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Psychic Killer - Best Supernatural Horror Movie ｜ Movie Classic [Full Movie] [Trending Drama]Full EP - Full
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00:00:00Transcrição e Legendas por Quintena Coelho
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00:03:45Não!
00:03:46Não!
00:03:51Não!
00:03:53Não!
00:03:53Oh, no!
00:03:55Oh, no!
00:03:58Não!
00:04:00Não!
00:04:02Não!
00:04:02Não!
00:04:03Não!
00:04:03Eu não entendi.
00:04:04Eu não entendi.
00:04:05Ele parece que está ficando muito melhor.
00:04:07Ele...
00:04:07Ele não está fazendo isso.
00:04:09Eu não entendi.
00:04:10Eu não entendi.
00:04:12Eu não entendi.
00:04:13Ele vai ter um bom.
00:04:14Ele está fazendo isso.
00:04:17Eu não entendi.
00:04:17Eu não entendi.
00:04:18Eu não entendi.
00:04:19Eu não entendi.
00:04:21Eu não entendi.
00:04:21Ele está fazendo isso.
00:04:23Ele está fazendo isso.
00:04:23Oh, sim.
00:04:26Muito bem.
00:04:39Eu...
00:04:40Eu falo com todos os médicos.
00:04:42Eu tento parar isso.
00:04:43mas...
00:04:44Eu acho que...
00:04:46se tudo estiver bem...
00:04:48você deve estar em casa muito mais tarde.
00:04:54Arnold...
00:04:55Eu sei que você pode ser ajudado.
00:04:58Eu vou continuar tentando.
00:04:59Eu não matou ninguém.
00:05:01E se eu não matou ninguém,
00:05:02eu não vou ficar mal.
00:05:04E eu não vou confessar algo que eu não fiz.
00:05:11mas...
00:05:16eu não vou fazer isso.
00:05:22Eu não entendi.
00:05:24Eu não entendi.
00:05:25eu não entendi.
00:05:50Eu não entendi.
00:05:51Eu não entendi.
00:05:51eu estava at colorido.
00:06:01Eu não entendi.
00:06:04Eu não entendi.
00:06:08Eu não entendi.
00:06:09O que é isso?
00:06:42O que é isso?
00:07:09O que é isso?
00:07:10O que é isso?
00:07:12O que é isso?
00:07:13O que é isso?
00:07:44O que é isso?
00:07:46O que é isso?
00:07:47O que é isso?
00:07:47O que é isso?
00:07:51O que é isso?
00:07:55O que é isso?
00:08:19O que é isso?
00:08:20O que é isso?
00:08:33O que é isso?
00:08:38O que é isso?
00:08:39O que é isso?
00:08:44O que é isso?
00:08:45O que é isso?
00:08:55O que é isso?
00:09:00O que é isso?
00:09:06O que é isso?
00:09:17O que é isso?
00:09:18O que é isso?
00:09:27O que é isso?
00:09:28O que é isso?
00:09:29O que é isso?
00:09:33O que é isso?
00:09:34O que é isso?
00:09:35O que é isso?
00:09:37O que é isso?
00:09:39O que é isso?
00:09:43O que é isso?
00:09:44O que é isso?
00:09:46O que é isso?
00:10:17O que é isso?
00:10:48O que é isso?
00:10:51O que é isso?
00:10:53O que é isso?
00:10:58O que é isso?
00:11:15O que é isso?
00:12:08O que é a coisa?
00:12:10O que é isso?
00:12:10Acabei de buscar!
00:12:12O que é isso?
00:12:14Eu coloquei meu nome no seu sangue e coloquei o seu sangue.
00:12:19O que o prefeito diz? Ele me desistiu meu último rei.
00:12:43. . .
00:13:13I got a letter for him just this morning.
00:13:16No return address, no notes.
00:13:18It's got the newspaper clipping.
00:13:21Hey, wait a minute.
00:13:25Waller Johnson Black was found dead in his downtown apartment this afternoon.
00:13:33Investigators say that the gruesome murder has all the earmarks of a ritual killing.
00:13:39The victim's throat was cut and his chest severely slashed.
00:13:44Johnson had a long police record going back.
00:13:47Hey, what are you doing?
00:13:47Nothing. Pardon me. Pardon me.
00:13:49Okay.
00:13:51How do you like that?
00:13:53Somebody sending something like that to somebody in a place like this.
00:13:57Terrible.
00:14:28. . .
00:14:46Você está bem?
00:14:48Sim, estou bem. Um pouco de dor.
00:14:50Quer algo?
00:14:51Não, não. Eu vou bem.
00:14:54Ok, eu vou dormir.
00:14:55Vou dormir.
00:14:57Sim.
00:15:25. . .
00:15:33. . .
00:15:33. . .
00:15:35. . . .
00:15:36. . .
00:15:45. . .
00:15:47. . .
00:15:48. . .
00:15:48. . .
00:15:48. . .
00:15:48. . .
00:15:48. . .
00:15:48. . .
00:15:48. . .
00:15:48. . .
00:15:50. . . .
00:16:04. . .
00:16:04. . .
00:16:05. . .
00:16:07. . .
00:16:08Seventy-four and a quarter inches, 179 pounds.
00:16:11Time of death, approximately 12.52 a.m.
00:16:15Cause of death to be determined.
00:16:17Preliminary examination.
00:16:26Now, let's take a look at his heart, gentlemen.
00:16:29To clear the area of the heart.
00:16:33That's a goddition that was still alive?
00:16:35Dr. Cominger, the man was medically dead when he was brought into the room.
00:16:38If the papers get hold of this, we're going to look like a bunch of Frankensteins.
00:16:42Dr. Cominger, may I point out...
00:16:44Oh, George, just shut up. You haven't killed anybody yet.
00:16:48Get out of my office and try to keep your mouth shut.
00:16:54Now, what about the patient? What kind of shape is he in?
00:16:57Well, as near as I can tell, he was in a deep state of shock over the death of another
00:17:01patient, which might...
00:17:02Never mind that. What kind of shape is he in today, right now?
00:17:06He seems controlled, rational.
00:17:09No outward stress, huh?
00:17:12Okay.
