- 3 hafta önce
Victorious S01E10 Becks Big Break
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00:13Uh, let me have a turkey sandwich on whole wheat with lettuce, tomato, and a little light
00:17mayo.
00:18All I got's are burritos.
00:20You know what, I'll have a burrito.
00:28What's shaking, bacon?
00:29Oh, they don't have bacon.
00:30Just burritos.
00:32Oh, well, I'll take a burrito.
00:36What's he yelling to?
00:38He's in there by himself.
00:41Get away, stupid bees.
00:43Don't even mention bees in front of me.
00:45Why, are you allergic?
00:46I don't know.
00:48I've never been stung by a bee, not once in my whole life.
00:51And why are you so upset about that?
00:53Because I'm offended.
00:55I guess bees don't think I'm good enough for stinging.
00:58I could stick you with the safety pin.
01:01Nah, it wouldn't be the same.
01:03Okay, here you go.
01:05Turkey sandwich on wheat, lettuce, tomato, light mayo.
01:09I thought you said you only had burritos.
01:10What are you, a lawyer?
01:13Purrito for you.
01:15Thanks, man.
01:19Oh, what is with the bees today?
01:21They're like all over me.
01:23Must be nice.
01:24Hey, sit.
01:26Thanks.
01:27Cool.
01:28Oh, they don't want them sitting here.
01:30You know, it's great that you're so open with your bitterness.
01:33She's just grouchy because she got stung by a bee.
01:37See that?
01:38Everybody but me.
01:39Come on bees, what's a guy got to do to get stung?
01:45Ooh, script pages?
01:47Uh, not for you.
01:49You auditioning for a play?
01:50Sorta.
01:51It's a movie.
01:52That's so great.
01:53What movie?
01:54I'm taking your pickle.
01:58So, a movie?
01:59It's called Misfire.
02:00It's about this woman cop who gets fired and then goes on this crazy rampage.
02:04That's so cool.
02:05Who plays the woman cop?
02:07Melinda Murray.
02:08Shut up!
02:09You're going to start with Melinda Murray in a movie?
02:11Well, I'll be playing waiter number one and I only have two lines.
02:14That's if I get the part.
02:15So, where's the script?
02:16I want to read it.
02:17Well, you don't get the whole script unless you get the part.
02:20They only give you a few pages to audition with.
02:23Ow!
02:24I just got stung by a bee.
02:27Oh, her?
02:28Really?
02:33Here I am, once again, feeling lost.
02:39But now and then, I breathe it in to let it go.
02:46And you...
02:53Hey, hey, look at what I've got.
02:56A piccolo?
02:57It's my new instrument.
02:58I thought you were learning how to play the...
02:59It didn't work out.
03:01So, now I'm a piccolist.
03:04Oh, you guys want to hear Mary had a little lamp?
03:06Oh!
03:07I'm playing it.
03:08Fine.
03:09Toot your pickle.
03:16No, no.
03:18No, no.
03:19No, no.
03:19No, no.
03:21Is it that bad?
03:23I like your skirt.
03:27Man, will you slow up?
03:29No!
03:29We're late and I hate being late.
03:32Hey!
03:33And you guys got gum?
03:34I didn't have time to brush my teeth this morning.
03:37Please!
03:37Give him some gum!
03:39Why didn't you brush your teeth?
03:41And why do you look all sloppy and gross?
03:44Because I've been having these...
03:47nightmares.
03:48What about?
03:49None of your business!
03:50What's that supposed to mean?
03:51I'm talking to you guys!
03:52No babies!
03:53I gotta get some gum.
03:56I'll see you guys in class.
03:57Later.
04:00Was my piccolo playing really that bad?
04:03Yeah.
04:10Morning.
04:11Oh, hey.
04:12Said you wanted to read the misfire script?
04:14Yeah, but I thought you said they don't give actors the whole script unless...
04:17You got the part!
04:19Shh!
04:19It's not that big a deal.
04:20It's a huge deal.
04:21You're gonna be in a movie with Melinda Murray.
04:23Congrats, dude!
04:24Thanks.
04:25I say we celebrate...
04:27Piccolo style.
04:34No, no.
04:50What the...
04:52What the...
04:53Hey!
04:53Why am I in a gigantic cereal bowl?
04:57What...
04:57What's happening?
05:05Rex!
05:06Feel...
05:07My...
05:08Snot.
05:09My...
05:10God.
05:11Rex!
05:12How did you...
05:13You're so big!
05:15Have...
05:16With this!
05:18Rex!
05:19No!
05:19No!
05:20No!
05:23No!
05:26No!
