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Boeing Boeing (1965) Part One (ENG) HD [Full Movie] [Must See]Full EP - Full
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00:08This is Paris, and that is the 1.30 plane to New York.
00:13It will land in America, 4,000 miles away, at 5.30 this afternoon, in four hours' time by the
00:21clock.
00:22It's wonderful, isn't it? Of course, it takes more than four hours.
00:26But you see, the jet is so fast, it races the sun.
00:31This is what has happened since the big jets came.
00:35Time has been annihilated.
00:38Constantly, the great airliners take off.
00:43And land.
00:53And for each aircraft, you have, naturally, air hostesses.
00:59These delectable creatures, selected for their beauty and charm, are in a state of perpetual migration.
01:07For days, they fly the great air routes of the world.
01:10And then, they like to come down.
01:13And whenever possible, they like to come down in Paris, and all regret leaving.
01:19One wishes that one could get to know all of them.
01:22Some of us, indeed, have tried.
01:25And that is our story.
01:54One wishes that one could get to know all of them.
02:11One wishes that one could get to know all of them.
02:12One wishes that one could get to know all of them.
02:12One wishes that one could get to know all of them.
02:13One wishes that one could get to know all of them.
02:14One wishes that one could get to know all of them.
02:14One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:16One wishes that one could get to know all of them.
02:16One wishes that one could get to know all of them.
02:20One wishes that one could get to know all of them.
03:09you better hurry my love bernard darling do you think i've got time for a few more kidneys
03:14of course you do you hurry bertha i adore kidneys for breakfast don't you uh not particularly i
03:20just barely get a vitamin pill down bertha you call me sir yes another brace of kidneys
03:25another please and some more of that smelly stuff you pour over him no thank you and it's not smelly
03:33stuff it's the natural juice of the organs very good for the complexion i don't want to know what
03:39it is miss i don't like the look of it myself but then i'm not here to reform the world
03:45we can do
03:46without your editorial comments just bring the kidneys well don't blame me if it makes you sick
03:51you don't have to eat them do you heaven forbid then what are you arguing about and hurry miss
03:56vicky has to catch a plane i only have two hands honestly but she means well not for me i
04:05mean
04:05very well just broil the kidneys they are already broiled i know her appetite i anticipate
04:12then bring them there is no need to shout it's not easy you know
04:22she's really becoming impossible bernard if it goes on much longer we just have to get rid of her
04:26but i don't know why you say that i don't think she likes me but of course she likes you
04:31she loves you it's um just the food that you eat that no thank you that upsets her
04:40my love it's getting late i don't know when i'm with you time just whistles by
04:45oh sweet of you to say so no it's true is it the same for you of course my love
04:50does it drag when i'm away terribly never end
04:53excuse me
05:00anything else yes yes you can bring me some coffee and some more strawberries for miss vicky
05:06no honestly darling this will be enough fine there's good news bertha
05:12you see she doesn't but she does like you no no she's put me into my food but she does
05:17like
05:18you doesn't oh when i first get home she's friendly enough but when it's time to go she's decidedly
05:22hostile even anti-british well i'll bet you it's because she's sad you're leaving that's why
05:27because i'm your fiance but of course
05:32it's uh 8 42
05:35i just have to put my hat in your jacket
05:36yes very good uh tell me my love uh when do you get back
05:42well let me see it's monday today we arrive in the canaries at 1708
05:46layover for a night and get to accra at 1620
05:49we return by way of lisbon
05:54and uh what time are you back in paris
05:56thursday evening then off again on sunday
05:59well what time uh thursday evening my love
06:021845
06:04excellent
06:05why do you always have to check everything on the timetable
06:08to avoid confusion
06:09what confusion
06:10my love i'm a busy man
06:12i want to arrange my business so i'm finished by the time you get back
06:15so that we can be together from thursday to sunday
06:18you are a genius and because you're such a dare i'm going to give you a surprise right
06:21now surprise oh i tell you that woman's gonna drive me up the wall
06:25all right bertha you want to put the coffee down on the table then you can listen from the
06:30kitchen okay there are thousands of french housekeepers
06:32well i have a work permit miss and the reason i have it is because i was discharged from the
06:38united
06:38states army in paris france honorably honorably you had a choice you bet your life i had
06:45i was chauffeur to the commanding general
06:48really
06:49eisenhart
06:51pershing
06:51oh uh excuse me do you mind getting the bags please
06:56yes sir
06:56thank you
06:58uh now my love now you were saying uh uh surprise yes you had a surprise
07:03we're getting a brand new aeroplane
07:04oh surprise
07:05i think they're transferring me to it
07:06yes huh that's wonderful
07:07it's the new vc10
07:09it's got four magnificent engines
07:10that develop 20 000 pounds of thrust each
07:13marvelous marvelous
07:14especially for us
07:15it is
07:1620 000 pounds of thrust does something for us
07:19of course
07:19makes the plane much much faster
07:21we'll be together more often and much longer
07:2520 000 pounds of thrust
07:29you don't seem very pleased by my surprise
07:31oh but i am oh yes yes yes i am i'm i'm nuts about the idea
07:35uh but i don't want to get too excited i mean you're not transferring tomorrow anything
07:39are you
07:40not tomorrow but soon very soon
07:43oh that's wonderful
07:44oh here we go yes exactly on time
07:48you think you were a pilot the way everything's timed to the minute
07:51well everything has to be get the door
07:52but why
07:53well i'm a foreign correspondent we wouldn't want to miss one little minute of the time we have together because
07:56i have to work now would we
07:57uh...