00:17:14Send Mr. Masters in here.
00:17:16Yes, doctor.
00:17:18Patients jumping over walls.
00:17:20Autopsies performed on patients while they're still alive.
00:17:24Do you have any idea what would have happened if we'd killed Masters before that paper came out?
00:17:28I'm sure Mr. Masters would have been justifiably upset.
00:17:36Well, Mr. Masters, how are we feeling today?
00:17:43You certainly gave us quite a scare.
00:17:47I'm in a chair.
00:17:51Actually, I said for you to come up here because I have some very good news for you.
00:17:58The official word just came through.
00:18:01A man came forward last night and confessed to the crime for which you were committed to this institution.
00:18:10You are hereby released from this institution as all charges against you have been dismissed.
00:18:24I really don't know how a thing like this ever could have happened.
00:18:29After all, it's not the first time an innocent man has been unjustly accused.
00:18:33We certainly hope that you'll take this in the proper spirit and go on and live a successful and happy
00:18:39life.
00:18:40Please don't hesitate to ask us to do anything in our power to help you in your efforts at rehabilitation
00:18:45from something that must have been a terrible ordeal for you.
00:18:57To the people's war, let's go to an initial visit.
00:18:58To the people's war on fire, let's go, let will...
00:19:05To the people's war on fire.
00:19:14To the people's war, let's go, let's go.
00:19:17Tchau, tchau.
00:19:59Tchau.
00:20:25Tchau.
00:20:53Tchau.
00:21:24Tchau.
00:21:47Tchau.
00:21:48Tchau.
00:21:49Tchau.
00:21:50Tchau.
00:22:23Tchau.
00:23:02Tchau.
00:23:23Tchau.
00:24:03Tchau.
00:24:05Tchau.
00:24:06Tchau.
00:24:07Tchau.
00:24:08Tchau.
00:24:13Tchau.
00:24:27Tchau.
00:24:29Tchau.
00:24:31Tchau.
00:24:41Tchau.
00:24:43Tchau.
00:24:45Tchau.
00:24:46Tchau.
00:24:55Tchau.
00:24:58Tchau.
00:24:59Tchau.
00:25:04Tchau.
00:25:06Tchau.
00:25:08Tchau.
00:25:10Tchau.
00:25:12Tchau.
00:25:15Tchau.
00:25:20Tchau.
00:25:21Você está louvando com o seu marido, para a primeira vez.
00:25:33É natural que você...
00:25:36seja um pouco triste no começo.
00:25:41Pa...
00:25:41Por favor...
00:25:45Eu estou passando.
00:25:53Você vê, meu querido, aqui você está, com sua angustia,
00:25:59para quem você transferiu todos os sentimentos de incêndio que você supressou para seu seu pai passado.
00:26:16Stand up.
00:26:38Diga.
00:26:40Diga.
00:26:41Diga.
00:26:42Diga.
00:26:43Diga.
00:26:44Diga.
00:26:44Y alas noventa de você não deveria ser gastado.
00:26:45Agora, eu não adoro você.
00:26:50Eu amo você mais do que qualquer pessoa.
00:27:10Você viu isso?
00:27:11Não, nada.
00:27:14Eu amo você mais do que qualquer pessoa.
00:27:19O que é isso?
00:27:20Be quiet.
00:27:21Eu amo você, meu querido.
00:27:23Eu hear o quê?
00:27:25Beautiful.
00:27:26Paul?
00:27:27Come on, querido.
00:27:29Não vai te bite você, excepto me.
00:27:33O que é isso, Paul?
00:27:36Eu amo você, meu querido.
00:27:38O que é isso?
00:27:40Você acha que você está fazendo um fulho?
00:27:42Quem é isso aí?
00:27:43Paul, o que é isso?
00:27:45Você não ouviu nada, eu acho.
00:27:46Não, nada.
00:27:48Paul, o que é isso?
00:27:54O que é isso?
00:27:57Quem é isso?
00:27:58Aqui eu sou.
00:27:59Aqui eu sou, cari.
00:28:00Aqui eu sou.
00:28:02Aqui eu sou.
00:28:06Aqui eu sou.
00:28:06Aqui eu sou.
00:28:07Aqui eu sou.
00:28:10Aqui eu sou.
00:28:11Aqui eu sou.
00:28:12Aqui eu sou.
00:28:15Aqui eu sou.
00:28:16Aqui eu sou.
00:28:18Aqui eu sou.
00:28:22Aqui eu sou.
00:28:23Aqui eu sou.
00:28:25Aqui eu sou.
00:28:26Aqui eu sou.
00:28:27Aqui eu sou.
00:28:28Aqui eu sou.
00:28:29Aqui eu sou.
00:28:30Aqui eu sou.
00:28:31Aqui eu sou.
00:28:33Aqui eu sou.
00:28:33Aqui eu sou.
00:28:34Aqui eu sou.
00:28:36Aqui eu sou.
00:28:36Aqui eu sou.
00:28:36Aqui eu sou.
00:28:38Aqui eu sou.
00:28:38Aqui eu sou.
00:28:39Aqui eu sou.
00:28:39Aqui eu sou.
00:28:40Aqui eu sou.
00:28:40Aqui eu sou.
00:28:40Aqui eu sou.
00:28:41Arnald Masters,
00:28:42although abnormally attached to his mother,
00:28:45and by nature recluse,
00:28:47an antisocial in his behavior,
00:28:48is in most instances a person
00:28:50who would have...
00:28:57You did not see anyone.
00:28:58Is that right, Mrs. Turner?
00:29:01Could you answer the question, please?
00:29:04No.
00:29:05And where were you at this time?
00:29:07I, um...
00:29:08I was on the floor.
00:29:10What were you doing on the floor?
00:29:12I was young.
00:29:14He was kissing me.
00:29:16Is that when he began to act strangely?
00:29:19What do you mean, strangely?
00:29:21Look forward, please.
00:29:25Well, he was lying on the floor
00:29:26with a naked woman.
00:29:29You were naked, weren't you?
00:29:32Do you answer the question, please?
00:29:34Yes.
00:29:36Yes what?
00:29:37Yes, I was naked.
00:29:39You say you didn't hear anything?
00:29:42No.
