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Penelope (1966) Part One (ENG) HD [Full Movie] [Ranked]Full EP - Full
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00:13Penelope
00:30The purpose of a honeybee
00:32Picture a girl your mind could never dismiss
00:41This is Penelope
00:46Penelope
00:49The day the angel makers planned her
00:53She set the universe above us
00:56There is no way to understand her
01:00In fact the only one who does is
01:05Penelope
01:08Penelope
01:12Penelope
01:15Penelope
01:18Picture a girl whose life is as crazy as a mad magician
01:24Picture a girl whose heart is elusive as her bed is free
01:31Picture a girl whose young conception of bliss
01:35This, this-is-is Penelope
01:44Penelope
01:45Penelope
01:47Penelope
01:49Penelope
01:51Penelope
02:21To the vault.
02:22Literally blasted out of the solid granite of Manhattan Island.
02:28Yes, gentlemen, as my old Scottish grandfather might have said,
02:31your money's safer with us than if we were guarded by the Loch Ness monster herself.
02:40Now, if you'll follow me into the executive suite.
02:44Oh, I hope you don't mind.
02:49Miss Serena, what a sweet name.
02:53I think names have a great influence on your character, don't you?
02:58Well, how's that?
02:59A lady named Miss Serena ought to be called Serena.
03:04Are you?
03:05Well, I try to be.
03:06That's good.
03:07Because this is a sticker.
03:09Now, don't move.
03:11And don't put your foot on that alarm button.
03:13I shall be forced to blast you.
03:15Dear me, hand me those nice, new stacks of $500 bills.
03:25Or...
03:27Oh, what are those bills with dear Grover Cleveland's picture on them?
03:33$1,000 bills.
03:35Oh, let me have a handful of those, too.
03:41Oh, one more thing.
03:46Which way is the lady's room?
03:52Thank you, dearie.
03:54You've been very helpful.
04:17Three cheers for what?
04:18No!
04:19Roach!
04:21Roach!
04:22Roach!
04:22Someone phone Mr. Elcock.
04:24Who did it?
04:24Point him out.
04:25Take it to the street, quick.
04:27Stand back, everybody.
04:39Roach!
04:55Not him...
04:57Lady...
04:58Oh, lady...
04:59Can you describe her?
05:01Oh...
05:02Calm down.
05:03Calm down.
05:04Relax.
05:05Oh...
05:05Oh...
05:24Oh...
05:31All right, come out with your hands up
05:34I'm gone
05:35That horrible old lady's got a gun
05:37A person isn't safe anyplace in this rotten city
05:42You first, I'm not even married
05:43I couldn't find a button
06:06Mr. Elkhart, Mr. Elkhart
06:09They've trapped her in the ladies' room
06:21All right, little old lady
06:23Are you coming out or are we coming in?
06:41Nothing
06:42Do you have a dime?
06:46In deference to your years, madam
06:48I urge you not to do anything foolish
06:51Nothing
06:52I don't get it
06:53I think I'm beginning to
06:55Someone watch the Pope
07:01That dame in a yellow suit
07:03Where is she?
07:04Let's go
07:05Come on, man
07:17Bring Darth Goodman, please
07:18Come on, man
07:20Come on, man
07:39Come5-ist-en-ity
07:41We'll be okay
07:41Come on, man
07:43Me
08:24How are you?
08:30What seems to be the trouble?
08:32Sick up at the city federal bank.
08:35Imagine.
08:36Five bandits with machine guns and tear gas.
08:39No.
08:40Got away with over $130,000.
08:43As much as that.
08:45Good gracious.
08:50Mr. Alcott, congratulations.
08:52You've just broken the world's record.
08:54Robbed the same day you opened.
08:56Throw this nut out.
08:58He's not a nut.
08:59He's a police lieutenant.
09:01He doesn't sound like much of a police lieutenant.
09:03And you don't look like much of a bank president.
09:05You've got a good bony leg, did you notice?
09:08I lost my trouser defending my bank.
09:10Something that wouldn't have been necessary had the police been on the job.
09:13No, no, Mr. Alcott.
09:14You've got it back.
09:15First there is a bank job.
09:18Then there is a police job.
09:20Would you mind lowering your voice?
09:21It's bad for business.
09:22Come inside.
09:24You should have thought of that before you left all those $500 and $1,000 bills laying around.
09:29There's a promotional idea for the opening.
