00:00A CIDADE NO BRASIL
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03:35UM
03:36Walk normally
03:44I'm EXCITED for you, Mary
03:46New Love is the most romantic thing
03:49New Love?
03:50whitesers
03:51O primeiro throws.
03:52Você deve não tomar isso por conta.
03:54Porque os sentimentos logo passam.
03:56E aí tudo se torna bastante ordinar.
04:00É quase impossível lembrar como se sentiu no começo.
04:06Agora, você vai.
04:07Solta-se.
04:08Chin up.
04:09Chin down.
04:10Chin up a pouco.
04:12Não se veja com medo.
04:13É muito difícil não ter.
04:17Lembre-se.
04:18Você é só permitido duas danças com o mesmo parceiro.
04:21Make eye contact fleetingly with the men you want to dance with
04:25and avoid the eyes of those you do not.
04:27If a man asks you to dance, do not look too happy
04:30nor too disappointed, depending on who he is.
04:33You must look nonchalant.
04:36Carefree.
04:41Mary,
04:43think back to those times in your childhood
04:45when you had not a care in the world.
05:09to the cards.
05:17Hmm.
05:17...is to be yourself.
05:37Isn't it beautiful?
05:52Do you not fret?
05:53The night has only just begun.
05:58Good evening, Miss Baxter, Miss Bennet.
06:01Doesn't Miss Bennet look beautiful?
06:03Er, well, as do you, Anne.
06:13Mr. Heywick, how would you like to dance with this Bennet?
06:17No, I didn't.
06:18It will show how eligible you are.
06:24I don't suppose you have much room for me on your card.
06:28But if there is, I would be very glad to dance with you.
06:30Oh, well, there might be.
06:33Let me just check.
06:37Yes.
06:38Yes.
06:39We could dance.
06:41Thank you, Mr. Heywood.
06:49Mr. Heywood, how are you?
06:52Miss Bennet?
06:55I'm very well.
06:57How are you?
06:59Morning.
07:00Moving on.
07:05Three.
07:05Two, two, three.
07:07One, two, three.
07:07One, two, three.
07:09One, two, three.
07:30Amém.
08:04Amém.
08:30O que é um bom minuete!
08:35Agora vocês dois, vocês devem ir juntos.
08:39Eu vou ir.
08:41E...
08:41Oh, Mary, por favor?
09:27É você.
09:28Sim, sim.
09:28É sim, sim.
09:29William Ryder.
09:30Claro, Sr. Ryder.
09:32É um prazer ver você tão pronto.
09:38Você gostaria de dançar?
09:41Bem, talvez mais tarde.
09:42Minha feet são muito...
09:45Então, vamos nos sentiremos.
09:47E compartilhe sua força.
10:09Eu acho que essas ocasiões são muito intolerantes.
10:13Todas as jovens.
10:15Parado, com o peso de seus parentes.
10:19Não é o menos romântico.
10:21Essas ocasiões significam muito,
10:23para muitas jovens,
10:25e por boa razão.
10:27Nenhuma não quer que venha.
10:31Mas...
10:32Não parece para você, Miss Bennet,
10:34que...
10:35a maioria das pessoas
10:36dá muito peso para a ideia de casamento?
10:39Porque, para algumas pessoas,
10:40isso é apenas um tipo de survival.
10:43Em termos de homens e mulheres,
10:45a única coisa que deveria nos guiar é o coração.
10:49Você realmente acredita isso?
10:53Bem...
10:55Eu acredito
10:56que nós deveríamos dar uma boa razão.
10:58Estão desculpados esses antigos rurais.
11:00E seguiremos nossos inclinations,
11:01como nós desejamos.
11:04Eu acho que você vai encontrar,
11:05Mr. Rider,
11:06que a liberdade,
11:07em tantos situações,
11:09tende a ser gostado por um homem.
