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The Girl Who Inspired His First Obsession (2026) - Full Movie HD 1080P
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00:00:00Yes, I actually made it into Helgi's private auction. Oh, my stuff
00:00:07Helgi is a scandalous billionaire artist who hides his face. I'd love to know what he looks like
00:00:13But you're just a broke student Freya. Stop dreaming
00:00:21Interesting, who are you miss?
00:00:24The VIP guests are here with the staff
00:00:30No, no, I'm sorry. I'm not a waitress. I'm Freya Davis. I'm working on my master's thesis and you accredited
00:00:38me yourself
00:00:39You'd better not get on my nerves
00:00:46Ladies and gentlemen, I present to you the latest masterpiece by Helgi
00:00:54The highest talent living artist
00:00:58Setting price three million dollars and then something happened that no one expected
00:01:06And it changed my life forever. Oh, no, I ruined a Helgi painting
00:01:12William
00:01:13I'm stepping pieces on the page
00:01:15I'm trying to get 20 seconds
00:01:17Go away
00:01:20I don't
00:01:29Are you hurt?
00:01:31Wait, do I know him?
00:01:33I don't know him
00:01:38I don't know him
00:01:39It's okay
00:01:40No, no, no
00:01:43Yeah, it's okay. Look at me
00:01:46First, brush your lips like this
00:01:56Take a deep breath.
00:02:00Okay, let's try something else.
00:02:03Close your eyes.
00:02:15I'm going to come back in for your body.
00:02:17Why does it feel so good?
00:02:20I want more than that.
00:02:25I remember you.
00:02:27You're that psychologist.
00:02:29The one from television.
00:02:32Right?
00:02:34This is the insurance report.
00:02:36The wine soaked into a canvas.
00:02:38The damage is five million dollars.
00:02:42Bring this girl to me.
00:02:43I want to see her now.
00:02:47It's him.
00:02:48Him?
00:02:49He wants to see.
00:02:51So I'm meeting Helby right after I ruined his painting?
00:03:03Is anybody here?
00:03:11Don't turn around.
00:03:14Such a good girl.
00:03:16If you only knew what I'm thinking right now, you'd run.
00:03:20But you don't have a chance anymore, Angel.
00:03:22Because soon, you're going to be mine.
00:03:27Are you that scary of publicity?
00:03:32Put both your hands together behind you.
00:03:35But why?
00:03:36Too many questions for you.
00:03:39Do you know my name?
00:03:41I have the guest list.
00:03:44Hands.
00:03:49Why are you doing that?
00:03:51So you don't get the urge to take off the blindfold.
00:03:54That's all.
00:03:58God, she's breathtaking.
00:04:00I can feel her trembling.
00:04:03Don't worry, Angel.
00:04:04I'll be gentle.
00:04:06You are shaking.
00:04:10Why are you so scared?
00:04:12Are you kidding?
00:04:14I already have to do that.
00:04:16And now I owe five million for the painting.
00:04:19I have no idea where I'll get that kind of money.
00:04:25You couldn't sell something?
00:04:30I don't have an apartment or diamonds.
00:04:35What should I sell?
00:04:40What about your virginity?
00:04:47So, what do you think about the idea of selling your virginity?
00:04:51What the hell do you think you are doing?
00:04:53You're pervert.
00:04:55And what makes you think that I'm a virgin?
00:04:58Because of your dress.
00:05:01Quite modest.
00:05:03Even in the knee you seem to feel too exposed.
00:05:07As if you were apologizing for your sexuality.
00:05:15To grab you.
00:05:16To grab you.
00:05:18Slide a hand.
00:05:21Between your thighs.
00:05:24Push you against the table.
00:05:30Lift.
00:05:39And take you very hard.
00:05:41Like an animal.
00:05:44That's what men are thinking about.
00:05:48While you hide your bare shoulders beneath those innocent curves.
00:05:56Like an eurotic fanfic.
00:05:58Hidden behind a paper cover in your back.
00:06:02Am I wrong?
00:06:05Maybe.
00:06:07I don't think I'll give myself for the first stranger in it.
00:06:11Even if you forgive my death.
00:06:15No, Freya.
00:06:16I don't need sex from you.
00:06:17You misunderstood my offer.