09:31Bank notes of that denomination aren't readily negotiable.
09:33We have all the serial numbers.
09:35I guess it would be kind of tough trying to break a $1,000 bill with an automat.
09:38Yeah, but if they're good, can you imagine?
09:41A thousand bucks worth of nickels.
09:43I think it's a funny image.
09:45You find grand loss near amusing.
09:46You're tense.
09:48You're much too tense.
09:49Very bad for the digestion.
09:51Relax.
09:52The insurance company, let them be tense.
09:54They have to make good your losses.
09:55I'm concerned with our loss of prestige.
09:57A thing like this could cause the public to lose confidence.
09:59Well, now, I can't imagine why.
10:01If I were a police lieutenant, I think I'd be out looking for $60,000 carried by a redhead in
10:05a yellow suit.
10:05The odds are like 40 to 1 that the redhead is no longer modeling that particular number.
10:10Here you are, Mr. Elkhart, right here on film.
10:11Everything had happened between 2 and 3.
10:13The robbery took place at 2.47.
10:15We always film the first few days when Eubanks' operation helps eliminate the bugs.
10:18Well, talk about dumb luck.
10:20Rothschild, get these down to the lab.
10:22We're going to the movies tonight.
10:26Get me Mrs. Elkhart.
10:28If she's not at home, maybe you can catch her at the doctor's.
10:31Mrs. Elkhart is here, Dr. Mannix.
10:35Send her in.
10:41Good afternoon, Gregory.
10:42Good evening.
10:44Oh, Gregory, I'm terribly sorry.
10:46I just couldn't help it.
10:47Things kept happening.
10:55Oh, that feels good.
10:57I've had such a day.
10:59Good day, I hope.
11:01No more escapism, no attempt to run away from reality.
11:05A little running, yes.
11:06A little escaping, too.
11:08Well, you look so beautiful this afternoon, I'll try to forgive it.
11:13Gregory, you've never said anything like that before.
11:16In the spring, a young man's fancy.
11:20Penelope, I am not in love with you, nor are you in love with me.
11:24Although at this stage of your analysis, you may think so.
11:27Oh, I don't think I'm in love with you.
11:30Oh, you don't think you're in love with me?
11:33No.
11:35Never entered my mind.
11:38Why?
11:39Are you disappointed?
11:42Not in the least.
11:44I can't relieve.
11:46That's good.
11:48So, you had an interesting day, huh?
11:51You want to talk about it?
11:52Well, let's see.
11:54This morning I went shopping,
11:56and then I went to the Museum of Modern Art.
11:59They have a marvelous new exhibit there.
12:01And then I had lunch at the plaza,
12:05Palmwood,
12:06Eggs Benedict,
12:07and then, a few minutes before three o'clock,
12:10I stuck up my husband's bank.
12:28Are you asleep?
12:30No, I...
12:31You're not associating.
12:32You realize that.
12:34How do you mean?
12:36I mean, you said you went shopping,
12:37you went to the museum,
12:38you had lunch,
12:40and then you said something entirely irrelevant.
12:43Gregory,
12:44it's you who's not associating.
12:46All I said was,
12:47I stuck up my husband's bank.
12:48He said it again,
12:49but you couldn't possibly.
12:50How do you know?
12:51Because I've been your analyst for three years.
12:53I know what you're capable of,
12:54and I know what you're not capable of.
12:55Would you like to bet?
12:57My reputation in psychiatry
12:58against anything you care to put up.
13:00Will this be enough?
13:03What's that?
13:05Well, I think it's called the loot.
13:08The loot.
13:09The loot.
13:11The loot.
13:11Penelope, would you...
13:19So you think you robbed a bank, huh?
13:22Hmm.
13:22I've been saying that.
13:24Then I went over to Bergdorf
13:25and bought this new outfit.
13:26Do you like it?
13:28Penelope,
13:28do you expect me to believe
13:30that you robbed your husband's bank
13:32and went blithely off to Bergdorf
13:34and spent the loot on dresses and mints?
13:36Of course not.
13:38Well, thank goodness.
13:39Well, I wouldn't spend stolen money.
13:41I have a charge account.
13:42You still insist you robbed a bank.
13:44Now, how could you?
13:45Gregory, it's very simple.
13:47Please, I don't want to hear it.
13:48I don't want to hear it.
13:49I don't want to hear it.
13:51Oh, of course.
13:52That would make you an accessory after the fact.
