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Detective.Hole.S01E06.540p.X265.AAC [Full Movie] [Latest Version]Full EP - Full
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16:08You.
16:13I will not see that this one will be one of your clients...
16:19Can we do it first?
16:25Oh, let me go.
16:54and away both under influence we had given said to know what to say
17:03mind is a race away to call from hands of above to lean on
17:13wouldn't be good enough
17:23one night of magic rush the stars a simple touch
17:29one night of emotions and empty dreams
17:35ten days of perfect tears the sun will spit in blue
17:40we had promised me we were in love
17:48to call from hands of above to lean on
17:54wouldn't be good enough to lean on
17:59to call from hands of above to lean on
18:05wouldn't be good enough
18:09and you
18:12you knew the hand of the devil
18:19and you
18:23kept us away
18:34you
18:38you
18:41you
18:46you
18:47you
18:48you
18:48you
18:50you
18:50you
18:52you
18:54you
18:54you
18:55you
18:55you
18:56you
18:56you
18:56you
18:56you
18:57you
19:10you
19:11you
19:14you
19:15you
19:27you
19:33you
19:35you
19:46you
19:47you
19:48you
20:01you
20:03you
20:03you
20:14you
20:18you
20:27you
20:28you
20:31you
20:37you
20:47you
20:48you
20:56you
21:06you
21:17you
21:18you
21:34you
21:35you
21:41you
21:45you
21:47you
22:01you
22:01you
22:02you
22:02you
22:02you
22:03you
22:03you
22:03you
22:05you
22:06you
22:07you
22:07you
22:07you
22:08you
22:08you
22:08you
22:12you
22:13What do you know with that?
22:14I don't know.
22:16That's a six, Mona.
22:19See the other game of the album?
22:48Hey.
22:50Yeah, I should just say thank you for the invitation.
22:55But I will not be with you.
23:01Did you stop drinking?
23:04Yeah.
23:08I thought it was because of me and Ole.
23:16But it's not.
23:19It's because of the death.
23:22It's the only thing people can do.
23:24It's the only thing.
23:34It's the only thing.
23:35It's the only thing.
23:42Harry.
23:47Harry, hold on for me.
23:51Harry.
23:51Hey, Beate.
23:52Tegn et petagram på et foliarc.
23:5472 grader mellom spissene.
23:56Og så flyger du av prosjektet på meterommet.
23:58Jeg er om fem etter.
24:02Har du hørt?
24:03Ja.
24:03Det er livet å se.
24:13Harry, jeg tenkte at du skulle ta han her for før.
24:16Han har jeg alltid.
24:20Hva holder du på med?
24:23Jeg ser ikke om vår man.
24:25Han gjorde som kelterne.
24:26Som kelterne?
24:34Kom her prosjektoren litt nærmere.
24:36Ja.
24:39Har du hørt?
24:42Kelterne...
24:43Kelterne brukte pentagrammene til å bestemme hvor katedalene skulle ligge.
24:47På kassetten sier han at et femkantet kors skal vise vei, ikke sant?
24:51Se her.
24:53Camilla Lohen.
24:54Lisbeth Barley.
24:56Barbara Sensen.
24:57Dette er kartet han bygger etter.
25:05Jeg tror de andre.
25:10De går opp.
25:14Det er en kode vi burde ha sett for lenge siden.
25:18Fikk det i klartekst.
25:20Han merker alle de han har drept med en diamant.
25:24Hvilken form?
25:25Fem taget.
25:26Han har kuttet en av fem fingre, har vært av offrene.
25:29Drapene og forsvinningen skjedde i tre påfølgende uker.
25:33Ennåsvis fredag, onsdag og mandag.
25:36Hvor mange dager er det mellom her?
25:37Fem.
25:39Klokkeslett?
25:39Rundt fem.
25:40Det er det som er koden. Det er bare et siffer. Fem.
25:42Offrene er tatt ut fra det som virker som helt tilfeldige adresser.
25:45Men det er en likhet.
25:49Og det er ikke husnummer.
25:51Det er...
25:51Femte etasje.
25:53Femte etasje.
25:54Men hvorfor fem?
25:54Er det et ondt tall?
25:58Ja, det er meget brukt.
26:01Heksekunst og satanisme og solmagi.
26:05Vi har fem senser. Det er fem livs.
26:07Er det noe?
26:08Er det noe?
26:12Det viktigste mønstret her er dette.
26:16Han tegnet et pentagram.
26:17La det over byen og lot stjernetagene her peke ut de stedene som han skulle drepe.
