- 8 hours ago
Shockproof (1949) Full Movie ｜ Cornel Wilde, Patricia Knight [Full Movie] [Full Series]Full EP - Full
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Short filmTranscript
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00:02:56SIT DOWN
00:03:00NOW THEN
00:03:01YOU UNDERSTAND
00:03:02YOU'RE NOT
00:03:02PERMITTED TO DRIVE A CAR
00:03:03YOU'RE NOT PERMITTED
00:03:04TO DRINK ALCOHOLIC BEVERAGES
00:03:05YOU MAY NOT BORROW MONEY
00:03:07YOU MAY NOT CARRY A WEAPON
00:03:08YOU MAY PURCHASE CLOTHES AND FOOD
00:03:10BUT NEVER ON CREDIT
00:03:11ALL PURCHASES MUST BE FOR CASH
00:03:13DID YOU READ THIS
00:03:14I'VE GOT IT MEMORIZED
00:03:16OUR OBJECTIVE IS
00:03:17REHABILITATION OF THE CRIMINAL
00:03:19WE'LL HELP YOU IN EVERY WAY WE CAN
00:03:20BUT IT'S UP TO YOU
00:03:21I'LL GET YOU A JOB
00:03:22AND A PLACE TO LIVE
00:03:23YOU CANNOT LEAVE THAT JOB
00:03:25YOU CANNOT CHANGE
00:03:26CAN I CHANGE MY EMPLOYMENT
00:03:27OR MY PLACE OF RESIDENCE
00:03:28WITHOUT FIRST
00:03:28OBTAINING THE PERMISSION
00:03:29OF THE BUREAU OF PAROLES
00:03:31YOU HAVE GOT IT MEMORIZED
00:03:34YOU MAY NOT ENTER
00:03:34INTO ANY CONTRACT
00:03:35WITHOUT THE CONSENT
00:03:36OF YOUR PAROLE OFFICER
00:03:37THAT'S ME
00:03:38YOU MAY NOT MARRY
00:03:40AND YOU'VE GOT TO CHANGE
00:03:41YOUR BRAND OF MAN
00:03:43WHO PICKS THEM FOR ME
00:03:44YOU
00:03:45DON'T WORRY
00:03:46YOU WON'T HAVE ANY TROUBLE
00:03:46FINDING NEW FRIENDS
00:03:48I'LL BE SURE THEY'RE FRIENDS
00:03:49THIS TIME
00:03:51ON SOME OF THESE MATTERS
00:03:52WHEN CONDITIONS JUSTIFY IT
00:03:53AN EXCEPTION CAN BE MADE
00:03:54BY SPECIAL PERMISSION
00:03:55OF THE CHIEF PAROLE OFFICER
00:03:56HOWEVER NO EXCEPTION
00:03:57CAN BE MADE TO THE RULE
00:03:58OF NOT CARRYING A DEADLY WEAPON
00:04:00OR TO THE RULE OF NOT MARRYING
00:04:01THESE ARE BEYOND OUR POWER TO SANCTION
00:04:03YOU'VE GOT IT ALL MEMORIZED TOO
00:04:05HAVEN'T YOU
00:04:06I SAY IT AT LEAST ONCE A DAY
00:04:08YOU CAN SAVE IT
00:04:09I KNOW IT ALL
00:04:10I CAN'T HELP THAT
00:04:13YOU'RE ON LIFE PAROLE
00:04:14OH HELLO SAM
00:04:15THIS IS UH
00:04:17JENNY MARSH
00:04:18I MEET MR. BROOKS
00:04:20OUR CHIEF PAROLE OFFICER
00:04:21HOW DO YOU DO
00:04:22GLAD TO BE OUT
00:04:24EH
00:04:26YES SIR
00:04:31NOW THEN YOU'RE ON LIFE PAROLE
00:04:33THAT MEANS YOU REPORT TO ME EVERY DAY
00:04:35EVERY DAY
00:04:36THAT'S IT
00:04:37LATER IT'LL BE TWICE A WEEK
00:04:38THEN ONCE A WEEK
00:04:39HOW LONG DOES THAT GO ON
00:04:40WELL IF YOU BEHAVE
00:04:41YOU CAN GET YOUR LEAST IN A COUPLE OF YEARS
00:04:46REMEMBER HIM
00:04:49IF I TRY HARD ENOUGH
00:04:50WELL TRY HARD TO FORGET
00:04:52HE'S DEAD
00:04:54I MEAN DEAD AS FAR AS YOU'RE CONCERN
00:04:56HE'S GOT A BAD REPUTATION
00:04:59OH
00:05:02YES SIR
00:05:02NOW LISTEN
00:05:03THIS IS IMPORTANT IN YOUR CASE
00:05:05YOU MAY NOT ASSOCIATE WITH
00:05:07OR CORRESPOND WITH
00:05:07OR MAKE ANY CONTACT WITH
00:05:09ANY INDIVIDUAL OF KNOWN BAD REPUTATION
00:05:11OR ANY PRESENT A FORMER INMATE OF A PENAL INSTITUTION
00:05:13HARRY WESSEN MUST NEVER
00:05:14I KNOW ALL ABOUT HARRY
00:05:15YOU DON'T HAVE TO TELL ME
00:05:16HE'S NEVER LANDED IN THE PEN
00:05:17BUT HE'S COME CLOSE A DOZEN TIMES
00:05:19NOW I'M TELLING YOU
00:05:20IT'S THE WRONG SORT FOR YOU
00:05:21MY ORDERS ARE TO STAY AWAY
00:05:23DISOBEYING MY ORDERS MEANS YOU BREAK PAROLE
00:05:25BREAKING PAROLEMANS YOU GO BACK TO JAIL
00:05:27IS THAT CLEAR?
00:05:29YES SIR
00:05:33NOW YOU SEE
00:05:34I'M THE TEACHER
00:05:35YOU'RE THE PUPUL
00:05:36SURE
00:05:37I'M THE ONE WHO GETS SPANKED
00:05:39NOT IN THE MODERN EDUCATIONAL SYSTEM
00:05:41THEY DON'T SPANK KIDS ANYMORE
00:05:43THEY JUST SEND THEM TO JAIL
00:05:45NOW LOOK
00:05:46TAKE A LITTLE ADVICE
00:05:47I THINK YOU'LL BE BETTER OFF DROPPING THIS BITTERNESS
00:05:49AND FORGETTING THE PAST
00:05:51YOU'LL GET OVER IT IF YOU GET THE BREAKS
00:05:53AND I'M HERE TO SEE THAT YOU GET THEM
00:05:55YOU GOT CIGARETES?
00:05:58DO I HAVE TO CHANGE MY BRAND OF CIGARETES TOO?
00:06:01ALL RIGHT LET'S GO
00:06:02GO?
00:06:03I'LL GET YOU A PLACE TO LIVE NOT FAR FROM YOU
00:06:14RADIO DOESN'T WORK
00:06:15BUT IT CAN BE FIXED
00:06:17THE ROOM HAS MORNING SUN
00:06:19YOU LIKE IT?
00:06:20SIX DOLLARS A WEEK
00:06:21YEAH SHE LIKES IT
00:06:23I PAY THE FIRST WEEK'S RENT IN ADVANCE
00:06:25YOU PAY ME BACK OUT OF YOUR FIRST WEEK'S SALARY
00:06:28BATHROOM'S DOWN THE HALL
00:06:29TWO DOORS TO THE RIGHT
00:06:33FIRST WEEK'S SALARY?
00:06:34FROM WHAT?
00:06:35OH NOW YOU'VE GOT A JOB
00:06:37OH
00:06:38REPORT THERE IN THE MORNING
00:06:40YOU GET $21 A WEEK
00:06:41ASK FOR MR. LOGAN
00:06:42HE EXPECTS YOU
00:06:43THAT LANDLADY
00:06:44MS. TERENCE?
00:06:45YES
00:06:45DOES SHE KNOW ABOUT ME?
00:06:47DON'T WORRY
00:06:48SHE WON'T SPY ON YOU
00:06:49UH YOU GOT MONEY FOR LUNCH AND DINNER?
00:06:51YES SIR
00:06:53OKAY I'LL DROP BY THE OFFICE
00:06:54AND SEE HOW YOU'RE GETTING ON
00:07:00WELL
00:07:01LOTS OF LUCK CHENNY
00:07:02TAKE IT EASY
00:07:13JUST A MOMENT
00:07:15YOU CAN'T SEE JENNY MARSH
00:07:17I DON'T THINK I KNOW YOU
00:07:18I'M JENNY MARSH'S PAROLE OFFICER
00:07:20IF SHE SEES YOU SHE BREAKS PAROLE
00:07:22I SEE
00:07:23SO THAT'S THE WAY IT IS
00:07:24THAT'S THE WAY IT IS
00:07:25NOW GET GOING
00:07:26HARRY
00:07:27JENNY
00:07:28HOW DID YOU LEARN THIS ADDRESS?
00:07:30WHAT RIGHT OF YOU TO QUESTION ME?
00:07:31I MEANT WHAT I SAID ABOUT NOT SEEING HIM
00:07:32IT'S A VIOLATION OF YOUR PAROLE
00:07:34NOW RUN ALONG WESSEN AND STAY AWAY
00:07:35YOU CAN'T TELL ME WHAT TO DO
00:07:36I CAN DO WHAT I LIKE AND GO WHERE I LIKE
00:07:38AND SEE ANY WOMAN I HAPPEN TO LIKE
00:07:40YOU HAVE NO AUTHORITY OVER ME
00:07:43I HAVE AUTHORITY OVER YOU
00:07:45TELL HIM TO GO
00:07:48PLEASE HARRY
00:07:49GO
00:07:51ALL RIGHT JENNY
00:08:08HOW DID HE KNOW WHERE TO FIND YOU?
