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Transcript
00:00:27Tino
00:00:32Peter's doing this on purpose.
00:00:33Your gender equality proposal has been revised seven times and is still candid.
00:00:37He's the director. What choice do I have?
00:00:39Director or not, you've gone months without full pay.
00:00:41Doing charity work or care homes? When does it end?
00:00:44Just stop, Judy. If we keep moping around, I'll miss the meeting.
00:00:46Tina, have you ever thought of chasing the market instead?
00:00:48If you did, your pay and prospects would look a lot better.
00:00:51If I believe in the idea, prospects and salary don't factor.
00:00:53I mean, you'd say that. It still feels unfair.
00:01:08One time, no see.
00:01:10Must have been years since you broke up with me.
00:01:12Ex-boyfriend?
00:01:14No, I don't know him.
00:01:17You don't?
00:01:18Edward Davis.
00:01:21Her one and only ex.
00:01:24Former brother-in-law?
00:01:26Did you stop messing around?
00:01:29After all these years and you're still clumsy.
00:01:35I was working.
00:01:36Unlike you, who's never touched a dirty dish.
00:01:39She's usually picture perfect. Today was a rush.
00:01:42Picture perfect?
00:01:43More like...
00:01:44Overtime chic.
00:01:47We're in a rush. We should go.
00:01:50Well, I'm going to use the elevator if you guys want to use it.
00:01:53No, the stairs will be just fine.
00:01:55Thanks.
00:02:03You won't change at all.
00:02:20Seventeenth.
00:02:21Two whole floors on foot just to dodge an ex.
00:02:24Ex?
00:02:25Just an old classmate.
00:02:28Two floors.
00:02:29Treated as morning cardio.
00:02:30Worst excuse ever. He said he was your only ex.
00:02:34Only!
00:02:35Spill.
00:02:36Who is Edward Davis and why did you break up?
00:02:38Judy, priorities.
00:02:39We still don't know if her proposal is going to pass.
00:02:41Focus on that.
00:02:42Okay, well, I heard today's client is the boss of bosses.
00:02:45Ten million for one deal.
00:02:46Ten million!
00:02:48That would keep all of them afloat for three years.
00:02:50Even the more reason to nail it?
00:02:51Tina, Judy, do you want your jobs or not?
00:02:54The client is here.
00:02:55You almost blew the meeting's schedule.
00:03:09Hey!
00:03:13Edward?
00:03:15You again?
00:03:18Edward?
00:03:19You again?
00:03:21Watch your tongue.
00:03:23That's our client.
00:03:24The owner of Lightspeed.
00:03:28Peter, why let just anyone in?
00:03:31Just anyone?
00:03:32I'm Home and the event planner.
00:03:34Same as you.
00:03:35You're not worthy of the title.
00:03:38Apologies, Mr. Davis.
00:03:40She's a junior member.
00:03:41She can't even dress herself properly.
00:03:44She has no respect.
00:03:45Your personal visit is our greatest honor.
00:03:49It's fine.
00:03:51And your name?
00:03:53I'm Isabella.
00:03:54I'm Alwyn's chief planner.
00:03:56My proposal...
00:03:58I'll remember your name.
00:04:02Lightspeed wants a creative, thoughtful campaign
00:04:05to launch our new lifestyle brand.
00:04:08We're not just selling clothes.
00:04:10We're selling an idea.
00:04:12Female empowerment.
00:04:15Our street-style check-in campaign
00:04:18taps into youth culture.
00:04:20We partner with shopping malls,
00:04:22host splash mob battles,
00:04:24and bring influencers to Ignite Buzz.
00:04:30Tina?
00:04:31Your thoughts?
00:04:34Me?
00:04:44I'm not impressed.
00:04:46Why not?
00:04:48Your new line targets professional women,
00:04:50challenging the notion that office wear
00:04:52must be uniform and dull.
00:04:54Your campaign should focus on how women express themselves,
00:04:57breaking molds at work,
00:04:59mirroring the product ethos.
00:05:06Tina?
00:05:07You'll leave this.
00:05:10What do you mean?
00:05:11Hand the campaign to Tina?
00:05:13Giving the campaign to Tina?
00:05:15Mr. Davis, are you joking?
00:05:17She's a junior planner.
00:05:19You'd be squandering millions of dollars.
00:05:22Isabella?
00:05:22Is it?
00:05:24Mind your time with Tina.
00:05:26Well, the deal is off.
00:05:28What kind of drama is this?
00:05:31Mr. Davis.
00:05:33Tina is a bottom-of-the-chart performer.
00:05:36She's hardly qualified.
00:05:38Isabella's campaign is market-tested
00:05:40and ready to roll out now.
00:05:42Exactly.
00:05:43My proposal could launch immediately.
00:05:46Tina is leading this campaign.
00:05:48I won't tell you again.
00:05:50I won't tell you again.
00:05:56If Almond can't accept my decision,
00:05:59then Lightspeed will pull funding.
00:06:01Withdraw funding?
00:06:03That's a nine-figure deal.
00:06:06You have three days to complete this.
00:06:09Can you do it?
00:06:12You should say thank you to Mr. Davis.
00:06:14This is an enormous opportunity.
00:06:16Three days?
00:06:18Impossible.
00:06:19Please.
00:06:19Her and her sidekick couldn't do it
00:06:21if they had 300 days.
00:06:24Fine.
00:06:26I'll take it.
00:06:28Great.
00:06:29On one condition.
00:06:30Complete autonomy.
00:06:32No interference from anyone else.
00:06:35If you cannot promise this,
00:06:37the project goes to Isabella.
00:06:41Problem?
00:06:44No.
00:06:45No problem.
00:06:47Good.
00:06:48Then I expect the final plan
00:06:50in three days.
00:07:03Hey!
00:07:05Don't think Edward's backing
00:07:06is going to save you
00:07:07if you blow this.
00:07:08You know the consequences.
00:07:12Tina, a multi-million dollar account
00:07:14you can finally shine.
00:07:15Back to the offices now.
00:07:17Now?
00:07:20Call her to every care home
00:07:21and community center
00:07:22with Brooklyn
00:07:22and gather the latest leader
00:07:24on board, please.
00:07:24Gender equity.
00:07:26Great.
00:07:26Another three nights sleep
00:07:27over at work.
00:07:30Well, well, well,
00:07:31I'll keep planning
00:07:32a playing researcher.
00:07:34Three days to turn stone
00:07:35into gold.