26:22Og så ventet han.
26:24Til rett dag, til rett tidspunkt.
26:26Han kledde seg ut som et cykelbud.
26:28Drog til Ullevålsvein.
26:29Ringt på femte etasje.
26:31Og den som svarte var Camilla Loh.
26:33Lisbeth Barli, da?
26:34Om han plokker henne ut på gaten, du vet han ikke at hun bor på femtevåningen.
26:37Han plokker henne ikke ut på gaten.
26:38Han stod inn i gangen, såg at så kom heisen fra femte.
26:42Så han følger efter henne ut på gaten.
26:44Og...
26:44Uansett, da.
26:45Offrene er tilfellige.
26:47Nøkkelen her er åstedene.
26:49Om det var Willi Barli som har tatt heisen ned fra femte etasje den dagen og ikke kona,
26:53så er det han som ville vært åfre.
26:54Nå som vi har koden, så vet vi ikke bare hvor de neste to drapene vil skje.
27:00Vi vet... når.
27:01Og fem dager mellom hvert drap, det blir...
27:03På lårdag.
27:04Imorgen.
27:05Og han jobber med klokka.
27:07Så det neste åsted er etter all sannsynlighet her.
27:10Det er studenthjem på kampen.
27:12Jeg informerer etterforskningsgruppa.
27:14Nei.
27:15Vi har ikke råd til enda en lokkasje.
27:17Så Tom og Delta sjekker studenthjemmet og bealt, og jeg tar den femte adressen.
27:21Snakker med?
27:22Ja, vi er her.
27:23Det er en masse ennømslegenheter, men studentene er på samme lov.
27:26Det finnes ingen femte våning.
27:27Ja, det er jo hus inne på selve situasjonsområdet her.
27:31Det er ikke noen femte etasjer her, eller?
27:33Ok.
27:33Vi går inn og ser hvor vi kan rygge til.
27:40God dag!
27:42Hei!
27:43Hei!
27:44Vi kommer fra politiet.
27:45Vi stiller deg en spørsmål.
27:46Følge byplanskontoret så ble det bygget i 1934 som tuberkulosehjem.
27:50Senere gjort ham til studenthjem.
28:02Ja, det er sønnen min, da.
28:05Ja.
28:06Ja.
28:07Du, ja.
28:09Du har kanskje lest om de drapene på de unge jentene de siste ukene.
28:13Ja.
28:15Jeg har jo hørt at det har skjeldt, men jeg leser sjelden om den slags.
28:19Nei, vi mistenker at du dreier seg om en selimorder, og at et av hans to neste mål får en
28:23synlig lys.
28:29Ja, altså.
28:31Kan sønnen din bo her hos deg i morgen?
28:34Eller om du kan bo hos ham?
28:38Han bor i utlandet, han.
28:40Da blir det vanskelig, da.
28:43Men skulle det gå bra med noen av oss her i morgen?
28:46Ja.
28:47Ja, det er hyggelig.
28:48Jeg synes ikke, hvad er det som skal ske i morgen?
28:57Sannsynligvis hyggelig.
29:00Takk.
29:02Hade du verkligen tänkt å sige til henne at hun var nästa som skulle dø?
29:14Det er bra å gå litt rundt grøten ibland.
29:17Elvenpræde, og sånn sier det.
29:18Mm, så du har hørt om det. Det er bra i alle fall.
29:21Jeg har vel aldri vært så god på å prate med folk.
29:27Kona de ble skutt på Kloss Hall. Det var ingen mening i det.
29:30Den ladningen gikk tvers gjennom hjernen, så den...
29:42M种es
29:53Hei der, er du den grøtene?
29:56I think I found out the code.
30:02But what?
30:06No, it's...
30:08It's like I can read the text, but I don't understand what it means.
30:11So?
30:12It's like that he has removed the offer.
30:17He's cut his finger to the right hand in the right hand.
30:21He starts with the finger, so the finger, so the finger.
30:25He's a systematiker there.
30:27Yeah, but why don't you start with the finger?
30:38Poder is like those women. They don't cut them before they cut them, right?
30:42That's what you said before.
30:43I said it pretty good first time.
30:55I have something to tell you.
30:57Okay.
31:01Promise you won't be angry.
31:03Promise.
31:04I can't promise that.
31:09I'm pregnant.
31:17I...
31:25Please, say something.
31:37Visit my mother.
31:39What?
31:40You've always wondered what I do when I go away.
31:46I go to visit my mother.
31:49You have a mother?
31:51In the city?
31:52What else could I miss Anna?
