05:21Just another day in the office.
05:23Yes, it is what I do.
05:27Mm-hmm.
05:27Mm-hmm.
05:29Are you shy me?
05:31Yes, I would like to.
05:33Okay, look.
05:34Look.
05:36Look at this.
05:38Look at this.
05:38Look at this.
05:38Oh, wow.
05:39Yeah.
05:41I think it's one of the earliest examples of Christian worship.
05:45That's incredible.
05:48Hey.
05:48Hey.
05:50What are you going to tell me.
05:51What are you going to say.
05:51What are you going to tell me about that?
05:54I was wondering when you noticed.
05:55Um, it's a cyanide rose finch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05I see.
06:06You just thought you'd have it with you forever?
06:08Mm-hmm.
06:09It reminds me of you.
06:10Um.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:15Loudly.
06:16.
06:25So, come on.
06:26Are you holding out or something?
06:28How is Jordan?
06:30Um.
06:31Well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:43Mm-hmm.
06:44Mm-hmm.
06:45Mm-hmm.
06:45Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:53What?
06:55Associate Professor of Archeology.
07:00Princeton.
07:02Oh, my God.
07:03Alice.
07:04I mean, um.
07:05That's amazing.
07:06Yeah.
07:08That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:15So.
07:15I'm going to have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:28I know it's going to be hard to leave all the dysentery.
07:30I totally understand.
07:32No.
07:32Um.
07:33No.
07:33No.
07:34That.
07:34That.
07:34That.
07:34That.
07:35That.
07:39Big.
07:39Um.
07:41Big.
07:42No.
07:42Um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47I know.
07:47I know.
07:47It's.
07:48It's.
07:48It's a skill.
07:49We've talked about this before.
07:51We have.
07:51Listen, I love that we get to meet up in hotels all over the world and that we actually
07:57want to have sex with each other all the time.
08:00But.
08:02I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me.
08:16Like, Tom, I love you so much.
08:20And I want to keep loving you.
08:22And I'd like to do it while I'm actually looking at you.
08:30And I love you, Alice Munro.
08:34And.
08:39I want to be with you.
08:44Even in New Jersey?
08:47Especially in New Jersey.
08:49Oh.
09:04I hear what time is it.
09:11Tom?
09:16Tom?
09:19Hey.
09:21Hey.
09:23Uncle Brian.
09:24He's in London.
09:25Oh.
09:26Why don't you go downstairs, order some breakfast?
09:29The train's at 10.30.
09:52Merci.
10:01Wow.
10:06Hi.
10:07Sorry.
10:09Brian talks like it's an Olympic sport.
10:11Oh, it's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have
10:19left us destitute for the rest of our lives.
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project.
10:27And Brian has called in a favor.
10:30Oh my God.
10:31Oh my God.
10:31Are you kidding?
10:32Uh, can we get massages and lay by the pool?
10:35Yes.
10:36Yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh.
10:39I love you.
10:42What I feel is very conditional right now.
10:44Oh no, it is.
10:44Oh it is?
10:45It's completely.
10:46Yes.
10:58Don't.
10:59Stay there.
11:01It's almost over.
11:05Oh.
11:08Oh.
11:11Oh.
11:11That's a bingo.
11:13Okay.
11:14Maybe we don't do impressions of fictional SS officers as we're travelling through previously
11:19occupied France.
11:20What do you think?
11:22Okay.
11:24True income?
11:25Oh my God, no.
11:26Nein?
11:27For you?
11:44Hi, hello.
11:46Uh, sorry, I can't hear you.
11:50Can you repeat that?
11:51With the phone.
11:56one second yeah all right one second
12:09and he's not my husband he's my boyfriend
12:40yeah
12:42yeah
12:43yeah
12:43yeah
12:45yeah
12:47on
12:53okay
13:08mesdames et messieurs bonjour notre train dgw à destination de marseille sain charte va
13:14We arrive at Amignons in a few minutes.
13:16Amignons, 5 minutes left.
14:04Did my boyfriend return?
14:06Mon ami?
14:08Did he?
14:08No.
14:13So weird.
14:15Where are you?
14:20Oh.
14:23Hi, this is Tom Parker.
