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Young Sherlock S01E04 [Full Movie] [English Subs]Full EP - Full
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00:08Mr. Hopes!
00:18Mother, stand back from the door.
00:22Shut up, you're in trouble, Daddy.
00:29Oh, what a good idea.
00:32Sit down.
00:35The man with the bird's claw.
00:37Did you say those words to anyone else?
00:39No.
00:40You didn't tell anyone apart from me and Mycroft.
00:43I tried to tell you. He's coming back for me.
00:47Who's he?
00:48They're listening.
00:51The worrying. The worrying. Always the worrying.
00:56I couldn't understand why you wouldn't believe me.
01:10Can you hear it now?
01:11Can you hear it now?
01:22I do.
01:24I hear it.
01:32Shut up!
01:35What in God's name?
01:39Oh, what, Father?
01:42Dad.
01:43Dad.
01:44Dad.
01:55What is it?
01:58Some sort of listening device.
02:05You were right, Father.
02:09Someone has been recording you.
02:14Open the door!
02:15Time to leave.
02:17Open up!
02:22It's the house!
02:24Wait!
02:33Sherlock!
02:48shall we take the floor
02:55no i never was very good at this you did try to teach me
02:59you always had two left feet still do one two three one two three one two three one two three
03:08look at me mother just us you me and the music
03:50see how you like it
04:03are we making an escape
04:08yes
04:09hey son
04:16i'm looking forward
04:18you're aiming backwards
04:20i'm just i'm sure
04:22have you had enough
04:25are you feeling rough
04:27but your skull hurt
04:29well it feels rough
04:36i'm real
04:39right here now
04:41i'm real
04:43for someone
04:45or something
04:47to take me
04:49to take me over
04:51please
04:53please
04:55please
04:55and i'm
04:58now we shall
05:02i'm
05:03should be forgotten
05:07how
05:08you should be
05:19You've got an appointment, Princess.
05:43Two bushels.
05:44What?
05:45You're white. Just approximate.
05:48To the drop.
05:50Because if the rope's too short, then your neck won't snap and then you'll be left slowly choking.
05:55It's a rather undignified way to shuffle off this mortal coil, wouldn't you agree?
05:59Eckstein, I'd guess. Seven foot ten inch drop.
06:03Did you know that the first account of execution by hangings in Homer's Odyssey?
06:07No, I did not know that, sir.
06:09Is this supposed to intimidate me?
06:12No, it's supposed to kill you.
06:14I know about British justice.
06:15You're not allowed to play both judge and executioner.
06:19Here we go.
06:25In five.
06:28In four.
06:29Are you counting down?
06:30Why are you killing my scientists?
06:33In three.
06:35Handler!
06:37I work through a handler.
06:40And he works for?
06:41Not my place to ask.
06:43Only my place to light the fuse and walk away.
06:45In two.
06:47I receive instructions.
06:49I'm a hired gun, that is all.
06:52Then you're of no further use to me.
06:53In one.
06:54What the hell are you doing?
06:56I think you'll find I don't answer to you, Mycroft.
06:58We don't torture prisoners, sir.
07:01There are rules.
07:02Protocol.
07:03This woman is trying to destroy me and I will have my satisfaction.
07:08And you have every right, sir.
07:10Every right.
07:11But consider this if you would.
07:14You're out of favour with the foreign secretary, are you not?
07:17Do you really wish to alienate him further by not consulting with him on such a delicate matter as this?
07:22May I remind you, she is our only link to whoever is killing your scientists, sir.
07:31I was merely endeavouring to loosen her lips.
07:33But we are Englishmen.
07:35It has to mean something.
07:37And in a changing world, how much do you think you're going to achieve with your Queensbury rules?
07:41Your absurd sense of fair play.
07:48Loosen the ropes.
08:25Loosen the ropes.
08:26for me on.
08:29I knew
08:30they were a ship.
09:00I'm afraid there's
09:01going to have to be
09:02some changes
09:03around here.
09:05I'm
09:05needed abroad
09:06on an expedition
09:08in Mycroft.
