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Boeing Boeing (1965) Part One (ENG) HD [Full Movie] [Free Online HD]Full EP - Full
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00:08This is Paris, and that is the 1.30 plane to New York.
00:13It will land in America, 4,000 miles away, at 5.30 this afternoon, in four hours' time by the
00:21clock.
00:22It's wonderful, isn't it? Of course, it takes more than four hours.
00:26But you see, the jet is so fast, it races the sun.
00:31This is what has happened since the big jets came.
00:35Time has been annihilated.
00:38Constantly, the great airliners take off.
00:43And land.
00:53And for each aircraft, you have, naturally, air hostesses.
00:59These delectable creatures, selected for their beauty and charm, are in a state of perpetual migration.
01:07For days, they fly the great air routes of the world.
01:10And then, they like to come down.
01:13And whenever possible, they like to come down in Paris, and all regret leaving.
01:19One wishes that one could get to know all of them.
01:22Some of us, indeed, have tried.
01:25And that is our story.
01:54One wishes that one could get to know all of them.
02:24One wishes that one could buy.
02:37The End
03:09you better hurry my love bernard darling do you think i've got time for a few more kidneys
03:14of course you do you hurry bertha i adore kidneys for breakfast don't you uh not particularly i
03:20just barely get a vitamin pill down bertha you call me sir yes another brace of kidneys another
03:27please and some more of that smelly stuff you pour over them no thank you and it's not smelly stuff
03:33it's the natural juice of the organs very good for the complexion i don't want to know what it is
03:39miss
03:40i don't like the look of it myself but then i'm not here to reform the world we can do
03:46without
03:46your editorial comments just bring the kidneys well don't blame me if it makes you sick you don't
03:52have to eat them do you heaven forbid then what are you arguing about and hurry miss vicky has to
03:57catch a plane i only have two hands honestly but she means well not for me i mean very well
04:07just broil the kidneys they are already broiled i know her appetite i anticipate then bring them
04:14there is no need to shout oh it's not easy you know
04:22she's really becoming impossible bernard if it goes on much longer we just have to get rid of her
04:26but i don't know why you say that i don't think she likes me but of course she likes you
04:31she loves you it's um just the food that you eat that no thank you that upsets her
04:40my love it's getting late i don't know when i'm with you time just whistles by
04:45how sweet of you to say so no it's true is it the same for you of course my love
04:50does it drag when i'm away terribly never end excuse me
05:00anything else yes yes you can bring me some coffee and some more strawberries for miss vicky
05:06no honestly darling this will be enough fine there's good news bertha
05:12you see she doesn't but she does like you no no she's put me into my but she does like
05:18she doesn't oh when i first get home she's friendly enough but when it's time to go she's decidedly
05:22hostile even anti-british well i'll bet you it's because she's sad you're leaving that's why
05:27because i'm your fiance but of course
05:32it's uh 8 42. i just have to put my hat yes very good uh tell me my love uh
05:39when do you get back
05:42well let me see it's monday today we arrive in the canaries at 1708 layover for a night
05:47and get to accra at 16 20. we return by way of lisbon and uh what time are you back
05:55in paris
05:56thursday evening then off again on sunday well what time uh thursday evening my love 18 45
06:05excellent why do you always have to check everything on the timetable
06:08to avoid confusion what confusion my love i'm a busy man i want to arrange my business so i'm finished
06:14by
06:14the time you get back so that we can be together from thursday to sunday you are a genius and
06:19because you're such a dare i'm going to give you a surprise right now surprise oh i tell you that
06:24woman's going to drive me up the wall all right bertha you want to put the coffee down on the
06:28table
06:28then you can listen from the kitchen okay there are thousands of french housekeepers i have a work
06:34permit miss and the reason i have it is because i was discharged from the united states army in paris
06:40france honorably honorably you had a choice you bet your life i had i was chauffeur to the commanding
06:47general really eisenhart pershing oh uh excuse me do you mind getting the bags please yes sir thank you
06:59my love now you were saying uh surprise yes you had a surprise we're getting a brand new airplane
07:04i think they're transferring me to it yes that's wonderful it's the new vc10 it's got four
07:09magnificent engines that develop twenty thousand pounds of thrust each marvelous marvelous especially
07:15for us it is twenty thousand pounds of thrust does something for us of course makes the plane much
07:21much faster we'll be together more often and much longer twenty thousand pounds of thrust
07:29you don't seem very pleased by my surprise oh but i am oh yes yes yes i am i'm i'm
07:34nuts about the
07:35idea uh but i don't want to get too excited i mean you're not transferring tomorrow anything
07:39are you not tomorrow but soon very soon oh that's wonderful oh here we go yes exactly on time
07:48you think you were a pilot the way everything's timed to the minute well everything has to be get the
07:52door but why well i'm a foreign correspondent we wouldn't want to miss one little minute of the time we
07:56have together because i have to work now wouldn't we huh you see of course i am now bertha you
08:00will
08:00look after mr bernard while i'm gone wouldn't you i'll do my best but it's not easy you know that's
08:04enough bertha we're falling behind schedule we'll talk to you later that'll be a thrill
08:12come along
08:14oh come on
09:05mr bernard lawrence
09:09Yes. Telephone, please.