00:07:36When the funding crashes,
00:07:38you'll be Almond's pariah.
00:07:39You.
00:07:40Can we help you?
00:07:42I'm just here
00:07:42to watch you crash and burn.
00:07:44Then we'll get to work.
00:07:46Judy,
00:07:47let's catch the first concepts.
00:07:54What is wrong with you?
00:07:58If you linger here
00:08:00and slow down our project,
00:08:01you'll be the first to blame.
00:08:04Blame?
00:08:05You're going to fail.
00:08:07I'll just do my best.
00:08:08As for the outcome,
00:08:11time will tell.
00:08:12Well, aren't you
00:08:13a shameless bragger?
00:08:17Great ends.
00:08:19Talk is cheap.
00:08:21Time is everything.
00:08:24Another sleepless night?
00:08:26Is that obvious?
00:08:28How did you guess?
00:08:29Your face says it all.
00:08:32It's that project about him,
00:08:34right?
00:08:35Yes.
00:08:36And no.
00:08:37It's odd.
00:08:38He forced this campaign on me,
00:08:40gave me only three days.
00:08:42Almost like
00:08:43he wants me to fail.
00:08:44or
00:08:45make a fool of myself.
00:08:47Well,
00:08:48since you accepted,
00:08:50stop overthinking.
00:08:52It's just work.
00:08:53Work you believe in.
00:08:55I know,
00:08:56but I just...
00:08:56Tina, my dear,
00:08:58don't be so hard on yourself.
00:08:59It will only make it worse.
00:09:02Ask yourself
00:09:03one thing.
00:09:05Do you still have feelings for him?
00:09:13Some ties don't sever easily.
00:09:16You're stubborn, child.
00:09:19Please.
00:09:20Too much separates us.
00:09:22Class.
00:09:24Status.
00:09:26My disappearing without a word back then.
00:09:29He has every reason to hate me.
00:09:32I don't think so.
00:09:34After all these years?
00:09:37Don't rush your answer.
00:09:40He will show you.
00:09:47Mr. Davis,
00:09:48shall we begin?
00:09:50Ask Tina first.
00:09:51That's absurd.
00:09:53She's a junior planner.
00:09:54She doesn't deserve to start.
00:09:56If you're not willing to listen to Tina's proposal,
00:09:58then please,
00:09:59leave.
00:10:04Fine.
00:10:05Let her play.
00:10:07I'll stay and watch the show.
00:10:11Tina.
00:10:13Are you ready?
00:10:15Three days have passed.
00:10:17It's time for Tina to present her campaign proposal.
00:10:24Today,
00:10:25I'm not here to advertise Lightspeed's products.
00:10:29I'm here to expose the real estate
00:10:31of women in the workplace.
00:10:35I'm here to expose the real estate
00:10:37of women in the workplace.
00:10:40You should really focus on your campaign.
00:10:43Peter,
00:10:44please take this lady out of this meeting
00:10:46and let her rest.
00:10:48Lady?
00:10:49Her name is Isabella.
00:10:51Sorry.
00:10:51I've forgotten your name.
00:10:54Please leave.
00:10:56She knows what she did wrong.
00:10:59It won't happen again.
00:11:01Please.
00:11:02Tina, go on.
00:11:04Latest data shows over 30% of eligible women
00:11:07leave the workforce due to family
00:11:08and childbirth pressures.
00:11:10This systemic inequality squanders talent
00:11:13and cause society dearly.
00:11:17Lightspeed will sponsor the initiative.
00:11:18The new professional line
00:11:20becomes a narrative threat.
00:11:21So everyone who supports the cause
00:11:23learns the brand's story.
00:11:35What are you two now?
00:11:38That's Mr. Davis's coffee.
00:11:40Put it down.
00:11:40Mr. Davis gave it to Tina.
00:11:43Why are you in such a hurry?
00:12:03I'm in planning department.
00:12:05Tina speaking.
00:12:07Tina, it's me.
00:12:09Mr. Davis.
00:12:11Have you eaten?
00:12:13Is there something work-related?
00:12:16Well, regarding the collaboration,
00:12:17within three days,
00:12:18I want a refined budget
00:12:19and I want clear projections.
00:12:22I'll need more specifics.
00:12:24Could we have a detailed brief?
00:12:25Well, as you're the head planner,
00:12:27you should be able to source
00:12:27and perfect your own information.
00:12:29Effective research comes from reliable data.
00:12:32If your input is vague,
00:12:33I can't fabricate numbers.
00:12:34I don't know why I talk to you about work.
00:12:36You take work so seriously.
00:12:38If there's nothing about my work,
00:12:40goodnight, Mr. Davis.
00:12:42Do you know why I insist on this project?
00:12:48Do you know why I insist on this project?
00:12:51Lightspeed needs a breakthrough
00:12:52and sharper positioning.
00:12:54Apart from that?
00:12:56Beyond that,
00:12:58I'm unaware.
00:12:59You know exactly what I mean.
00:13:02Strictly work, Mr. Davis.
00:13:05Fine.
00:13:07Make a plan and I'll wait for you.
00:13:14Who's that?
00:13:16No one.
00:13:17Just a tricky client.
00:13:20Clients?
00:13:21It's the middle of the night.
00:13:22What clients?
00:13:24If you've rested enough,
00:13:26get up and get back to work.
00:13:36Squirrels.
00:13:36Squirrels.
00:13:38Squirrels.
00:13:41That one with the papers is basically us.
00:13:44And the tail snipped one,
00:13:46unreasonable demands.
00:13:48He'll understand.
00:13:50He?
00:13:52You mean,
00:13:53Mr. Davis?
00:13:55Never mind.
00:13:56Check that spreadsheet, please.
00:13:59So,
00:14:00what are you two now?
00:14:02Not just client and agency,
00:14:04that's for sure.
00:14:05I'm not sure.
00:14:05I'm not sure.
00:14:06I'm not sure.
00:14:07I'm not sure.
00:14:18Overthinking.
00:14:19Three days.
00:14:19I sketched during lectures.
00:14:22Edward always knew what I'd draw.
00:14:25Said my pictures,
00:14:26spoke louder than my words.
00:14:27Aha!
00:14:28So he assigned this project to you
00:14:30to stay in your orbit.
00:14:31Not what you think.
00:14:33That chapter is...
00:14:35closed.
00:14:36Closed, my foot.
00:14:38Details, please.
00:14:41Those days...
00:14:42I'll never forget them.