00:29:43How can you explain that?
00:29:47I can't.
00:29:52You don't believe me.
00:29:53I'd like to believe you, Mrs. Turner,
00:29:55but a man is dead
00:29:56and you were the last one to see him.
00:29:58Well, I didn't do anything.
00:30:00Well, somebody sure as hell did
00:30:01and you were obviously on any of the terms
00:30:02with Dr. Taylor.
00:30:04Can I go?
00:30:05Where was your husband doing all this?
00:30:07I told you everything.
00:30:09I want to go home.
00:30:11No.
00:30:14Did you take Mrs. Turner home?
00:30:16Yeah.
00:30:19I don't get it.
00:30:20You fired that shotgun at somebody
00:30:22but there's no trace of blood
00:30:23or no footprints other than his.
00:30:26I know damn well she didn't do it
00:30:28because she's not big enough
00:30:29to break his neck the way we found her.
00:30:30You sure about her, old man?
00:30:32I checked him out.
00:30:33He's been in Chicago the past six months
00:30:34on a business deal.
00:30:36He spends a lot of time away from home.
00:30:37He's been in Chicago the past six months
00:31:07and he's been in Chicago the past six months
00:31:09and he's been in Chicago the past six months
00:31:10and never being goed and he is no Lookster
00:31:13No.
00:31:37He's been in Chicago the past seven months
00:31:43Agora, Sr. Schaefer, você está tendo esses sentimentos de novo?
00:31:49É só que esses uniformes sempre shrink.
00:31:53Eu não sei o quão confortável eles são.
00:32:01Não, Sr. Schaefer, não tem ideia.
00:32:03É só que esse uniforme está me enganando.
00:32:10Você está me enganando, Sr. Schaefer.
00:32:13Para massacar suas pernas, para limpar o deslizamento que você faz em sua cama.
00:32:17Eu estou em minhas mãos todos os dias e não tenho ninguém para cuidar de mim.
00:32:21Eu tenho que fazer isso por mim.
00:32:24A maioria dos homens não tem massacres, você sabe?
00:32:27Eu acho que você faz, mas eu acho que você é o mais gentil do mundo.
00:32:35E eu posso dizer.
00:32:38Eu acho que você não tem mais tempo para uma noite até 9 horas.
00:32:41Então, eu acho que vou relaxar e tomar um minuto.
00:32:54Eu vou voltar em alguns minutos.
00:32:58Porque você, você não tem mais tempo para dar um minuto.
00:33:13Tchau, tchau.
00:33:32Tchau, tchau.
00:34:03Tchau, tchau.
00:34:34Tchau, tchau.
00:35:15Tchau, tchau.
00:35:32Tchau, tchau.
00:36:03Tchau.
00:36:32Tchau, tchau.
00:37:09Tchau, tchau.
00:37:33Tchau, tchau.
00:37:37Tchau, tchau.
00:37:38Tchau, tchau.
00:38:17Tchau, tchau.
00:38:18Tchau, tchau, tchau.
00:38:46Tchau, tchau.
00:39:38Tchau, tchau.
00:39:53Tchau, tchau, tchau.
00:39:55Tchau, tchau, tchau.
00:40:06Tchau, tchau.
00:40:14Tchau, tchau.
00:40:16Ah! Ah!
00:40:22Ah!
00:40:31E você tinha o seu siren.
00:40:34Sim, mas ele só continuou a ir mais rápido.
00:40:38Agora, você diz aqui que quando você tirou ao lado de ele para flagrar ele,
00:40:43ele estava se comportando estranho.
00:40:46Sim, senhor.
00:40:48O que significa que ele está se comportando estranho?
00:40:52Bom, senhor, eu não sei como se expressa isso exatamente.
00:40:56Você certamente melhor encontrar uma maneira de se expressar isso exatamente.
00:40:59Porque aquele homem que estava se comportando estranho não era apenas um policial,
00:41:02mas ele era um amigo de mim e agora ele está morto.
00:41:04E eu estou bem certeza que eu vou descobrir como se aconteceu.
00:41:08Você entende isso, senhor?
00:41:10Sim, senhor.
00:41:11Eu me desculpe, senhor.
00:41:13Eu me desculpe, também.
00:41:14Eu, eu...
00:41:17Eu vou ter isso aqui.
00:41:21Eu vou ter isso aqui.
00:41:45It all happened pretty fast
00:41:49But sir, to me, it didn't look like
00:41:51Well, it didn't look like his hands were on the wheel of the car
00:41:56Now, I could be wrong, I know
00:41:58No, no, no, you could also be right
00:42:02Okay, sergeant, that's enough
00:42:04Yes, sir
00:42:09We've been all over the car
00:42:10And as we can tell, there's no sign of any mechanical failure
00:42:16And we set the funeral for next Wednesday
00:42:20What's that, his personnel file?
00:42:22Oh, yeah, yeah
00:42:29What are you looking for?
00:42:31A connection
00:42:31Between those three?
00:42:33That's right
00:42:34You, uh, think there's some kind of conspiracy?
00:42:38Dave, I don't know, I'm just looking
00:42:40Listen, you're upset, so am I
00:42:42Dave, I got three dead bodies on my hands
00:42:45And not one goddamn reason
00:42:48I gotta find one
00:42:50You want some coffee?
00:42:53Yeah, thanks
00:43:05Wait a minute
00:43:08I never realized that Sowash was the arresting office in the Masters case
00:43:12You went around for that when you were in the FBI in the big city
00:43:17But he never mentioned that case to me
00:43:21Now, Masters just got released yesterday morning
00:43:23Well, he wasn't too proud of the case
00:43:25But anybody could have made the same mistake, even you or me
00:43:29Wait, Dr. Taylor
00:43:30He was a court-appointed psychiatrist in the very same case
00:43:33Is that the connection you're looking for?
00:43:35Go check out Martha Bernson's nursing registry
00:43:38See if she had any connection with this Masters
00:43:40What if she did it?
00:43:41How can Masters have anything to do with any of this?
00:43:44I don't know, Dave
00:43:45But I'm sure as hell gonna find out
00:44:35I don't know, Dave
00:44:45Excuse me, who are you?
