14:14Bow.
14:14Bow.
14:15Is that about the same?
14:16Oh my God, it is bow down to my bow.
14:19I got to get me a Burner phone.
14:21I do.
14:22Yeah, Tina Burner phone.
14:24Elliot with two Ts.
14:25I wonder if she got that Raspberry Beret at a secondhand store.
14:29I do know she came in through the outdoor.
14:33Getting to do two runway looks is so exciting
14:35because I get to show why I was given a second chance to be here.
14:39And girl, I'm so ready.
14:41Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
14:45And fancy was her name.
14:48Category is Nighttime is the Right Time.
14:52I told you, twice the first time.
14:57First up, got Nick.
14:59Is it me, or does she look a little pasty?
15:02This look, girl, she's gonna steal your soul.
15:05She is a spooky, seductress.
15:09And, girl, my titties out.
15:10Ever since I got my top surgery, I love having my chest out.
15:13Let me tell you that.
15:14I am living for it, and I never want this feeling to go away.
15:19Must get moose and squirrels.
15:21Natasha.
15:24Candy Muse.
15:26What in the hell?
15:27This look definitely represents a little more of Candy Muse,
15:29because I love latex, I love being sexy,
15:31I love showing body, I love showing curves.
15:33It's just everything, bitch. I'm everything.
15:36She gets her kicks on Route 666.
15:42The hole. Is that for a tail, you think?
15:45Not today, Satan.
15:52A little red meat for La La Ri.
15:55Salt and Peplum.
15:56Yes.
15:57Baby, that look.
15:58I'm not an over-over top drag girl.
16:00But whatever I give you, I'm going to sell it.
16:03So they say give you whore, I'm gonna give you whore.
16:06Ass out, titties out.
16:08Pleather.
16:08Not leather, because a bitch can't afford it.
16:10But, bitch, I'm still serving it like it's leather, girl.
16:12I live for this love.
16:13Honey, be the chain you want to see in the world.
16:16Olivia Lux.
16:18Oh, this time she packed her big bag.
16:21I'm really excited to flip the script
16:23and be this mysterious mistress of the night.
16:26I don't normally do dark hair, but something
16:29about this rich chocolate brown against that glittering burgundy.
16:34A night at the opera, perhaps.
16:36Trend alert, teeny tiny handbags.
16:39Teeny, teeny tiny.
16:40She packed an overnight bag.
16:42All she needs are her panties.
16:45Simone.
16:46Yes, honey.
16:47Ooh, is the bus still running?
16:50The bitch has arrived at the party, honey.
16:52Let's go.
16:54For evening, Simone is giving you very mother goddess
16:56combined with the last people in the matrix
16:59partying at Zion, darling.
17:01Get this side. It's my good side.
17:03Every angle.
17:04Oh, it looks like she started the walk of shame early.
17:08See you next Simone day.
17:10Tina Burner.
17:12What's latex got to do with it?
17:14All her exes live in latex.
17:17I'm letting the judges know that I not only can be a costume comedy queen,
17:20but I can be a sexy, seductress, fun party girl.
17:24My boots are up to my pussy.
17:26And I am swinging my hair, trying not to throw my neck out.
17:29Cause I'm old.
17:30I'm serving you my red claws.
17:32Cause you're gonna claw the competition.
17:33Tina Burner.
17:35Available only on finals.
17:37Something wicked this way comes.
17:39Elliot with two Ts.
17:42Michelle's been good, but I've been bad.
17:46This look right here is out of the box for Elliot.
17:49It is dark and mysterious and just sex.
17:53This look is what you see when you go to the gentleman's club on a fetish night.
17:58And don't get too close to her.
17:59She might whip you, honey.
18:00And poof, there she goes.
18:02Well, that's it.
18:03Show's over.
18:04My car is here.
18:05Oh, bye.
18:07Is the bus still running?
18:08Yeah.
18:08Can I borrow a little change?
18:10Yeah, I gotcha.
18:13My car.
18:14She's good.
18:15That was our thing.
18:15Ow, bitch.
18:16Ow, ow, ow, ow.
18:17My feet hurt so bad.
18:19We're back in the workroom and I'm looking around the room and everyone brought it for the fashion show, bitch.
18:23I'm kinda gagged.
18:24I feel real confident.
18:25I feel real good.
18:26Can't wait for that maxi challenge.
18:28We gonna see what happens.
18:30This hair up off me, Lord.
18:32Take it off, take it off me.
18:33You're good.
18:34Oh, I feel that.
18:34Oh, Lord.
18:35That's better than sex, honey.
18:37Can someone get my hair out of my dress?
18:38Thank you, girl.
18:39Ooh.
18:42Bitch, it's like a steamed ham hog.
18:44What the hell is a ham hog?
18:48I just wanna hose myself down.
18:50Oh, she's on brand.
18:51Hose.
18:51Fire hose.
18:52Fireman.
18:52Oh, come on.
18:53Oh, here we go.
18:55Here we go.
18:55Starting early.
18:56Girl, I'm still so gagged.
18:57Miss Thing came for me earlier.
18:58Miss New Girl on the Block.
19:00Miss Two Ts over there.
19:01Motherhead, I come for real fast, girl.
19:02Real fast.
19:03And that's the thing, though.
19:04Like, I respect everyone.
19:05I give everyone a fair chance.