13:55Gregory, I'm sorry.
13:56Don't be upset.
13:57We'll just forget I ever mentioned you.
13:59We're not going to forget about anything.
14:03How much did you get?
14:05Well, a man on the street
14:06said it was $130,000.
14:08That's horrible.
14:09Yeah, but I just counted it.
14:11It's only a little over $60,000,
14:12so it's only half as horrible.
14:14Penelope, nobody can just walk into a bank
14:15and I can pick up $60,000 by asking for it.
14:18Well, of course you can.
14:19You have a gun.
14:21You don't own a gun.
14:22Oh, Gregory, you're always so positive.
14:25What do you think this is?
14:27Oh, I'm sorry.
14:29I didn't know it was loaded.
14:30I bought it in the five and dime.
14:34Penelope, this is very bad for your therapy.
14:38I'm sorry, Gregory.
14:44Somewhere in your analysis,
14:46I have obviously
14:49passed up a vital clue.
14:52Now, I want you to tell me again
14:56from the beginning
14:57about the first time that you took something.
15:01You mean stole something, don't you?
15:04Gregory, we might as well face it.
15:05I'm a kleptomaniac.
15:07I refuse to accept that word clinically.
15:11Now, what was the first time?
15:16Well, the very first time
15:20was my last week in college.
15:23I was all dressed up for the senior prom
15:25when Professor Klopp came by.
15:27Professor Klopp taught Anthropology 404
15:30and he said he'd like to show me some pictures
15:32of the Okokos drive in his laboratory.
15:36He said the Okokos had some very strange customs.
15:41Well, they certainly did,
15:43but no stranger than Professor Klopp is...
15:48I can't afford to see it.
15:48Oh!
15:49Ah!
15:49Ah!
15:50Ah!
15:52Ah!
15:52Ah!
16:06Sorry.
16:23Ah!
16:26Ah!
16:30Ah!
16:38Ah!
16:42Ah!
16:58I didn't notice it at first, but there was something in my hand.
17:02Somehow, sometime during our session in Primitive Anthropology,
17:06I had grabbed hold of Professor Klopp's watch file, diamond studded.
17:10I could have sent it back, of course,
17:12but I decided I'd just keep it,
17:14in memory of the strange customs of the Okoko's tribe.
17:17So, that's the way I began my life of crime.
17:21Practically by accident.
17:26When was the next incident?
17:29Well, there was some odds and ends when I first came to New York.
17:33But then, after I met James, I never stole anything.
17:38Until...
17:39Until when?
17:41Until my wedding day.
17:50I'll never forget how handsome James looked that day.
17:55I was terribly in love with him.
17:58But so, it seems, was my matron of honor, Mildred Halliday.
18:01She wasn't exactly my choice, but her father was on the board of the bank.
18:08At the reception, James suddenly disappeared.
18:18When I came to think about it, I couldn't seem to locate Mildred either.
18:22I wasn't suspicious, really.
18:24But I began to wonder if it wasn't just possible.
18:27It was.
18:30In situations like this, I always think of clever things to say.
18:34Well, time to cut the cake.
18:36Hello, Penelope.
18:37Jimmy.
18:37Jimmy and I were just discussing the wedding.
18:40Yes.
18:41I heard you.
18:42Well, everybody always kisses the bride, but no one thinks of the groom.
18:47Except you.
18:48Well, it's my generous nature.
18:50Oh, Jim, Jim, look.
18:52You're all over lipstick.
18:55Oh, don't be jealous, love.
18:58Jimmy and I have known each other for ages.
19:00Ta.
19:03Ta.
19:06I thought briefly about stabbing her in the back,
19:09but I was afraid the cake knife wasn't sharp enough.
19:12Would you care for an explanation?
19:14No.
19:15You don't have to.
19:17How was it?
19:22I could take it or leave it.
19:25Have you got all of her lipstick on?
19:27No, I have.
19:28Why?
19:40In those days, you'd never suspect James was a banker.
19:45Ready, everybody.
19:46Ready.
19:46Here they come.
19:48All right, Penelope.
19:49Let's see you hit a future bride.
19:54I can still see Mildred looking up at me.
19:57She was wearing her emerald earrings and necklace,
19:59plus a very superior expression.
20:03It was time to toss the wedding bouquet.
20:06I decided I'd let Mildred have it.
20:09Oh!
20:11Mildred!
