05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you gonna tell me.
05:51I was wondering when you're going to tell me about that.
05:54I was wondering when you noticed.
05:58It's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06I just thought you'd have it with you forever.
06:07Mm-hmm.
06:09It reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:14Loudly.
06:25So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:41Five stars on Yelp. Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archaeology, Princeton.
07:02Oh, my God. Alice, I mean, that's amazing.
07:06Yeah.
07:07That's exactly what you wanted. I'm so proud of you.
07:11So.
07:14So.
07:15I'm going to have an apartment, you know, a place on campus from which you and I could live.
07:22Hello.
07:22Together.
07:28I know it's going to be hard to leave all the dysentery. I totally understand.
07:32No, no, um, no, no, no, no, that, that, that is, uh, big, um.
07:41Big?
07:42No, um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47No, I know. It's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:51Listen, I love that we get to meet up in hotels all over the world and that we actually want
07:57to have sex with each other all the time. But, I want this job. You know, I want to build
08:06a life that's mine. Not just uncovering other people's. We have to make a decision. You and
08:16me. Like, Tom, I, I love you so much. And I want to keep loving you. And I'd like to
08:22do it while I'm
08:23actually looking at you. And I'm actually looking at you. And I love you, Alice Munro. And I want to
08:40be with
08:40you.
08:44Even in New Jersey?
08:46Especially in New Jersey.
08:49Especially in New Jersey.
09:01Oh.
09:02Oh.
09:10Oh.
09:15Oh.
09:26Oh.
09:27Oh.
09:291030.
09:33Yes.
09:35Right.
10:08Sorry, Ryan talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left
10:19us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian
10:27has called in a favor.
10:30Oh, my God.
10:31Are you kidding?
10:32Mm-hmm.
10:33Can we get massages and lay by the pool?
10:35Yes, yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42Well, I feel it's very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:57Don't.
10:59Stay there.
11:00It's almost over.
11:10Oh, that's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nine?
11:27For you all?
11:43Hi.
11:44Hello?
11:46Uh, sorry, I can't, I can't hear you.
11:50Can you, can you repeat that?
11:51Pas de téléphone.
11:57One second.
11:58Yeah.
11:59All right, one second.
12:03Vous êtes en vacances avec votre mari?
12:05Ah, ouais.
12:07Nous salons Aro.
12:09Yeah.
12:10And he's not my husband, he's my boyfriend.
12:16Hi.
12:35Yeah.
12:37I mean, I mean, I mean, I mean, I'm not like I am.
12:41I mean, I mean, yeah, yeah.
12:42We'll see you next time.
13:12Marseille-Saint-Charles arrive en gare d'Avignon dans quelques minutes, Avignon, 5 minutes d'arrêt.
14:12Sous-titrage ST' 501
14:12This is so weird. Where are you?
14:23Hi, this is Tom Parker. I'm watching him unavailable. Leave a message after the time.
14:39Tom?
14:54Hi, this is Tom Parker.
14:56This is Tom Parker. I'm going to go to the Gare d'Avignon in a few minutes.
14:58Come to make sure to recover all your baggage.
15:01Hi, this is Tom Parker. This is Tom Parker. I'm not going to go to the Gare d'Avignon. This
15:15is Tom Parker. I'm going to go to the Gare d'Avignon in a few minutes.
15:40Let's go.
16:16Tom, hey, very funny.
16:20I have been looking all over this trip.
16:22Oh my God, I'm sorry.
16:24No, Desolée, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:38Excuse me, did you see him walking?
16:43No.
16:52Excuse me.
16:54Il y a un problème, madame?
16:55My...
16:55Mon ami?
16:58He's gone.
16:59He's...
16:59He...
17:00I can't find him.
17:01He kind of...
17:02Desperue.
17:03Il est peut-être descendu à Avignon.
17:05No, we're supposed to go to Arles.
17:06Est-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:13He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:21But if he was leaning against a door and maybe fell under the track, is that possible?
17:24En fait, elle s'inquiète de savoir s'il aurait pu, éventuellement, s'appuyer contre la porte et tomber sur
17:28les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK.
17:43They only open at this point.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
18:02I'm sorry, I'm sorry, but what's in here?
18:07OK.
18:08It's...
18:08Yes.
18:09Could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers ne sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:16Elle a juste un oeil, c'est la rassure.
18:17C'est le règlement, c'est comme ça, c'est tout.
18:19Elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre le règlement, je l'ai dit.
18:32Oh, my God.
18:36Tom, I've been looking all over for you.
18:39Where...
18:41Tom, are you there?
18:49Where...
18:50Oh, Julia...
18:53I...
18:54Tom...
18:54Well done.
18:56No.
19:06There...
19:29Do you know Marseille?
19:32No, no, but it's...
19:34I'll be fine, I'm okay, thanks.
19:36What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm...
19:47You've been so helpful, thank you.
19:49I'm just kind of...
19:51I'm...
19:52Where is the police station?
19:55You go down the hill, it's on your right, you can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine.
20:02I'm positive this is all a big misunderstanding, so...
20:11You know, if you need help, I'm Hélène.
20:19Alice, thanks.
20:26So, good luck, Alice.
20:29And don't worry, it's going to be okay.
20:34Bye.
20:34Bye.
20:35Bye.
20:36Bye.
