00:00:09Grandi
00:00:10Grandi
00:00:11Grandi
00:00:28Grandi
00:00:32Valeria Dobicci, Sergio Rubini and others, and also Giuliano Calandra.
00:00:51Scenarists Gianfranco Clerici and Andre Bardini.
00:01:02Operator Mario Bulpiani.
00:01:06Composer Antonio Secchi.
00:01:25Regisseur Andrea Bardini.
00:01:31События и персонажи этого фильма вымышлены.
00:01:36Всякое сходство с реальными событиями и людьми чисто случайно.
00:01:49ДЖУЛИА
00:01:51Джулия!
00:02:07ДЖУЛИА
00:02:21ДЖУЛИА
00:02:22ДЖУЛИА
00:02:25ДЖУЛИА
00:02:25ДЖУЛИА
00:02:51ДЖУЛИА
00:02:57ДЖУЛИА
00:02:59ДЖУЛИА
00:02:59ДЖУЛИА
00:02:59ДЖУЛИА
00:03:01I've left the dinner in cold.
00:03:04I'll leave you the oven.
00:03:06It's hot.
00:03:07Now, I'll go.
00:04:00Here we go.
00:04:01Pожалуйста.
00:04:06Что, новую рукопись тебе дали отредактировать?
00:04:11И я слышала, что Бенберг будет опять выступать по телевидению.
00:04:15Он настоящая рок-звезда.
00:04:18Какие у тебя с ним дела?
00:04:23Я видел его вчера.
00:04:27Он что теперь, взялся романчики писать?
00:04:34А куда ушла сеньора в меховом закете?
00:04:39Она вот туда пошла. Я видела.
00:04:41ПОДПИШИСЬ НА ИНОСТРАННОМ ЯЗЫКЕ
00:05:13ИНОСТРАННОМ ЯЗЫКЕ
00:05:15ПОДПИШИСЬ НА ИНОСТРАННОМ ЯЗЫКЕ
00:05:16ПОДПИШИСЬ НА ИНОСТРАННОМ ЯЗЫКЕ
00:05:20ПОДПИШИСЬ НА ИНОСТРАННОМ ЯЗЫКЕ
00:05:23ПОДПИШИСЬ НА ИНОСТРАННОМ ЯЗЫКЕ
00:05:28ПОДПИШИСЬ НА ИНОСТРАННОМ ЯЗЫКЕ
00:05:31ПОДПИШИСЬ НА ИНОСТРАННОМ ЯЗЫКЕ
00:05:37It's better the cattiveria of the noia of Dallas.
00:05:40It's the question of the conduct of the State,
00:05:43and then also the question of the calcio.
00:05:45And who did the criticate?
00:05:46I don't see you working with someone like Benberg.
00:05:51And love?
00:05:53Love?
00:05:54Yes, love.
00:05:57It's a deprimente process of biological reproduction.
00:06:00Benberg, she said that the mode
00:06:02is distorted in the brood of the postmodernity.
00:06:04It's a strange perfume.
00:06:08Thank you very much.
00:06:48It's a strange perfume.
00:06:50It's a strange perfume.
00:06:51It's a strange perfume.
00:06:55The perfume...
00:06:56It's a strange perfume.
00:06:56The perfume has also been that Haen Versailles...
00:07:00The perfume cannot be enough.
00:07:02Yes, the perfume cannot be enough.
00:07:06It's all full of incongruences.
00:07:07Here, for example, you say,
00:07:08she lowers the Bavero and makes her laugh.
00:07:10What is Bavero?
00:07:12At the time of the presentation,
00:07:14you could say something completely different.
00:07:16What is different?
00:07:17Well, what do you think?
00:07:17I told you all this.
00:07:20Well, why do you love it?
00:07:22From the other side?
00:07:25Do you love it more than yourself?
00:07:27Well, look.
00:07:28Here it is written
00:07:30She loved herself more than herself.
00:07:35Listen, what do you say,
00:07:36if we plant it for today?
00:07:37Eh?
00:07:39Listen, maybe,
00:07:40I'll do it for today.
00:07:46Good morning.
00:07:47Good morning.
00:07:48I'm afraid.
00:07:49Ah, you're afraid of me.
00:07:51You're Stefano, right?
00:07:52Your name is Stefano, right?
00:07:55I'm Amalia.