14:25Watching him unavailable.
14:26Leave a message after the time.
14:38Tom?
14:40I'm sorry.
14:54Ladies and gentlemen, our DGV is arriving in the Gare d'Avignon in a few moments.
14:59Come to make sure you recover all your baggage.
15:10Let's go.
15:15Let's go.
15:16Let's go.
15:19Let's go.
15:24Let's go.
15:25Let's go.
15:38Let's go.
15:39Let's go.
15:51Let's go.
15:56Let's go.
16:05Let's go.
16:07Let's go.
16:10Let's go.
16:11Let's go.
16:13Let's go.
16:14Let's go.
16:15Tom.
16:16Hey.
16:18Very funny.
16:19I have been looking all over this trip.
16:22Oh, my God.
16:23I'm sorry.
16:24No, Désolée.
16:24I didn't...
16:25Thought you were so...
16:27Yeah.
16:30Just...
16:34Excuse me.
16:35Excuse me.
16:36Excuse me.
16:38Excuse me.
16:39English.
16:40Have you seen him?
16:41Excuse me.
16:42Did you see him walking?
16:43No.
16:47Excuse me.
16:53You have a problem, madame?
16:55My...
16:55My...
16:56My...
16:56My...
16:57My...
16:57He's gone.
16:59He's...
17:00He's...
17:00He...
17:00I can't find him.
17:01He kinda...
17:02Desperoo.
17:10He's...
17:12He's...
17:13He's...
17:13He's...
17:13He's asking you if you have tried to call him.
17:15Yes.
17:16I have called.
17:17He's not answering.
17:18Could there...
17:18Could there have been an accident?
17:20Like, um...
17:21But if he was leaning against a door and maybe fell into the track, is that possible,
17:25Matt?
17:25He's on the quête de savoir s'il aurait pu, éventuellement, s'appuyer contre la porte
17:28et tomber sur les voies.
17:29Non, ça, c'est impossible, ça, madame.
17:30Les portes, elles sont fermées.
17:32Quand le train est en route.
17:33No, no.
17:34Ok, but we...
17:35We made a stop.
17:36Back there.
17:36We stopped.
17:37C'est vrai, on s'est arrêté quelques instants avant Avignon.
17:39Madame, les portes ne s'ouvrent que quand le train est à l'arrêt et dans une gare.
17:42D'accord?
17:43Ok.
17:43They only open at this point.
17:45Ok, I just wanna...
17:46I just wanna find my boyfriend.
17:48So...
17:48Je...
17:48Je comprends très bien ça, madame.
17:50Continue à l'appeler.
17:51Je...
17:51Je suis sûr qu'il va finir pas à vous répondre.
17:53Hein?
18:02I'm sorry, I'm sorry, but what's in here?
18:05C'est...
18:05C'est réservé au personnel.
18:07Ok.
18:08It's...
18:08Yes.
18:09Could you please open it?
18:10Non.
18:11What?
18:11Non.
18:12Les passagers sont pas autorisés à entrer.
18:14C'est le règlement.
18:15Qu'est-ce que ça peut vous faire?
18:15Elle a juste un Å“il, c'est la rassurance.
18:17C'est le règlement.
18:18C'est comme ça, c'est tout.
18:19Elle n'a pas le droit.
18:23Monsieur Giroud.
18:24May I please look inside?
18:26I'm...
18:26It's important, I...
18:27C'est contre le règlement, je l'ai dit.
18:32Oh my God.
18:37Tom, I've been looking all over from you.
18:39Where...
18:41Tom, are you there?
18:52Tom...
18:54Tom...
18:56Tom...
18:58Tom...
18:59Tom.
19:02Tom, peut-être...
19:29Do you know Marseille?
19:31No, no, but it's...
19:34I'll be fine, I'm okay.
19:35Thanks.
19:36What are you going to do?
19:38I don't know.
19:40We're supposed to go to Aurel, but maybe I'll go to the police.
19:44Do you need me to take you?
19:46No, no, I'm...
19:47You've been so helpful.
19:49I'm just kind of...
19:51I'm...
19:52Where is the police station?
19:55You go down the hill.
19:56It's on your right.
19:57You can't miss it.