20:12Oh, darling, I'm terribly sorry.
20:15Are you all right?
20:16Oh, that's good, darling.
20:19Ta.
20:22Goodbye, my darling.
20:23Goodbye.
20:24And, and, and, and darling, darling,
20:25please don't forget to live happily ever after, please.
20:29Goodbye.
20:30Goodbye, James.
20:31Goodbye, James.
20:32Goodbye.
20:32Goodbye.
20:35My, my earrings.
20:36My earrings.
20:38And when we returned home ten days later,
20:41the necklace and earrings were still in the potted palm jar.
20:44And you never returned them?
20:46No.
20:47Why should I?
20:49Penelope, if you keep answering my questions with questions,
20:53how am I going to help you?
20:54I'm sorry, Gregory.
20:55I'll try to do better.
20:57All right.
20:58Now, I want you to think very carefully before you answer this.
21:01Each time you stole something,
21:04do you remember how you felt afterwards?
21:06Guilty.
21:08Upset.
21:09Depressed.
21:11Disturbed.
21:13Cheerful.
21:15How can you feel cheerful?
21:17Gregory, that's why I'm here.
21:19To try to find out why stealing makes me cheerful.
21:22You couldn't.
21:23You couldn't possibly feel cheerful.
21:25Gregory, you're accusing me of dishonesty,
21:27which is one fault that I do not have.
21:29Kleptomania, yes.
21:31Dishonesty, no.
21:32You are not a kleptomaniac.
21:33A kleptomaniac steals out of compulsion.
21:35But you steal because you enjoy it.
21:45You're angry with me.
21:47You bet I am.
21:48And we better end this session right here.
21:50Why?
21:50Because I...
21:52Because I find I cannot...
21:54I cannot maintain a proper attitude of detachment.
21:57And besides, your time is up.
22:03...
22:04...
22:05...
22:05...
22:05...
22:06Mr. Elcott is calling Mrs. Elcott.
22:09Oh, I wonder what could be so urgent.
22:12It may have something to do with his wife sticking up his bank.
22:15Yes, James?
22:18Oh, he won't be home for dinner.
22:20Why not, darling?
22:23No.
22:25For heaven's sakes.
22:28What?
22:29You have?
22:31When?
22:32Oh, James, can I come?
22:34Oh, thank you, darling.
22:36Yes, yes, yes.
22:37I promise I won't be late.
22:39Gregory, guess what?
22:40They have movies of the robbery.
22:41And James is going to let me see them with the police.
22:44I'm on film.
22:45Isn't that exciting?
22:46It's just like an actress having a screen test.
22:49Except if you get this spark, you're going to play it in jail.
22:51Gregory, I'd better run.
22:52I've got a thousand things to do for us.
22:55Bye.
23:02Thank you, Gregory.
23:04When do I see you again?
23:06With good behavior in about 20 years.
23:08Tomorrow, same time.
23:09Same time.
23:14Assuming you're still at large.
23:29Dr. Knobloch, I think it's time we resume my analysis.
23:36You see, I've fallen in love with this bank robber.
23:41You see, I've lost my luckily not in love with the police.
23:42I've lost myевой license.
23:55I'll die.
23:55You see, I've lost my neuroculture.
24:00Yeah, I've lost my pains, and I don't think that's rich.
24:00Whenever you visit them on the rim, send them out and 謝謝 them to be your eyes.
24:00Bye, and I don't know.
24:00Then we see you again next time we come together.
24:03We check out our mother and try to get this a big bear today.
24:06I'll do a great night sphere.
24:19May I help you?
24:21Oh, oui, madame.
24:22I have here a suit to donate to your charity.
24:25Oh, thank you.
24:26At home, shall we make out the receipt?
24:28Bye.
24:29It's tax deductible, you know.
24:32Wait a minute.
24:35Wait a minute.
24:37It's gorgeous.
24:38I'll take it.
24:39You have to lay.
24:40Stay.
24:41Oh, please.
24:42What are you doing?
24:44Ladies, ladies, ladies.
24:46Such a big commotion.
24:48Over what?
24:49Some yellow rag?
24:51The color's all wrong for your sallow complexion.
24:54And yellow?
24:56On a woman of your years?
24:59How much were you going to pay for this, lady?
25:02Well, $20.
25:03That seems fair.
25:04$21.
25:05It's damaged goods.
25:07Look.
25:07In that case, I'm not interested in any price.