00:08:09I DON'T KNOW
00:08:11WELL WHAT AM I SUPPOSED TO DO?
00:08:12HIDE?
00:08:13YOU BETTER WATCH YOUR STEP MISS MARSH
00:08:15ALL RIGHT
00:08:17I'LL STAY AWAY FROM HIM
00:08:18BUT YOU'VE GOT TO HELP ME
00:08:21CAN YOU GET ME A ROOM AND A JOB
00:08:22WHERE HE CAN'T FIND ME?
00:08:23MAYBE
00:08:24REPORT IN THE MORNING
00:08:33WELL
00:08:37COUNTY HAVE MET US SOMETHER ELSE
00:08:39BUT HE NEVER LEAVES HERE
00:08:41HE LIVES HERE
00:08:41EATS HERE
00:08:42SLEEPS HERE
00:08:42WORKS HERE
00:08:43BUT HARRY
00:08:44I'M NOT SUPPOSED TO GO INTO A PLACE LIKE THIS
00:08:46I WISH HE COULD HAVE MET US OUTSIDE
00:08:48IT WON'T TAKE LONG
00:08:49COME ON
00:08:50Hey, don't get fat enough.
00:08:52You've got to keep all of us on parole.
00:08:55Three minutes before the time on Belvedere.
00:09:00You've got to pass this Belvedere.
00:09:02Yeah.
00:09:04Jenny's in spite of everything.
00:09:07Thanks, Monty.
00:09:09I feel fine.
00:09:10What's this emergency call about?
00:09:12You know, Jenny's on parole.
00:09:13Yeah, I know.
00:09:14For how long, Jenny?
00:09:15The book.
00:09:16Life parole.
00:09:17She wants to be...
00:09:30The State Legislature.
00:09:31What?
00:09:32Yeah.
00:09:32They're talking about running him for Assemblyman in the 84th District.
00:09:36They can run him for President, as far as I'm concerned.
00:09:38Look.
00:09:38What are the possibilities of a transfer for Jenny?
00:09:42Tough.
00:09:44Too difficult for you, Monty.
00:09:46Unless the price isn't right.
00:09:47Well, sit down.
00:09:57If the parole board in San Francisco lands her a job in a room, Los Angeles gives her the green
00:10:03light.
00:10:03Sounds simple.
00:10:04It isn't.
00:10:06First, I've got to plant a family up there.
00:10:08They asked for her to be transferred.
00:10:10$5,000 for the whole show.
00:10:13Okay.
00:10:14When?
00:10:15As of now, you have cousins in San Francisco.
00:10:18First cousins.
00:10:20Called, uh...
00:10:22Harris.
00:10:25Yeah?
00:10:25Can you come in for a minute, Griff?
00:10:27Be right in.
00:10:38Griff, uh...
00:10:39How's Jenny Marsh coming along?
00:10:40Jenny Marsh?
00:10:41Okay.
00:10:42What's she doing?
00:10:43Oh, she's going after a job on her own.
00:10:44Bookkeeping job.
00:10:45Foamy bought it a few hours ago.
00:10:47That girl's going places.
00:10:48She sure is.
00:10:51Right back to prison.
00:10:52Today.
00:10:53What do you mean?
00:10:54What happened?
00:10:56She was picked up in a bookie raid.
00:10:57A bookkeeping job.
00:10:59Joe Wilson was picked up, too.
00:11:01Joe Wilson?
00:11:02Another one of your pupils.
00:11:04Where are they now?
00:11:05Next door.
00:11:11Mr. Merck, don't let him send me back.
00:11:13You're out of luck, Joe.
00:11:14You mean 20 years?
00:11:15I can't take it.
00:11:16Give me another chance, please.
00:11:18I promise this time.
00:11:19You've been paroled twice.
00:11:20This is your third violation.
00:11:22Well, I'm through covering up for you.
00:11:26Take him to headquarters.
00:11:2820 years.
00:11:3020 years.
00:11:32Go on.
00:11:40No!
00:11:41No!
00:11:43No!
00:11:45No!
00:11:46No!
00:11:47No!
00:11:48No!
00:11:48No!
00:11:49No!
00:11:50No!
00:11:51No!
00:11:51No!
00:12:06Joe Wilson's stuff.
00:12:07Mm-hmm.
00:12:08They've taken him to the hospital.
00:12:10But he won't live.
00:12:12All right.
00:12:14Uh, what did the girl have to say?
00:12:15I don't know. I haven't talked to her yet.
00:12:17She's still in there. Sprained her ankle.
00:12:19Excuse me.
00:12:32What have you got to say for yourself?
00:12:34Look, I feel it's all my fault. That's why I came along.
00:12:36Now, you're a fool, Weston. You know those places rated for parole violators?
00:12:39Why'd you take her there?
00:12:40Did you get hurt?
00:12:41I sprained my ankle.
00:12:42Officer.
00:12:43Yes, sir.
00:12:44Take it down to Dr. Daniels. You wait here.
00:12:46Dr. Daniels?
00:12:46You heard me.
00:12:49This way, miss.
00:13:00Hello. Uh, give me Dr. Daniels, please.
00:13:06Hello, Doc. This is Griff Marriott.
00:13:08I'm sending a girl named Jenny Marsh down to your office.
00:13:12Yeah, she's got a sprained ankle.
00:13:15See what you can find out, will you?
00:13:16How old is she, Griff?
00:13:20What does she look like?
00:13:23Blonde.
00:13:26Delicate features.
00:13:28Brown eyes.
00:13:31I see.
00:13:32Well, she just saw a man jump off the balcony.
00:13:35Pretty shaky and upset.
00:13:38Well, it'll be easy to work on.
00:13:40Okay.
00:13:55Okay for sound?
00:13:57Echo.
00:13:58Okay for sound?
00:13:59Yeah, okay. Here.
00:14:01Now, play it cagey, Doc.
00:14:02This one's smart.
00:14:02What are you trying to prove?
00:14:03I'm not sure yet.
00:14:05Maybe that the girl is character.
00:14:06They all have when they're caught.
00:14:07Never should have been parole.
00:14:08Shh.
00:14:09Over here.
00:14:10Can you make it?
00:14:11I think so.
00:14:13Make it easy.
00:14:14It's her ankle, Doc.
00:14:17I'll be right outside.
00:14:19Take off your stocking.
00:14:25Oh, so...
00:14:29I feel sick.
00:14:30Really hate that bed?
00:14:35I just saw a man jump off the balcony.
00:14:38What did you do that for?
00:14:40They were sending him back.
00:14:42For good.
00:14:45Guess if I had the nerve, I'd do the same thing.
00:14:48No, you wouldn't.
00:14:51You wouldn't.
00:14:53Well, you know, you remind me of my daughter.
00:14:56You even look like her.
00:14:58Why?
00:14:58Because we're both female.
00:15:00That's about the only resemblance between her and me.
00:15:02Is your mother still living?
00:15:04Your mother?
00:15:05Yes.
00:15:06How long were you in prison?
00:15:08Five years.
00:15:10Five years?
00:15:12Must have broken her heart.
00:15:14She's still in the hospital.
00:15:15In the alcoholic ward.
00:15:17And your father?
00:15:18He was no good.
00:15:19I guess like father, like daughter.
00:15:21It's heredity.
00:15:22It's environment.
00:15:23It's a joke.
00:15:25There were nine of us.
00:15:26I was the oldest.
00:15:28Blew their noses for them.
00:15:29Scrubbed them.
00:15:30Doctored them.
00:15:30Everybody living in the one room.
00:15:33A swill pile.
00:15:33That's what it was.
00:15:35Where'd you get hurt?
00:15:36In a raid on a bookie joint.
00:15:39I broke parole.
00:15:40That means I'm going back.
00:15:42Don't you think you were pretty silly to go to a bookie joint when you were out on parole?
00:15:46I went with a friend who had business there.
00:15:48Fine friend.
00:15:49Got you in a big jam.
00:15:51He's the one who didn't forget me when they sent me to prison.
00:15:55Love him?
00:15:56He waited five years for me.
00:15:59For me.
00:16:00A man with a college education.
00:16:02Nice manners.
00:16:03Money.
00:16:04Everything I never had in a man before.
00:16:06Put that in your test tube, Doc.
00:16:08And what do you see?
00:16:09What does he do?
00:16:10Gambles.
00:16:11In a refined sort of way.
00:16:16Feels better now.
00:16:17It'll be all right in a day or two.
00:16:20Officer.
00:16:21Yes, Doc.
00:16:22You can take her back now.
00:16:23Okay.
00:16:24Oh, Doc, I just bought this outfit.
00:16:27If your daughter wears a size 12, she can have it.
00:16:30I guess I won't be needing it anymore.
00:16:36My feeling is that she's sensitive, confused, and angry.
00:16:40But Griff's right.
00:16:41I don't think Jenny Marsh is an habitual criminal.
00:16:44Well, then you think she's straightened out okay, Doc.
00:16:46I mean, if somebody gave her a break.
00:16:47I think so, Griff.
00:16:49You do?
00:16:50Yes.
00:16:50I'm sure of it.
00:16:51Well, I still don't trust her, but go ahead.