00:14:45So,
00:14:46library meet cute?
00:14:47Society activity?
00:14:49Neither.
00:14:50Debate and contest.
00:14:51He was affirmative.
00:14:52I was negative.
00:14:54Sparks flu, eh?
00:14:55He was brilliant.
00:14:57Almost demolished me.
00:14:59And then?
00:15:00That was when I decided
00:15:02I would stop at nothing
00:15:03to win his heart.
00:15:07I started provoking him.
00:15:10Sled across him from study hall.
00:15:12Slipped him notes.
00:15:13It's...
00:15:14Keshavans.
00:15:15Knit pics and...
00:15:18My phone number.
00:15:19Academic veneer.
00:15:21Romanticor.
00:15:23I called it
00:15:24Seeking Intellectual Combat.
00:15:26And...
00:15:27Maybe a boyfriend.
00:15:28Poker face melted!
00:15:32So,
00:15:33how did it end?
00:15:38This is the final flat you met.
00:15:40I bought it.
00:15:42It's the closest one available.
00:15:44No more crowded buses for you.
00:15:46And...
00:15:47We could turn the entire floor
00:15:48into your own private library.
00:15:50I'm so thoughtful.
00:15:52On time.
00:15:54Private library.
00:15:56He was the heir to our conglomerate.
00:15:59And...
00:15:59I was just...
00:16:02Ordinary.
00:16:04I knew I'd just be a brief jerk
00:16:06to his life and...
00:16:09I thought it would be best
00:16:10to end it early.
00:16:11That's fear.
00:16:13That's fear.
00:16:13Not logic.
00:16:15So you dumped him?
00:16:18Yes.
00:16:19How could you?
00:16:22And you loved each other.
00:16:28Morning!
00:16:29Sleepy head.
00:16:37All finished?
00:16:39Fresh off the press.
00:16:41Needs saving to the folder.
00:16:46This is...
00:16:48excellent work.
00:16:49You two have done very well.
00:16:51Why don't you go get some rest?
00:16:53We'll tidy this up.
00:16:54But...
00:16:55The meeting's this afternoon.
00:16:56I still have to prepare my presentation.
00:16:58Don't worry.
00:16:59Get some rest.
00:17:01You need to have your energy
00:17:02for this afternoon's meeting.
00:17:04You're right.
00:17:06Thank you, director.
00:17:24He doesn't look thrilled.
00:17:26Go on.
00:17:28Tina, look.
00:17:32Tina, look.
00:17:34That's our proposal,
00:17:35but it says Isabella's name on it.
00:17:41Someone care to explain?
00:17:44Mr. Thompson?
00:17:46Is this your latest proposal?
00:17:48Indeed, sir.
00:17:50There's a card to report her heart into it.
00:17:52An all-nighter, in fact.
00:17:53It's my very best work.
00:17:55Well,
00:17:56her heart is...
00:17:58unimpressive.
00:17:59What?
00:18:01Inaccurate data,
00:18:03fuzzy positioning,
00:18:04and scattered targets.
00:18:06How could you bring this to me?
00:18:07Edward, you can't say that.
00:18:09There's never been anything wrong
00:18:11with my proposal.
00:18:12Surely this is a misunderstanding.
00:18:14I don't misunderstand work.
00:18:18Since you don't know
00:18:19what women need in the workplace,
00:18:21I'll show you.
00:18:23That's your art.
00:18:24Tina.
00:18:25That's the career handbook
00:18:27that was in the papers recently.
00:18:29I recall
00:18:31so many companies
00:18:33offered to buy the rights,
00:18:34but the author wouldn't sell.
00:18:37Of all people,
00:18:39who is Tina?
00:18:40Tina.
00:18:41Correct.
00:18:42This is the career guide
00:18:43that won so many fans
00:18:44on campus,
00:18:45and it was written by
00:18:48Tina Green.
00:18:50Impossible.
00:18:51Who does she think she is?
00:18:53This project belongs to her.
00:18:59If it wasn't for Tina Green,
00:19:00I'd pull this project immediately.
00:19:01What right does she have?
00:19:03She's just some junior planner.
00:19:05She doesn't even have a proper title.
00:19:07She can't possibly be qualified
00:19:09to take on such a big project.
00:19:11I'm the chief planner.
00:19:12Your company's benchmark for chief
00:19:15is questionable.
00:19:18Surely there's a misunderstanding here.
00:19:21At Almond,
00:19:22we pride ourselves
00:19:23on our commitment to collaboration.
00:19:25Mr. Thompson,
00:19:26I have two conditions.
00:19:27One,
00:19:28Tina has full authority.
00:19:30And number two,
00:19:31I will only work
00:19:33with the chief planner.
00:19:39Partners,
00:19:40colleagues,
00:19:42today,
00:19:43Ms. Tina Green
00:19:43is officially promoted
00:19:44to chief planner at Almond.
00:19:47Oh!
00:19:49This is so great!
00:19:53So,
00:19:54can chief planner Tina
00:19:56now represent your company
00:19:58in handling this project?
00:20:04Tina!
00:20:05You ready yet?
00:20:07Hurry!
00:20:07We still have location scouting!
00:20:12Tina!
00:20:13You okay?
00:20:17Oh my god!
00:20:19Tina!
00:20:20What happened?
00:20:21My stomach hurts so much!
00:20:24I'll get your medicine right there.
00:20:26Sure.
00:20:27I bet you went from the table.
00:20:29Bedroom.
00:20:42Which drawer?
00:20:42I can't find it!
00:20:44Tina!
00:20:45I can't find it!
00:20:45What do I do?
00:20:47On...
00:20:48Please!
00:20:50Please!
00:21:02Tina,
00:21:06you okay?
00:21:07Mr. Davis!
00:21:08Tina's sick!
00:21:10Really bad stomach pain!
00:21:11I can't find her men.
00:21:12What's her address?
00:21:14Flat 4B.
00:21:1527 Ravens Croft Road.
00:21:17Okay, I'll be the right way.
00:21:19How do you know the address?
00:21:20Hello?
00:21:21Hello?
00:21:24Tina?
00:21:25Oh my God.
00:21:26Oh my God.
00:21:26Tina!
00:21:27Tina!
00:21:30Tina!
00:21:32Tina!
00:21:33Mr. Davis, how'd you get here so fast?
00:21:35How'd you get this bad?
00:21:36Tina!
00:21:37Tina!
00:21:37Hey, hey, hey, hey.
00:21:38Edward.