00:06:19Then explain it.
00:06:21Mr. Mystery.
00:06:23Your purity inspires me.
00:06:27So here's the deal.
00:06:29You leave out my place.
00:06:30For a month.
00:06:31And post for my paintings.
00:06:34But.
00:06:35In all your paintings.
00:06:37The women are.
00:06:38Naked.
00:06:39Not exactly why you will be my muse.
00:06:42I will satisfy every part of you.
00:06:44Only.
00:06:45If you obey.
00:06:47And no, that's scary.
00:06:49Freya.
00:06:51I won't make you do anything against your will.
00:06:55My professional relationship are clearly regulated.
00:06:59I don't sleep with my mothers.
00:07:02Okay.
00:07:04Okay, I agree.
00:07:05But we are adding one clause.
00:07:08I'm listening.
00:07:10I want the right to write about my experience from my master's thesis.
00:07:15A face like that.
00:07:17And a mind merge.
00:07:19Couch is hard to resist.
00:07:20Deal.
00:07:30Ready?
00:07:32She did exactly as I said.
00:07:35My good girl only belongs to me now.
00:07:45Oh, no.
00:07:47No, no, no.
00:07:48It can't be you.
00:07:50How does it even work?
00:07:53During the day, you're a TV psychologist.
00:07:56And at night, you're a mysterious artist with questionable reputation.
00:08:01Well, it's a little bit more complicated than that.
00:08:04Oh.
00:08:05Let's explain it.
00:08:07Let's go.
00:08:10Time to work on that contract.
00:08:13Come here.
00:08:18Oh, God.
00:08:19He's so intense.
00:08:21How am I supposed to stay calm?
00:08:23So, while we are driving, maybe you can explain where that switch comes from?
00:08:30What switch?
00:08:31The one that flips you from one personality to another.
00:08:35It's all me.
00:08:40If you're one of us, other part, we'd rather others didn't see.
00:08:46You think you don't?
00:08:47Oh, no.
00:08:48I don't have bipolar disorder.
00:08:50Bipolar disorder has nothing to do with it.
00:08:54Look.
00:08:55Imagine this.
00:08:58This little Freya.
00:08:59She can't walk anywhere.
00:09:00But for some reason, she's drawn to a dark, gloomy cave.
00:09:07Scary.
00:09:08She hasn't heard to go in.
00:09:10She goes anywhere.
00:09:14Shall I keep going?
00:09:17I know.
00:09:18I understand this idea in general.
00:09:21No.
00:09:24No.
00:09:30I will be in the studio, take off what you are wearing, and put this on.
00:09:40Does he want me to wear this?
00:09:43If I put it on, I'm completely his.
00:09:53You should see how divine you look right now.
00:09:57It suits you.
00:09:59Step into the light.
00:10:01I shouldn't want her.
00:10:03Get a grip.
00:10:03She's just a model.
00:10:04But she's so...
00:10:06No.
00:10:07No, stop it.
00:10:09I've never seen these paintings before.
00:10:12Whoa.
00:10:13Are these paintings no one's ever seen?
00:10:16Does she know my heart that will?
00:10:18Interesting.
00:10:21So I'm...
00:10:22the chosen one?
00:10:27Can I ask you something?
00:10:29It's for my research.
00:10:31Yeah.
00:10:33Why do you show the world only a few of your works if...
00:10:36if you have this many?
00:10:40Life is not Instagram, Freya.
00:10:43I go public.
00:10:45Only with what truly matters.
00:10:47Reminder.
00:10:48I'm conducting a research.
00:10:50I'm not writing for Legasso Calo.
00:10:53Any truthful answer, not a pretty one.
00:10:58Truth is banal.
00:11:01And I'll believe the man and father.
00:11:04All my life is set to me.
00:11:07A job is done.
00:11:11Only when it's perfect.
00:11:15Sharpened to perfection.
00:11:18Enough to draw blood.
00:11:22Whoa.
00:11:23Is order...
00:11:24really that important to you?
00:11:28Order...
00:11:29and control.
00:11:35Once...
00:11:36a nine-year-old little boy,
00:11:38tired of his homework,
00:11:39asked his father for a break.
00:11:41Do you know what happened?