09:09I've arranged
09:10a government clerkship
09:12for you in London.
09:13Thank you, Father.
09:16Sherlock,
09:19I know you're not
09:20going to want to hear this,
09:21but your mother and I
09:23think it's best
09:24if you went to boarding school.
09:30I don't want
09:32to leave.
09:35Be strong, my boy.
09:49Mother?
09:51Where are you?
09:54Oh.
10:02Oh, you've brought me home.
10:11You're safe now.
10:25Yes, let's get you sat down
10:26and I'll light the fire.
10:27Oh, who's that?
10:28Mother, mother.
10:29This is James,
10:30James Moriarty.
10:31He's a friend of mine.
10:32Hello.
10:33Oh, I'm so glad.
10:35Darling,
10:36Sherlock never had any friends.
10:38Oh, really?
10:41Well, it's a pleasure
10:43to meet you,
10:43Mrs. Holmes.
10:45Darling,
10:46can you hear that music?
10:48Oh, that sound.
10:53That's you!
10:54I'm so glad you are.
10:54I'm so glad you're here.
11:04I'm so glad you are.
11:04Be?
11:06Oh, Beatrice.
11:09Oh, my darling.
11:14Be?
11:15Be?
11:17Oh, my darling.
11:22Be...
11:29Why are you running away from me?
11:33Bea, where are you running off to?
11:38I want to crown you.
11:41I want to crown you. Come.
11:47Come find me, Mummy.
11:50Beatrice!
11:52Bea? Beatrice?
11:56Perhaps...
11:57Perhaps we should sit down for a moment, Mother.
12:01All right. Let's take a seat.
12:15She is absolutely exhausted.
12:17Will you light fire? She needs warmth, rest and food.
12:20Yes, Sherlock, where is your father in all of this?
12:23This shouldn't all be on your shoulders.
12:25He's in Vienna. He's a busy man. It's all right.
12:29I'm here and I'm dealing with this.
12:32What? By breaking her over to the asylum?
12:36They were recording her in there, James.
12:38They were listening to every single word she said.
12:40I had no choice and Shuan knew about it.
12:42There's a man with a bird's claw. He's coming back for me.
12:45How did she know?
12:50Sherlock!
12:54Mother!
13:01Mother!
13:19Mother!
13:20Mother!
13:27Mother!
13:28Mother!
13:28Mother!
13:28Mother!
13:30Mother!
13:30Mother!
13:31Mother!
13:32She's not! She's not! She's gone!
13:34She's taking me back now!
13:36I need to break her!
13:37She's taking me!
13:49Well done.
13:51Let's get you warm and dry.
13:57Stop right there! You are not taking her past our homes!
14:01Mr. Crowell, I do apologize.
14:04I heard the commotion.
14:06Yes.
14:06Mrs. Holmes!
14:08Mr. Crowell, it's so delightful to see you.
14:11Well, you too, Mrs. Holmes.
14:12We weren't expecting you, or we would have had the house ready.
14:16Tell me, does Dr. Maltby still live in the village?
14:18He does, yes.
14:19Would you fetch him, please?
14:20How is Mrs. Crowell?
14:22Oh, she's well, thank you.
14:23Right away, please, Crowell. I rather need his help.
14:25Yeah, of course.
14:32For your head.
14:39What?
14:40What trouble is his worth?
14:43The electric shock has clearly fried your faculties, Philpott.
14:47No Cordelia Holmes, no money.
14:50And I rather like money.
14:55Do you follow?
15:00Find her.
15:02And quickly.
15:05As you wish.
15:08Sir.
15:16Razor talons.
15:18Sharp as knives.
15:21So vivid.
15:24Sweetheart, there is nothing you can do.
15:27He is coming back for me, the man with the bird's claw.
15:30Who is it you talking about?
15:31Mrs. Holmes.
15:34Right, stand by, please.
15:35Let's, um, not grab a patient.
15:40Ah, hello, Cordelia.
15:43Can't tell you how pleased I am to see you again, even in such circumstances.
