- 4 saat önce
The Cheaters (1945) Full Movie ｜ Joseph Schildkraut, Billie Burke, Eugene Pallette [Full Movie] [Free Online HD]Full EP - Full
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Kısa filmDöküm
00:04:19Bir sonraki bir sonraki.
00:04:40Bir sonraki.
00:04:42Bir sonraki.
00:04:42Bir sonraki.
00:04:59İzlediğiniz için teşekkür ederim.
00:05:29İzlediğiniz için teşekkür ederim.
00:05:50İzlediğiniz için teşekkür ederim.
00:06:00İzlediğiniz için teşekkür ederim.
00:06:13İzlediğiniz için teşekkür ederim.
00:06:28İzlediğiniz için teşekkür ederim.
00:07:00İzlediğiniz için teşekkür ederim.
00:07:01Bu da oyuncak bir işimiz.
00:07:04Ama ben az önce...
00:07:06Bezirmeyi azıca mı?
00:07:08Ne yapamazsınız.
00:07:11Ne kim bin ufak olur.
00:07:13Videomuz için o kadar doluyup olur.
00:07:16Kayıklık düzgün yani o şey.
00:07:16Alhandı, çoluk düzgün.
00:07:21Evet, düzgün.
00:07:22Geçim için bir şey için.
00:07:23Tence yapabiliyorum.
00:07:25Yapabildi ki armağ heritage.
00:12:48Teşekkürler.
00:12:55Teşekkürler.
00:13:42Teşekkürler.
00:13:44Teşekkürler.
00:13:46Where in the world have you been?
00:13:48I've been ringing for the last thirty minutes.
00:13:51I'm very sorry, madam.
00:13:52I was attending Mr. Marchand.
00:13:54Oh.
00:13:54It's the internal injuries.
00:13:56The poor gentleman suffers something dreadful during the night.
00:13:59A bit of egg and milk and a dash of spirits early in the morning
00:14:04and he goes right back to sleep again.
00:14:06Needs it, I say.
00:14:08And think of the mornings that he hasn't had it.
00:14:11Poor soul.
00:14:12That was very good of you, McFarland.
00:14:14You give him everything he wants.
00:14:16Very good, madam.
00:14:18Mother.
00:14:19Oh, mother.
00:14:21He's perfectly delightful.
00:14:22So humble and grateful and yet...
00:14:24I don't know.
00:14:25He wears...
00:14:26He wears poverty with all the charm of an Inverness cape.
00:14:29Oh, what a pretty idea.
00:14:31I must get dressed and meet him.
00:14:33Oh, oh, McFarland.
00:14:34I was going to tell...
00:14:35Well, never mind.
00:14:36I'll ring for you later.
00:14:38I'm going to have to leave you for a little while.
00:14:41I haven't had my hair or my face done in days.
00:14:44I was thinking, Mrs. Pigeon, the velvet robe you got for Mr. Perry.
00:14:47Could we switch that to Mr. M?
00:14:49The very thing.
00:14:50He couldn't possibly be offended at a robe.
00:14:52But we must be careful to call him Mr. Marchand and not Mr. Kim.
00:15:00I see, JC.
00:15:01Do you think Mr. M would resent it if I offered him my second best dinner jacket?
00:15:05Do you mean the one you've gotten too fat to wear, Willie?
00:15:07Oh, I...
00:15:09Sure, give him all that stuff.
00:15:11Make the old boy feel better.
00:15:12Splendid.
00:15:12Splendid.
00:15:14So the man said, jump, I've got a blanket.
00:15:16And he jumped and the man didn't have any blanket at all.
00:15:18It was very amusing.
00:15:21Willie.
00:15:27Oh, you're a connoisseur, my dear sir.
00:15:29I'm afraid I can't take credit for the wine.
00:15:32I leave all the buying to McFarlane.
00:15:36You're very fortunate to have him.
00:15:48Good morning, sir.
00:15:49Good morning.
00:15:50You sent for me?
00:15:51Yes.
00:15:52I wanted you to know that the car is at your disposal.
00:15:55Thank you.
00:15:55Can't make you feel that you're a prisoner here.
00:15:58And in case you go out, you need a little cash.
00:16:01Oh, no, no, no, no.
00:16:02You're very kind, but I couldn't possibly accept it unless you would permit me to buy a few small gifts
00:16:07for your charming wife and lovely wife.
00:16:09Fine, fine.
00:16:10They'd get a kick out of it.
00:16:12If I am on my way to the office now, would you care to drive down with me?
00:16:17I'd be delighted to.
00:16:19Fine.
00:16:20Come right along.
00:16:21Thank you.
00:16:38Any of the family inside?
00:16:39No.
00:16:40I'll take care of him.
00:16:41Hello.
00:16:42How do you do, sir?
00:16:45Pain.
00:16:46Very bad pain again.
00:16:48I stopped in a bar for a shot.
00:16:52Purely medicinal, of course.
00:16:54Oh, yes, of course, sir.
00:16:55Purely medicinal.
00:16:57Now, you come into the library with me, sir.
00:17:00And then later, later on, I'll help you upstairs.
00:17:03Thank you.
00:17:04That'll be very nice.
00:17:10Thank you.
00:17:18Thank you.
00:17:20Thank you.
00:17:24Thank you.
00:17:41Why, Reggie, what a pretty overcoat.
00:17:45What happened?
00:17:46Uncle Henry died yesterday, and he's left every cent to some showgirl.
00:17:50What?
00:17:50Showgirl?
00:17:51He was insane.
00:17:53Do you mean at his age, Uncle Henry?
00:17:55No, no, Mother.
00:17:56He hasn't even seen her since she was a child.
00:17:58That proves he was crazy.
00:18:01No one is going to believe he hasn't been seeing her.
00:18:03And if it gets in the papers, and Mrs. Bates reads it, oh.
00:18:08What are the terms of the will?
00:18:10Do you know?
00:18:10The lawyer was really a decent sort of guy, and he let me copy down the most important part.
00:18:15Without all the whereas and let it be knowns, here it is.
00:18:18To the girl who played Little Eva in the Versailles production of Uncle Tom's Cabin
00:18:22at the Bijou Theater, Pueblo, Colorado in 1915, I leave my entire estate, with the exception
00:18:29of the following bequests.
00:18:30One dollar to my nephew, James Pidgeon, who was married to an empty-headed, extravagant
00:18:35woman, and if I left him any more of my hard-earned money, she'd only throw it away.
00:18:40I don't think that's very nice of Uncle Henry.
