- 2 days ago
Quiet Please, Murder (1942) Full Movie ｜ Crime, Thriller ｜ George Sanders, Gail Patrick, Richard Denning [Full Movie] [Latest Version]Full EP - Full
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Short filmTranscript
00:00:02The End
00:01:33Back again, huh?
00:01:35You're sure in love with that little book, aren't you?
00:01:37Richard Burbage, the first actor to play Hamlet, the only known copy.
00:01:42I dream about it.
00:01:43A lot of book collectors do.
00:01:45And between you and I, some of them would knive their own mothers just to get their hands on that
00:01:50book.
00:01:51So would I.
00:01:52Just to own it?
00:01:53No, I'd make a dozen, perhaps two dozen copies, perfect imitations.
00:01:58They could be sold as this original.
00:02:01Stolen goods.
00:02:02No questions asked.
00:02:04Plenty of suckers to buy a good forgery.
00:02:06That's been done before, too.
00:02:08Mind if I take it home with me?
00:02:10Over my dead body.
00:02:38Here it is.
00:02:43It's a beauty.
00:02:44Yes, yes.
00:02:45I said to myself, Rebescu, of all your clients, who would most love to see this great treasure?
00:02:52That is vital to you, Mr. Cleaver.
00:02:54You've told me that half a dozen times already.
00:02:56How much longer are you boys going to be?
00:02:58Oh, just a second.
00:03:00I'm not so sure of this.
00:03:01Oh, excuse, please.
00:03:03It's excellent property and most safe.
00:03:06The police look for it six months now.
00:03:09Forget nowhere.
00:03:10I know.
00:03:11Do you mind if I show this to someone who knows rare books?
00:03:14But yes, please do.
00:03:18I thought you were going to take me dancing.
00:03:20This is what I was telling you about.
00:03:22I've seen it twice already.
00:03:24It looks like a goodbye.
00:03:25Rebescu showed it to me the other day.
00:03:27Books are not in my line.
00:03:29What do you think of it?
00:03:31It's genuine, all right.
00:03:32Good.
00:03:32That's all I need to know.
00:03:35Miss Blandy, the most best expert of old books.
00:03:39What does she say?
00:03:40You might have told me you already had her opinion.
00:03:43I am most careful.
00:03:51I'll take it.
00:03:54You make the wise decision.
00:03:56Impossible to lose money in this book.
00:03:58It's like money in the bank.
00:03:59Check, all right.
00:04:00Oh, but I am so sorry.
00:04:02The person I act for, they must have cash.
00:04:06It is the term of the deal.
00:04:07You agree?
00:04:08You say yes.
00:04:09You pay cash if you buy it.
00:04:10All right, you Romanian bandit.
00:04:13I came prepared.
00:04:14Oh, thank you.
00:04:15It's all there.
00:04:18Stolen goods?
00:04:19Aren't you taking quite a risk?
00:04:20No.
00:04:21Your opinion on this Hamlet eliminates all that.
00:04:24I'm stealing it at $20,000.
00:05:01Mr. Fleek.
00:05:02Ed?
00:05:03Ms. Blandy would like to see her.
00:05:04I'll send her in.
00:05:07Darling, I couldn't wait until morning.
00:05:09Marla, this is a nice surprise.
00:05:11I made a good sale. It was so easy.
00:05:14You could resist your salesmanship.
00:05:15It worked beautifully. You simply had to have it stolen or not.
00:05:18What did I tell you? Just show the customers one and they think it's the original.
00:05:21We'll gross more than the originals were.
00:05:23They did it with a stolen Mona Lisa, sold dozens.
00:05:27Only five grand.
00:05:29I'm asking 20.
00:05:30Well, this man wouldn't go over 7,500.
00:05:32A thousand for a best you, 1,500 for me, leaves five for you.
00:05:36Myra, you wouldn't shortchange me, would you?
00:05:39Sure, if I were looking for trouble.
00:05:42Isn't that your favorite occupation?
00:05:45Eight copies in six months isn't bad.
00:05:47Chicago can use another and Detroit wants two more.
00:05:49Well, by the way, who'd you collect this from?
00:05:51Martin Cleaver.
00:05:53Are you crazy? I told you to avoid him.
00:05:55Darling, I still don't know why.
00:05:57He's dangerous.
00:05:58All of our customers could be dangerous, but as long as the cash is okay, why worry?
00:06:03What have you got against Cleaver?
00:06:05I never met him, but I don't want to do business with him.
00:06:09Cancel the deal.
00:06:10Don't be ridiculous.
00:06:13You seem worried. What is it?
00:06:16Give him his money back and he'll have to do as I say.
00:06:18Stick to larceny-minded American suckers.
00:06:20He looked like one to me.
00:06:22He isn't. He's spending German money.
00:06:24Some of the loot the Nazi crowd smuggled out of occupied Europe.
00:06:28Uh-huh. So they can look like exiled kings if and when they escape after the war.
00:06:32Cleaver's buying for Goering or Himmler.
00:06:34Investing in works of art.
00:06:36Literary rarities like diamonds are supposed to be safe in the event of post-war inflation.
00:06:40Well, he's stuck this time. I'm sorry I didn't get him for more.
00:06:43You're giving him his money back.
00:06:45I am not.
00:06:50You asked for that.
00:06:52Then get rid of the idea that you're running this show.
00:06:55I can always find another outlet for my stuff.
00:06:59And that's what you think.
00:07:02Do you know what the Gestapo is?
00:07:04If you do, he will take my advice and settle with Mr. Cleaver.
00:07:07That man's the saddest. There's not an ounce of mercy in him.
00:07:10You two boys should get along.
00:07:12You always say you enjoy being hurt.
00:07:17Yes.
00:07:25A very clever imitation.
00:07:28Beautifully aged paper.
00:07:31An offset printing process retouched by hand.
00:07:34The work of an artist.
00:07:37But I do not like to be fooled.
00:07:39Mr. Cleaver, Mr. Cleaver, how can you say such thing?
00:07:43I am a respectable art dealer.
00:07:45Then I return your work of art.
00:07:48I want my money back.
00:07:50You get me into this trouble.
00:07:52Believe me, Mr. Cleaver, I only act as agent for this woman.
00:07:56She says it's genuine and I believe it.
00:07:58She pays commission.
00:08:00So I suspect it.
00:08:02Where did you get this Hamlet?
00:08:03A man named Flegg?
00:08:05Forger of rare books.
00:08:06It looks like his work.
00:08:07I saw samples of it in Europe.
00:08:08I am a respectable man.
00:08:10I do not swindle people.