31:55What?
31:59What?
31:59Since you are...
32:01carrying our child now,
32:03I need you to know...
32:05exactly what I do.
32:08What I really am.
32:11I don't know how he is around.
32:12Ah...
32:13..
32:13Oh...
32:15oh...
32:34I'm sorry...
32:35don't know.
32:36I'm sorry.
32:37I'm sorry.
32:38I'm sorry.
32:40What are you doing?
32:59Pulle and coffee?
33:02Are you sure that you want to try something better?
33:05Yes, thank you. I know.
33:09Do you have a little bit of time?
33:13No. It's about life in general.
33:23This is a real coffee. It's much better than your coffee.
33:30This is what we did at home.
33:34I'm sorry.
33:41I don't want to worry about it.
33:46What is it?
33:47We're like together, I don't want to worry about it.
33:52I don't want to worry about it.
33:54I don't want to worry about it.
33:56If he notices that I want.
34:00If we want, we want to.
34:06Harry.
34:08I like to see on you.
34:13I like to see on me.
34:23I...
34:26I can't.
34:30I don't know what it is, but...
34:35I can't.
34:37It's a great place.
34:42It's okay.
34:43It's okay.
34:52It's okay.
34:57It's okay.
35:00It's okay.
35:02I don't know.
35:03It's okay.
35:08I'm sorry, I don't know.
35:18I'm sorry.
35:19I'm sorry, I'm sorry.
35:20Du har nye beskjed.
35:23Mottatt klokken 19.45.
35:27Hei.
35:30Hei.
35:31Det var ingenting.
35:44Hey.
35:52How did you find me?
35:55Kroker Ida.
35:57Hey.
36:00What are you doing here?
36:03What are you doing here?
36:08What are you doing here?
36:21What are you doing here?
36:22I don't know why you and Papa are here.
36:23What are you doing together?
36:29Are you doing good?
36:32Are you open to her?
36:36By her?
36:39Is she she?
36:40She's a little bit with her lady here too, but she's pretty.
36:46And at the time she's very dangerous for me and you.
36:59Okay.
37:04What I'm trying to say is that...
37:11Her name has been dead in my life after no other.
37:16Now I'll help you.
37:20And you can let her live now.
37:22You can stop there, okay?
37:25Yeah, if I don't manage to stop.
37:33If you don't drink again...
37:39Then I won't...
37:49I'll help you.
37:55If you and my mom are coming together,
37:57then I'll never drink again.
37:59If you don't drink again...
38:22I didn't drink again.
38:24And I'm not, you'll never drink again.
38:25I'm not, I'm not.
38:25I'm not, I'm not, I'm not.
38:26I'm not.
38:30Did the virus get the message to get in between 4 and 6?
38:34Yes.
38:36Are you okay?
38:37Yes. We will be in a few minutes before 5.
38:4024 people in all. 1 on 3.
38:41Gas, gas, gas.
38:43Ready to auction on the bus.
38:45Do they have to knock on or try to take a seat?
38:50We just wait until the clock gets 5.
38:57I'm in the morning. I'm going to take a seat at 6.
39:01That's fine.
39:03What do you want to do with me?
39:05I thought a dress.
39:07I bought it in May.
39:09It's dark.
39:11Yes, it's the dress you have.
39:13Yes, it's definitely the one.
39:15Yes.
39:20But I...
39:23Yes?
39:26I said yes, because...
39:30I thought it was a good reason to...
39:35It's something I want to tell you.
39:37Okay.
39:41Yes.
39:42But we will take it when we see you.
39:46Yes.
39:47Bye.
39:48Bye.
39:53Bye.
40:08Hi.
40:09We're tracking all of these on 4th night.
40:12This is the call of Z Margaret.
40:14which means 303.
40:16She's a snubber, but she sat down at the door.
40:19All the others are ready.
40:26It's about tea.
40:28You like tea?
40:29Yes, I love tea.
40:31Good.
40:48Was it so much when your son was little?
40:51Kose and smile and so on?
40:54He grew up together with me.
40:57I got married when I was 15.
41:00Yes, that was a scandal.
41:05My son had to send him back.
41:08But...
41:10How was it for you?
41:12I saw that he was so young,
41:15and...
41:15so he just sent out his son, and...
41:20They gave me a choice,
41:22as they said,
41:23but you have always a choice.
41:26I'm in trouble.
41:28I know and he knows.
41:33What does he do today?
41:35He works with import.
41:37Yes.
41:38I think he said that he imports
41:39some of the things
41:40from the East Europe.
