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Tensions explode in the prison as a daring escape plan is put into motion and a deadly conspiracy is uncovered! 😱πŸ”₯

Alliances shift and survival becomes the only priority in this gripping episode.

πŸ‘‰ Watch now and don’t miss this thrilling episode!
#Prisoner #S01E03 #ENGLSUB #FullEpisode

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Transcript
00:01Someone's there.
00:02It's too late.
00:03Go to the destination.
00:05Say Tibor sent you and you want to see Sebastian.
00:07We're gonna need cash to make it to Lyndon.
00:10You killed him.
00:11We killed him.
00:12You know what it takes to survive.
00:14And we'll have to decide how much blood in your hands you can live with.
00:37It's okay, Gorgeous.
00:38Let it out.
00:41Let it out.
00:43Let it out.
00:45Let it out.
00:46Let it out.
01:00Let it out.
01:25Our turn.
01:36can i help i hope so i'm looking for a man five foot nine brown eyes dark cropped hair
01:43he may have come in here with a young woman look love well sorry for you being there myself
01:51trust me but what people do in that room well that's their business all right so he's here
02:01let me guess paneer tikka bangan bata and a masala chai
02:07oh how did you know that
02:48food's here
02:52he said he'd call us when it arrived
03:13police shots have just been fired at the center
03:15if we can't trust the answer you then we can't trust the police get the money
03:19uh
03:20so
03:22I don't know.
04:18I don't know.
04:22I don't know.
04:58I don't know.
05:28I don't know.
05:59I don't know.
06:29I don't know.
06:30You're gorgeous.
06:31I don't know.
07:06I don't know.
07:07I don't know.
07:16I don't know.
07:18I don't know.
07:26I don't know.
07:29I don't know.
07:43I don't know.
08:02I don't know.
08:16I don't know.
08:17I don't know.
08:20I don't know.
08:20I don't know.
08:21I don't know.
08:24I don't know.
08:46I don't know.
08:50I don't know.
08:56I don't know.
09:21I don't know.
09:25I don't know.
09:26I don't know.
09:37I don't know.
09:38I don't know.
09:39I don't know.
09:39I don't know.
09:43I don't know.
09:47I don't know.
09:50I don't know.
09:58I don't know.
10:06I don't know.
10:07I don't know.
10:07I don't know.
10:08I don't know.
10:12I don't know.
10:14I'm ready.
10:20So, Angelina,
10:25I don't know.
10:35I don't know.
10:56Nancy, it's me.
10:58Boss?
10:59I need a favor.
11:02You're suspended.
11:03This case has taken everything, my marriage and now my career.
11:06If you think I'm a Pegasus mole, you should hang up right now.
11:09Oh, I see Campbell's crew is still camped outside.
11:13Nancy, seriously, how long have we known each other?
11:19What can I do?
11:22Oh, I don't know.
11:22Pavel Ivanov, the renewable energy engineer that's done got out of Belarus.
11:27He was developing high heat resistant polymers for wind turbines.
11:31I'm not sure I follow you.
11:32That's the kind of material designed to withstand exposure to extreme temperatures without warping.
11:37Do me a favor.
11:38See if it matches what the weapons on that drone are made of.
11:41I'm on it.
11:41Good girl.
11:43How's the team?
11:44All over the place.
11:45I'm preparing a briefing on Amber Todd.
11:48Full background check.
11:49It works.
11:49Feels like a wild goose chase.
11:51Who are there?
11:53O'Neill.
12:12No, you're not doing that.
12:13Going what?
12:14You're not killing whoever's in that lorry so you can steal it.
12:16Well, you have a very low opinion of me.
12:19Actually, I was going to pay them to take us to London.
12:21I was just going to make him ask questions.
12:22Well, I need more insulin soon, so we'd better come up with something.
12:26Okay, so we just talked to him.
12:27We appeal to his better nature.
12:30I'll do it.
12:32Give me your hand.
12:34Don't say a word.
12:35It's all yours.
12:37Hi.
12:37Hello.