00:21:39Yeah, she's back.
00:22:06Mr. Davis.
00:22:09It's the Crumps.
00:22:18Tina, hey, take this.
00:22:20You'll feel better.
00:22:23Heat patch, painkillers.
00:22:26How'd you know where everything was?
00:22:29She's always had this.
00:22:31Always?
00:22:34One time at uni, she fell into an icy lake and ever since her periods have been brutal.
00:22:42So that's why she's always in pain.
00:22:47She keeps him in there.
00:22:50She's the type that once she's made her mind up on something, she never changes it.
00:22:56Even if she decides to leave you.
00:23:08Even if she decides to leave you.
00:23:12Good morning.
00:23:13What are you doing in my apartment?
00:23:15Well, last night you...
00:23:17Who let you in?
00:23:18Who let you in?
00:23:19Judy?
00:23:21Or...
00:23:21Was it me?
00:23:23Judy called me on your phone.
00:23:26Oh.
00:23:26Was it because...
00:23:28You remember my address.
00:23:30Oh.
00:23:30I...
00:23:31Tina, are you awake?
00:23:33I brought breakfast.
00:23:35Uh, hi, Mr. Edward.
00:23:37You're here too.
00:23:39Um, I hope I didn't come at a bad time?
00:23:41Uh, well...
00:23:55You have no idea.
00:23:57Last night, you were white as a sheet.
00:24:01He dashed in and scooped you up into his arms.
00:24:05It was more touching than any TV drama.
00:24:08That heat patch.
00:24:10Painkillers.
00:24:10He knew exactly where they were.
00:24:12And he stayed by your sight all night.
00:24:15Rubbing your stomach.
00:24:17His eyes were bloodshot.
00:24:20Definitely still has feelings for you.
00:24:27Who's with that?
00:24:31See, I told you he still likes you.
00:24:33You just walked in.
00:24:34Feeling any better?
00:24:36Much better.
00:24:37Uh...
00:24:38What's this?
00:24:40You bought all this?
00:24:42For me?
00:24:43I always did this for you.
00:24:46And...
00:24:46I would like to keep doing it for you.
00:24:48If you like.
00:24:50Wow, Mr. Davis, you are thorough.
00:24:53Brought you tampons.
00:24:57I just remembered.
00:24:59I have a rush amendment back at the office.
00:25:02Mustache.
00:25:03Bye.
00:25:06Yeah.
00:25:07Let me take that.
00:25:12I got you some hot milk.
00:25:14I got you some hot milk.
00:25:15You still remember my favorite?
00:25:19I always remember.
00:25:20I always remember.
00:25:26Why?
00:25:27We broke up years ago.
00:25:29Some things are kind of hard to forget.
00:25:32Let's not rehash the past.
00:25:35We work together now.
00:25:37Nothing else.
00:25:38Just work?
00:25:40Okay, then...
00:25:42Show me the proposal.
00:25:44It's not polished yet.
00:25:46It needs revision.
00:25:48No.
00:25:49Break the mold.
00:25:51No, Edward.
00:25:51Women's...
00:25:52Undefined power of women at work.
00:25:54Look, okay.
00:25:55Wait, all right.
00:25:56I'll see it eventually.
00:25:58Why don't we just sit down?
00:26:04How are you feeling?
00:26:07Still a bit dizzy.
00:26:24The star is my heart.
00:26:26Edward, may it follow you wherever you go.
00:26:29You have my word.
00:26:31I won't disappoint you.
00:26:38You still wear it.
00:26:39After all those years.
00:26:42I thought you forgot.
00:26:45I wear it to remind myself of what you did to me.
00:26:51I wear it to remind myself of what you did to me.
00:26:55What I did to you...
00:26:58I simply faced reality.
00:27:00Reality?
00:27:02Reality is you cast me aside like I was nothing.
00:27:05And you didn't even give me a chance to explain myself.
00:27:08What good was explaining.
00:27:09We were never from the same world.
00:27:12From the same world?
00:27:13That's all I get after all these years.
00:27:16Rich people like you will never understand what regular people like me go through.
00:27:20You need to forget that this...
00:27:22Was ever a thing.
00:27:25And that isn't yours to wear.
00:27:28You are still so stubborn.
00:27:32Look at you.
00:27:33Tailored suit.
00:27:35Lightspeed CEO.
00:27:37You're fine.
00:27:38Do you think I asked for these titles?
00:27:40Do you think I wanted to be CEO?
00:27:44From start to finish, you never understood what I really wanted.
00:27:48I do understand.
00:27:57Out.
00:28:26How about this one?
00:28:28I'm sorry for you.
00:28:30And whose is that one?
00:28:32Mine, obviously.
00:28:34Couples key chains.
00:28:35If you accept it, you know what it means.
00:28:37What does that mean?
00:28:39That we're a couple.
00:28:40Couple?
00:28:41Did I say yes?
00:28:43Too late.
00:28:43You already took it.
00:28:44That's consent.
00:28:57Why do you keep it all this time?
00:29:00Why do you keep it all this time?
00:29:17Tina!
00:29:18Oh gee, you fight here?
00:29:20What happened?
00:29:20Isabella's father slash board member just arrived.
00:29:23Our project might change hands.
00:29:42Well, well, if it is an almond star planner.
00:29:45Cycling to work?
00:29:47How cute.
00:29:48Your canvas tote really matches your status.
00:29:51My attire has nothing to do with my proposal.
00:29:53You have no right to-
00:29:55No right?
00:29:55I'll show you exactly what right means.
00:29:59Why are these two useless humans in my way?
00:30:02What?
00:30:05Tina!
00:30:06Are you okay?
00:30:14Oops, I'm so sorry.
00:30:16My bodyguard can be a little clumsy.
00:30:19You don't mind though, do you?
00:30:21I guess you can't very well have a stained shirt in the meeting.
00:30:24Go buy her a new one and make sure it costs ten times more than what she's wearing.
00:30:29It'll probably be the priciest thing she ever wears.
00:30:32Yes, ma'am.
00:30:38She did that on purpose.
00:30:40It's fine.
00:30:41It's fine?
00:30:43How are you going to face everyone?
00:30:45The meeting starts in a few minutes.
00:30:48No time to change.
00:30:51A planner wins with skill, not style.
00:31:07All men project review, now in session.
00:31:17Next, please welcome one of our chief planners, Ms. Isabella, to present her Women's Employment
00:31:24Empowerment Project.
