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Boeing Boeing (1965) Part One (ENG) HD [Full Movie] [Latest Version]Full EP - Full
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00:08This is Paris, and that is the 1.30 plane to New York.
00:13It will land in America, 4,000 miles away, at 5.30 this afternoon, in four hours' time by the
00:21clock.
00:22It's wonderful, isn't it? Of course, it takes more than four hours.
00:26But you see, the jet is so fast, it races the sun.
00:31This is what has happened since the big jets came.
00:35Time has been annihilated.
00:38Constantly, the great airliners take off.
00:43And land.
00:53And for each aircraft, you have, naturally, air hostesses.
00:59These delectable creatures, selected for their beauty and charm, are in a state of perpetual migration.
01:07For days, they fly the great air routes of the world.
01:10And then, they like to come down.
01:13And whenever possible, they like to come down in Paris, and all regret leaving.
01:19One wishes that one could get to know all of them.
01:22Some of us, indeed, have tried.
01:25And that is our story.
01:54One wishes that one could get to know all of them.
02:11One wishes that one could get to know all of them.
02:12One wishes that one could get to know all of them.
02:12One wishes that one could get to know all of them.
02:13One wishes that one could get to know all of them.
02:14One wishes that one could get to know all of them.
02:14One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:15One wishes that one could get to know all of them.
02:16One wishes that one could get to know all of them.
02:16One wishes that one could get to know all of them.
02:20One wishes that one could get to know all of them.
02:26La, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:35la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:35la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:35la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:35la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la, la,
02:36la, la, la, la, la, la, la, la, la, la, la, la
03:09you better hurry my love
03:12bernard darling do you think i've got time for a few more kidneys of course you do
03:15you hurry bertha i adore kidneys for breakfast don't you uh not particularly i just barely
03:20get a vitamin pill down bertha you call me sir yes another brace of kidneys another please
03:27and some more of that smelly stuff you pour over them no thank you and it's not smelly
03:33stuff it's the natural juice of the organs very good for the complexion i don't want to
03:38know what it is miss i don't like the look of it myself but then i'm not here to reform
03:44the world we can do without your editorial comments just bring the kidneys well don't
03:50blame me if it makes you sick you don't have to eat them do you heaven forbid then what
03:54are you arguing about and hurry miss vicky has to catch a plane i only have two hands honestly
04:02but she means well not for me i mean very well just broil the kidneys they are already broiled
04:10i know her appetite i anticipate then bring them there is no need to shout oh it's not
04:18easy you know she's really becoming impossible bernard if it goes on much longer we just have
04:25to get rid of her but i don't know why you say that i don't think she likes me but
04:30of course
04:30she likes you she loves you it's um just the food that you eat that no thank you that upsets
04:37her uh my love it's getting late i don't know when i'm with you time just whistles by oh sweet
04:46of you
04:46to say so no it's true is it the same for you of course my love does it drag when
04:51i'm away terribly
04:52never excuse me anything else yes you can bring me some coffee and some more strawberries for miss
05:06vicky no honestly darling this will be enough fine there's good news bertha
05:12you see she doesn't like me but she does like you no no she's put me into my food but
05:17she does
05:17like you she doesn't oh when i first get home she's friendly enough but when it's time to go
05:21she's decidedly hostile even anti-british well i'll bet you it's because she's sad you're leaving
05:26that's why because i'm your fiance but of course
05:32it's uh 8 42 i just have to put my hat in your jacket very good uh tell me my
05:39love uh when do you
05:41get back well let me see it's monday today we arrive in the canaries at 1708 layover for a night
05:47and get to accra at 1620 we return by way of lisbon
05:54and uh what time are you back in paris thursday evening then off again on sunday
05:59well what time uh thursday evening my love 18 45 excellent why do you always have to check
06:07everything on the timetable to avoid confusion what confusion my love i'm a busy man i want to
06:12arrange my business so i'm finished by the time you get back so that we can be together from thursday
06:17to sunday you are a genius and because you're such a dare i'm going to give you a surprise right
06:21now surprise oh i tell you that woman's going to drive me up the wall all right bertha you want
06:27to put the coffee down on the table then you can listen from the kitchen okay there are thousands
06:31of french housekeepers i have a work permit miss and the reason i have it is because i was discharged
06:38from the united states army in paris france honorably honorably you had a choice you bet your life i had
06:45i was chauffeur to the commanding general really eisenhart pershing oh uh excuse me do you mind
06:53getting the bags please yes sir thank you
06:58uh now my love now you were saying uh surprise yes you had a surprise we're getting a brand new
07:04aeroplane i think they're transferring me to it yes huh that's wonderful it's the new vc10 it's got
07:09four magnificent engines that develop 20 000 pounds of thrust each marvelous marvelous especially for us
07:15it is 20 000 pounds of thrust does something for us of course makes the plane much much faster
07:21we'll be together more often and much longer 20 000 pounds of thrust
07:29you don't seem very pleased by my surprise oh but i am oh yes yes yes i am i'm i'm
07:34nuts about the idea
07:35uh but i don't want to get too excited i mean you're not transferring tomorrow anything
07:39are you not tomorrow but soon very soon oh that's wonderful oh here we go yes exactly on time
07:48you think you were a pilot the way everything's timed to the minute well everything has to be get
07:52the door but why well i'm a foreign correspondent we wouldn't want to miss one little minute of the
07:55time we have together because i have to work now would we huh you see of course i am now
07:59bertha you
08:00will look after mr bennett while i'm gone won't you i'll do my best but it's not easy
08:04that's enough bertha we're falling behind schedule we'll talk to you later that'll be a thrill
08:13come along vicky goodbye
08:15be good
08:31oh come on
08:39oh
08:42oh
08:43oh
08:43oh
08:43oh
08:43oh
08:44oh
08:45oh
09:03Lisa!