00:08:12And the man I represent does not like to be swindled.
00:08:15Who? Field Marshal Gehring?
00:08:17My client prefers to remain nameless.
00:08:19And I repeat, he will not submit to being swindled.
00:08:22You knew you were buying stolen profit.
00:08:24But not a forgery.
00:08:26Your other customers may not complain, but I do.
00:08:29This is terrible.
00:08:30My reputation.
00:08:31If you think you are being swindled, why don't you call the police?
00:08:33Oh, I won't need their help.
00:08:35I am sorry you feel this way.
00:08:37I can't make good the money.
00:08:39Then produce Mr. Flegg.
00:08:45I will deal directly with him.
00:08:46He is a very difficult man to reach.
00:08:48I suggest you find a way, quickly.
00:08:51Now as for you, Ribescue.
00:08:53No.
00:08:54No!
00:09:07Your Mr. Flegg probably doesn't know about the Hamlet deal.
00:09:11It was your own idea, wasn't it?
00:09:13And you pocketed the money behind his back.
00:09:17He did it deliberately?
00:09:19Then you must bring him to me.
00:09:20But he'd never...
00:09:21You can find some way.
00:09:25You needn't bother to tell the police about what happened here.
00:09:30It won't stop us.
00:09:32I don't work alone.
00:09:35I shall expect to hear from you within the hour.
00:09:38Plenty of time to locate Flegg.
00:09:41Good day, Miss Flemming.
00:09:44Possibly.
00:09:50Follow her.
00:09:51I think she's safe.
00:09:52She'd do anything to save her own skin.
00:10:05Report to me at the usual place.
00:10:22I...
00:10:23What's you?
00:10:23He's been waiting for an hour.
00:10:25I don't know him.
00:10:26Doesn't look like ready cash.
00:10:28Tell him no, I haven't time now.
00:10:32You'd better make time, sister.
00:10:33The name is Myra Blandy.
00:10:38Don't be in such a hurry.
00:10:40I'll handle this.
00:10:45What is it, Mr. uh...
00:10:47Mr. McBurn?
00:10:49Well...
00:10:50I expected something ten years older and fat.
00:10:53Come back in ten years.
00:10:55No party name of William Shakespeare?
00:10:57Not personally.
00:10:58I wasn't around in 1600, but I sell books of his.
00:11:01So I hear.
00:11:03Just what are you driving at?
00:11:04The verbiage edition of Hamlet.
00:11:06It was snatched from the local library six months and nine days ago.
00:11:09And a guard was killed.
00:11:10Yes, I read all about that.
00:11:12And I understand you know where it can be picked up cheap.
00:11:15You're misinformed and you're insulting.
00:11:17I don't deal with thieves.
00:11:18You'll find the door over there.
00:11:20And I also hear very confidentially.
00:11:23Correct me if I'm wrong.
00:11:24That imitations of this Hamlet are being passed off at fat prices.
00:11:28You're wrong.
00:11:29Good day.
00:11:30Look, I want a little cooperation, sister.
00:11:32Edgar T. Collins shot me down here from New York.
00:11:36About a Hamlet he bought.
00:11:38He doesn't like it.
00:11:39I've never sold Mr. Collins any books.
00:11:42No, he bought it from a fellow named Sims in Baltimore.
00:11:44I don't see how that concerns me.
00:11:47You want a blueprint?
00:11:48I traced it to you.
00:11:50Oh, you're a detective.
00:11:52Mm-hmm. Private man.
00:11:53Well, I'm afraid you've been seriously misinformed.
00:11:55I've never dealt with any Mr. Sims in Baltimore.
00:11:58Look, beautiful.
00:11:59You're on the well-known spot, so pull your ears in.
00:12:02Collins doesn't want his money back.
00:12:04He wants blood.
00:12:05He's a nut on book collecting and wants everything kept on the up and up.
00:12:08He didn't buy your Hamlet as stolen goods either, so his skirts are clean.
00:12:12He isn't afraid to make a complaint.
00:12:15Now, this is all between you and me.
00:12:17But if I drop a hint and the DA's here...
00:12:21Well...
00:12:21A smart lawyer might beat the rap for you, but...
00:12:24Would you still be in business after all the publicity?
00:12:26I don't know what you're talking about.
00:12:30Can't we play ball?
00:12:32You're not in this alone.
00:12:33You handle the hot stuff for somebody.
00:12:35Who is it?
00:12:37He'd kill me.
00:12:39Who?
00:12:40Fleck?
00:12:43Yeah, that's one the cops don't know.
00:12:45Yet.
00:12:47This Shakespeare stuff, I'm told it's Fleck's product.
00:12:50He's good from way back.
00:12:51Where do I reach him?
00:12:53I don't know.
00:12:54Come on, let's have it.
00:12:55There are reasons why I have to handle the stuff he sends me.
00:12:58The Hamlet isn't my only headache.
00:13:00I'm really afraid.
00:13:02Fleckman?
00:13:03The right man could steer you out of it.
00:13:06Do you mean it?
00:13:07Of course, I'm in business myself, but the fee wouldn't be too high.
00:13:11Oh, I'd pay anything.
00:13:12Now, you help me build a case against Fleck and I'll see that your skirts are kept clean.
00:13:16Deal?
00:13:17Deal.
00:13:17When do I meet him?
00:13:18Well, you better let me arrange it.
00:13:20I never know when he'll phone.
00:13:21I can't talk very well here.
00:13:23Where are you staying?
00:13:23The Bradley house.
00:13:24Pick me up for dinner.
00:13:25All right, about seven.
00:13:26Swell.
00:13:27Oh, by the way, I'm great for getting something very important.
00:13:30What?
00:13:30My retainer.
00:13:32Nice work if you can get it.
00:13:34Playing both sides.
00:13:35Oh, Fleck's the other side.
00:13:37You see, Collins hires me and you pay off to be kept out of the case.
00:13:40Oh, I see.
00:13:42How much?
00:13:44Oh, how about 500?
00:13:46How about 250?
00:13:48All right.
00:13:49On a count.
00:13:51You know, I like a businesswoman who knows her business.
00:13:54Of course, 500 would have bought you a better dinner.
00:13:58Thanks.
00:14:00Every instinct tells me I'm a fool, but I'm trusting you because I want to.
00:14:05You needn't worry.
00:14:06I lied to you because I was afraid.
00:14:09You still afraid?
00:14:10Not so much.
00:14:12See you at seven.
00:14:16And bring that smile along.
00:14:41Hello, Mr. Cleaver.
00:14:43Myra Blandy.
00:14:44I spoke to Fleck.