00:31:31I am delighted to present my carefully crafted plan on the Women's Employment Empowerment Project
00:31:36titled Breaking the Mold, Unbinding Her Power.
00:31:40That's our proposal title.
00:31:42Our project aims to break conventional employment and workwear concepts, giving women equal opportunities
00:31:49and appropriate attire for every workplace.
00:31:51Therefore, our core strategy is to hire only women and create a fully female work environment.
00:31:59That was amazing, honey.
00:32:01Doesn't my daughter greats?
00:32:03You, what's up?
00:32:05Judy, some lofty opinions?
00:32:08Or Tina, perhaps you have some objections to my plan?
00:32:13Yes, I have something to say.
00:32:18Yes, I have something to say.
00:32:20Some may find our strategy too bold, but only boldness proves Allman's resolve and forges
00:32:27a unique market edge.
00:32:28I think it's excellent.
00:32:34Any different views?
00:32:39Given the project's nature and Allman's status, only boldness will give shocking effects.
00:32:46Something a slogan shouting Tina could never achieve.
00:32:51Isabella's bold strategy is indeed shocking.
00:32:57So shocking that Amon and me were the label of reverse discrimination.
00:33:01Reverse discrimination?
00:33:03That's serious.
00:33:05Tina, what do you mean?
00:33:07Do you mean to seize power, you would abandon your persona and speak for men?
00:33:11My meaning is clear, Isabella.
00:33:13Using extremes to fight injustice only breeds new injustice.
00:33:18Tearing apart a society that needs unity.
00:33:24Isabella, your woman-only charter may grab attention, but it pits women against men on another scale.
00:33:32Well said.
00:33:33I have 50 corporate endorsements and resources.
00:33:37They'll post women-only ads and supply jobs.
00:33:41Tina, what do you have?
00:33:43That's not empowerment.
00:33:44It just shoves women into another extreme.
00:33:47Label privilege.
00:33:49When the trend fails, the backlash will be harsher.
00:33:52True equality comes from fair systems in hiring, benefits, and promotion.
00:34:00From blind, gender-neutral assessments.
00:34:03Not from gender privilege.
00:34:06Otherwise, the public will mock us.
00:34:09True fairness comes from blind selection and gender-free evaluation.
00:34:19Lightspeed values, fairness, and efficiency.
00:34:23If a project is founded on reverse discrimination, it cannot gain respect.
00:34:29You're denying Allman's efforts.
00:34:31I'm stating facts.
00:34:32A flawed plan remains flawed, however shiny.
00:34:37Dad.
00:34:38Mr Davis, haven't you taken this all too far?
00:34:41It's the truth.
00:34:43And remember, Isabella was never my chosen planner.
00:34:49It was always Tina.
00:34:53Edward, what do you mean?
00:34:55Stop wasting time.
00:34:57Tina is my planner.
00:34:59Continue these tricks, and Lightspeed will stop any collaboration.
00:35:03Peter, why keep changing planners?
00:35:08Proposal re-evaluation.
00:35:10Meeting adjourned.
00:35:11Don't have coffee.
00:35:16You are amazing.
00:35:18Mr Davis had your back.
00:35:20He simply spoke truth.
00:35:24Why is he leaving so fast?
00:35:25Did he have a fight?
00:35:27No.
00:35:28Why did he leave without saying goodbye to us?
00:35:31Maybe urgent business?
00:35:38Tina, we're screwed.
00:35:40What is it?
00:35:41Our key visual and copy all replaced.
00:35:43What?
00:35:43Like what?
00:35:44What makes an elite woman?
00:35:46Check your mail.
00:35:51What is this?
00:35:52The design team said that director Isabella ordered it overnight.
00:36:00What did you do?
00:36:03What did I do?
00:36:04Just planning director's duty.
00:36:07Those sponsors are my resources.
00:36:10They pick the materials.
00:36:11So if you object, well, impossible.
00:36:16Isabella?
00:36:16Don't go too far.
00:36:18Too far?
00:36:19I'm just showing you.
00:36:20The workplace isn't simple.
00:36:22Just wait, Tina Green.
00:36:24This is only the beginning.
00:36:26I think this wins you the project.
00:36:27I'm just showing you reality.
00:36:30Do you really think your shabby proposal will please him?
00:36:33Edward's favor is not going to help you at all now.
00:36:36The Davis family has been rich for generations.
00:36:39Have you ever heard of being well-matched?
00:36:41Shut up.
00:36:43Have I hit a nerve?
00:36:45A nobody with no background could never end up with Edward.
00:36:49Stop dreaming.
00:36:50You're not worthy.
00:36:52Sure.
00:36:54I'm no spoiled brat like you.
00:36:56No rich father to wreck other people's hard work.
00:36:59Everything I have, I earned.
00:37:03Isabella, you're pathetic.
00:37:05Enough.
00:37:08Enough.
00:37:11Isabella, let me make this clear for everyone's sake.
00:37:14My company has not a single connection to the Davis family.
00:37:18Lightspeed was founded entirely by me.
00:37:21With my own money,
00:37:22you have no right to meddle
00:37:25in my business
00:37:26or my choices.
00:37:27You?
00:37:29Alone?
00:37:30How?
00:37:32Family shackles
00:37:33once cost me the most important person.
00:37:37I used to believe that
00:37:38if I worked hard enough
00:37:41I could escape anything.
00:37:45But reality has shown me
00:37:48once you're bounded by the shackles of family
00:37:51it's almost impossible to break free.
00:37:54Your well-matched talk means nothing to me.
00:37:58Impossible.
00:37:59You could never have started a company without your family.
00:38:03Lightspeed must bring back to them.
00:38:05From day one
00:38:06Lightspeed has had one shareholder.
00:38:09Me.
00:38:10No Davis assets were involved.
00:38:13Edward.
00:38:14You did all that.
00:38:16You should have told me you did all that.
00:38:18Every step I take
00:38:19is so I could stand in front of you.
00:38:22Me?
00:38:23You.
00:38:23And just you.
00:38:26Tina.
00:38:28I want you to know that we can start again.
00:38:34Tina.
00:38:36I want you to know that we can start again.
00:38:40Even if Lightspeed is clean.
00:38:43Didn't you seduce Edward?
00:38:45Are you clean, Tina?
00:38:47Your behavior is absolutely unprofessional.
00:38:50Spreading lies in public.
00:38:53Publicly defaming women's character?
00:38:55Where is this noble virtue you so proudly pretend to have?