09:06Mr. Bernard Lawrence, telephone, please.
09:15Hello, Bernard Lawrence here.
09:17Mr. Lawrence, I have a telegram for you.
09:20Read it.
09:22Transfer Paris. Arriving this AM.
09:26Hotel space impossible.
09:28You can put me up.
09:30Signed, Robert Reed.
09:31Pierre, I never got the message.
09:34You never delivered the telegram.
09:36Understand?
09:38I don't understand, but I understand.
09:42Okay.
09:44Lisa!
09:47Exactly on time.
09:49I have to check out.
09:51Just five minutes, and then we'll be all cozy in our little Paris home.
09:55Wunderbar.
09:57Hurry up.
09:58Hurry.
10:20I still don't believe it.
10:42Oh, what's the matter, Bertha? Did we frighten you?
10:47This job keeps me too tired to get frightened.
10:50It's not easy, you know.
10:52Well, none of us get things easily.
10:57What do we have for lunch, Bertha?
10:59Well, I, I thought of souffle with some mushrooms.
11:02Oh, souffle.
11:03Souffle is for people mit our teeth.
11:06What we need is good, solid food.
11:09Knackwurst, sauerkraut, and heavy black bread.
11:12Have you any idea how long it took me to dream up that souffle?
11:16You don't get those things by rubbing two sticks together, you know.
11:19It often tastes like it.
11:20Well, now, girls...
11:21Hey, you have got the knackwurst, haven't you?
11:22Yes, but it's old.
11:24You haven't been here for three days.
11:26Three whole days.
11:28And nights.
11:29Good night.
11:29I'm gonna start this souffle.
11:32Oh, just a moment.
11:35I have to see that for myself.
11:39Brother!
11:46There's nothing wrong with this.
11:48You're right.
11:49Of course I am.
11:50If you can stand the smell, we'll have this.
11:55What's that?
11:58Um...
11:58Kidneys.
12:00Kidneys?
12:05Bernhard?
12:05Yeah?
12:06Who was here for breakfast?
12:08Breakfast?
12:08Yes.
12:09Here?
12:10That it's kidneys.
12:11Kidneys?
12:12You don't need kidneys.
12:13Me? Kidneys? I hate kidneys.
12:14Oh, kidneys!
12:16That was Robert Reed from Consolidated Press.
12:19He was here.
12:19He was here for breakfast?
12:20Yes, uh-huh.
12:21Oh, I thought you and he didn't get along.
12:23Well, professionally, you know.
12:25But, uh, you know how it is with rival newspaper men.
12:27Always bickering, always fighting.
12:28Oh, I thought he's in Berlin.
12:30Well, he was in Berlin, but then they transferred him now to Paris.
12:33Yes, that's it.
12:34And, uh, why are you asking me all these questions?
12:38Don't you trust me?
12:39Oh, I'm sorry, Liebling.
12:41No, no, no, no, no.
12:42You must think I'm terribly suspicious.
12:45Well, yeah.
12:47Yeah.
12:48Oh, I'll tell you what I'm going to do.
12:50What, Liebling?
12:50I'm going to take a bath and make myself all fresh and powdery for you.
12:56Oh, my Liebling.
13:00Miss Gleis.
13:01Miss Gleis.
13:02Uh, what does that mean?
13:03See you later.
13:04See you later, yes.
13:10Well, let's see.
13:16It's positively unnatural.
13:18What?
13:20Well, God didn't make us all the same way.
13:23That's all.
13:23What are you muttering about?
13:25I have to do her laundry every time she gets here.
13:29Well, you leave me alone.
13:30How can she get so dirty in only three days?
13:33It's not easy for me around here.
13:35You keep saying that.
13:36You get paid well enough, don't you?
13:38Yeah, but not enough.
13:39And I've been meaning to talk to you about that.
13:41Why don't you sit down?
13:43Last week, I worked 89 hours.
13:46I had my shoes resold twice.
13:48Twenty-two francs.
13:50Shh, shh, shh.
13:50Gotta do the laundry.
13:52I gotta remember who eats what.
13:54Who wears which lingerie.
13:56Who's going?
13:57Who's coming?
13:57You don't need a housekeeper around here.
13:59You need a UNIVAC machine.
14:01Look.
14:01I'm at Liebling.
14:02Yeah, yeah.
14:03I have a surprise for you.
14:05Yes?
14:05You can throw away my old schedule.
14:07The old schedule?
14:08Well, how will I count the minutes until we're back together again?
14:10On the new schedule.
14:11What?
14:12What new schedule?
14:13I'm going to be transferred to the new Intercontinental Jet.
14:16It's a super Boeing with a cruising speed of Mach 0.88.
14:20Mach 0.88.
14:22Terrific.
14:22Four Rolls Royce jets, each one with 21,000 pounds of thrust.
14:27I'll be home much more often.
14:29That'll bend the schedule.
14:34Well, when is, when is this going to happen?
14:37As soon as the new plane is delivered.
14:39Uh-huh.
14:39Isn't it wonderful?
14:40Yes, it's wonderful.
14:44Bis gleich.
14:45Bis gleich.
14:55Mach 843, 21,000 pounds of thrust.
15:01Hello?
15:01Vicki!
15:02But where are you?
15:03At the airport?
15:05They delivered the VC-10.
15:06They sent a car out to the runway and took me off my plane so I can go on the
15:09new one.
15:10Me.
15:10Isn't that marvelous?
15:11Well, marvelous.
15:12I'm coming right home.
15:14They'll call me when the flight's ready.
15:15Well, but don't come home.
15:16No, no, don't come home.
15:17You stay there.
15:18I'll come out to the airport.
15:20Liebling!
15:26Who were you shouting at?
15:28Bertha.
15:29Did you call me, sir?
