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Ponies - Season 1 - Episode 04: Don't Go Breaking My Heart
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02:19The facility has moved
02:21I'll get him the new location
02:32What in the shit?
03:02I'll get him the new location
03:23So she's not KGB, does that mean she works for us?
03:26No, but she is someone useful to know on both sides
03:30There are things an American officer cannot get in the USSR
03:33Someone like Vera can help facilitate these things
03:36Well, things like what?
03:37Like poison?
03:38Forged travel papers, foreign currency, stolen art
03:42Airplanes
03:44What did she offer you?
03:45She wouldn't have sent you back here without offering you something
03:48She didn't offer us anything
03:50She's offering you information
03:52The thing you desperately want and would do anything for
03:54You think she's lying?
03:56People in her line of work do not get returned customers if they lie
03:59But they also know how to tell you things you want to hear
04:01Well, I mean, we want to hear it
04:03So how do we get in touch with her?
04:06Check your pockets
04:13Oh, wow
04:20Okay, Twyla, you're up
04:21Me?
04:22I get to run this up?
04:31What does this even mean?
04:34Well, it's pretty clever, actually
04:36People in Vera's line of work, they use these symbols to communicate
04:39So there's a man they call Caterpillar
04:42He works in the KGB Compromat facility
04:44He's fed us information through various channels
04:47If there's anyone who's going to know where the facility is, it's him
04:50Right, what's the big night for?
04:53That's probably Pavel, the Butcher
04:54He's Vera's contact
04:55See, Caterpillar is so deep in cover in the KGB system
04:59That Vera probably doesn't know who he is
05:01So the Butcher is going to reach out to Caterpillar
05:04Set up the meeting
05:05Who's she?
05:07That's Vera
05:08Really?
05:09Yeah, I mean, maybe 20 years ago
05:1120? Really?
05:13Okay, where am I supposed to meet her?
05:15The Yerevoy Violin Factory, 1pm, Friday
05:18Which symbol means that?
05:19That she wrote on the back
05:20Oh
05:22Hey, um, you should know
05:24Vera knew Tom and Chris
05:26Right
05:27Yeah, you said she could get airplanes
05:29You think maybe she knows something about the crash?
05:32It's pretty likely, yes
05:33Even if she did know something, I mean, would she even tell me?
05:36If you do everything she tells you to, maybe
05:41Okay
05:46Why'd Dane pick me for this mission?
05:48Well, because I told him to
05:50Why'd you do that?
05:51Because I know how much you care about the women in Moscow that no one else cares about
05:55That's Vera
06:12I'm afraid to die
06:13Don't watch me
06:18Where are you?
06:21What the hell?
06:23What the hell?
06:25I...
06:26There's no one here.
06:30I know you.
06:33You were in the bar then, with her.
06:36Yeah.
06:37You know her?
06:39You're in her house.
06:42I'm her friend.
06:44Her friend?
06:48When I asked her who you were,
06:50she said, no one.
06:53You are no one.
06:55She said, no one.
06:57Because we were being with her.
06:59We were being with her.
07:02Because of her...
07:04Her...
07:05Let's go.
07:17You think you're a guy?
07:20For me, it's just Bukashka.
07:24I'm going to call you.
07:25I'm going to call you.
07:31Good night, Bukashka.
07:59Good morning.
08:00I am Evie.
08:04I am your nanny.
08:06I took the night train in from Helsinki.
08:09No.
08:10No, you are not the woman that I hired.
08:12The woman I hired had...
08:15...experience.
08:16You know, haft.
08:18The agency sent me all this way.
08:20It was a 13-hour journey.
08:23I assure you, I have years of experience.
08:26I don't see how that's possible,
08:28because you don't have years of anything.
08:30Hello.
08:31Hey, who are you?
08:32She says she's the nanny.
08:33Evie.
08:34Oh!
08:35It's very nice to meet you.
08:36I'm Ray.
08:37This is Cheryl.
08:38Here, let me take your bag.
08:39No, no, no.
08:40We're going to leave the bag,
08:41because I'm going to call the agency,
08:42because this was a mistake.
08:43Do you want anything to drink?
08:43The coffee's bad.
08:44Tea's even worse.
08:45Why don't I introduce you to Trent?
08:46Trent, buddy!
08:47Come in here, I got someone for you to meet.
08:49Sir, we're going to get this sorted out soon,
08:50so stay close, please.