25:11Then neither am I.
25:14Here.
25:17Here's $7.
25:20More than it's worth.
25:22But then, I'm such a soft touch.
25:39Set up a love of my life.
25:41Did you know what we have here?
25:44It couldn't be.
25:46But it couldn't be anything else.
25:48Nobody.
25:49Nobody that seems like Yvonne Shee.
25:52This bar is original for $7.
25:55You're a genius.
25:56In love with an angel.
25:58A rich angel.
26:04In the shop, we'll get $500 for this.
26:09And a good hanger.
26:11Six.
26:23Please help the poor.
26:26Please, friends, open your hearts.
26:29Please not in poverty.
26:32Lord love's a cheerful giver.
26:40Please, friends, open your hearts.
26:43Help others.
26:52Pardon, monsieur.
26:54It is more blessed to give than to take, no?
26:57So we've been taught.
26:58Yes.
26:59Too bad it is not the other way around.
27:01Yes.
27:01Yes.
27:15Cute, eh?
27:28Hey, wait a minute.
27:29I forgot my...
27:30You forgot mine.
27:35I forgot mine.
27:55I forgot mine.
27:59right here. It's about time. Now what? Oh, it's my wife. Darling, Lieutenant Bixby. How do you do?
28:12And Sergeant Rothschild. Hello. Am I missing anything? Not from where I'm standing. Sergeant,
28:21as long as you're rewinding that, why don't you start from the top of Mrs. Elcott's? Oh,
28:25that's very kind. Rack a jacket. Thank you. Your shoes. Where do you have shoes, darling? Oh,
28:43wouldn't you know it? I left them in the taxi.
28:49Last week it was in the elevator. I got sent out an all-points bullet. I hope you have more
28:54luck
28:54with my wife's shoes than you're having with my bank robbery. Your bank. My rob.
28:58I know. Oh, this is so exciting. James, that's you. Oh, James, you look so handsome.
29:16When do we get to see the girl? Right now. There she is.
29:26Out of the way. I can't see her. Well, maybe there's more.
29:33Turn around. Turn around. Yes, turn around. Slow down, Phil.
29:45Oh, she's gone. Run that part backwards.
29:57Oh, I like that.
30:06Well, that's it. Suspect, young, white, female, five foot three, red hair, yellow suit. Did I forget anything?
30:14Yeah, when viewed from behind, she has a very attractive wiggle. Excuse me, Mrs. Alcott.
30:19Not at all. Not much help, was it? No. What a shame. Everyone else's face was so clear.
30:28You were very good, James. And Miss Serena was just fabulous.
30:32Yeah, considering she kept her mouth open all the time.
30:34Hmm. Incidentally, your cameras are very strategically located.
30:40We weren't expecting to photograph the lady's washroom.
30:47Yeah, Bixby.
30:50Oh, very good.
30:53Our first break in a case.
30:55So soon?
30:56I may have underestimated you.
30:59Good work, officer.
31:01We set up a roadblock in Times Square.
31:08Lieutenant! How dear of you!
31:12Oh, James! Wasn't that sweet of him?
31:15Adorable.
31:16Lieutenant Bixby?
31:19I'm already gay.
31:21Oh.
31:23I'm Major Higgins.
31:24I'm very busy.
31:26Well, that's a fine way for a lieutenant to talk to a major.
31:29Uh, lieutenant, I was wondering if you could tell me if this is real.
31:35Excuse me, ma'am.
31:44Major, where'd you get this?
31:46A young lady put it in my tambourine about five o'clock.
31:50Could you describe her?
31:51Her clothes, her colouring, her height, her figure?
31:54Uh, Mrs. Elcott, would you stand up, please?
31:56Oh, of course.
32:00Yes, yes.
32:02She was just about this young lady's height.
32:06And figure.
32:10Only...
32:10Only what?
32:13Only with blonde hair.
32:16Anything else?
32:17Yes.
32:18She spoke with a French accent.
32:21And...
32:23She had a mole on her cheek.
32:25Excuse me.
32:27Right here.
32:31Can you remember anything she said?
32:33Yes, I believe her...
32:35Them to take were...
32:38Cheerful?
32:39Cheerful, yes, yes.
32:40That's the exact word.
32:41Cheerful.
32:44Isn't her money good?
32:46Well, not for you, Major.
32:48This bill was stolen this afternoon from Mr. Elcott's bank.
32:53Well, I...