19:06But if you're trying to come for me,
19:07and I'm on the other side of the room,
19:08I'm out of my damn business.
19:09True.
19:10Child, the entire time Elliot has been here with us,
19:12all that has been running through my head is,
19:14spy, spy, spy.
19:16Don't trust the bitch.
19:16Not strike one.
19:18Bitch, ain't no strike three.
19:19Strike two, you're out.
19:20You're gonna get two strikes.
19:21Mm-hmm.
19:24Hey, fashion icons.
19:25No.
19:27Are you decent?
19:27No.
19:29I'll take that as a no, yeah.
19:32Racers, are you ready to rock my world?
19:35Yes.
19:36For your first maxi challenge, you need to perform a new show-stopping version of my song,
19:45Condragulations, which is featured as part of the Work the World Tour.
19:50For tickets and information, go to BossEvents.com.
19:54Now, each of you needs to try and outdo me with your own original verse.
20:00Try it.
20:01I dare you.
20:03Then, as a group, you need to come up with your own winning choreography.
20:09Oh, shit.
20:11Any dancers in the house?
20:13Now, remember, the lyrics, the performance, and the look all need to show the world that
20:18you are number one.
20:20Racers, start your engines, and may the best drag queen win.
20:25Oh!
20:28Let's put the pan to the paper.
20:30We're out.
20:31Mm.
20:31Lyrics.
20:40Has anyone written lyrics before?
20:42I mean, I consider myself a lyricist.
20:44I'm sure you do.
20:46Well, you've been in a boy band, so...
20:47Yes, honey.
20:48So, the first thing we have to do for this maxi challenge is we have to sit down, and we
20:52gotta write out these lyrics, and then we go off to Sweden to record the vocals.
20:56Because if you know your boy band herstory, all the boy bands go to Sweden.
21:00And that's where they keep you, and they lock you up until you come back with some singles.
21:05Do you wanna sing, or do you wanna be, like, a bitch track? Or, like, rapping?
21:09I don't know.
21:10Are you a bitch track?
21:11She's a bitch track.
21:12I'm a bitch track.
21:13She's a bitch album.
21:14I actually write music.
21:16Do you really?
21:17I compose music, yeah.
21:19So, I play the piano, but I also write music.
21:21Oh, yeah, she is a musician.
21:22I'm so excited.
21:24Our first maxi challenge, and we're writing music.
21:27Something I'm good at!
21:29Who's ready to be the star student?
21:30Me!
21:31Don't forget, like, we're gonna be judged also on what we write.
21:35Right.
21:36And that's gonna be eternal, bitch.
21:37That's what I'm saying.
21:38So, you think it's just gonna be cute, but remember, these lyrics are gonna chase you around for the rest
21:41of your life.
21:42And that's so much more pressure.
21:43Girl, we're gonna be jet-set.
21:44It's gonna be gorgeous.
21:45Well, I mean, we're definitely all performers, since we won that first lip-sync.
21:49Well.
21:50Well.
21:52Oh, my.
21:53Coming off of losing my first lip-sync, it's a lot of stress and a lot of pressure.
21:58I already feel like these girls feel like they have some type of advantage over me.
22:02I'm the red-headed stepsister.
22:04I need to do an incredible job, because I cannot be sent home again.
22:10All right, Ben.
22:11Bye.
22:12Oh, my God.
22:13So, now it is time to get this choreography together.
22:16We have to choreograph this entire thing, top to bottom, from our own noggins.
22:20All right.
22:21So, what went on?
22:22What should we do?
22:23Who wants to start to think of?
22:23You start first.
22:24We should do the things we're gonna do together first.
22:26Okay.
22:26Okay.
22:27So, we should do, like, the chorus first and then focus on individual stuff after.
22:30Sure.
22:30I agree.
22:31Okay, so then let's start.
22:32Who's the dancer?
22:34Who's good with the choreography, y'all?
22:35There we go, girls.
22:40Cricket?
22:42Cricket?
22:43Girl.
22:44Nobody wants to be on charge!
22:46And there you have it.
22:48These girls don't know that this is what I do.
22:50I'm a choreographed dancer.
22:52But I don't want to take charge when I literally just walked in.
22:55So, I'm trying to just sit back, let these hoes figure it out, and I'll just do what I'm told.
23:00What if we all just went off, like, like, in regulations.
23:03We're number one, one, one.
23:04Should it be this or should it be like this?
23:05That's too cheer-ish.
23:06And then we can do it together.
23:07And then we can do it together, right?
23:08If we're together like that,
23:09if we're both bobbing like this.
23:10Bring the hand down and maybe we should put
23:11the hand on the waist.
23:12And one.
23:16This is the bullshit.
23:18The options, bitch.
23:19I like the options, but I like the options.
23:20We should definitely get like a choreo down
23:21in that formation after.
23:23This is like a pop song.
23:24It's not like no one, two, Supreme-like type thing.
23:27Like, we need to boob on Kat Kat.
23:28This choreography, this is some shit you can find
23:30in a parking lot on the south side of Atlanta.
23:32And you don't want to go to the south side of Atlanta, baby.
23:33I'm a trucking.
23:36The girl is so bullshit.
23:38So take it from the top.
23:39Five, six, six, you can drag your leg.
23:41Chance, you're number one.
23:43This, I'm, okay, sorry.