11:12E os consequências são nascidos,
11:15muito literalmente,
11:15em muitos casos,
11:17por uma mulher.
11:19talvez você seja bem.
11:21Eu sei.
11:22Eu sei.
11:22Eu sei.
11:29Eu sei.
11:32Eu sei.
11:34Eu sei.
11:43Eu sei.
11:59Eu sei.
12:04Eu sei.
12:05que você está a ser capaz de ver,
12:07que você está a ser capaz de ver,
12:12mas você está a ser capaz de ver.
12:15Eu estou a ler Wordsworth, agora.
12:18Ah, mas o que você realmente gosta de ler, Miss Bennet?
12:22Histories.
12:24Não, não, eu quero dizer, o que é o seu secreto indulgence?
12:30Eu realmente gostei de ler, como criança, com um pão de sermão de pamplet.
12:37Que detalhe o mais grisly crimes.
12:42Eu sabia que era uma bold e curiosidade para você, Miss Bennet.
12:45Eu tinha que ir para mim, mas você também.
12:47Você também.
12:54Oh, meu Deus, olha ela.
12:56Eu estou a ver.
13:21Não, não, não.
13:31Não, não, não.
14:24Não, não.
14:25Não, não.
14:25Não, não.
14:25Não, não.
14:26Não, não.
14:26Não, não.
14:26Não, não.
15:12Não.
15:13Eu...
15:14Eu...
15:16Eu...
15:46Eu...
16:16Eu...
16:31Eu...
16:56Eu...
17:26Eu...
17:27Eu...
17:57Eu...
18:01Eu...
18:13Eu...
18:43Eu...
18:57Eu...
18:58Eu...
19:00Eu...
19:02Eu...
19:02Eu...
19:03Eu...
19:04Eu...
19:33Eu...
19:39Eu...
19:52Eu...
19:54Eu...
19:56Eu...
20:25Eu...
20:26Eu...
20:55Eu...
21:02Eu...
21:07Eu...
21:10Eu...
21:16Eu...
21:19Eu...
21:28Eu...
21:34Eu...
21:35Eu...
21:36Eu...
21:38Eu...
21:40Eu...
22:02Não.
22:14O que você acha de James Hutton que a Terra é perpetuamente sendo formada?
22:20Eu não tenho interesse em geologia.
22:23O que você acha, Sr. Hurst?
22:28Horses. Horses.
22:29Oh!
22:30Eu sei muito sobre isso, então eu seria honrada se você me ensinassem tudo isso.
22:35Nós não vamos ter tempo para isso.
22:37Vamos ver como vamos continuar.
22:40Vamos lá.
22:40Right.
22:43Right, ah...
22:45Forelegs.
22:48Cannot vomit.
22:50Oh!
22:50Beautiful creatures.
22:52Beautiful.
22:52Almost too beautiful.
22:54More intelligent than anyone at this table.
22:58Perhaps if I was to construct a horse...
23:00I think I would appreciate that.
23:02Right.
23:02I've done this before.
23:03I'm sure I can do it again.
23:04Fascinating.
23:05These are the front legs.
23:06Here.
23:07We call these the cloppers.
23:09Hmm.
23:10Back legs.
23:11The clippers.
23:12Ah.
23:12Clip-clop.
23:13Right?
23:14You see what I'm saying?
23:15You do not want to stand behind a horse.
23:17You do not want to...
23:18I just want to try.
23:21What can a horse do?
23:23What can a horse do?
23:24You tell me.
23:24Well, um, it can run, but it can also break your heart.
23:29I can see it.
23:30That is, uh, our horse.
23:32What shall we name it?
23:34Gerald.
23:35Gerald.
23:37Huh?
23:37Let's enter him at...
23:39York.
23:40Probably faster than the horse I bet on last week.
23:42Probably faster than the horse I bet on last week.
23:46Um...
23:48Thank you.
23:49Thank you, sir.
23:50I shall never wager any significant amount of money without consulting you first.