07:58see you see of course i am
07:59now bertha you will look up to mr bannon while i'm gone won't you
08:02i'll do my best but it's not easy you know
08:04that's enough bertha we're falling behind schedule
08:07i'll talk to you later that'll be a thrill
08:12come along
08:14come along becky
08:40i'm a little bit more
09:08come along becky
09:10i'll try to go on
09:10come along becky
09:10Please.
09:15Hello, Bernard Lawrence here.
09:17Monsieur Laurence, I have a telegram for you.
09:20Read it.
09:22Uh, transfer Paris.
09:24Arriving this AM.
09:26Hotel space, impossible.
09:28You can put me up.
09:30Signed, Robert Reed.
09:31Pierre, I never got the message.
09:34You never delivered the telegram.
09:36Understand?
09:38I don't understand, but, uh...
09:40I understand.
09:42Okay.
09:44Lisa!
09:45Lisa!
09:47Exactly on time.
09:49I have to check out.
09:50Just five minutes, and then we'll be all cozy in our little Paris home.
09:55Wunderbar.
09:57Hurry up.
09:58Hurry.
10:20I still don't believe it.
10:42Oh, what's the matter, Bertha?
10:46Did we frighten you?
10:47This job keeps me too tired to get frightened.
10:50It's not easy, you know.
10:52Well, none of us get things easily.
10:57Uh, what do we have for lunch, Bertha?
10:59Well, I-I thought of souffle with some mushrooms.
11:02Souffle.
11:03Souffle.
11:04Souffle is for people mit our teeth.
11:06What we need is good, solid food.
11:10Knackwurst, sauerkraut, and heavy black bread.
11:13Have you any idea how long it took me to dream up that souffle?
11:16You don't get those things by rubbing two sticks together, you know.
11:19It often tastes like it.
11:20Now, girls...
11:21Hey, you have got the knackwurst, haven't you?
11:22Yes, but it's old.
11:24You haven't been here for three days.
11:26Three whole days.
11:28And nights.
11:29And nights.
11:30I'm gonna start the souffle.
11:33Oh, just a moment.
11:35I have to see that for myself.
11:39Oh, brother.
11:46There's nothing wrong with this.
11:47You're right.
11:49Of course I am.
11:50If you can stand the smell, we'll have this.
11:55What's that?
11:57Um, kidneys.
12:00Kidneys?
12:05Bernhardt?
12:05Yeah?
12:06Who was here for breakfast?
12:07Breakfast?
12:08Yes.
12:09Here?
12:10That it's kidneys.
12:11Yeah, but kidneys.
12:12You don't need kidneys.
12:13Me?
12:13Kidneys.
12:14I hate kidneys.
12:14Oh, kidneys!
12:15Uh, that was, um, uh, Robert Reed from Consolidated Press.
12:19He was here.
12:19He was here for breakfast?
12:20Yes.
12:21Uh-huh.
12:21Oh, I thought you and he didn't get along.
12:23Well, uh, we're, we're, professionally, you know.
12:25Uh, but, uh, you know how it is with rival newspaper men.
12:27I've been always bickering, always fighting.
12:28Oh, I thought he's in Berlin.
12:29Well, uh, well, he was in Berlin, but then they transferred him now to Paris.
12:33Yes, that's it.
12:34And, uh, why are you asking me all these questions?
12:38Don't you trust me?
12:39Oh, I'm sorry, Liebling.
12:41No, no, no.
12:42You must think I'm terribly suspicious.
12:45Well, yeah.
12:47Yeah.
12:48Oh, I'll tell you what I'm going to do.
12:50What, Liebling?
12:50I'm going to take a bath and make myself all fresh and powdery for you.
12:56Oh, my Liebling.
13:00Miss Glyde.
13:01Miss Glyde.
13:02Uh, what does that mean?
13:03See you later.
13:04See you later, yes.
13:10Well, let's see.
13:16It's positively unnatural.
13:19What?
13:20Well, God didn't make us all the same way, that's all.
13:23What are you muttering about?
13:25I have to do her laundry every time she gets here.
13:29Well, you leave me alone.
13:30How can she get so dirty in only three days?
13:33It's not easy for me around here.
13:35You keep saying that.
13:36You get paid well enough, don't you?
13:38Yeah, but not enough, and I've been meaning to talk to you about that.
13:41Why don't you sit down?
13:43Last week, I worked 89 hours.