15:30No, I thought of you.
15:33Oh, I've got to go to the airport, do a story.
15:35Yes, the British Embassy, you know.
15:38And would you tell FrÀulein Lisa for me that I'm out at the...
15:40That's FrÀulein Lisa.
15:42Oh, of course it is.
15:42Who else would it be?
15:43Hi.
15:44I've got to go out to the airport, the British ambassador.
15:46Oh, you just said that.
15:47Are you all right?
15:48You look pale.
15:49No, I'm...
15:49Uh, Berta, I'll get him a glass of schnapps.
15:51No, no, no, I'm fine, fine, fine.
15:53Uh, he's just excited, miss.
15:55He's beginning to realize what these new schedules are gonna do for him.
15:59Well, that's it.
16:00That's obviously what excited me.
16:01Bertha, you're brilliant.
16:02Yeah, I know.
16:03If it's so obvious, I don't see why it's brilliant.
16:06Well, it's brilliant because Bertha thought of it.
16:08I mean, there was this obvious fact staring me right in the face,
16:10and I didn't even see it, but Bertha did.
16:12Why, it's brilliant by comparison.
16:15I'm leaving.
16:17You'll be back soon?
16:18As soon as I can.
16:19You know the newspaper business.
16:21Hurry.
16:22Auf Wiedersehen.
16:25He's just like a big kid, isn't he?
16:28Yeah.
16:29Dead-end kid.
16:32Dead-end kid.
16:35Dead-end kid.
16:38Dead-end kid.
16:41Dead-end kid.
16:44Dead-end kid.
16:47Dead-end kid.
16:48Dead-end kid.
16:49Dead-end kid.
16:50Dead-end kid.
16:50Dead-end kid.
16:50Dead-end kid.
16:51Dead-end kid.
16:51Dead-end kid.
16:53Dead-end kid.
16:54Dead-end kid.
16:57Dead-end kid.
17:03Have you seen the geese?
17:05She said to tell you she'd gone up to the coffee bar.
17:33Ah, well, where's Vicki?
17:36Yes, of course.
17:37Yes.
17:38She came up and asked me to tell you.
17:49She's gone downstairs.
17:50Take a taxi.
17:50Taxi.
17:51Taxi.
17:51Taxi.
17:56Taxi.
17:58Taxi.
17:58That gentleman you were speaking to, wasn't that Bernard Lawrence?
18:02Yes, you know him?
18:03Yes, he's an old friend.
18:05Oh, a remarkable man.
18:06Enormous amount of energy.
18:08I see you know him pretty well yourself.
18:11Well, thank you.
18:28I see you.
18:34Vicki!
18:35Vicki!
18:39I won't wait!
18:48Bernard, what are you doing here?
18:50Your phone went out of order.
18:51Isn't it wonderful about the BC-10?
18:53Wonderful.
18:53Come on, we can be home in 20 minutes.
18:54No, no, no.
18:55I came here to be with you.
18:56Well, that was very sweet of you, darling.
18:57But now we can really be together.
18:59Well, no, we can't.
18:59You see, I have to cover a story.
19:02Yes, I'm covering a story about a new airplane.
19:04Famous foreign correspondent covering a story about a new airplane.
19:07Well, you see, I knew you were going to be here alone.
19:09And in order to be able to do that, I have to cover the story about a new airplane.
19:12So, you see, we've got to stay here.
19:14I'm very disappointed.
19:15Oh, don't be.
19:16Next time we'll be together twice as long.
19:17Come on.
19:181,2,3,4
19:221,2,3,4
19:251,2,3,4
19:281,2,3,4
19:311,2,3,4
19:351,2,1,2,1, Halt
19:38The third exercise is to put your hands on the left leg.
19:41The upper body will turn on the right leg.
19:45Now lift the right leg.
19:48That will give you nice hands.
19:50Don't be tired.
19:51You have to work.
19:54Oh, yeah.
19:56Yeah.
19:58Just tell the driver to honk the horn.
20:01Auf Wiedersehen.
20:04Bertha!
20:07Bertha!
20:09Cancel the knackwurst.
20:10They delivered the new superboy and I'm going to be on it.
20:14Wunderbar.
20:15Have to go back to the airport.
20:18We're gonna miss you.
20:28Now, to be absolutely certain, you leave Accra tomorrow, right?
20:33Right.
20:34And you're back in Paris at 1845 Thursday evening, right?
20:37No.
20:38Wednesday midnight.
20:39This is the VC-10.
20:40It cuts ours.
20:41Oh.
20:42Orange juice, please.
20:43TrĂšs bien, madame.
20:44Vodka martinis.
20:44C'est bon, monsieur.
20:47I wish you wouldn't do that.
20:48Makes me feel as though you're always squeezing me in.
20:50Well, my love, I have to arrange my schedule.
20:52You wouldn't want me to be busy on an assignment when you get back now, would you?
20:55Huh?
20:56Speaking of assignments, the new planes in the hangar, I don't see how you can cover this story from a
21:01bar.
21:01That statement, young lady, is a knife in the back of every newspaper man in the world.
21:05Oh, no.
21:06Oh, yeah.
21:07It's me, Robert.
21:07Hi, Bernard.
21:08Hi.
21:08We were talking about you this morning.
21:10Oh, we were?
21:10Well, no, no.
21:12Bertha and I were, yeah.
21:13We were saying how wonderful you were doing in Berlin.
21:15Are you going back?
21:16Oh, no.
21:16I've been reassigned to Paris.
21:17Didn't you get my Wyatt?
21:18No.
21:19Oh.
21:21Anything interesting happening in Paris?
21:23Uh, nothing.
21:23Just routine stuff.
21:25Been hibernating.
21:26Uh-huh.
21:27Like a bear.
21:28And I take it this is Mama Bear?