08:51Don't unpack, and we're not going to unpack, okay?
08:53Just a second.
08:56Down a tiny bit?
08:57Is that...
08:58I think that let go?
08:59That's perfect.
09:00I knew it was a little off.
09:04It's Amalievich.
09:05Are you familiar?
09:06Actually, I am, yeah.
09:08Art history minor.
09:10You sure that's okay?
09:11Yeah, looks great.
09:12Yeah?
09:15Yeah.
09:17One of the perks of this job?
09:19Access to the desperate and formerly rich.
09:22I got this for a song from a high-level Politburo member
09:26with a gambling addiction.
09:27Someday it'll be worth millions.
09:30He'll be pretty sour he made that deal.
09:33I have an eye for these things.
09:34When I served in Berlin in the 50s,
09:36I bought a Degas.
09:38Really?
09:40Was it stolen Nazi art?
09:43Well, not when I got my hands on it.
09:46I paid for it, which makes it no longer stolen.
09:59I saw the signal in your window.
10:02Andres showed up?
10:03What did you say?
10:05I said that I was your boyfriend.
10:08Oh.
10:09I know.
10:10It was the first idea I thought of.
10:12I said I knew about your infidelity.
10:14I'm so sorry I'm putting you in this position, this risk.
10:17Well, it's already risky.
10:20Giving secrets to the Americans if they catch me.
10:23I know.
10:23I know.
10:23I know it's scary and risky,
10:26but you have to know that the intelligence
10:29that you're bringing us...
10:30What intelligence am I bringing?
10:32The photos.
10:34And the technology.
10:37You don't know, do you?
10:39If what I do matters,
10:41they don't tell you what I'm bringing them today.
10:48I think what I'm doing is important.
10:51But you don't have to lie to me for me to help you.
10:53I have to lie to everyone.
10:55I'm Nadia Melnikova, the schoolteacher.
10:57And you are my boyfriend, apparently.
11:03Though you're cheating on me.
11:05Oh, small hiccup in an otherwise very strong relationship.
11:09Okay, so what's our story, hmm?
11:10How did we meet?
11:11You don't remember?
11:13Well, I...
11:14My umbrella broke, and I asked if I could walk under yours.
11:17Of course.
11:18I walked seven blocks out of my way to stay near you.
11:20And I thought I'd never see you again.
11:22And then one day at the market, there you were.
11:25It was fate.
11:30I really am sorry.
11:33No, I did.
11:36Love...
11:38Love means never having to say you're sorry.
11:42Oh, my God!
11:45You got a copy of Love Story in Moscow?
11:49Yeah, movie and book.
11:51How did you get a copy of the movie?
11:52My work is with video technology.
11:55It's the technology the Americans want me to steal.
11:58Did...
11:58Did you know it?
12:04What do I do if it comes back?
12:06What you're doing...
12:10Believes a lie.
12:17I mean, he never had a wife, so...
12:18That must be his sister.
12:20I mean, she kind of looks like him.
12:21If you say so.
12:23Well, no, but you know so.
12:24You know everything.
12:25You know about Twilight's high school track career.
12:26You know I don't take cream in my coffee.
12:28And you know that our Soviet acid sister was murdered.
12:31I didn't know about the cream.
12:33We were just out of cream.
12:35Why do you want to know more about your agent?
12:37You've already almost gotten him blown by the KGB.
12:39Well, I don't know.
12:40He's putting his life on the line.
12:42I just want to understand why.
12:43I need him to trust me.
12:45He already trusts you.
12:46And you trust him.
12:48Which, by the way, you shouldn't.
12:49Wait, why are we doing this if we don't trust him?
12:51In many ways, you were extremely ill-suited for this job.
12:55But you have your reasons for being here.
12:57As does Redford.
12:58And his reason is his sister.
13:00You think she was a prostitute?
13:02Looks that way.
13:03Who murdered her?
13:05Soviet government, KGB.
13:07Same organization who employs a man you want me to date.
13:10It's a sensitive undercover operation
13:12to infiltrate a high-level KGB agent.
13:14Oh, you know what I mean.
13:15Of course he's dangerous.
13:16Otherwise, we wouldn't want you to spy on him.
13:18How dangerous is he, Andre?
13:22Has he killed...
13:25a lot of people?
13:27You've looked him through his eyes.
13:29What do you think?
13:42Oh, sorry.
13:51Well, first off, it's Carl, not Curl.