23:55Ah.
24:02Miss Bennet?
24:04I was hoping to speak to you.
24:07Really?
24:08I couldn't let this evening pass without having the privilege of talking to you properly.
24:13It's a shame, then, that you chose to seat me so far from you at dinner.
24:20You met Lady Catherine once, did you not?
24:23I did.
24:25Only recently we were talking about your family, and she confessed herself astonished at the
24:30great difference between you and your sisters.
24:32She felt that you were not as handsome as Elizabeth, nor as provoking, not as beautiful
24:40as Jane, nor as willing as Kitty, and, well, who could measure up to Lydia's joie de vivre?
24:50It was very candid of her.
24:52She is known for her frankness.
24:54I sometimes wonder if frankness isn't just a poor excuse for unkindness.
25:02Tell me, Miss Bennet, do you intend to marry?
25:07Let's assume we all must marry in the end.
25:12Perhaps you might allow me to offer you a little advice.
25:16If you wish.
25:17It seems to me that a great deal of time is thrown away in pursuit of attachments that
25:25can never come to anything, such as Mr. Ryder.
25:33Do you mean to suggest that I am pursuing Mr. Ryder?
25:36Or that he is pursuing me?
25:39For both are quite without foundation.
25:41And yet it seems you do all you can to please him.
25:45I cannot imagine why else he would speak of you as he does.
25:49What do you mean?
25:50Confine yourself to your proper sphere, Miss Bennet.
25:54Presumptions of this kind only lead to disappointment and humiliation,
25:58where matters of the heart are concerned.
26:04You seem to know a great deal about rejection.
26:08Is this a lesson you've learned from extensive study?
26:12Or do you perhaps owe it to experience of a more personal nature?
26:20Oh, Miss Bingley.
26:26Miss Bingley, welcome to the game.
26:28I fear I do.
26:29There was a very thorough lesson in horse racing.
26:36You had a dinner.
26:38Miss Bennet.
26:40It was, yes, most interesting.
26:44I wanted to say that...
26:47I wanted to ask...
26:49Or that is to say, I had noticed at the ball
26:52that Mr. Ryder had occupied a great deal of your time.
26:56And he often acts without thinking, so...
26:58I'd be very glad to ask him to be more restrained
27:01if that is what you would like.
27:06I very much enjoy his company.
27:08I see.
27:14No, I...
27:14Of course, I...
27:15No, no, no.
27:15Forgive my intrusion.
27:16No, that is to say, I'm...
27:19I'm not drawn to him.
27:21Who is you?
27:21Bennet, girl.
27:22The one you said was plain.
27:23Oh, the governess.
27:25She was the only one of the five not to marry.
27:27Can you imagine?
27:28She didn't look very plain to me.
27:30She was tolerant.
27:31And you can see Ryder's interest in her.
27:33If I were him, I'd snap her up before some other fellow does.
27:37Excuse me.
27:38I believe Miss Bennet would like to sing for us.
27:42How lovely, Mary.
27:44Oh, I have no wish to do anything of the sort.
27:46Come on, Miss Bennet, you must sing!
27:48Sing!
27:50Sing!
27:51Sing!
27:52Sing!
27:53Sing!
27:54Sing!
27:54Sing!
27:55Sing!
27:56Sing!
27:58Sing!
27:58Sing!
27:59Sing!
28:00Sing!
28:05Mary.
28:06Mary.
28:06We must get you to Pemberley.
28:08Immediately.
28:08We have received an urgent letter.
28:10Your mother's been taken gravely ill.
28:12Oh!
28:13Take your carriage and go.
28:14Now!
28:14Oh!
28:16Oh!
28:18Oh!
28:18Oh!
28:20Oh!
28:21Oh!
28:21Oh!
28:24Oh!
28:25Oh!
28:26Come on, Mary. You must hurry.
28:28I'm dead.
28:56I'm dead.
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