05:28No!
05:29No.
05:30No!
05:30No!
05:32No!
05:33NOOOOOO!
05:34No!
06:18What did you do to my pants?
06:20Good! Now terrified!
06:22What did you do to my pants?
06:25Falling off a cliff!
06:27What did you do to my pants?
06:31Excellent!
06:32Now, as you can see, the same dialogue can evoke an infinite number of emotions
06:38depending upon how the actor chooses to play it.
06:41Like a robot!
06:42What did you do to my pants?
06:44Wrong! Robots don't wear pants. It was a trick!
06:51Tori, you may sit. I suggest using a chair.
06:54I'll give it a shot.
06:57Sorry, guys.
06:59I was working on the movie.
07:01You know.
07:02Beck! You're late.
07:04I'm sorry. We were doing the scene and there was a problem with the lighting.
07:07Say it like a robot.
07:10There was a problem with the lighting. I'm very sorry.
07:14Ah!
07:15Wrong.
07:16Wrong?
07:17You said you were sorry, and everybody knows robots don't have emotion
07:20and therefore cannot feel regret.
07:22You kids have got to do your robot research!
07:27Beck, sit.
07:31Now, as we've clearly demonstrated, dialogue can impact a scene in many different ways
07:36depending upon dear Gandhi and boring myself.
07:38Beck, tell us all about the movie.
07:42Okay, well, um, my call time was...
07:45Right?
07:46Right?
07:48My call time was this morning at 5 a.m.
07:51Oh! That's early!
07:54Yeah.
07:55Um, well, they did my hair and makeup, and then the costume designer came into my dressing room and...
08:00Wait, the costume designer was in your dressing room?
08:03Uh-huh.
08:03Was she cute?
08:05He was adorable.
08:09Did you meet Melinda Murray?
08:10No, not yet.
08:11I bet she's been stung by a bee.
08:16I wouldn't know, but you can ask her yourself.
08:19Huh?
08:21What?
08:21The assistant director told me they need extras for a couple scenes,
08:24so if any of you guys want to do it...
08:26Oh!
08:27Okay, okay.
08:28All right, everybody read Chapter 7 for tomorrow and study robots!
08:37Good Gandhi, I left my harmonica in the men's room!
08:43Robby!
08:44Robby, wake up!
08:45I'm out of tissue!
08:49Where is everyone?
08:50Class is over.
08:51You slept through it.
08:52You didn't miss nothing.
08:55No sleep again last night?
08:57No.
08:57I can't stop having the disturbing nightmares.
09:00Okay, you've got to talk to Lane about this.
09:02No!
09:03School guidance counselors are bad news.
09:06Trying to get all up in young people's heads.
09:09He helped me get over a lot of my emotional problems.
09:12Nah, you're still a mess.
09:16It was in the toilet!
09:26That's a disturbing taste.
09:44Yeah, I'm in the scene we're about to shoot,
09:46where Melinda Murray's character meets her former partner in the restaurant.
09:50Oh, that's cool.
09:51What part do you play?
09:52Well, I don't have any lines, but...
09:57Oh, you need to go.
09:59Okay.
10:03Hey, we saw you working that hot girl over there.
10:07Yeah, I think she's into me.
10:08Right.
10:09We could tell by the way she ran screaming from you.
10:13Okay, people.
10:15People, listen up.
10:16Melinda's on her way to set.
10:17First positions, please.
10:19First positions!
10:29All right.
10:29Now, in action, Melinda and Jeff will start their dialogue.
10:32Then our waiter, uh, Beck.
10:34Beck.
10:35My boyfriend.
10:37Her boyfriend.
10:39We'll come in, do his line, then move off to the left.
10:42Who's not ready?
10:44Good.
10:45Roll.
10:46Rolling.
10:48Speed.
10:4974, apple, take one.
10:53And action.
10:55Why the disgusted look on your face?
10:57I'm having dinner with you.
11:00See, that's the kind of attitude that got you fired.
11:02I got fired because I was set up.
11:05Good luck proving that.
11:07I don't have to prove anything.
11:08All I needed was...
11:09I'm sorry.
11:09The chicken breast isn't available today.
11:11Wait.
11:11What did you just say?
11:14Cut!
11:15Can we cut so this guy can learn his line?
11:17Hold.
11:18Melinda, please.
11:19Only if the director yells cut.
11:20He said his line wrong.
11:22He's supposed to say, we're out of the chicken breast.
11:25Not the chicken breast isn't available today.
11:28So let the script supervisor tell him that.
11:30You know what?
11:31Um, she's right.
11:32It's totally my fault.