00:11:43His loving dad
00:11:45drew two lines
00:11:46on the table
00:11:48and told him to keep going.
00:11:50And if the boy's elbows
00:11:51crossed the borders,
00:11:53he would hit his hands
00:11:55with a ruler.
00:11:58I crossed the lines many times.
00:12:04Will you draw the lines
00:12:06for me too?
00:12:08Yes.
00:12:10And I will use a ruler
00:12:11if you disobey.
00:12:12Was he joking?
00:12:14Or not?
00:12:16Focus.
00:12:17Think of the shadows,
00:12:18the light.
00:12:20How nervous and delicate.
00:12:22Perfect for my hands.
00:12:24I'm trying to know
00:12:25what's coming out of that.
00:12:27Step back.
00:12:30Why am I even listening?
00:12:33Because you want
00:12:34to be told what to do.
00:12:37You grew up overprotective.
00:12:40I'm guessing you were raised
00:12:41by your grandparents, right?
00:12:46Everything around you
00:12:46was safe,
00:12:48predictable,
00:12:49controlled.
00:12:50They did their best,
00:12:51but like most other people,
00:12:52they didn't know
00:12:53how to talk to you
00:12:54about sex.
00:12:56That's why at...
00:13:00I'm twenty-three.
00:13:01Twenty-three.
00:13:04You've got a volcano
00:13:05of Persia inside you,
00:13:06but you still don't know
00:13:07how to let the leather out.
00:13:09No, no, no,
00:13:11don't touch anything
00:13:11on yourself.
00:13:18Remember this.
00:13:19Here,
00:13:20you follow all my comments
00:13:21without question.
00:13:26this need to go
00:13:28down the way.
00:13:34Now lower the other one.
00:13:36But then
00:13:37the dress will fall
00:13:38and I'll be...
00:13:39I'll be naked.
00:13:42Lower it.
00:13:44Five million in debt
00:13:45on one side
00:13:46and posing you
00:13:48for a world famous
00:13:49artist on the other.
00:13:52What do I choose?
00:13:54You'll hand to the door
00:13:55a cape eventually
00:13:56anyway.
00:13:56The question is...
00:13:59I'm going to beside you
00:14:00when you do.
00:14:05Do you promise
00:14:06to hold my hand?
00:14:09What is she doing to me?
00:14:10I can't let myself
00:14:12in the love.
00:14:13I want her to be mine
00:14:15completely.
00:14:17I do.
00:14:32Lower your hands.
00:14:38Rest taking.
00:14:41Every shape.
00:14:42Every line of her body.
00:14:43Especially her hips.
00:14:48The hollow of her waist.
00:14:51Every curl
00:14:52from shoulder to hip.
00:14:53The line of her neck.
00:14:55It all pulls me in.
00:14:58She will be impossible
00:14:59to forget.
00:15:19One look from him
00:15:21and I tremble.
00:15:22I've never let a man
00:15:24touch me before.
00:15:25But with him
00:15:26I'm not sure
00:15:27I can say no.
00:15:29I have only one wish.
00:15:32Please.
00:15:33Don't stop.
00:15:36Relax.
00:15:38Let your body
00:15:38fall naturally.
00:15:42Easy.
00:15:43Let me guide you.
00:15:45Your eyes go here.
00:15:46Now.
00:15:47Give me just a bit of pressure.
00:15:49Now.
00:15:50Your hair.
00:15:51It's tenet.
00:15:52But it needs
00:15:53to be painted back.
00:15:59Timed.
00:16:00Not even can
00:16:01my muse
00:16:01truly bear our song.
00:16:07So pure
00:16:08and untouched.
00:16:09She is my
00:16:10perfect third muse.
00:16:30I've never been like this
00:16:32in front of a man.
00:16:34Maybe you'll say something.
00:16:36Don't move or talk.
00:16:41I feel like I'm
00:16:43in the movie
00:16:43of contracted love.
00:16:52Not that I didn't
00:16:53force you to live.
00:16:57Yet.
00:16:58The way he handles me
00:16:59why does it turn me on?
00:17:02Why do I want more?
00:17:04Dinner's ready.
00:17:07Do you too?
00:17:15We need to continue.
00:17:17I'm not undressing again.