00:18:42Silly, too.
00:18:43If he'd left us his money, I wouldn't throw it away.
00:18:45I'd keep it.
00:18:49Well, there's some more here.
00:18:51His foreman and his servants and that sort of thing.
00:18:53And we get back to the girl.
00:18:55I lost touch with her years ago, and although she was billed as Sunshine Maryvale, I have
00:19:00reason to believe her real name is Watson.
00:19:03Watson?
00:19:04No worse than Sunshine Maryvale.
00:19:06To this end, I have entrusted my attorney, H.M.
00:19:09Traynor of Denver, to find this girl.
00:19:11If she is not found during a search to be conducted over a reasonable length of time,
00:19:15then my residuary estate shall pass without further legal steps or delay to my nephew,
00:19:20J.C. Pidgeon of New York.
00:19:22Mr. Traynor shall be the sole executor and trustee of my estate.
00:19:28There it is, Dad.
00:19:29Five million bucks.
00:19:31Lovable character, Uncle Henry.
00:19:33Oh, yes.
00:19:33Charmy little man, yeah.
00:19:36Get me Denver, the lawyer.
00:19:44I want to place a call to Mr. H.M. Traynor, Denver, Colorado, the lawyer.
00:19:49He's in the book.
00:19:52J.C. Pidgeon, Parkway 6-4718.
00:19:55Turn on the Christmas tree light.
00:19:57What for?
00:19:58I don't know.
00:19:59I thought it would be more cheerful.
00:20:00I'll do it.
00:20:08Yeah.
00:20:09Hello?
00:20:10Yeah?
00:20:11All right.
00:20:12Mr. Traynor?
00:20:14James Pidgeon speaking.
00:20:16I've just heard the terms of my uncle's will.
00:20:20Yes.
00:20:22He was a fine old man.
00:20:24Uh, I admit that this whole thing is somewhat of a surprise.
00:20:28Uh, but I wanted to talk to you about one of the conditions.
00:20:32It says that unless the girl is found during a search to be conducted over a reasonable length
00:20:38of time.
00:20:41Uh...
00:20:41Quiet.
00:20:43Well, is a period of time specified in the will?
00:20:48Oh.
00:20:49He left that to you.
00:20:52Well, what do you consider a reasonable length of time?
00:20:57Well, Mr. Traynor, here it is.
00:20:59I'm not quite as wealthy as my uncle thought.
00:21:02Successful, yes.
00:21:03But anyone who doesn't want five million dollars is a fool.
00:21:07I don't know how you're fixed financially, but for a consideration, a handsome consideration,
00:21:12couldn't you limit your search to a week?
00:21:20Right.
00:21:20Yes?
00:21:22Good.
00:21:23I'll keep in touch with you.
00:21:25Who was it said every man has his price?
00:21:28Never mind who said that.
00:21:30What did Traynor say?
00:21:31He's going to play ball.
00:21:32He has to advertise, but he's not going to make the will public.
00:21:36Simply insert notices in the papers without saying why the Watson girl is wanted.
00:21:41And he's agreed to limit the search to one week.
00:21:45If she's not discovered in that time, we get the money.
00:21:48Also, he slipped me a tip.
00:21:50What?
00:21:51Uncle Henry corresponded with the girl after the show moved on.
00:21:54She was so young she could hardly write.
00:21:56Just sent him silly little kid drawings of funny mans and stuff.
00:22:01I remember when you used to do that, dear.
00:22:04It was so sweet.
00:22:05Oh, mother.
00:22:06Yes, mother.
00:22:08What's the tip?
00:22:09I'm getting to that.
00:22:11The parents always added postscripts to the letters, having certain references made in New York.
00:22:16The lawyer feels that if the girl is found, it'll be here instead of out there.
00:22:22Well, what good does that do?
00:22:23I propose to find her first.
00:22:26Dad, we don't want her found.
00:22:28We don't want her to find out about Uncle Henry, which is something quite different.
00:22:35I'm thinking of Poe.
00:22:37Poe?
00:22:38Edgar Allen.
00:22:40The purloin letter.
00:22:43The last pace that anyone would look for her is right here in this house.
00:22:47And we should keep the papers away from her.
00:22:50Good heavens.
00:22:51Don't swear, Therese.
00:22:53Well, who wouldn't swear?
00:22:54We have a charity case in the house and now a child actress.
00:22:57And Stephen is coming.
00:22:58The charity case is your idea.
00:23:00If Stephen thinks it's odd, we can whisper quietly to him that she's another one.
00:23:04Provided you can find her, of course.
00:23:07And Angela doesn't get wind of it.
00:23:08See that she doesn't.
00:23:09You know, I might be of some use in locating Miss Watson.
00:23:12That is to say, I've hung about the theatre quite a bit.
00:23:15Stage doors, you mean.
00:23:17I think Willie's absolutely right.
00:23:19Once those people start in the theatre, they stay with it.
00:23:22How would you go about looking for her?
00:23:24I would suggest that you contact the Actors' Equity Association.
00:23:32If she acted as a child, it'll be recorded someplace, since all children of the theatre must have court permission.
00:23:40Oh, thank you.
00:23:41In that way, you can learn her first name and eliminate all other Watsons, of which undoubtedly there'll be quite
00:23:47a number.
00:23:49May I?
00:23:50Sure.
00:23:50Thank you.
00:23:58Having learned her first name, you need only consult the files of Actors' Equity, and if she's still connected to
00:24:04the theatre, they will have her address.
00:24:06I would be very happy to undertake this little mission for you, if you wish.
00:24:10Who is this guy?
00:24:12A guest.
00:24:13You said something about a charity case?
00:24:16I am the charity case, young man.
00:24:18And until this moment, I've been treated with a courtesy and kindness that springs from the heart.
00:24:24The pure in heart.
00:24:26Uh, this, uh, plan we were discussing, did you hear all of it?
00:24:32Enough to understand your motives, sir.
00:24:35And I apologize for what must seem like an act of eavesdropping, but I was on that borderline between sleep
00:24:40and waking,
00:24:41trying to recover from a painful seizure which overcame me this afternoon while out shopping.
00:24:46For a moment or two, it was impossible for me to move.
00:24:49Why don't you face it, Dad?
00:24:51If we find this girl and keep her from collecting, this charity case can live off of you for the
00:24:56rest of his life.
00:24:57Young man.
00:24:58You said every man has his price.
00:25:00Find out his.
00:25:01Make a deal with him the way you did with a lawyer.
00:25:04I have known misfortune, poverty, humiliation.