11:34I'll get it right this time.
11:34Hope so.
11:37Great.
11:38All right.
11:38Uh, let's do this again.
11:40Roll!
11:41Oh, wait.
11:42Excuse me?
11:45Um, actually, Beck got his line right.
11:47Sorry.
11:48No, no.
11:49No, no.
11:50What?
11:52Sit down.
11:54See, waiter number one's line is,
11:56I'm sorry the chicken breast isn't available today.
11:59Oh, yeah.
12:01Kid, you had it right.
12:02Whoa, whoa, whoa.
12:04What are you?
12:05Tori Vega, background player, big fan.
12:07Hi, Melinda Murray.
12:09Okay, an extra is correcting me on the set.
12:12I'm sorry, but you yelled at my friend,
12:14and he was totally right about...
12:15She's your friend?
12:17Yeah, she's...
12:17Go.
12:18Go?
12:19I want you off this movie.
12:21Melinda.
12:21You want him here or me?
12:27Kid, I'm sorry.
12:29No.
12:30No, it's cool.
12:33No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, why'd you get mad at
12:37him?
12:37I'm the one who corrected you.
12:39Good point.
12:41Bye.
12:42But, why can't...
12:43But what if I...
12:44Go.
12:45Oh, that's not what I wanted to happen.
13:03Oh, you got tater pops.
13:12Why?
13:14Because you know what's great about movies?
13:17Uh...
13:17The musical score.
13:19Whenever stuff happens, you always hear the perfect music to go with it.
13:23See, tater pops make me happy.
13:25So?
13:32Oh, great.
13:33Here comes Jade.
13:43Can we sit somewhere else?
13:45Nope.
13:48Fine.
13:49We'll sit with the girl who can't keep her mouth shut and got you fired.
13:57Bec, I swear, if there was anything I could do to make it up to you, I would.
14:01I bet you would.
14:10You know, if you really wanted to help, you wouldn't just sit there like a bag of doorknobs.
14:14You'd do something.
14:17Where are you going?
14:18Anywhere else.
14:19Anywhere else.
14:22Okay.
14:24We'll do this.
14:26And that's for you.
14:29Wah, wah, wah.
14:32Better go hose her down.
14:34I'm so sorry.
14:36Stop saying that.
14:39Don't let it get to you.
14:41No, she's right.
14:42I should go apologize to Melinda Murray and get back his job back.
14:46Ow!
14:47What was that for?
14:49There was a bee on your shoulder.
14:51And you killed her before it could sting me?
14:53Thanks a lot, man.
14:55What did I do?
14:55Now, just go on.
14:56Get out of here.
14:58Come on, bee.
15:00Freeze.
15:02Wake up, man.
15:04Sting me.
15:05Andre.
15:08He's gone.
15:09I know.
15:17So, Robbie, Kat's been telling me you've been having some pretty bad nightmares.
15:22I'm not crazy.
15:24Oh, yes, he is.
15:25Every morning, he puts on his left sock, then his left shoe, then his right sock, then his right shoe.
15:31So?
15:32And a mentally stable person puts on a sock and a sock, then a shoe and a shoe.
15:37Leave me alone.
15:38Oh, Robbie, I think it'd be better if I could talk to you by yourself first.
15:43What?
15:44Without racks?
15:45I don't care.
15:46I need a nap.
15:51Do you have room in one of those drawers?
15:53Sure.
16:00Sure.
16:00Sure.
16:03Sure.
16:12Have a seat.
16:16Okay.
16:18I'm sitting now.
16:19So, Robbie, tell me about your nightmares.
16:21Well, last night, I dreamt that I was standing on a gigantic chair.
16:27A big chair.
16:28Gigantic.
16:29I understand.
16:30And then Rex, who's like 20 feet tall, sat on me.
16:37He sat on you?
16:38With his butt.
16:41Robbie, do you think it would be fair to say that Rex, you know, insults you a lot?
16:47Oh, yes.
16:50And ridicules you?
16:52All the time.
16:53But why would that make me have nightmares?
16:55Because, see, in real life, Rex bullies you with words.
17:01Sometimes he slaps me.
17:03Okay.
17:04So, when you're asleep at night, your subconscious mind amplifies all that abuse, and that's what
17:11creates these terrifying images you see in your nightmares.
17:15Fascinating.
17:16I think you need couples counseling.
17:20For Rex and me?
17:21Mm-hmm.
17:22Why don't you get him out of that drawer, and we can get started.
17:25Okay.
17:29Hey!
17:30Don't you knock!
17:30Sorry!
18:00Hey!
18:01Hey, Miss!