09:15Hello? Bernard Lawrence here.
09:17Monsieur Laurence, I have a telegram for you.
09:20Read it.
09:22Transfer Paris. Arriving this AM. Hotel space impossible.
09:28You can put me up. Signed, Robert Reed.
09:31Pierre, I never got the message.
09:34You never delivered the telegram. Understand?
09:38I don't understand, but I understand.
09:42Okay.
09:44Lisa!
09:47Exactly on time.
09:49I have to check out. Just five minutes,
09:52and then we'll be all cozy in our little Paris home.
09:55Wunderbar.
09:57Hurry up. Hurry.
10:20I still don't believe it.
10:45Oh, what's the matter, Bertha? Did we frighten you?
10:47This job keeps me too tired to get frightened. It's not easy, you know.
10:52Well, none of us get things easily.
10:57Oh, what do we have for lunch, Bertha?
10:59Well, I thought of souffle with some mushrooms.
11:02Oh, souffle.
11:03Souffle is for people mit our teeth.
11:06What we need is good, solid food.
11:10Knackwurst, sauerkraut, and heavy black bread.
11:12Have you any idea how long it took me to dream up that souffle?
11:16You don't get those things by rubbing two sticks together, you know.
11:19It often tastes like it.
11:20Now, girls...
11:21Hey, you have got the knackwurst, haven't you?
11:22Yes, but it's old. You haven't been here for three days.
11:26Three whole days.
11:28And nights.
11:30I'm gonna start the souffle.
11:32Oh, just a moment.
11:34I have to see that for myself.
11:46There's nothing wrong with this.
11:48You're right.
11:49Of course I am.
11:50If you can stand the smell, we'll have this.
11:55What's that?
11:58Um...
11:59Kidneys.
12:00Kidneys?
12:05Bernhard?
12:05Yeah?
12:06Who was here for breakfast?
12:07Uh, uh, breakfast?
12:08Yes.
12:09Here?
12:10That it's kidneys.
12:11Kidneys?
12:12You don't need kidneys.
12:13Me? Kidneys. I hate kidneys.
12:14Oh, kidneys!
12:15Uh, that was, um, Robert Reed from Consolidated Press.
12:19He was here.
12:19He was here for breakfast?
12:20Yes, uh-huh.
12:21Oh, I thought you and he didn't get along.
12:23Well, uh, professionally, you know.
12:25But, uh, you know how it is with rival newspaper men.
12:27Always bickering, always fighting.
12:28Oh, I thought he's in Berlin.
12:30Well, he was in Berlin, but then they transferred him now to Paris.
12:33Yes, yes.
12:33That's it.
12:34And, uh, why are you asking me all these questions?
12:38Don't you trust me?
12:39Oh, I'm sorry, Liebling.
12:41No, no, no, no.
12:42You must think I'm terribly suspicious.
12:45Well, yeah.
12:47Yeah.
12:48Oh, I'll tell you what I'm going to do.
12:50What, Liebling?
12:50I'm going to take a bath and make myself all fresh and powdery for you.
12:56Oh, my Liebling.
13:00Miss Klein.
13:01Miss Klein.
13:02Uh, what does that mean?
13:03See you later.
13:04See you later.
13:05Yes.
13:10Well, let's see.
13:16It's positively unnatural.
13:19What?
13:20Well, God didn't make us all the same way, that's all.
13:23Well, what are you muttering about?
13:25I have to do her laundry every time she gets here.
13:29Well, you leave me alone.
13:30How can she get so dirty in only three days?
13:33It's not easy for me around here.
13:35You keep saying that.
13:36You get paid well enough, don't you?
13:38Yeah, but not enough.
13:39And I've been meaning to talk to you about that.
13:41Why don't you sit down?
13:43Last week, I worked 89 hours.
13:46I had my shoes resold twice.
13:4822 francs.
13:50Shh, shh, shh.
13:50Gotta do the laundry.
13:52I gotta remember who eats what.
13:54Who wears which lingerie.
13:56Who's going, who's coming.
13:57You don't need a housekeeper around here.
13:59You need a Univac machine.
14:01Look.
14:01Liebling.
14:02Yeah, yeah.
14:03I have a surprise for you.
14:05Yes?
14:05You can throw away my old schedule.
14:07The old schedule?
14:08Well, how will I count the minutes until we're back together again?
14:10On the new schedule.
14:11What?
14:12What new schedule?
14:13I'm going to be transferred to the new intercontinental jet.
14:16It's a super Boeing with a cruising speed of Mach 0.88.
14:20Mach 0.88.
14:22Terrific.
14:22Four Rolls Royce jets, each one with 21,000 pounds of thrust.
14:27I'll be home much more often.
14:29That'll bend his schedule.
14:34Well, when is, when is this going to happen?
14:36As soon as a new plane is delivered.
14:39Uh-huh.
14:39Isn't it wonderful?
14:40Yes, it's wonderful.
15:00Yes, it's wonderful.
15:01Hello?
15:01Vicki!
15:02But where are you?
15:03At the airport?