00:38:58I'm just speaking the truth.
00:39:00Do you care to deny it?
00:39:02By bringing your personal vendettas into the workplace,
00:39:04you are proving to be an unfit planner.
00:39:07I demand that you step down from this project immediately.
00:39:10On what grounds?
00:39:11On the grounds that I'm project leader.
00:39:13Don't be smug, Tina Green.
00:39:16I will show you the cost.
00:39:17Every step you take now ruins your future.
00:39:19I'm chief planner.
00:39:21She stole my project.
00:39:22Stole?
00:39:23I never stole.
00:39:25You're arrogant.
00:39:27Conceited.
00:39:28And pitiful.
00:39:31You've taken this too far.
00:39:34Fine.
00:39:35I'll make you regret this, Tina Green.
00:39:38I will make sure you never have any standing in this industry.
00:39:49Could you fix those fairy lights, please?
00:39:53Go home, Judy.
00:39:55It's fine. I'll finish up.
00:39:56Sure.
00:39:57Don't worry.
00:39:57Gores, thank you so much.
00:40:13Hello?
00:40:18Anyone there?
00:40:23Hey, hey, Tina.
00:40:25It's me.
00:40:39You okay?
00:40:41Edward.
00:40:43Why are you here?
00:40:45I have a power cut out and I wanted to check on you.
00:40:50How did you know I was insane?
00:40:53I wait for you here every day.
00:40:55Every day?
00:40:57Yeah.
00:40:58Every day.
00:40:59And you're always the last one to leave.
00:41:01You really don't have to.
00:41:07Yeah.
00:41:16Something's wrong.
00:41:20Yeah.
00:41:23I'll go check.
00:41:25Wait.
00:41:27Come with me.
00:41:37Something's wrong.
00:41:38Someone sabotaged it?
00:41:40Yeah.
00:41:41These wires aren't from the same batch.
00:41:44Whoever it rolls wants you to fail.
00:41:46Could it be Isabella?
00:41:51It could be.
00:41:53What now?
00:41:54The doors are electric.
00:41:55We're trapped.
00:41:59Hey.
00:42:01Tina.
00:42:17It's been so long since I've held you.
00:42:21How long has it been?
00:42:23Years.
00:42:25But it feels like yesterday we were on campus together.
00:42:28Do you still remember?
00:42:31I remember everything.
00:42:35What do we do now?
00:42:38What do we do now?
00:42:38I'll figure something out.
00:42:42So.
00:42:44Do you really wait for me here every day?
00:42:47Yeah well.
00:42:48I kind of get worried something might happen to you.
00:42:51You really don't have to.
00:42:52Yeah I do.
00:42:53Do you remember what happened at uni?
00:42:54In the library?
00:42:56Yeah?
00:42:56And the lights cut out and you dived under the table.
00:42:58I did not.
00:42:59Yes you did.
00:42:59I was looking for you everywhere.
00:43:00And when I found you you were under the table like a kitten.
00:43:03Don't pretend like you weren't scared.
00:43:04You were screaming my name the whole time.
00:43:06Yeah.
00:43:06But I was just worried for you.
00:43:09I thought you'd run away.
00:43:12How could I?
00:43:14I waited for you every day.
00:43:23That wasn't your only silly moment.
00:43:25Oh yeah?
00:43:26Remember when you tried to steal that book from me?
00:43:29And spilled coffee all over the professor's paper?
00:43:31Yeah but that wasn't just my fault if you remember.
00:43:34You drank the book so hard it just fell out of my hair.
00:43:37Oh right so it's all my fault.
00:43:38Yeah.
00:43:39We spent the whole week cleaning that library.
00:43:44Back then I thought we'd always stay that way.
00:43:51Tina.
00:43:55When you left I was stunned.
00:43:59I pictured our whole life together.
00:44:03I never thought you wouldn't be in it.
00:44:04Yeah.
00:44:06We belong to different worlds.
00:44:09You're brilliant.
00:44:10Your future is bright.
00:44:12And I'm just ordinary.
00:44:17I felt I'm staying with you would only hold you by.
00:44:23Tina.
00:44:26Can you still do it?
00:44:32Tina.
00:44:34Could we.
00:44:36Start over.
00:44:40Bought the necklace.
00:44:42Hope the money lasts till month and.
00:44:44I need another job.
00:44:47Tina.
00:44:49Edward.
00:44:50Here.
00:44:52What's this?
00:44:54For me?
00:44:55Mm-hmm.
00:44:57Oh.
00:44:58Match it.
00:44:59Birthday present.
00:45:01I saved up for it but I bought it.
00:45:03The star is my heart.
00:45:05Edward.
00:45:06May it follow you wherever you go.
00:45:09You have my word.
00:45:11I won't disappoint you.
00:45:15Oh, you said you wanted a flat near campus, right?
00:45:19I did my homework.
00:45:20I found a cheap one here.
00:45:22We could turn the living room like this and turn the backing into a garden and we could.
00:45:27I bought it.
00:45:34No more crowded buses for you.
00:45:36Closest one available.
00:45:38We could turn the entire floor into your own private library.
00:45:42I'm so thoughtful, aren't I?
00:45:44Private library.
00:45:53I have to ask.
00:45:56Can we?
00:45:58No.
00:45:58Edward.
00:45:59Stop.
00:46:01I have to ask.
00:46:04Can we?
00:46:15Power's back.
00:46:17Good.
00:46:19Now the expo can proceed smoothly.
00:46:22What?
00:46:22Tina.
00:46:23I'll double check the lights before the show and,
00:46:25Mr. Davis, if you have any other requests, just let me know.
00:46:28I'll refine the plan.
00:46:29Alright.
00:46:31But...
00:46:31If there's nothing else,
00:46:33I'll be off.
00:46:34Why are you leaving in such a rush?
00:46:36It's late.
00:46:37I have to finish tomorrow's work.
00:46:40And, oh, Mr. Davis.
00:46:46Try to get some rest.
00:46:49Goodnight.
00:46:52I almost gave in.
00:47:05Can we really go back?
00:47:08Can we really go back?
00:47:30Tina, the expo black house at local news.
00:47:33You okay?
00:47:36Are you okay?
00:47:39I'm fine.
00:47:41Edward stayed with me.
00:47:43Edward?
00:47:44What was he doing there?
00:47:45It's nothing.
00:47:47But...
00:47:47he asked me if...
00:47:50Asked what?
00:47:51If you have a boyfriend?