23:45Duh, touch, step, touch.
23:47I think we're all doing together, together, out.
23:49No, yeah, like it goes, uh, uh, uh, uh, out.
23:52Okay.
23:52No, your legs need to be like, they need to go out.
23:55So it goes, uh, uh, out.
23:58Oh, honey, we're going to go over this 5,000 times.
24:01I am nervous, to say the least.
24:05A handshake in the head.
24:07Like, I don't want to win my lip sync and then get in front of the judges
24:09and like, oh, you can't do a one, two.
24:12So let's take it from the top again, from the course.
24:14And then we got to move on, you guys.
24:15We got so much to do.
24:17Right now, the girls are really focusing on such minute details
24:20that we can just clean up later on.
24:24Watch my hands.
24:25One, two, three.
24:26Whoa!
24:27That's what I was doing with the right, the same hand with the right.
24:29Okay, let's do that then.
24:29Is that cool?
24:30Sure.
24:30I think it's better if we do.
24:32I like opposite.
24:32I like opposite.
24:33And it's becoming a lot harder to not just take the reins.
24:37So take it from the top?
24:38Tina!
24:38Yes?
24:39So what I think we should do is, how about, since our leg's already out,
24:44we just turn on it.
24:44Since our leg is already up from the snap, turn.
24:48So much fun.
24:49Done.
24:50Tina, you a dancer now?
24:53All of a sudden, hey, Juilliard.
24:55After we do the, tell you all the prizes you have won,
24:58congratulations to our spot for the next hoe to come out.
25:01We're already halfway through, and now you're speaking up.
25:03We already think you're the mole.
25:04Let's just get the choreography done, because we're all in limited time.
25:06Okay.
25:07Right?
25:07I don't trust you, girl.
25:09Do you guys want to just, like, say in this formation,
25:10and then just go up and do our solos?
25:12Let's get a beat in the ear.
25:24Oh my god.
25:27I wrote, I'm born a girl, and I haven't talked to these bitches about it.
25:31So I did not know that I was going to have to have all these girls hear about my gender
25:36situation
25:37before I can even talk to them.
25:39Uh, do you, like, know what you're going to do during the...
25:42Ha ha.
25:43Not really.
25:44I'm just a deer in headlights right now, basically.
25:47I just can't even seem to talk, which is very unlike me.
25:52I don't know what's going through their heads.
25:53I shouldn't even be focusing on that.
25:54Like, who cares?
25:55But we have to perform this tomorrow.
25:58What the fuck are you going to do, bitch?
26:00I feel like it'll just be, like, very, like...
26:04Like a got-mick.
26:06And then it's like...
26:09And then, like, something, like...
26:13I look over a got-mick, and I feel like got-mick is really in his head, you know?
26:18Something's going on.
26:19I mean, there is an internal struggle.
26:21Okay, so...
26:22I'm going here to back.
26:23Are you doing...
26:24I do this.
26:25Are you doing a full circle?
26:26Yeah.
26:27I can't take any of these moves in.
26:30I'm just having a hard time focusing.
26:32It's so weird that I feel like this.
26:33I didn't even know that I had a lot of gender dysphoria anymore.
26:36So the fact that it's throwing me into this weird hole like this is...
26:39So gaggy.
26:41All right, ladies.
26:41Time is up.
26:43Oh, Lord.
26:44I do not get like this.
26:45This sends me home right now.
26:46I will not be happy.
26:54Honey, honey, honey.
26:56Let's get up in this gig.
26:57The first maxi challenge is here.
26:59We have to perform it in front of the judges.
27:01Judgment Day is upon us.
27:04Who's excited about tonight, honey?
27:06I'm excited.
27:07I'm a little nervous, but I'm excited.
27:08Yeah, it's nerve-wracking because rehearsal yesterday was a little rough.
27:11I went to bed worried myself.
27:13I ain't gonna lie about it.
27:14But I said, we're the winners.
27:15You know what I mean?
27:15We're here.
27:15It's like a pack.
27:17I literally feel like the world is on my shoulders right now because I am the girl that was brought
27:22back.
27:22I feel like in the back of everybody's head, I was the weakest link.
27:26So I have to turn this shit out.
27:28How are you feeling about your solos?
27:30I feel mine is the most complex choreography.
27:34Do you?
27:34Oh, girl, please.
27:36Mick, how are you feeling about your performance?
27:38A little better today.
27:40I was like really so stressed yesterday.
27:43I had you guys all dancing to talking about how I'm a girl and it was like fuck to me.
27:47I feel like I based all my lyrics about my gender situation.
27:51I haven't even talked to you guys about me being a transgender guy drag queen.
27:56I was just gagged.
27:57My gender dysphoria took over my soul, which just so isn't like me too.
28:01Yeah.
28:01Because I usually don't give a fuck.
28:02I just couldn't even take in any of the choreo at first because it was just like,
28:06it was so intense.
28:07I couldn't breathe about it.
28:09Thank you for sharing that with us.
28:11And you're like, you're changing the shape of drag.
28:14Like this is, this is big.
28:15Thank God I feel a little better today about it because that was a moment.
28:19But yeah.
28:21Godmik reveals that she's a trans man.
28:23It wasn't the right time to talk about it in rehearsal, but I can be there for her now.