21:30Uh, Miss Vicki Hawkins, British United, Robert Reed, Consolidated Press.
21:36Nice to meet you.
21:36Won't you sit down?
21:37Won't I be intruding?
21:38No.
21:39Oh, thank you.
21:39I will.
21:42Let's see.
21:43Comfortable?
21:46Oh, uh, s'il vous plait, uh, donnez-moi un vodka martini trĂšs sec.
21:51TrĂšs sec, monsieur.
21:52Oui.
21:55Tell me, have you, uh, known Bernard Long?
21:58He doesn't know.
22:00He doesn't know what?
22:01That I'm your fiancée.
22:03You are?
22:03Oh, yes, of course.
22:04You are my fiancée.
22:06Delighted.
22:07I'm so lucky to have a man like Bernard all to myself.
22:09Don't you think?
22:10Oh, absolutely.
22:12What's that?
22:15Oh, that's our new VC-10 I was telling you about.
22:17We're starting it today because of Lufthansa's Super Boeing.
22:20Lufthansa?
22:21Today?
22:22I don't see how you can write a story about airplanes when you don't know anything about
22:26what you're writing.
22:27Oh, that never stopped a good newspaper, man.
22:31TrĂšs sec, monsieur.
22:32Merci beaucoup.
22:33You know you're the first friend of Bernard's I've ever met?
22:35He's so secretive.
22:37Yes, I know.
22:38He's even concealed you from me.
22:39Do you know that I've never ever known where he's lived in Paris?
22:41We have a marvelous apartment.
22:43It's a slum.
22:43Is it big?
22:44Enormous.
22:44Very small.
22:45You've got to put me up for a couple of days, Bernard.
22:47I mean, every decent hotel in Paris is loaded.
22:49You know, what with the tourists and everything?
22:50Go stay at the YMCA.
22:52Nonsense.
22:52You can come to our place.
22:53You can keep Bernard company while I'm away.
22:55No.
22:55He gets very lonely.
22:56I accept.
22:57Will the crew of British United Flight number 237 please check with operations?
23:05Oh, oh.
23:05Oh, please don't get home.
23:06You see, now where would we have been if we'd gone back to the apartment?
23:09Where indeed?
23:10You're right as always.
23:11He's a genius, you know.
23:12I heard.
23:13Bye-bye.
23:14No, you stay here with your friend.
23:16I'll come back and say goodbye if we're going straight out.
23:18Will the crew of British United Flight number 237 please check with operations?
23:25Do you know how lucky you are?
23:26I guarantee you I do.
23:28If I could only find a girl like that.
23:30You're going to the YMCA.
23:32I'll find one there.
23:34You're not gonna look in my apartment.
23:35But this is your fiancée.
23:37This is different.
23:37Robert, the last time I saw you was in Casablanca.
23:41I lost a story, two flamenco dancers, and a case of whiskey.
23:45I suppose that was different too.
23:46Uh, did you see Baden Hutt?
23:48Yeah.
23:52What?
23:53What are you doing?
23:54Shh!
23:55You don't have to laugh it up.
23:56He'll bring you another one.
23:57There he is!
23:59Oh, how so am I sleeping.
24:01I dropped my watch.
24:02I'm so happy I found you.
24:04Oh, and you must be the friend from breakfast.
24:06Yes.
24:07Uh, yes.
24:08Uh, breakfast?
24:09Oh, you are not Mr. Reid from Berlin who had the English breakfast with Bernhard this morning?
24:15Uh...
24:15Oh!
24:16Oh, the English breakfast.
24:17Yes, of course.
24:18And those English kippers are just marvelous.
24:21Kidneys.
24:21I mean kidneys.
24:23I always confuse kippers and kidneys.
24:25But I'm not Mr. Reid.
24:26You can call me Robert.
24:27I'm Lisa.
24:28Uh, Lisa?
24:29Yeah, but you seem not to know me.
24:31Uh...
24:32Should I?
24:33Well, it's Bernhard's friend.
24:35Be-be-be.
24:35Of course he knows you.
24:36He knows all about you.
24:38He knows I'm your fiancé?
24:40Oh, yes, fiancé!
24:42Uh, certainly.
24:43He does nothing but talk about you.
24:44He's completely obsessed with you.
24:47Uh, uh, what?
24:48What are you doing here?
24:49Operations phone.
24:50I've just been promoted to the new superjet.
24:52Congratulations.
24:53We're going out immediately.
24:55Uh, well, that's why I'm here.
24:56You know, I waited for you here.
24:57I knew you were coming back to the airport.
24:58He anticipates everything.
25:01He really is a genius.
25:04Well, I'm off.
25:06Don't get up.
25:10Well, darling, I have to go back to Frankfurt,
25:12London, Montreal, and back to Paris.
25:15Uh, uh, and when do you plan to be back in Paris?
25:17Day after tomorrow.
25:18Day after tomorrow?
25:19At what hour?
25:20Uh, 2100.
25:212100, huh?
25:21He hates confusion so much.
25:24Don't you, Liebling?
25:24Yes, I do.
25:25He's just a slave to my schedule.
25:28Mm.
25:29Mm.
25:29Oh, excuses.
25:31Excuse me, yeah.
25:33Bye-bye.
25:33Bye-bye.
25:34Bye-bye.
25:35Have a nice trip, Liebling.
25:37Bye-bye.
25:38Bye-bye.
25:45Bye-bye.
25:46You know, you're pretty lucky.
25:47And you're getting luckier every minute.
25:50Well, you know how it is with these girls,
25:52flying around the world, Karachi, cartoon, Caracas.
25:54I know, I know.
25:55Yeah.
25:56And I know that tone of voice from the past,
25:58so leave it alone.
26:00I wouldn't touch it for the world,
26:01not even the slightest push.