13:46I had my shoes resold twice.
13:4822 francs.
13:49Shh, shh, shh.
13:50Gotta do the laundry.
13:52I gotta remember who eats what, who wears which lingerie, who's going, who's coming.
13:57You don't need a housekeeper around here.
13:59You need a UNIVAC machine.
14:01Look.
14:01I'm at Liebling.
14:02Yeah, yeah.
14:03I have a surprise for you.
14:05Yes?
14:05You can throw away my old schedule.
14:07The old schedule?
14:08Well, how will I count the minutes until we're back together again?
14:10On the new schedule.
14:11What?
14:12What new schedule?
14:13I'm going to be transferred to the new intercontinental jet.
14:16It's a super Boeing with a cruising speed of Mach 0.88.
14:20Mach 0.88.
14:22Terrific.
14:22Four Rolls Royce jets, each one with 21,000 pounds of thrust.
14:27I'll be home much more often.
14:29That'll bend his schedule.
14:34Well, when is, when is this going to happen?
14:37As soon as a new plane is delivered.
14:39Isn't it wonderful?
14:40Yes, it's wonderful.
14:44Bis gleich.
14:45Bis gleich.
14:55Mach 843, 21,000 pounds of thrust.
14:58That's four, six, seven.
15:01Hello?
15:01Vicky!
15:02But where are you?
15:03At the airport?
15:05They delivered the VC-10.
15:06They sent a car to the runway and took me off my plane so I can go on the new
15:09one.
15:10Me, isn't that marvelous?
15:11Well, marvelous.
15:12I'm coming right home.
15:14They'll call me when the flight's ready.
15:15But don't come home.
15:16No, no, don't come home.
15:17You stay there.
15:18I'll come out to the airport.
15:20Liebling!
15:26Who were you shouting at?
15:28Bertha.
15:29Did you call me, sir?
15:30No, I thought of you.
15:33Oh, I've got to go to the airport, do a story.
15:35Yes, the British Embassy, you know, and would you tell Fraulein Lisa for me that I'm out
15:40at the...
15:41That's Fraulein Lisa.
15:42Oh, of course it is.
15:42Who else would it be?
15:43Hi.
15:43I've got to go out to the airport, the British Ambassador.
15:46Oh, you just said that.
15:47Are you all right?
15:48You look pale.
15:49No, I'm...
15:49Uh, Berta, I'll get him a glass of schnapps.
15:51No, no, no.
15:52I'm fine, fine, fine.
15:53Uh, he's just excited, miss.
15:55He's beginning to realize what these new schedules are going to do for him.
15:59Well, that's it.
16:00That's obviously what excited me.
16:01Bertha, you're brilliant.
16:02Yeah, I know.
16:03If it's obvious, I don't see why it's brilliant.
16:06Well, it's brilliant because Bertha thought of it.
16:08I mean, there was this obvious fact staring me right in the face and I didn't even see
16:11it, but Bertha did.
16:11Why, it's brilliant by comparison.
16:15I'm leaving.
16:17You'll be back soon?
16:18As soon as I can, you know the newspaper business.
16:21Hurry.
16:22Au revoir.
16:25He's just like a big kid, isn't he?
16:28Yeah.
16:29Dead end kid.
16:33Axe!
17:03Have you seen the geese?
17:05Um, she said to tell you she'd gone up to the coffee bar.
17:33Uh, uh, where's Vicky?
17:36Yes, of course.
17:37Yes.
17:38She came up and asked me to tell you.
17:49She'd gone downstairs to take a taxi.
17:50Taxi, taxi.
17:58I'll make it hard.
17:59That gentleman you were speaking to, wasn't that Bernard Lawrence?
18:02Yes, you know him?
18:03Uh, yes, he's an old friend.
18:05Oh, a remarkable man.
18:06Enormous amount of energy.
18:07Uh, I see you know him pretty well yourself.
18:11Well, thank you.
18:34Vicky!
18:35Vicky!
18:39I won't wait!
18:48Bernard, what are you doing here?
18:50Your phone went out of order.
18:51Isn't it wonderful about the BC-10?
18:52Wonderful.
18:53Come on, we can be home in 20 minutes.
18:54No, no, no, I came here to be with you.
18:56Well, that was very sweet of you, Danny, but now we can really be together.
18:58Well, no, we can't.
18:59You see, uh, I, uh, have to cover a story.
19:01Yes, I'm covering a story about a new airplane.
19:04Famous foreign correspondent covering a story about a new airplane.
19:07Well, I, you see, I knew you were going to be here alone.
19:09And in order to be able to do that, I have to cover the story about a new airplane.
19:12So, you see, we've got to stay here.
19:14I'm very disappointed.
19:15Oh, don't be.
19:16Next time we'll be together twice as long.
19:17Come on.
19:181, 2, 3, 4.
19:311, 2, 3, 4, 1, 2, 1, halt!
19:39Die dritte Übung, hängen auf der Hüften legen.
19:41Der Oberkörper im Breise drehen, den linken Fuß ausstrecken.