00:47:53If you miss out?
00:47:54If you miss out?
00:47:55He asked me if we could start over.
00:47:59OMG.
00:48:00Start over?
00:48:01That is a request for reconciliation.
00:48:04The ship is sailing.
00:48:05I've moved.
00:48:06It's not what you think.
00:48:07I told you he likes you.
00:48:10He basically said, can we start again?
00:48:12No.
00:48:13The lights came back on.
00:48:13He didn't finish.
00:48:14So?
00:48:15Message received.
00:48:17And what about you?
00:48:18Do you still love him?
00:48:26Tina, you didn't answer, B.
00:48:28Do you still love him?
00:48:30I...
00:48:31I don't know.
00:48:34Don't know?
00:48:35Listen to yourself.
00:48:36That necklace.
00:48:38You still wear it.
00:48:39Isn't that affection?
00:48:41That's all in the past.
00:48:42I...
00:48:42The past?
00:48:44You're all tied up in knots right now.
00:48:46Edward might be sharp-tongued and even ice-cold,
00:48:49but he did stay with you for the whole blackout.
00:48:52And he gave you that half-line.
00:48:55Tina?
00:48:57You're in his heart.
00:48:58But we split because we're from different worlds.
00:49:01What matters is genuine feeling.
00:49:04Mutual support.
00:49:06Think.
00:49:07He became your client just to back you up.
00:49:10Not every boss would do that.
00:49:12That's confusing.
00:49:15Confusion equals love.
00:49:19Stop overthinking.
00:49:21Just say it.
00:49:22Do you still love him?
00:49:31Hello, Edward?
00:49:38Mr. Davis.
00:49:41Ah, Tina.
00:49:42Sorry for calling late.
00:49:43I was, um...
00:49:44I just wanted to talk about the expo.
00:49:46We've had the wires checked and we've got new lights fitted, so...
00:49:50No more...
00:49:51incidents.
00:49:52Oh!
00:49:54Um, I should have handled that.
00:49:56Sorry to trouble you.
00:49:57Oh, yeah.
00:49:58It's fine.
00:50:01You once, uh, told me that you like that patisserie's cake.
00:50:06I was wondering if...
00:50:09Maybe...
00:50:10You would like to go together?
00:50:15You could buy one and bring it over to my place.
00:50:19We could eat together.
00:50:22Wait.
00:50:22What?
00:50:23Say that again.
00:50:25I...
00:50:25I said...
00:50:26Deal.
00:50:28I...
00:50:29You're trapped now.
00:50:32Tina.
00:50:34We could...
00:50:35I said you could bring it over.
00:50:40Oh, my God.
00:50:41She said it.
00:50:42She really said it.
00:50:44Oh.
00:50:45All right.
00:50:48I'd really like to see you.
00:50:52Uh...
00:50:53Are...
00:50:53Are you okay?
00:50:54What awful lines.
00:50:55Stop making it worse.
00:50:58So...
00:50:58Tomorrow then?
00:51:00I'll wait for you.
00:51:02Mm-hmm.
00:51:04Good night.
00:51:12Girl, you are in love!
00:51:14No!
00:51:17Nonsense.
00:51:18Look at you.
00:51:20That necklace will wear away.
00:51:37I'll see you tomorrow, Tina.
00:51:39Yeah.
00:51:46Shift panel A, three centimeters left.
00:51:50Sound, background volume lower.
00:51:55All staff first guests arrive in time.
00:52:02Edwin.
00:52:05Surprised to see me?
00:52:06Yeah.
00:52:07What are you doing?
00:52:08I told you how long this is.
00:52:09I'm here to witness a top pan's birth.
00:52:12I want to see every step of your success.
00:52:15Edwin.
00:52:16I know.
00:52:17Therefore...
00:52:19I'm a guest.
00:52:20Heading in.
00:52:23Well, well, well, Tina.
00:52:25This whole show and yet you still need your boyfriend to prop you up.
00:52:31I guess some women just can't do anything without a man.
00:52:34Isabella, by making things hard for Tina, you make things very hard for me.
00:52:39Those who spend their lifetime slandering others should really think about focusing on themselves.
00:52:49Go.
00:52:50Your stage is waiting.
00:52:54All departments, expo now commencing.
00:53:05Planitina, audience response is huge.
00:53:08What's your unique take on not being defined is the definition of a profession?
00:53:13I believe women power is limitless.
00:53:15Employment is not only for survival.
00:53:18It's self-realization and freedom.
00:53:21We hope this event shows women their true potential and pushes them to step forward.
00:53:26What made these events so successful?
00:53:28Team Ephrata Allman.
00:53:30And special thanks to Lightspeed and President Edward Davis,
00:53:34whose trust made the new professional women vision possible.
00:53:44Look, you did it. You're number one.
00:53:48It's time.
00:53:55Mark my words, she's going to fail miserably.
00:54:06Wait.
00:54:08This whole expo is a pure show.
00:54:12Almond and their distinguished planner, Tina Green, have stolen my concept.
00:54:17She has no right to host this event.
00:54:21What's going on?
00:54:22What's going on?
00:54:22Breaking news. Who is this woman?
00:54:26What's in a talk?
00:54:27Stay out of it.
00:54:30Look.
00:54:32These are my slides from my private meeting with Mr. Edward Davis.
00:54:38Tina Green plagiarized my original concept.
00:54:43She's a fraud and a liar.
00:54:47A liar.
00:54:49A liar.
00:54:52A liar.
00:54:52Please be quiet.
00:54:54I'm Tina Green, planner at Allman.
00:54:57What you see today is my own project on women's employment.
00:55:03She says I stole her idea.
00:55:06That I lack qualifications.
00:55:08Yes.
00:55:10Inside Allman, I've been inexperienced.
00:55:12Even suppressed.
00:55:14My proposal was killed again and again.
00:55:18Seven times.
00:55:20Seven complete rejections of my work.
00:55:33I have no backing.
00:55:37Only effort and persistence.
00:55:40I started with tiny charity events.
00:55:43Building experience piece by piece.
00:55:45Every project is my blood and sleepless nights.
00:55:50There is no fakery.
00:55:53No theft.
00:55:54If you doubt me, show real evidence.
00:56:00Otherwise, I will pursue legal action.
00:56:07Is there internal suppression at Allman?
00:56:09The truth is being hidden?
00:56:12Tina, why are you so angry?
00:56:14Everyone can see your guilty pen.