26:03Take off in 15 minutes.
26:04Don't get up.
26:05Again, don't get up.
26:07See you at midnight, darling.
26:09It's midnight.
26:10Midnight?
26:10Midnight?
26:11When I'm flying, I go to the galley
26:13and look out of the porthole at the moon,
26:15at exactly midnight.
26:16And Bernard looks up out of his bed at the same time.
26:19So, you see, we're together even when we're both alone.
26:22Because we're both looking at the very same moon.
26:26That's cute.
26:28Vicky's very imaginative.
26:30It's delightful.
26:31Excuse us.
26:32Would you excuse me?
26:33Should I leave?
26:34Oh, no.
26:34No, no.
26:35No, no.
26:46On course, he will play.
26:49Goodbye.
26:50Goodbye.
26:51Cheerio.
27:03I can't wait to see your apartment.
27:06You never will.
27:08Oh, why not?
27:08We can double date you and Vicky and me and Lufthansa.
27:11You're going to a hotel.
27:13Then I'll miss Lufthansa and so will you when I tell her about Vicky.
27:16You wouldn't.
27:18I would if you forced me to go to a hotel.
27:22Yeah.
27:22All right.
27:2656th Avenue de Lorraine.
27:28See Bertha, my housekeeper.
27:31I've got to go back to the office.
27:32I don't know when he finds time to work at all.
27:35Problem, monsieur?
27:37Nothing.
27:38It was just...
27:40That's outrageous.
27:41I wouldn't pay it if I were you.
27:42You're right.
27:43I won't.
27:47Give me a big mouth.
28:04Bertha?
28:05Monsieur.
28:06Je suis son ami de monsieur Laurence.
28:10What?
28:11Je suis son ami de monsieur Laurence.
28:15I'm an American.
28:17Oh.
28:18I'm Mr. Laurence's houseguest for a couple of days.
28:21He a guest, too?
28:23Oh, no.
28:23He's a cab driver.
28:25Oh.
28:26Did you bring your family with you?
28:28Oh, no.
28:29I'm a bachelor.
28:30So is Mr. Laurence.
28:31Yes, I know.
28:32I'm Robert Reed.
28:34Oh, the breakfast one.
28:37Everyone seems to be preoccupied with my breakfast.
28:40Mr. Laurence didn't say anything about you coming to stay.
28:44Oh, well, you know how he is forgetful.
28:46Mr. Laurence can't afford to forget anything.
28:49Uh-huh.
28:50What room did he say you could stay in?
28:52Did he say what room?
28:54He wouldn't tell you.
28:55I mean, I think he left it up to you.
28:57Oh.
28:59Well, this is the guest room, and this is the bathroom.
29:03Yeah.
29:03And this is, uh, uh, well, and this is his bedroom, and this is the spare room.
29:09It's kind of like a dormitory here.
29:11You don't know the half of it.
29:13Oh.
29:14Uh, may I sit down?
29:15Oh, certainly.
29:16Thank you very much.
29:18It's all right.
29:18You're, uh, you're a guest around here, you say.
29:23Uh, I kind of get the idea that you're not happy about it.
29:27Well, it's another mouth to feed, and it's another soul to keep track of,
29:31but I'm not very strong, you know.
29:33I took this job because my doctor said I should avoid excitement.
29:38Um, are you used to a varied diet?
29:42Well, I have the broadest tastes.
29:44Oh, another one.
29:46I, uh, I kind of think I know what you must go through.
29:49Uh, no, you don't.
29:51But it's, uh, nice to find a young man with some consideration.
29:56So, you go in the guest room and rest up,
29:58and I'll go out in the kitchen and get you a nice cold drink.
30:01Uh, uh, Mr. Reed.
30:03Yes.
30:03Uh, you forgot something.
30:06I'm sorry.
30:08Uh, merci.
30:10Uh...
30:10Ăa va.
30:22Oh, bah.
30:23Oh, bah.
30:40Uh...
30:40Pierre, when the story comes in off the wire,
30:42I want you to translate it for me in the next ten minutes.
30:44What's the hurry, Mr. Lawrence?
30:46Why not sepple leisurely aperitif?
30:48Uh, are you going to cut out the usual dialogue,
30:50or do I get someone else, huh?
30:52If you choose, you do not engage me primarily for my linguistic service.
30:56Yes.
30:57As we both know.
30:59By the way, I have for you a lovely thing from the Far East.
31:02Uh, some other time, Pierre. What's going on in the office, huh?
31:05Oh, uh, you're up for a promotion.
31:08What?
31:09They intend to put you in charge of the New York office.
31:11New York? Oh, no. Are you sure?
31:13To get into the personnel files was not easy.
31:17It cost me 100 francs.
31:19Yeah, of my money.
31:20But I don't want to be promoted out of Paris.
31:22Of course not.
31:23Did Adam want to leave the Garden of Eden?
31:26Translate, will you?
31:27As you wish, as you wish, as you wish.
31:54I don't believe we've met.
31:56You're not Bernard?
31:59How dare you?
32:02Oh, well, I was just sitting here minding my own business.
32:04But what are you doing in my apartment?
32:08Your apartment?
32:09My name's Bernard. Well?
32:12Oh, well, I'm terribly sorry. I didn't mean to take advantage of you.
32:16It's just that I was expecting Bernard.
32:18You were expecting Bernard to kiss you?
32:21No, no, of course not. No, no.
32:23Well, this was so delicious, I just hope you'll forgive me.
32:28I'm Bernard's guest. My name is Robert Reed.
32:30And I am Jacqueline Grilleux.
32:32How do you do?
32:33Please sit down.
32:36You seem not to know me. Has not Bernard told you about me?
32:40Oh, oh, yes. Oh, absolutely.
32:42Of course. He talks about nothing else.