19:45Hochheben, jetzt direkt die Fuß.
19:48Das wird Ihnen schöne Hüften geben.
19:50Nicht mühlich werden, Sie müssen arbeiten.
19:53Sie müssen verstehen, dass man am Ortenweg arbeiten muss.
19:56Ja.
19:58Just tell the driver to honk the horn.
20:011, 2, 3, 4, nicht mühlich werden.
20:04Bertha!
20:07Bertha!
20:08Ja?
20:09Canceled the knackwurst.
20:10They delivered the new Superboy, and I'm going to be on it.
20:14Wunderbar.
20:15I have to go back to the airport.
20:18We're gonna miss you.
20:28Now, to be absolutely certain, you leave Accra tomorrow, right?
20:33Right.
20:33And you're back in Paris at 1845 Thursday evening, right?
20:37No, Wednesday midnight.
20:39No, Wednesday midnight.
20:40This is the VC-10.
20:40It cuts hours.
20:41Oh.
20:42Orange juice, please.
20:43Très bien, madame.
20:44Vodka martinis.
20:44C'est bon, monsieur.
20:47I wish you wouldn't do that.
20:48Makes me feel as though you're always squeezing me in.
20:50Well, my love, I have to arrange my schedule.
20:52You wouldn't want me to be busy on an assignment when you get back, now would you?
20:55Huh?
20:56Speaking of assignments, the new planes in the hangar.
20:59I don't see how you can cover this story from a bar.
21:01That statement, young lady, is a knife in the back of every newspaper man in the world.
21:05Oh, no.
21:06Oh, yeah.
21:07It's me, Robert.
21:07Hi, Bernard.
21:08Hi.
21:08We were talking about you this morning.
21:10Oh, we were?
21:11Well, no, no.
21:12Bertha and I were, yeah.
21:13We were saying how wonderful you were doing in Berlin.
21:15Are you going back?
21:16Oh, no.
21:16I've been reassigned to Paris.
21:17Didn't you get my wire?
21:18No.
21:18No.
21:19Oh.
21:21Anything interesting happening in Paris?
21:23Uh, nothing.
21:23Just routine stuff.
21:25Been hibernating.
21:26Uh-huh.
21:27Like a bear.
21:27And I take it this is Mama Bear?
21:30Uh, Miss Vicki Hawkins, British United, Robert Reed, Consolidated Press.
21:36Nice to meet you.
21:36Won't you sit down?
21:37Uh, won't I be intruding?
21:38No.
21:38Oh, thank you.
21:39I will.
21:43Comfortable?
21:45Oh, uh, s'il vous plaît, uh, donnez-moi un vodka martini très sec.
21:51Très sec, monsieur.
21:52Oui.
21:54Uh, tell me, have you, uh, known Bernard Long?
21:58He doesn't know.
22:00He doesn't know what?
22:01That I'm your fiancé.
22:02You are?
22:03Oh, yes, of course.
22:04You are my fiancé.
22:04This is my fiancé.
22:06Delighted.
22:07I'm so lucky to have a man like Bernard all to myself.
22:09Don't you think?
22:10Oh, absolutely.
22:12What's that?
22:15Oh, that's our new VC-10 I was telling you about.
22:17We're starting it today because of Lufthansa's Super Boeing.
22:20Lufthansa?
22:21Today?
22:22I don't see how you can write a story about airplanes when you don't know anything about what you're writing.
22:27Oh, that never stopped a good newspaper, man.
22:31Très sec, monsieur.
22:32Merci beaucoup.
22:33You know you're the first friend of Bernard's I've ever met.
22:35He's so secretive.
22:37Yes, I know.
22:38He's even concealed you from me.
22:39Do you know that I've never ever known where he's lived in Paris?
22:41We have a marvellous apartment.
22:43It's a slum.
22:43Is it big?
22:44Enormous.
22:45You've got to put me up for a couple of days, Bernard.
22:47I mean, every decent hotel in Paris is loaded.
22:49You know, what with the tourists and everything?
22:50Oh, stay at the YMCA.
22:52Nonsense.
22:52You can come to our place.
22:53You can keep Bernard Cuffley while I'm away.
22:55No.
22:55He gets very lonely.
22:56I accept.
22:57Will the crew of British United Flight number 237 please check with operations?
23:05Oh, oh.
23:05Please don't get home.
23:06You see, now where would we have been if we'd gone back to the apartment?
23:09Where indeed?
23:10You're right as always.
23:11He's a genius, you know.
23:12I heard.
23:13Bye-bye.
23:14No, you stay here with your friend.
23:16I'll come back and say goodbye if we're going straight out.
23:18For the crew of British United Flight number 237 please check with operations.
23:25Do you know how lucky you are?
23:26I guarantee you I do.
23:28If I could only find a girl like that.
23:30You're going to the YMCA.
23:32I'll find one there.
23:34You're not going to look in my apartment.
23:35But this is your fiancé.
23:37This is different.