00:25:10I've even known the shame of having to beg.
00:25:13But I have never received such an insult as you have just delivered.
00:25:20I have no price, young man.
00:25:22Unless the value a man places upon his honor may be called a price.
00:25:25And if that be so, yes.
00:25:27My price comes high, for I have honor.
00:25:31Honor in the face of adversity.
00:25:33Honor in the face of death.
00:25:34And though I starve...
00:25:40I cannot...
00:25:52This lovely girl.
00:25:54This equal...
00:26:04to say nothing.
00:26:07This gegen snuff must certainly be a lot of wojewa.
00:26:11And you?
00:26:13You?
00:26:14You?
00:26:15You?
00:26:15And you, sir?
00:26:16Held out a helping hand.
00:26:18Give me.
00:26:20Dear Remnant,
00:26:22Holds?
00:26:24Warmth.
00:26:46İzlediğiniz için teşekkür ederim.
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00:31:47İzlediğiniz için teşekkür ederim.
00:31:48....
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00:34:06Miss
00:34:07Watson.
00:34:08Our
00:34:08new
00:34:08cousin.
00:34:09Miss
00:34:09Watson
00:34:10was
00:34:10so
00:34:10surprised
00:34:11at
00:34:11finding that
00:34:12she's related
00:34:12to you that we
00:34:13had great
00:34:14trouble in persuading her to accept your invitation.
00:34:18My dear, how nice.
00:34:20I feel far too little stress is put on family in these careless days.
00:34:24Happy to meet you, Miss Watson.
00:34:25Any of my wife's relatives are welcome.
00:34:28I beg your pardon?
00:34:30It was swell of you to look me up.
00:34:32Oh.
00:34:33This is Therese and this is Reggie.
00:34:36And our little daughter is in bed.
00:34:38Your little daughter is neither little nor in bed.
00:34:41Then you should be.
00:34:43I expect you would like to go directly to your room.
00:34:45I'll show you up.
00:34:46James, pay the cabman.
00:34:52What in the world are you doing?
00:34:53I won my bill.
00:34:55Reggie, get Willie to bed.
00:34:57I'm afraid you're not getting a very good impression of us, Miss Watson.
00:35:00Willie's always such a gentleman.
00:35:02He isn't the first gentleman I've seen with a snootful.
00:35:05A snootful?
00:35:08Oh, Stephen.
00:35:11What's that?
00:35:12I said Merry Christmas.
00:35:23Thank you, McFarlane.
00:35:24This will help me sleep.
00:35:26Oh, I hope so, sir.
00:35:27I brought you some of Mr. Crawford's sleeping garments, sir.
00:35:31Thank you.
00:35:37I've played Hamlet.
00:35:39I saw you, sir, in London.
00:35:41Oh, did you?
00:35:43I played Richard III, Macbeth, Henry IV, Petruchio, and a great production of The Taming of the Shrew.
00:35:51And no one has equaled my death seen as Romeo.
00:35:54Yes, I even played the Hunchback of Notre Dame.
00:35:58But there's one part I've never played.
00:36:01What was that, sir?
00:36:05God.
00:36:07God, sir?
00:36:12God.
00:36:21Good morning, McFarlane.
00:36:23Good morning, sir.
00:36:25Good night.
00:36:38Good night.
00:36:51Come on.
00:36:51Come on.
00:36:51Go home, perchación.
00:36:51I'm going home.
00:36:53Good night.
00:36:54Good night.
00:37:07İzlediğiniz için teşekkür ederim.
00:37:50İzlediğiniz için teşekkür ederim.
00:38:22İzlediğiniz için teşekkür ederim.
00:38:24Not at your age.
00:38:33İzlediğiniz için teşekkür ederim.
00:38:36İzlediğiniz için teşekkür ederim.
00:38:47İzlediğiniz için teşekkür ederim.
00:38:50İzlediğiniz için teşekkür ederim.
00:38:51İzlediğiniz için teşekkür ederim.
00:38:58İzlediğiniz için teşekkür ederim.
00:39:02İzlediğiniz için teşekkür ederim.
00:39:05İzlediğiniz için teşekkür ederim.
00:39:09İzlediğiniz için teşekkür ederim.
00:39:24İzlediğiniz için teşekkür ederim.
00:39:55You're in Denver.
00:39:59İzlediğiniz için teşekkür ederim.
00:40:22İzlediğiniz için teşekkür ederim.
00:40:26İzlediğiniz için teşekkür ederim.
00:40:30İzlediğiniz için teşekkür ederim.
00:40:31abone ol.
00:40:32İzlediğiniz için teşekkür ederim.
00:40:35abone ol.
00:40:37İzlediğiniz için teşekkür ederim.
00:40:48abone ol.
00:40:51İzlediğiniz için teşekkür ederim.
00:40:52abone ol.
00:41:05İzlediğiniz için teşekkür ederim.
00:41:08İzlediğiniz için teşekkür ederim.
00:41:10abone ol.
00:41:12Bu kadar.
00:41:14İzlediğiniz için teşekkür ederim.
00:41:15İzlediğiniz için teşekkür ederim.
00:41:16Umarım bir şey.
00:41:18Bu da ama.
00:41:30İzlediğiniz için teşekkür ederim.
00:41:32İzlediğiniz için teşekkür ederim.
00:41:34All done up for Christmas and now I can't spend it with my boyfriend and it's cruel, cruel!
00:41:48O, I beg your pardon.
00:41:50I'm sorry.
00:41:51O, thank you.
00:42:00I beg your pardon.
00:42:26İzlediğiniz için teşekkür ederim.
00:42:35Oh, oh, oh, my dear boy, such a dreadful reception.
00:42:40But have you heard?
00:42:41A dear aunt of Mr. Pigeon's has just passed away.
00:42:44And he insists on spending Christmas in her old house in the country.
00:42:49It's been in the family for generations.
00:42:52Holds memories, you know.
00:42:54But it's so tiresome for you.
00:42:56Oh, not at all.
00:42:57And I am sorry to hear it.
00:42:58But I'm afraid this is no time for me to be intruding.
00:43:00Oh, no, no.
00:43:01It isn't as if she were here and we had to go to a funeral.
00:43:04She passed away in South America.
00:43:07It's just, well, shall we call it a sentimental pilgrimage.
00:43:12Have you met Mr. Pigeon?
00:43:13Or is he here?
00:43:17Unless...
00:43:18Oh, oh, dear, no.
00:43:20That's Mr. M.
00:43:21I mean Mr. Marchand.