15:05They delivered the VC-10.
15:06They sent a car out to the runway and took me off my plane so I can go on the
15:09new one.
15:10Me, isn't that marvelous?
15:11Well, marvelous.
15:12I'm coming right home.
15:14They'll call me when the flight's ready.
15:15Well, but don't come home.
15:16No, no.
15:17Don't come home.
15:17You stay there.
15:18I'll come out to the airport.
15:20Leafly!
15:25Who were you shouting at?
15:28Bertha!
15:29Did you call me, sir?
15:30No, I thought of you.
15:33Oh, I've got to go to the airport, do a story.
15:35Uh, yes.
15:35Uh, the British Embassy, you know.
15:38And, uh, would you tell Fraulein Lisa for me that I'm out at the...
15:40Uh, that's Fraulein Lisa.
15:42Oh, of course it is.
15:42Who else would it be?
15:43Uh, hi.
15:44Uh, I've got to go out to the airport.
15:45The British, uh, ambassador.
15:46Oh, you just said that.
15:47Oh.
15:47Are you all right?
15:48You look pale.
15:49No, I'm...
15:49Uh, Bertha, get him a glass of schnapps.
15:51No, no, no.
15:52I'm fine, fine, fine.
15:53Uh, he, he's just excited, miss.
15:55He's beginning to realize what these new schedules are gonna do for him.
15:59Well, that's it.
16:00That's obviously what excited me.
16:01Bertha, you're brilliant.
16:02Yeah, I know.
16:03If it's obvious, I don't see why it's brilliant.
16:06Well, it's brilliant because Bertha thought of it.
16:08I mean, there was this obvious fact staring me right in the face,
16:10and I didn't even see it, but Bertha did.
16:12Why, it's brilliant by comparison.
16:15I'm leaving.
16:17You'll be back soon?
16:18As soon as I can, you know the newspaper business.
16:21Hurry!
16:22Au revoir.
16:25He's just like a big kid, isn't he?
16:28Yeah.
16:28Yeah.
16:29Dead end, kid.
16:32Taxi!
17:03Have you seen Vicky?
17:05Um, she said to tell you she'd gone up to the coffee bar.
17:33Uh...
17:34Uh...
17:34Where's Vicky?
17:36yes of course yes she came up and asked me to tell you
17:48she's gone downstairs take a taxi
17:57that gentleman you were speaking to wasn't that bernard lawrence
18:01yes you know him yes he's an old friend a remarkable man enormous amount of energy
18:08i see you know him pretty well yourself well thank you
18:48bernard what are you doing here your phone went out of order isn't it wonderful about the bc10
18:52wonderful come on we can be home in 20 minutes no no i came here to be with you
18:56well that was very sweet of you darling but now we can really be together
18:58well no we can't you see uh i uh have to cover a story yes i'm covering a story about
19:03a new
19:03airplane famous foreign correspondent covering a story about a new airplane well i you see i knew
19:08you were going to be here alone and in order to be able to do that i have to cover
19:11the story about
19:11a new airplane so you see we've got to stay here i'm very disappointed oh don't be next time we'll
19:16be together twice as long come on
19:18eins zwei drei vier eins zwei drei vier eins zwei drei vier eins zwei drei vier eins zwei drei
19:38die dritte übung hängen auf der hüften legen der oberkörper im preise drehen den linken fuß
19:44ausstrecken hochheben jetzt direkt die fuß das wird ihnen schöne hüften geben nicht müde
19:50werden sie müssen arbeiten sie müssen vertreten dass man am ordentlich arbeiten muss oder sie werden keinen
19:57uh just tell the driver to honk the horn i'll finish in
20:07berta berta berta cancel the knackwurst they delivered the new superboy and i'm going to be on it
20:14wunderbar i have to go back to the airport we're gonna miss you
20:28now to be absolutely certain you leave accra tomorrow right right and you're back in paris at
20:351845 thursday evening right no wednesday midnight this is the vc10 it cuts ours oh orange juice please
20:43i wish you wouldn't do that makes me feel as though you're always squeezing me in well my love i
20:51have to arrange my schedule you wouldn't want me to be busy on an assignment when you get back now
20:55would you speaking of assignments the new planes in the hangar i don't see how you can cover this
21:00story from a bar that statement young lady is a knife in the back of every newspaper man in the
21:05world oh no oh yeah it's me robert hi bernard hi we were talking about you this morning oh we
21:10were
21:10well no no bertha and i were yet we're saying how wonderful you were doing in berlin are you going
21:15back oh no i've been reassigned to paris didn't get my wife no no oh anything interesting happening
21:22in paris nothing just routine stuff been hibernating uh-huh like a bear and i take it this is mama
21:29bear
21:30uh miss vicky hawkins british united robert reed uh consolidated press nice don't you sit down
21:37uh won't i be intruding yes thank you i will
21:43comfortable
21:45oh uh s'il vous plaît uh donnez-moi un vodka martini très sec
21:51très sec monsieur oui
21:55tell me have you uh known bernard long
21:58he doesn't know he doesn't know what
22:01that i'm your fiancee you are oh yes of course you are my this is my fiancee delighted i'm so
22:07lucky
22:08to have a man like bernard all to myself don't you think oh absolutely what's that
22:15oh that's our new vc10 i was telling you about we're starting it today because of lufthansa's super
22:19boeing lufthansa today i don't see how you can write a story about airplanes when you don't know