13:54Why don't you go ahead and work off of that one?
13:59Oh, Cheryl.
14:00You did such a great job with that.
14:02Why don't you just take over?
14:03Oh, I did not do that.
14:04Bea did.
14:05So...
14:05No.
14:06Right?
14:07Paint!
14:08You paint?
14:09Uh, yeah.
14:10Wow.
14:10A woman of many talents.
14:12That involves sitting down.
14:13Sure.
14:16It's time.
14:24Okay.
14:29I thought they would send the other girl.
14:32Why?
14:35Well, uh, you're speaking English, and they sent me.
14:39So...
14:40What do you need me to do?
14:42Pavel, the butcher, took a great risk contacting Caterpillar.
14:47For that, he needs money.
14:50One hundred thousand dollars in American currency.
14:53By tomorrow night.
14:54That's a lot of money.
14:55To the American government.
14:57It shouldn't be too difficult.
14:59Okay. I'll try.
15:00Yeah.
15:01I'll work on it.
15:02I just, you know, we don't keep that kind of cash lying around at the embassy.
15:05And I need a passport.
15:06For who? Pavel?
15:07Passport is for me.
15:11This is the cost of my help to you.
15:13I can't hide in this country forever.
15:16I want to die free.
15:19Okay.
15:21I'll, uh...
15:22I'll get you the passport.
15:23But when I do, you're gonna get your guide, the butcher, to contact Caterpillar,
15:28and get the location of this facility for Dane.
15:30Yes.
15:31That's our deal.
15:51I'll take down for you.
15:55Let's go.
15:55Yes.
15:56Yes.
15:57Yes.
15:59Yes.
16:06I can take a look at him.
16:08I can take a look at him.
16:10I'm sorry.
16:13Sorry.
16:15I'm sorry.
16:16I'm sorry.
16:27I'm sorry.
16:32-"Готок", найдет Седушко? Позвонить по телефону?
16:36А... Да, да, конечно же.
16:40ВЫСТРЕЛЫ
16:41А-а-а...
16:47ЗВУКИ
16:48СПОКОЙНАЯ МУЗЫКА
17:14Jesus, $100,000 in cash by tomorrow night.
17:18We couldn't get that in a month.
17:20Don't we work for the American government, aren't we, Rich?
17:22We have to fill out forms to get thumbtacks.
17:24But she's negotiating, I think, which is a good thing.
17:27We just have to keep her hungry.
17:29Tell her that we can get her a visa to a friendly nation
17:33where the KGB won't kill her.
17:35Get me a visa to America, then.
17:37Get her a visa to America, then.
17:39We can get Turkey.
17:40How about Greece?
17:41She'll still need an American passport, though.
17:43What about a Greek passport?
17:45American.
17:45I can only do with an American.
17:48Fine.
17:49Is that it?
17:51Is that it?
17:53Pavel still wants the money.
17:54I can get you something extremely valuable
17:57that you can sell for a large amount of cash.
18:00More than $100,000, even.
18:01What is that?
18:03I'll tell you tonight.
18:04If you're not satisfied, we'll call the whole operation off.
18:07You'll call the whole operation off?
18:09What were you planning on giving her?
18:10I don't know.
18:11I was just trying to buy us time, okay?
18:12Think with me.
18:13You need this.
18:13I need this.
18:14What about your car?
18:15I'm sure she'd love a car.
18:16I don't own a car.
18:17I drive a West German sedan owned by the embassy.
18:19Right.
18:20What about watches?
18:21You got a Rolex or something?
18:22No.
18:23Okay.
18:25Okay.
18:25Just, uh, just let me think.
18:28Let me, uh, let me think.
18:33He's trying to screw with your head.
18:36Yeah, that's working.
18:37My head is screwed.
18:39He must have sent the man who robbed me.
18:43Whoever robbed me didn't find this.
18:51Although he could have, and that would have been the end for me.
18:54So this is the last thing I'll steal.
18:55I'm sorry I can't do this anymore.
18:58They're gonna torture me.
19:00They're gonna make me wish I was dead.
19:02They're going to let me live just enough so I feel pain every hour of my life.
19:05I feel fear I've never felt before.
19:06Do you understand what is at stake for me?
19:08I'm sorry.
19:09I'm sorry.
19:09I don't think I can still do this for you.
19:16You and I both know you're not doing this for me.
19:21Your sister.