00:17:21We can have dinner later.
00:17:23No.
00:17:24There must be
00:17:25all doing everything.
00:17:27And Freya,
00:17:27you undress
00:17:28as much as I say.
00:17:41Were you expecting
00:17:43something more
00:17:45than a fight
00:17:46to get on his schedule?
00:17:49Forgave rituals
00:17:51are sacred.
00:17:52Reyes.
00:18:02Who was Warwick genius?
00:18:06She's just a girl
00:18:07like the others.
00:18:09So why can't
00:18:10I get her out of my head?
00:18:14Reya,
00:18:14thank you for your work.
00:18:15You did well.
00:18:17See you at dinner.
00:18:23And one less thing
00:18:24about Gabe's schedule.
00:18:25I manage it.
00:18:26So for the future,
00:18:28you'll never be on it.
00:18:29You're here
00:18:30for a month only
00:18:31until the contract ends.
00:18:35I'll finish your life
00:18:37anyway.
00:18:39Yes, confirm.
00:18:40The artist is dropping
00:18:41all charges
00:18:42against Miss Davis.
00:18:43Why is my client
00:18:44so generous?
00:18:45It's not my department.
00:18:53No, your city
00:18:54is there, I'm here.
00:18:56Sit across from me.
00:19:13You're getting around here.
00:19:25You're making some
00:19:26But it won't do.
00:19:32I don't need a starving mother.
00:19:44No.
00:19:45Alright, I'll do it myself.
00:19:48Okay, I trust your taste.
00:19:56Freya.
00:20:04Feeding her now.
00:20:06Are you planning on adopting her after this?
00:20:40I want you to stay in this house longer than a contract requires.
00:20:48I want you to stay in this house longer than a contract requires.
00:20:53To Gabe's new muse.
00:21:00To yet another experiment.
00:21:13Oh no, sweetheart.
00:21:16Not like that.
00:21:19Don't slouch.
00:21:23Gabe likes when color was sharp.
00:21:26Like shards of glass.
00:21:30She knows what I need better than anymore.
00:21:37Remember your place.
00:21:40You're a mannequin I can test.
00:21:44In the trash.
00:21:46Anytime.
00:22:02You stand when the Gabe is finished.
00:22:06I need to sleep.
00:22:07I have my thesis pre-defense tomorrow.
00:22:10And I have to be at the university in the morning.
00:22:13Did Gabe give you permission to leave?
00:22:16I don't object.
00:22:22Fine.
00:22:22Then the driver will take you in the morning.
00:22:24Not the driver.
00:22:27I will do it.
00:22:30We'll have to leave early in the morning.
00:22:32And I need to stop by campus too.
00:22:35To change.
00:22:36Okay.
00:22:39Not a problem.
00:22:43Okay.
00:22:53Not a problem.
00:22:55Anything she does tell me you're even biting her lip.
00:23:05Why are you looking at me like that?
00:23:07I want to bite that lip.
00:23:12So, should I stop doing it?
00:23:14No, I'll keep doing it.
00:23:15Just one day I might.
00:23:17Not all back.
00:23:18You seem tense today.
00:23:18Tell me why.
00:23:19My thesis supervisor is strict.
00:23:21He's going to know right away I'm not prepared.
00:23:24Not prepared?
00:23:26Mm-hmm.
00:23:26You get a direct access to your research subject.
00:23:29Who else can brag about that?
00:23:31That's not enough.
00:23:33After auction I promised to prepare my demonstration materials and form scientific hypothesis.
00:23:38And I have nothing.
00:23:40See you.
00:23:41Look back.
00:23:42Maybe this will give you some confidence.
00:23:52Painting?
00:23:53Mm-hmm.
00:23:54I can't believe it.
00:23:56Are you serious?
00:23:56Yeah, sure.
00:23:57It's yours.
00:23:58And use it for your presentation if you need to.
00:24:01This is...
00:24:02Wow.
00:24:03Everyone's going to die of envy.
00:24:14Did I do something wrong?
00:24:16Everything is fine and just...
00:24:18I think you're only late.
00:24:20Seriously though?
00:24:21Why are you so cold?
00:24:25Well, you got an entire thesis to write about me soon.
00:24:28Maybe you will find the answer at the end.