22:25anything about what you're writing oh that never stopped a good newspaper man
22:30très sec monsieur merci beaucoup you know you're the first friend of bernard's i've ever met
22:35he's so secretive yes i know he's even concealed you from me do you know that i've never ever
22:40known where he's lived in paris we have a marvelous apartment it's a slum is it big
22:44very small you gotta put me up for a couple of days bernard i mean every decent hotel in paris
22:49is loaded you know what with the tourists and everything oh stay at the ymca nonsense you
22:53can come to our place you can keep bernard company while i'm away he gets very lonely
22:56i accept will the crew of british united flight number 237 please check with operations
23:04oh oh thank you please don't get home you see now where would we have been if we'd gone
23:08back to the apartment where indeed you're right as always he's a genius you know i heard
23:14no you stay here with your friend i'll come back and say goodbye if we're going straight out
23:17for the crew of british united flight number 237 please check with operations do you know how
23:25lucky you are i guarantee you i do if i could only find a girl like that you're going to
23:31the ymca
23:31i'll find one there you're not going to look in my apartment but this is your fiance this is
23:37different robert the last time i saw you was in casa blanca i lost a story two flamenco dances
23:44and a case of whiskey i suppose that was different too oh did you see bernhardt yeah
23:53what are you doing you don't have to laugh it up he'll bring you another one
23:58oh how am i sleeping i dropped my watch i'm so happy i found you oh and you must be
24:05the
24:05friend from breakfast yes uh yes uh breakfast oh you are not mr reed from berlin who had the
24:12english breakfast with bernhardt this morning oh oh the english breakfast yes of course and
24:18those english kippers are just marvelous kidneys i i mean kidneys i always confuse kippers and
24:24kidneys but i'm not mr reed you can call me robert i'm lisa uh lisa yeah but you seem not
24:29to know me uh should i well as bernhardt's friend of course he knows you he knows all about you
24:37he knows i'm your fiance oh yes fiance certainly he does nothing but talk about you he's completely
24:45obsessed with you what what what are you doing here operations phone i've just been promoted to the
24:51new superjet congratulations we're going out immediately uh well that's why i'm here you
24:56know i waited for you here i knew you were coming back to the airport he anticipates everything
25:01he really is a genius well i'm off don't get up well darling i have to go back to frankfurt
25:12and
25:12london montreal and back to paris and when do you plan to be back in paris day after tomorrow day
25:18after
25:18tomorrow at what hour uh 2100 he hates confusion so much don't you yes i do he's just a slave
25:26to my
25:27schedule oh excuses
25:45you know you're pretty lucky and you're getting luckier every minute well you know how it is with
25:51these girls flying around the world karachi cartoon caracas i know i know and i know that tone of
25:57voice from the past so leave it alone i wouldn't touch it for the world not even the slightest push
26:03up in 15 minutes don't get up see you at midnight darling midnight midnight when i'm flying i go to
26:13the
26:13galley and look out of the porthole at the moon at exactly midnight and bernard looks up out of his
26:18bed
26:18at the same time so you see we're together even when we're both alone because we're both looking
26:23at the very same moon that's cute vicky's very imaginative it's delightful excuse us would you excuse
26:33should i leave oh no no no
26:46on course you will play goodbye goodbye goodbye cheerio
27:03i can't wait to see your apartment you never will oh why not we can double date you and vicky
27:10and me and lufthansa you're going to a hotel then i'll miss lufthansa and so will you when i tell
27:15her about vicky you wouldn't i would if you forced me to go to a hotel yeah all right
27:2656 avenue de la renne see birth of my housekeeper i've got to go back to the office i don't
27:33know when
27:33he finds time to work at all problem monsieur oh nothing it was just that's outrageous i wouldn't
27:42pay it if i were you you're right you're right i won't
27:47me and my big mouth
28:14i'm an american
28:17Oh, I'm Mr. Lawrence's houseguest for a couple of days.
28:21He a guest, too?
28:23Oh, no, he's a cab driver.
28:25Oh.
28:26Did you bring your family with you?
28:28Oh, no, I'm a bachelor.
28:30So is Mr. Lawrence.
28:31Yes, I know. I'm Robert Reed.
28:34Oh, the breakfast one.
28:37Everyone seems to be preoccupied with my breakfast.
28:40Mr. Lawrence didn't say anything about you coming to stay.
28:44Oh, well, you know how he is forgetful.
28:46Oh, Mr. Lawrence can't afford to forget anything.
28:49Uh-huh.
28:50What room did he say you could stay in?
28:52Did he say what room?
28:54He wouldn't tell you.
28:55I mean, I think he left it up to you.
28:57Oh.
28:59Well, this is the guest room, and this is the bathroom.
29:03Yeah.
29:03And this is, uh, uh, well, and this is his bedroom, and this is the spare room.
29:09It's kind of like a dormitory here.
29:11You don't know the half of it.