19:24They killed her.
19:26You know, but Galina.
19:29You know they killed her.
19:31The KGB.
19:33I do know they killed a lot of women.
19:39A man.
19:41KGB.
19:42He came to me one night after she died.
19:45He said that there were some KGB agents who were murdering prostitutes.
19:52And Galina was one of them.
19:56I didn't know.
19:59We came from Kiev to Moscow when we were 13.
20:02She was my only friend.
20:05She was so excited to be here.
20:08But then they killed her.
20:11This country.
20:14Our country.
20:17Police believe me when I say I understand.
20:23If you walk away,
20:27no one in this world will ever fight for her again.
20:41I need something.
20:42Anything.
20:45I need to know that if they're going to torture me,
20:48there is another option.
20:50We thought about this.
20:51I need an L pill.
20:52I don't know what that is.
20:53A lethal pill?
20:54A cyanide pill?
20:55I don't understand.
20:56Why do you want a cyanide pill?
20:57So I could bite down on it if they come from me?
21:01I'm not going to give you a pill so you can kill yourself.
21:05I don't want you to die.
21:08I don't want to die either.
21:14I will only take it if there is no other option.
21:17I will continue helping you with please.
21:21Understand there are some things worse than death.
21:40So what the fuck happened?
21:42Well, I fucked up, is what happened.
21:44He almost quit and I think he still might.
21:46Oh, and fuck, Andre knows about him
21:48and he thinks that he's my boyfriend that I'm cheating on.
21:50Well, we can work with that.
21:51What?
21:51He just likes knowing someone else is fucking you.
21:54I think the KGB sent a goon to beat him up.
21:56Well, is he okay?
21:57No, he's not okay.
21:58He wants me to get him an L pill
22:00and there is no way that Dane is going to give me a pill
22:02that's going to kill our asset.
22:04I think I can get you one of those.
22:05Really?
22:06Well, from who?
22:07How?
22:09Vera.
22:10Poison.
22:10It's one of the things she can procure.
22:12So she would just give it to you or?
22:14Maybe, if I can sweeten the deal.
22:15We're in the middle of a negotiation.
22:18Actually, you know when you were making fun of Alan
22:20for a stupid painting earlier?
22:22Yeah.
22:22Could I borrow it?
22:24What do you mean borrow it?
22:26Steal it.
22:27What?
22:27Yeah, would you mind just, uh,
22:29breaking into his office really quick
22:31and just stealing it from me?
22:33What the fuck?
22:34Please?
22:35In the morning's arms lying
22:39As they drag you by your feet
22:43But the high munition hanging
22:47And they put you on the screen
22:51Yeah, you go back, Jack, do it again
22:59I just can't help myself in a lot of it
23:01I think about this every single time
23:03I think about it as a day
23:04I think about it as a day
23:04Get up, Jack
23:06Jack, Jack
23:07You're here
23:07Come on
23:08I'm OK
23:10I'm OK
23:10I'm OK
23:11I'm OK
23:12I'm OK
23:12Yeah
23:13Oh, God
23:15I'm OK
23:16I'm OK
23:17I'm OK
23:17I'm sorry, Lucy
23:18You're OK
23:31She's perfect. Really, amazing job, truly.
23:43Oh, it's so not. It's awful.
23:45It's fine. Nobody is going to notice these things.
23:47Alan will notice.
23:48He looks at this painting all the time.
23:51Well, he didn't notice when you stole it in the first place.
23:53Yeah, that's because he was busy having sex with Lily.
23:57Shep's wife.
23:58Yeah.
24:00Wow.
24:00Mm-hmm.
24:01I mean, I get it.
24:02I mean, if you had to fuck Shep, you know, but...
24:04Mm-hmm.
24:05Alan.
24:06I know.
24:06Why did you do the head just like...
24:08I don't know.
24:09No, no, don't worry. Don't think about it. Don't think about it.
24:11I tried.
24:11Okay.
24:12No, no, no, no, no.
24:22No, no, no.
24:28Oh.
24:55Now what the fuck is this?
24:57Well, you're blackmailing me.
25:00I pay you to stop a tape from getting out that you claim will be very damaging to me.
25:05A tape you claim to have.
25:06I do have it.
25:08Really?
25:10Because I heard chatter that you didn't.
25:13That the facility was compromised.
25:15And the tape got out.
25:17That's a lie.
25:18You're over your skis, Vasiliev.