00:07:56And I'm Amalia.
00:08:01Ah, I see you already presented.
00:08:03This is my sister.
00:08:07You didn't want to eat with us?
00:08:09He was just going to leave.
00:08:11I'm going to go out.
00:08:12I'm happy to eat with you.
00:08:13I'm going to eat with you.
00:08:13At least the idea is original.
00:08:14The environment.
00:08:15You like it?
00:08:16You like it?
00:08:18So?
00:08:20Yes.
00:08:21Yes.
00:08:22Yes, yes, it is.
00:08:23It's bizarre.
00:08:25It's strange.
00:08:27And how much you like it?
00:08:28We're in it all right.
00:08:30It's true.
00:08:31Well, then it's rich.
00:08:33And I'll leave it there.
00:08:38It's true.
00:08:40I'm not sure it's true.
00:08:43It's true.
00:08:44Well, you have to do that.
00:08:57And then you'll stay in a long way.
00:09:01I'm going to go to a bar. You can come with us?
00:09:31What's your name?
00:09:58No, no, no, I don't want to.
00:10:00Bye.
00:10:07Hello, Estefano, it's Emiliu.
00:10:13You sleep already?
00:10:15No, no, sorry, please.
00:10:18This girl, whom we met, Júlia, you don't know where she lives?
00:10:22You're going to go home?
00:10:27Longomare Toscanelli.
00:10:28What's your name?
00:10:30176.
00:10:318th house.
00:10:34No, no, I can't explain anything.
00:10:37Bye.
00:11:00No.
00:11:03It's fine.
00:11:06It's fine.
00:11:08No.
00:11:26It's fine.
00:11:42But you didn't want to go to sleep, eh?
00:11:44Come on, open it up.
00:11:45Well, what?
00:11:46Did you not want to sleep?
00:11:49Hello.
00:11:50Do you remember me?
00:11:52Yes, I was with Stefano.
00:11:54Yes, I saw you with Stefano today, right?
00:11:58But we already met in the theater.
00:12:01In the theater?
00:12:02In the theater?
00:12:03And what did you do in the theater?
00:12:05What did you do in this theater?
00:12:08It's strange.
00:12:09It's strange.
00:12:10It's really impressive.
00:12:13Seriously?
00:12:17Can I enter?
00:12:18Can I enter?
00:12:19Really?
00:12:21It's not too late.
00:12:22Well, actually, it's too late, by the way.
00:12:26Or on the other hand?
00:12:28It's too late.
00:12:30You're with all these women?
00:12:32You're with all these women?
00:12:33No, it's the first time.
00:12:36And you want to experiment with me?
00:12:38You want to experiment with me?
00:12:39Good night.
00:12:40You're with all these women.
00:12:56But you never know what?
00:12:58You never know, Ben.
00:12:59You're with all these women.
00:13:00I know what to me when you were?
00:13:01You were just traveling.
00:13:02What was it called?
00:13:03It was so beautiful.
00:13:05It was such a wonderful night?
00:13:07I understood.
00:13:08All I know?
00:13:09No, I didn't say I wasn't there?
00:13:10Again?
00:13:12Maybe.
00:13:14Who is she?
00:13:18I don't know.
00:13:21I've seen her only twice.
00:13:24She's a bit absurd.
00:13:26She's a bit absurd.
00:13:29She's a beautiful story.
00:13:30But she's so beautiful.
00:13:32And she's like all the other.
00:13:34She's a weird.
00:13:35She's a weird.
00:13:37What do you want?
00:13:38What do you want?
00:13:41Excuse me. I'm not sleeping.
00:13:43I've been sleeping for two days.
00:13:46I'm sorry for two days.
00:13:47Take something else.
00:13:50And sleep like this.
00:13:50You're not sleeping.
00:13:54To be quiet, you're not sleeping.
00:13:55What do you want?
00:13:58You're not a person.
00:14:02Ah, yes. You're the friend of Stefan.
00:14:05You're the friend of Stefan Bemberg.
00:14:08Yes.
00:14:09You remember me?
00:14:10Why should I remember you?
00:14:12Yes.
00:14:13You forgot.
00:14:14Yes.
00:14:15Yes.
00:14:15We'll see you later.
00:14:17Yes.
00:14:19Okay.
00:14:19Well, you're fine.
00:15:20I see journalists, journalists, people.