15:47But don't you worry, we're going to get you writer's reign.
15:50Do you know what she was prescribed at the asylum?
15:54Alkaloids, I believe.
15:55Ah, right, yes.
15:56Well, she's obviously suffering from withdrawals.
15:59Perhaps I could give you something else, something to clear the fog a little.
16:02It's all right, mother.
16:03He's not like the others.
16:04He's here to help you.
16:05Right, Cordelia.
16:06I want you to take two of these with some water, please.
16:13Here we go.
16:14Down the hatch.
16:20Your mother's in trouble, Sherlock.
16:22She'll get better?
16:23Yes, I believe that she will, but that's not what I'm referring to.
16:27Joan knows about those recordings.
16:29Now, we don't know whether she's responsible for them, but either way, this does connect your mother to the murders
16:33in Oxford.
16:35So how can we say that she's safe here?
16:38We can't.
16:39The man with the bird's claw.
16:41You have no idea what she means.
16:46My mind is blank.
16:49Well, then maybe it's not a person.
16:51Bird's claw.
16:52It's a phrase or a place or a thing.
17:03Perhaps it's some sort of crest.
17:05The bird's claw.
17:06Good.
17:07Good.
17:07So whose crest?
17:09Someone at the asylum?
17:10Or someone at Oxford.
17:16Sherlock.
17:19I've got nothing.
17:23Perhaps I was wrong.
17:24Words I never thought I'd hear you say.
17:26No, perhaps I was wrong about the crest.
17:28Perhaps it's some other sort of symbol.
17:31The answers to many of life's problems lie at the bottom of the glass.
17:40The best thing in nature for drowning your sorrows.
17:51First thing to do.
17:51Game on.
18:21I've seen it somewhere. Where have I seen it?
18:35It's Professor Malik.
18:36Well, go on.
18:37Professor Malik has a cane.
18:40Yes.
18:41And his cane...
18:42Yes.
18:43...has a bird's claw.
18:45All right.
18:47Bravo.
18:49So if I am correct, if it is Malik,
18:51what's his business with my mother?
18:53What's his why? What's his incentive?
18:55Well, Shuan knows about those recordings.
18:58So perhaps she can answer that.
19:00So perhaps you need to ask her.
19:03I took the liberty of rustling a little something up,
19:06Master Holmes, I've got to be hungry after the night you've had.
19:11Yes, thank you, Mrs. Crowell.
19:12That's very, very thoughtful, but we need to pop into town for a few hours,
19:16so I'll need you to look after my mother.
19:17She'll want for nothing, Master Holmes.
19:21There's ammunition in my father's study.
19:23Don't let anyone into this house.
19:26Understood.
19:28And if you need to send word, you can reach us at Oxford Police Station.
19:32James?
19:34A man can't think on an empty stomach.
19:38Thank you, Mrs. Crowell.
19:39Thank you, O'Helcombe.
19:40Thank you, Mrs. Crowell.
19:42Stolen.
19:45Poor road.
19:46Lovely.
19:48Lovely asylum.
19:50I'm starting to appreciate your thieving ways, Sherlock.
19:52Get on!
19:53It's a power cloy from a pocket watch.
20:03Would you stop creeping up on me?
20:07Well, what is it?
20:12You did what?
20:13She is at home and she is safe.
20:15Mrs. Crowell is looking after her.
20:17They were recording her, Mycroft.
20:18I don't know what you expected me to do.
20:19How about not breaking her out of the asylum, for starters?
20:23How about going one single day without breaking the law?
20:27Sounds a very disappointing life.
20:29Can't imagine what father's going to say.
20:30I would imagine he'd be pleased that one of us showing some initiative.
20:33We should wire him.
20:34He could sort this out.
20:35Are you quite well?
20:36Have you fallen down and bumped your head on something hard?
20:38Professor Malick was at the asylum.
20:41He must have been the one recording her.
20:43Mother gave me a description.
20:44Of him?
20:45Of his cane, the man with the bird's claw.