00:43:23He's a charity case.
00:43:25We always have charity in the house at Christmas.
00:43:27I understand your dear mother is an advocate of the same idea.
00:43:32Yes, she is.
00:43:34Oh.
00:43:35Well.
00:43:37There's no use my showing you to a room.
00:43:39We are going to start very shortly.
00:43:42So, will you just make yourself comfortable and I'll send today's along.
00:43:45I'm afraid she's taking longer than usual to chase.
00:43:55Oh, you little fiend.
00:43:56This is blackmail.
00:43:57Well, it's no worse than what you're doing to the Watson woman.
00:43:59You're so clever.
00:44:01I'm not as stupid as she is, apparently.
00:44:03And I'd like that black velvet evening gown you just bought.
00:44:05It makes your skin look sallow.
00:44:07Oh, no.
00:44:07Don't swear, sister darling.
00:44:09You know Mother doesn't approve.
00:44:10And the elegant Mr. Bates and his mother.
00:44:12Oh, they'd be shattered.
00:44:16Oh, she knows.
00:44:17Who?
00:44:18Angela.
00:44:18She's known all along.
00:44:19Overheard the whole thing.
00:44:20I thought you meant Miss Watson.
00:44:22Well, it amounts to the same thing.
00:44:23Unless you can make her promise to keep quiet.
00:44:25Where is Angela now?
00:44:25In there, stripping me of my wardrobe.
00:44:28Mother, if you have any love for me, talk her out of that evening gown.
00:44:31But she's apt to show up in it at dinner and heaven knows what Stephen will think.
00:44:36Heaven only knows what he's going to think anyway.
00:44:38Mother, this family is absolutely insane.
00:44:41I know, dear.
00:44:42I know.
00:44:44Oh, dear.
00:44:47Oh, dear.
00:44:51Stephen.
00:44:55Darling.
00:44:57Oh, Stephen.
00:44:59I'm so sorry.
00:45:00All the lovely things we planned.
00:45:02The theater and dancing.
00:45:05Well, just being with you.
00:45:13We'll be together.
00:45:14If you want me to stay.
00:45:16And there'll be years ahead of us in which to do the other thing.
00:45:22Yes, Stephen.
00:45:23If you say so.
00:45:49Macfarlan!
00:45:52Macfarlan!
00:45:55Macfarlan!
00:45:56Why haven't they built the fires?
00:45:57It's as cold as a refrigerator in here.
00:46:02Uh-oh, a Christmas present from the servants.
00:46:05What is it?
00:46:06Everybody braced brave and smiling?
00:46:08They've quit.
00:46:09What?
00:46:11Dear Sir, it is my painful duty to inform you that the entire staff has struck.
00:46:16And since my accomplishments do not include cooking and building of fires,
00:46:21I am also regretfully tendering my resignation.
00:46:26Respectfully, Macfarlan!
00:46:28His accomplishments.
00:46:31Well, there's a postscript.
00:46:33Please tell Mr. Marchand I am sorry I shan't be here to look after him.
00:46:37So I'm including the recipe for his morning drink.
00:46:40Your recipe, sir.
00:46:42Thank you.
00:46:43Well, what do we do?
00:46:44I haven't the faintest idea.
00:46:46Oh.
00:46:50What was this?
00:46:51A torture chamber?
00:46:52Oh, a loom for making rugs.
00:46:55Of, um, your father's great-great-grandmother made that very rug you're standing on.
00:47:03Really?
00:47:04I wish the old girl had made it a bit thicker.
00:47:07I'd feel the cold coming up to the soles of my shoes.
00:47:10It's easy to see why the cook left.
00:47:13Look!
00:47:14Look at my things!
00:47:16After all my work!
00:47:18Call an agency.
00:47:19There is no telephone.
00:47:21Then let Stephen or Reggie drive you into the village we passed.
00:47:24Surely we can get local help of some kind.
00:47:27I will not have any local help in this house.
00:47:32You seem to forget that I was reared here.
00:47:34Oh, Pidgey!
00:47:36How do you think I'd feel if the cook turned out to be some girl I went to school with?
00:47:40Or the butler, the president of my debating team?
00:47:45If you were on a debating team, I'm sure you were the president.
00:47:51Still, I get your point.
00:47:53What do you suggest?
00:47:55You used to be able to cook.
00:47:56Why don't you try it again?
00:47:58On that thing?
00:48:00I've cooked on everything from a gas jet to an electric grill smuggled in past the landlady.
00:48:04Let's take a crack at it, Mrs. Pidgeon.
00:48:06If some of these able-bodied guys will scare up some wood.
00:48:10That's the spit.
00:48:11I'll get some.
00:48:12Oh, me too.
00:48:13Where's it stored?
00:48:14In the shed out back.
00:48:16Well, there's no fuel like an old fuel.
00:48:18Do forgive me for bringing this up, Mr. M. Marchand.
00:48:23We know you've worked at being a night watchman.
00:48:26I just wondered if you've had any experience with furnaces.
00:48:29Well, no.
00:48:31Not in a professional capacity, but I'll be delighted to try my hand at it.
00:48:44How's this?
00:48:44That's swell.
00:48:47Oh, dear.
00:48:48What's the matter besides everything?
00:48:50I just remembered that factory that burned to the ground.
00:48:53What factory?
00:48:54The last place Mr. M worked.
00:48:56I suppose he had nothing to do with the fire, poor soul.
00:49:00But I just asked him to try and start a fire in the furnace.
00:49:03You better go down and stay with him, will he?
00:49:06Well, where is it?
00:49:07In the basement.
00:49:23Come over here, my friend.
00:49:26Brandy.
00:49:28Bottled when we were mere children.
00:49:30My first impulse, of course, was to take it upstairs since everybody is cold and slightly depressed.
00:49:35I've also been informed that no supply at all has been brought.
00:49:38What?
00:49:39Christmas notwithstanding.
00:49:40That's terrible.
00:49:41It seems Captain Bates does not approve.
00:49:43And I had him sized up as a regular fellow.
00:49:45Let's take it up anyway.
00:49:46The rest of them could use it.
00:49:50On the other hand, wouldn't it be cruelly unkind to raise their hopes and then find upon opening the bottle
00:49:56that it had been ruined by age?
00:49:57Oh, but age improved.
00:49:59We should sample it first.
00:50:00Well, perhaps it would be, as you say, kinder.
00:50:03Infinitely.
00:50:04Now, over there is what was undoubtedly the caretaker's room.
00:50:08In it you may find some glasses.
00:50:33What do you think?