29:13Oh.
29:14May I sit down?
29:15Oh, certainly.
29:16Thank you very much.
29:18It's all right.
29:18You're, uh, you're a guest around here, you say.
29:23Uh, I kind of get the idea that you're not happy about it.
29:27Well, it's another mouth to feed, and it's another soul to keep track of.
29:31But I'm not very strong, you know.
29:33I took this job because my doctor said I should avoid excitement.
29:38Um, are you used to a varied diet?
29:42I have the broadest tastes.
29:43Oh, another one.
29:46I, uh, I kind of think I know what you must go through.
29:50No, you don't.
29:51But it's, uh, nice to find a young man with some consideration.
29:56So you go in the guest room and rest up, and I'll go out in the kitchen and get you
29:59a nice cold drink.
30:01And, uh, Mr. Reed.
30:03Yes.
30:03Um, you forgot something.
30:06Oh, I'm sorry.
30:08Uh, merci.
30:09Uh, ça va.
30:22Oh, God.
31:00Uh, some other time.
31:03Yeah, what's going on in the office, huh?
31:05Oh, uh, you're up for a promotion.
31:08What?
31:09They intend to put you in charge of the New York office.
31:11New York?
31:12Oh, no.
31:13Are you sure?
31:13To get into the personnel files was not easy.
31:17It cost me 100 francs.
31:19Yeah, my money.
31:20But I don't want to be promoted out of Paris.
31:22Of course not.
31:23Did Adam want to leave the garden abedon?
31:26Translate, will you?
31:27As you wish, as you wish, as you wish.
31:54I don't believe we've met.
31:56You're not Bernard?
31:59How dare you?
32:02Oh, well, I was just sitting here minding my own business.
32:04But what are you doing in my apartment?
32:08Your apartment?
32:09My name's Bernard.
32:11Well?
32:12Oh, well, I'm terribly sorry.
32:14I didn't mean to take advantage of you.
32:16It's just that I was expecting Bernard.
32:18You were expecting Bernard to kiss you?
32:21No.
32:21No, of course not.
32:22No, no.
32:23I, I, well, this was so delicious, I just hope you'll forgive me.
32:27I'm Bernard's guest.
32:29My name is Robert Reed.
32:30And I am Jacqueline Grilleux.
32:32How do you do?
32:33Please sit down.
32:36You seem not to know me.
32:38Has not Bernard told you about me?
32:40Oh, oh, yes.
32:41Oh, absolutely.
32:42Of course.
32:43He talks about nothing else.
32:45That's all he talks about is Jacqueline this and Jacqueline that.
32:48Here are Jacqueline, there are Jacqueline everywhere.
32:50You are his fiancée.
32:51Yes.
32:52I thought you would be.
32:53And you are an old friend.
32:55I never know.
32:56He's so secretive.
32:58Yes, and I can't imagine why, Miss Grilleux.
33:00Oh, because you and Bernard are old friends.
33:02You may call me Jacqueline.
33:04Oh, well, thank you.
33:05And you must call me Robert.
33:07How do you do?
33:08Glad to know you.
33:10Uh, sit down.
33:12Sit down again.
33:13Yes.
33:14You know, he's terribly jealous.
33:17You won't say anything to him about my kissing you.
33:19Oh, no, I forgot about it already.
33:21You have?
33:22Well, it was so sudden without warning.
33:24If there had been a warning, there would not have been any kiss.
33:28Exactly.
33:29Without anticipation, a kiss is nothing.
33:31Actually, you know, I could easily forget not to remember a kiss that meant nothing.
33:36But a kiss that meant something, that I could remember to forget.
33:40There is something fuzzy about that logic.
33:43No, not at all.
33:44An honest, meaningful kiss would ensure my complete silence and absolute discretion.
33:51You want me to kiss you again as a bribe?
33:55No, as a kiss.
34:23No, as a kiss.
34:24A little kiss.
34:24There is a room to wait for Bernard.
34:27Please.
34:29I, uh, I thought I would be a gentleman and open the door for her.
34:37Oh.
34:51Don't ask.
34:52Oh, I was just going to ask if you were through with what you were doing.
34:55Mm-hmm.
34:56And you're going to hang around here?
34:58Yeah.
34:59Fine. Well, then, uh, I might as well just go and lie down a while.
35:03I get tired during the day, you know.
35:06A little nap never hurts.
35:08But thanks, Bertha.
35:11Uh, I'll just lie down.
35:13Mm-hmm.
35:14And I'll wake myself up.
35:16Mm-hmm.
35:32Jacqueline.
35:36Jacqueline, can you hear me?
35:38Go away.
35:40But what's one little kiss?
35:42Go away.
35:44I just want one little kiss I can expect, and I promise I'll say nothing to Bernhardt.
35:49Oh, all right.
35:51Get ready.
35:58When?
36:02Mm-hmm.
36:03Mm-hmm.
36:05Mm-hmm.
36:07Robert!
36:08Jacqueline!
36:09Bertha!
36:10What's going on here?
36:12Jacqueline?
36:12You're early.
36:13Why are you yelling?
36:14Am I yelling?
36:15Well, of course I'm yelling.