32:45That's all he talks about is Jacqueline this and Jacqueline that,
32:48here a Jacqueline, there a Jacqueline, everywhere.
32:50You are his fiancée.
32:51Yes.
32:52I thought you would be.
32:53And you are an old friend. I never know. He's so secretive.
32:58Yes, and I can't imagine why, Miss Grilleux.
33:00Oh, because you and Bernard are old friends.
33:02You may call me Jacqueline.
33:04Oh, well, thank you. And you must call me Robert.
33:07How do you do?
33:08Glad to know you.
33:10Sit down.
33:12Sit down again.
33:13Yes.
33:15You know, he's terribly jealous.
33:17You won't say anything to him about my kissing you.
33:20Oh, no, I forgot about it already.
33:21You have?
33:22Well, it was so sudden without warning.
33:24If there had been a warning, there would not have been any kiss.
33:28Exactly.
33:29Without anticipation, a kiss is nothing.
33:31Actually, you know, I could easily forget not to remember a kiss that meant nothing.
33:36But a kiss that meant something, that I could remember to forget.
33:40There is something fuzzy about that logic.
33:43No, not at all.
33:44An honest, meaningful kiss would ensure my complete silence and absolute discretion.
33:51You want me to kiss you again as a bribe?
33:55No, as a kiss.
33:56A little kiss.
33:58But I could not.
33:59I would never forgive myself.
34:01But it's just to help you and Bernard.
34:04I don't understand that.
34:06Well, you're his fiancée and I'm his dearest friend.
34:08We must protect him from any misunderstanding.
34:11Newspapermen, they're in heat all the time.
34:14Ah, Berta.
34:16Are we having my souffle tonight for dinner?
34:18Right now, that's the plan.
34:20Ah, thank you. Let me take this.
34:22Where are you going, Jacqueline?
34:23To my room, to wait for Bernard.
34:27Please.
34:29I, uh, I thought I would be a gentleman and open the door for her.
34:37Oh.
34:51Don't ask.
34:52Oh, I was just going to ask if you were through with what you were doing.
34:56And you're going to hang around here.
34:58Fine.
34:59Well, then, uh, I might as well just go and lie down a while.
35:03I get tired during the day, you know.
35:06A little nap never hurts.
35:08But thanks, Berta.
35:08Uh, I'll just lie down.
35:13Mm-hmm.
35:14And I'll, I'll wake myself up.
35:16Mm-hmm.
35:16Mm-hmm.
35:37Jacqueline, can you hear me?
35:38Go away.
35:40But what's one little kiss?
35:42Go away.
35:44I just want one little kiss I can expect, and I promise I'll say nothing to Bernard.
35:50All right.
35:51Get ready.
35:58Well?
36:06Robert!
36:07Jacqueline!
36:09Bertha!
36:10What's going on here?
36:11Jacqueline!
36:12You're early.
36:13Why are you yelling?
36:14Am I yelling?
36:15Well, of course I'm yelling.
36:16I've got every right to yell.
36:17I wanted to explain to Robert.
36:19Uh, Jacqueline already explained.
36:21Oh, she did, huh?
36:22Oh, well, then everything is fine.
36:23Then why don't we all have a drink?
36:24Yes, good.
36:25Uh, did, uh, Bertha unpack your bags?
36:27Yes, uh, I'm...
36:28Wonderful.
36:28Oh, what are we going to have for dinner?
36:30Don't you worry.
36:30I'll go see what we're going to have for dinner.
36:32Where's Bertha?
36:32I'm here.
36:33Oh, good, good, good.
36:35Yeah, that's fine.
36:35It's a funny life, being a maid around here.
36:38Yes.
36:39Yes.
36:42Oh, there you are.
36:43Are you all right?
36:44Yes, I'm fine, fine.
36:45Just a little hyperactive.
36:47Uh, excuse me?
36:53Somehow, I never get to answer the phone around here.
36:56Well, it, uh, it might be somebody who only speaks French.
36:59But I speak French.
37:02Well, it, uh, it might be the butcher.
37:04He only speaks German.
37:06Hello?
37:08It's the butcher.
37:10Well, I'm going to get ready for my bath.
37:17It wasn't the butcher.
37:18It was the Lufthansa from Frankfurt.
37:20What, what, what did she say?
37:21Hello, Liebling.
37:23Oh, you.
37:24There's something I want to tell you.
37:26Yes, what is it?
37:28I forget.
37:28It'll come to me.
37:33Hello?
37:34It's Harrigan, the Fraulein D cup.
37:37Give me the phone.
37:40Oh, hello.
37:41What?
37:42What?
37:42No, it's laryngitis.
37:44Oh, yes, it came on very quickly.
37:45Mm-hmm.
37:46But that's very sweet of you to say, my Liebling.
37:48Well, of course, I can say it.
37:51Well, right now?
37:53Uh, ich liebe dich, too.
37:58No, no.
37:59Don't call me from Montreal.
38:00It's too expensive.
38:01Yes, but you have a good trip.
38:03Auf Wiedersehen.
38:04Bye.
38:05You'll need this.
38:10Yes, what is it?
38:13Nothing.
38:14Nothing, you.
38:18Was that the telephone again?
38:19Yes.
38:20Why are you whispering?
38:22Am I whispering?
38:23It's laryngitis.
38:24I'm not whispering, no.
38:25It was not for me?
38:26No, no, no.
38:27No.
38:27Are you expecting a phone call?
38:28They might call from the airport.
38:31They are changing schedules
38:32because of our new fast plane,
38:34the Ultra Caravelle.
38:36Oh.
38:36And, uh,
38:38and they want you to be one of the hostesses on it, right?
38:40How did you know?
38:42Hmm.
38:42Well, it was obvious,
38:44but they haven't changed your schedule yet.
38:45No, except we are going one hour later tomorrow morning.