00:50:34I seem to detect a slightly exaggerated flavour of age.
00:50:37We shouldn't have drunk it so fast.
00:50:39Let's go slow on the next one.
00:50:40You know, we're supposed to be building a fire.
00:50:43Oh, yes.
00:50:43And so we shall.
00:50:48Oh, look.
00:50:50McFarlane, the benign soul, has already laid it.
00:50:53Now all we need is kerosene to start it.
00:50:56Do you think it's safe?
00:50:57Certainly.
00:50:59Only way to start a fire.
00:51:03Uh, that fire you were in, you know how it started?
00:51:09They never found out.
00:51:12Sabotage?
00:51:13Oh, no.
00:51:13Oh, no.
00:51:14That isn't likely.
00:51:15It was a mattress factory.
00:51:20If you are ever homeless, which I sincerely hope you never will be, and have no place to sleep,
00:51:25I cannot recommend too highly the job of night watchman in a mattress factory.
00:51:31I'd be all right.
00:51:32Well, no.
00:51:33The slogan was, sink down on a downy mattress.
00:51:37I did.
00:51:40Now, I'm morally certain, I extinguished that cigarette before dropping off.
00:51:46But when I woke up, I was surrounded by a wall of fire.
00:51:53So I understand you.
00:52:06You shouldn't have closed the door.
00:52:08But there's a fire, my dear sir.
00:52:11Don't call me sir anymore.
00:52:13Just call me Willie.
00:52:16Willie.
00:52:19Is there something I can do to help you?
00:52:21I'll say.
00:52:22Here's a flock of potatoes you can peel.
00:52:23Oh, you peel the potatoes, kid.
00:52:25Your mother and Therese can be doing something else.
00:52:27Kid, did you say?
00:52:29Yeah.
00:52:29Everybody else around here is trying to act like a good sport.
00:52:32I thought you might like to join the procession.
00:52:34How utterly mother's little helper and all that sort of thing.
00:52:36I'm afraid processions bore me.
00:52:39And I've never peeled a potato in my life.
00:52:41And I've seen days when I didn't have one to peel.
00:52:44Let's both peel them, darling.
00:52:45And I'll show you how.
00:52:47You know, when your father and I were first married, I had to learn how to cook.
00:52:51He wasn't wealthy then.
00:52:53In fact, we had some hard times at first.
00:52:56How touching.
00:52:57Why didn't you move in here with his aunt?
00:52:59She was always so fond of him.
00:53:11It's none of my business, but give me five minutes a day with that kid in a locked room and
00:53:14I'd show you something.
00:53:16What do you mean?
00:53:17I'd wail the living daylights out of her.
00:53:19Oh, I've seen plenty of them like that in show business.
00:53:22They come in acting like they own the earth.
00:53:25Nine times out of ten is just because they're young and scared to death they aren't going to make good.
00:53:29And most of them don't make good.
00:53:31And if you're an old hand at the business, you know they won't.
00:53:33And there are plenty of tough times ahead.
00:53:36But if they've learned to be regular, they'll be able to take it better when the bad breaks start coming.
00:53:40So, you gang up on them, give them a silent treatment for a while or a good going over and...
00:53:58Why, Mrs. Pigeon.
00:54:02Oh, that's the trouble with me.
00:54:05I talk too much.
00:54:07I forgot for a minute that she was your kid and how you must love her.
00:54:11That's not why I'm crying.
00:54:15Well, then what was it?
00:54:17Was it something else I did?
00:54:19No.
00:54:20Oh, no.
00:54:21It just...
00:54:22Oh, you're just tired, that's what, and all upset.
00:54:26You worked like a dog to have a nice Christmas in town and that was spoiled.
00:54:30And then you came up here and everything went wrong.
00:54:33I think you've been swell about it.
00:54:35And we still have tomorrow.
00:54:37We can whip this joint into shape.
00:54:39We can get another tree even if we have to cut it down.
00:54:42And we can trim it in the old-fashioned way with cranberries and popcorn.
00:54:45I had one like that once.
00:54:47My mother fixed it up for me in some crummy old hotel room when we were on the road with
00:54:51Uncle Tom's cabin.
00:54:52And it looked just as elegant to me as that one you have at home in the library.
00:55:03Is there anything wrong?
00:55:07She's tired and I'd blab my mouth off.
00:55:11Mrs. Pidgeon, may I suggest that you go and lie down for a while?
00:55:19What is Angela doing?
00:55:22Endeavoring to make a rock.
00:55:24Make a rock?
00:55:27Oh, dear.
00:55:33Holy mackerel.
00:55:45Ah, my admiration for you grows with every passing moment.
00:55:50Well, wait until you've tasted it.
00:55:52I haven't the faintest idea what the results will be.
00:55:56Will you lift one of those lids for me?
00:56:18You won't find her.
00:56:19She ain't been here for two days, I tell you.
00:56:28Is this a picture of her?
00:56:31All right.
00:56:32If you hear from her, she shows, don't waste any time calling this number.
00:56:37Here.
00:56:39Here.
00:56:51Oh, they made her a grave
00:56:55Too cold and damp for a soul so warm and true
00:57:02And she's gone to the lake of the dismal swamp
00:57:09Where all night long by a firefly lamp
00:57:15She paddled her white canoe
00:57:26With sacrifice before the rising morn
00:57:30Vows have I made by fruitless hope inspired
00:57:36Celestial pity I again implore
00:57:41Restore him to my sight
00:57:44Refill on the flannels
00:57:46Flannels, she calls them
00:57:47My word, not that
00:57:49It was the best hot cakes I ever tasted
00:57:51Swell
00:57:51They're made strictly by the
00:57:53I wonder what else goes in method
00:57:54Maybe I ought to patent it, huh?
00:57:56You do and I'll fight at you
00:58:06Well, how are you doing?
00:58:08Watch
00:58:10Oh, wherever did you learn to do that?
00:58:12Oh, a man in the show window of a grill taught me
00:58:14You mean you went in and practiced with him?
00:58:17Certainly
00:58:17Certainly, he said I was a good draw
00:58:19Crowd collected in no time
00:58:22She must be a throwback
00:58:24Are we going to get the tree?
