05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to say.
05:51What are you going to tell me about that?
05:54What are you going to tell me about that?
05:54I was wondering when you noticed.
05:55What are you going to tell me?
05:57Oh, I see.
05:58It's a cyanide rose finch.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05Let's see, you just thought you'd have it with you forever.
06:07Mm-hmm. Reminds me of you.
06:11A bird just chirping away.
06:13Loudly. Chirping.
06:14Loudly.
06:25So, come on, are you holding out or something?
06:28How is Jordan?
06:30Um, well, you know,
06:34dysentery, malnutrition,
06:36backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp. Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:55Associate Professor of Archaeology.
07:00Princeton.
07:02Oh, my God.
07:03Alice, I mean, that's amazing.
07:07Yeah.
07:07That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:14So?
07:15I'm going to have an apartment, you know,
07:18a place on campus from which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:31No, no, um, no, no, no, no, that, that, that is, uh, big, um...
07:41Big?
07:42No, um...
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47No, I know.
07:47It's, it's, it's a skill.
07:49We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world, and that we actually want
07:57to have sex with each other all the time.
08:02But I want this job.
08:05You know, I want to build a life that's mine, not just uncovering other people's.
08:13We have to make a decision, you and me.
08:16Like, Tom, I, I love you so much, and I want to keep loving you, and I'd like to do
08:23it while
08:23I'm actually looking at you.
08:30And I love you, Alice Munro, and I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
09:04I hear what time is it.
09:11Tom?
09:16Tom?
09:19Hey.
09:21Hey.
09:23Hey.
09:23It's Uncle Brian.
09:24He's in London.
09:25Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29The train's at 10.30.
09:52Merci.
10:01Wow.
10:06Hi.
10:07Sorry.
10:09Brian talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have
10:19left us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project,
10:27and Brian has called in a favor.
10:30Oh, my God.
10:31Oh, my God.
10:31Are you kidding?
10:32Mm-hmm.
10:32Oh, can we get massages and lay by the pool?
10:35Yes.
10:35Yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:42What I feel is very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:46Oh, my God.
10:57I don't.
10:59Just stay there.
11:01It's almost over.
11:11that's a big goal okay maybe we don't do impressions of fictional ss officers
11:17as we're traveling through previously occupied france what do you think okay
11:24true income oh my god no nine for y'all
11:44hi hello uh sorry i can't i can't hear you can you can you repeat that by the telephone
11:56one second yeah all right one second
12:08yeah and uh he's not my husband he's my boyfriend
12:29yeah
12:29yeah
12:29yeah
12:29yeah
12:29yeah
13:08Ladies and gentlemen, our train TGV from Marseille-Saint-Charles will arrive at Avignon in a few minutes.
13:16Avignon, 5 minutes left.
13:35Red-Saint-Charles, 3 minutes left.
13:36Our train is up to Marseille-Saint-Charles.
13:53The bus is in the center of the area.
14:04Did my boyfriend return?
14:07Mon ami?
14:08Uh, no.
14:10I know.
14:11He's already in there.
14:13So weird.
14:15Where are you?
14:20Oh.
14:22Hi, this is Tom Parker.
14:25I'm watching him unavailable.
14:26Leave a message after the time.
14:38Tom?
14:53Oh.
14:56Oh.
15:05Oh.
15:07Oh.
15:08Oh.
15:09Oh.
16:15Tom.
16:17Hey.
16:18Very funny.
16:20I have been looking all over this trip.
16:22Oh my God.
16:22I'm sorry.
16:23No, Desolée, I didn't...
16:25I thought you were so...
16:27Yeah, just...
16:38Excuse me.
16:41Excuse me.
16:42Excuse me.
16:42Did you see him walking?
16:43No.
16:47Excuse me.
16:53There's a problem, madame?
16:55My...
16:55Mon ami?
16:57He's gone.
16:59He's...
17:00I can't find him.
17:01He kind of...
17:02Desperou.
17:03He's gone to Avignon.
17:05No, we're supposed to go to Arl.
17:06Is-ce que vous avez essayé de l'appeler?