19:58But are you sure I can take you?
20:01No, I'm fine.
20:02I'm positive this is all a big misunderstanding, so...
20:11You know, if you need help, I'm Hélène.
20:19Alice, thanks.
20:26So, good luck, Alice.
20:29And don't worry, it's going to be okay.
20:33Bye.
20:35Bye.
20:35Bye.
20:36Bye.
20:46Bye.
20:49Bye.
20:52Bye.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:20Please.
21:21Please.
21:21I'll come and look for you.
21:26Do you know how many people are reported missing each day in France?
21:31600 on a good day.
21:33Okay.
21:34Well, that cannot be an excuse to not help me.
21:36Please.
21:37It is 48 hours before a person can be described officially as missing.
21:41He has only been gone for two hours.
21:44He left his bag, you say.
21:46What about his passport?
21:47Yes, I have it.
21:48I have it right here.
21:49Just one second.
21:53Hold on.
22:03I don't...
22:34I don't understand.
22:35I have it right here.
22:36I'm an archeologist.
22:37I'm a...
22:37Do you know how you fight?
22:40What?
22:41Fights.
22:42Disagreements.
22:43Have you had any lately?
22:45No.
22:48Anything else?
22:49Anything else?
22:49Any changes of circumstance?
22:52I mean, I got offered a position at a university.
22:55A job.
22:56It would mean relocating to America for both of us.
23:01Yes.
23:01And he agreed?
23:03Yes.
23:04Are you sure?
23:05Yes.
23:06I'm sure.
23:07Because there are three major reasons people disappear.
23:11Work, money, and relationships.
23:20So?
23:20Tom.
23:21So perhaps your boyfriend wanted to escape the relationship so you got off the train at Avignon
23:27without telling you, et voilà ?
23:29He would never do that.
23:31You don't know Tom.
23:32I am no man.
23:37Okay, Inspector Drax.
23:44I really need to find him.
23:48Please, help me.
23:5448 hours, Miss Monroe.
23:5748 hours.
24:045 hours.
24:07It's happening.
24:081,500 minutes after him.
24:15You're not doing trouble brourgal.
24:19Okay no
24:25I went back!
24:27And here's what I love for you at a的時候.
24:29Like we don't know what you got here?
24:30I have no one day.
24:30You owe the agreeing that you hang out like how
24:55Oh, oh, oh, oh, oh.
25:05Sorry, thank you.
25:35Hey, are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid.
25:48Sorry.
25:50Right.
25:51What's in there?
25:53Uh, vaccines.
25:55Yeah, without refrigeration, they'll be useless within a couple of hours.
26:00So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:11It's, um...
26:12that way.
26:16Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of
26:20my life?
26:23It's possible.
26:26Well, then, I guess you better hop in.
26:34Thank you!
26:36All right.
26:46Hey.
26:48Tom Parker.
26:49Alice Monroe.
26:50Nice to meet you, Alice Monroe.
26:51You, too.
26:52Thank you so much.
26:53You're welcome.
26:55It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:15What?
27:16Want to know what gives you away?
27:18Oh, it's shirt.
27:20The AC unit.
27:21No dust.
27:23It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No, no, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:55No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
28:01no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
28:01no, no, no, no, no, no, no, no, no.
28:39Okay, can you stop already? Up here?
28:44Okay.
28:44Let's see if it's late.
28:56Let's go.
29:25Let's go.
29:54Let's go.
30:07Tom?
30:09Let's go.
30:11Let's go.
30:12Let's go.
30:14Let's go.
30:16Let's go.
30:17Let's go.
30:22Let's go.
30:22Let's go.
30:23Let's go.
30:24Let's go.
30:28Let's go.
30:28Let's go.
30:29Let's go.
30:30Let's go.
30:31Let's go.
30:41Let's go.
30:44Let's go.
30:52Let's go.
30:57Let's go.
30:59Let's go.
31:00Let's go.
31:13Let's go.
31:27Let's go.
31:37Let's go.
31:40Let's go.
31:42Let's go.
31:44Let's go.
32:03Let's go.
32:06Let's go.
32:10Let's go.
32:13Let's go.
32:23Let's go.