38:48One hour later?
38:4911.30 instead of 10.30.
38:51Hmm.
38:52Good.
38:52Why do you say good?
38:54Oh, did I say good?
38:55Uh-huh.
38:56Yeah, you did.
38:56I heard it.
38:57Well, I said good because it's going to give us
38:58an extra hour in the morning.
39:00Oh, you are so sweet.
39:02Mm-hmm.
39:02Yes, yes.
39:03Who was it then?
39:05Uh, who was who?
39:05On the telephone.
39:07It was not another woman, was it?
39:09Another woman?
39:10Are you kidding?
39:11You marvelous little French pussycat.
39:14Another woman indeed.
39:17Another woman.
39:19Well, who was it?
39:21Uh, it was a, uh, a wrong number.
39:24Some lunatic was on the phone.
39:27What is this?
39:28Hmm?
39:29What's what?
39:30This letter.
39:31It has an English stamp on it.
39:33Vodka fingers.
39:36It's addressed to someone named Victoria Hawkins.
39:40That's Hawkins.
39:41That's enough.
39:42Huh?
39:43Uh, well, it's obviously not me.
39:45No, he's not Victoria Hawkins.
39:48Obviously.
39:49Well, what is he doing here?
39:50Well, uh, well, you know how they are down at the post office.
39:54No.
39:54How are they?
39:55I just remembered.
39:57Well, what?
39:57What I wanted to tell you.
39:58Yes, what is it?
39:59Huh?
40:00Uh, uh, uh, dinner's almost very.
40:03All right.
40:03Thank you, Bertha.
40:04Now, tell me something.
40:06What is this?
40:07Uh, uh, it's a letter.
40:08I can see that.
40:10But it's addressed to a Miss Victoria Hawkins.
40:13Do you know her?
40:14Never heard of her.
40:15She sounds like some kind of a foreigner.
40:17It's a foreigner.
40:18Well, what is he doing here?
40:19I, uh, uh, uh.
40:22Oh, that old idiot downstairs, you know, the consular.
40:26Yeah, the idiot.
40:26He said that I took this letter.
40:28It belonged to somebody else on the block.
40:30That's my mistake.
40:31Yeah, you see, there's always a logical explanation for everything.
40:34My mistake, Caroline.
40:36Uh, mademoiselle.
40:37Uh, that's all right, Bertha.
40:40Uh, we're only human.
40:42Yeah.
40:43Some of us, anyway.
40:45Ah, sweet person.
40:47I'm sorry, darling.
40:49You must think I am terribly suspicious.
40:51Well, you are a little bit.
40:53I will be out soon, all fresh and powdery for you.
40:58Fresh and powdery.
41:12What are you doing?
41:15Changing over.
41:16You don't want Air France wearing Lufthansa's underwear, do you?
41:18No, I do.
41:19She'd get lost in it.
41:24I'm tired.
41:25Now, why should you be tired?
41:28I suppose you think I've got nothing on my mind but women.
41:31Right?
41:31Why not?
41:32With a layout like this, what else would you have on your mind?
41:34Remember the time you covered that Suez thing?
41:36Yeah.
41:36You had these four dames, an Israeli machine gunner, the Arabian masseuse.
41:40Wait a minute.
41:41They weren't all stacked up over the field waiting to come in.
41:44Well, I admit that today is a bit unusual.
41:47Unusual?
41:47Bernard, I don't like to pry, but you are engaged to all these girls, right?
41:51Yes.
41:54And they all have the idea of getting married, right?
41:57Of course they do.
41:58I mean, how else do you think polygamy works?
42:01But isn't that a little risky?
42:02Plus the fact it's against the law.
42:04You know, three wives, I mean...
42:06Just a minute.
42:06Wait a minute.
42:07Who said anything about wives?
42:09They're fiancés, and that's the way they're going to stay.
42:12That way, I have all the advantages of married life without any of its inconveniences.
42:16Do you understand?
42:17And besides, fiancés are a lot friendlier than wives.
42:22You're kidding.
42:23Now, three is the perfect number.
42:25Less would be monotonous.
42:27More would be terribly tiring.
42:30Three is just ideal.
42:31But it's immoral.
42:33Immoral?
42:34All three think they're the only one.
42:36Now, if they don't think it's immoral, why should I?
42:38I tell you, it's the only way to live.
42:39Yeah, but isn't it just a little complicated?
42:41No.
42:41All you need is a timetable.
42:42I'll bet you do.
42:43No, not what you think.
42:44An airline's timetable.
42:46Oh, to get away in a hurry.
42:48Come here, I'll show you.
42:50Here's a timetable for all the major airlines in the whole world, all in one volume.
42:55One volume.
42:56You understand now, don't you?
42:57Yes.
42:58You really don't, do you?
42:59No.
43:00Let me see.
43:01Let me put it this way.
43:03Each one of my fiancés has been recruited from the different air personnel.
43:06Each is an airline hostess.
43:08And very beautiful.
43:10They've been tried and tested.
43:12Ah, you know, the entrance exam to these major airlines is very difficult.
43:15They have to be healthy, good at cooking, witty, friendly.
43:19Friendly.
43:19I understand it from your point of view, but what do the girls get out of it?
43:24What do they get out of it?
43:25They get security out of it.
43:26I mean, flying around like that, it's good for them to know that there's someone down below
43:29that they can come home to.
43:30There's not enough people down below to go around, huh?
43:33Well, they happen to be in love with me.
43:34That's nice.
43:37Well, I take my hat off to you, but I must admit, I don't think it's going to last.
43:41You don't, huh?
43:41Uh-uh.
43:42Sit down.
43:43Yeah, please.
43:44All right.
43:46You don't, huh?
43:47Look at this.
43:50Lisa will be arriving in Montreal this evening.