00:44:48I didn't mean to startle you.
00:44:51Are you Arnold Masters?
00:44:52I am, and this is my home.
00:44:55And who may I ask are you?
00:44:57I'm a police officer.
00:45:00Lieutenant Morgan.
00:45:01Good.
00:45:02For a moment I thought you might have been a prowler.
00:45:05What do you want?
00:45:07I'd like to talk to you.
00:45:10Come in, please.
00:45:18I'm sorry about the condition of the house.
00:45:20It got a little run down while I was away.
00:45:45Oh, may I offer you a drink?
00:45:49Thanks.
00:45:51I have milk, pomegranate juice, and lemonade.
00:45:55Milk.
00:46:04There you are.
00:46:05Thanks.
00:46:06You're welcome.
00:46:10I, uh, realize you've been away.
00:46:13I just got back yesterday.
00:46:16I was wondering, have you had time to read in newspapers?
00:46:19Yes.
00:46:20Yes, I have.
00:46:22Are you, by chance, reading about the Taylor killer?
00:46:26Yes, I did read about that.
00:46:30Terrible, isn't it?
00:46:31What about, uh, Martha Bernson's death?
00:46:35Or the woman who died in the shower?
00:46:38Yes.
00:46:39Your mother's nurse.
00:46:41Just what are you getting at?
00:46:43You're arresting officer.
00:46:45He was killed this morning.
00:46:48That's quite a coincidence, isn't it?
00:46:51Hmm.
00:46:53Lieutenant, sir.
00:46:53Most.
00:46:55But I understand that these were accidental deaths.
00:46:58It looks that way.
00:47:00Because there's no other logical explanation, is there?
00:47:03No.
00:47:05Not yet.
00:47:08Are you implying that I had anything to do with this?
00:47:11You said that.
00:47:12Not me.
00:47:13Because the police wouldn't want to unjustly accuse me of a crime.
00:47:19Again.
00:47:20Oh, you mean, like, Sergeant Silwise did?
00:47:23Exactly.
00:47:24Perhaps the good Sergeant died of a guilty conscience.
00:47:28He should have known better than to drive that fast.
00:47:31Well, Arnold.
00:47:32Thanks for the milk.
00:47:34Anytime.
00:47:37I'll be seeing you.
00:47:42Oh, uh, incidentally.
00:47:45The news report stated that the Sergeant was killed in a car crash.
00:47:49But it didn't say anything about speeding.
00:47:52I'm a great believer in justice.
00:47:56Perhaps justice found its way to these three.
00:47:59I wonder.
00:48:01I wonder if justice will find its way to any others.
00:48:06Well, we'll just have to wait and find out, won't we?
00:48:09Dave, make up a list of judge, jury, prosecutor, witnesses,
00:48:13says everybody connected with the Arnold Masters trial.
00:48:15Do you understand me?
00:48:16No, but just make up the list, will you?
00:48:20Morgan.
00:48:21Yeah, I want Masters on a 24-hour surveillance.
00:48:24Now, I got an order for a phone tap, but I also want a mobile unit standing by.
00:48:28I don't want this guy out of our sight for one minute.
00:48:30Right.
00:48:32I'm very impressed, Lieutenant.
00:48:34Impressed with what?
00:48:35With the way you're going after Arnold Masters, full speed ahead.
00:48:39We're not going after Masters, Miss Scott.
00:48:41Dr. Scott.
00:48:43Doctor.
00:48:44We're not going after him.
00:48:45We're simply watching him.
00:48:46You don't think the way you're doing it comes under the category of harassment?
00:48:50I told you that when I spoke to him last night,
00:48:52he all but said that he had something to do with this, and that he wasn't finished.
00:48:55Forgive me, Lieutenant, but your interpretation of Arnold's remarks may reflect more what you'd like to believe
00:49:01than what Arnold actually meant.
00:49:02Doctor, I didn't bring you down here to analyze me.
00:49:07Yeah.
00:49:08We'll be right there.
00:49:10Masters just left his house.
00:49:12We're telling Masters, would you like to come along?
00:49:15I had other plans for the weekend, but since I'm here,
00:49:17I'd be fascinated to see how small town law and order operates.
00:49:32Hopefully, let's go to London, do it.
00:49:34I'm sorry, I'm not.
00:49:35I'm just going to break the door, because I don't want to go back.
00:49:36That's aiyah.
00:49:36What?
00:49:36Eğer aiyah.
00:49:37Agh!
00:49:37Agh!
00:49:38Agh!
00:49:39Agh!
00:49:41Agh!
00:49:42Agh!
00:49:43Agh!
00:49:59O que você me levou aqui, Lieutenant?
00:50:02Primeiro, você pode me dizer, quando ele era o seu paciente,
00:50:05ele teve que enfrentar a revenge?
00:50:06Não, ele disse que ele era inocente, que ele era, mas eu nunca ouviu nenhum afastamento.
00:50:10Ok, então eu gostaria de falar com ele, ver se você percebe alguma mudança.
00:50:14Qualquer coisa do seu comportamento normal.
00:50:17Segura um minuto.
00:50:26Bem, o que ele disse?
00:50:35Nada.
00:50:36Ele achou três lambos para o seu cabelo, comentou sobre o preço do preço do seu dinheiro,
00:50:40disse que muito obrigado e deixou.
00:50:43Muito significado.
00:50:44O que você quer dizer?
00:50:45Ele percebeu que o preço do preço do seu dinheiro já foi.
00:50:47Muito engraçado.
00:50:48Vamos voltar para a casa do seu cabelo.
00:50:53Lieutenant Morgan, eu estou muito cansado.
00:50:55Eu passei há mais de 300 mil a dia antes da noite,
00:50:57e eu estava esperando um pouco de resta esta semana.
00:51:13O que você vê?
00:51:15Um homem que se alimenta um cabelo.
00:51:20Um homem que se alimenta um cabelo.
00:51:22e não se alimenta um cabelo.
00:51:24Talvez ele se alimenta um cabelo.
00:51:30O que é o problema?
00:51:32Eu acho que...
00:51:34Eu acho que...
00:51:35Não sei, mas eu acho que ele está dormindo.