20:47You were there, Mycroft.
20:48Sherlock, she rambles.
20:49There's always an outside chance.
20:50She's going to accidentally say something half plausible.
20:53Apis melephora.
20:54No, no, no, no.
20:55The honeybees.
20:55Yes, I know about the honeybees.
20:57The honeybees.
20:57Yes, I know about the honeybees.
20:58I don't.
21:06When we were little, we had a hive, Apis melephora.
21:10I watched the bees and I told Mycroft that I'd seen them dancing.
21:13And you called me foolishly.
21:15Witless was the word I used.
21:16I then went and checked with father.
21:18And he said that honeybees do a little circling dance to communicate with each other.
21:22It's called the tarantella.
21:23And you called me a halfwit.
21:25Witless was the word he used.
21:28Well, I wasn't witless because I was right.
21:30Glad to see you're not holding on to a grudge there, Sherlock.
21:33This is the honeybees all over again, Mycroft.
21:36Just because something appears to be random, it doesn't mean that it is.
21:39Mother said that they were listening to her.
21:41They were.
21:42She's mentioned the man with the bird's claw.
21:44Professor Malik has a cane with a bird's claw.
21:47Yes, but it's not exactly case closed, is it?
21:50Tell me.
21:53Where is Professor Malik now?
21:58Well, we are not exactly sure.
22:00He seems to have vanished after last night's events.
22:03Why would he vanish?
22:05If Shuan is in a cell, if the threat is gone, then why would he vanish?
22:17Yeah.
22:22Ten minutes with Shuan.
22:26No.
22:27Nine minutes.
22:34Sherlock!
22:36Mr. Patton!
22:37What are you in for this time?
22:38I'm just visiting today.
22:40Remember, prison is in here.
22:43He's very...
22:44I don't know, Mycroft, what's the word?
22:47Bothersome.
22:50Vexatious.
22:53Unbarrened.
22:54I could empty the dictionary.
22:56Oh, no, no, no.
22:57I was thinking he's very...
22:59intense.
23:00Hmm.
23:03What was he like as a small boy?
23:07Well...
23:08Growing up in the same house.
23:10Ha ha ha!
23:11Ha ha ha!
23:12Yes, I can only imagine.
23:15Ha ha ha!
23:18Ha ha ha!
23:19Ha ha ha!
23:19No, actually, I can't.
23:22Tell me.
23:23Put it this way.
23:25I took a job in the Foreign Office in pursuit of an easier life.
23:30Wars, famine, that sort of thing.
23:36I wondered when you and I would be seeing each other again.
23:39I must admit, life has become somewhat tepid without you.
23:44Do you mind if I sit?
23:45Please, take the royal throne.
23:50Thank you, princess.
23:57What game are we playing today?
23:59What game would you like to play?
24:01I'll let you decide.
24:02How very kind.
24:03Why don't we start by you telling me how my mother is involved?
24:06Ah, English boys and their mothers.
24:09Very touching.
24:10How did you know what she said to me in the asylum?
24:13First principles.
24:14The likeliest explanation is always the simplest.
24:16The likeliest explanation would be that you heard her say it.
24:22The recordings.
24:25You had access to them.
24:26Oh, lightning fast.
24:30Professor Malick.
24:32Is there a question there?
24:33Why did he visit my mother?
24:35How do you know it was him?
24:36The man with the bird's claw?
24:38Clearly a reference to his walking cane.
24:41That was Malick.
24:45There's a place where I met my handler.
24:48A safe house.
24:49They're listening to me.
24:51I'm wearing all the time.
24:53There's a man with a bird's claw.
24:56He's coming back.
24:57This safe house?
24:59Do you think it's possible Malick is still there?
25:01Imagine if we combined our talents.
25:06You want Malick?
25:07I want him too.
25:09For very different reasons.
25:12I want to find out why he was recording my mother.
25:15You, on the other hand, want to kill him.
25:21Then let's help each other.
25:23The final act we can debate later.
25:29Where is this safe house?
25:33You are going to have to give up something.