28:27I'm so thankful and happy that she was able to confide and find that sister in me.
28:32And I really want to make sure that I'm supporting her every step of the way.
28:34May I ask what are pronouns like?
28:36Like out of drag, I use he, him, his, and then in drag, she, her, her.
28:40I'm the exact same way.
28:41I feel like when people are trying to overthink it and they call me he and drag, I'm like,
28:46bitch, you're just clocking me and making me feel like so weird.
28:49We're all guys here.
28:50So if you're going to call them she, do not try it with me.
28:52I feel like a way has been lifted off my shoulders.
28:56Cards are on the table.
28:57My normal, slightly narcissistic, confident, Godmik headspace took back over.
29:04Now I just need to kill this performance.
29:08Mess them on.
29:09Yes.
29:09I know you were struggling a little bit during rehearsal.
29:11I am struggling.
29:12I am very nervous about the group stuff and making sure that like I'm on point and I don't mess
29:16up and make it like.
29:16Right.
29:17I think that if you, for some reason, happen to mess up, go for it and give attitude.
29:23Yeah, that's.
29:23Girl, I messed up.
29:24Yeah, but that was on purpose.
29:25What do you know?
29:26You don't know the girl, yo.
29:26The other girls are wrong, darling.
29:27I'm right.
29:28Okay.
29:29Very there about it.
29:31Yo, story time.
29:33Elliot, what happened after you left?
29:35The real to you though, Elliot.
29:36Like what went on?
29:37So you really want to know?
29:38I want to know because we nickname you Elliot the spy.
29:40I feel like I'm speaking for the group here.
29:42Y'all can back me up.
29:43Yes, honey.
29:44That's true.
29:44The fact that you came out of nowhere and you already got sent home is a little weird.
29:47Right.
29:47Reveal yourself.
29:48Reveal yourself.
29:49Here's kind of what went down.
29:51So all the losing girls were set in the pork chop loading dock.
29:55RuPaul says you guys have to vote one of the losers out.
30:00Wait, what?
30:01And they were the U out?
30:02We did a lipstick vote.
30:03It was a tie.
30:05Then they had to break the tie with a re-vote.
30:08Oh shit.
30:09And it was unanimous.
30:10Oh my God.
30:12All right, bitch.
30:13Hold on.
30:14Prince Paul.
30:16She got eliminated by Tina Burnham.
30:19Boom.
30:20And then you let other eliminated girls eliminate you against her.
30:24Bitch, you got eliminated three times at the beginning of the season on the first episode.
30:28Uh-oh.
30:29So they think that you went home.
30:31Oh my God.
30:32Now you're back in the house.
30:34So you might want to make some room in the work room for some more girls.
30:37Oh my God.
30:38That is gaggy.
30:39The girl that I beat is coming back along with the other girls that were beat.
30:44I am definitely, like, they are about to come back with all the fires that hail behind them.
30:48Now that the tea is filled, we can kind of be nice to Elliot.
30:51Yeah, yeah, yeah.
30:52I'm happy to be here with you guys.
30:53I love you guys so much.
30:54We love you.
30:55Me too.
30:55We're season 13 sisters now, you guys.
30:58Like, you can't take that shit away, honey.
30:59But, like, did we all forget that we're also walking into elimination tonight?
31:04Bro, we up here.
31:05The mood has changed.
31:06The mood has changed.
31:06The mood has changed, honey.
31:08Candy.
31:09Yes, baby.
31:09If you had to send somebody home in this room.
31:11Uh-oh.
31:12I'll beat you down.
31:13Like, if I had to, like, choose a lipstick, I'm going to send home the biggest competition.
31:16Because I want to win.
31:17So, I will send home Tina Burner.
31:19Goodbye.
31:21I'll remember that.
31:22Honestly, I'm afraid of Mick and her fierce fashion.
31:25Tina, who would you send home?
31:26I mean, I have to send home Mick.
31:29You're just, you're a threat.
31:30So, I got to send Mick home.
31:31Send home.
31:31Yeah, I would definitely, it would be Tina.
31:33You are a threat.
31:34For sure.
31:34Lalo.
31:35I would say Mick.
31:36Olivia, who would you send home?
31:38Oh yeah, Olivia.
31:38Who would you send home?
31:39Well, I've realized that a lot of you don't think of me as the biggest threat.
31:43Or a threat at all.
31:44She's nothing to me.
31:45It's not personal.
31:46It's a threat.
31:48Good to know.
31:49I think I am a big threat.
31:51But the other girls don't.
31:52I'm not as well known as some of the other girls.
31:55But I'm not letting it get in the way.
31:56I have to show them that I'm here for a reason.
31:58Everybody loves a dark horse, honey.
32:01What'd you call me?
32:02Oh my god, Olivia.
32:14Oh my god, Olivia.
32:27And what?
32:28Welcome to the main stage of RuPaul's Drag Race.
32:31She's my number one Michelle Visage.
32:34I bet you say that to all the whores.
32:37The hilarious Ross Matthews.
32:39Now Ross, have you ever put out a single?
32:41No, but I have put out four singles.
32:45Yeah.
32:47And director, choreographer, Jamal Sims.
32:51Now, this week the girls did their own choreography.
32:54Is that correct?
32:55I just came to watch and we'd fulfill.
33:00This week we challenged our queens to write, record, and perform a season 13 redo of my song,
33:07Condragulations.