00:51:37Então, vamos levantar um cabelo, então você pode falar com ele.
00:51:41O que você quer dizer?
00:51:43O que você quer dizer?
00:51:44Com minha sorte, vai ser um cabelo.
00:51:45Ah!
00:51:48Check the Japanese phone.
00:51:51It's ringing.
00:51:56What do you want me to do?
00:51:58Let it ring.
00:52:01Let it ring.
00:52:06Landia Jins, 2654A, article 43.
00:52:10It's good for us.
00:52:10That should make your client happy and...
00:52:12Need a few shekels to cut up between us.
00:52:14Yeah, I got you.
00:52:15Bye.
00:52:16Oh, hey, by the way, um...
00:52:17It wouldn't do any harm if we can get the contractors to cut us in for, uh...
00:52:2212% of all future dealings in that area.
00:52:25He should go for that, too, huh?
00:52:26I like it, no.
00:52:27Bye.
00:52:31Christ, I've got to call my broker this afternoon.
00:52:35Sanders here, get me C.F.
00:52:37What happened to you?
00:52:38C.F., Sanders speaking.
00:52:39What?
00:52:40Where are you?
00:52:40I'll be there at the doubles match in 15 minutes.
00:52:44We should be able to beat these guys.
00:52:46No, but not too badly.
00:52:48I want to lock up the equity funding proxy sales at the same time.
00:52:51Bye.
00:52:54Stopping off of my building to check things out.
00:52:57If I'm not there every minute, they screw everything up.
00:53:28Shirley, make a note.
00:53:30Tell the goddamn contractor that I ordered early Roman lettering.
00:53:35What did I get?
00:53:36Beverly Hills Imperium.
00:53:38He'll say I changed my mind, but if he'll reread the specifications, he'll find out that I can really stick
00:53:43it to him.
00:53:44But he doesn't know from contracts.
00:53:45He doesn't know from buildings.
00:53:49Now, feed this back to me on Monday.
00:53:52Shirley, tell Max to 86, the beige carpeting, and swing over into royal blue, which should go nicely with the
00:53:59prints of the keen paintings that the kid at UCLA is hustling up for me.
00:54:04Uh, Shirley, make a note to call Phil and see if I can make an under-the-table deal with
00:54:10Sam for those, uh, Louis XIV telephones out of the Rothenburg foreclosure.
00:54:15Shirley, I got it!
00:54:17I got it!
00:54:17Call the plumber first thing in the morning.
00:54:20The reception will have an imitation Trevi Fountain cascading behind two of the most beautiful receptionists you've ever seen.
00:54:28Next to you, huh?
00:54:38I love it all.
00:54:40Every stick, every brick, all of it's mine.
00:54:46Di pensiere!
00:54:48La donna e mobile, qualche un malavento, muta d'ascento, te di pensiere.
00:54:56Sempre lumopile, quasi adrovisa
00:55:00Oh, this is mine, all of this is mine
00:55:04La donna imobil, quasi malvento
00:55:08Muta da cinto, pedi pensé
00:55:12It's mine, every stick, every brick
00:55:15Oh, this is mine
00:55:32He's waking up
00:55:37Hello
00:55:38Hello, Arnold
00:55:40Who is this?
00:55:42Dr. Scott
00:55:45Oh, hello
00:55:46I'm in town just for the day
00:55:48I wondered if I could come by and see you
00:55:50Oh, certainly, certainly
00:55:51Do you have my address?
00:55:53Yes
00:55:55Fifteen minutes, all right?
00:55:56Uh, yes, yes, yes, sure
00:56:03What's the matter?
00:56:05I feel a little like a police informer
00:56:08Look at it this way
00:56:09If he's done nothing wrong, then you'll be helping him
00:56:11I suppose so
00:56:14Oh, keep him by the window
00:56:16So we can see both of you
00:56:17If there's a problem, we'll be there fast
00:56:19That's hardly necessary, he isn't dangerous
00:56:21Keep him by the window anyway
00:56:27Hello, Arnold
00:56:28Hello
00:56:32Oh, oh, won't you come in, please?
00:56:34Uh, sure
00:56:37Would you like to sit down?
00:56:40Thanks
00:56:49Oh, may I, uh, may I get you something?
00:56:51Oh, uh, no
00:56:52No, thank you
00:56:52I, I just, uh, wanted to see how you were getting along
00:56:57Oh, fine, fine
00:56:59I'm adjusting, trying to get a job, you know
00:57:03How about the nightmares?
00:57:05Oh, they're all gone
00:57:06Good
00:57:08Good
00:57:10Um, could I see that, please?
00:57:14No
00:57:15That was Emilio's, wasn't it?
00:57:17It's mine now
00:57:19What does that mean to you?
00:57:21Why are you wearing it?
00:57:23I think I'll...
00:57:25Oh, I don't want any
00:57:27Thank you
00:57:30Be open with me
00:57:32The way you used to be
00:57:38Arnold
00:57:41Lieutenant
00:57:43Dr. Scott
00:57:44What is it?
00:57:46You'd better come with me
00:57:48Are you working with the police?
00:57:50Of course not
00:57:51I came here to see you
00:57:53I assume this is a real emergency, Lieutenant
00:57:56It is
00:57:58Look, Arnold
00:57:59I came here to see you because
00:58:00You don't owe me any explanation
00:58:02You'd better go with the lieutenant
00:58:03He has a real emergency
00:58:07Don't you, Lieutenant?
00:58:09That's right
00:58:17That son of a bitch knows
00:58:18What are you talking about?
00:58:19You see the smile he just gave me?
00:58:21Well, he knows
00:58:21He knows what?
00:58:38A crane
00:58:41Unattended
00:58:41Mysteriously drops a cornerstone
00:58:44On Harvey B. Sanders
00:58:47If that crane was locked up
00:58:48And nobody was there
00:58:49How could it have killed him?
00:58:52That's what's driving me crazy
00:58:54If you'll pardon the expression
00:58:55I know what you mean
00:58:57Getting interested, Doc?
00:58:59Yep, I guess I am
00:59:01Then it's Jeff, Doc
00:59:04Sure
00:59:06You're a cop
00:59:09Purely self-defense
00:59:10And self-taught
00:59:14Your wife didn't educate you?