20:37Bye.
21:14Um, excusez, can someone help me? My boyfriend's gone missing. Please, allez, vous asseyez-moi, venions vous chercher.
21:26Do you know how many people are reported missing each day in France? Six hundred on a good day.
21:33Okay, well, that cannot be an excuse to not help me. Please.
21:37It is 48 hours before a person can be described officially as missing. He has only been gone for two
21:43hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:49Here. Just one second.
22:02I don't... I don't understand.
22:12How long have you known your boyfriend?
22:15Um, well...
22:17We've been dating for four years.
22:20We met in Jordan. That's where he heads the region for SOS Global.
22:24It's a... it's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can, and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist. I'm a...
22:37Do you know how you fight?
22:40What?
22:41Fights. Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job. It would mean relocating to America for both
23:00of us.
23:01And you agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear. Work, money, and relationships.
23:20So?
23:21So perhaps your boyfriend wanted to escape the relationship, so you got off the train at Avignon without telling you,
23:28eh, voilà?
23:29He would never do that. You don't know Tom.
23:32I am no man.
23:38Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:07Oh, oh, oh, oh.
24:13Oh, oh, oh.
24:14Yeah, yeah, yeah.
24:25Oh, oh, oh.
24:29Oh, my God.
25:00Oh, my God.
25:35Hey, are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:49Right.
25:51What's in there?
25:53Uh, uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:02Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you better hop in.
26:34Thank you!
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:14What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:55I know how to get dirty.
27:57I know how to get dirty.
27:59I know how to get dirty.
28:04I know how to get dirty.
28:05I know how to get dirty.
28:06I know how to get dirty.
28:08I know how to get dirty.
28:10I know how to get dirty.
28:10I know how to get dirty.
28:11I know how to get dirty.
28:11I know how to get dirty.
28:11I know how to get dirty.
28:12I know how to get dirty.
28:12I know how to get dirty.
28:13I know how to get dirty.
28:13I know how to get dirty.
28:13I know how to get dirty.
28:14I know how to get dirty.
28:15I know how to get dirty.
28:20I know how to get dirty.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see if I play.
28:52Let's see if I play.
29:37Let's see if I play.
30:16Let's see if I play.
30:34Let's see if I play.
30:51Let's see if I play.
31:01Let's see if I play.
31:05Let's see if I play.
31:05Let's see if I play.
31:07Let's see if I play.
31:09Let's see if I play.
31:11Let's see if I play.
31:15Let's see if I play.
31:16Let's see if I play.
31:23Let's see if I play.
31:37Let's see if I play.
31:46Let's see if I play.
31:47Let's see if I play.
31:59Let's see if I play.
32:00Let's go.
32:30Let's go.
33:10Let's go.
33:33Let's go.
33:41Let's go.
33:45Let's go.
34:24Let's go.
34:25Let's go.
34:27Let's go.
34:28Let's go.
34:29Let's go.
34:52Let's go.
34:55Let's go.
34:56Let's go.
34:58Let's go.
35:12Let's go.
36:26Mr. Tom!
36:28Mr. Tom!
36:29I want you here!
36:30All right.
36:31Salma, Salma, one sec.
36:33Can you take these in there?
36:34Just tell me, they need to be in the fridge right away.
37:08Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Stop!
37:20Go, stop, go, go!
37:22Hey, hey, hey!
37:23You're not taking him!
37:24You're not taking him!
37:26You're not taking him!
37:28Oh, God.
37:31You're not taking him!
37:34You're not taking him!
37:37You're not the best of me.
37:49You're not!
37:51Who are they?
37:53Local bandits.
37:54I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli, sell them to traffickers for a king's ransom.
38:04He's stopped them before?
38:07He may be useless with cars, but he could talk a dog off a meat truck.
38:11Huh?
38:11Come back.
38:17Whoa.
38:25Whoa.
38:26Oh, whoa.
38:27Whoa.
38:28Whoa.
38:28Whoa.
38:32Whoa-oh.
38:38Whoa-oh.
38:39Whoa-oh.
38:48you look like you need a drink
38:53something must have happened to tom before it happened on
38:56i just feel like the conductor had something to do with it i mean you saw him yourself the
39:00way he was acting all shifty what do you think happened
39:04okay this is gonna sound insane but i think tom was kidnapped
39:10is he rich no oh you're rich no so why would someone kidnap him
39:18maybe it's not about money it's always about money
39:23what it
39:29oh diabetes
39:32wow
39:36okay so what do i do
39:37the police are either useless or corrupt and if you're really lucky they're both
39:45great what then
39:46what am i
39:50i'm an investigative journalist
39:52who are you an archaeologist yes you're like me you look for clues in the past to tell
40:00you about the future you know tom better than anyone so you probably know more
40:08than you realize
40:12did he mention anyone or anything
40:16who has he been in touch with lately
40:26has he said anything strange
40:34find something more than a piece of twinkle man maybe i can help
40:39uh
40:50i
41:22Uncle Brian, he's in luck, he's in luck, he's in luck, he's in luck.
42:21It's a semi-rose finch.
42:23It reminds me of you.
42:25It reminds me of you.
42:26It reminds me of you.
42:50It reminds me of you.
42:58It reminds me of you.
42:58It reminds you of you.
43:11It reminds me of you.
43:50Transcription by CastingWords
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