17:09De l'appeler?
17:10May I help you?
17:11Yes, please.
17:12He's asking you if you have tried to call him.
17:16Yes, I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:20But if he was leaning against a door and maybe fell into the track, is that possible,
17:24En fait, elle s'inquiète de savoir s'il aurait pu éventuellement s'appuyer contre la porte
17:28et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées quand le train est en route.
17:33No, no.
17:34OK, but we made a stop back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43OK, they only open at this place.
17:45OK, I just want to...
17:46I just want to find my boyfriend.
17:47Je comprends très bien, ça, madame.
17:50Continue à l'appeler, je suis sûr qu'il va finir par vous répondre, hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est réservé au personnel.
18:07OK.
18:08It's...
18:08Yes, could you please open it?
18:10Non.
18:11What?
18:11Non, les passagers ne sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire, elle a juste un oeil, c'est la rassure.
18:17C'est le règlement, c'est comme ça, c'est tout, elle n'a pas le droit.
18:23Monsieur Giroux, may I please look inside?
18:26Non.
18:26It's important, I...
18:28C'est contre-lange, je me le dis.
18:32Oh my God.
18:37Tom, I've been looking all over for you.
18:39Where...
18:41Tom, are you there?
18:52Tom...
18:54Tom...
18:55Tom...
19:01Tom...
19:28Do you know Marseille?
19:31No, no, but it's... I'll be fine. I'm okay. Thanks.
19:36What are you going to do?
19:38I don't know. We're supposed to go to Aurel,
19:41but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm... You've been so helpful. Thank you.
19:49I'm just kind of... I'm...
19:52Where is the police station?
19:55You go down the hill. It's on your right. You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine. I'm...
20:03Positive this is all a big misunderstanding, so...
20:12You know...
20:13If you need help, I'm Helen.
20:19Alice, thanks.
20:26So...
20:27Good luck, Alice.
20:29And don't worry. It's going to be okay.
20:33Bye.
20:35Bye.
20:35Come on, Fi.
20:36Come on, ma'am.
20:57Leave us!
21:00Happy holidays.
21:25Do you know how many people are reported missing each day in France?
21:30Six hundred on the good day.
21:33Okay, well that cannot be an excuse to not help me. Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say. What about his passport?
21:47Yes, I have it. I have it right here.
21:51Just one second.
22:04I don't... I don't understand.
22:08Mother Monho, how long have you known your boyfriend?
22:15Um, well, we've been dating for four years.
22:20We met in Jordan. That's where he heads the region for SOS Global.
22:24It's a charity that helps Syrian refugees.
22:28I'm currently working in Albania, so we meet up when we can and...
22:31Oh, glamorous couple, huh?
22:34And you work in Albania?
22:36Yes, I'm an archaeologist.
22:37Who told you a fight?
22:40What?
22:41Fights. Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else? Any changes of circumstance?
22:52I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes, I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:19So?
23:21So perhaps your boyfriend wanted to escape the relationship,
23:26so he got off the train at Avignon without telling you, eh, voilà?
23:28Oh, you would never do that. You don't know Tom.
23:32I am no man.
23:37Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:07Oh, my God.
24:13Oh, my God.
24:15Oh, my God.
24:16Oh, my God.
24:29Oh, my God.
24:59Oh, my God.
25:54Oh, my God.
25:56Without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:10It's, um...
26:12That way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you better hop in.
26:30Thank you. Thank you.
26:33Oh, thank you.
26:46Hey.
26:48Tom Parker.
26:49Alice Munro.
26:50Nice to meet you, Alice Munro.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:15What?
27:16Want to know what gives you away?
27:18It's shirt.
27:20The A.C. unit.
27:22No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No, no, I like it.
27:32I like hygiene.
27:33Mm, good.
27:34It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:43I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:53I know how to get dirty.
28:39Okay, can you stop already up here?
28:44Okay.
28:44Let's see the plane.
28:51Let's see the plane.
29:19Let's see the plane.
29:24Let's see the plane.
29:41Let's see the plane.