00:59:18I didn't say anything about being married
00:59:19Well, you didn't have to
00:59:21I, uh
00:59:22I looked around your bedroom
00:59:24And I saw her picture
00:59:25With a little boy
00:59:27Doc, that's invasion of privacy
00:59:29Probably
00:59:31Where are they now?
00:59:33Phoenix
00:59:33She remarried
00:59:36She, uh
00:59:38She always wanted to be in the same place
00:59:40You know, have everything organized
00:59:43I went away to become an FBI man
00:59:46I thought it would be exciting
00:59:49It wasn't
00:59:51So, when I had enough of that
00:59:53I came back here to be with her
00:59:55And I was just a little too late
00:59:58She already found somebody else
01:00:02Doc, I'm beginning to sound like a patient
01:00:05I was just curious about you
01:00:07Yep
01:00:08And I was doing all the talking
01:00:12Well
01:00:13Now, it's my turn to be curious about you
01:00:16Oh, I come from a small town in Arkansas
01:00:19You've probably never even heard of it
01:00:22Blyville
01:00:25Blyville?
01:00:27The only trouble was that
01:00:28Everybody always watched everybody else there
01:00:32Nobody ever did anything very interesting
01:00:37Well, what brings you out here?
01:00:39I mean, to that hospital
01:00:40I took my residency there
01:00:44And, uh
01:00:45Well, I went into private practice for a while
01:00:47But
01:00:49I suppose what really interests me the most
01:00:51Is
01:00:52Helping people who are
01:00:55On the outer fringes
01:00:58So, I went back to the hospital
01:01:01Everybody's always got his eye on you there, too
01:01:11Well, I'm sure tomorrow is going to be a very long day
01:01:16So, rather than waste a whole lot of time fencing around
01:01:19Why don't we just go to bed?
01:01:23I'll meet you there
01:01:25As soon as you're finished
01:01:30I'm finished
01:01:55I'm finished
01:02:13I didn't come here to hurt you
01:02:17I wanted to see you
01:02:19Why?
01:02:20You were my only friend
01:02:22Come out here so I can see you
01:02:24I can see you
01:02:25That's enough
01:02:27Should I be afraid of you?
01:02:29Not you
01:02:30Did you kill those people?
01:02:35All the time I was in the hospital
01:02:39I thought about you
01:02:41About how beautiful you are
01:02:43I've been watching you all evening
01:02:45How could you do that?
01:02:48I watched you make love to him
01:02:52I wish it had been me
01:02:54Laura
01:02:55Laura
01:02:58What's the matter?
01:03:02I want to go to where you're watching Arnold's house
01:03:05And I want to go right now
01:03:08He hasn't moved out of that chair all night
01:03:11Was he asleep earlier?
01:03:13Yeah
01:03:14Up until about 15 minutes ago
01:03:16Uh-huh
01:03:17Uh-huh
01:03:19What the hell is this all about?
01:03:20Look I'm telling you that I saw him
01:03:22I saw him as clearly as I see you right now
01:03:24That's impossible
01:03:25I am a trained psychiatrist
01:03:26I spent four years in medical school
01:03:28Four years in internship
01:03:29I don't care what you're doing
01:03:30I have worked at the state mental hospital
01:03:31For the last seven years of my life
01:03:33I've been psychoanalyzed by the best doctors in the whole world
01:03:36I am not insane
01:03:37I was not sleepwalking
01:03:39And I know an hallucination when I see what I am telling you
01:03:41That I saw Arnold Masters in your apartment 35 minutes ago
01:03:46Where are you going?
01:03:47I am going to see an old professor friend of mine
01:03:50He's at Redlands University
01:03:51If I leave here right now I can be there by 9 o'clock
01:03:54If I drive you there we can be there by 8.30
01:03:58Alright
01:04:04Now what you're seeing is energy
01:04:08Energy
01:04:11Every object has an energy force
01:04:15An aura around it
01:04:17Now this was suspected for many centuries
01:04:20As a matter of fact
01:04:21Many artists claim to have seen this aura
01:04:24And painted it as a halo around their figures
01:04:26But it wasn't until 1939
01:04:29When the Russian couple
01:04:30Semyon and Valentina Curlian
01:04:33Succeeded in actually photographing this
01:04:36That we had any scientific evidence of its existence
01:04:42Now
01:04:44This aura
01:04:45Is not static
01:04:48It varies
01:04:49Which is very interesting
01:04:50And we in this university
01:04:52At this time
01:04:52Are experimenting with certain types
01:04:55Of mental and physical disorders
01:04:57To see if this principle
01:05:03Aha
01:05:04Be the one we took just a half hour ago
01:05:06Of each of your hands
01:05:07A relationship definitely worth cultivating
01:05:12If we learn nothing more
01:05:13Have a lucrative mate matching
01:05:16Or marriage counseling business here
01:05:21Well now doctor
01:05:22This is all very interesting
01:05:24But how does any of this
01:05:27Relate to Arnold Masters?
01:05:30I can't say precisely
01:05:32But many of us in parapsychology believe
01:05:36That the energy force
01:05:39In any human
01:05:40Can be controlled
01:05:42And it's conceivable
01:05:44That this energy
01:05:47Can be projected
01:05:48Propelled
01:05:50What we call an out of body experience
01:05:52What we call an out of body experience
01:05:53Then you're telling me
01:05:55That that could explain
01:05:56How Arnold Masters
01:05:57Killed people
01:05:58While he
01:05:59Or rather as you say
01:06:00His body
01:06:01Was miles away
01:06:02It could explain
01:06:04Explain it
01:06:04But I don't want to jump
01:06:06To conclusions
01:06:06I'm really suggesting
01:06:08Certain avenues
01:06:10That you might be wise
01:06:11To explore
01:06:12You know
01:06:13In our enlightened days
01:06:16We know of only
01:06:16Four types of energy
01:06:19Gravitational
01:06:20Electromagnetic
01:06:20And the weak
01:06:21And strong nuclear forces
01:06:23But the existence
01:06:25Of nuclear forces
01:06:26Was not even suspected
01:06:28Before this century
01:06:30Now I'm not prepared
01:06:31To say
01:06:32With any degree of certainty
01:06:33That we have found
01:06:34Every force in nature
01:06:35Are you?