25:21You act like you run things, but we both know you're just mid-level KGB.
25:27I don't negotiate down.
25:29Come back when we can talk like equals.
25:32I may not run an embassy, but you won't either.
25:35I was sent an anonymous dispatch to CIA at the head of Moscow Station.
25:40Oh.
25:42It's the ferry.
25:43Tell whoever you like.
25:46My mother's dead.
25:47I don't have a priest.
25:49I don't have a wife anymore.
25:52Washington already knows.
25:53I mean, how'd you think I ended up in Moscow?
25:57The worst assignment in the whole of the fucking CIA.
26:00If this item you claim to have is a tape of me fucking other men, then you really don't have
26:07it.
26:08I'll see you around.
26:13Wait, wait, wait, wait.
26:14You stole this?
26:15No, no, of course not.
26:17No.
26:18Be stolen.
26:19Are you kidding?
26:20Look, how else was I supposed to find someone worth a hundred grand?
26:23Okay?
26:23Your life's not even worth that.
26:24Oh, you're too kind.
26:26Look, you're the one that said to give Vera everything she wants if I want answers.
26:29So that's what I'm doing.
26:30You're assuming that Pavel is going to accept this as payment?
26:33Yeah, he will.
26:35I can convince anyone anything.
26:40What does that mean?
26:42He wants to know what the painting means.
26:45I don't know what it means, but I do know that it is worth a lot of money.
26:51You know, it's one of the big main guy at the embassies.
26:54It's his and he's a big art collector.
26:56So tell him that.
26:57It's a very expensive movie.
27:00It's a collection of one important person from the council.
27:03Yeah.
27:05My art is not bullshit.
27:08What is it?
27:09Tell him a little something.
27:11Sell it a little more.
27:13What do you mean?
27:15What do you think it's about?
27:26Loneliness?
27:27I think it's about...
27:33Feeling like you're part of the world and other times like you're not.
27:37You feel like you're part of the world and other times like you're not.
27:40And on the other hand, on the other hand, on the other hand.
27:45I think there's something.
27:49Actually, you know what?
27:50Never mind.
27:51I think I'm going to find another buyer.
27:53Yeah.
27:54This is a very significant work, and it's wasted on a moron, like yourself.
28:08No, don't take it. He will accept this.
28:12Oh.
28:14Then he will set the meat with Caterpillar.
28:22You owe me a passport.
28:24I know. Yeah. Wait, wait. Actually, I hate to ask you for another favor, but do you have a suicide
28:32pill?
28:33You know, one of the L-pills, the thing you bite down on and you die in two seconds?
28:37Why?
28:38It's not for me, but I'm in the middle of another negotiation. I don't have any more paintings to steal,
28:44but I do need one.
28:45I have one of those.
28:47Really? Wow. Just get me a passport.
29:09Here it is.
29:13So, that's me now. Pamela Wilson.
29:19Yep, that's you.
29:21From Illinois.
29:23Close enough. Yeah.
29:26And here is the pill.
29:28Oh, what are you doing?
29:30Oh, my God.
29:34Okay. Wow.
29:36Uh, you don't need it?
29:39I did once. Now I've since learned it's only a fool who thinks they can control death. Death takes you
29:46whenever it wants.
29:48I kinda wanna bite it. You ever just wanna bite it?
29:50No.
29:54I got you everything you wanted. Could you, uh, could you tell me what really happened to them, to Tom
30:01and Chris?
30:02It was the compromise facility.
30:06They were looking for it when, uh, they were killed.
30:11Caterpillar is giving us the new coordinates.
30:14But was there ever really a crash, or...?
30:19There was a plane, not a crash.
30:24Fucking hell, Tom.
30:25Give me a break. I'm landing blind.
30:36You think anyone was close enough to Hera's command?
30:39We are still ten kilometers from the coordinates you broadcast to me.
30:44Well, then we better start walking.
30:46If Caterpillar even gave you the right fucking coordinates.
30:50Stay here. We'll be fast.
30:52It's Christmas Eve.
30:53Your wives are expecting us.
31:05They were soldiers waiting for us when we landed.
31:09I watched them die.
31:11I escaped before the soldiers got to the plane.
31:15Wow, so there were soldiers, though?
31:17They were waiting for you? They knew you were coming?
31:19Somebody told them.
31:21Who?
31:22Who would tell the Russians?
31:23Your husband.
31:24Your husband.