00:14:45He won't meet you.
00:14:46He absolutely refuses.
00:14:48Of course I want to cooperate.
00:14:51I have a suggestion.
00:14:52Leave a book in my name at the information desk at the public library on K Street tonight.
00:14:56I'll have Fleck pick it up.
00:14:57That'll identify him when he asks for it.
00:15:00Oh, by the way, he uses the name of Mac Byrne.
00:15:02Hal Mac Byrne.
00:15:03He mustn't know about me.
00:15:05Yes, tonight at 8.30.
00:15:06Goodbye.
00:15:11Hello, Lady Dracula.
00:15:12And how are you this pleasant afternoon?
00:15:14Some tea?
00:15:15No, thank you.
00:15:17We're in the mood, aren't we?
00:15:18How many butterflies did you torture since lunch, hoping one would turn on you?
00:15:24Something tells me our little mother harbors a secret.
00:15:28How do things go today?
00:15:30Nothing very exciting.
00:15:31Boston-wide for some more of your penmanship.
00:15:34And a Dickens autograph.
00:15:35See anybody amusing?
00:15:36Not a soul.
00:15:38Are you sure?
00:15:40Positive.
00:15:41I hear that Hal Mac Byrne is quite the ladies' man.
00:15:45Oh, yes.
00:15:46I was going to tell you about him.
00:15:47Yes, my little liar, after I dragged it out of you.
00:15:50Who told you?
00:15:52The book world isn't very big.
00:15:53He was followed to your place.
00:15:54And if you weren't so stupid disobeying orders, he wouldn't be bothering you.
00:15:58Don't fret.
00:15:59I can handle Mac Byrne.
00:16:00There's only one way to handle his kind.
00:16:02I'll handle it my way.
00:16:03Wait a minute.
00:16:03Have you fallen for this cop?
00:16:05Jim!
00:16:07No woman would have walked out of me for that, but you stay.
00:16:11Why?
00:16:13Because I'm a punishment in your life.
00:16:15Your conscience demands it.
00:16:17Oh, don't give me the old chestnut about our expecting punishment because we were taught to his kids.
00:16:22But we do.
00:16:23Your everlasting lying, your flirting with danger, is a secret desire to be caught off guard and hurt.
00:16:29Listen to Dr. Freud.
00:16:31Why do you think there are so many automobile accidents?
00:16:34Mere carelessness?
00:16:36No.
00:16:37The unconscious impulse to punish ourselves is sometimes so great it becomes self-destructive.
00:16:41When we should be alert and on guard, our enemy, conscience, super-ego, betrays us to psychic justice.
00:16:48A healthy body plays sick.
00:16:50Or we fear insanity.
00:16:51Or we show poor judgment in a crisis and make a mistake that destroys us.
00:16:56And what did all this wisdom ever buy our amateur psychoanalyst?
00:17:00You.
00:17:02You may be my automobile accident.
00:17:05You're dangerous to my interests.
00:17:07And it excites me to play with my own life.
00:17:10The way we live is a constant threat to our security.
00:17:13But we love it.
00:17:15Giving and taking pain.
00:17:17The torturing fear of destruction.
00:17:20Psychiatrists say there's a little of it in most people.
00:17:23But it has run away with us.
00:17:25So that when I make a mistake, it's my conscience punishing me?
00:17:28Precisely.
00:17:29You may be crazy, but I'm not.
00:17:33The funny part about it is that no court or sanity commission would ever call us crazy.
00:17:39But we're really a couple of walking horror stories.
00:17:42Speak for yourself, darling.
00:17:45Ah.
00:17:46The lady who never makes a mistake.
00:17:50All right.
00:17:51When do I get it with Byrne?
00:17:52I said I'd have him.
00:17:54Bungle the job.
00:17:55When are you seeing him?
00:17:57For dinner.
00:17:58Then he has an appointment at the public library.
00:18:00And after that...
00:18:01Public library.
00:18:02They've got some books I want.
00:18:04Some rather priceless books.
00:18:06I've been working on a new set up to get at them.
00:18:09Byrne.
00:18:09I can use him.
00:18:10Two birds with one stone.
00:18:11Please, Jim.
00:18:12Let me take care of McBurn.
00:18:14Why?
00:18:14Is there something else?
00:18:16Somebody you haven't told me about?
00:18:17No.
00:18:18Then it's my job.
00:18:19Do you want to be an eyewitness?
00:18:22No?
00:18:24I'm surprised.
00:18:27All right.
00:18:29Deliver the cop to the library and then go home.
00:18:33You're quite a girl, Myra.
00:18:36Freud, Lombroso, Havlon Kellis, they all had your number.
00:18:40Who was it, wrote, women seek intense and terrifying emotion because they really enjoy it.
00:18:44It's as necessary to their comfort as water to a fish, as natural as breathing.
00:18:50Can I fix you something, darling?
00:18:51What do you have in mind?
00:18:52Poison?
00:18:58Best dinner I ever had.
00:19:00Must have been the company.
00:19:02Funny coincidence.
00:19:02I liked it, too.
00:19:04I knew we'd get along.
00:19:05The minute I laid eyes on you.
00:19:11Let me know if I get fresh.
00:19:13I promise.
00:19:14Are you so good to all your clients?
00:19:15Service?
00:19:16That's the McBurn trademark.
00:19:18Oh, driver.
00:19:19Will you please stop a minute at the public library on K Street?
00:19:22Okay.
00:19:25You know, I feel even better than I did a second ago.
00:19:28No gun.
00:19:29Had a case last month where a party back to Derringer.
00:19:31Did she appreciate your service?
00:19:33Well, I don't know.
00:19:34She was 64.
00:19:38What are we going to talk about flagging?
00:19:40You've been too busy telling me about the life and times of Mr. Hal McBurn.
00:19:44Well, I was just trying to get a nerve enough to talk about you.
00:19:49Be original.
00:19:50Don't say it.
00:19:51What?
00:19:52Did anyone ever tell you about your eyes?
00:19:55I like yours.
00:19:57Even if I wouldn't trust them.
00:19:58Open or shut.
00:19:59Oh, you wouldn't.
00:20:01I promise trouble.
00:20:03I like trouble.
00:20:05Well, be careful.
00:20:06This is a new hat.
00:20:07What a crack to make at a time like this.
00:20:09Do I worry about my $10 bonnet?
00:20:14I hope you're on the level with me.
00:20:16Of course I am.
00:20:18What made you say that?
00:20:20Well, I was getting lonesome on this case.
00:20:23No more.
00:20:28I hate to disturb you, sister, but if it's books you want, this is the joint.