01:06:36There must be at least
01:06:38One more force
01:06:39Operating on a physical level
01:06:41Which would tend to support
01:06:42Psychic phenomena
01:06:43There must be
01:06:44Could you spell it out
01:06:46Doctor
01:06:47In layman terms
01:06:49Just how
01:06:50How he
01:06:50Killed them
01:06:51If he did
01:06:52If he did
01:06:56It's possible
01:06:58That Mr. Masters
01:07:01Has so
01:07:02Learned to control
01:07:04The art of releasing
01:07:05Energy from his
01:07:07Living body
01:07:08And that this
01:07:10Energy
01:07:10Or spirit
01:07:12If you will
01:07:12Is malevolent
01:07:13Mean
01:07:14Angry
01:07:16And this spirit
01:07:17Goes out
01:07:18To murder those
01:07:19Whom he thinks
01:07:20Have done him harm
01:07:24That's what I thought
01:07:24You meant
01:07:25Well it's not
01:07:26That incredible
01:07:27Lieutenant
01:07:28I venture to say
01:07:29That even you
01:07:30Have at one time
01:07:30Or other
01:07:31Experienced
01:07:31Some psychic phenomena
01:07:34Well if I have
01:07:35I sure don't
01:07:35Remember it
01:07:36Well all right
01:07:37Let's see
01:07:38Have you
01:07:40Ever thought
01:07:41Of a dear friend
01:07:42You hadn't seen
01:07:43In years
01:07:43And suddenly
01:07:45There's a phone call
01:07:47Or did you ever
01:07:47Experience doing
01:07:48Or saying something
01:07:49In a certain place
01:07:50Once before
01:07:51In precisely
01:07:52The same way
01:07:55Have you ever
01:07:55Had a stab
01:07:56Of anguish
01:07:57For a dear loved one
01:07:58And the very next day
01:08:00A fateful telegram
01:08:10Doctor
01:08:11I'm sorry to be so slow
01:08:13Getting into this
01:08:14But this is so far off
01:08:16A small town cop
01:08:17So were those
01:08:19Four deaths
01:08:19You're not alone
01:08:21There are many
01:08:22Extremely intelligent people
01:08:24Who are simply
01:08:24Unwilling to accept this
01:08:26I have been teaching
01:08:28And studying
01:08:29Psychic phenomena
01:08:29For 35 years
01:08:31But
01:08:32I can understand
01:08:33Your reluctance
01:08:35Still if I could
01:08:37Observe Mr. Masters
01:08:38First hand
01:08:39Perhaps
01:08:40I could tell you more
01:08:45Okay
01:08:46Let's go
01:08:49He may be
01:08:50In a trance
01:08:52I'm sorry
01:08:53I really can't tell
01:08:54From so far away
01:09:00Then let's
01:09:02Let's go
01:09:02Get a closer look
01:09:05Masters
01:09:09Masters
01:09:12I know
01:09:13The law is your department
01:09:14But don't we need
01:09:15A search warrant
01:09:16Or something
01:09:16Look Doc
01:09:17We came by here
01:09:18To see him
01:09:19When there was no reply
01:09:20We became concerned
01:09:21We found the door open
01:09:22And we came in
01:09:26That's just the way
01:09:27It happened
01:09:51No pulse
01:09:52No breathing
01:10:01No heartbeat
01:10:03No corneal reflex
01:10:07No nothing
01:10:09He was in the same state
01:10:10When they found him
01:10:11In his cell
01:10:11At the hospital
01:10:12And they pronounced him dead
01:10:13In a strict sense
01:10:15He is medically dead
01:10:43Doctor did you notice the amulet around his neck?
01:10:46Yes
01:10:47I wonder what it might represent
01:10:48He got it from another patient
01:10:50The man left it for him
01:10:52After he killed himself
01:10:54All right
01:10:55What do we do now?
01:10:57Wait for him to return
01:10:58Wait?
01:10:59Is there something you can do
01:11:00To pull him out of this?
01:11:01No
01:11:04You might notify
01:11:05All the potential victims
01:11:06If you wish
01:11:06I already have
01:11:08If that will do any good
01:11:09No doubt
01:11:27No doubt
01:11:28I tell you what to do
01:11:29I'll tell you what to do
01:11:30Try living on welfare
01:11:31With food staffers
01:11:33To feed your children
01:11:33Well don't blame me
01:11:35I didn't vote for him
01:11:36Oh yes you did
01:11:37You just don't want to admit it right now
01:11:39Well what's the difference?
01:11:41We're all a bunch of thieves
01:11:43Will you put some meat in his pockets?
01:11:44That's what I'm paying you for
01:11:47Carbohydra is good for the kids
01:11:48I'm going to report you
01:11:49To the food and welfare people
01:11:50Do me a favor
01:11:51Take your business somewhere else
01:11:53I will report you
01:11:54To the NAACP
01:11:56Report, report
01:11:57One of these days
01:11:58I'm going to give it up
01:11:59And go to Florida
01:12:00In the meantime
01:12:01Will you take your hands
01:12:03Off the scale?
01:12:04How much do I owe you?
01:12:07422
01:12:08Jesus
01:12:10Jesus lived on bread and water
01:12:12For 40 days and 40 nights
01:12:13It was not Jesus
01:12:15It was Moses
01:12:17Food stamps
01:12:18A man can't face
01:12:19Bills with food stamps
01:12:21You'll take them damn food stamps
01:12:22So I'll report you
01:12:25Report, report
01:12:25That's what they do
01:12:27I'm going to do
01:12:28I'm going to do
01:12:30I'm going to go
01:12:31You know better than me
01:12:32Sweetie
01:12:33I can't get enough
01:12:35To my husband
01:12:36I don't care to hear that
01:12:38I'm not going to worry about that
01:12:41I'm so sorry for you
01:12:42Why don't you come back
01:12:43I'll come back in here
01:12:44Why won't you come back in here
01:12:48And give my regards to the kids
01:12:50I'll be right back in here
01:12:51I'll be right back in here
01:12:51I'll be right back in here
01:12:52I'll be right back in here
01:12:52I'll be right back in here
01:12:53I'll be right back in here
01:12:53I'll be right back in here
01:12:55I'll be right back in here
01:12:56I'll be right back in here
01:12:57I'll be right back in here
01:13:04I'll be right back in here
01:13:05I'll be right back in here
01:13:07I'll be right back in here
01:13:08I'll be right back in here
01:13:10I'll be right back in here
01:13:11I'll be right back in here
01:13:12I'll be right back in here
01:13:12I'll be right back in here
01:13:14I'll be right back in here
01:13:17I'll be right back in here
01:13:31O que é isso?