31:25He was feeding the information to the Soviets.
31:27What?
31:28Your husband was a mole.
31:31I mean, are you sure?
31:34He was a lot of things, but, I mean, working with the Soviets?
31:38I mean, how do you know? How do you know this?
31:41For this information, I need something else.
31:46What?
31:48No.
31:50No.
31:50No, no.
31:51You're gonna tell me.
31:52Look, I gave-
31:52Oh!
31:55Oh!
31:57Oh!
32:00Oh!
32:01Oh!
32:02Oh!
32:03Oh!
32:11Oh!
32:15Oh!
32:15Oh, oh!
32:26Yeah, that's good.
32:28Oh, my God!
32:29You almost gave me a heart attack!
32:31And, uh...
32:31Twilock!
32:32Let's get out.
32:32Let's get out.
32:33Let's get out.
32:34Uh-
32:34Something, um-
32:36Yeah. What? Wait, wait, wait. Why are you wet?
32:41Vera fell into the river.
32:43Oh, Jesus Christ. Well, you got to be careful. She's an old woman.
32:46No, no, no. She fell in the river and she died.
32:49What?
32:49Yeah, I don't know. I don't know. The bridge, she was standing in just a bridge, crumbled, and then she
32:53fell.
32:54Well, you just left her there.
32:55Yes. What was I supposed to do? Drag her body through the streets of Moscow? What are you supposed to
33:00do?
33:00Shit. This is bad.
33:02Yeah, it's bad. Yeah. But, you know, it's not all that bad because I already got the painting to the
33:07butcher,
33:08so he's going to set the meeting and, you know, we're going to get that location for Dane still, so...
33:11Oh, God. That's good.
33:12Yeah, that's good.
33:13Before Vera died, did she... did she say anything?
33:18You know, that might be relevant for us.
33:22Actually, yeah. She said she was there when Tom and Chris died.
33:32She said that.
33:35Yeah.
33:37She saw them die?
33:39That's what she said.
33:42And you believed her?
33:48Okay.
33:54Oh, God.
33:55Oh.
33:58I'm sorry. This is so stupid.
34:00No.
34:02I don't know. I thought maybe there was a chance...
34:04Maybe they were still alive?
34:06I don't know. That doesn't make any sense.
34:09It's just...
34:10I don't know what...
34:12I got it.
34:13Because there were no witnesses that maybe...
34:17Maybe this wasn't real, but...
34:19Oh, God, it is.
34:33I don't know if this is helping.
34:35Just, uh...
34:36Let me know if you want me to stop, okay?
34:54Sorry.
34:54Sorry. I just...
34:56I just miss him.
34:58Yeah.
35:00Okay, um...
35:02Okay, um...
35:02Did she...
35:04Did she say anything else?
35:08No.
35:09No, nothing else.
35:13Okay.
35:14Yeah.
35:17We should probably let someone know that our asset is...
35:20Dead.
35:20Dead, yeah.
35:21Yeah.
35:22Okay.
35:23Okay.
35:31Yeah.
35:35I, uh...
35:35I didn't push her, if that's what you were thinking.
35:38No, I wasn't thinking that.
35:39Yeah, because it was an accident, so if anyone, you know, were to find her, it would, uh...
35:43It would look like one.
35:44Right.
35:46Right.
35:47If the Russians find the body, they can come to whatever conclusions they want.
35:50Jesus.
35:51Okay.
35:52I gotta get ready for the show, but could I get the passport that we made, Vera, so I
35:56can destroy it?
35:58The passport.
36:00Yes, please.
36:01I don't have it.
36:03Where is it?
36:06She has it, because I gave it to her.
36:08If an American passport is found on the body, that ties us into all of this.
36:12Okay, this is a big fucking problem, and we have very little time.
36:15I'm gonna need you to act quickly.
36:17Yeah.
36:19Two in one.
36:29Okay, so, uh, so how are we gonna do this?
36:32Uh, I, I guess we just, uh, walk out there and, uh, and, and reach in her pockets and,
36:37and get the passport, yeah?
36:39Okay, okay, so, so, so do that.
36:42What, what, what about you?
36:43What are you gonna do?
36:44Well, I'm gonna, I'm gonna look out.
36:45Uh, this is your operation, so, you know, I should probably just.
36:48Right.
36:49Yeah.
36:49Okay.
36:50Yeah.
36:51Okay.
36:52Yeah.