23:37Robert, the last time I saw you was in Casablanca.
23:41I lost a story, two flamenco dances, and a case of whiskey.
23:45I suppose that was different too.
23:46Did you see Bernhardt?
23:48Yeah.
23:53What are you doing?
23:55You don't have to laugh it up.
23:56He'll bring you another one.
23:58There he is.
23:59Oh, I'm sleeping.
24:01I dropped my watch.
24:02I'm so happy I found you.
24:04Oh, and you must be the friend from breakfast.
24:06Yes.
24:07Yes.
24:09Breakfast?
24:10Oh, you are not Mr. Reid from Berlin who had the English breakfast with Bernhardt this morning?
24:15Oh!
24:16Oh, the English breakfast.
24:17Yes, of course.
24:18And those English kippers are just marvelous.
24:21Kidneys.
24:21I mean kidneys.
24:23I always confuse kippers and kidneys.
24:25But I'm not Mr. Reid.
24:26You can call me Robert.
24:27I'm Lisa.
24:28Uh, Lisa?
24:29Yeah, but you seem not to know me.
24:31Uh, should I?
24:33Well, it's Bernhardt's friend.
24:35Of course he knows you.
24:36He knows all about you.
24:38He knows I'm your fiancé?
24:40Oh, yes, fiancé.
24:42Certainly.
24:43He does nothing but talk about you.
24:44He's completely obsessed with you.
24:47What are you doing here?
24:49Operations phone.
24:50I've just been promoted to the new superjet.
24:52Congratulations.
24:53We're going out immediately.
24:55Uh, well, that's why I'm here.
24:56You know, I waited for you here.
24:57I knew you were coming back to the airport.
24:59He anticipates everything.
25:01He really is a genius.
25:05Well, I'm off.
25:06Don't get up.
25:10Well, darling, I have to go back to Frankfurt and London, Montreal and back to Paris.
25:15Uh-huh.
25:15And when do you plan to be back in Paris?
25:17Day after tomorrow.
25:18Day after tomorrow.
25:19At what highway?
25:20Uh, 2100.
25:212100, huh?
25:21He hates confusion so much.
25:24Don't you, Liebling?
25:25Yes, I do.
25:25He's just a slave to my schedule.
25:28Mm.
25:30Oh, excuse us.
25:31Excuse me.
25:32Auf Wiedersehen, mein Liebling.
25:34Auf Wiedersehen, mein Liebling.
25:35Auf Wiedersehen, mein Liebling.
25:35Have a nice trip, Liebling.
25:37Auf Wiedersehen.
25:50Auf Wiedersehen.
25:52I love you girls flying around the world.
25:53Karachi, cartoon, Caracas.
25:55I know, I know.
25:55Yeah.
25:56And I know that tone of voice from the past, so leave it alone.
26:00I wouldn't touch it for the world.
26:01Not even the slightest push.
26:03Take off in 15 minutes.
26:04Don't get up.
26:05I see you at midnight, darling.
26:08Yes.
26:09Midnight.
26:10Midnight?
26:11When I'm flying, I go to the galley and look out of the porthole at the moon.
26:15At exactly midnight.
26:16And Bernard looks up out of his bed at the same time.
26:19So you see, we're together even when we're both alone.
26:22Because we're both looking at the very same moon.
26:26That's cute.
26:28Vicky's very imaginative.
26:30It's delightful.
26:31Excuse us.
26:32Would you excuse me, Vicky?
26:33Should I leave?
26:34Oh, no.
26:46On course, you will play.
26:49Goodbye.
26:50Goodbye.
26:51Cheerio.
27:03I can't wait to see your apartment.
27:06You never will.
27:08Why not?
27:08We can double date you and Vicky and me and Lufthansa.
27:11You're going to a hotel.
27:13Then I'll miss Lufthansa, and so will you when I tell her about Vicky.
27:16You wouldn't.
27:18I would if you forced me to go to a hotel.
27:22Yeah, all right.
27:2656th Avenue de la Rennes.
27:28Seed berth of my housekeeper.
27:31I've got to go back to the office.
27:32I don't know when he finds time to work at all.
27:35Pardon, monsieur.
27:36Oh!
27:37Nothing.
27:38It was just...
27:40That's outrageous.
27:41I wouldn't pay it if I were you.
27:42You're right.
27:43I won't.
27:46You have a big mouth.
27:53Shh!
28:00Shh!
28:04Bertha!
28:05Monsieur!
28:06Je suis son ami de Monsieur Laurence.
28:10What?
28:11Je suis son ami de Monsieur Laurence.
28:15I'm an American.
28:17Oh, I'm Mr. Laurence's houseguest for a couple of days.
28:21He a guest, too?
28:23Oh, no, he's a cab driver.
28:25Oh. Did you bring your family with you?
28:28Oh, no, I'm a bachelor.
28:30So is Mr. Laurence.
28:31Yes, I know. I'm Robert Reed.
28:34Oh, the breakfast one.
28:37Everyone seems to be preoccupied with my breakfast.