12:39Hi.
12:40Sorry.
12:40We've just gotten into an accident a few miles back.
12:43Just wondering if you can help us.
12:44No, the A.A., love.
12:46Our phones are fucked.
12:48We need to get back to London as soon as possible.
12:50No, taxing either.
12:53Maybe you're a good Samaritan.
13:04Who are I, love?
13:07Not really.
13:08No.
13:08I need to get back to London.
13:10I need to get to my daughter.
13:13This is her.
13:15She's six months old.
13:20It's a different fellow in Patriot.
13:26Yeah.
13:29Yeah.
13:30You're right.
13:33Okay, I'm a prison transport officer.
13:35I used to get this man back to London.
13:37And the only reason I'm doing any of this is to get back to my daughter.
13:39My name is Amber.
13:41What's your name?
13:42What's your name?
13:43Paul.
13:43Paul.
13:44Okay.
13:44Great to meet you, Paul.
13:45Okay, enough.
13:45Five grand.
13:46I said I'd handle this.
13:47We're out of time.
13:48Half now, half when we get there.
13:50But we need to leave immediately.
13:55Sure.
13:56I'm right.
14:03No stops.
14:05No questions.
14:15It's nothing to sit on.
14:17I've just come back from my job.
14:21Take these.
14:23My granddaughter gave them to me.
14:24It's better than sitting in a doll, yeah?
14:29Right.
14:31Okay, though.
14:47Better nature up my ass.
14:49He was about to take us.
14:50Rice.
14:51He was.
14:53Since Kate.
14:54Well, your sub-story didn't work.
14:58You may seem kind, but Kate is what moves it.
15:03You must write it.
15:04But women is very good.
15:12Let's run.
15:13Oh.
15:19How are you?
15:20Come the facts are misused.
15:20Oh.
15:20Oh.
15:20Oh.
15:21Oh.
15:21Oh.
15:22Oh.
15:27Oh.
15:31Oh.
15:46I hope you sleep well.
15:48Thanks.
15:49Something smells good.
15:51Won't be ready till lunch.
15:54There is a fresh pot of coffee.
15:56Yeah, I'll take some coffee.
15:59Do you mind if I make a bottle up for the baby?
16:01She'll be awake and like...
16:02Ten minutes or so.
16:04Like clockwork, aren't they?
16:06Yep.
16:10Little clockwork terrorists.
16:18So you got caught up with Tibor?
16:20Yeah, I mean, we've never actually met, but...
16:24I'm sorry, how do you know him?
16:28We go way back.
16:30But I haven't seen him.
16:32In years.
16:34Mick.
16:35Sugar.
16:37To smoke.
16:38Please.
16:40So, um...
16:45Uh, who's Sebastian?
16:54Just a name, Tibor and I used to use.
16:58Silly Sebastian.
17:01Whenever one of us would do...
17:28I don't know about you, but the question I'm asking myself is...
17:31Who is Amber Todd?
17:37Eleven officers died when that convoy was hit, yet she got stone out of that tunnel like she was dancing
17:43through raindrops.
17:45So is she one of us?
17:47So is she one of us, or another one of them?
17:50Now, now she's put together a brief that you all should have received by now.
17:55Use it.
17:57Now, we have two days to put Tibor Stone on the stand.
18:01We need to move fast.
18:03Let's get to work.
18:22Do you really believe that about Todd?
18:26Do you want a fresh thinking?
18:27Do you want a fresh thinking?
19:06A few minutes.
19:14Are you taking a big risk?
19:16Asking me to come here?
19:17One of my people is in police custody.
19:19She was caught with a firearm.
19:21Nina Dragos.
19:22I need you to get her out.
19:25That's impossible.
19:28You asked me to put strings on that, I could expose myself.
19:31I'm in charge now. You've got me exactly where you want me. Don't risk it.
19:35You told me what to do.
19:37I need her released.
19:41Why? Who the hell is she?
19:43An acid.
19:46She paralyzed one of my men when she was just a kid.
19:49He put his hands on her. Well, he tried to.