36:53Okay.
36:54Yeah.
37:05Just checking in her coat.
37:10Okay.
37:12Okay.
37:13Do we take this with us, or?
37:15I, I, I think so.
37:17Can I toss it to you?
37:17No, no, no, don't, don't, don't throw a gun at me.
37:20Even if it's been underwater?
37:21You can just come over, hand it to me.
37:24Yeah.
37:24Yeah.
37:27All right, good job.
37:28Okay.
37:28Don't touch the, no, no, no, I'm not gonna touch it at all.
37:32Okay.
37:33Okay.
37:34Heavy.
37:34Yeah.
37:34I think I feel it.
37:36Oh, thank God.
37:37Yeah.
37:37Okay, let's go.
37:39Yeah, I got it.
37:39Found a, found a knife, too.
37:43Okay.
37:43Yeah.
37:47I hate to say this, because I, uh, I really do want to get out of here, but she's kind
37:55of
37:55just exposed, you know?
37:58I mean, maybe we should just...
38:02Ray kind of said, you know, if the passport wasn't on her, then it sort of doesn't matter.
38:08That's fucked up.
38:11It matters.
38:13Yeah.
38:13I mean, maybe not to the Russians, but it should, it should still matter.
38:18I mean, look at her.
38:19She's, she's just gonna rot here.
38:22I mean, no one's gonna move her.
38:24No one, no one cares about her.
38:26She's just, she was completely alone.
38:32She just lived this life and, uh, did all this wild shit, and now, now she's dead, and
38:44no one's gonna even remember she existed.
38:51That's really sad.
39:00Tell me if you want me to stop.
39:04I don't want me.
39:14You have to promise me.
39:16Only if it's absolutely necessary.
39:19I know.
39:21There's this Russian saying, you may know it.
39:23Life is unbearable.
39:25But death is also not so pleasant.
39:28And?
39:31What is this for?
39:32There are instructions inside for something that we need if you're still willing to do that.
39:43Thank you for trusting me.
39:45You know how I'm doing this for my sister.
39:49Why are you doing this?
39:52My husband.
39:54I don't know if he knew I was married.
39:56You almost said you had a husband.
39:58I don't anymore.
40:03He was killed.
40:06Does that make me not married now?
40:09He feels so far away.
40:12You know, my sister, we, we were twins.
40:16Am I still a twin if there's no other twin?
40:21Maybe I would boast something in between of who we were with him and who we are without him.
40:35Yeah.
40:36Good night.
40:38Take care.
40:50Good night.
41:29Jerry?
41:31You may call me Mrs. Zemanski.
41:33Oh, Mrs. She's, she's a sman-monkey.
41:37I was wondering if it would be okay if I came to the performance tonight.
41:43Absolutely not.
41:46Who would look after Trent?
41:47Oh, I would bring him.
41:50He's been talking all day about watching his father sing.
41:54He has to go to bed.
41:57Where have you been?
42:00I, I just, I, I need the, um...
42:02Oh, of course.
42:05I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
42:25I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
42:25I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
42:25I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
42:25I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I, I,
42:25I, I, I, I, I, I, I, I, I, I, I
42:47No, it turned out.
42:49Wow, yeah.
42:51Well then, Cheryl, huh?
42:55Twyla.
42:56If you don't cheer really, really loud when I sing my song, you are fired.
43:01Well, in that case...
43:02I really should be singing more songs, though.
43:04You know, people say that I really, I own the stage.
43:07Did you ever think maybe the problem isn't your voice?
43:11Bea.
43:12Yeah, yeah, yeah.
43:14Hi, Alan.
43:14You mind coming up to my office? I need to talk to you.
43:18Of course. But, you know, the show's about to start.
43:21I'll have you back in time.
43:26I was wrong about you, Bea.
43:34When I first met you, I thought you were just another secretary.
43:39But it turns out you're a compassionate person.
43:44That's why I'm letting you in on a secret.
43:46Gretchen and I are having some problems.
43:49Oh, Alan.
43:50I'm going to be sleeping in the office for a while.
43:52I'm letting you in on that so that you can help me keep that, you know, discreet.
43:56Of course.
43:58On the bright side, the couch in here is very comfortable.
44:02Yeah.
44:02And, and, and, and, there's nothing like sleeping in front of truly fine art.
44:10That I would give everything I own.
44:17I'd give up my life, my heart, my home.