00:24:31Yes.
00:24:33I wonder what it takes to break his perfect control.
00:24:39Are you sure you want to write about him?
00:24:43What's wrong with Helgi?
00:24:45Leave her alone.
00:24:46Maybe our innocent Freya wants to dive into the dark depths of the temple.
00:24:52Girls, you've been dramatic.
00:24:54We haven't even started.
00:24:56That Helgi has a hardcore sexist reputation.
00:24:59...
00:25:05...
00:25:06...
00:25:06...
00:25:07...
00:25:08...
00:25:08...
00:25:08Girls, please have a seat. We're going to start class 7.
00:25:12Something looks a little bit different about you, Miss Davis.
00:25:22And so, how do we know that this painting here was done by Helgi?
00:25:26And not by one of its thousands of followers.
00:25:30You don't need to worry about authorship.
00:25:32I guarantee its authenticity, because that's me in this painting.
00:25:43Well, well. I hope by opposing you have time to think of a scientific hypothesis.
00:25:48Of course, of course.
00:25:52And so, what is your hypothesis, Miss Davis?
00:25:55So, I assume that Helgi, most likely, he has never known love in his life.
00:26:05But you're trying to tell me that Helgi, the world's best-selling modern artist, has never known love in his
00:26:12life?
00:26:12And what is that hypothesis based on?
00:26:14In all his works, there is only one person.
00:26:17And always alone.
00:26:24Helgi depicts the perfect body, but only anatomically.
00:26:28There is no life in the body, no emotions, no vulnerability.
00:26:34And most importantly...
00:26:37Go on, let's hear it.
00:26:38The absence of risk.
00:26:41The author is afraid to appear weak, fragile, and he seeks absolute control over his feelings.
00:26:53Was he just here?
00:26:55Did he really hear all of that?
00:26:58Thanks very much for the presentation.
00:27:01You're listening to my comments by email.
00:27:03All right, everybody, that's it.
00:27:04Have a great day.
00:27:05We'll see you next time.
00:27:12Miss Davis, may I have a minute?
00:27:14Uh, yes, Professor?
00:27:16I wouldn't get too pleased with yourself.
00:27:19Remember, you're a scholar, but not a mannequin.
00:27:22I understand.
00:27:24And I'll be waiting for your comments by email.
00:27:26No, no, no, no.
00:27:27Listen.
00:27:28Why don't we, uh, meet in person, huh?
00:27:32That way I can share my thoughts more closely.
00:27:34Do you not agree?
00:27:36Please, Professor.
00:27:37No, let's meet.
00:27:38No, Professor, please.
00:27:39No, no, please, please.
00:27:43Get away from that.
00:27:45Professor, please, please forgive me.
00:27:48Stop.
00:27:48Sorry, I...
00:27:48Stop.
00:27:49Don't apologize for that.
00:27:50Never.
00:27:52I am very disappointed in you, Miss Davis.
00:27:57Swallowed up by shallow society,
00:27:59posing for questionable artists,
00:28:02associating with pseudo-psychologists,
00:28:04a star of second-rate TV shows.
00:28:07You'll both regret this.
00:28:08Both of you.
00:28:10Get...
00:28:13Why did he do that?
00:28:15He was pulling my mannequin.
00:28:17So that was just an art to claim me?
00:28:20What did you expect for someone who's never known love?
00:28:24You heard everything.
00:28:26So what?
00:28:27Was my hypothesis right?
00:28:31You are not capable of love.
00:28:33All right, Miss Observent.
00:28:35You think I'm incapable of love?
00:28:37Give me your reasoning.
00:28:39But...
00:28:41All I know about you said at the podium,
00:28:43it was subjective nonsense.
00:28:45Stop.
00:28:45I studied here.
00:28:47We are not in your studio.
00:28:48Step back.
00:28:48I won't.
00:28:49As soon as you tell me why I'm incapable of love.
00:28:53Okay.
00:28:54Objectively.
00:28:55You're so cold.
00:28:56With women.
00:28:58With me.
00:28:59I can feel it.
00:29:01Maybe you haven't tried hard enough.
00:29:03Try melting the ice.
00:29:16See?
00:29:17Solid proof.