25:37I very much doubt Hodge is going to let you out of here until you do.
25:42But that is preposterous.
25:44Slandrous.
25:45Professor Malick works for me.
25:46Why am I through to be at this...
25:48Safe house, sir.
25:49Safe house.
25:49There is nothing in Malick's file to suggest any nefarious activity.
25:54All I know is what I saw.
25:55Should have hanged you this morning.
25:56Get her out of here.
25:57Hold on.
26:00I didn't see him at the gala.
26:02Who?
26:04Professor Malick.
26:05When I came through the wall at the gala, I didn't see him.
26:08All of the other professors were there at the table except him.
26:11Yes, but...
26:14He left.
26:22Of her majesty's empire.
26:24Don't take the empire for granted.
26:28We may live to regret it.
26:30During your speech, sir.
26:32I thought it hard at the time.
26:33Why would anyone leave my speech?
26:36Assume the poor fellow had bladder issues.
26:38Were you given an exact time to carry out the explosion?
26:41Eight o'clock.
26:42My instructions were quite explicit on that point.
26:45Unless Malick had a conveniently life-saving desire to urinate,
26:49I think it fair to say he knew the bomb would go off a date.
26:52If he is in this safe house, sir,
26:54and if he is indeed working against your interests,
26:57wouldn't you rather know?
27:00Let's go, councilman.
27:02Front and back doors are sealed with plate metal.
27:05Bars on the windows half an inch thick.
27:06Basement has a code to lock.
27:08I want an officer by her side at all times.
27:10I'll take Sherlock.
27:12You think she gets to choose who babysits her?
27:15No, sir.
27:16No, sir.
27:17Sherlock or no one.
27:20Or send me back to my cell.
27:21And you can find Malick yourself.
27:40Why are you doing this?
27:42Because there's a chance he keeps me alive.
27:45No, why are you after Malick?
27:47Why are you killing professors?
27:49It's what I'm paid to do.
27:51I don't believe that.
27:53Do you trust me?
27:55Of course I don't trust you.
27:56You know I don't trust you.
27:59And nor I you.
28:04The code is Hydras.
28:07Seventeen stars in the southern sky.
28:36I don't trust you.
28:47All yours.
28:53Don't force my hand.
28:57Right.
28:59Come on.
29:02No, thank you.
29:05Malick.
29:06Malick.
29:07Malick.
29:07Malick.
29:09Malick.
29:12Hello, my God.
29:23Why are you for us?
29:25Malick.
29:29Malick.
29:31Malick.
29:32Malick.
29:35Malick.
29:36I present to you the real Princess Shua.
29:40Your Highness Sir Bucephalus Hodge,
29:42I only wish that our first meeting had been under more salubrious circumstances.
29:47Trust me when I tell you that I have spent no expense in my search for you.
29:51Roche, send a wire immediately to the Foreign Secretary.
29:56Roche, be sure to tell him I found her.
30:00Yes, sir.
30:00This is where I saw Professor Malik listening.
30:08Sherlock, your mother, all of her recordings.
30:26I had a little pony. His name was Dampo Grey.
30:30I lent him to a lady to ride a bike.
30:33She ripped him and she slashed him.
30:52I'm so sorry.
30:55Why would anybody want to do this?
30:58While you were detained by these nefarious individuals, did you by any chance happen to see this man?
31:09No.
31:10You say I knew he would never have been embroiled in this unsavory business, Mycroft.
31:15You see, unlike you, Professor Malik understands the meaning of loyalty.
31:19You recognize his name?
31:21Yes, they mentioned him.
31:22Perhaps you miss her.
31:23I did not.
31:24Only yesterday they talked of visiting him.
31:27Your Highness.
31:28Did they say where?
31:30At Abton.
31:31Behind the locks.
31:34That's all I heard.
31:40Sherlock, all of these are transcripts of the recordings.
31:44Her entire life is laid out in here.
31:48This is a record of her visitors.
31:50Myself, my brother, my father.
31:55There's a Lawson Jaggers, a lawyer.