36:16I've got every right to yell.
36:17I wanted to explain to Robert.
36:19Uh, Jacqueline already explained.
36:21Oh, she did, huh?
36:22Oh, well, then everything is fine.
36:23Then why don't we all have a drink?
36:24Yes, good.
36:25Uh, did, uh, Bertha unpack your bags?
36:27Yes, I'm...
36:28Wonderful.
36:28Oh, what are we gonna have for dinner?
36:30Don't you worry.
36:30I'll go see what we're gonna have for dinner.
36:31Where's Bertha?
36:32I'm here.
36:34Oh, good, good, good.
36:35Yeah, that's fine.
36:35It's a funny life being a maid around here.
36:38Yes.
36:42Oh, there you are.
36:43Are you all right?
36:44Yes, I'm fine, fine.
36:45Just a little hyperactive.
36:47Uh, excuse me?
36:53Somehow I never get to answer the phone around here.
36:55Well, it, uh, it might be somebody who only speaks French.
36:59But I speak French.
37:02Well, the, uh, it might be the butcher.
37:04He only speaks German.
37:06Hello?
37:08Who's the butcher?
37:10Well, I'm going to get ready for my bath.
37:16It wasn't the butcher.
37:18It was the Lufthansa from Frankfurt.
37:20What did she say?
37:21Hello, Liebling.
37:23Oh, you...
37:24There's something I want to tell you.
37:26Yes, what is it?
37:27Don't forget.
37:28It'll come to me.
37:33Hello?
37:34It's Hurrigan, the Fraulein D cup.
37:37Give me a phone.
37:40Hello.
37:41What?
37:42What?
37:42No, it's laryngitis.
37:44Oh, yes, it came on very quickly.
37:45Mm-hmm.
37:46But that's very sweet of you to say, my Liebling.
37:48Well, of course I can say it.
37:51Well, right now?
37:55Uh...
37:56Ich liebe dich.
37:57Two.
37:58Mm-hmm.
37:58No, no, don't call me from Montreal.
38:00It's too expensive.
38:01Yes, but you have a good trip.
38:03Auf Wiedersehen.
38:04Bye.
38:05You'll need this.
38:10Yes, what is it?
38:13Nothing.
38:14Nothing.
38:15You...
38:18Was that the telephone again?
38:19Ah, yes.
38:20Why are you whispering?
38:22Am I whispering?
38:23It's laryngitis.
38:23I'm...
38:24I'm not whispering, no.
38:25It was not for me?
38:26No, no, no.
38:27No.
38:27Are you expecting a phone call?
38:29They might call from the airport.
38:30They are changing schedules
38:32because of our new fast plane,
38:34the Ultracaravel.
38:36Oh.
38:36And, uh...
38:38And they want you to be one of the hostesses on it, right?
38:40How did you know?
38:42Hmm.
38:42Well, it was obvious.
38:44But they haven't changed your schedule yet.
38:45No, except we are going one hour later tomorrow morning.
38:48One hour later?
38:4911.30 instead of 10.30.
38:51Mm.
38:52Good.
38:52Why do you say good?
38:54Oh, did I say good?
38:55Uh-huh.
38:56Yeah.
38:56You did.
38:56I heard it.
38:57I said good because it's gonna give us an extra hour in the morning.
39:00Oh, you are so sweet.
39:02Yes, yes.
39:03Who was it then?
39:05Who was who?
39:05On the telephone.
39:07It was not another woman, was it?
39:09Another woman?
39:10Are you kidding?
39:11You marvelous little French pussycat.
39:14Another woman indeed.
39:17Another woman.
39:19Well, who was it?
39:21It was a wrong number.
39:24Some lunatic was on the phone.
39:26What is this?
39:28Hmm?
39:29What's what?
39:30This letter.
39:31It has an English stamp on it.
39:33Vodka fingers.
39:36It's addressed to someone named Victoria Hawkins.
39:40That's Hawkins.
39:41Listen up.
39:42Huh?
39:43Uh, well, it's obviously not me.
39:45No, he's not Victoria Hawkins.
39:48Hopfusely.
39:49Well, what is he doing here?
39:50Well, you know how they are down at the post office.
39:54No.
39:54How are they?
39:55I just remembered.
39:57Well, what?
39:57What I wanted to tell you.
39:59Yes, what is it?
40:00Huh?
40:00Uh, dinner's almost very.
40:03All right.
40:03Thank you, Bertha.
40:04Now tell me something.
40:06What is this?
40:07Uh, it's a letter.
40:08I can see that.
40:10But it's addressed to a Miss Victoria Hawkins.
40:13Do you know her?
40:14Never heard of her.
40:15She sounds like some kind of a foreigner.
40:17It's a foreigner.
40:18Well, what is he doing here?
40:20I...
40:20Uh...
40:22Uh...
40:22Uh...
40:22Oh!
40:23That old idiot downstairs, you know?
40:25Yeah, the idiot.
40:26He said that I took this letter.
40:28It belonged to somebody else on the block.
40:30That's my mistake.
40:31Yeah.
40:31You see, there's always a logical explanation for everything.
40:34My mistake, Caroline.