00:16:54She's your case.
00:16:55Oh, thanks, Sam.
00:16:56You'll see.
00:16:57I'm right about it.
00:16:57Oh, I don't say she's a hardened criminal.
00:16:59What is a criminal, Sam?
00:17:01Yeah, I've often wondered.
00:17:02I see him every day, but I still don't know.
00:17:05A criminal is somebody who commits a crime.
00:17:07Griff, she's in your office.
00:17:08And, Griff, throw a scare into her.
00:17:10Okay.
00:17:12Thanks, Doc.
00:17:23This will help you know the score.
00:17:2820 years later, a lifer.
00:17:31She looks 60.
00:17:32She's 40.
00:17:36Same girl 10 years later.
00:17:37Here's another one.
00:17:39I've seen enough.
00:17:41All right, you're sending me back.
00:17:42But you don't have to torture me first.
00:17:44Send me back and shut up!
00:17:50Ask Washington to come in.
00:18:00Take it easy.
00:18:06Feel better?
00:18:14Sit down.
00:18:18Maybe you've got something smart to say.
00:18:20Whatever you may think of me, Morat.
00:18:21Let's not go into that.
00:18:24Well, as I said before, it's all my fault.
00:18:27Would be unjust to make Jenny suffer from my thoughtlessness.
00:18:30Now, look here, Werson.
00:18:31I know you think you're pretty smart.
00:18:33Smarter than a dumb parole officer.
00:18:34Well, maybe you are.
00:18:36But you're up against an organization that's too big for you.
00:18:38You can't beat the whole parole set up.
00:18:39I don't intend to try.
00:18:41All right.
00:18:43If you care about Jenny as much as you seem to,
00:18:45you'll cooperate from now on,
00:18:46or it's going to be just too bad.
00:18:47What am I expected to do?
00:18:48Leave her alone.
00:18:51Has it occurred to you that you're making the conditions unnecessarily difficult?
00:18:55Jenny cares for me.
00:18:57You're setting up a situation full of hazards and temptations.
00:19:00I'm aware of that.
00:19:01But I think the hazards will be greater if she sees you.
00:19:03You'll invite her to break rules,
00:19:05because you look on rules as things invented for suckers.
00:19:07You think the guy who gets away with things is smart.
00:19:09What if I do stay away?
00:19:11She'll start seeing me again when she's free.
00:19:13She'll be as badly off as ever,
00:19:14by your standards.
00:19:17Well, I'm counting on her forgetting you.
00:19:20I'm counting on her meeting some normal, decent people.
00:19:23I'm counting on her getting over a feeling of gratitude to you,
00:19:26of loyalty, of...
00:19:27You mean of love, don't you?
00:19:29She didn't get over it in five years.
00:19:31Then you can wait another couple of years.
00:19:33I'll do everything I can to get her released sooner.
00:19:36I'll give you three minutes to say goodbye.
00:19:38Then you go and you don't see her till I say so.
00:19:40Agreed?
00:19:43Have we any choice?
00:19:46Agreed?
00:19:47Okay.
00:19:49I'll be back in three minutes.
00:19:55How's your ankle, darling?
00:19:56That's all right.
00:19:58When I was leaving the doctor's office,
00:19:59I noticed the dictograph key was up.
00:20:01She's really...
00:20:04Darling, I'll see you tomorrow night.
00:20:06About seven.
00:20:24Hello, Jenny.
00:20:26Why, hello.
00:20:27Almost missed you.
00:20:28Where are you going?
00:20:28Oh, just to get a bite of dinner.
00:20:31Oh, great.
00:20:31Get in.
00:20:33Well, I...
00:20:33Oh, come on, get in.
00:20:34It's better than eating alone, isn't it?
00:20:36Of course.
00:20:37Thanks.
00:20:42When I laid out that $6 for your rant,
00:20:44I thought you'd blown all your money on that first outfit.
00:20:48I didn't know you had a private gold mine.
00:20:51Like it?
00:20:52Yeah.
00:20:53I bought it today.
00:20:54Yeah, it's, well...
00:20:57Harry's money?
00:20:59Yes.
00:21:00Well, I...
00:21:01I suppose there's no reason why you shouldn't use what's left of it
00:21:04as long as you have it.
00:21:05I looked to see if there was a rule against it,
00:21:07but there wasn't.
00:21:11Oh, look, if you'll just drop me at a restaurant, I'll...
00:21:13Oh, you're eating with me.
00:21:15Do you often take parolees to dinner?
00:21:17Mm-hmm.
00:21:19Are you married?
00:21:21I'm Italian over 21.
00:21:23What do you expect?
00:21:24Well, how does Mrs. Murat feel about this sort of homework?
00:21:27She encourages it.
00:21:28You're kidding.
00:21:35Hello, Fred.
00:21:36Get in.
00:21:38You're right.
00:21:38I'm Italian.
00:21:39Yep.
00:21:40And Jenny, this is Fred Bauer.
00:21:41Jenny Marsh.
00:21:42How do you do, Miss Marsh?
00:21:42How do you do?
00:21:44You didn't mention a chaperone.
00:21:45I'm not a chaperone.
00:21:46I'm a dishwasher.
00:21:47A dishwasher?
00:21:48Oh.
00:21:49At what restaurant?
00:21:50No, we're not eating in the restaurant.
00:21:52We're going to my house.
00:21:54Does Mrs. Murat expect this?
00:21:56Sure.
00:21:58I see.
00:22:07Hi.
00:22:08Hi.
00:22:08I brought Barry along for dinner, okay?
00:22:10Okay.
00:22:10Get in.
00:22:18This is Tommy.
00:22:20Cut out to Tommy, can't you, Griff?
00:22:21Oh, sorry.
00:22:22This is Mr. Thomas Murat and his friend Barry.
00:22:25This is Marsh, Mr. Bauer.
00:22:26How do you do?
00:22:27Hello.
00:22:27Hi.
00:22:28Your son?
00:22:30Kid brother.
00:22:31Say, Griff, I told Barry you handle that killer in my car dozer, and he said no.
00:22:36You did, didn't you?
00:22:37Wasn't he that killer and you beat him up?
00:22:39Uh-huh.
00:22:40See?
00:22:41They give him all the killers.
00:22:42We're playing low-high next Saturday, semifinals.
00:22:45Can you come, Griff?
00:22:45Hey, why don't you sit back?
00:22:46You smell like a horse.
00:22:48Please.
00:22:48There's a lady present.
00:22:49Will you come, Saturday, Griff?
00:22:50Sure.
00:22:51Who's gonna win?
00:22:52Oh, we'll annihilate him.
00:23:12Come on.
00:23:15Hi, Mom.
00:23:16Hi.
00:23:16Hi.
00:23:17Griff is bringing a lady and a man.
00:23:19Yes, Tommy.
00:23:19Yes, Tommy, I know.
00:23:25Ah, buon asena, Mamma Mia.
00:23:27Buon asena.
00:23:28Brought a couple of friends home for dinner.
00:23:30Jenny Marsh and Fred Bauer.
00:23:32I don't see Mrs. Marsh.
00:23:33You will have to take my hand, please.
00:23:35Yeah, ma'am.
00:23:35Oh, I'm sorry.
00:23:36How do you do, Mrs. Morat?
00:23:37How do you do, Mrs. Marsh?
00:23:39Hey, Barry, watch this.
00:23:40Blonde or brunette, Mom?
00:23:41Oh, brunette?
00:23:43Hey, you're wrong, Mom.
00:23:45She's never missed before.
00:23:46She can talk with a voice and a handshake.
00:23:48She's blonde, Mom.
00:23:50And how.
00:23:50Oh, one mistake doesn't count.
00:23:52Won't you come in, Mrs. Marsh?
00:23:53I don't want to spoil your record, Mrs. Morat.
00:23:56I think I should tell you I'm really a brunette.
00:23:58Oh.
00:23:59Oh.
00:24:01Bleach.
00:24:01Uh-huh.
00:24:02Well, why do you know?
00:24:04Well, how's it done?
00:24:06Well, what do they use?
00:24:08It's a long story.
00:24:09Gosh, it looks good.
00:24:11Doesn't it?
00:24:11Sure does.
00:24:12Go get cleaned up, boys.
00:24:14Change your shade, Tommy.
00:24:15Yeah, and hurry up.
00:24:16I'm starving.
00:24:18Let me have your coat.
00:24:21Come on, Fred.
00:24:22You and I have work to do.
00:24:23Griff is our cook these days.
00:24:25Griff?
00:24:25Yes.
00:24:26Our part-time helper left.
00:24:28Oh, would you rather stay here?
00:24:30I'm going to the kitchen.
00:24:32Oh, I'd like to help.
00:24:34You have a nice big house here.
00:24:36It's an old house.
00:24:38Tommy was born here.
00:24:40How many of you are there living here?
00:24:42Just Griff and Tommy and me.
00:24:46No.
00:24:47No?
00:24:48Is somebody missing?
00:24:49My husband died last year.
00:24:52I miss him.
00:24:53I'm alone all day now.
00:25:09What do I do?
00:25:11If you bring me the radishes from the refrigerator, I'll fix them.
00:25:14All right.
00:25:14Then you can set the table, if you don't mind.
00:25:16Yes, sure.
00:25:35Mrs. Morat is wonderful, isn't she?
00:25:37Yes, she's terrific.
00:25:39Griff Morat has done a lot for me.
00:25:41Are you an old friend?