33:08And tonight, on the runway, category is LeMay You Stay.
33:14Ooh.
33:15It should have mother, LeMay I Sleep With Danger.
33:18Next season.
33:19Yeah.
33:21Racers, start your engines and may the best drag queen win.
33:26It's time for the season 13 debut of Condragulations.
33:32Wrought to you by Work The World.
33:36Hey!
33:38Hey!
33:40Hey!
33:41Hey!
33:43Hey!
33:45Hey!
33:47Hey!
33:48Hey!
33:48Hey!
33:48Hey!
33:48Hey!
33:48Hey!
33:49Hey!
33:51Hey!
33:54Hey!
33:59Hey!
34:23Hey!
34:23Hey!
34:23Hey!
34:24Hey!
34:24Hey!
34:24Hey!
34:24Hey!
34:24Hey!
34:26La la reed, this ain't enough drag food from the A to snatch the bag
34:29These girls will know I ain't no joke, watch my run with gag the throat
34:32Dance world, make mama proud, the next supreme to the cross
34:36Now let me tell you what y'all should do, make room for the queen of 13, boo
34:39They call me Liv, satin velvet and glitz, the new queen ready to shine
34:46You see me play on the keys, jersey to NYC, Lux is the one to beat
34:54Condragulations, you're number one, I wanna thank you for a job well done
35:01Condragulations, it's so much fun, now let me tell you all the prizes you have won
35:11Condragulations, Condragulations, Condragulations
35:15Now name's Simone and I'm here for the throne
35:20Big fish in a Martinsale ground
35:23The ebony enchantress is me, legs up to my waist, tell her you can't rip lies
35:30Tina Burner on fire like the Hunger Games, too hot to handle getting burned by these flames
35:34Man hat monster with a heart of gold, this joke is wild, these queens better folk
35:37Death drops, slits, make some girl's choice, stand up, act up, time to use your voice
35:40The truth hurts, but I'll tell it to your face and I'll smile real big waiting for a first place
35:45My hair resnatched, you lookin' ratch, compared to me, there ain't no match
35:49Brightest one up in the batch, when it comes to fish, I'm the biggest catch
35:52Underdog, that's what it took, changin' the game, rewrote the book
35:55All you queens better take a look, my name is Elliot, why are you shook?
35:59Condragulations, you're number one, I wanna thank you for a job well done
36:04So far, Condragulations, it's so much, so much fun
36:08Now let me tell you all the prizes you have won
36:18Oh my god, what did I read?
36:22Give me, give me, give me!
36:30Bring back my girl.
36:34Category is LeMay.
36:36You stay.
36:37Up first, got Mick.
36:39She's going back to the world.
36:40It's the creature from the gold LeMay.
36:41The McQueen of the runway.
36:43My look is inspired by sea dragons.
36:46I have a full LeMay.
36:52My face.
36:53I look like a LeMay alien.
36:55It's everything.
36:57You know, I think I saw that at Gold Navy.
37:00Candy mousse.
37:02Negligé, you stay.
37:04Do I make you horny, baby?
37:06Love by realness.
37:09And my purple little light girl with my little furry titties.
37:12I'm giving the judges candy mousse to the T. Baby, pretty, sexy.
37:17Eat it up, bitch.
37:18I like a good Nancy boot and Daisy Duke.
37:21These boots were made for slaying.
37:24La La Reade.
37:25Look, there's gold in them thar hills.
37:28With this look, I wanted to go for a whole dark chocolate wrapped in gold.
37:33Limited edition, Willy Wonka, golden ticket situation, girl.
37:36Big hair, big garments.
37:38It's giving you Atlanta drag, drag, you know.
37:40I hear she's in the new Bond film.
37:42Gold sphincter.
37:45Olivia Lux.
37:46I think it's Olivia D. Lux.
37:48I am serving a water lily goddess, honey.
37:52You see that little lily on my shoulder?
37:54It's trickling down.
37:55I mean, I am giving you a walking, old Hollywood portrait painting, honey.
38:01She looks expensive.
38:01I bet she saved up and bought that on LeMay-Away.
38:04Hey, that's my girl.
38:06Simone.
38:07Ooh.
38:08Mama said knock you out.
38:10T-K-O-M-G.
38:12I am giving you walks the house down, darling.
38:15I got a little cut on my eyebrow, honey.
38:17I'm giving it to you.
38:19I definitely wanted this runway to be a little bit more clever,
38:22showing that there is a brain behind the beauty, darling.
38:26Y'all, does this mean she spits?
38:31That's a wrap on Michelle.
38:34Bing, bing, bing.
38:35Tina Burner.
38:36Oh, I know her.
38:37She's a friend of Dorothy.
38:38Yes.
38:39Axe first.
38:40Let's see.
38:42I am bringing a full Tin Man fashion fantasy.
38:46Motorcycle jacket and these high-waisted LeMay mom pants.
38:50I thought it was so important to give them a different side of Tina Burner.
38:55I'm skipping down that yellow brick road.
38:57I'm feeling fierce.
38:59Tina, bring me the axe.
39:03Elliot with two T's.
39:06It's Elliot with two T's.
39:08My LeMay look is giving you rhinestone titty fantasy,
39:11big puff sleeve, Tara Lipinski meets 1980s prom.