32:28Let's go.
32:29Let's go.
32:31Let's go.
32:32Let's go.
32:36Let's go.
32:39Let's go.
32:49Let's go.
32:52Let's go.
32:54Let's go.
33:22Hi. Hello.
33:24Mademoiselle Monroe.
33:26What a pleasant surprise.
33:27So, has the prodigal son returned?
33:29No.
33:30But, um...
33:31Ah, voila.
33:32Then we can report him missing tomorrow.
33:34Can I please have a moment of your time, please?
33:36Walk with me.
33:37I'm late to the cinema.
33:39For an Alain Delon double bill and Madame Drax will not take it kindly.
33:42If I'm late...
33:43I know where Tom got off the train.
33:45Bravo, Madame Clouseau.
33:47I followed the line back from Avignon where the train stopped and I found this.
33:54Probably gone.
33:55Well, yeah, it's Tom's favorite.
33:57He offered me a piece before he disappeared.
33:59Hmm.
34:00And the ejected seat on the train, where was that found?
34:03Should really be a stand-up comedian, you know that?
34:05My wife doesn't think so.
34:07So, there was a door in the conductor's office.
34:09Oh, the conductor is in the compass now.
34:11This is all getting quite dramatic.
34:12His name is Maurice Giroux.
34:14He was hiding something, I could tell.
34:16You have to bring him in for questioning.
34:17I have to go to the cinema.
34:19Samurai awaits.
34:20You know, I'm not making this up.
34:22And I'm late.
34:24Nice car.
34:29My wife makes the money in our house.
34:31I chose well.
34:33Better than you, it seems.
34:36Tread carefully, Miss Monroe.
34:43Tread from California.
34:44Sort of even have to look down.
34:58Tend to you, please.
34:59No look at all.
35:12Couldn't do the nursing outbreak itself.
35:12I really knew that the judges do not live much for했습니다.
35:12That is a firefighter, Father God, you have made somebody sure to go.
36:26Mr. Tom!
36:28Mr. Tom!
36:29I want you here!
36:30All right.
36:31Salma, Salma, one sec.
36:33Can you take these in there?
36:34Just tell me they need to be in the fridge right away.
37:05Okay.
37:08Wait, what's happening?
37:09Stay back.
37:12What's he doing?
37:17What's he doing?
37:19Stop!
37:20Go, stop, go, stop.
37:22Hey, hey, hey!
37:23You're not taking him.
37:24You're not taking him.
37:25You're not taking him!
37:28Oh, God.
37:31You're not taking him.
37:34You're not taking him.
37:36You're not taking him.
37:37You're not the best of me.
37:51Who are they?
37:53Hey, hey, hey!
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli, sell them to traffickers for a king's ransom.
38:04He's stopped them before?
38:07Yep.
38:07He may be useless with cars, but he could talk a dog off a meat truck.
38:11I don't know.
38:11Yeah.
38:14Yeah.
38:16Yeah.
38:39Oh, God.
38:40OK.
38:41Let's go, God.
38:48You look like you need a drink.
38:53Something must have happened to Tom before it happened, Jan.
38:56I just feel like the conductor had something to do with it.
38:58I mean, you saw him yourself, the way he was acting, all shifty.
39:01What do you think happened?
39:04Okay, this is going to sound insane, but I think Tom was kidnapped.
39:10Is he rich?
39:12No.
39:13Oh, you're rich?
39:14No.
39:14So why would someone kidnap him?
39:18Maybe it's not about money.
39:20It's always about money.
39:25What is...
39:29Oh, diabetes.
39:32Wow.
39:36Okay, so what do I do?
39:38The police are either useless or corrupt.
39:42And if you're really lucky, they're both.
39:45Great.
39:46What then?
39:47What am I?
39:50I'm an investigative journalist.
39:53Who are you?
39:54An archaeologist.
39:56Yes.
39:56You're like me.
39:58You look for clues in the past to tell you about the future.
40:02You know Tom better than anyone, so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:16Who has he been in touch with lately?
40:26Has he said anything strange?
40:30I don't know.
40:34Find something more than a piece of Twingo man.
40:37Maybe I can help.
40:39I don't know.
40:41Okay.
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