32:56But I was just hoping.
32:59Oh, well.
33:02Major, wait!
33:04Lieutenant Bixby, this is unfair.
33:07Doesn't have to be fair.
33:08It's the law.
33:09What law?
33:10I never heard of any such law.
33:12I mean, why can't he keep it?
33:13After all, he didn't steal it.
33:15Somebody gave it to him.
33:16It wasn't hers to give, darling.
33:18But he needs it.
33:20Isn't there anything you can do?
33:22I'm afraid not.
33:25Well, then, James, you do something.
33:29Eh, like what?
33:31Well, write Major Higgins a check.
33:34For what, darling?
33:35For a thousand dollars.
33:37That's what you're taking from him.
33:40Higgin?
33:40Well, of course.
33:42And besides, you'll be breaking even.
33:45How do you figure that out, darling?
33:47Well, Major Higgins gave you back your thousand dollars.
33:50You give him back his thousand dollars.
33:52Simple.
33:55Am I hearing right?
33:56I can't believe this.
33:58James!
33:59If you don't give Major Higgins a check,
34:02I'll never speak to you again.
34:04Oh, please, folks, please.
34:07We're meant to ease people's troubles,
34:09not to cause them.
34:10I'm sorry.
34:12Please, James.
34:27Oh, thank you, darling.
34:35What time, Bundren?
34:37A thousand.
34:39A thousand.
34:42Wait till the word of this reaches Red Cross, YMCA, and Hadassah.
34:54And do you know what?
34:56James still doesn't understand that he broke even on the deal.
35:01Maybe he was just being stubborn?
35:03No.
35:04He's just confused.
35:06For a banker, I think that's pretty strange.
35:15Is all this milk good for you?
35:19It's not for me.
35:21It's for my ulcer.
35:23You know, Lieutenant Bixby was so nice about getting back my shoes.
35:28Why do you suppose I took this?
35:32Gregory!
35:34Go down the wrong pipe?
35:39Penelope.
35:41Penelope.
35:43Penelope, did you...
35:44Did you ever think of going to another psychiatrist?
35:48No.
35:49That would be disloyal.
35:52I'm not helping you at all.
35:54Of course you are.
35:57Gregory, I'm sorry.
35:58I'll send the wallet back.
35:59It's not only this.
36:02Oh, don't be discouraged.
36:03Just because I stuck up a bank.
36:06Your husband's bank?
36:07Yes.
36:08James's bank.
36:09But why his bank?
36:10Why not somebody else's bank?
36:12Why are you writing left-handed?
36:16I'm being an accessory after the fact.
36:23Would you mind licking this for me?
36:27I'm too dry.
36:32Whatever made you marry a man like that in the first place?
36:36Oh, James wasn't a man like that in the first place.
36:39Oh, no.
36:41The first time I met James was at a Greenwich Village cellar known as the Plush Pig.
36:47I've been working there a couple of months.
36:49It was my first real job in New York.
36:50Someone who knows who I am Someone who knows who I am But when you are far away My world
37:02is clouded
37:05The sun is grey
37:13You can make me touch the sky Give me wings and help me fly
37:23But without you night and day My world is clouded
37:31The sun is grey
37:35The sun is grey
37:37You hang the moon Scatter stars throughout the sky
37:48All of the good things within me All of the good things within me
37:54Must first be seen through your eyes
38:01You hang the moon Scatter stars throughout the sky
38:02There is only one thing wrong The sun is grey
38:12There is only one thing wrong The sun is grey
38:14The sun is grey
38:22The sun is grey
38:22The sun is grey
38:22The sun is grey
38:40You look like,
38:43You look like,
38:45You look like,
38:46You look like you're grey
38:52BELL RINGS
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47:41It was donated by a blonde girl with a phony French accent.
47:43And we traced it here.
47:45Well, how clever of you.
47:46Not so clever.
47:47The lady back there read about it in the paper and called us.
47:50Well, we were clever enough to pick up the phone.
47:54Well, that's that.
47:55You've got it.
47:56Not yet.
47:57Somebody bought it.
47:58Paid seven bucks.
47:59Seven bucks?
48:00But that...
48:01What?
48:01Too cheap?
48:02Well, that's hard to say.
48:04I'd have to see it first.
48:06Well, why don't you come along while we pick it up?
48:08Do you want to get to ride in a police car?
48:09Yeah.
48:10With a siren and everything.
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