31:58Is that someone you know?
31:59No.
32:00When did Jaggers' last visit?
32:03Friday, August 11th, 10 o'clock.
32:06Sherlock, that page has been torn out of the transcriptions.
32:10August 11th, 10 o'clock.
32:12Yes.
32:20Mr. Jaggers here to see you.
32:24Mrs. Holmes.
32:27It's charming to see you again.
32:28I'll leave you two to talk.
32:32Hmm.
32:34New rooms I see.
32:36Very nice.
32:38Now, perhaps you might continue with our previous matter.
32:42Yes.
32:44Yes.
32:45Yes.
32:45Continue.
32:46Yes.
32:47Yes.
32:47Yes.
32:48Yes.
32:49Yes.
32:52It's been scratched.
32:53The cylinder.
32:54It's sabotaged.
32:55Someone must have been rather keen to make sure we don't find out what's on them.
32:59Ah, Sherlock.
33:00What's all this?
33:02Yes.
33:08They're recordings of our mother.
33:13All of them.
33:18Well, why would someone do this to us, Sherlock?
33:21We are working on that.
33:22We have a lead on the potential whereabouts of Professor Malick.
33:26Um, obviously, Hodge wants to pursue it himself, but...
33:30No, you find Professor Malick.
33:32Right.
33:32You find out why he's been doing this, Mycroft.
33:34You have my word.
33:35And we will pay a visit to this Lawson Jaggers fellow and see what business he's had with
33:39our mother.
33:40Wait, who's there?
33:40Where is she?
33:42Suano.
33:44Not the hell her real name is, was she?
33:50She was here just a moment ago.
33:52Tell me, Holmes.
33:52If she's escaped, you'll be held personally responsible.
33:54When I have men on all the doors, there's no way she could have got out.
33:58How could she have possibly slipped weight?
34:01I say, consider yourself my hunting hand.
34:05Don't bring her back.
34:22This is why she brought us here.
34:23You're an idiot, Holmes.
34:26She duped you.
34:27Get out of the way!
34:30Wait!
34:32Stop!
34:35Mark!
34:36Out of the way!
34:48Stop right there!
35:18There is no Abden on the map.
35:20She said behind the locks.
35:22Now, could it be somewhere on the canal?
35:25Could Abden be the name of the boat?
35:27We keep a register of boats and vessels somewhere.
35:29But where is O'Shea?
35:30Well, he hasn't reported back yet, sir.
35:32This is becoming a bloody fiasco!
35:34Find Professor Malick!
35:35Damn it, man!
35:36Thinks he can betray me or rip his bloody head off?
35:39Might I ask exactly what the princess said, sir?
35:40She said they were meeting Professor Malick at Abden, behind the locks.
35:47Abden and Sennon.
35:49They're ancient Catholic martyrs.
35:52If I may.
35:54There's a ruined medieval abbey not far from Oxford.
35:56It was once dedicated to them.
35:58Behind the locks?
36:00The locks of Marian.
36:02Oh.
36:03An old relic believed to have been kept at the abbey.
36:06According to legend, it was the hair of Mary, mother of Jesus.
36:10Well, I never read it.
36:11How did you know this?
36:12My father encouraged me to read, sir.
36:15Hmm.
36:16Why don't you know this, Mycroft?
36:18Oh, a little scratchy on my esoteric Christian martyrs, sir.
36:24Hmm.
36:25Where is this ruined abbey?
36:28There, sir.
36:29Shuan's making a good habit of beating you.
36:32Nonsense.
36:33As a matter of fact, I think you'll find I helped her to regain her liberty.
36:37Oh, I see.
36:38So you knew about the passageway?
36:40You knew she was going to escape?
36:41I simply decided the world was a more interesting place with her in it.
36:45Mm-hmm.
36:48What a lot of shite.
36:55Ah.
36:57Last of Jaguars, I swear.
37:06Ah.
37:08Smells interesting.
37:21Are you all ready?
37:27There's more than one way to skin a cat, James.