28:40Mr. Laurence didn't say anything about you coming to stay.
28:44Oh, well, you know how he is forgetful.
28:46Mr. Laurence can't afford to forget anything.
28:49Uh-huh.
28:50What room did he say you could stay in?
28:52Did he say what room? He wouldn't tell you.
28:55I mean, I think he left it up to you.
28:57Oh. Well, this is the guest room and this is the bathroom.
29:02Yeah.
29:03And this is, uh, uh, well, and this is his bedroom and this is the spare room.
29:09It's kind of like a dormitory here.
29:11You don't know the half of it.
29:13Oh. Uh, may I sit down?
29:15Oh, certainly.
29:16Thank you very much.
29:17It's all right.
29:18You're, uh, you're a guest around here, you say.
29:23Uh, I kind of get the idea that you're not happy about it.
29:27Well, it's another mouth to feed and it's another soul to keep track of.
29:31But I'm not very strong, you know.
29:33I took this job because my doctor said I should avoid excitement.
29:38Um, are you used to a varied diet?
29:42I have the broadest tastes.
29:44Oh, another one.
29:46Uh, I, uh, I kind of think I know what you must go through.
29:49Uh, no, you don't.
29:51But it's, uh, nice to find a young man with some consideration.
29:56So, you go in the guest room and rest up and I'll go out in the kitchen and get you
29:59a nice cold drink.
30:01Uh, uh, Mr. Reed.
30:03Yes.
30:03Uh, you forgot something.
30:06No.
30:06I'm sorry. Uh, merci.
30:09Uh, uh, ça va.
30:22Oh, God.
30:40Dear, when the story comes in off the wire, I want you to translate it for me in the next
30:43ten minutes.
30:44What's the hurry, Mr. Long?
30:45Why not sip a leisurely aperitif?
30:48Uh, are you going to cut out the usual dialogue or do I get someone else, huh?
30:52If you choose, you do not engage me primarily for my linguistic services.
30:56Yes.
30:57As we both know.
30:59By the way, I have for you a lovely thing from the Paris.
31:02Uh, some other time, Pierre.
31:04What's going on in the office, huh?
31:05Oh, uh, you're up for a promotion.
31:08What?
31:09They intend to put you in charge of the New York office.
31:11New York?
31:12Oh, no.
31:13Are you sure?
31:13To get into the personnel files was not easy.
31:17It cost me 100 francs.
31:19Yeah, of my money.
31:20But I don't want to be promoted out of Paris.
31:22Of course not.
31:23Did Adam want to leave the garden of Eden?
31:26Translate, will you?
31:27As you wish.
31:28As you wish.
31:28As you wish.
31:54As you wish.
31:56you're not bernard how dare you oh well i was just sitting here minding my own business
32:04but what are you doing in my apartment your apartment my name bernard's well
32:12oh well i'm terribly sorry i didn't mean to take advantage of you it's just that i was expecting
32:17bernard you were expecting bernard to kiss you no no of course not no no i i well this was
32:25so
32:25delicious i just hope you'll forgive me i'm bernard's guest my name is robert reed and i am
32:31jacqueline grieux how do you do please sit down thank you you seem not to know me has not bernard
32:38told you about me oh oh yes oh absolutely of course he talks about nothing else that's all he talks
32:45about is jacqueline this and jacqueline that here jacqueline there jacqueline everywhere you are his
32:51fiance yeah i thought you would be and you are an old friend i never know he's so secretive yes
32:58and i can't imagine why miss grieux oh because you and bernard are old friends you may call me jacqueline
33:03oh well thank you and uh you must call me robert how do you do let her know you
33:10uh sit down sit down again yes you know he's terribly jealous you won't say anything to him about
33:18my kissing you oh no i forgot about it already you have well it was so sudden without warning if
33:24there
33:24had been a warning there would not have been any kiss exactly without anticipation a kiss is nothing
33:31actually you know i could easily forget not to remember a kiss that meant nothing
33:36but a kiss that meant something that i could remember to forget there is something fuzzy about
33:42that logic no not at all an honest meaningful kiss would ensure my complete silence and absolute
33:50discretion you want me to kiss you again as a bribe no as a kiss a little kiss but i
33:58could not i would
33:59never forgive myself but it's just to help you and bernard i don't understand that well you're his
34:06fiance and i'm his dearest friend we must protect him from any misunderstandings newspaper men there and he
34:12all the time are we having my souffle tonight for dinner right now that's the plan ah thank you let
34:21me take
34:22this where are you going jacqueline to my room to wait for bernard please i uh i thought i would
34:31be a
34:31a gentleman and open the door for her don't ask oh i was just going to ask if you were
34:54through with what
34:55you were doing and you're gonna hang around here fine well then uh i might as well just go and
35:01lie
35:01down a while i get tired during the day you know a little nap never hurts but thanks bertha uh
35:11i'll just lie down and i'll i'll wake myself up
35:36jacqueline jacqueline can you hear me go away but what's one little kiss
35:42go away i just want one little kiss i can expect and i promise i'll say nothing to bernard
35:50go away but what's going on here jacqueline you're early why are you yelling am i yelling well of course
36:16i'm
36:16yelling i've got every right to yell i wanted to explain to robert uh jacqueline already explained
36:20oh she did huh oh well then everything is fine then why don't we all have a drink yes good
36:24uh did
36:26birth unpack your bags yes i'm wonderful oh what are we gonna have for dinner don't you worry i'll go