00:25:44I'd like you to know something, Jenny.
00:25:46Yes?
00:25:47I'm not exactly a friend of the family.
00:25:49Oh.
00:25:51I'm one of his parolees.
00:25:54Yes.
00:25:55I appreciate what he's doing, bringing me here, meeting his friends like you and his family.
00:26:00But I don't like pretending to be something I'm not.
00:26:02So I thought I'd tell you.
00:26:23What's the matter?
00:26:23I'm leaving.
00:26:25Why?
00:26:26I don't have to take this.
00:26:27I wondered what it was all about.
00:26:28Well, now I know.
00:26:29It's part of the treatment.
00:26:30To be kind to jailbird system.
00:26:32Show them a bit of home life.
00:26:34Sweet influences for sick souls.
00:26:36Well, I don't need your pity or your mother's or anybody's.
00:26:38My mother doesn't know.
00:26:40About you or about Barr.
00:26:42And she doesn't care.
00:26:43Anybody I bring home is okay.
00:26:45And that story about being married, what was that for?
00:26:48Afraid I might make a pass at you?
00:26:49I always say that.
00:26:51To the female parolees.
00:26:52Sure.
00:26:52If I'm asked, why not?
00:26:53You didn't have to.
00:26:54Believe me, it wasn't necessary.
00:26:56I didn't think it was.
00:26:57It's the regular procedure of the office.
00:26:58Regulation 86B.
00:27:00Then they'd better fix the regulation.
00:27:01Makes a liar out of you.
00:27:04And a liar's a bad example for the weak characters you deal with.
00:27:09Jenny, please try to get that chip off your shoulder.
00:27:11Come on, let's stop kidding each other.
00:27:13I want to talk straight to you.
00:27:16You're different, Jenny.
00:27:19You have a promising life ahead of you if you'll...
00:27:21I know.
00:27:22If I keep away from Harry Wesson.
00:27:24Well, why can't you?
00:27:26It isn't complicated.
00:27:28How would you feel if somebody had waited five years just for you?
00:27:31Are you sure he did?
00:27:32Yes.
00:27:33He's the only man who was ever really kind to me.
00:27:36He was.
00:27:37Patient and kind.
00:27:39Taught me what fork to use.
00:27:41How to dress correctly.
00:27:42How to speak correctly.
00:27:44Everything but how to think correctly.
00:27:47You'd do a great deal for Harry Wesson, wouldn't you?
00:27:50Yes.
00:27:51I'd do anything for him.
00:27:52You did.
00:27:53You even killed for him.
00:27:56That's right.
00:27:58I did.
00:28:03Thank you, sir.
00:28:05Oh, Griff.
00:28:07Yeah?
00:28:07What about Jenny Marsh?
00:28:09What about her?
00:28:10You've been trying to land her a job for more than a week.
00:28:12I checked.
00:28:13Four employers turned her down flat as soon as they learned she was a violator.
00:28:16Yeah, well, she's got a job.
00:28:18No kidding.
00:28:18I had to find her one where Harry Wesson couldn't get to her.
00:28:21I found it.
00:28:22She lives where she works.
00:28:23She eats there, sleeps there.
00:28:24She gets a hundred a month, one day off a week.
00:28:26She reports to me every day.
00:28:28What's the job?
00:28:29Taking care of a blind woman.
00:28:33Take it easy.
00:28:40Hi.
00:28:41Home already?
00:28:42Have a good workout?
00:28:43Yeah.
00:28:44Where's everybody?
00:28:45Mom went to bed.
00:28:46She's tired.
00:28:47Jenny's somewhere.
00:28:48Oh.
00:28:49Okay, maestro.
00:28:58Oh, hello.
00:28:59Hello.
00:29:01Hello.
00:29:02I thought this was your night at the Y.
00:29:04Well, I was there.
00:29:05Uh, phoning somebody?
00:29:07I phoned to see what time a movie went on.
00:29:08Your mother said she wouldn't need me.
00:29:10Oh.
00:29:11Why?
00:29:12Did you think I was calling Harry Wesson?
00:29:13I didn't think you were.
00:29:15I was just...
00:29:15Is that why you got me this job here, so you could spy on me?
00:29:17I'm not spying on you, Jenny.
00:29:19It's my job to check on you.
00:29:20You're making it more than that because of Harry.
00:29:22That's not true.
00:29:23Isn't it?
00:29:25Okay, I admit that.
00:29:26Because he loves me and wants to be with me.
00:29:28What's wrong with that?
00:29:29He doesn't love anybody but himself.
00:29:30He's done everything for me.
00:29:31He gives you things with money he never earned.
00:29:33Without denying himself anything, you don't know what love is.
00:29:37And you, teacher, do you know?
00:29:40Well, not from experience, but I've imagined it differently.
00:29:46When you fall in love, really in love, I think you'd know it for sure.
00:29:50A man would feel for the first time how wonderful life could be when he has someone to share it
00:29:55with.
00:29:56He'd want to give her the good things of life, not just the trimmings.
00:30:00Friends, home, children.
00:30:02And you'd think of her before himself and everything.
00:30:05Her welfare, her future, her happiness.
00:30:08And if she loved him, he'd be rich.
00:30:13Most men don't think like that.
00:30:15You only know Harry Wesson.
00:30:18I'm sorry, Jenny.
00:30:20I don't want to hurt you.
00:30:25I know that, Griff.
00:30:28Hey, what time does that movie go on?
00:30:308.24.
00:30:33Well, we'd better hurry.
00:30:36Griff, can I come, too?
00:30:40Come on.
00:30:42Come on.
00:30:57How do you see?
00:31:01Wow.
00:31:03Wow.
00:31:13Wow.
00:31:14Wow.
00:31:14Wow.
00:31:21I still don't get it.
00:31:22The guy was clear across the border.
00:31:24They'd never have caught him.
00:31:26So why'd he come back and give himself up?
00:31:28Something about human nature, Tommy, happens all the time.
00:31:31Men show up and confess to crimes they committed five, ten, twenty years ago.
00:31:35No kidding?
00:31:36Sure, all of a sudden they get a conscience.
00:31:38Starts to get them down and a kind of corrosion sets in.
00:31:42Anybody want some ice cream or anything?
00:31:44Ice cream?
00:31:45Silly question.
00:31:48Ice cream, Jenny?
00:31:50Yes, Greg.
00:31:51Sure.
00:32:09I'll run over to the library and change the book.
00:32:12Don't hurry.
00:32:14It's nice here.
00:32:20I can't take it much longer, Harry.
00:32:22We can't live like this.
00:32:23I know I can't.
00:32:24That's foolish.
00:32:25It's...
00:32:32Please, Harry.
00:32:34I've got to get out of there.
00:32:37What's bothering you?
00:32:38What happened?
00:32:39Griff Morat's falling for me.
00:32:42No kidding.
00:32:43I've been around long enough to know the signs.
00:32:46It's no joke.
00:32:47I don't find it a bit funny.
00:32:49I suppose it had to happen living in that house together for two months.
00:32:52He even held my hand in the movies the other night.
00:32:54I parole officer acting like a...
00:32:56It's good.
00:32:56It's great.
00:32:57Encourage him.
00:32:57It'll make things easy.
00:32:58It'll let transfer come through.
00:33:00Encourage?
00:33:01Encourage, I...
00:33:01I don't understand.
00:33:02Look.
00:33:03Put him in love with you, baby.
00:33:05We'll be able to handle him.
00:33:06Okay?
00:33:07Well, I...
00:33:16And this is by Ralph Waldo Emerson.
00:33:19Give all to love.
00:33:21Give all to love.
00:33:22Obey thy heart.
00:33:24Friends, kindred.
00:33:25Hey, Mom.
00:33:27Jenny.
00:33:28I wrote a poem for school.
00:33:29Could I read it to you?
00:33:31Sure.
00:33:36Little Purple Violets by Thomas Moran.
00:33:39Little Purple Violets blowing in the breeze.
00:33:42Your beautiful fragrance puts me at ease.
00:33:45Whether in a glade or in a bayou,
00:33:47their beauty and fragrance reminds me of you.
00:33:50That's fine, Tommy.
00:33:52That's fine.
00:33:53Jenny, I dedicated it to you.
00:33:56Oh, thank you, Tommy.
00:33:57I love it.
00:33:57Won't your girlfriend...
00:33:58What's her name, Mary?
00:33:59Be jealous?
00:34:01Oh, she's just a kid.
00:34:03I see.
00:34:03Well, you better practice your piano, Tommy.
00:34:05But I like to hear Jenny read.
00:34:07Oh, you like to hear Jenny read.
00:34:08You like to help her wash dishes.
00:34:10You like to help her shower.
00:34:11And I like to hear you play the piano, Tommy.
00:34:14Do you?
00:34:14Uh-huh.
00:34:18I think he's falling in love with you, Jenny.
00:34:20I'm flattered.
00:34:22And so is Griff.
00:34:24Sometimes blindness is not a handicap.
00:34:26I know.
00:34:28And I think you know it, too, Jenny.
00:34:31But I don't think Griff knows.
00:34:34He's only a man.
00:34:36But it isn't possible.
00:34:39You know what's in your heart, Jenny.
00:34:42Do what you think is right.
00:34:49Give all to love.
00:34:51Obey thy heart.
00:35:04Griff?
00:35:05Yeah.
00:35:07Sorry I'm late.
00:35:08It's all right.
00:35:09Your dinner's ready.
00:35:13Well, where are Mom and Tommy?