39:16She is just ready to do a triple axel, steal your man,
39:19and go out for drinks after.
39:21I think she's giving you the cold children, Michelle.
39:23I see it.
39:25Bring back my girls.
39:28Welcome, ladies.
39:30Now it's time for the judges' critiques.
39:34Starting with, Got Mick.
39:36That fashion show was so well done.
39:39The difference between your day look, which was like preschool fun,
39:42and your night look, which was like, you know, evil whore.
39:45I mean that because you kind of look like Michelle.
39:47You were so versatile, and this look is already iconic.
39:51It's trending.
39:53Now the performance, I will say that in the beginning,
39:55I did sense a little bit of hesitation in the front.
39:58I think you were so concerned with your dance steps
40:01and remembering the choreography.
40:03Yes.
40:04That you were losing the performance.
40:06You have a story to tell.
40:07Your drag is fierce.
40:09Make it work.
40:10Because you've got the goods.
40:12All right, up next, Candy Muse.
40:15What's the tea, honeybee?
40:17You look adorable.
40:18I love this kind of Austin Powers fembot moment.
40:21In your fashion runway.
40:22The nighttime look, there was a hole in the back.
40:24Was that meant for a tail?
40:26Yeah, it was supposed to be like a panel.
40:28I don't know, it was a glory hole, girl.
40:30Well, I mean, a good boy.
40:32Now, I want you to explain to me
40:35the thought process behind that day look.
40:38When I was thinking like medieval, like mother of the hookers,
40:41but she's like a headhooker.
40:42And like, you know, like she gives it to the girls
40:44and she gets the girls in check.
40:45In my head, it made sense.
40:47Uh-huh.
40:48The thing I'm obsessed with about you
40:50is that like I never know what you're going to do next
40:52or say next.
40:53Have you ever watched a TV show
40:54and not known what the hell was going on,
40:56but you stayed tuned for episode two?
40:5795% of the time.
40:59I don't even know what you said, but yes.
41:02That is something that money can't buy
41:04and it's your best attribute.
41:06Tonight in your performance,
41:08when you messed up your choreo,
41:10don't let it show in your cara
41:11because the minute that happened,
41:13we saw you going, like, full-on panic.
41:15If you're in the front, there's no mistakes
41:17unless you let us know that it's going bad.
41:20You know what I mean?
41:20Thank you, Candy.
41:22Joe, Ray, Me, La, La, Ree.
41:24I did not love your day look
41:25just because I thought the colors were kind of drab.
41:26I loved your night look, though.
41:28I'd like to go to the club with that girl.
41:29I, of course, take an Uber home about 10.45.
41:32She could stay out.
41:34This look here,
41:36you are a motherfucking drag queen.
41:38It's 24-carat magic.
41:41And then in your performance,
41:43what I loved was your confidence.
41:46When you did your solo,
41:47I was like, I wonder where she's from.
41:49And then you said Atlanta.
41:50I was like, yep, she's from Atlanta.
41:51What clubs in Atlanta do you work at?
41:53Well, I actually work at Lips Atlanta.
41:55I've worked at MSR.
41:57Of course, I work at the Marquette,
41:58the Sleazy-Queasy.
41:59The Marquette is still there.
42:00Oh, yeah, it's still around.
42:02Up and runny and strong.
42:03Yeah, I used to go there
42:04right after the Civil War.
42:07It's true.
42:08Yeah.
42:08It was some rough girls up in there.
42:14Up next, Olivia Lux.
42:16Tonight, I love this old Hollywood glamour.
42:18And I love to see a queen of color representing it.
42:20And I loved all your looks.
42:21I thought your daytime look had a lot of whimsy.
42:23So I thought, okay, she's got some humor in there.
42:25You and the performance was a joy to watch.
42:28The funny things that you did,
42:29the little Mariah thing.
42:31You just owned that stage,
42:33and that gets me so excited.
42:35And then you were smart
42:36because you wore this outfit
42:37that had some fringe on it
42:39that always just enhances all the moves.
42:41And I saw somebody
42:43that I could not take my eye off of.
42:45Thank you, Olivia.
42:46All right, Simone.
42:48This tonight was a different approach to LeMay.
42:50It was very smart.
42:51I love the French braille.
42:52Yeah, it works.
42:53The whole thing works.
42:55In the runway, I lived for that day look.
42:57The look was hot.
43:00And the night look with the hair the way it was,
43:02it was just right.
43:04You're fierce.
43:05You're filled with attitude.
43:06But you're not afraid to go for it
43:07and be who you are.
43:08When you came out,
43:10you know what I wrote down here?
43:11What?
43:11I drew a star.
43:12Yeah.
43:13In the performance,
43:15just the way you walked from that corner
43:16to the center of the stage
43:17was like a spotlight turned on you.
43:19Just right away,
43:20I was hooked.
43:23You've got star quality.
43:26You got it, kiddo.
43:27Thank you so much.
43:29Oh, my God.
43:29Okay, thank you.
43:32Up next, Tina Burner.
43:33I thought your daytime look was so fun
43:35and the nighttime look
43:36was the perfect naughty compliment to that.
43:39Tonight, I'm really excited
43:40you're not wearing red, orange, and yellow.
43:42You're paying homage to Rue's favorite movie,
43:44The Wizard of Oz,
43:45The Axe Purse,
43:46The Heart under there.