44:23Yeah, I would give everything I own.
44:28Everything okay?
44:30Just to have you once again.
44:37Yeah, just to touch you once again.
44:41It's pretty good.
44:45Wow.
44:47Okay.
44:48Wow.
44:49Wow.
44:51Wow.
44:51Wow.
44:51Wow.
44:52Wow.
44:53Wow.
44:54Wow.
44:55Wow.
44:55Wow.
44:56Wow.
44:57Wow.
44:58Wow.
44:59For this song, I would like to invite up the newest member of our embassy family, straight
45:04from Helsinki, with a great set of pipes.
45:07It's Evie.
45:08Come on up, Evie.
45:09Everybody give a loud applause.
45:11Come on, Evie.
45:11Come on, Evie.
45:12Come on, Evie.
45:13You feel great?
45:14No.
45:15Okay, ready?
45:16Five, six, five, six, seven, eight.
45:30We should dance.
45:32I thought you'd never ask.
45:35Yeah.
45:36Oh-oh-oh!
45:38And nobody knows it.
45:42But when I was down, I was young.
45:46Ooh-oh-oh-oh!
45:48And nobody knows it, nobody knows-
45:53And you're out of the start, I gave you my heart, oh-oh-oh-oh.
45:59Give you my heart.
46:10Why didn't you ask me to do a duet?
46:14Because I didn't know you wanted to sing.
46:18Every time I put on music in the apartment, you tell me it gives you a headache.
46:21I don't like music per se, but I might if you asked.
46:26Hey, hey.
46:29Hey, next time I will ask.
46:32Yeah.
46:33Yeah.
46:34Trent?
46:34Okay.
46:35Okay.
46:36Trent?
46:37Trent?
46:38Okay.
46:40See, she cannot control it.
46:42No, he's fine.
46:45Trent?
46:46There are you.
46:50Come on, Trent.
46:55Trent.
46:57Come here.
46:59Careful.
47:03When were you planning on telling me that Vera is dead?
47:10Now?
47:14Well, fuck.
47:20Uh, where are you going?
47:23To bed.
47:25We tried.
47:26Not every mission is a success.
47:28No.
47:29No.
47:30No.
47:31I mean, this was a successful mission, though.
47:36I mean, come on.
47:37I did all the stuff I was supposed to do, you know?
47:39Vera wanted to pay the butcher.
47:41He's paid.
47:42Okay?
47:43And so he's setting the meeting with Caterpillar.
47:45And he's going to get you the coordinates for the facility you want.
47:48The facility that Tom and Chris were looking for when they died.
47:50And he's their contact, by the way.
47:52So he's going to know what happened to him.
47:54Caterpillar is key to finding out what happened.
47:56We're really close here.
47:57And yet the person he was expecting to meet is dead.
48:01Wait, no.
48:03Caterpillar's never met Vera.
48:05Ray, right?
48:06That's what you said?
48:07He's never seen her.
48:08He doesn't know what she looks like.
48:09He just knows her based off her reputation.
48:11So let's just find a different old Russian woman and throw her into this meeting.
48:14I mean, he would never know the difference.
48:16I could do it.
48:16I could...
48:17You don't speak Russian.
48:19She does?
48:21Just put up a bushconer and...
48:23I could get the wigmaster.
48:24You got a wigmaster?
48:25This is a life and death situation, not a high school production of Bye Bye Birdie.
48:31Caterpillar will see this woman up close.
48:33So she has to be Vera's age, Vera's profile.
48:36Russian, but on our side.
48:38Which means we have to already know her and she has to already know us.
48:41So unless any of you have another elderly Russian woman who you'd trust with your life...
48:46Dame.
48:51I do.
48:55All over the world, little guys are standing up to tyrants, but not me.
48:59Well, I hate violence.
49:01In fact, my father always told us in his sermons, he who lives by the storm...
49:05You are the woman that I've always dreamed of.
49:09I knew it from the start.
49:12I saw your face and that's the last I've seen of my heart.
49:20It's not so much the things you say to me, it's not the things you do, it's how I feel
49:30each time you're close to me, that keeps me close to you.
49:38You are the woman that I've always dreamed of, I knew it from the start.
49:46I saw your face and that's the last I've seen of my heart.
49:51I saw your face and that's the last I've seen of my heart.
49:55That's the last I've seen of my heart.
50:00Oh, oh, oh, oh, oh, oh.
50:06Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
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