41:42It's fine.
41:44It's fine.
41:45It's not always like that.
41:46I think you'll find it in your archives.
41:48But it doesn't mean that
41:50it can't go well.
41:52People can change.
41:54I hope so.
41:56He actually says a lot about himself.
41:59But I think he found a girl
42:01as a friend.
42:02He said on the phone
42:03that he had a new one.
42:04He didn't want to say anything
42:05before he came here.
42:07He came here?
42:08Yes, he came here at night.
42:09Or he went to a meeting first,
42:11and then he's in the town
42:13and then he's back.
42:15To?
42:15To Prague.
42:38To Prague.
42:40To Prague.
42:49To Prague.
42:55To Prague.
42:58I don't know what we have checked.
42:59I have a certain risk.
43:05Alpha to Charlie 2, come in. Over.
43:07Charlie 2.
43:08Clear, 303.
43:10Contact. Clear, 303.
43:40303.
43:41Clear, 303.
43:42En jente og en gutt.
43:43Begge vepne, nakne og veldig i livet.
43:47Fuck!
43:49Bare for på de klær, ta den tilbake til posisjonen. Charlie 2.
43:53Motta den.
43:57Nå er det der.
43:59Den som gikk inn igang, så har jeg ikke rett inn i heisen.
44:01Alpha to Charlie 1, tar.
44:02Mulig objekt går inn i heisen.
44:04Stand by.
44:36Mulig objekt, komme inn i sektor til Bravo 2.
44:51Mulig objekt, stikke hånda i lomma. Mulig våpen, serger hånda.
45:06Helt oppe, steg!
45:09Helt hjerte!
45:10Helt hjerte!
45:11Slå, vi er ord!
45:11Læd hjerte!
45:14Læd hjerte!
45:16Fransæg så ikke.
45:27It's not him.
45:29Sorry.
45:31205.
45:32It's one of those we didn't contact with.
45:35On this list, he's called Odd Einar Lillebostad.
45:38I'm sorry.
45:39205.
45:39On this list, he's called Odd Einar Lillebostad.
45:39I'm sorry, but I think Odd Einar Lillebostad came back.
45:44It's okay.
45:44Let's see what's going on.
45:47It's okay.
46:03It's okay.
46:04It's okay when Martin comes, when he's alone.
46:06Yes.
46:08I think he's a little bit lonely here.
46:11Yes, but when Martin is here so often as he has been,
46:14I'm going to complain.
46:16But he's been here for the last couple of weeks?
46:19Yes, one time in the last four weeks.
46:22No, it's actually often.
46:24Every 5th day he's been here.
46:26The last time he was here, he had a smile for me.
46:28It's okay.
46:31It's okay.
46:32It's okay.
46:35It's okay.
46:37In this case, I went to Marocco together with Georg, a guy I've met.
46:41We're going to live with his parents in a small village village called Hassan.
46:47If not, bad telephone and network.
46:50I'll contact you once I come home.
46:52Just go.
47:07I'm high as a kite, I just might stop to check you out.
47:12When I'm walking, I'm trying to stop and I'm so stuck out.
47:17When I'm high as a kite, I just might stop to check you out.
47:22I'm in the body and feet, I stay in my sheets, I don't even know why.
47:27My girlfriend, she's at the end, she is starting to cry.
47:32When I'm walking, I'm trying to stop again, I'm so stuck out.
47:36I'm high as a kite, I just might stop to check you out.
47:42Let me go on, like I blister in the sun.
47:47Let me go on, big hands, I know you're the one.
47:53Body and feet, I stay in my sheets, I don't even know why.
47:58My girlfriend, she's at the end, she is starting to cry.
48:02Let me go on, like I blister in the sun.
48:08Let me go on, big hands, I know you're the one.
48:34When I'm walking, I'm trying to stop again, I'm so stuck out.
48:39I'm high as a kite, I just might stop to check you out.
48:44When I'm walking, I'm trying to stop again.
48:47When I'm walking, I'm trying to stop again, I'm so stuck out.
48:49When I'm high as a kite, I just might stop to check you out.
48:54Body and feet, I stay in my sheets, I don't even know why.
48:59My girlfriend, she's at the end, she is starting to cry.
49:04When I'm walking, I'm trying to stop again, I'm so stuck out.
49:29?
49:43When I'm walking...
49:44About...
49:48?
49:58Yo, I don't care, you but me.
49:58I feel like I can.
49:58I'm walking.
49:58So, I'm walking.
49:59How long am I touching youpi up?
49:59Thanks, Jim.
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