00:15:26Who are you.
00:15:28They are so sad to me.
00:15:32They are taking the trip to Truby.
00:15:40You always want to drink a cigarette from the filter.
00:15:45It's only when I'm nervous.
00:15:47I feel like if you had six shoes on the floor,
00:15:51it's a berrette tirolese intense.
00:16:19I don't remember anything.
00:16:22Yes.
00:16:22Yes.
00:16:24Yes.
00:16:25Yes.
00:16:25Yes.
00:16:26Yes.
00:16:26Yes.
00:16:29Yes.
00:16:31Yes.
00:16:32Yes.
00:16:34Yes.
00:16:35Yes.
00:16:49Yes.
00:16:49Yes.
00:16:51Yes.
00:16:52Yes.
00:16:54Yes.
00:16:56Yes.
00:17:03Yes.
00:17:07Yes.
00:17:08Yes.
00:17:10Yes.
00:17:14Yes.
00:17:23Yes.
00:17:26Yes.
00:17:27Yes.
00:17:27Yes.
00:17:28I'm going to go now.
00:17:30But don't do it.
00:17:32It's more precious.
00:17:36Your hand is on the side.
00:17:40You're crazy.
00:17:41You're crazy.
00:17:42All of you just go away.
00:17:51You know what in this moment...
00:17:52You know, in this moment...
00:17:54You're identical to your mother.
00:17:55You're identical.
00:17:59You're identical.
00:18:00Like two water.
00:18:01This dress.
00:18:04You remember the party of Palazzo Farnese?
00:18:06You remember the party of Palazzo Farnese?
00:18:09In 1958.
00:18:11I've got something else.
00:18:14I've got something else.
00:18:14Five-minute break.
00:18:20You've already understood,
00:18:21what I like.
00:18:22You've already understood,
00:18:24what I like.
00:18:25I like it.
00:18:28It's really nice.
00:18:29Beautiful, right?
00:18:31Yes.
00:18:33Let's try it.
00:18:35Well, let's try it.
00:18:36Let's try it out.
00:18:54Let's try it out.
00:18:56Let's try it out.
00:18:57Let's try it.
00:19:00Let's say it, Stefano maybe you can walk.
00:19:02Try it now.
00:19:04Have a touch.
00:19:04Let's try it.
00:19:05Alright, let's try it.
00:19:05Giulia.
00:19:06Come, come.
00:19:07Povirti, Giulia.
00:19:08But he is a morbid.
00:19:09Stop.
00:19:10Well done.
00:19:11Who takes the cat?
00:19:13I've got some cats.
00:19:14Who takes the cat?
00:19:15I'll take you, Giorina.
00:19:16You're amazing.
00:19:18So, you're great.
00:19:22Good morning.
00:19:24Good morning.
00:19:25Good morning.
00:19:25Good morning.
00:19:27Good morning.
00:19:27That's fine.
00:19:28I'm always safe with Giulia.
00:19:30Giulia.
00:19:31Giulia.
00:19:31and everything will always be fine.
00:19:33Emilio!
00:19:35How did you find me?
00:19:36Well, your phone is a very good person.
00:19:41He's a very good person.
00:19:42Well, I'm a very good person.
00:19:43Bye.
00:19:44You're so good.
00:19:46Wait, where did you get?
00:19:48How did you get up?
00:19:50We'll see you later.
00:19:52Where?
00:19:52Me!
00:19:54How many?
00:19:56Two.
00:20:12All right.
00:20:15Where did you go?
00:20:17You arrived in a minute, you'll head inside two weeks.
00:20:21Well, I'm still busy.
00:20:23It was important.
00:20:24See you later.
00:20:25That was a good one.
00:20:26Good one.
00:20:27Jesus, my god, I will eat this bunny.
00:20:30You're so sick.
00:20:30I didn't eat this bunny.
00:20:30I'll take the rest of it.
00:20:31I'm afraid to get up.
00:20:34This is my house, maybe it will be mine.
00:20:39This is my home.
00:20:42I'm a artist who lived during the funeral.
00:20:45Do you like it?
00:20:46Yes, wait a minute.
00:20:48I'll come back.
00:21:23How are you?
00:21:25How are you?
00:21:27Everything is fine.
00:21:28But this evening I feel a little out of sight.
00:21:32I'm so tired.