36:30see what we're gonna have a dinner where's bertha i'm here oh good good good yes it's a funny life
36:36being a maid around here oh there you are are you all right just a little hyperactive uh excuse me
36:53somehow i never get to answer the phone around here well it uh it might be somebody who only speaks
36:59french but i speak french it might be the butcher he only speaks german hello
37:08it's the butcher well i'm going to get ready for my bath
37:17wasn't the butcher it was the lufthansa from frankfurt what did she say hello
37:22liebling oh you there's something i want to tell you yes what is it i forget it'll come to me
37:34hello it's hurrigan proline d cup
37:41hello what what no it's laryngitis oh yes it came on very quickly
37:45mm-hmm but that's very sweet of you to say my liebling well of course i can say it
37:51right now
37:58too no no don't call me from montreal it's too expensive yes but you have a good trip
38:05you'll need this
38:10yes what is it
38:17what's that the telephone again yes
38:20why are you whispering am i whispering it's laryngitis i'm not whispering no it was not for me no no
38:27no no
38:27no are you expecting fongo they might call from the airport they are changing schedules
38:32because of our new fast plan the ultra caravel oh and uh and they want you to be one of
38:39the hostesses
38:39on it right how did you know hmm that was obvious but they haven't changed your schedule yet no except
38:46we are going one hour later tomorrow morning one hour later 11 30 instead of 10 30. good why do
38:53you
38:53say good oh did i say good uh-huh yeah you did i heard it i said good because it's
38:58going to give us an
38:59extra hour in the morning oh yes who was it then who was who on the telephone it was not
39:07another
39:08woman was it another woman are you kidding are you marvelous little french pussycat another woman
39:15indeed another woman well who was it it was a wrong number some lunatic was on the phone
39:26what is this what's what this letter it has an english stamp on it vodka fingers
39:35it's addressed to someone named victoria hawkins that's hawkins that's enough
39:43well it's obviously not me no he's not victoria hawkins obviously well what is he doing here
39:50well well you know how they are down at the post office no how are they i just remembered what
39:57what
39:58what i wanted to tell yes what is it huh uh dinner's almost very all right thank you bertha now
40:05tell me
40:05something what is this uh it's a letter i can see that but it's addressed to a miss victoria hawkins
40:13do you
40:13know her never heard of her she sounds like some kind of a foreigner it's a foreigner well what is
40:18he doing here i uh oh that old idiot downstairs you know because he said that i took this letter
40:28it
40:28belonged to somebody else on the block that's my mistake yeah you see there's always a logical
40:32explanation for everything my mistake that's all right bertha uh we're only human yeah some of us
40:43anyway sweet person i'm sorry darling you must think i am terribly suspicious well you are a little
40:52bit i will be out soon all fresh and powdery for you
41:12what are you doing changing over you don't want air france wearing lufthanda's underwear do you
41:19get lost i'm tired now why should you be tired i suppose you think i've got nothing on my mind
41:30but
41:30women right why not with a layout like this what else would you have on your mind remember the time
41:35you covered that suez thing yeah you had these four dames and israeli machine gunner the arabian
41:40masseuse wait a minute they weren't all stacked up over the field waiting to come in well i admit that
41:45today is a bit unusual unusual burnout i don't like to pry but you are engaged to all these girls
41:51right yes and uh they all have the idea of getting married right of course they do i mean how
41:59else
41:59do you think polygamy works but isn't that a little risky plus the fact it's against the law
42:04you know three wives i mean just a minute wait a minute who said anything about wives
42:08they're fiancés and that's the way they're going to stay that way i have all the advantages of
42:14married life without any of its inconveniences do you understand and besides fiancés are a lot
42:20friendlier than wives you're kidding now three is the perfect number less would be monotonous more
42:27would be terribly tiring three is just ideal but it's immoral immoral all three think they're the only
42:35one now if they don't think it's immoral why should i i tell you it's the only way to live
42:39here but isn't
42:40just a little complicated no all you need is a timetable i'll bet you do no not what you think
42:44an airline's timetable oh to get away in a hurry come here i'll show you here's a timetable for all
42:51the major airlines in the whole world all in one volume one volume you understand now don't you yes
42:58you really don't do you no let me see let me put it this way each one of my fiancés
43:04has been
43:04recruited from the different air personnel each is an airline hostess and very beautiful thank you
43:09they've been tried and tested uh you know the entrance exam to these major airlines is very
43:14difficult they have to be healthy good at cooking witty friendly friendly i understand it from your
43:21point of view but what do the girls get out of it they get out they get security out of
43:26it i mean flying
43:27around like that it's good for them to know that there's someone down below that they can come
43:30home to there's not enough people down below to go around huh well they happen to be in love with