00:35:15They went to the concert.
00:35:17Oh, that's right.
00:35:18I forgot.
00:35:19Anything wrong, Griff?
00:35:21Oh, if it's my hairdo, you're right.
00:35:22It's different.
00:35:24Do you like it?
00:35:25Yeah, I like it.
00:35:27Better eat your dinner.
00:35:29Shall I sit with you or are you?
00:35:30Yeah, would you?
00:35:31I hate to eat alone.
00:35:33I could have waited and had dinner with you.
00:35:35I wish I had.
00:35:38Do you, Jenny?
00:35:39Mm-hmm.
00:35:41Do you like the music?
00:35:42Yeah, fine.
00:35:44Nice music for dancing.
00:35:45I used to love to dance.
00:35:47Funny, I haven't thought about it much lately.
00:35:50Do you like dancing, Griff?
00:35:52Yeah, but I'm afraid I'm not very good at it.
00:35:56What's the matter?
00:35:58Jenny, do you have relatives in San Francisco?
00:36:01What?
00:36:02Cousins called Harris.
00:36:06Why?
00:36:07Now, this came into the office a couple of days ago,
00:36:09a request for a transfer to San Francisco.
00:36:12Oh.
00:36:13What do you think?
00:36:15Well, I...
00:36:16I don't know.
00:36:18I...
00:36:19Maybe I don't want to go.
00:36:22I don't think I want to be transferred.
00:36:29Why?
00:36:31Because I like my job.
00:36:32I'm glad you do.
00:36:34Because this is a phony.
00:36:36What do you mean?
00:36:36It was arranged by Harry Wesson.
00:36:39Did you know about it?
00:36:42Well...
00:36:43A long time ago,
00:36:44he did say something about trying to arrange a transfer.
00:36:47But I didn't know...
00:36:48You meant what you said, Jenny.
00:36:49That you wouldn't have wanted to go?
00:36:51That's right, Griff.
00:36:52I don't want to go.
00:36:54You do believe me, don't you?
00:36:56Okay, Jenny.
00:36:58I believe you.
00:37:00Thanks, Griff.
00:37:02I...
00:37:04Good night.
00:37:05Good night.
00:37:10Good night.
00:37:56Good night.
00:37:57I dreamt.
00:37:58Reba.
00:38:00Hey, hey, hey.
00:38:03Take it easy.
00:38:07Easy does it.
00:38:08Griff!
00:38:09What happened?
00:38:10It's okay, Tommy.
00:38:11She's just having a nightmare.
00:38:12You better tell Mama it's all right.
00:38:13She'll be frightened.
00:38:14Hurry up.
00:38:18It's okay.
00:38:19You're all right now.
00:38:22Feel better?
00:38:26It was awful.
00:38:28Yeah, it must have been.
00:38:29I dreamed about you.
00:38:31Oh, is that bad?
00:38:33This was.
00:38:35We were walking in a forest and you kept getting caught in terrible steel traps.
00:38:40Oh, fine.
00:38:41And I kept warning you and warning you, but you wouldn't listen.
00:38:44Well, I hope you finally convinced me.
00:38:47Then you wouldn't let me go back.
00:38:49Back where?
00:38:50To prison.
00:38:51No, sir.
00:38:52Not a chance.
00:38:56I'm sorry I woke up the whole house.
00:38:58Well, everybody's entitled to a little nightmare down then.
00:39:01You're sweet, Griff.
00:39:05Want a glass of milk?
00:39:06No, I'm fine now.
00:39:07I hope I'll be able to get back to sleep.
00:39:09Oh, sure you're asleep.
00:39:11You're a sweetheart, Griff.
00:39:23I love you, Jim.
00:39:25I know I'm no great prize.
00:39:27I don't make much money.
00:39:28Although I have hopes.
00:39:30I'm just an everyday guy.
00:39:31I don't care much about nightclubs.
00:39:33I'm not a very good dancer.
00:39:35I guess I like mostly what you might call simple things.
00:39:39I can't offer you the expensive gowns, expensive times that Harry Wesson can.
00:39:48But I do love you, Jim.
00:39:55Will you marry me, Jim?
00:39:58Oh, no, Griff.
00:39:59You don't know what you're saying.
00:40:01Oh, it's no good.
00:40:02It couldn't work.
00:40:03Is it still Harry Wesson?
00:40:04No, it's not that.
00:40:05It's just...
00:40:06You don't know me, Griff.
00:40:08You deserve better than me.
00:40:09I know what I want.
00:40:11You know something?
00:40:13You're the first man who ever asked me to marry him.
00:40:16I know we can't get married right away anyhow until...
00:40:18But you could say yes now, couldn't you?
00:40:24Okay, Jenny.
00:40:25You think about it, but you know how I feel.
00:40:40Yes, sir?
00:40:41You have a ticket for me, Harry Wesson, for Havana, flight 6...
00:40:44615.
00:40:44Just a moment, please.
00:40:48Harry.
00:40:49Jenny.
00:40:49I must speak to you.
00:40:50I'm so glad I caught you.
00:40:51Mr. Wesson.
00:40:52Excuse me, Mort.
00:40:53Yes, your ticket, sir.
00:40:54Flight 615.
00:40:55The limousine will leave in six minutes.
00:41:02Please don't go, Harry.
00:41:04Can't be hoped.
00:41:05Then take me with you.
00:41:06What?
00:41:06I must get out of that house.
00:41:08I can't stay there.
00:41:09It's only for six weeks.
00:41:10You'll be all right.
00:41:11This is the wrong time for you to be going away for six weeks.
00:41:14Why?
00:41:14What happened?
00:41:16Griff proposed.
00:41:17He what?
00:41:18Last night.
00:41:19He wants me to marry him.
00:41:21I never dreamed he'd go that far.
00:41:24Paroli's aren't allowed to marry.
00:41:26If you marry him, it means he's the one who made you break the rules.
00:41:29He didn't mean that.
00:41:30He just wants me to say yes now, and then after I'm off parole.
00:41:33If you can get him to marry you now and keep it secret, honey, it's sensational.
00:41:38What are you talking about?
00:41:39Look.
00:41:40He's got a blind mother and a little brother who worships him.
00:41:44And he needs that job because he's got political ambitions.
00:41:48Don't you see, Jenny?
00:41:49Once you're married to him, you can do anything, and he won't dare give you away.
00:41:54I can't do that, Harry.
00:41:56The minute that marriage license is in your pocket, Griff Morat is where he belongs, right
00:42:00behind the apron.
00:42:01I can't, Harry.
00:42:02I can't.
00:42:03Please pause the limity.
00:42:05Marty, you'll know where I am.
00:42:07The minute you're married, get out of that house and wire me.
00:42:10Bye, darling.
00:42:11But...
00:42:12Harry.
00:42:14Harry.
00:42:16Harry.
00:42:17Harry.
00:42:55Harry.
00:42:55Good afternoon, Bureau of Paroles.
00:43:05Hello?
00:43:06I am her.
00:43:09When?
00:43:09She just packed a few things and left.
00:43:12Oh, she told me, Griff, about you and herself.
00:43:15She said she couldn't live here with you, and it wasn't fair to marry you, so...
00:43:20You got any idea where she went?
00:43:21Did she say anything to Indy?
00:43:22No.
00:43:23She just left, that's all.
00:43:25Oh, but, Griff, there was something.
00:43:28I don't know what it is.
00:43:30It's something printed, I think.
00:43:34It seems to be a leaflet of some sort.
00:43:36It was on her bed.
00:43:53I have the list of passengers of Flight 615.
00:43:56There's Mr. Harry Duffy, Mr. Alan Waterman, J.J. Jennings.
00:44:01Jennings, a man or woman?
00:44:03That was a man.
00:44:05Mr. Harry Wesson.
00:44:06Harry Wesson?
00:44:07Yeah.
00:44:08I thought you were looking for a lady.
00:44:09Yeah, that's right.
00:44:10Go on, please.
00:44:10Any other woman?
00:44:11Well, the only other woman is, uh, Miss Mary Wilson.
00:44:16What does she look like?
00:44:18I remember her.
00:44:19She was very nervous, sort of worried.
00:44:21And what does she look like?
00:44:23Well, she had gray hair, was about 65 years old, short and style.
00:44:26Attention, please.
00:44:28Passengers on Flight 66 for Seattle.
00:44:32Flight 66 is leaving from Gate 3.
00:44:35Flight 56 for Seattle is leaving from Gate 3.
00:44:48Jenny.
00:44:49Griff.
00:44:55Why are you running away from me?
00:44:56Because I don't know what else to do.
00:44:57Now, that's no answer.
00:44:58I'm just no good for you, Griff.
00:44:59Don't say that.
00:45:00Look, it's just something I've done.
00:45:01Oh, no, no.
00:45:01I can't explain it to you.
00:45:03But being in your house, being with you, I...
00:45:05You're going to marry me now, today.
00:45:06Oh, no, no.
00:45:07Why?
00:45:07Don't you want to marry me?
00:45:08You do love me, Jenny, don't you?
00:45:10I thought I didn't.
00:45:10I was ready to leave, but...
00:45:11Oh, darling, it can't be.
00:45:13No, we'll manage.
00:45:13It'll be all right.
00:45:14We'll have to keep it a secret till you get your release.
00:45:16But it'll work out.
00:45:17But we'll be begging the parole.
00:45:18No, just bending it a little.
00:45:19It'll ruin you if they find out.
00:45:20Your job, your career.