00:20:37You live here.
00:20:38I have to pick up a book.
00:20:39Ask for it at the information desk.
00:20:41It's in my name.
00:20:42Now, why do you want a book when I'm around?
00:20:43Hurry up.
00:20:44simply a book.
00:20:56Women seek intense and terrifying emotion because they really enjoy it.
00:21:01Do you want to be an eyewitness?
00:21:05Closing time, 15 minutes.
00:21:08Closing time, 15 minutes.
00:21:27Tommy.
00:21:29Tommy!
00:21:32I'm awfully sorry I thought you were someone else.
00:21:35Well, lucky Tommy.
00:21:36Closing time fifteen minutes.
00:21:39Closing time fifteen minutes.
00:21:42Closing time fifteen minutes.
00:21:46say where's the information desk why it's always been right here oh good have you got a book I'd
00:21:52like a good murder mystery plenty of blood fiction room second floor thanks say if there's a call
00:21:56for me you know where I am we'll turn to Creighton homicide squad better hurry mister closing time
00:22:06is it the way the cops in this town keeping trim reading books a book never hurt anybody
00:22:11have you got one for Blandy Myra Blandy is that your name look like her Blandy I'll see you been
00:22:20in this
00:22:20racket long about a year like it most of the time gee how do you stand the quiet in here
00:22:27I'm hardened to
00:22:28it you ought to be in pictures beautiful I'm not kidding here's your book oh thanks say do you
00:22:39suppose excuse me mr. Macburn yeah I'd like to talk to you for a minute who are you I have
00:22:50information regarding certain literary forgeries I'll listen let's go in here shall we
00:23:09go in here so
00:23:37you
00:23:41I thought we could be alone here for a minute.
00:23:44Now, what's on my mind?
00:23:45They all go to a bomb-proof bank vault tomorrow.
00:23:48Air raid protection.
00:23:49Well, I'd be glad.
00:23:51Did I tell you the New York Library buried $15 million worth of books for the duration?
00:23:55Yes.
00:23:56I've been petrified since we've lost Hamlet.
00:23:59This little handful.
00:24:01$150,000.
00:24:04I'm petrified myself.
00:24:09They'd make quite a haul.
00:24:10Perhaps you've got your eye on them, Mr. Flagg.
00:24:13McBurn's the name.
00:24:15I'm afraid I must disagree.
00:24:18What were you going to tell me about fortress?
00:24:19Let's have it quick.
00:24:21That money must be returned.
00:24:24Just like that?
00:24:25Just like that.
00:24:27The consequences will be serious if you decide otherwise.
00:24:30Sue me.
00:24:31I don't know what you're talking about.
00:24:33You're a fake Hamlet, Mr. Flagg.
00:24:35I'm not Flagg.
00:24:36You're pig-headed as a German.
00:24:38Those who swindle my leaders don't get away with it.
00:24:41So you are a hiney.
00:24:43For the last time, are you going to make good our losses?
00:24:47Sorry, I can't go for the $64 question.
00:24:49I've got a date.
00:24:52One of your stormtroopers?
00:24:53I missed the first two reels.
00:24:55I don't get it.
00:24:56Gentlemen, we're closing now.
00:24:57It's almost 9 o'clock.
00:24:59We're just leaving.
00:25:03Take him out the back way.
00:25:10We know how to make you cooperate, Mr. Flagg.
00:25:20You must use the other door, gentlemen.
00:25:23Air raid precaution.
00:25:24Lock in this one.
00:25:26It's closing time, sir.
00:25:28McBurn?
00:25:28Nice of you to drop in.
00:25:30What do you want?
00:25:30I was told to give this to McBurn.
00:25:32I'll take it.
00:25:36Thanks.
00:25:37Wait for me here.
00:25:40They take me, too.
00:25:41I don't like him.
00:25:41I'll take you, too.
00:25:43I don't like him.
00:25:47I don't like him.
00:26:11I'm looking for a new one.
00:26:37I'm sorry, but you can't go up there now.
00:26:39We're closed.
00:26:41I'll come back in the morning.
00:26:43You can spend the whole day up there, but not now.
00:26:50I'll have to turn out all the lights when I come back.
00:26:54How does the field of work for Adolf?
00:26:56Think he's Superman?
00:26:58I'm in a hurry, please.
00:26:59I want to cook a wolf.
00:27:00You're going to have him.
00:27:02Oh, no.
00:27:03It's the name of the cookbook.
00:27:04It's the cook of the wolf, how the cook of the wolf.
00:27:07If I know the name of what the fuck, I've got to ask you.
00:27:10Try the reading room.
00:27:11Well, if I get the round of runs, the run around,
00:27:13to go here, to go there, you'd think I was a taxpayer.
00:27:19You can't do business with Hitler.
00:27:22Only a crook or a fool would want to.
00:27:26There is something we can do with him.
00:27:28Yeah?
00:27:28Yeah.
00:27:37I told him a military secret, and he fainted.
00:27:39Poor kid.
00:28:06You're not a crook.
00:28:12Don't go mom Bienen.
00:28:13Come on.
00:28:17Stay right where you want.
00:28:19What was that crash?
00:28:20Somebody fell.