43:47It was all very smartly done.
43:49You pay attention to detail.
43:51Your lip sync was well written
43:52and you performed the hell out of it.
43:54Not only that,
43:54I was really shocked with the rap.
43:55You were in the pocket
43:56and I think that you are actually amazing.
44:00Thank you very much.
44:00One thing to remember,
44:01this is not a bar.
44:03This is not a theater.
44:04What this is, is TV.
44:06So it's going to be a little bit different.
44:08You can't turn as much
44:09and remember,
44:10the cameras are your friends.
44:11They're your lovers, darling.
44:12Get in the poppers.
44:13We're ready to go.
44:15That's good advice
44:16and that's good advice
44:16for all the girls.
44:18Poppers?
44:19Poppers, yes.
44:22Up next,
44:23Ellen with two T's.
44:24So your day look
44:25was very French
44:26and very beautiful.
44:27Your night look
44:28is what I was in love with, however.
44:29I thought it was fantastic.
44:32I loved how you looked
44:33in the performance.
44:34The splits, that moment,
44:35was just like,
44:35okay, oh, she's that girl.
44:37When you guys were in the group,
44:38it felt like you were just waiting.
44:40Like, I'm about to show,
44:41like, when a bull's in a pen
44:42and he's about to come out.
44:43And I was like,
44:44I wonder what this one's about to do,
44:46you know?
44:46I've been thinking about
44:47what it must feel like
44:48to stand in your heels this week
44:50because it could have been gone.
44:52Yeah.
44:53And so if I were you,
44:54I would really have something
44:56to prove this week.
44:57And I think you proved it.
44:59You deserve to be here.
45:02Thank you, Elliot.
45:03Thank you, ladies.
45:05I think we've heard enough.
45:06While you untuck in the workroom,
45:09the judges and I will deliberate.
45:12All right, now,
45:13just between us squirrel friends,
45:14what do you think?
45:16Starting with Got Mick.
45:17Got Mick, Got Style, Got Talent.
45:20That look was so mind-blowing tonight.
45:23As soon as the performance started
45:24and picked up,
45:25she got her stuff together.
45:26And I just wish that
45:28she could just own that
45:29from the beginning.
45:30She's new to the performance
45:31part of drag.
45:31So we've got to see
45:32if Got Mick is a queen
45:33that has that tool
45:35in her tool belt as well.
45:36Candy Muse from the Briz Zongs.
45:38I love that she has
45:39this body positivity
45:40and shows it off.
45:41But I think the jury's
45:42still out on the aesthetic.
45:45Candy gives me
45:46a round-the-way girl,
45:48but a little rough
45:48around the edges.
45:49Okay, yes, I get it.
45:51The aesthetic's not great.
45:52And like, I didn't understand
45:53what she was saying
45:54when she was rapping.
45:55But can I keep her, please?
45:59I love her.
46:01From Atlanta, Georgia,
46:02Lala Ri.
46:03In the performance,
46:04she had a control
46:05and she knew what she was doing
46:06and I bought every second of it.
46:08Lala Ri knows how to perform
46:09and she's ready to bring it.
46:11I cannot wait to see
46:12what Lala Ri does.
46:13She's exciting.
46:15Olivia Lux.
46:16Olivia reminds me
46:17of the first lady.
46:18Faith Evans?
46:19More on the Michelle Obama tip,
46:21but still, you get the idea.
46:23She gives me that
46:23and then the performance,
46:25I have to say Beyonce.
46:26You know, she had the class
46:28and she showed up
46:29and she showed out.
46:30And she is so beautiful
46:32and charming.
46:33I see that smile
46:34and it's like,
46:35oh, her.
46:35I love her.
46:37Simone.
46:37I know that Jamal said
46:38that Candy Muse
46:39is like an around-the-way girl,
46:40but so is Simone.
46:41Yeah.
46:41She came out
46:42and she struck a pose
46:42and she tilted her head
46:43to the side,
46:44like, I can't even do it
46:44because my neck roll
46:45won't let me do it.
46:46But she just like
46:47stood and did that.
46:48And I thought,
46:48this bitch has got
46:49that energy,
46:51that confidence.
46:52Simone scared me
46:53when I first saw her.
46:55Just to be honest.
46:57And then when her runway looked,
46:58that kind of just said
46:59everything about her,
47:00like, I'm going to fight
47:01all the way to the finish,
47:02you know,
47:03and that's the spirit
47:03that I get from her.
47:05Tina Burner.
47:06I was a little concerned
47:07when I kept seeing
47:07those same orange, red, yellow.
47:10I'm like having a flashback
47:11to my eighth birthday party
47:12at McDonald's, right?
47:14And I was thinking,
47:15it was writing those colors
47:17in a little bit.
47:18And she did,
47:18right at the right time.
47:19I thought that was
47:20the smartest thing
47:21she could have done this week.
47:22I know her from New York City.
47:23And I have to say,
47:24Tina has been living up
47:26to the Tina Burner hype.
47:28I think that she's got things
47:29that she's going to have to...
47:31Adjust?
47:31Yeah.
47:32I see Tina here to play.
47:34I was pleasantly surprised
47:35in her performance.
47:36And I think that she has
47:38what it takes
47:38to go all the way, actually.
47:40Elliot with two T's.