00:45:21Nobody needs to know.
00:45:22We'll just tell Mom, maybe.
00:45:23That's all.
00:45:24But you do love me.
00:45:24Oh, yes, yes, yes.
00:45:26We can get a plane ride here from Las Vegas and get married.
00:45:28Parolees can't leave the state, but you'll be in the custody of a parole officer.
00:45:31That makes it all right.
00:45:32Oh, Griff.
00:45:33Oh, Griff.
00:45:34For you two to stay apart would have been wrong.
00:45:38But we must trust nobody with this secret.
00:45:41Griffin has much to lose if it is discovered.
00:45:44His whole career.
00:45:47Hope Jenny has more to lose.
00:45:49Her whole life.
00:45:51We must all be very careful.
00:45:54Oh.
00:45:58God bless you.
00:45:59God bless you.
00:46:39God bless you.
00:46:43Hello?
00:46:44Hello?
00:46:45Jenny?
00:46:48Yes, I'm home.
00:46:49Just got in.
00:46:51Why didn't I hear from you?
00:46:53Well, I...
00:46:54I couldn't.
00:46:55I...
00:46:55Couldn't you get him to take the lead?
00:46:58I thought you had him hooked when I left.
00:47:01What happened?
00:47:04Oh, you aren't alone.
00:47:05Just answer yes or no.
00:47:06Can you meet me?
00:47:09Well, yes, but...
00:47:11Good.
00:47:12Five o'clock, the library.
00:47:15Fine.
00:47:16See you.
00:47:17I know.
00:47:30Here I go.
00:47:46What happened?
00:47:47I know.
00:47:49Harry, you shouldn't have come here.
00:47:51You kept me waiting there for an hour.
00:47:53For what reason?
00:47:55Mrs. Morat isn't feeling well.
00:47:57Oh.
00:47:58But I... I...
00:47:59Yes?
00:48:00I did want to see you.
00:48:01Really?
00:48:02Because I have something to tell you, but I...
00:48:04Relax.
00:48:05Who are you afraid of?
00:48:06Please, Harry.
00:48:08Griff is coming home.
00:48:10He'll be here any minute.
00:48:11Oh.
00:48:11You must go, Harry.
00:48:13Jenny?
00:48:15Who's there?
00:48:18Is it Griff?
00:48:20Who came in?
00:48:22It's all right, Mom.
00:48:23It's just a friend of mine.
00:48:25Who's just a friend?
00:48:26Griff.
00:48:28Yes, Mom?
00:48:29Something's wrong, Griff.
00:48:32Mom.
00:48:34Go to your room.
00:48:36Please.
00:48:37Yes, Griff.
00:48:47Griff.
00:48:48You've had this coming for a long time.
00:48:52Griff, don't.
00:48:54Come on.
00:49:11How?
00:49:12Oh, Griff.
00:49:15Hey, hey.
00:49:15It's all right.
00:49:16It's all right.
00:49:18Now, look.
00:49:19I'm the one who got the poke in the mouth.
00:49:21Oh, Griff.
00:49:22I'm afraid.
00:49:24I'm afraid.
00:49:25Oh, don't worry, honey.
00:49:26He won't bother you again.
00:49:28Never again.
00:49:31Good afternoon, Bureau of Paroles.
00:49:34Mr. Morat?
00:49:40Hello.
00:49:41Hello, Mr. Morat.
00:49:42Yeah?
00:49:43This is Harry Wesson.
00:49:45I have something to tell you about your wife.
00:49:49Hello?
00:49:50Hello?
00:49:52Hello?
00:49:55Hello?
00:49:59Hello?
00:50:02Hello?
00:50:04Hello?
00:50:08Hello?
00:50:20Hello?
00:50:36hello hello this is griffin murat send an ambulance right away to 3039 wilshire
00:50:40apartment uh 203
00:50:45now somebody shot harry wesson but he's still breathing hurry it up please
00:50:53so
00:51:03so
00:51:04so
00:51:05so
00:51:05so
00:51:05so
00:51:08so
00:51:22hello griffin murat again i think i know who did it jenny marsh a parolee i'll bring her in
00:51:55please come here
00:51:56where's jenny
00:52:02jenny told me the whole thing she told me what happened she wanted to turn herself into the police but
00:52:08i made a way for you
00:52:09jenny shot that man because she loved him
00:52:11she's a liar i saw a letter she wrote him to use me she in western she never loved me
00:52:15no no no
00:52:17griff
00:52:18griff
00:52:18i heard what you said but it isn't true please
00:52:20you're a liar and you cheat you're no good i made a fool of myself over you and never again
00:52:24griff please
00:52:25come on
00:52:32griff you must listen i don't care what happens to me but i want you to know the truth
00:52:36i went to harry's apartment
00:52:39i wanted to tell him about us
00:52:43oh
00:52:43jenny come in
00:52:45i can't stay harry
00:52:46mrs murat's waiting down the street
00:52:48i had to speak to you
00:52:50oh i'm sorry about what happened
00:52:51i hope he didn't hurt you
00:52:53what he did is nothing to what i'll do to him
00:52:56nobody pushes me around nobody
00:52:58harry
00:52:58you've always been very generous and very kind
00:53:02and i know you'll understand
00:53:03why didn't you get in touch with me during the whole six weeks
00:53:06well it was pretty difficult i
00:53:07why'd you refuse to accept that transfer to san francisco
00:53:10i didn't refuse it
00:53:11they found out it was a false transfer
00:53:12who told them
00:53:13you
00:53:14no
00:53:16harry
00:53:18i've come to tell you something
00:53:19you've fallen for him
00:53:22yes
00:53:24all the way
00:53:24so that's why you didn't get in touch with me
00:53:27you just stayed here playing kissing games
00:53:30but you couldn't get him to marry you
00:53:31the day you left harry i ran away
00:53:33i don't really think i knew why then i
00:53:35was just mixed up and i had to get away
00:53:38but i know now
00:53:41you're my friend harry and i'm grateful to you
00:53:43but i'm in love with griff
00:53:45in love
00:53:49you're not in love with that fool
00:53:51i've been happier than i ever was in my whole life
00:53:54i didn't know i could be so happy
00:53:56i know you'll understand you've always been so sympathetic and
00:54:07what's the date
00:54:10thanks monty
00:54:12that's all i need
00:54:16so i've come to ask you if you'll leave me alone harry and let me try
00:54:19shut up
00:54:21all along i've had a hunch there was something wrong
00:54:23not hearing from you
00:54:25the way you acted at the airline office
00:54:27his house
00:54:28with him acting like he owned you
00:54:29like a husband
00:54:31and you didn't tell me yourself
00:54:34now i have to get marty to check the marriage license bureaus
00:54:36it's in the record baby
00:54:38in the record
00:54:39you married him the same day i left
00:54:41you've been in love with him all the time
00:54:43i guess i have been
00:54:44do you think i'm gonna stand still while you make a fool of yourself over that rover boy
00:54:47and then take you back when you come running to me again
00:54:49i won't be coming back harry
00:54:50you're so right baby
00:54:52because you're not walking out on me
00:54:55not for griff morath
00:54:56not for him not for that fool
00:54:57i'm sorry harry
00:54:58i didn't want it this way
00:54:59but that's it
00:55:02you think i give up this easily
00:55:05you think i'm gonna have people laughing at me
00:55:07i'll ruin him if it's the last thing i do
00:55:09you will not
00:55:10i'm just starting to see you as you really are
00:55:13you've always had to be the big shot
00:55:15the powerful one
00:55:15handing out favors
00:55:17that's why you like doing things for me
00:55:18you did all right
00:55:19i didn't know any better then
00:55:20you think you can do better with griff moran
00:55:22griff is decent and he's smart
00:55:23and he'll get places the right way
00:55:25and he showed you up every time
00:55:27that's why you hate him
00:55:28not because of me
00:55:29shut up jenny
00:55:30you shut up
00:55:31i'm thinking clearer these days
00:55:33you owe me five years harry
00:55:35i shot a man to save your life
00:55:37and i went to prison for it
00:55:38i didn't have sense enough then
00:55:40to think it was wrong that you let me go
00:55:42but now i consider it a debt
00:55:45we're even
00:55:46i'm through harry
00:55:47i'm no longer asking you to say goodbye
00:55:49i'm just saying it
00:55:52oh
00:55:53well before you say it
00:55:55i want you to listen to a little speech i've got for griff moran
00:55:57what do you mean
00:55:59you and i had a deal baby
00:56:02you were to marry him so you could be with me
00:56:05remember
00:56:05well i'm going to tell him about that
00:56:07he'll never believe you
00:56:09won't he
00:56:14i love you darling
00:56:16please harry harry please i'm sorry for what i said
00:56:19please harry you can't
00:56:20can't i watch me
00:56:21harry i don't blame you but
00:56:22excuse me while i push empty dumpy off his wall
00:56:24information
00:56:24give me the number of the parole division
00:56:26harry no no you'll break his heart
00:56:28that's the idea you catch on quick jenny
00:56:30harry please i'll come back to you i will just don't do that
00:56:33yes
00:56:342230 thank you
00:56:40stop that
00:56:43put down that phone
00:56:44stop being melodramatic
00:56:47mr marat please
00:56:48i said put down that phone
00:56:51would you like to speak to him yourself
00:56:53i'll tell him you're here
00:56:55hello mr marat
00:56:56this is harry wesson
00:56:58i have something to tell you about your wife
00:57:07that's what happened
00:57:10that's the truth griff
00:57:13i have no reason to lie to you now
00:57:16maybe i'm no good
00:57:18but i do love you all
00:57:30why did you do that
00:57:31where are we going
00:57:32griff please
00:57:32why did you turn around
00:57:33where are you going
00:57:34they're expecting me to bring you in
00:57:35if i can make it to san diego
00:57:37on the mexican border
00:57:37before the alarm goes out
00:57:38i can get you across before we're missed
00:57:40no griff you must
00:57:41if you try to be a life sentence
00:57:43you haven't got a chance jenny
00:57:44they'll never believe you
00:57:44but you can't do this griff
00:57:46it means you're throwing away your job
00:57:47your whole career
00:57:47i'm gonna turn you in
00:57:49oh griff
00:57:50others have gotten away with it
00:57:51we'll be all right
00:58:03it's only 15 miles to the border
00:58:04but we're running out of gas
00:58:06can't we make it
00:58:08i'm afraid we'll have to take a chance and stop
00:58:18fill her up please hurry
00:58:19yes
00:58:19who arrived in this country today
00:58:21announces that she will marry the american industrialist
00:58:23two hamburgers to go out please
00:58:25one onions on them
00:58:26yeah everything rushes
00:58:27i'm in right after
00:58:27harry wesson a gambler was shot this morning
00:58:30he named his assailant
00:58:32a woman called jenny marsh
00:58:34although he's still alive
00:58:35doctors say he has little chance to recover
00:58:38this woman who was a paroled murderess
00:58:40was being taken to the police by her parole officer
00:58:43when both disappeared
00:58:44the police believe she murdered the parole officer
00:58:47and is using his car
00:58:49the license number of the parole officer's car is
00:58:521-N-8-8-8-1
00:58:54hey pop
00:58:551-N-8-8-8-8-8-1
00:58:58now for the sports roundup
00:59:00jesse hernandez will take on art palma
00:59:03at new york's madison square garden
00:59:05the winner will be the logical challenger
00:59:08for the welterweight crown
00:59:09tony edward
00:59:14come on hurry up
00:59:15we're waiting to start
00:59:16okay
00:59:43i'm still gonna try for the border
00:59:44but griff the alarm's out
00:59:46they'll be looking for us
00:59:47not in this car
00:59:48they're not gonna question a honeymoon couple too closely
01:00:17i'll take a look around
01:00:18i'll take a look around
01:00:20Mighty nice day for it
01:00:25Stolen car
01:00:26The crooks left the bride and groom standing at the curb
01:00:28Nice way to begin a honeymoon, eh?