19:52She was with a group of workers we were bringing into the country.
19:55I think the word is trafficked.
20:01I've always had a knack for spotting raw potential.
20:04So I had Tebow Stone take her under his wing, show her the rogues.
20:08She knows him better than anyone.
20:10There's no one else who can get close to him.
20:12Set her free. Locate Stone.
20:17She'll finish the job.
20:20Back on.
20:29How's your wife?
20:31Is she getting the treatment she needs?
20:33Because I know how expensive that can be.
20:36You don't bring her into this.
20:37I didn't.
20:41You did.
20:42That's exactly my point on potential.
20:45When we discovered your wife's diagnosis.
20:48I knew right away.
20:51You'd do anything to save her.
20:57Here we are.
20:59Family is everything, isn't it?
21:02Anita and Saffron.
21:07I've done everything you've asked.
21:10I can deliver you, Stan.
21:12That's all.
21:13Enough.
21:14No more.
21:16Thought you'd say that.
21:20Check your phone, Mo.
21:31Pretty young girl, your daughter.
21:33Fuck.
21:34Get Nina out.
21:36Use the NCU to locate Stone.
21:39And she'll handle the rest.
21:46I say when it's enough.
21:58Breaker, Breaker.
21:59Anyone got their ears on?
22:02Bit of company never hurts.
22:05This is Longshot.
22:06How you doing, ma'am?
22:08A fellow rogue ghost.
22:09Longshot.
22:10This is Midnight Rambler.
22:12Yeah.
22:12Good to meet you, Rambler.
22:14Heading anywhere exciting?
22:16Nothing exciting about a northbound run with a trailer full of pallets.
22:20Who?
22:21I doubt you'd believe me even if I told you, ma'am.
22:24Try me.
22:40So, where does this strong moral compass of yours come from?
22:44You mean the one that makes me uncomfortable killing people with my bare hands?
22:51Freud had a theory.
22:54Psychodynamics.
22:56Individuals may develop strong moral principles as defense mechanisms against their parents' behavior.
23:04As a father a criminal, Amber?
23:06Is that what made you this way?
23:09I prefer Albert Bandura's social learning theory.
23:12If a child frequently witnesses law-breaking being rewarded or going unpunished, they may come
23:18to view such behavior as desirable.
23:20Was mommy a serial killer?
23:21There.
23:27This is fun.
23:34Oh.
23:41Oh.
23:55Oh, I inversion nflonny.
23:58MyΔ™bis is dokken me.
24:05My ΀ο memorize has been hÑbit.
24:06Ah, you must wear a million times.
24:07I know this way.
24:08Is throw on my Ρ€Π°Π±ΠΎΡ‚.
24:09I'm vagy ok.
24:12Yes.
24:15No. No, no, no, no, no. I'm not with the team who attacked you.
24:20If I was, I'd have turned up with more than stolen case files than me dick in me hand.
24:25I know you.
24:25Yeah, my name is Alex Tebbit. We spoke on the phone two days ago.
24:29You're at NCU?
24:30Yeah, well, I was.
24:33They think I'm the mole responsible for the attack and you and Todd's family are no prison van.
24:38Look, I need you and your team to help me. Can I come in?
24:41They kicked you out and you think I'm going to trust you?
24:45I swear to God, I'm offering you a chance to help save their lives.
24:57Tell them what you told me.
25:00Will O'Neil, the man that took my job, is setting up your friend.
25:07What makes you think he's bent?
25:09One, the intel that made us move stone early came from O'Neil's department.
25:14Two, O'Neil was one of the few people who knew where Ollie and Mia were.
25:17And three, my sources told me he's feeding the NCU a lie that Amber's working for Pegasus.
25:23By making her the suspect, he can focus resources on investigating her, on hunting her down.
25:28He keeps their attention elsewhere while he ships in Tilda Pegasus.
25:32If O'Neil is the mole, then breaking him might be the only way to get Amber back.
25:38Okay. How do we break him then?