00:28:26I'm craving homicide dead mm-hmm somebody shoved a knife in the stomach don't let
00:28:33anybody leave the building lock the doors you're all material witnesses please
00:28:40remain at the other end of the room another guy you got me now be of help
00:28:46my name's McBurn private man New York agency sorry lady you've got to stay in here yes I can use
00:28:54you
00:28:54what's headquarters number I'll call them outside line see you with this isn't that the coroner's job
00:29:03do as I ask hello inspector Henderson Craven speaking K Street public library nine five man
00:29:13knives yeah send the boys over yes sir we're ready at this end we'll stage the best murder
00:29:20investigation you ever saw yeah back daily sir and still sober to the corners entitled to one
00:29:27little drink isn't he yes sir be there in five minutes okay step on it get anything this paper
00:29:34say his name is Martin Cleaver Cleaver you know him odd name seems to be in the art business first
00:29:44the
00:29:44Hamlet quarto now this it's getting to be a habit and I suppose we may expect the same results from
00:29:50the police nothing you can expect what you like who are you I'm Edmund Walpole head of the reference
00:29:55room our ten thousand dollar reward for the recovery of the Hamlet seems to be no incentive to you people
00:30:00know ten G's huh I'm your man but why don't you do something the murderer may still be among us
00:30:05keep
00:30:05your pants on I've got to wait for my technicians to arrive don't let anybody touch the body who would
00:30:10want to anybody leave not since he did the dive good and our man's still in here have you been
00:30:22here long
00:30:22madam no you come directly to this chair no first I went over to tell me you knew he was
00:30:35meeting
00:30:35Cleaver why didn't you tell me I'm surprised as you did this to me deliberately I thought you found
00:30:42danger exciting from you not from them my men are coming I've got to go through with this masquerade
00:30:48good luck not here the neighbors might complain careful lying to me now maybe your conscience that
00:30:58one careless move I never make any I'm going to that later here comes my corner what was he waiting
00:31:08he's happy where's Joe you know what's new Joe get everybody's story where he was and what he saw
00:31:16we've got to get the books and get out quick nail McBurn first chance you get he's still with us
00:31:21uh-oh which one over there what kept you so long I'm not mistook me for flag was he going
00:31:31to be here
00:31:31tonight I wouldn't know don't you believe me sure beautiful why shouldn't I you didn't tell the
00:31:39police I know flag I just keep your mouth shut and let me handle this you hired me and you're
00:31:42going
00:31:43to get service you ever have a funny feeling you walked right into something mine says there's a
00:31:47bullet looking for me keep your eyes open I need a pal knife pointed scissors like something like that
00:31:57did it that's turn up anything yes I did I'm his elbow yes that's the man please may I go
00:32:06now
00:32:06you stay at your desk you and a man named Benson went into the manuscript room with Cleaver uh-huh
00:32:12said he wanted to talk to me and then he was called away why did you stop Benson oh but
00:32:17I didn't
00:32:18lieutenant he took sick and fainted didn't you then I remembered my first day and I was just going for
00:32:23a glass of water when Cleaver sailed over the balcony I wasn't with them you're lying both of you
00:32:27am I all right don't talk I'll take a pair of you down to headquarters Vance get his gun
00:32:35two right carrying one for a friend say lieutenant there was a cleaver in the book ragged we ought to
00:32:41check the rare stuff that's a good idea a wolf though where'd you keep it our valuable books
00:32:47they're safe in the manuscript ball let's take a look outside line huh why not police orders lieutenant
00:32:58Craven says no outgoing calls okay you would have a horn on that thing Lord Byron's Don Juan
00:33:13then copy they're all still here it would be impossible for a thief to open this safe whose
00:33:18handwriting is this Byron's his own Corrections I guess that makes it worth plenty looks like the
00:33:24original Solander it is what's the Solander the slipcover to keep the book clean you know books
00:33:30mr. Craven yes I'm a great reader anything I'd lay my hands on memory like an elephant listen if
00:33:36Cleaver and his mob were after these and the killer's still in the building these books go under police
00:33:40protection right now we lock them up at headquarters all right perhaps the police ought to take the Thomas
00:33:45Jefferson manuscript to it's a priceless historical document oh yes by all means anything you say it's over
00:33:56here I bet you've got a theory all your own mr. Byron maybe I agree with mr. Craven you're not
00:34:02telling everything you know maybe have you any clippings on the theft of the Hamlet quarter yes I'd like to
00:34:08look them over I'll get them for you Jefferson was president when he wrote this article on curing
00:34:25hand a very interesting piece of Americana or to bring a good price to the open market Thomas Jefferson
00:34:32yes a very good price it's a collector's item all right you're making a very wise move putting it in
00:34:38a safe place along with the exhibition books we'd hate to lose those five little books wouldn't we
00:34:44you have to sign for it lieutenant oh gladly I'll get the five books sign here please we always have
00:34:50to have a receipt for any books taken off the shelves no I could get a hundred and fifty thousand
00:34:54dollars
00:34:54so easily lieutenant Craven lieutenant Craven they're gone and they were right on this desk a minute ago
00:35:01you were here what a search I saw no one else come in well there was a stack boy collecting
00:35:07books he
00:35:07could pick them up by mistake that's right he was pushing baby carriage 103 or 130 let's go find
00:35:12him need any help with that not from you truck 103 tells his station it's on the third tier we're
00:35:17on
00:35:18the fifth now why do you want these ever have a hunch what's going on now is tied up with
00:35:23that
00:35:24Hamlet job I need an angle you think whoever killed that dog is in the building again maybe where is
00:35:29station 126 in the stacks 126 on this floor show me say you've got a couple of books in here
00:35:42two
00:35:42miles of books suppose we might get lost you might leave the way it's just like the big house every
00:35:50book's got a number the dewey decimal system we classify our books by numbers instead of titles very
00:35:55tricky for instance a book on agriculture is in the 630 group and then say books on fruit orchards
00:36:02and vineyards are classified as 634 the ten major classifications philosophy is a hundred religion
00:36:08200 literature is 800 history 900 sold the little lady in the red hat then each volume has an office
00:36:14number you ever try using all that concentration on something that wears pants and smokes a cigar
00:36:25uh-huh we're getting married when the army's through with him yeah what's he like you that's why I
00:36:30mistook you for him when you came in tonight oh he's an ape not here you know I wish I'd
00:36:36met you
00:36:36before noon today why I wouldn't have already fallen for somebody else you couldn't compete with my
00:36:43army man I've never been arrested for trying this is station 126 what are you looking for book I
00:36:51want it do the mice take the books around here we don't have mice maybe the stack boy took it
00:36:56well
00:36:56that's easy to find out Freddy oh Freddy he might be downstairs I'll get him you sound just like a
00:37:06husband let's get the compliments that UK who's there like where are you what are you wandering around in
00:37:29here for looking for you darling I have to tell you something go ahead Craven he's flag yeah he knew
00:37:41too much about rare books for an ordinary copper I was afraid to tell you before but I want to
00:37:46play
00:37:46square with you you knew he was pulling this job tonight no I swear I didn't I'm gonna watch my
00:37:52step
00:37:53he's got a lot of innocent people sort of somebody might stop a slugger they get wise we don't let
00:37:57on you know now's your chance to get him Mac you do believe me I want to beautiful get back
00:38:07outside and thanks up here do you want me sir miss Ryan had to go with old Walpole did you
00:38:15take any
00:38:15books off this truck oh no sir the morning ship puts them away I see gee my girl's waiting for
00:38:20me
00:38:20in a drugstore and she'll get sore why can't I call her and tell her I'm stuck here you know
00:38:25that cop
00:38:25on the switchboard says no outgoing calls a police rule or something no we're bottled up just roll with
00:38:31the punches and you'll recover it who's down there who wants to know Craven thank you McBurn yeah I want
00:38:40to see you
00:38:52Lieutenant Craven
00:38:57don't you fool he's got the books wake him up
00:39:12make him talk but don't finish him until you get those books I'll wait for you outside
00:39:19could I get anyone to drink of water you've got to stay here the police don't want you to leave
00:39:24your places where's the woman who was in this chair where is she she closed us up you know what
00:39:37to
00:39:44do
00:39:45quit stalling we know you got him don't lie where'd you put him
00:39:52you
00:39:52you
00:39:55you
00:39:55you
00:39:55you
00:40:03you
00:40:14you
00:40:25you
00:40:26you
00:40:29you
00:40:46you
00:40:47you
00:40:59you
00:41:02you
00:41:18you
00:41:18you
00:41:19you
00:41:19you
00:41:19you
00:41:35you
00:41:42you
00:41:44I don't blame you.