40:36Uh, Madrezel.
40:37Uh, that's all right, Bertha.
40:40Uh, we're only human.
40:42Yeah.
40:43Some of us, anyway.
40:45Ah, sweet person.
40:47I'm sorry, darling.
40:49You must think I am terribly suspicious.
40:51Well, you are a little bit.
40:53I will be out soon, all fresh and powdery for you.
40:58Fresh and powdery.
41:12What are you doing?
41:15Changing over.
41:16You don't want Air France wearing Lufthansa's underwear, do you?
41:18No, I do.
41:19You get lost in it.
41:24I'm tired.
41:25Now, why should you be tired?
41:28I suppose you think I've got nothing on my mind but women, right?
41:31Why not with a layout like this?
41:33What else would you have on your mind?
41:34Remember the time you covered that Suez thing?
41:36Yeah.
41:36You had these four dames, an Israeli machine gunner, the Arabian masseuse.
41:40Wait a minute.
41:41They weren't all stacked up over the field waiting to come in.
41:44Well, I admit that today is a bit unusual.
41:47Unusual?
41:47Well, Bernard, I don't like to pry, but you are engaged to all these girls, right?
41:51Yes.
41:52Uh-huh.
41:53And, uh, they all have the idea of getting married, right?
41:57Of course they do.
41:58I mean, how else do you think polygamy works?
42:01But isn't that a little risky?
42:02Plus the fact it's against the law.
42:04You know, three wives, I mean...
42:06Just a minute.
42:06Wait a minute.
42:07Who said anything about wives?
42:09They're fiancés, and that's the way they're going to stay.
42:12That way, I have all the advantages of married life without any of its inconveniences.
42:16Do you understand?
42:17And besides, fiancés are a lot friendlier than wives.
42:22You're kidding.
42:23Now, three is the perfect number.
42:25Less would be monotonous.
42:27More would be terribly tiring.
42:30Three is just ideal.
42:31But it's immoral.
42:33Immoral?
42:34All three think they're the only one.
42:36Now, if they don't think it's immoral, why should I?
42:38I tell you, it's the only way to live.
42:39Yeah, but isn't it just a little complicated?
42:41No.
42:41All you need is a timetable.
42:42I'll bet you do.
42:43No, not what you think.
42:44An airline's timetable.
42:46Oh, to get away in a hurry.
42:48Come here, I'll show you.
42:50Here's a timetable for all the major airlines in the whole world, all in one volume.
42:55One volume.
42:55You understand now, don't you?
42:57Yes.
42:58You really don't, do you?
42:59No.
43:01Let me see.
43:01Let me put it this way.
43:03Each one of my fiancés has been recruited from the different air personnel.
43:06Each is an airline hostess.
43:08And very beautiful.
43:10They've been tried and tested.
43:12Ah, you know, the entrance exam to these major airlines is very difficult.
43:15Yeah.
43:15They have to be healthy, good at cooking, witty, friendly.
43:19Friendly.
43:19I understand it from your point of view, but what do the girls get out of it?
43:24What do they get out of it?
43:25They get security out of it.
43:26I mean, flying around like that, it's good for them to know that there's someone down below
43:29that they can come home to.
43:30There's not enough people down below to go around, huh?
43:33Well, they happen to be in love with me.
43:34That's nice.
43:37Well, I take my hat off to you, but I must admit, I don't think it's gonna last.
43:40You don't, huh?
43:41Uh-uh.
43:42Sit down.
43:43Yeah?
43:44Please.
43:44All right.
43:46You don't, huh?
43:47Look at this.
43:49Lisa will be arriving in Montreal this evening.
43:52Jacqueline, who leaves tomorrow morning, will be arriving in Tokyo.
43:55And Vicky, by this time, will be between Lisbon and home.
43:58So you see, my fiancés wheel around the earth, one towards the sun, one towards the moon.
44:04And they all eventually, in turn, come back to me.
44:07It's geometrical.
44:08It's poetic.
44:10Sort of like one up, one down, one pending, huh?
44:13Mm-hmm.
44:14Yeah, you might say that.
44:16Well, old friend, now that you know everything, you understand why it's important that you find your own place.
44:22Because your presence here makes it highly complicated.
44:25You know, now that I realize how remarkably uncomplicated you've made everything,
44:30I just wouldn't trust myself staying anywhere else.
44:33Oh, I never thought you'd stoop to blackmail.
44:36Oh, don't call it that.
44:38Get away.
44:38No, say admiration.
44:40Envy, maybe.
44:41And something else.
44:42A deep-seated curiosity.
44:44Because now that I've heard, I can't wait to see your geometrical poetry come unglued at the seams.
44:50Look, nothing's gonna happen unless you make it happen.
44:53You breathe one word.
44:54You open your mouth once.
44:56Wait a minute.
44:56I will protect this setup as though of my very own.
44:59Yeah, but that's what I'm afraid of.
45:01Bernard, we've had our differences over the years, but I do recognize genius when I see it.
45:08You can trust me.
45:11You call for a translator, Monsieur Reed.
45:13I am Pierre.
45:14Ah, your fame precedes you, Pierre.