25:40He'll want to interview you about Amber, and when he does, Bosh, we prove his connection to Pegasus by getting
25:46into his phone.
25:47Whoa, whoa, whoa. Just wait a second.
25:49Yeah?
25:49That's a criminal offence film.
25:50I know. Look, I've heard what he says, and I'm convinced.
25:54I'm in.
25:55But I'm not expecting any of you to put yourselves at risk.
25:58If you're in, I'm in.
25:59What do we do?
26:00When he interviews you, you distract him.
26:04Who can talk bollocks for five minutes while your Nicky's found?
26:11It's called storytelling, and it's an art form.
26:16Are we really doing this?
26:17For Amber, yeah, we are.
26:20And Joe, we need to make these bastards pay.
26:26Breaker, Breaker, this is Midnight Rambler.
26:29So listen, I just called a mate. Someone's been putting a word out.
26:32They're looking for a man and a woman, same as the pair you picked up.
26:39It'll give you a hell of a lot more than five grand if you hand him over.
26:44How much more?
27:13Nina's still in custody.
27:15Well, we need to fix this.
27:16The adults are handling it.
27:19Her value is declining.
27:21How many times is she going to let stones slip through her fingers?
27:24Huh?
27:25She's become a liability.
27:29She's become a liar.
27:31She's become a liar.
27:32Keep your mouth shut.
27:45Mikhail.
27:52Right for these, huh?
27:54Some of us have to get our hands dirty every once in a while.
27:58Nice place.
28:00Are these originals?
28:02Are we into art?
28:04I'm into money.
28:05This is Harrison's son.
28:07Declan.
28:08How's your father?
28:09Yeah?
28:10Yeah, fighting the good fight.
28:15This is the future of absolute power.
28:19It's a next-gen plastic polymer.
28:21Stronger than metal, so it doesn't warp under heat.
28:25And?
28:26It flies repeat rounds.
28:30Try it.
28:34It's completely untraceable.
28:36Dismantled, they'll easily pass through any metal detector.
28:39Perfect for international shipping.
28:41If you catch my drift.
28:43Thank you for that, Declan.
28:46How many have you manufactured?
28:48Will they be ready for the day of action?
28:50We have 2,000 ready to go for the UK market.
28:53Another 10,000 ready by Friday for your European clients.
28:56Don't jump ahead of yourself.
28:58You assure me of more certainty about Harrison's release.
29:03My clients don't need to be connected to this highly publicized criminal investigation.
29:08Mr. Dempsey will walk.
29:10And if he doesn't, you can always close the deal with me.
29:15With respect, you're not your father.
29:17Harrison Dempsey is Pegasus.
29:20That's why I deal with him and only with him.
29:24Well, it seems a little old-fashioned.
29:27With respect.
29:30Please.
29:31Please ignore the boy.
29:33We are here to show you why you shouldn't be shopping anywhere else.
29:37The deal will not go through until Mr. Dempsey is released.
29:41Which he will be.
29:50Excuse me, gentlemen.
29:51Of course.
29:57You're embarrassing us.
29:58Me?
29:59You want a fucking weak link?
30:01Begging for a deal that's already been done.
30:02We should be naming our fucking price.
30:04I'll show you the ropes, because that's what your old man wants.
30:06If you spook Mikai out and this deal falls through, we lose millions.
30:09Right, sir?
30:09Please, please.
30:11Do me a favor, you silver spoon prick.
30:12Just shut the fuck up.
30:22It's my queen, man.
30:23Told you they were powerful.
30:34Keep the gun, and I'll pay for the couch.
30:42I'll tell to my clients to have a little bit more patience.
30:46And I'll reach out to my European contacts.
30:53Uberite your was the one.
31:00Yes?
31:01Some lorry driver's given us the location of Stone and the prison officer.
31:05Just when I thought my day couldn't get any better.
31:07Is Nina out yet?
31:08No, but the boss is on it.
31:09Okay.
31:11I'll do what's there myself.
31:16Here we go.
31:18Hello, everyone.
31:19Thanks for coming.