00:56:17She may hide behind powerful corporations and men, but she is exploiting women's issues for clout.
00:56:26Dream on if you think this event whitewashes the truth.
00:56:30Serious allegation.
00:56:32So that's the story.
00:56:34Yes.
00:56:36As you suspect, Tina Green has climbed the corporate ladder on the arms of a man, Edward Davis, her ex
00:56:45-boyfriend.
00:56:45She's used every trick in the book to shove someone with far superior credentials out of the way.
00:56:55Don't believe her nonsense.
00:56:57Stop filming.
00:56:59People like her have no place in our industry.
00:57:07Ladies and gentlemen, may I say a few words?
00:57:12Ladies and gentlemen, may I say a few words?
00:57:16I'm Hartley, director of the nursing home, and I would like to speak of Allman and Miss Tina's unseen contributions.
00:57:26Mrs. Hartley, what are you doing here?
00:57:28For a long time, Tina has driven the women's re-employment support program inside Allman, never giving up, despite setbacks.
00:57:38That's not Allman's prior publicity.
00:57:40And that's not what Isabella just said.
00:57:42Well, here are names.
00:57:44Women who've been laid off during pregnancy or unjustly terminated.
00:57:50Tina contacted us, secured jobs.
00:57:53Lisa, our carer.
00:57:55She was fired when she was seven months pregnant.
00:57:59Tina found her work.
00:58:01Charlotte.
00:58:02Oh, Charlotte.
00:58:03She wasn't able to return after giving birth.
00:58:07And Tina said a woman's value is not defined by marriage or childbirth.
00:58:14This list is a record of all the women that Tina has helped re-employed, far more than just those
00:58:21few I've mentioned.
00:58:23That's impossible.
00:58:24If this isn't genuine action for equality, what is?
00:58:28Do you choose to believe someone who has done genuine nursing care for three years, her quiet dedication, earning her
00:58:38the praise of every woman that she helped?
00:58:41Or will you erase her efforts and trust the slander that you've heard?
00:58:47I now return the floor to the woman who truly helps women, Miss Tina Green.
00:58:57Miss Green.
00:58:58Any defense?
00:59:01Facts speak louder.
00:59:03All men invest greatly in the women's support plan.
00:59:06This is a team, even company effort.
00:59:19Not being defined is the new definition of a profession.
00:59:23All men and Lightspeed want every woman from different backgrounds and different ages to choose their path freely.
00:59:28Go.
00:59:29Huh?
00:59:30Put up my slides.
00:59:39It's Edward Davis.
00:59:44I'm Edward Davis, founder and CEO of Lightspeed.
00:59:51Tina's project aligns with our mission to empower women.
00:59:56Therefore, Lightspeed will add a $1 million fund to Tina's program.
01:00:01That is an unprecedented level of support for a public welfare project.
01:00:06Lightspeed is pretty bold.
01:00:07As long as you're willing to share your employment story and use the tags hashtag BreakTheMold,
01:00:15hashtag UndefinedProfessionals, you will be eligible to share in this $1 million fund.
01:00:21We encourage women to share their story, successes and setbacks alike,
01:00:27so that the world can hear your voice.
01:00:39Let go! You're my bodyguard!
01:00:41I'm loyal to Alma. Please cooperate.
01:00:47Congratulations, Miss Green.
01:00:49Thanks, Mr. Davis.
01:00:51Media friends and guests.
01:00:53Due to this event's success, the board has decided to remove Mr. Peter Thompson as marketing director.
01:01:02What?
01:01:04And Miss Isabella Carter as planning director.
01:01:08What? You can't do that! I'm the board director's daughter!
01:01:12And Mr. Carter, you're removed too, sir.
01:01:16This is ridiculous!
01:01:18Let go!
01:01:20I can go myself!
01:01:23You'll regret this, Tina. You witch!
01:01:34Ladies and gentlemen, the launch is now concluded.
01:01:39Tina, I need to talk to you.
01:01:44Tina, we did it!
01:01:46Yes, we did it!
01:01:51Where's Edward? He said he needed to...
01:01:53He's probably busy.
01:01:55Oh, uh, let's tidy up. Ignore him.
01:01:59Be honest.
01:02:02About...
01:02:02After all he's done?
01:02:04How do you feel now?
01:02:08I...
01:02:08I guess I never really let go.
01:02:12Back then, I thought we'd be impossible.
01:02:15He was a golden boy and I was just...
01:02:17Ordinary.
01:02:19Parallel lines.
01:02:21I thought breaking up with him would just set him free.
01:02:24Now you know.
01:02:25He only cares about you.
01:02:28Yes, but...
01:02:30I'm still scared it's all an illusion.
01:02:32Happiness is here.
01:02:34Will you miss it again?
01:02:36What?
01:02:43Ready to talk?
01:02:49Tina.
01:02:51Years ago, you told me you didn't wanna be Cinderella to someone's prince.
01:02:55I wished I could have given you the life my parents gave me
01:02:59But now I see
01:03:00You just wanted equality and freedom
01:03:05I never thought our biggest barrier would be
01:03:08My birth
01:03:12I built Lightspeed for seven years
01:03:15So I could stand next to you
01:03:19So
01:03:20That's why
01:03:24Edward, I never thought we'd stand a chance
01:03:28I've replayed our moments countless times
01:03:30And every time it feels like a dream
01:03:32But when the dream ends
01:03:36There's nothing left
01:03:39It was never a dream
01:03:42If the prince abandons his castle
01:03:47Will you still accept it?
01:03:53Are you proposing?
01:03:56Let me care for you
01:03:57Let me love and protect you forever
01:04:02Oh, Edward
01:04:05Tina
01:04:07You can go anywhere you wish
01:04:09Do anything you want
01:04:12Let me support you
01:04:14Will you let me live this life with you?
01:04:18Tina
01:04:30Will you marry me?
01:04:34Edward
01:04:36I've spent so long running from what I wanted most
01:04:39But you walked out of that castle and
01:04:43I'm ready to meet you halfway
01:04:45So
01:04:45Yes
01:04:48I'll marry you
01:05:01This time
01:05:03I won't run
01:05:27Red Dragon
01:05:28Record by
01:05:29Short Drama Free
01:05:30Follow for more
01:05:35See you
01:05:36May be
01:05:36Bye
01:05:36Bye
01:05:36Bye
01:05:36Bye
01:05:36Bye
01:05:44Woo
01:05:44Bye
01:05:47Bye
01:05:48You
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