00:41:50Where'd you get this?
00:41:53Under this table?
00:41:55Or down in the library?
00:41:58Who dropped it?
00:42:01All right.
00:42:02Get downstairs where you belong.
00:42:11Why are they gonna let us get out of here?
00:42:13I got something cooking on the stove.
00:42:15You've always got something cooking.
00:42:17They won't even let me call my husband.
00:42:18And when he doesn't hear from me, he gets the craziest ideas.
00:42:21The cops say they haven't got the killer yet.
00:42:26Go back to your chair.
00:42:30Say, I'm so scared I've got to get something to read.
00:42:32Well, help yourself.
00:42:33I must get my mind off this murder.
00:42:35I'm gonna have a baby.
00:42:37Wait till you get home.
00:42:38I mean my wife.
00:42:39Those cops ought to be shot.
00:42:41This is awful.
00:42:42I've got a date.
00:42:43Yeah.
00:42:44I've given my boyfriend every alibi.
00:42:46Express murder.
00:42:47Hmm.
00:42:57Mac.
00:42:59Oh.
00:43:00You like dark rooms too.
00:43:01Just to get out of flags, will he?
00:43:03What are you doing?
00:43:04Getting the police while I'm still alive.
00:43:05He has men out there.
00:43:07They'll shoot if they see you.
00:43:08I've got to risk it before there's any more killing in here.
00:43:31Hollis, Flegg's bodyguard.
00:43:32I've met him.
00:43:33He thinks I have the books.
00:43:35And somebody stuck Martin Cleaver with one of Flegg's forgeries.
00:43:39A Hamlet maybe.
00:43:41Was it you?
00:43:42Well, Flegg has lots of other outlets.
00:43:44Has he?
00:43:46I figure it like this.
00:43:50After Cleaver put the screws on, you ran into me.
00:43:54I was yelling Hamlet too.
00:43:56Cleaver used a gun.
00:43:58I used a jailhouse.
00:43:59You were on the spot.
00:44:01I know what you're thinking, Mac.
00:44:02And you're wrong.
00:44:04Am I?
00:44:05You played me off against Cleaver.
00:44:07You told him the guy who'd come to pick up a book would be Flegg.
00:44:12You knew he'd have his way or kill.
00:44:15No.
00:44:16Somewhere along the line, you also told Flegg that I was Mr. Trouble.
00:44:20He said he'd take care of me, right?
00:44:23Mac, you're so wrong.
00:44:25Beautiful.
00:44:26You wouldn't be you if you weren't lying.
00:44:28You knew I'd walk in here tonight with two men laying for me.
00:44:33Flegg sent a note using your name to get me up on that balcony.
00:44:37I didn't write this.
00:44:38I wasn't even on the balcony.
00:44:39Part of Flegg's plan to take over the library.
00:44:42He needed a body to stage a fake police investigation.
00:44:45And I was elected.
00:44:46And you knew it.
00:44:48No, Mac.
00:44:49Anyway, Cleaver went instead and got stuck with Hollis knife.
00:44:56And all the time, you were my pal.
00:45:01I never believed much in things happening at first sight.
00:45:05But it did, Mac.
00:45:08That's why I was afraid.
00:45:09That's why I wanted to be rid of you.
00:45:13I've always had my own way with the man.
00:45:15I wanted to.
00:45:17But this time it's different.
00:45:20You won't believe that.
00:45:22But it's true.
00:45:24I can try.
00:45:34You kind took a shot at me before.
00:45:37I had no hard feelings.
00:45:39But you're what I like.
00:45:41You can trust me.
00:45:43I don't expect you to play straight.
00:45:45I just want you to be around.
00:45:47And in the clear when this is all over.
00:45:50We can have some fun.
00:46:02I don't know.
00:46:02This wasn't in your bag before.
00:46:05I didn't want to get an appointment I had at 9.30 at a bookstore on 31st Street.
00:46:09What a client.
00:46:10Makes notes in the middle of murder.
00:46:12I'll be back for you, beautiful.
00:46:14With a riot squad.
00:46:15Mr. McBurn.
00:46:17Yes?
00:46:18I've been looking everywhere for you.
00:46:20Something awful is happening.
00:46:21Those policemen, they're fake.
00:46:22I heard them talking.
00:46:23They stole the books.
00:46:24Well, not exactly.
00:46:25I'm going for help.
00:46:26Say nothing and you'll be all right till I get back.
00:46:28I'm terrified.
00:46:29Well, Myra, keep an eye on the kid.
00:46:31There's a guy in the army writing letters to her.
00:46:32Got to do our bit.
00:46:36Well, this side looks clear.
00:46:37Careful, they have a man out there.
00:46:40I feel so helpless.
00:46:42They're murderers.
00:46:43We'd better go back to the others.
00:46:44They'll be suspicious.
00:46:55Where is he?
00:46:56I don't know.
00:46:57Not far.
00:46:58You were with him.
00:46:59Where'd he go?
00:47:00He didn't tell me.
00:47:02You have fallen for him.
00:47:04Don't be silly.
00:47:05I delivered him to you, didn't I?
00:47:07There's no hate without love.
00:47:09You hate because you dread love.
00:47:11And the fear of desiring it.
00:47:14Save it.
00:47:15He's been out for an airing.
00:47:16I wouldn't try that again, mister.
00:47:18Said he went out to get the right time.
00:47:20Come on.
00:47:21Oh, I've been here before.
00:47:24Has he guessed?
00:47:26About me?
00:47:28Then that little librarian, maybe she knows too.
00:47:33That's all I want to know.
00:47:36You might have stopped a slug.
00:47:38I don't want anybody else to try that.
00:47:40You're all in temporary police custody.
00:47:42Take him in here.
00:47:51Come on.
00:47:52Breaking out of here wasn't a very wise move, McBurn.
00:47:54I got lonesome.
00:47:55Say, don't you think it's time Mr. Cleaver went to the icebox?