18:02Hey!
18:04Oh, hi!
18:06You got some ID?
18:08ID?
18:09What's your name?
18:10Oh, I'm, uh...
18:16I'm...
18:16Crystal Waters.
18:19It's okay, I'm on the movie.
18:21Crystal Waters?
18:22I don't remember seeing the name Crystal Waters.
18:24I can't find my mother!
18:26What?
18:26Who are you?
18:27Help me find my mother, please!
18:29Mom!
18:31Mom!
18:33Shut up!
18:33We'll find your mama!
18:41Robin Wiener!
18:44Hi, I'm on the movie!
18:45Hey!
18:49Uh, excuse me, Melinda?
18:52Listen, I'm the girl you got mad at for correcting you about the waiter's line in the script,
18:56and I just want to say I was...
18:57Oh!
18:59I'm Melinda Stunt Devil.
19:01So, what's your name?
19:04I'm 16.
19:06Later.
19:14Look at this cookie.
19:21That's a big cookie.
19:25What kind is it?
19:27Chocolate chip.
19:30Still warm.
19:32Soft.
19:34Would either of you boys like to have this cookie?
19:38Well, I...
19:40Give me the cookie!
19:41He can have it.
19:44Robbie,
19:45You want this cookie, don't you?
19:48Oh, yeah, but if Rex wants it...
19:49Tell Rex you want the cookie.
19:56I want the cookie.
19:57What'd you say?
19:58Nothing!
20:01Say it louder.
20:03Nothing!
20:05No, tell him you want the cookie.
20:13I want the cookie!
20:36All right, now when Melinda's character yells,
20:38Get out!
20:40Jake!
20:41You!
20:42That's when you fire the crossbow,
20:44and the arrow should strike the wall right around here.
20:49Yeah!
20:50Wait, what's my cue?
20:52When Melinda yells,
20:53Get out!
20:54Got it!
20:56Okay, let's get ready to shoot one.
21:02Melinda?
21:03Melinda?
21:06Who let you on the stage?
21:07Look, I'm sorry.
21:09I shouldn't have corrected you.
21:10Michael!
21:10No, no, no, we don't need Michael.
21:12No, Michael!
21:14Look, I just want to say I'm sorry,
21:16but you shouldn't get mad at Beck,
21:17because he didn't even...
21:18Just go away.
21:20Come on, just let Beck have his part back.
21:22It's not his part back.
21:23Get out!
21:26Get out!
21:30Oh, my God!
21:40Good.
21:42Now finish the cookie.
21:49You feel good, don't you?
21:52Yeah, I do.
21:53I do.
21:57Oh, man, was there gluten in this cookie?
22:00Yeah, I make them with extra gluten.
22:03Oh.
22:04Well, I don't care.
22:07It was yummy, and I'm glad I ate it.
22:10Mom.
22:12But the important thing is,
22:14you stood up to Rex.
22:16I did.
22:17And see?
22:18He's just sitting over there not saying a word.
22:21Yeah.
22:22You're not so tough.
22:26And now that you know you can stand up to Rex,
22:29you don't have to be afraid of him anymore.
22:31Because I got the cookie.
22:33You did.
22:34And now you can sleep peacefully at night.
22:39What was that?
22:41The gluten.
23:00Melinda, I am so sorry.
23:02I never would have come.
23:03This is your fault.
23:04Your fault.
23:05Ow.
23:07Save me to the ambulance, please.
23:09Ow.
23:10Somebody get my ex-husband on the phone.
23:12Stop smiling.
23:15No, I understand.
23:17No, I get it.
23:17I mean, it went right through her hand.
23:20Yeah, I'm sorry, too.
23:23Okay, people, that was Melinda's manager.
23:26Um, because of the injury to her hand,
23:29we're going to have to recast her role.
23:33Wait.
23:34Melinda's not going to be in the movie?
23:36Nope.
23:37Thanks to her.
23:42I, I, I feel so bad about this.
23:46Bad?
23:46We all hated her.
23:49She was a nightmare.
23:52What is your name?
23:54That's Crystal Water.
23:57Crystal Water.
24:01Give her some ears.
24:05Crystal Water.
24:07Crystal Water.
24:07Crystal Water.
24:09Crystal Water.
24:11Crystal Water.
24:17Hi, Vic.
24:19Tori Vega.
24:21That's me.
24:22Are you sure you're not Crystal Waters?
24:24You got the call.
24:25I'm back on the movie.
24:26Yay!
24:27Yay!
24:31One.
24:33Two.
24:33One.
24:34Don't let me get to three.
24:39Better.
24:40I'm here!
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