00:21:34First I was always good.
00:21:36Maybe because in this city...
00:21:39I always need to be in a good mood.
00:21:41But when I first came to Rima,
00:21:45it was all possible.
00:21:48But then...
00:21:49I don't do anything here.
00:21:54I don't understand why I come to tell you these things.
00:21:57I don't understand why I tell you all this.
00:22:00Is it sad?
00:22:01No, no, no, no.
00:22:02It's nice that you tell me about it.
00:22:05We don't know so much about each other.
00:22:09If we start talking, we don't have to talk anymore.
00:22:12I think you're already supposed to talk anymore.
00:22:17You don't want to listen to me.
00:22:18I know.
00:22:19I don't want to stay here.
00:22:20We go?
00:22:21We go somewhere.
00:22:22I don't want to stay here.
00:22:26Now...
00:22:26Julia!
00:22:30Julia, where are you?
00:22:31Julia, where are you?
00:22:33Julia!
00:22:39Julia!
00:22:59Julia!
00:23:05Julia!
00:23:10Julia!
00:23:10Julia!
00:23:10Julia!
00:23:38No, no, no, no, no, no, no, no.
00:23:43No, no, no, no.
00:24:30No, no, no, no.
00:24:36No, no, no, no, no, no.
00:25:12No, no, no, no, no, no.
00:25:42No, no, no, no, no, no.
00:25:45No, no, no, no, no, no, no.
00:26:06No, no, no, no, no, no.
00:26:34No, no, no, no, no.
00:26:52No, no, no, no, no, no, no, no.
00:27:14Emilio! Emilio, stop, give me!
00:27:16Wait, Emilio!
00:27:19What are you doing?
00:27:20I can't know, you know everything you're doing!
00:27:22And you're doing what? You're doing everything you're doing?
00:27:24Congratulations!
00:27:27I've never promised anything!
00:27:29I've never promised anything!
00:27:31So I'm wrong, you want to say?
00:27:34I thought it was different.
00:27:36I thought it would be different.
00:27:38I thought it would be different.
00:27:39But you're probably wrong.
00:27:42But you're wrong with us.
00:27:45I'm sorry!
00:27:47I'm sorry!
00:27:48I don't understand this.
00:27:51Let's finish, until our conversation is just funny.
00:28:25I don't know how to work together, you two.
00:28:28I don't know how to work together, you two.
00:28:32You're so different.
00:28:34You're so different.
00:28:34In fact, in my opinion, your brother now hates me.
00:28:36Instead of me, he's so nice.
00:28:38I think he doesn't like me, but in my heart he's so nice.
00:28:43Oh, don't start again, please!
00:28:45We're real professionals!
00:28:48Don't start!
00:28:54Don't start!
00:28:59Please!
00:29:08Don't start!
00:29:10I'm so different!
00:29:13If you want me to leave you alone!
00:29:17I'm so different!
00:29:18Don't start!
00:29:22Don't start!
00:29:23I'll never find you!
00:29:24Don't start!
00:29:25I'm so different!
00:29:28I'm so different!
00:29:30You-hoo!
00:29:33You-hoo!
00:29:34You-hoo!
00:29:35You-hoo!
00:29:52Don't go away!
00:29:54Don't go away!
00:29:55Don't go away!
00:29:56Don't go away!
00:30:03Why are you so annoying?
00:30:05You're so annoying!
00:30:07You're so annoying!
00:30:08But you don't give a report!
00:30:12What do you want to say?
00:30:13What do you want to say to me?
00:30:14I have never been a different person!
00:30:19But...
00:30:21You're so annoying!
00:30:22I know now I've found you!
00:30:23What do you need?
00:30:27You won't be able to manage my life.
00:30:29I'm not going to be able to do it for you.
00:30:34You don't need to do it in this house.
00:30:40You're in this house.
00:30:43You're in the house.
00:30:56You're in the house.
00:30:59You're in the house.
00:31:09You're in the house.
00:31:11You're in the house.
00:31:12You're a piece of shit.
00:31:22You're a piece of shit.
00:31:29You're in the house.
00:31:30You're in this house.
00:31:31You're in it.
00:31:31You're in it.
00:31:34You're in it.
00:31:37It was better than what I wrote.
00:31:39It depends on the point of view.
00:31:40All this depends on the point of view.
00:31:42See you later.
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