00:58:26If Mr. Pigeon doesn't object
00:58:27I want to do my imitation of George Washington
00:58:29Use my little hatchet
00:58:31Nobody's going to cut down any tree on this property
00:58:34Don't tell me Aunt Carolyn planted them with her own hands
00:58:38Yes, she was very fond of trees
00:58:41And now that she's gone, I
00:58:43We're going to have a tree
00:58:45Every year we have the same old thing covered with fancy ornaments
00:58:48And I'm sick and tired of it
00:58:49I've never seen one done with cranberries and popcorn like Miss Watson had
00:58:52And I want to
00:58:53And I found a perfectly slick thing to make the popcorn in
00:58:56I'm afraid that's a bed warmer, dear
00:58:59Well, I don't care if it's a 16th century flyswatter
00:59:02I'm going to use it
00:59:02And don't misunderstand me
00:59:04I wouldn't think of doing anything so childish as popping corn
00:59:07Merely to eat it
00:59:08But if it's going to be put to some use, that's different
00:59:10Miss Watson's going to show me how to string this stuff
00:59:12And so we're going to have a tree
00:59:16Brother, what I started
00:59:17And what you started, I can finish, cousin Flory
00:59:24I tell you, I don't know
00:59:26He merely said he was going to show a client a house in the country
00:59:29Don't you keep your keys labelled?
00:59:31Certainly
00:59:33Then we can check the keys still in the office against your list of properties
00:59:35You could, but you aren't going to
00:59:37And if you don't leave, I'm going to call the police
00:59:40I wouldn't
00:59:41Unless you want to get your employer in a worse jam than he's in already
00:59:46Well, even if you had the right to pry into our files
00:59:49I hadn't the time
00:59:50Look, Miss Tate
00:59:51It may be Christmas Eve to you
00:59:53But to us, it's just Tuesday
00:59:54Take your time
00:59:56We've got all day
01:00:14You're very quiet, Mr. Marchand
01:00:20I'm watching a scene from the past
01:00:22It is so indelibly stamped upon the memory of this house
01:00:25That a reenactment was inevitable
01:00:28I don't get it
01:00:30Observe
01:00:35Take it easy
01:00:36Goon, I'm out on a limb
01:00:38I'm doing it on purpose
01:00:39It's my time to trim
01:00:41I see a young girl stripped of all artifice
01:00:44Working in chiding harmony with her older brother
01:00:46Who's cut down a Christmas tree
01:00:48Surely that is not new to this room
01:00:51There's the father
01:00:52Dozing by the fire
01:00:58We'll awaken soon
01:01:00Refreshed
01:01:02Peaceful, it is to be hoped
01:01:03And undoubtedly hungry
01:01:06There's a girl
01:01:08Her finger's busy with a needle
01:01:10The man who loves her sitting beside her
01:01:19They're giving me the creeps
01:01:21And where does Willie fit in?
01:01:24Willie
01:01:24My friend Willie
01:01:30In the older picture
01:01:31He was a country bumpkin
01:01:33The not too bright
01:01:34But quite amiable uncle
01:01:37Destined
01:01:38To never quite find his way
01:01:41And died as happily as he had lived
01:01:44And Mrs. Pigeon?
01:01:46Mrs. Pigeon
01:01:47Oh
01:01:50I don't know what came over me
01:01:51But I made some cookies
01:01:53I do believe they're not going to drop
01:01:55What's well, hand me up some
01:01:56What's that, cookies?
01:01:57Give me some, I'm starved
01:02:01My puppets are working at such perfection
01:02:03They should be rewarded
01:02:05I shall now go down to the furnace
01:02:07And see to it
01:02:08That they be kept warm
01:02:31Who is it?
01:02:33Visitors
01:02:33With flat feet
01:02:34Detectives
01:02:36Did they see you?
01:02:37Afraid so
01:02:39Play some music
01:02:40Do something
01:02:41Make all the noise you can
01:02:42And keep Miss Watson out of sight
01:02:46I'll try and get rid of them
01:02:56Come in, gentlemen
01:02:57Are you Mr. Pigeon?
01:02:58Pigeon?
01:02:59Pigeon?
01:03:00What?
01:03:00Isn't this the Allensby place?
01:03:02Well, it belongs to my aunt
01:03:05Mrs. Carpet-Taria
01:03:08Carpet-Taria?
01:03:09Yes, Carpenteria
01:03:10You see, she is a descendant of Gene Carpenteria
01:03:15One of our earliest settlers
01:03:16Wonderful old house, isn't it?
01:03:19He built it in 1671
01:03:21Of course, the additions and improvements have adhered strictly to the period
01:03:26And enhanced rather than detracted from its authenticity
01:03:29It's really a remarkable example
01:03:32We aren't interested in houses
01:03:34We aren't interested in houses
01:03:35No?
01:03:36No
01:03:36We have reason to believe there's a Miss Watson here with a Mr. Pigeon
01:03:40James?
01:03:41Oh, you really must come in
01:03:43Oh, I didn't know
01:03:45Who are these gentlemen?
01:03:46Oh, they're looking for a Mr. Pigeon
01:03:49And a Miss, uh, what was her name?
01:03:51Watson
01:03:52Florence Watson
01:03:54Do we know them?
01:03:55No, I don't think so
01:03:58Unless they might have been friends of that Caroline's
01:04:00But she's been dead for a long time
01:04:02Oh, yes, yes
01:04:06I'm so sorry we can't be more helpful
01:04:08Hey, kid
01:04:18Oh, wonderful, thanks old boy
01:04:20Were you speaking to me?
01:04:23Yeah, what's your name?
01:04:24It ain't, kid
01:04:26Hey, the guy with the limp
01:04:29Did I understand you correctly?
01:04:31Yeah, I guess you did
01:04:32Didn't you and a Miss Watson help deliver a drunk to a Mr. Pigeon's house in New York the other
01:04:37night?
01:04:38I am not acquainted with the people you have mentioned
01:04:41Nor do I approve of drunks
01:04:44And I find it bitter indeed that a man
01:04:46Who has been crippled in the opening up of new frontiers in the service of humanity
01:04:50Should be referred to as the guy with the limp
01:04:53Good day, gentlemen
01:04:55Oh, I'm so sorry
01:04:57But the professor is always upset when his affliction is mentioned
01:05:00It reminds him of...
01:05:02Tibet
01:05:03Tibet, you know
01:05:05Tigers
01:05:07Yeah
01:05:08Well, uh, I guess we got a bum steer someplace
01:05:11I'm sorry to bother you
01:05:12Oh, it's perfectly all right
01:05:19Oh
01:05:22Oh
01:05:26Think we were taken?
01:05:28Yeah, for a sleigh ride
01:05:29That fat guy was scared
01:05:31Now lay you ten to one, he was lying
01:05:33Well, what are we gonna do next?