30:07Tom?
30:12Tom?
30:57Tom?
31:00Tom?
31:01Tom?
31:03Tom?
31:32Tom?
31:43Tom?
31:43Oh my God, it's Tom.
31:59Tom?
32:11Tom?
32:11Tom?
32:11Tom?
32:12Tom?
32:13Tom?
32:14Tom?
32:17Tom?
32:21Tom?
32:23Tom?
32:23Tom?
32:28Tom?
32:29Tom?
32:29Tom?
32:31Tom?
32:31Tom?
32:32Tom?
32:34Tom?
32:43Oh, my God.
33:07Oh, my God.
33:23Hi. Hello.
33:24Mademoiselle Monroe.
33:26What a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No, but, um...
33:31Ah, well, then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me.
33:37I'm late to the cinema.
33:39For an Alain Delon double bill and Madame Drax will not take it kindly.
33:42If I'm late...
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon where the train stopped,
33:49and I found this.
33:54Bubblegum.
33:55Well, yeah, it's Tom's favorite.
33:57He offered me a piece before he disappeared.
33:59Hmm.
33:59And the ejected seat on the train, where was that found?
34:03She'd really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now.
34:11This is all getting quite dramatic.
34:13His name is Marie Giroux.
34:14He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema.
34:19Samoai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house.
34:31I chose well.
34:33Better than I knew, it seems.
34:36Tread carefully, Miss Monroe.
34:39Oh.
34:52Oh.
34:58Oh.
35:01Oh.
35:03Oh.
35:05Oh.
36:26Mr. Tom!
36:28Mr. Tom, Aramia here!
36:30All right.
36:31All right.
36:31Salma, Salma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:34Just tell me earlier.
36:35Then he's in the fridge right away.
36:38Okay.
36:41Okay.
36:42Thirty-six-two.
36:45Uh... Hi.
36:47Who are you?
36:49I, uh, just gave Tom a lift.
36:51You broke down? Yes, he did.
36:53It's the second time this week.
36:55The man couldn't change a tire.
36:57His life depended on it.
36:58He said these need to be refrigerated.
37:01I know.
37:04I know.
37:08What's happening?
37:08Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:19What's he doing?
37:19Go, go, go, go, go.
37:22Hey, hey, hey.
37:23You're not taking him.
37:24You're not taking him yet.
37:26You're not taking him yet.
37:29Oh...
37:29I don't know what you're talking about.
37:33I don't know what you're talking about.
37:37You'll have to be through me.
37:49Yama!
37:51Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli.
38:00Sell them to traffickers for a king's ransom.
38:04He stopped them before?
38:07He may be useless with cars,
38:09but he could talk a dog off a meat truck.
38:27I'm sorry.
38:28I'm sorry.
38:29I'm sorry.
38:30I'm sorry.
38:33I'm sorry.
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened, Jan.
38:56I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself, the way he was acting all shifty.
39:01What do you think happened?
39:04Okay, this is gonna sound insane, but...
39:07I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Oh, you're rich?
39:14No.
39:14So, why would someone kidnap him?
39:18Maybe it's not about money.
39:19It's always about money.
39:24What is...
39:29Oh.
39:30Diabetes.
39:32Wow.
39:35Okay, so what do I do?
39:38The police are either useless or correct.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archeologist.
39:56Yes.
39:56You're like me.
39:58You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:17Who has he been in touch with lately?
40:26Has he said anything strange?
40:34Find something more than a piece of Tringerman.
40:37Maybe I can help.
41:22It's Uncle Brian.
41:23He's in luck.
41:25He's in luck.
41:25It's in luck.
41:26He's in luck.
41:26He's in luck.
41:36He's in luck.
41:46SOS Global, Bureau de Marseille.
42:22SOS Global, Bureau de Marseille.
43:04SOS Global, Bureau de Marseille.
43:37SOS Global, Bureau de Marseille.
44:05SOS Global, Bureau de Marseille.
44:37SOS Global, Bureau de Marseille.
44:39SOS Global, Bureau de Marseille.
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