43:34me that's nice well i take my hat off to you but i must admit i don't think it's going
43:40to last
43:40you know that uh-uh sit down yeah please all right you know that look at this lisa will be
43:50arriving in
43:51montreal this evening jacqueline who leaves tomorrow morning will be arriving in tokyo and vicky
43:55by this time will be between lisbon and home so you see my fiancés wheel around the earth one
44:02towards the sun one towards the moon and they all eventually in turn come back to me it's geometrical
44:08it's poetic sort of like one up one down one pending huh mm-hmm yeah you might say that
44:16well old friend now that you know everything you understand why it's important that you find your
44:21own place because your presence here makes it highly complicated you know now that i realize how
44:26remarkably uncomplicated you've made everything i just wouldn't trust myself staying anywhere else
44:33oh i never thought you'd stooped up blackmail oh don't call it no say admiration envy maybe and
44:41something else a deep-seated curiosity because now that i've heard i can't wait to see your geometrical
44:48poetry come unglued at the scene look nothing's gonna happen unless you make it happen you breathe
44:54one word you open your mind what wait a minute i will protect this setup as though of my very
44:59own yeah
44:59but that's what i'm afraid of bernard we've had our differences over the years but i do recognize
45:05genius when i see it thank you you can trust me you call for a translator monsieur reed i am
45:14pierre
45:14ah your fame precedes you pierre oh i'm known in berlin oh in the newspaper paternity you have the
45:19reputation of a man with simple taste money do you know bernard lawrence of international press
45:25i seem to have heard the name you could never by chance have worked for international
45:30i don't even know the address i see what is uh monsieur lawrence's present status with international
45:36press uh employment wise uh thank you it is quite possible that monsieur lawrence will soon be
45:43transferred to new york are you sure the information costs me 200 francs
45:51where does he get his fiance's uh pardon oh come on pierre what's the source of supply i mean there
45:57must
45:57be some kind of a pool or a specific restaurant or a certain someone with the right contacts i do
46:04not know monsieur and it would be very expensive to find out find out i will begin immediately
46:11you don't intend to interfere with monsieur lawrence's arrangement certainly not i like it the way it is
46:17along with the maid and the apartment ah against the day that monsieur lawrence may be transferred to
46:23new york exactly it would be too expensive for him to take everything with him you are a friend monsieur
46:29is there anything i can do for you here uh the translating no not at all thank you i have
46:34to be
46:34going just get the information at once sir may i use the telephone certainly go right ahead
46:53monsieur lawrence he's just leaving i am going to follow him don't excite yourself goodbye
47:37oh hi bertha well mr reed i see air france is flown who's up next uh i mean uh what
47:43lady i know what
47:45you mean british united is doing after midnight after midnight huh poor bertha you put in a pretty
47:53big day uh i'm curious do you get near around dawn i sleep here you too i mean you do
48:01uh where in the
48:03back you wouldn't believe what it's like yes i would uh you know bertha mr lawrence means well but
48:11he's so involved with all his work and everything and i feel guilty i hope i'm not too much of
48:15an
48:15inconvenience for you oh well i i mean i know what you go through with all of the confusion and
48:20the
48:20changing and i remember what you told me you're not very strong no underneath i'm very delicate
48:27and you have a very spiritual face bertha i don't know how i keep up because you're loyal because of
48:35finer feelings and no matter what honor and i'm not a complainer of course you're not anyone could see
48:44that bertha why don't you sit down i hate to sit when that lady is standing well here sir why
48:51of
48:51course we're in france e pluribus unum sit down bertha have a cigarette with me oh i'd rather have
48:58a drink oh all right i'll catch you one now mr lawrence as smart as he is doesn't realize what
49:07he
49:07has here now take me i came to paris to find an apartment just such as this with a housekeeper
49:14at the highest salary who would make some elegant meals well planned in advance with no changing menus
49:21no constant adjustments and tolerant and she must understand that a man a bachelor such as myself
49:29is after all a man uh and possibly a discreet relationship one discreet relationship uh with
49:39possibly a countess or an older woman of quality quality instead of quantity huh mr reed that's the
49:47idea and i just thought bertha possibly you could help me find such a woman a countess a housekeeper
49:56who could that be no one's scheduled at this time probably the police i've been expecting them for
50:01months well i don't understand it because oh lisa surprise nice to see you uh lisa that's strange
50:08uh we didn't expect you back until tomorrow let me take that for you he talks just like my
50:14balnard he always has to know the minute i touched down what do we have to eat well i'll i'll
50:19get
50:19out the knackwurst uh she'll get some knackwurst out that's funny we thought you would be in montreal
50:24oh that's a surprise they turned right around and flew back we set a two-way record
50:30won't bernard be delighted hysterical
50:32uh
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