01:05:34We can't go busting in there again without a search warrant
01:05:37We're gonna try and get one
01:05:49Where did you find it?
01:05:54Where did you find it?
01:05:58You may have the goblet, my dear
01:06:00I'll use the bottle
01:06:01No, thanks
01:06:03No
01:06:05Thanks
01:06:09It's none of my business, Mr. Marchand
01:06:12But why don't you cut this out?
01:06:15When you speak of spirits, my dear
01:06:18Speak reverently
01:06:22All right
01:06:23That's the way it is
01:06:25But I wanted to talk to you about something
01:06:27Something serious
01:06:29And why not?
01:06:30A serious mood seems to have invaded this house today
01:06:34Or no
01:06:36We are the invaders
01:06:38The mood belongs to the house
01:06:41You say things in a way that
01:06:46That proves I'm right in what I was thinking
01:06:51What were you thinking?
01:06:54About you
01:06:58You told me something today
01:07:00Maybe it was in confidence
01:07:01Some money on you
01:07:15I didn't think Mrs. Pitchin had that much humor in her makeup
01:07:18Oh, she didn't say the part about the drinking, I did
01:07:23From you, it has less humor
01:07:26Yes, it has
01:07:29Oh, I'm probably doing this all wrong
01:07:30The way I do everything
01:07:32But here it is for what it's worth
01:07:36I don't think you need money
01:07:38So much as you need to get back where you belong
01:07:40Not the theater, my dear
01:07:42Well, why not?
01:07:43It's all you've ever known
01:07:46And you're every bit as good today
01:07:48As you were when you were on top
01:07:49Thank you
01:07:50But there's a vast multitude
01:07:52Made up of producers
01:07:53Spectators
01:07:54Actors
01:07:56That do not share your opinion
01:07:58So without doing anything about it
01:08:00You join the multitude
01:08:01That's right
01:08:04Say, you sound as if you are actually sincere about all this
01:08:07I'm sincere in everything I do
01:08:09Right or wrong
01:08:10Just a dumb name
01:08:12Probably more sincere when I'm way off on the wrong foot
01:08:16But I've been watching you
01:08:18And I know one thing
01:08:20You're acting all the time anyway
01:08:23So why not put it to some good advantage?
01:08:26Maybe not as an actor
01:08:28But with Mr. Pigeon's money behind you
01:08:30You could produce
01:08:31Or direct
01:08:32I got mixed up in the summer theater once
01:08:40The kids that try out for that
01:08:43Really try
01:08:45They're so young and so anxious
01:08:47It hurts
01:08:49But gee
01:08:51If you directed them
01:08:53Gave them the benefit of your experience and ability
01:08:57And one or two of them should hit
01:09:00I think you'd get an awful wallop out of it
01:09:03Wouldn't you?
01:09:07Wouldn't you?
01:09:12I've never heard so many cliches spoken with such unconscious sweetness
01:09:17I don't know what the devil you're talking about
01:09:19I'm sorry
01:09:20I don't know what you're talking about
01:09:21I have a vague idea
01:09:22You want me to stop drinking
01:09:24Open a theater with Mr. Pigeon's money
01:09:27Not a theater
01:09:28A summer theater
01:09:29Here in the barn
01:09:32Here?
01:09:33Mm-hmm
01:09:33In the barn
01:09:36The barn on this place
01:09:37Sure
01:09:39Mr. Pigeon thought so much of his aunt
01:09:41He'd want to hang on to it for sentimental reasons
01:09:43But he might let you use the barn
01:09:55He might let him on the house
01:09:58I have a sip of water
01:09:58He might let me call it
01:09:59I mean, they don't know
01:09:59No, I mean, you know
01:10:00No, baby
01:10:10So that is open
01:10:11It's about her
01:10:13It's about three
01:15:14Ya.
01:15:16İzlediğiniz için teşekkür ederim.
01:15:19Olumun bir mukayı var.
01:15:22İyiyim.
01:15:26İyiyim.
01:15:27İyiyim.
01:15:29İyiyim.
01:15:30İyiyim.
01:15:31İyiyim.
01:15:32İyiyim.
01:15:33İyiyim.
01:15:36İyiyim.
01:15:41İyiyim.
01:15:43İyiyim.
01:15:53İzlediğiniz için teşekkür ederim.
01:16:15In that case, you may have forgotten that a ghost preceded the Three Spirits.
01:16:23Well, most of us forget that because it pleases us to forget what we don't like.
01:16:29But, there was a ghost named Molly, and he had once been a man, a partner of Scrooge.
01:16:39Do you recall?
01:16:41No, but I think...
01:16:43Good.
01:16:45Let us think of the ghost of Molly.
01:16:47Mr. Marchand is enacting the Christmas Carol for us.
01:16:50Oh, that's quite appropriate.
01:16:52Carry on, Mr. M.
01:16:53I want to hear more about the ghost of Molly.
01:17:00The chains.
01:17:06Sledger's deeds and other heavy material things that have dominated him in life and that he was forced to drag
01:17:14along with him.
01:17:43I have to clunk.
01:17:45I will stay here.
01:17:47And while you are gone, I will keep on talking.
01:17:50I will speak of Molly.
01:17:55I will speak of Molly's ghost.
01:18:19And of my own free will, and of my own free will, I wore it.
01:18:27Is its pattern strange to you?
01:18:31And Molly will say again, it is required of every man that the spirit within him walk among his fellow
01:18:39men.
01:18:39And if that spirit goes not forth in life, it is condemned to do so after death.
01:18:49It is doomed to wander through the world and witness what it can no longer share, but might have shared
01:18:56in life and turned to happiness.
01:18:59Go then.
01:19:00Go now.
01:19:02Miss Watson here has told you of a Christmas in the past.
01:19:06This is the present.
01:19:08There will be others, but you, you, you, all of you will remember this one.
01:19:13And sometime, like Scrooge confronted with the spirit of Christmas to come, will sweat and tremble as the spirit points
01:19:21down to the grave which bears your name.
01:19:25You, like Scrooge, will cry, spirit, hear me.
01:19:29I am no longer the man I was.
01:19:32I will honor Christmas in my heart and try to keep it all the year.
01:19:36I will live in the past, the present, and the future.
01:19:40I will not shut out the lessons that they take.
01:19:44So tell me I may sponge away the writings on this stone.
01:19:49James has always been a good man.
01:19:52In his agony, Scrooge caught the spectral hand.
01:19:56It tried to free itself, but Scrooge was strong in his entreaty and detained it.
01:20:01Look here, Mr. Marshall.