01:00:30I see, this is a good one
01:00:31California license number 63W348
01:00:48Hey!
01:00:50That won't do you any good
01:00:52Anybody can tell from your face
01:01:18Griff, we'll never get out of this
01:01:19Yes, we will, hold tight
01:01:39We've got to get rid of this car
01:01:41But then what?
01:01:43The bus
01:02:28Yeah, put a slug right through them
01:02:30Some beautiful blonde, eh?
01:02:41We'll have to change the color of your hair
01:03:00Johnny, let me in
01:03:07Hey, looks fine
01:03:10We've got to get out of here
01:03:11That landlady's been asking too many questions
01:03:13Well, maybe she's just curious
01:03:15Well, we can't take any chances
01:03:18Maybe I can pawn this
01:03:20Pawn?
01:03:21Oh, Griff
01:03:22Get enough money for a bus fare to someplace else
01:03:29You got a nail file?
01:03:31Oh, thanks
01:03:34No, Griff!
01:03:35I know what I'm doing
01:03:38The back is all scratched up
01:03:40Yeah, well, it had something on it I didn't like anyway
01:03:43Where'd you get this watch?
01:03:44It was given to me
01:03:46I don't handle any hot goods
01:03:47Look, I didn't steal it
01:03:48Okay, okay
01:03:50Don't get excited
01:03:52Wait a minute
01:03:53I want to see what the gold weighs
01:04:05Hello, operator
01:04:06Get me in the police
01:04:13Hello, Sarge
01:04:14This is Sam Green
01:04:16There's a guy in here trying to pawn a watch
01:04:18I'm not sure
01:04:19But I think it's the guy in the paper
01:04:21You know, the lovers
01:04:23Well, hurry it up
01:04:24I'm no hero
01:04:26Okay, I'll try to stall him
01:04:39How much do you want for this?
01:04:40Well, it must have cost 200 bucks
01:04:42I ought to get 100
01:04:42You're crazy
01:04:43I might give you 25
01:04:44Oh, give me the watch
01:04:45Take it easy, take it easy
01:04:47I might go a little higher
01:04:50Where'd you say you got this?
01:04:51I told you it was given to me
01:04:53What was on the back
01:04:54You just scratched off?
01:04:55I'm selling you the watch as is
01:04:57Got anything else you want to sell?
01:04:59No
01:04:59How about the ring?
01:05:00No, how much?
01:05:02How much do you want?
01:05:03Look, give me 50 bucks
01:05:05And let's stop all this
01:05:07Mmm, 35 is more like it
01:05:08I don't want to sell it
01:05:09Give me the watch
01:05:10Get your hands up
01:05:11Get your hands up
01:05:12And what is this?
01:05:13I recognize you
01:05:13The minute you came in
01:05:15Don't try anything funny
01:05:16The police are on their way over
01:05:17Look, mister, you're wrong
01:05:18I don't know what you're talking about
01:05:20Look, you keep the watch
01:05:21I found it
01:05:21Just let me out of here
01:05:23Don't move
01:05:24Stay where you are
01:05:25I'm warning you
01:05:26You're this guy
01:05:26I'm a rat
01:05:27The guy with the murderers
01:05:28Oh, no
01:05:29It's a basketball trophy
01:05:31Get out of the way
01:05:32How much I want for this
01:05:33Get out of the way
01:05:34You fool
01:05:35Stop him
01:05:36Stop him
01:05:47Yeah, like I said
01:05:48They can give you the book
01:05:49For carrying a heater
01:05:50But a knife
01:05:52Even a woodcarver carries a knife
01:05:54Get it, Jack?
01:05:56Woodcarver
01:06:00Ain't answered me yet
01:06:05What racket you two win?
01:06:08Badger game?
01:06:10With a smart-looking tomato like her
01:06:12It'd be a cinch
01:06:14But what's the matter?
01:06:15It's so hot you're scared to talk?
01:06:17I ain't exactly cold myself
01:06:20A little slug baby?
01:06:22No, thanks
01:06:23I, uh, borrowed this on my last job
01:06:27Twenty-year-old whiskey
01:06:30I only go for the best
01:06:39What's tomorrow morning?
01:06:41Gang number four
01:06:41Name?
01:06:42Buddy Smith
01:06:44Address?
01:06:45Uh, 1256 Amelita
01:06:47Social security number?
01:06:49What's your social security number?
01:06:51Ain't you got a card?
01:06:52I, uh, I forgot it
01:06:54I didn't bring it
01:06:55Sorry, bud
01:06:55Next?
01:06:57Name?
01:07:03Oh, Griff, I'm so glad you're back
01:07:05There's nothing in this paper, either
01:07:06We haven't been in for days
01:07:07Good
01:07:09Oh, Griff
01:07:11I never knew you could be so hungry
01:07:13I guess these aren't from the Waldorf, but
01:07:15Mmm
01:07:16And they're wonderful
01:07:17Where'd you get them?
01:07:20Car is going down the road
01:07:21I hope they didn't cost much
01:07:22We'll need money for dinner tonight
01:07:24How much have we left, darling?
01:07:26Griff
01:07:28We spent all our money yesterday
01:07:30You had only enough for bus fare this morning
01:07:33How did you get these?
01:07:35I borrowed them
01:07:38All right, I stole them
01:07:39What are we supposed to do?
01:07:40Starve?
01:07:40I stole them because there's no other way
01:07:42So eat them
01:07:42You haven't had anything all day, Jenny
01:07:44Eat
01:07:46Oh, please don't cry, Jenny
01:07:47We haven't
01:07:48I'm not crying
01:07:48It's just for you to have to steal
01:07:50For you
01:07:51How much is all this stuff worth?
01:07:54It cost you more than it's worth
01:07:56Jenny
01:07:57There's a policeman watching us
01:08:00Let's go
01:08:02I've had enough
01:08:02Hey, you
01:08:03Wait a minute
01:08:06Come here
01:08:07I've been watching you
01:08:09What's the idea of littering up the park with your garbage?
01:08:11You raised in a pig pen or something?
01:08:13Coming in here and throwing his trash all around?
01:08:15I ought to run you in
01:08:16Now clean up that mess
01:08:18What do you think this thing is for?
01:08:19Decorations?
01:08:21Now tidy up everything so it's ship shape
01:08:22Or say help me or write you both a ticket
01:08:34This is my wife
01:08:37I'll do
01:08:38There's an empty house right next to where I live
01:08:40Manager said you could have it
01:08:41Fine
01:08:47Keep the rain off you
01:08:48It'll be fine
01:08:50Oh
01:08:50Glory, my wife
01:08:52Hey
01:08:52Mr. and Mrs. Parker
01:08:54Wasn't that the name?
01:08:55Yeah, that's right
01:08:55Fine
01:08:55How do you do?
01:08:56Where you folks say you come from?
01:08:58Colorado
01:08:58Montana
01:09:00Well, we just came down from Montana
01:09:03Originally from Colorado
01:09:05Be back in a few minutes
01:09:06Show your way to water
01:09:08We're going in
01:09:13What's the matter with you, Jenny?