01:14:06O que é isso?
01:14:20O que é isso?
01:14:21O que é isso?
01:14:21Isso é uma ideia interessante do que você tem, Dr.
01:14:27Você tem que fazer isso, de repente.
01:14:28O que você pode fazer sobre isso?
01:14:30Eu posso colocar você em casa.
01:14:32Ou talvez eu vou colocar você onde você é.
01:14:34Você acha que você pode me desafiar?
01:14:36O que é isso?
01:14:37Sim, porque eu não tenho medo de fãs como você.
01:14:40Você está todos com a mamães, não é?
01:14:42Isso é o seu grande problema.
01:14:44Você não pode me provocar, Lieutenant.
01:14:46E eu não sei o suficiente para dar uma excusa para me atirar.
01:14:49Mas nós vamos encontrar outra vez.
01:14:51Quando você está em casa.
01:14:52Se você está em casa, só para mim.
01:14:54Mr. Masters, eu não sou um detective.
01:14:56Eu sou um psíquologista.
01:14:57Você não pode lidar com o que está acontecendo com você.
01:15:02Talvez, Dr. Scott e eu posso te ajudar.
01:15:03Arnold, eu posso te ajudar, por favor.
01:15:07Vamos lá.
01:15:16Vamos lá.
01:15:18Lieutenant.
01:15:21Eu acho que você vai encontrar algumas boas aqui em Lomonosky.
01:15:26Eu entendo que ele tem alguns cortes de escolha.
01:15:29Certo.
01:15:45Você tem um corte para mim.
01:15:47Eu colocal elem com ela em Stick Together .
01:15:52use você.
01:15:53Você tem um corte para mim.
01:15:57Você tem um corte para mim, para fazer uma corta para mim.
01:16:01Tem um corte para mim.
01:16:02Isso parece que nunca vazia para mim.
01:16:03Este é esta.
01:16:06Almanovsky! Almanovsky!
01:16:11Almanovsky!
01:16:33Almanovsky!
01:16:39Almanovsky!
01:16:40Almanovsky!
01:16:40Dr. Harris, to Pathology.
01:16:49Oh my God, my God.
01:16:53Well, doctors, what do we do now?
01:16:57Wait for him to kill somebody else?
01:17:00We could try having him committed, and we might be able to work with him, but that would take weeks,
01:17:06months.
01:17:06I hate to disagree, Dr., but it'll take more than weeks and months, more likely years.
01:17:11And even then, Lieutenant, there's no guarantee that we will know more than we know now.
01:17:15But I've got five dead people on my hands right now!
01:17:18And I don't know when the hell this thing is gonna end!
01:17:21The end will be a major breakthrough for science and mankind if we succeed.
01:17:25What about the next poor guy who gets his throat cut?
01:17:27Or maybe hacked up in some butcher shop?
01:17:29He's not gonna give a damn about your theories!
01:17:31I'm sorry I can't be tied down to your set of values!
01:17:34You're a police lieutenant and I'm a practical scientist!
01:17:42Wait a minute.
01:17:45Didn't you tell me that when the energy force leaves his body, he is clinically and medically dead?
01:17:53Clinically and medically, yes.
01:17:55Thank you very much, Doctor. I won't be needing your services any longer.
01:18:04What are you thinking, Dr. Scott?
01:18:06I'm thinking the lieutenant is planning to kill our masters.
01:18:09That's exactly what I'm thinking. We can't let him do that.
01:18:11How can we stop it?
01:18:12We must persuade masters to come under our protection.
01:18:14We tried that once.
01:18:15Then we must try again.
01:18:21Let go!
01:18:48A CIDADE NO BRASIL
01:18:53A CIDADE NO BRASIL
01:19:25A CIDADE NO BRASIL
01:19:33Eu acho que a pergunta é, o que você está fazendo aqui?
01:19:35Isso não é o seu negócio, eu não quero que você fique envolvido.
01:19:37Leitonante, você percebe o que você está fazendo?
01:19:40Sim, eu estou sendo a juíza, a juíza e a execução, mas eu não quero que você fique envolvido, ambos
01:19:45de vocês.
01:19:46Por quê?
01:19:48Porque eu vou me sentir melhor.
01:19:54O medallion.
01:19:56Ele não estava usando o medallion.
01:19:59Dr. Covina, o que você está fazendo?
01:20:00Ele vai estar em casa.
01:20:12Ele vai estar em casa.
01:20:53Dr. Covina!
01:21:12Dr. Covina!
01:21:18Dr. Covina!
01:21:20Dr. Covina!
01:21:21Dr. Covina!
01:21:23Dr. Covina!
01:21:25O que é isso que pode acontecer?
01:21:26Não, não, não.
01:21:57Não, não, não.
01:22:28Dr. Scott, come quickly.
01:22:30I found something.
01:22:47He shouldn't have come into her room.
01:22:55I tried to keep it so nicely.
01:23:00My mother never hurt anyone.
01:23:03All I ever tried to do was help her.
01:23:06But they wouldn't let me.
01:23:08And now it's late.
01:23:09So very, very late.
01:23:12What can I do now?
01:23:16Of course, Arnold.
01:23:19Everybody knew that you loved her.
01:23:22Everything I love dies.
01:23:26What can I do now?
01:23:37Não, não, não, não, não.
01:24:03Não, não, não, não.
01:24:31Não, não, não, não.
01:24:42Não, não, não.
01:25:04Não, não, não, não.
01:25:58Não, não, não.
01:26:28Não, não, não.
01:26:58Não, não, não.
01:27:04Não, não.
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