00:47:58I'm running this show.
00:47:59Show is the word.
00:48:00We have reason to believe that you know where the missing books are.
00:48:02Wish I had.
00:48:04I can take you downtown and sweat it out of you.
00:48:06Now, if you really mean headquarters, Lieutenant, I'd love that.
00:48:10Oh, Miss Ryan.
00:48:12Will you please come here?
00:48:19Like a book from Stax?
00:48:21Certainly.
00:48:22Kiss Catten's collector's guide.
00:48:23I understand it carries a description of the missing books.
00:48:26I'll get it for you right away.
00:48:31Hollis.
00:48:32Yeah?
00:48:33The girl.
00:48:35Right.
00:48:36Let her alone, Flag.
00:48:38Flag?
00:48:39So you've been playing cat and mouse with me, eh?
00:48:42I thought I was the cat.
00:48:44I have underestimated your abilities.
00:48:46Call your man off.
00:48:47That girl can't hurt you.
00:48:48No, but you can spoil my setup since she knows things that you know.
00:48:50Now, we were talking about some stolen books.
00:48:52If I had them, I'd give them to you.
00:49:00What?
00:49:01Blue signal?
00:49:02Hello?
00:49:04Somebody said blue signal and hung out.
00:49:07That's the signal for an air raid alert.
00:49:09We must stand by for the sirens.
00:49:10This is a fine time to have a blackout.
00:49:15There they go.
00:49:17Everybody must go to the shelter in the basement.
00:49:19We're blacking out.
00:49:20Hey, wait a minute.
00:49:20You can't do that.
00:49:21Mr. Craven, I am the air raid warden for this building.
00:49:24I have my orders.
00:49:25Miss Ovo, air raid.
00:49:27Miss Hartwig, can you hear the sirens?
00:49:29Take everybody to the shelter.
00:49:31Now, please walk.
00:49:32Don't run.
00:49:34Don't get excited.
00:49:35This way, please.
00:49:36This way.
00:49:38Don't be nervous.
00:49:39Our shelter is bomb-proof.
00:49:41Everything's under control.
00:49:43Don't get excited.
00:49:46Take it easy, folks.
00:49:48Watch your step on the stairs.
00:49:50Take it easy, sir.
00:49:51Keep calm.
00:49:53Let's get out of here.
00:49:54Not until I get what I'm after.
00:49:56McGuern knows where those books are.
00:49:57We can take him with us.
00:49:59Oh, wait.
00:50:08Wait.
00:50:09But I tell you, it's too risky.
00:50:11That's what I say.
00:50:12Make him talk, then come back.
00:50:14All right, let's go.
00:50:29Let's go.
00:50:48Who's there?
00:50:52Who's there?
00:51:13Who's there?
00:51:14Oh, wow.
00:51:22No, stay home.
00:52:48Hey.
00:52:49Hey.
00:52:49Hey.
00:52:49Where are you?
00:52:49Hey!
00:53:37I thought you knew all the dirty tricks.
00:53:49Kay!
00:53:51Kay!
00:54:01Kay!
00:54:06Kitty hurt.
00:54:08No.
00:54:09No, that's a break.
00:54:11No, take it easy.
00:54:29Let me down, Mac.
00:54:30I can walk.
00:54:31You sure?
00:54:32Where can we hide?
00:54:33Well, some place where I can show a light in this blackout.
00:54:35The window.
00:54:36No, a flag would be up here for us.
00:54:38Can we get up on the roof?
00:54:40Yes.
00:54:40Let's go.
00:54:50Very careless of you, MacBurn.
00:54:52Breaking doors.
00:54:54Can you read the sign?
00:54:55Quiet, please.
00:54:57Get over there, Myra.
00:55:01What's she doing in this?
00:55:02Like Miss Ryan, she knows more than is good for her.
00:55:06He's worried about you, Myra.
00:55:07It's a good sign.
00:55:09This way, please.
00:55:10I don't know how long this blackout inconvenience will last, but I've arranged for a quiet, persuasive
00:55:15talk.
00:55:15And then I'll do it.
00:55:15I'll do it.
00:55:18I'll do it.
00:55:19And then I'll do it.
00:55:19It'll do it.
00:55:23I'll do it.
00:55:23This will do very nicely.
00:55:26MacBurn, I'm curious to know who betrayed my identity?
00:55:29You did.
00:55:30Sounding off on old books.
00:55:32I'm glad it wasn't an old friend.
00:55:34And out of business, you have something that I want.
00:55:36I haven't got the books.
00:55:37Son of them, please.
00:55:38I've gone to great trouble to acquire them tonight.
00:55:45Look like let the women go this is between you and me wouldn't you play good cards if you had
00:55:51them
00:55:53well your racket is new but of all the crazy stunts trying to put the slug on me in here
00:55:58when you could do it on some dark quiet street two birds with one stone well when you kill the
00:56:03wrong man why didn't you finish what you started on me because of the emotional suspense the
00:56:08anticipation of whether you would catch me or not you see I belong to a strange breed we find
00:56:16pleasure in fear and pain you like to be hurt it's a form of self-punishment well I'll do all
00:56:24I can for you I'm sorry that the game is over I intend to get what I want flavor went
00:56:31in for
00:56:31books why don't you ask his man Benson thank you I did but it was a waste of time to
00:56:45die in terror
00:56:47but he didn't appreciate it come on now quit stalling suppose you find out where the books are after I
00:56:57take the women out of the building forgive me but I wouldn't trust you that far since you insist
00:57:03upon being so stubborn I should have to do things my way oh you mustn't show a light it's definitely
00:57:10against the rules I know but the windows covered oh yes well don't put on any more lights oh Mr.