31:21Now, I don't need to look so worried.
31:24I just need to ask you all some questions, and as long as you're straight with me, there
31:28shouldn't be any issue.
31:31Miss Buckley, I'll start with you.
31:35So, phone's in here, please.
31:42Amber's in a lot of trouble, and I need to bring her in.
31:45I know the two of you qualified together.
31:47You care about her.
31:49Ollie and me are two.
31:51I need to locate her before something happens that can't be undone.
31:57Besides Ollie, all the people that she trusts are out there.
32:00I've no idea where she is.
32:09Freud also wrote an essay about grief of loss.
32:13Mourning him melancholia.
32:17And?
32:19How did your son die?
32:21What?
32:22Your son.
32:25I was lying about that.
32:28I never had a son.
32:30I don't know.
32:32But you told me about him.
32:33I told you what you wanted to hear, Amber.
32:35I needed you to trust me.
32:38See?
32:38The moment I said dead, child, you create a backstory for my behavior.
32:43You let your guard down.
32:45So I tell you about Mia?
32:46So you'd have something to use against me?
32:48You needed something to cling to.
32:50That's what makes you so profoundly, predictably human.
32:57There is nothing redeemable about you.
33:05Tell me where Ollie and me are.
33:09The point of a safe house is not giving out the address.
33:11Tell me where they are.
33:12Calm.
33:13Tell me where they are, you fucking psychopath!
33:16Listen to me.
33:18We agreed.
33:19You'll see your family after you get me to the old building.
33:22So you're keeping them hostage?
33:26I'm the only thing keeping them alive.
33:28Me and the person I sent them to.
33:34You should be a little more grateful.
34:02Monkos.
34:03No.
34:05Shut up.
34:06Yeah.
34:11Mate, um...
34:12It's a long shot.
34:13You know, you're such a new chap.
34:15How about you land this gig?
34:17Good CV.
34:18Good CV on this.
34:21Mr. Azuland.
34:24Let's go.
34:27Yeah, I suppose you've got, like, qualifications coming out of your ears.
34:31About the half of the police?
34:33Yeah.
34:33Have a CID for A.
34:34Oh, wow. CID.
34:36Yeah.
34:37Cool, that makes it change to our collection.
34:54Yeah, between studying the baby...
34:57What?
34:59Um...
34:59I don't know how she does it.
35:01You see me?
35:01I can barely keep a poor client alive.
35:03You know what I'm saying?
35:05It's like, man.
35:05I hope you see.
35:06Why are you nice to change?
35:08Don't let me see you in that place.
35:10It's not a lovely view.
35:11It's nice.
35:12It's a nice place to be in here.
35:14It's what we see.
35:15It's all that.
35:16It's mad, isn't it?
35:16What about her mother?
35:19I don't know what about her.
35:21I don't know what about her.
35:22Oh, I'm sure as a...
35:23You being the tight-knit unit you are, that she would have told you that her mother's incarcerated in West
35:30Thorn Prison for armed robbery.
35:48You're lying, Jamal.
35:50She kept it from you, didn't she?
35:59You're lying, Jamal.
36:02She kept it from you, didn't she?
36:15I mean, honestly, you think you know a person, right?
36:22Look, you share the same scrap of carpet at work, you know, secret Santa, which was me, by the way.
36:29I've got her this really nice hand-made paper dove.
36:33Where is she, Jamal?
36:34It's gone live over there, folks.
36:36Oh, it's actually...
36:36Where is she?
36:46I don't know.
36:54Mr. Hawkins?
36:58You know, well, I...
36:58You know, I just...
36:59I can't...
37:01Talk me through all this.
37:02Colin, do you know what?
37:03Nothing.
37:04Throw my hat in the ring and I'll give you the application.
37:06Go for it.
37:07Do you know what I think?
37:08Good work.
37:09What's the worst thing?
37:10Good work.
37:10Yeah.
37:11Well, it's been broken.
37:23Excuse me.
37:25You OK, sit high?
37:28Sorry for all the missed calls.
37:30I just...