00:29:18So far, all I can see is that you don't know how to kiss.
00:29:23What?
00:29:25Say that again.
00:29:27Do you want me to teach you how to kiss?
00:29:30Is this some kind of science?
00:29:33Absolutely.
00:29:35And you're talented.
00:29:37You will learn.
00:29:39Ready?
00:29:41Here?
00:29:42Yes.
00:29:43Where else would you learn if not at a university?
00:29:46Where do we start?
00:29:49If this is just a lesson,
00:29:51why is my heart beating so fast?
00:29:55Part your lips.
00:30:11I'm very good.
00:30:13Just a little more.
00:30:19I could try to wipe my mind
00:30:22But it still wouldn't erase the age
00:30:27It lives you in my veins
00:30:32What's wrong?
00:30:33Nothing.
00:30:34It was just a kissing lesson
00:30:36and it seems you've learned.
00:30:39But I want more.
00:30:41Damn it.
00:30:42She's going to ruin every rule I have.
00:30:45Pleasure isn't meant to be swallowed in one bite.
00:30:48You need to savor it.
00:30:55So are you going to live?
00:30:58What are you?
00:30:59Some kind of freak?
00:31:01If you are talking about my intimate tastes,
00:31:04they are somewhat specific.
00:31:07In what way?
00:31:09It's too soon for you to know.
00:31:11Our contract isn't so long.
00:31:13When exactly do you plan to tell me?
00:31:16We move step by step.
00:31:17No rushing.
00:31:18Right now,
00:31:18we're going to buy you some new dresses
00:31:21for you to pose in.
00:31:26You mean dress
00:31:28I'll have to take off right away?
00:31:30What's the point?
00:31:35God,
00:31:36I hate wasting time
00:31:38on this nonsense.
00:31:40I hate choosing clothes.
00:31:41You won't be choosing
00:31:43my paintings
00:31:44and my rules.
00:31:45You're kidding, right?
00:31:51Are you ignoring me?
00:31:54Hmm.
00:31:55No, no,
00:31:56I just don't like
00:31:57standing in line.
00:32:03He's an absolute controlling tyrant.
00:32:06Demonier in everything.
00:32:09And yet,
00:32:11that trait of his,
00:32:12it turns me on.
00:32:14I wonder,
00:32:15what would happen
00:32:15if I handed all the control
00:32:17of my life
00:32:17to someone like me?
00:32:20Ladies and gentlemen,
00:32:22we apologize.
00:32:23We're experiencing
00:32:24ventilation issues.
00:32:25For your safety,
00:32:27please temporarily
00:32:28leave the premises.
00:32:33What are you on?
00:32:35You didn't hear?
00:32:36They asked everyone to leave.
00:32:38They asked the others to leave.
00:32:39But they wouldn't interfere
00:32:40with us choosing clothes.
00:32:43The boutique owner holds me.
00:32:45So,
00:32:47they closed
00:32:48whole store
00:32:49only
00:32:49for us?
00:32:51No.
00:32:54For you.
00:33:01Take in the dressing room, please.
00:33:09If I didn't know you,
00:33:11I'd say it was
00:33:13almost
00:33:14romantic.
00:33:17Is this
00:33:18how you usually act
00:33:19when you're
00:33:20having affairs?
00:33:23I don't do romance.
00:33:26I want to do bad things.
00:33:33So,
00:33:34what
00:33:35bad things
00:33:36were you talking about?
00:33:37What are you doing here?
00:33:39Came to help.
00:33:42Okay.
00:33:44Well,
00:33:47is something wrong?
00:33:49The dress is perfect.
00:33:51The problem is
00:33:52your hair.
00:33:53Come here.
00:33:58Relax.
00:33:59According to our contract,
00:34:00I can touch you
00:34:01in a romantic way.
00:34:02What do you mean?
00:34:03You already did.
00:34:05when you kissed me
00:34:07in the classroom.
00:34:08It was a masterclass.
00:34:10Nothing personal.
00:34:11Mm-hmm.
00:34:13It tickles.
00:34:17Close your eyes.
00:34:22It's not
00:34:23ticklish anymore.
00:34:25It's nice.
00:34:34Now you can look.
00:34:37He acts so cold,
00:34:38but his eyes are burning
00:34:40a hole through me.