43:52Jacqueline, who leaves tomorrow morning, will be arriving in Tokyo.
43:55And Vicky, by this time, will be between Lisbon and home.
43:58So, you see, my fiancés wheel around the earth, one towards the sun, one towards the moon.
44:04And they all eventually, in turn, come back to me.
44:07It's geometrical.
44:08It's poetic.
44:10Sort of like one up, one down, one pending, huh?
44:13Mm-hmm.
44:14Yeah, you might say that.
44:16Well, old friend, now that you know everything, you understand why it's important that you find
44:21your own place.
44:22Because your presence here makes it highly complicated.
44:25You know, now that I realize how remarkably uncomplicated you've made everything, I just
44:31wouldn't trust myself staying anywhere else.
44:33Oh, I never thought you'd stoop to blackmail.
44:36Oh, don't call it that.
44:38No, say admiration.
44:40Envy, maybe.
44:41And something else.
44:42A deep-seated curiosity.
44:44Because now that I've heard, I can't wait to see your geometrical poetry come unglued at
44:50the scene.
44:50Look, nothing's going to happen unless you make it happen.
44:53You breathe one word.
44:54You open your mouth once.
44:56Wait a minute.
44:56I will protect this setup as though it were my very own.
44:59Yeah, but that's what I'm afraid of.
45:01Bernard, we've had our differences over the years, but I do recognize genius when I see
45:06it.
45:08You can trust me.
45:11You call for a translator, Monsieur Reed.
45:13I am Pierre.
45:14Ah, your fame precedes you, Pierre.
45:16Oh, I'm known in Berlin.
45:17Oh, in the newspaper fraternity, you have the reputation of a man with simple taste, money.
45:23Do you know Bernard Lawrence of International Press?
45:53I seem to have heard the name.
45:55I don't know, Pierre.
45:55What's the source of supply?
45:57I mean, there must be some kind of a pool or a specific restaurant or a certain someone
46:01with the right contacts.
46:33I do not know, Monsieur.
46:33Oh, thank you.
46:34I have to be going.
46:35Just get the information.
46:37At once, sir.
46:38May I use the telephone?
46:39Certainly.
46:40Go right ahead.
46:53Monsieur Lawrence?
46:54He's just leaving.
46:56I'm going to follow him.
46:58Don't excite yourself.
46:59I'm going to follow him.
47:37Oh, hi, Bertha.
47:39Well, Mr. Reed.
47:40I see Air France is flown.
47:41Who's up next?
47:42Uh, I mean, uh, what lady?
47:44I know what you mean.
47:46British United.
47:47It's due in after midnight.
47:49After midnight, huh?
47:51Poor Bertha.
47:52You've put in a pretty big day.
47:54Uh, I'm curious, Bertha.
47:56Do you get here around dawn?
47:58I sleep here.
47:59I don't know.
47:59You two?
48:00I mean, you do?
48:02Uh, where?
48:03In the back.
48:04You wouldn't believe what it's like.
48:07Yes, I would.
48:08Uh, you know, Bertha, Mr. Lawrence means well, but he's so involved with all his work and
48:13everything.
48:13And I feel a little guilty.
48:14I hope I'm not too much of an inconvenience for you.
48:16Oh, well, I...
48:17I mean, I know what you go through with all of the confusion and the changing.
48:21And I remember what you told me.
48:23You're not very strong.
48:24No.
48:25Underneath, I'm very delicate.
48:27And you have a very spiritual face, Bertha.
48:30I don't know how I keep up.
48:33Because you're loyal.
48:35Because of finer feelings.
48:38And no matter what, honor.
48:40And I'm not a complainer.
48:42Of course you're not.
48:43Anyone could see that.
48:45Bertha, why don't you sit down?
48:46I hate to sit when that lady is standing.
48:49We'll be here, sir?
48:50Why, of course.
48:51We're in France.
48:52E pluribus unum.
48:55Sit down, Bertha.
48:56Have a cigarette with me.
48:57Oh, I'd rather have a drink.
48:59Oh.
49:00All right.
49:01I'll catch you a while.
49:04Now, Mr. Lawrence, as smart as he is, doesn't realize what he has here.
49:08Now, take me.
49:09I came to Paris to find an apartment just such as this.
49:12With a housekeeper.
49:14At the highest salary.
49:15Who would make some elegant meals.
49:17Well-planned in advance.
49:19With no changing menus.
49:21No constant adjustments.
49:24And tolerant.
49:26And she must understand that a man, a bachelor such as myself, is after all a man.
49:32And possibly a discreet relationship.
49:36One discreet relationship.
49:38Uh, with possibly a countess.
49:40Or an older woman of quality.
49:43Quality instead of quantity.
49:45Huh, Mr. Reed?
49:46That's the idea.
49:48And I just thought, Bertha, possibly you could help me find such a woman.
49:52A countess?
49:52A housekeeper.
49:56Who could that be?
49:57No one's scheduled at this time.
49:59Probably the police.
49:59I've been expecting them for months.
50:01Well, I don't understand it because...
50:03Oh, Lisa!
50:04Surprise!
50:05Nice to see you.
50:06Uh, Lisa, that's strange.
50:08Uh, we didn't expect you back until tomorrow.
50:11Uh, let me take that for you.
50:12He talks just like my Bernhardt.
50:15He always has to know the minute I touch down.
50:18What do we have to eat?
50:19Well, I'll, I'll get out the knockwurst.
50:21Uh, she'll get some knockwurst out.
50:22Uh, that's funny.
50:23We thought you would be in Montreal.
50:25Oh, that's a surprise.
50:26They turned right around and flew back.
50:28We set a two-way record.
50:30Won't Bernhardt be delighted?
50:32Hysterical.
50:42.
50:43Stupid....
50:51231 br series.
50:53.
50:55.
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