47:43She came out here
47:43to prove something.
47:44And I think that's
47:45what I picked up on.
47:46She was so excited
47:47she kind of got out
47:48of the element.
47:48We can see that she's got it.
47:49We see that she can do it.
47:50And if she just relaxes into it,
47:52I know we've all heard
47:53that before.
47:54You gotta want it.
47:55You gotta want it.
47:57It's gotta be tough
47:58to be Elliot this week.
47:59I think I must have ESPN
48:00because I was looking,
48:03I was like,
48:03there's something going on
48:04with her.
48:05And it was true.
48:06But I could tell
48:07that the talent's there.
48:07I could tell
48:08that she could serve a look.
48:09I love Elliot with two T's aesthetic
48:11because it's very expose,
48:13the group expose,
48:15for those of you
48:15who don't know.
48:16But it's quirky
48:17and I love that aspect
48:18of her presentation.
48:21ESPN.
48:22Got it.
48:25Silence.
48:26I've made my decision.
48:28Bring back my girls.
48:31Welcome back, ladies.
48:33Based on your performances
48:35in the fashion show
48:36and on the main stage,
48:38I've made some decisions.
48:41Olivia Lux.
48:44Simone.
48:48Conjagulations,
48:49you are the top
48:49two queens of the week.
48:53Darling,
48:54I am on top
48:55of the motherfucking world, bitch.
48:57I'm a real competitor
48:58in this.
48:58And now the girls know it.
49:00They don't see me
49:01as a threat, right?
49:05The rest of you
49:10are safe.
49:14This week,
49:15there are no bottoms,
49:17only tops.
49:18Well,
49:19with the exception
49:20of the judges panel,
49:21of course.
49:22You may step
49:23to the back
49:24of the stage.
49:25I thought I was lip-sync
49:26against Candy
49:27and I love Candy
49:28so I just feel
49:29so relieved.
49:30We're all saying
49:31and I cannot get
49:33to the back
49:33of the stage
49:33fast enough.
49:35Olivia Lux.
49:37Simone.
49:38Great job this week.
49:40But,
49:42there can only be
49:43one number one.
49:46Two queens.
49:47Stand before me.
49:48Ladies,
49:49this is your last chance
49:51to impress me
49:52and win a cash tip
49:55of $5,000.
49:57Dueless.
49:57What?
49:59Oh, my God.
50:00The time has come
50:02for you to lip-sync
50:05for the win.
50:09This is when
50:11you leave it all
50:11on the stage.
50:13I'm going to
50:14attack it
50:15with everything
50:16that I have.
50:16I quaffed it up,
50:18do it all.
50:19Good luck
50:20and don't
50:22fuck it up.
50:27I've always been
50:29the one to say
50:30the first goodbye.
50:32Had to love
50:33and lose
50:33a hundred
50:34million times.
50:36Had to get it
50:37wrong to know
50:38just what I like.
50:40Now I'm falling.
50:43You say my name
50:44like I have
50:45never heard before.
50:47I'm indecisive
50:48but this time
50:49I know
50:50for sure.
50:51I hope I'm not
50:52the only one
50:53that feels
50:54it all.
50:55Are you falling?
50:58Center of attention
50:59you know you can
51:01know whatever
51:01you want from me
51:03whenever you want
51:04it baby
51:05it's you
51:06in my reflection
51:07I'm afraid
51:08of all the things
51:09it could do
51:10to me
51:11if I would've
51:12known it baby
51:12I would've
51:14stayed at home
51:15cause I was
51:16doing better alone
51:16but when you
51:17said hello
51:19I know that was
51:20the end of it all
51:20I should've stayed at home
51:22I definitely want to
51:23show the judges
51:24everything that Simone is
51:25and this is my moment
51:26to be like no bitch
51:27this is my stage
51:28and this is my
51:29five thousand
51:30dwarves hairs
51:30I know
51:31I was feeling better
51:33than when you
51:34said hello
51:35I know that was
51:36the end of it all
51:37I should've stayed at home
51:39cause never heard
51:40I'm gonna let you go
51:41and I fall in
51:42in love
51:43with the one
51:44that could break
51:45my heart
51:48child
51:48I am delivering
51:50straight to you
51:51to your doorstep
51:53am I falling in love
51:58with the one
51:59that could break
52:00my heart
52:01I would've
52:03stayed at home
52:04cause I was a little
52:05but when you
52:06said hello
52:08I should've stayed
52:11at home
52:12cause now there ain't
52:13letting you go
52:13am I falling in love
52:15with the one
52:16that could break
52:17my heart
52:25ladies
52:25I've made my decision
52:33Simone
52:35you're a winner baby
52:38thank you
52:40condragulations
52:41you've won
52:42five thousand dollars
52:43I'm a winner baby
52:45first main challenge
52:47and Miss Simone
52:47has taken the bag
52:48I am feeling
52:49correct
52:50Olivia Lux
52:52you're safe
52:53to slay
52:54another day
52:56condragulations
52:57queens
52:57more twists
52:59and turns
53:00are just around
53:01the corner
53:02but this one thing
53:04I know
53:05is true
53:08if you can't
53:09love yourself
53:10how in the hell
53:11you gonna love
53:11somebody else
53:12can I get an
53:13amen up in here
53:14amen
53:16alright
53:16now let the music
53:17play
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