01:09:15I told you it's Colorado
01:09:16Colorado
01:09:16The last place you said it was Montana
01:09:18Just before we got off the bus
01:09:19I told you Colorado
01:09:20I couldn't remember
01:09:21Well, I have to remember everything
01:09:22Fake names, fake social security numbers
01:09:24Remember to leave before they get wise to me
01:09:26You don't even remember the name of a state
01:09:29I'm sorry, Griff
01:09:30I made a mistake
01:09:32Well, we can't afford mistakes
01:09:33You know how much it depends on it
01:09:34Now, that guy probably suspects something's phony
01:09:37It's no good, is it, Griff?
01:09:39If you just use your head
01:09:41Yes
01:09:42Heads instead of hearts
01:09:50Forgive me, Jenny
01:09:51I didn't mean it
01:09:53Griff, why do we quarrel like this?
01:09:55Sometimes I started
01:09:56Sometimes you
01:09:57We're not getting on with each other
01:09:59Or with other people
01:10:01What's happening to us, Griff?
01:10:03Nothing, honey
01:10:03We're under strain
01:10:04I'm sorry I was irritable
01:10:06I don't know what's the matter with me
01:10:08I'm just tired, I guess
01:10:11That's not it
01:10:11We're both jumpy and cross and all mixed up
01:10:14We're not ourselves
01:10:16We haven't had a happy moment since
01:10:17Four weeks of this life would do it to anybody
01:10:19We're living like pigs
01:10:21Other people have been happy in a house like this
01:10:23And doing work like this
01:10:26Then we'll be happy to
01:10:27We will
01:10:28I get 40 bucks a week on this job
01:10:30They won't catch up with that phony social security number
01:10:32For seven or eight weeks
01:10:33By that time we'll have some money
01:10:35To get a long way from here
01:10:36Hey, Parker
01:10:38That's for you, Mr. Parker
01:10:40Come on, the boss wants me to show you where you work
01:10:57They're coming
01:10:57Yeah, it's about time
01:11:09How do you like working here after two weeks?
01:11:12It's okay
01:11:13You ever been in California?
01:11:16No
01:11:17My wife's brother lives there
01:11:18He owns his own house
01:11:20You know how he got the money to pay for the house?
01:11:22He turned in a crook
01:11:24And got a reward
01:11:27Maybe I'll live in California pretty soon
01:11:30I hear it's a pretty nice place
01:11:34Your wife ever been in California?
01:11:36No
01:11:37My wife wants to live there
01:11:39I told her
01:11:40Get a crook, turn him in, get a big reward
01:11:42We buy a house, live in California too
01:11:45She wants to be waitress and drive in a restaurant
01:11:48Waitress
01:11:49Your wife got ambition like that?
01:11:52No
01:12:19Hello
01:12:20Hello, dearie
01:12:20Hello
01:12:25Oh, dearie
01:12:26I told my girlfriend
01:12:27I know the things I'm shopping
01:12:28I know the good times
01:12:45Thanks, dearie
01:12:46For picking up the paper for me
01:12:47First delivery we've had in a week
01:12:49Joe said he was going to give that paper boy a piece of his mind
01:12:53Looks like everybody got a paper on time today
01:12:55They can thank Joe for that
01:12:57You ought to subscribe
01:13:00Oh, thanks, honey
01:13:01Just put them on top here
01:13:03Here, that's it
01:13:04The paper, too
01:13:05Paper?
01:13:05Yeah, sure
01:13:06Joe always reads it after dinner
01:13:07Would you mind opening the door for me?
01:13:09It isn't locked
01:13:10Oh, thanks, honey
01:13:37Oh, darling
01:13:38Oh, I'm sorry I'm late, honey
01:13:40I came through town
01:13:42Griff
01:13:42Got something for you, June
01:13:43A little present for my girl
01:13:45A little present for my girl
01:13:46A little present?
01:13:46Go on, open it
01:13:48It's an awful little present, but
01:13:54Griff
01:13:57Hey, hey
01:13:58You know, it isn't that bad, is it?
01:14:02You know what they say
01:14:03It's not the gift
01:14:04It's the thought that counts
01:14:05Yes, Griff
01:14:06That really counts
01:14:10Well, go back ahead
01:14:10Don't let me stop you
01:14:11I'm just paying you back the eggs I borrowed
01:14:14Oh, it's no hot water again
01:14:15I'm just going to wash my hair
01:14:17And
01:14:18Well, it's dyed, isn't it?
01:14:20Oh, uh, yes
01:14:21You see, I thought
01:14:22I can always tell dyed hair
01:14:23I noticed the first day you got here
01:14:25I bet you used to bleach it
01:14:27Now it's dyed back to its natural color, huh?
01:14:29Yes
01:14:30Oh
01:14:32That's Joe
01:14:32He's home
01:14:33Wait till he sees there's no hot water
01:14:35He'll yell like a bull
01:14:37Fixing the ghost someplace, dearie?
01:14:38Oh, no
01:14:38Chloe
01:14:39Yeah, what is it?
01:14:40There's no hot water
01:14:41What'd I tell you?
01:14:42Yelling like a bull
01:14:44That heat, it's all corroded
01:14:46Once corroded
01:14:47Chloe
01:14:48Come on, I'm hungry
01:14:56Tell me if this isn't
01:14:58Corrosion
01:14:59What?
01:15:00That's what I'll
01:15:23What's wrong?
01:15:25We're going back, Griff
01:15:27What?
01:15:28We're going to give ourselves up
01:15:29Don't talk that way
01:15:30Those people that got you upset
01:15:32That frowsy Dane with all the snooping
01:15:34Sorry you have to put up with them
01:15:36A lot of things
01:15:37We'll get out of here
01:15:38We'll go someplace else
01:15:39We'd only have to run away again
01:15:41No, we'll run so far
01:15:42This time they'll stop looking for us
01:15:43Maybe they'll stop looking for us
01:15:45But we'll never stop running
01:15:47We're getting out of here
01:15:49Griff
01:15:49It's too late
01:15:55He's already called the police
01:15:57Police?
01:15:57He knows?
01:15:59Yes
01:15:59That's why she came over here
01:16:00To make sure
01:16:01How did they find out?
01:16:02The newspaper
01:16:03Pictures of us again
01:16:04You saw it?
01:16:05Yes
01:16:05Well then why didn't you?
01:16:07Come on
01:16:08Let's hurry
01:16:08It isn't too late yet
01:16:09It is, Griff
01:16:10For me
01:16:15Jenny, please
01:16:16You're all that matters to me
01:16:17You can't go back
01:16:18I've got to
01:16:19It's no good this way
01:16:20What kind of life is this for you?
01:16:21We haven't got a chance, Jenny
01:16:23Yes, we have
01:16:24A little chance, maybe
01:16:25But at least a chance
01:16:26There's no happiness this way, darling
01:16:28We're breaking the rules
01:16:30That's not for you, Griff
01:16:32And it's not for me either anymore
01:16:34Oh, it's better, Griff
01:16:36Please
01:16:37It's better
01:16:42Yes
01:16:45Let's go now, right away
01:16:46We don't want to be caught
01:16:47We don't want to give ourselves up
01:16:49Wait
01:16:51My prison
01:17:14Can you answer me, Joe?
01:17:16Did you not tell him?
01:17:17Yes
01:17:17I told him
01:17:18So what did you tell him, exactly?
01:17:20I told him
01:17:21If he didn't get us a new heater
01:17:23I was quitting the company
01:17:24Yeah, and he said
01:17:26You take it from there, Flory
01:17:28I'm tired
01:17:30Tired
01:17:34Hey, Flory
01:17:35Yeah?
01:17:36There's a picture of a dame here in the paper
01:17:38Looks like that girl next door
01:17:41Nah
01:17:43In the papers, they all look alike
01:17:45She's a nice kid
01:17:47But being married
01:17:48They sure are crazy about each other
01:17:50Come on, Joe
01:17:51Eat this mess
01:18:06The police are here, Mr. Wesson
01:18:10Well, here they are, Wesson
01:18:15All you have to do is identify
01:18:16She gave herself up
01:18:27Well, just tell us if she shot you
01:18:31It was an accident
01:18:34An accident?
01:18:35Well, that isn't what you said in the report
01:18:37It was an accident, I tell you
01:18:44Well
01:18:45I guess there's nothing more for us to do
01:18:48Come on, Mike
01:18:50What about jumping parole?
01:18:51She was with her parole officer, wasn't she?
01:18:53For two months?
01:18:54Yeah, for two months
01:19:00Thanks, Harry
01:19:01I'm a good enough gambler to know when I've lost
01:19:04But it took a bullet to convince me
01:19:08Miss, do me a favor
01:19:09Yes, Mr. Wesson
01:19:11Throw these people out of here
01:19:15I'm a good enough for you
01:19:18I'm a good enough for you
01:19:24I'm a good enough for you
01:19:24I'm a good enough for you
01:19:27I'm a good enough for you
01:19:27I'm a good enough for you
01:19:29I'm a good enough for you
01:19:30I'm a good enough for you
01:19:31I'm a good enough for you
01:19:31I'm a good enough for you
01:19:32I'm a good enough for you
01:19:32I'm a good enough for you
01:19:33I'm a good enough for you
01:19:33I'm a good enough for you
01:19:34I'm a good enough for you
01:19:36I'm a good enough for you
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