37:30Well, this is how I like to skin my cats.
37:35Ah.
37:52Oh, dear Lord.
37:55Mr. Larson Jaguars, Esquire.
37:58This is how I can have charming see you.
38:05That blood.
38:08Sign of a struggle.
38:11He got in the scrap.
38:17So someone erases his conversations with my mother.
38:21And then he finds himself unceremoniously erased.
38:23A rather convenient suicide, don't you think?
38:28Diaries.
38:29I tell you what business he had with your mother.
38:31I am going to report this.
38:34To the police?
38:34Yes.
38:35And do their jobs for them?
38:36Because I have been suspected of murder before, and I would rather it didn't happen again.
38:41Seneca says the problem with this life is not that it's short.
38:45It's that we wasted an awful lot of a dick in a boat.
38:50Oh, dear Lord.
39:20I'd like to report a death Lawson Jaggers solicitor for Alba Lane and you
39:28are Sherlock Holmes Holmes we have a wire for you sure
40:00requires help she needs to be somewhere she can be cared for I'm so sorry Sherlock I was only gone
40:04for a moment don't you worry Crow they won't be taking her anyway I believe you'll find I have
40:09jurisdiction over her and I believe you'll find I have jurisdiction over this
40:21is the double-barrel 12-bore hammer gone not persuasive enough for you
40:27let her go thank you we're only acting in her best interests
40:33you knew didn't you you knew about the recordings about Professor Malik
40:40why did he do it we'll have to ask him I was merely paid to look the other way
40:47I am so sorry mother I'm so sorry I never loved you
40:53can I respectfully suggest that you'll fuck off
41:16you're quite sure this is the place quite sure sir
41:28Mr. Stroud I wanted on the record that I was the one who blew this case wide open
41:32yes of course sir
41:36I think I saw movement by the church sir
41:46I wish to be the one to apprehend him
41:48very good sir
41:51very good sir
41:52I
41:56I
42:01I
42:08I
42:09I
42:11I
42:13I
42:14I
42:23I
42:26I
42:28I
42:29I
42:30I
42:40I
42:42I
42:42I
42:47I
42:48I
42:51I
42:51I
42:59I
43:09I
43:11I
43:11I
43:11I
43:12I
43:12I
43:12I
43:12I
43:12I
43:14I
43:15I
43:16I
43:25I
43:26I
43:26I
43:26I
43:26I
43:26I
43:30I
43:30see you take credit for my discoveries
43:34for history to forget me
43:35nobody will sir
43:36no I will get down to the man who built the Empire
43:38you on the other hand will be forgotten even by your own mother
43:43Oh just one request before I bid you adieu
43:49i mean if you'd be so accommodating who did you betray me for the prussians ottomans
43:57take your hand out of your pocket man
44:10hodge
44:17right man out man it can't have gone far
44:23has he been shot oh there's there's there's no blood
44:30there's no bullet hole nothing serbucephalus
44:37he's not he's not breathing
44:43he's dead
44:50guns and hot toddies jesus you're a woman after my own heart mrs crow
44:54mrs crow thank you you're welcome
45:03must have felt very good that slap oh james
45:10it was such a tonic
45:13so what now
45:16we're still no closer to figuring out why you were involved in any of this
45:24the likeliest explanation is always
45:26is
45:29I was mainly paid to look the other way.
45:41Don.
45:49Sherlock, my boy, I heard you had a spot of bother.
45:55There's a man going round taking names.
45:59And he decides who to free and who to blame.
46:05Everybody will be treated all the same.
46:10There'll be a golden ladder reaching down.
46:16When the man comes around.
46:22The hairs on your arm will stand up.
46:27At the terror in each sip and in each suck.
46:32Will you partake of that last offered cup?
46:37Or disappear into the potter's ground.
46:43When the man comes around.
46:47The whirlwind is in the thorn tree.
46:52It's hard for thee to kick against the prince.
46:57In measured a hundred weight and penny pound.
47:03When the man comes around.
47:16And I heard a voice in the midst of the four beasts.
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