37:30Didn't get him.
37:30...wanted to hear your voice.
37:33Yeah.
37:54Have we arrived?
37:57This isn't London.
38:06Yeah, it's me.
38:07I'm here.
38:08What the hell?
38:16What are you doing?
38:17What's wrong?
38:19I need my shot.
38:22Paul!
38:23Paul, are you there?
38:25Come on, talk to me, Paul.
38:26Please, it's not too late.
38:27Just let us go.
38:29I can't. They're coming.
38:31They will kill you.
38:33Listen, we can help you, Paul.
38:35Okay, we can help you, but you have to let us go right now before they get here.
38:43I've been told to give this to you.
38:47Hello?
38:48You okay?
38:49Fine.
38:51I'm sorry to let you down.
38:53You're getting another shot.
38:54I have a location for you.
38:56We got you, Paul?
38:58We got it.
38:59You're being released.
38:59No charge.
39:01Let's not have this conversation again.
39:03No loose ends.
39:05Understood.
39:06You're my most valuable asset, Nina.
39:09Now I can count on you.
39:11The things we're going to do together.
39:16Now give away the phone.
39:25Listen to me.
39:26Listen to me.
39:27You made a mistake, but you can fix this.
39:29Okay?
39:29If you don't, we're all dead.
39:31Unlock the door!
39:32What?
39:33They pay me 50 grand to hand you out.
39:36You are never going to see that money, Paul.
39:38Okay?
39:39It's not how these people work.
39:40I've seen what they're capable of.
39:44You are better than this.
39:47You are better than them.
39:49You don't know me.
39:51You don't know me!
39:52My job is dealing with criminals every fucking day!
39:54I know a decent person when I see one!
39:57Fuck the money!
39:58Don't you want to see your granddaughter grow up?
40:03I'm not going to see my daughter grow up.
40:07I'm not going to see my daughter grow up!
40:18TMIY, TMIY!
40:23Wait!
40:23Wait!
40:24Wait, wait, wait, wait!
40:24Please!
40:25Please don't!
40:25Please!
40:26What the fuck is this?
40:31Stand him up.
40:33Do it!
40:34What's the...
40:36Please don't!
40:37I have nothing to...
40:38Please, please, just let me go, please!
40:43Jesus!
40:44Shall I make us all a cup of tea while we wait?
40:56Please!
40:58Hey!
40:58Hey!
41:00Come on!
41:02Take him out!
41:06We're out!
41:08Come on!
41:09Come on!
41:12Come on!
41:28Come on!
41:30What's this, then?
41:36Okay.
41:37That's not for us.
41:43Sebastian.
41:46You found him, then?
41:51Yeah.
41:52Sorry, I'm...
41:53It's fine.
41:56Was...
41:57He, uh...
41:59A relation?
42:01My husband.
42:04Tibor's father.
42:07Um...
42:08I'm so sorry, I...
42:10Don't be.
42:19It was a virus.
42:22We had to go.
42:26Tibor and I keep them together.
42:34Food, sweetie.
43:01What?
43:08Oh...
43:09Why didn't you wait for me?
43:11I thought you were locked up.
43:13This wasn't the moment to prove yourself.
43:16How did the need with Michael go?
43:18Did you show him?
43:19Did you show him the product?
43:21Yeah, it was a successful test.
43:25Where's Miles?
43:30Are you fucking serious?
43:31Look, it worked.
43:33Okay?
43:34The car says his clients will wait for us, so as long as the old man walks, then we're all
43:38set.
43:39And then what?
43:41What do you mean?
43:43You're smarter than people think.
43:44But you can't do what I do.
43:47That's why you'd make good partners.
43:50In what?
43:56Uh, Harrison will never let me run anything, so...
43:59Your father doesn't see you, but I do.
44:02We kill Tibor.
44:03We take our share of the Michal deal.
44:05We set up our own.
44:07Fuck Pegasus.
44:08Fuck Harrison.
44:09You and me.
44:21Alright.
44:39The bridge.
44:44Insulin.
44:44There.
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