01:20:02Holding up his hand in a last prayer to have his fate reversed, he suddenly saw a change in the
01:20:09phantom's hood and dress.
01:20:11It shrunk, collapsed, and dwindled down into a bedpost.
01:20:21You know, I could use one myself.
01:20:26What?
01:20:27A bedpost.
01:20:29Oh, dear, oh, dear, how perfectly dreadful.
01:20:33Oh, it's all right, Mommy.
01:20:34He's just passed out.
01:20:35Oh, Reggie, you haven't called me Mom for years.
01:20:39Just slipped out, I guess.
01:20:40Oh, I'm terribly sorry, Mrs. Pidgeon.
01:20:43Why should you be?
01:20:44You didn't.
01:20:45I know.
01:20:46Oh, no, I don't know.
01:20:48And I'm not as good as Mr. Marshall when it comes to explaining things, but I have a funny feeling
01:20:52I belong to him.
01:20:54To his world, his way of living, I mean.
01:20:56Well, what I'm getting at is, you people have been kind to us.
01:21:01You've done your best to be decent and show us a good time, and for thanks, you've had to suffer
01:21:05an embarrassing scene.
01:21:06You don't know what he was trying to do.
01:21:07Oh, no.
01:21:08I know what he did to me.
01:21:10He made me want to get something off my conscience.
01:21:12I'm here under false pretenses, and I know it.
01:21:15I'm not related to you, and I know it.
01:21:17I knew it when I accepted the invitation, but I was flat, Mrs. Pidgeon, really flat.
01:21:22You mean broke?
01:21:24You people don't understand what it is to be like that.
01:21:27But when Willie showed up saying you thought we were cousins, I said, hooray, let him think.
01:21:34And then I met you, and you were so nice to me that I got to feeling ashamed.
01:21:38Oh, I meant to check out right after the holidays, but until this happened, I was having an awfully nice
01:21:43time.
01:21:44It's been fun cooking with you, trimming the tree, and just being with you.
01:21:50And I didn't feel as if I were cheating you out of too much.
01:21:56Listen, I'm a brat.
01:21:57I've even worked at being one because I thought it was smart.
01:22:00But if I'm a real brat, I want to say that I think it's because I was born in this
01:22:04family.
01:22:05Are you going to keep on doing what you've been doing and not tell her?
01:22:08After the way she's acted and the things she's just told you?
01:22:11Because if you are, I don't want to be a part of you anymore.
01:22:14And I'm going to...
01:22:14Wait a minute, baby.
01:22:15And don't call me baby.
01:22:17Mr. M was right when he said nothing would ever be quite the same after tonight.
01:22:20I know I won't.
01:22:21And Angela's shown she's learned something.
01:22:24You can count me in too, sis.
01:22:26I was getting kind of tired of college anyway.
01:22:29What about a dad?
01:22:30Mother.
01:22:31James.
01:22:32Miss Watson has made a pathetically innocent confession when you consider what we have on our conscience.
01:22:38Well, whether or not we tell her, I have to tell Stephen.
01:22:41And that means more to me than the loss of money.
01:22:44Therese, what's this all about?
01:22:46Listen here, mister.
01:22:47I mean, Captain.
01:22:48This is something I'd like to know myself.
01:22:50Go ahead, Therese.
01:22:53Tell her.
01:22:56I don't know whether I'm telling this to Stephen or to you.
01:22:58But we've been cheating you, at least trying to cheat you out of an awful lot of money.
01:23:02Five million bucks?
01:23:05I thought you people were really getting worked up about something for a minute.
01:23:08But it's okay.
01:23:10If this is the kind of games you play on Christmas Eve, I can take it.
01:23:14Charades you call it, don't you?
01:23:15But it's true.
01:23:16We did it.
01:23:17I'm telling you, five million bucks.
01:23:21Sorry, Miss Watson.
01:23:22I'm not.
01:23:23I'm glad.
01:23:24And I hope we can do this again next year.
01:23:29It's all right, darling.
01:23:30It's all right.
01:23:31Would anybody mind if I love you and your family?
01:23:34Would anybody mind telling me if we have any nutmeg in this silly house?
01:23:37I am making Tom and Jerry's.
01:23:45Thank you.
01:23:48Hold her hand, someone.
01:23:49She's pinching herself black and blue.
01:23:52Don't.
01:23:52It feels good.
01:23:54Oh, I'm so glad we did it.
01:23:56May I make a toast?
01:23:58You're the guest of honor.
01:23:59Thanks.
01:24:01To that famous gentleman and sterling actor who took the count instead of waiting for the bows.
01:24:07Mr. M.
01:24:08Mr. M.
01:24:09Mr. M.
01:24:14Mr. Pigeon, sir, and his dear lady.
01:24:16I realize that my behavior last night was inexorable, how she uses dollar words, taste, and I wish to apologize.
01:24:23I also beg your forgiveness for this seemingly ungracious departure, but my gratitude for the helping hand you extended to
01:24:30me in my hour of need bids me remain loyal to you, even though my sympathies are with the admirable
01:24:35Miss Watson.
01:24:37Unfortunately, I have formed a deep attachment for her.
01:24:41Anyway, he wishes you a Merry Christmas, and he's gone.
01:24:44Well, doesn't he say where?
01:24:45Oh, how did he leave?
01:24:47Oh, dear.
01:24:48James, you must find him.
01:24:50How far is the nearest town?
01:24:51Five miles.
01:24:53Is there a bar there?
01:24:54Yes.
01:24:55Somebody drive me.
01:25:06I read your note.
01:25:10Did you mean what you said about liking me?
01:25:16Is it possible that such a thing could be of interest to you?
01:25:20I'm here.
01:25:23You are?
01:25:24I'm glad.
01:25:25Will you join me?
01:25:26Oh, you were great last night, but you missed the climax.
01:25:31They told me about the money.
01:25:37Well, is that all you have to say?
01:25:39What else is there to say for me except that I'm money?
01:25:42I'm cutting them in.
01:25:44After all, I don't even remember the old guy that left it to me.
01:25:47Bless him forever.
01:25:49I like the pigeons.
01:26:12And then I don't even remember the bolt there.
01:26:13But we were необходимо to know where his name is.
01:26:13And that's my word to say.
01:26:13Yeah.
01:26:13We didn't know about how to write a book.
01:26:14We don't remember that.
01:26:24And I thought about his name.
01:26:29There's no hidden.
01:26:29And that's how we can't help 줄 this mess.
01:26:30İzlediğiniz için teşekkür ederim.
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