00:57:16Walpole
00:57:16yes my dear never mind tell him later it's a perfect blackout not a light showing anywhere
00:57:23everybody's doing his bit a heartstring around the finger can give excruciating pain a crippled
00:57:33finger isn't very beautiful you know but then I'm curious to know if you like to watch pain let her
00:57:39alone flag Mac don't let him do it all right you can have the books where are they I've got
00:57:44to use the
00:57:44phone you couldn't have got them out of the building I mean the inner office phone they'll
00:57:47only be given up on my say so who's got them it's got to be handled my way all right
00:57:52go ahead
00:57:57I want the information desk please sorry pal you got to get an okay okay let him have it Joe
00:58:06Mr. Walpole there just a second Mr. Walpole telephone oh thank you Walpole speaking all clear
00:58:17what oh see all clear signal very good have the books ready for me when I come down don't let
00:58:29anyone else have them well what are you waiting for you have it all clear that didn't sound like my
00:58:37senior warden's voice you've got to be careful fit columnists try to spoil blackouts so somebody
00:58:43else could have phoned for your warden yes Walpole so he's in it with you let's go down there
00:58:55perhaps I have to call him back just to make sure I don't know how many signals you'll want but
00:59:01I
00:59:01can't stand this darkness with a murderer loose I want light miss over miss over you're disobeying my
00:59:31orders my men just got back from searching flags apartment that's the original we found it on flags
00:59:37workbench along with a lot of other stuff it is inspector it is though I didn't sell it why sell
00:59:44fine books when the suckers will pay for imitations sides I'm a collector myself but I was careless
00:59:51wasn't I and I was lucky for one brief moment I left myself unguarded the subconscious mind exacting
01:00:00it's punishment he likes to hurt himself I always knew this would happen but when and how I wake up
01:00:11nights in a cold sweat thinking I'd been caught you see like a lot of criminals I I wanted to
01:00:18be caught
01:00:19that's what a conscience does to us so we don't always know it we can outwit other people but never
01:00:25ourselves I seem to have outsmarted myself in this job I get always slapping around but the reward has
01:00:30to be split 12 ways please help recover the hamlet they're entitled to a cut I never argue with the
01:00:35law mr. flag won't you please tell us what you've done with those five books I've tried to I hate
01:00:42to
01:00:42sound mercenary but will the library offer a reward I suppose so yes about five grand oh you know where
01:00:49they are no but I'd hate to go to a lot of trouble just for the exercise we'll pay $5
01:00:53,000 $2,500 you tempt me yes
01:00:57definitely oh by the way look for some leads in cleaver's papers he didn't work alone hope you enjoy the
01:01:06hanging you wouldn't understand die in terror listen I've given my statement I gotta go it's my job I'm on
01:01:20the
01:01:20morning shift all right but what's the name Helen Murphy okay Helen Eric Parson you must stop being
01:01:27frightened it's all over now I want to talk to you excuse me please
01:01:47to play talk about me not a word you didn't let him thank you man I protect a client I
01:01:57protect
01:01:57you're on the clear just as you promised cigarette no thank you
01:02:07something's wrong what is it
01:02:12where are those five books you lifted off that stack wagon don't give me that you got him and
01:02:17you left like gun for me thinking I had him you're out of your mind stop acting you tried to
01:02:22play me
01:02:22off against flag why not I was a lucky guy I might knock off like that'd make you top man
01:02:28in the racket
01:02:28a swell setup and you're made of ice
01:02:36a retainer
01:02:42I kept my end of the bargain you're not in the flight case so far but from right now you're
01:02:48on your own
01:02:49you've got to listen to me where are those books I don't know
01:03:02could be
01:03:09920 Darwin's biography of African chieftains all books are classified according to number
01:03:16here's 900 here's 930 known since history of Rome
01:03:23C 31 the letter C maybe I explained that memo
01:03:29C 31 yeah Charleston's ancient tales of the Nile Delta
01:03:59you sure had a date in the morning with a hundred and fifty grand going to blame a girl for
01:04:04trying
01:04:04I might have told you in a pig's eye look beautiful nothing ties you to the killings
01:04:10tonight no proof but I'm going to nail you for the hamlet forgery revenge no to teach you a
01:04:16lesson you had me going for a while but a man doesn't mean a thing to you you live for
01:04:21a little
01:04:22myra nobody else you'll always be that way back
01:04:27what you said was true until you came along don't hand me that any dame who worries about her hat
01:04:32and
01:04:32a taxi that was the tip-off to me but I didn't want to believe it Mac I love you
01:04:37it's the first time
01:04:38I've ever been able to say that to any man I'll lay off you've yelled wolf too many times I
01:04:43wanted
01:04:43to give you a break but you tried to destroy Kay that innocent kid you were the only one who
01:04:48knew
01:04:49she'd spotted flag and you tried to tip him off about I couldn't help it I was jealous you no
01:04:54you
01:04:55wanted to convince like you're on his side and that was your big mistakes you were falling for
01:04:59her no she doesn't mean a thing to me only what she stands for she's waiting for some guy in
01:05:03the army
01:05:05but you wouldn't get it there are thousands like Kay and a lot of guys in the army counting on
01:05:10him daydreaming about things after the war her useless death would have hurt him yeah maybe I am a
01:05:15sentimental slob but I don't buy that thanks for the buggy ride
01:05:27oh so you know where they were all the time right no I found this on flag and figured it
01:05:32out
01:05:33all by myself and don't horn in on the reward is that so yeah Mac you have to see me
01:05:43home oh no
01:05:44you're the only one I can count on Clebur's men are out there and they know what happened they'll kill
01:05:48me maybe they will maybe they won't people who do business with Hitler's mob know the payoff go ask
01:05:54the cops to take you home oh Mac don't desert me now I'm sick of you lying I'm not lying
01:05:59I tell you I'm
01:06:09terrified good night or I mean good morning an exciting night wasn't it mr. Walpole would you mind
01:06:16seeing me home I I don't want to go out alone why there's nothing to be afraid of now legs
01:06:21been
01:06:21taken to headquarters and our streets are the safest in the country I do not work alone
01:06:49my dear we all sit in motion the means of our own destruction you know where I can get a
01:06:59taxi not
01:07:00around here but there's a stand four blocks down
01:07:17station more and more thenまた another man whoifies you pick up on the back of his
01:07:36other friends go ahead and
01:07:37and after the you wanted to smoke up he blew up
01:07:43Let's go.
01:08:09Eric Pausman, that dummy, which way'd you go?
01:08:11Headed east towards Main Street.
01:08:13What's up?
01:08:13One of Cleaver's gunmen just found that opened a German's paper.
01:08:42Wait a minute here.
01:08:43Hold him.
01:08:44I don't know what he's doing in here.
01:08:52He got her all right.
01:08:56Night.
01:08:58Hello.
01:08:59Can you tell me all about it now?
01:09:01I'll buy you a cup of coffee.
01:09:02Put poison in it?
01:09:06Oh, I'm sorry.
01:09:07I guess you're not all alike, but right now I'm not very good company.
01:09:22She was involved somehow, wasn't she?
01:09:26You liked her too.
01:09:30I feel like a guy who's lost his pet cat.
01:09:34Did you ever have a cat when you were a kid?
01:09:36Mama's her dad to go.
01:09:39You know what it means to lose something you could do without, but had to have.
01:09:46Come on.
01:09:47Come on.
01:09:47Come on.
01:09:47Come on.
01:09:47I'll buy the coffee.
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