45:16Oh, I'm known in Berlin.
45:17Oh, in the newspaper fraternity you have the reputation of a man with simple taste.
45:21Money.
45:22Do you know Bernard Lawrence of International Press?
45:25I seem to have heard the name.
45:27You couldn't ever by chance have worked for International?
45:30I don't even know the address.
45:32I see.
45:33What is, uh, Monsieur Lawrence's present status with International Press, uh, employment-wise?
45:38Uh, thank you.
45:40It is quite possible that Monsieur Lawrence will soon be transferred to New York.
45:44Are you sure?
45:45The information costs me 200 francs.
45:51Where does he get his fiancés?
45:53Uh, pardon?
45:54Oh, come on, Pierre.
45:55What's the source of supply?
45:57I mean, there must be some kind of a pool, or a specific restaurant, or a certain someone
46:01with the right contacts.
46:03I do not know, Monsieur, and it would be very expensive to find out.
46:07Find out?
46:08I will begin immediately.
46:10Uh, you don't intend to interfere with Monsieur Lawrence's, uh, arrangements?
46:15Oh, certainly not.
46:16I like it the way it is, along with the maid and the apartment.
46:20Ah, against the day that Monsieur Lawrence may be transferred to New York.
46:23Exactly.
46:24It would be too expensive for him to take everything with him.
46:26You are a friend, Monsieur.
46:29Is there anything I can do for you here, uh, the translating?
46:32No, not at all.
46:34I have to be going.
46:35Just get the information.
46:37At once, sir.
46:38May I use the telephone?
46:39Certainly.
46:40Go right ahead.
46:52Mr. Lawrence?
46:54He's just leaving.
46:56I'm going to follow him.
46:58Don't excite yourself.
47:00Goodbye.
47:02Goodbye.
47:13Goodbye.
47:15Goodbye.
47:37Oh, hi, Bartha.
47:39Well, Mr. Reed.
47:40I see Air France has flown.
47:41Who's up next?
47:42I mean, what lady?
47:44I know what you mean.
47:46British United is due in after midnight.
47:49After midnight, huh?
47:51Poor Bartha.
47:52You've put in a pretty big day.
47:55I'm curious, Bartha.
47:56Do you get near around dawn?
47:58I sleep here.
47:59You too?
48:00I mean, you do?
48:02Where?
48:03In the back.
48:04You wouldn't believe what it's like.
48:07Yes, I would.
48:08You know, Bartha, Mr. Lawrence means well,
48:11but he's so involved with all his work and everything,
48:13and I feel a little guilty.
48:14I hope I'm not too much of an inconvenience for you.
48:16Oh, well, I...
48:17I mean, I know what you go through with all of the confusion and the changing,
48:21and I remember what you told me.
48:23You're not very strong.
48:24No.
48:25Underneath, I'm very delicate.
48:27And you have a very spiritual face, Bartha.
48:30I don't know how I keep up.
48:33Because you're loyal.
48:35Because of finer feelings.
48:38And no matter what, honor.
48:40And I'm not a complainer.
48:42Of course you're not.
48:43Anyone could see that.
48:45Bartha, why don't you sit down?
48:46I hate to sit when a lady is standing.
48:49Well, be here, sir?
48:50Why, of course.
48:51We're in France.
48:52E pluribus unum.
48:55Sit down, Bartha.
48:56Have a cigarette with me.
48:57Oh, I'd rather have a drink.
48:59Oh.
49:00All right, I'll get you one.
49:04Now, Mr. Lawrence, as smart as he is, doesn't realize what he has here.
49:08Now, take me.
49:09I came to Paris to find an apartment just such as this.
49:12With a housekeeper.
49:14At the highest salary.
49:15Who would make some elegant meals.
49:18Well planned in advance.
49:19With no changing menus.
49:21No constant adjustments.
49:24And tolerant.
49:25And she must understand that a man, a bachelor such as myself, is after all a man.
49:32And possibly a discreet relationship.
49:36One discreet relationship.
49:39With possibly a countess.
49:41Or an older woman of quality.
49:43Quality instead of quantity.
49:45Huh, Mr. Reed?
49:46That's the idea.
49:47And I just thought, Bartha, possibly you could help me find such a woman.
49:52A countess?
49:53A housekeeper.
49:56Who could that be?
49:57No one's scheduled at this time.
49:59Probably the police.
49:59I've been expecting them for months.
50:01Well, I don't understand it because...
50:03Oh, Lisa!
50:04Surprise!
50:05Nice to see you.
50:06Uh, Lisa, that's strange.
50:08Uh, we didn't expect you back until tomorrow.
50:11Uh, let me take that for you.
50:12He talks just like my Bernhardt.
50:15He always has to know the minute I touch down.
50:18What do we have to eat?
50:19Well, I'll, I'll get out the knockwurst.
50:21Uh, she'll get some knockwurst out.
50:22That's funny.
50:23We thought you would be in Montreal.
50:25Oh, that's a surprise.
50:26They turned right around and flew back.
50:28We set a two-way record.
50:30Won't Bernhardt be delighted?
50:32Hysterical.
50:55Ha, ha, ha, ha.
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