00:34:43You're looking at me
00:34:45like you want to
00:34:46break the contract.
00:34:49Too hard with the contract.
00:35:04Excuse me?
00:35:05How do you like that dress?
00:35:07Shall I
00:35:07wrap it up?
00:35:08Oh, thank you,
00:35:09Valerie.
00:35:09Yeah, I want to take you
00:35:09to wrap it up.
00:35:11Okay.
00:35:12Okay.
00:35:25Take off your hardware.
00:35:38I thought I had rules.
00:35:40She just
00:35:41walks right through them.
00:35:42Why are the dress
00:35:43I told you to wear?
00:35:44Oops.
00:35:46I forgot.
00:35:48Are you going to
00:35:50banish
00:35:50your student?
00:35:52Oh, if you were mine,
00:35:53you wouldn't be able
00:35:54to sit for a week.
00:35:56What?
00:35:57Why not dress for him?
00:35:59You would have
00:36:00made me
00:36:01take it off
00:36:01anyway.
00:36:03But if you need
00:36:04a ritual,
00:36:07paint a dress
00:36:08on me.
00:36:10Come on,
00:36:11you are the artist.
00:36:15Oh, no.
00:36:17Not with brush.
00:36:19We're the offenders.
00:36:29This canvas is
00:36:31only yours.
00:36:39This canvas is only yours.
00:37:04You don't miss a single spot.
00:37:08You don't give orders.
00:37:10Only I get to do that.
00:37:14And if I disobey,
00:37:19will you cut
00:37:21off
00:37:22our relationship?
00:37:29Relationships are my thing.
00:37:31Oh, right.
00:37:33Because you have
00:37:35specific tastes.
00:37:38Maybe you
00:37:39will finally
00:37:40open up
00:37:41and tell me
00:37:41what you mean.
00:37:43Come on.
00:37:45I'm not so easily
00:37:46scared
00:37:47as I see
00:37:48my depressed
00:37:49glance.
00:37:54take me
00:37:55into your cave.
00:38:00You want to see
00:38:01the cave?
00:38:06Then get dressed.
00:38:17this was his danger.
00:38:19This was him.
00:38:21His dark side.
00:38:26What is this?
00:38:33So, this is your hobby?
00:38:43Have you ever tried the classics?
00:38:47Fishing?
00:38:48Golf?
00:38:49Bedell?
00:38:51I get it.
00:38:52It would make it easier to find a partner,
00:38:54but none of the hobbies you listed
00:38:56turns me home.
00:39:05So, question.
00:39:07This hobby,
00:39:09does it fit within
00:39:10what a healthy person does?
00:39:13All of my dark side
00:39:14stays within this world.
00:39:16And trust me,
00:39:17if there were more
00:39:18rooms like this
00:39:20in every home,
00:39:21we'd have way fewer
00:39:22episodes of domestic violence
00:39:24and murder.
00:39:26So,
00:39:27this is
00:39:28where you are in?
00:39:30Yes,
00:39:30and without understanding this,
00:39:33your research will be incomplete.
00:39:36Oh, okay.
00:39:38So,
00:39:39none of this
00:39:40scares you?
00:39:42No.
00:39:43There is nothing
00:39:44I wouldn't do
00:39:45for the sake
00:39:46of my scientific research.
00:39:48Stop.
00:39:50Don't touch anything
00:39:52until you know
00:39:53what you are signing up for.
00:39:55What do you mean?
00:39:59for mothers
00:40:00who are ready for people
00:40:02who work
00:40:02in this fear
00:40:03and control?
00:40:04I have a special contract.
00:40:05Do you have a contract
00:40:07for every situation you like?
00:40:09Even when you are
00:40:10in bed
00:40:11with someone?
00:40:17what?
00:40:19What?
00:40:19Did I say something?
00:40:20What?
00:40:28I don't make love.
00:40:31I fuck.
00:40:33Love.
00:40:43read carefully.
00:40:45Every page.
00:41:16Well, well, well.
00:41:18What exactly threw you off?
00:41:22How to give a stop signal when your mouth is occupied?
00:41:28Rule number one.
00:41:30I set the boundaries.
00:41:31You follow them.
00:41:33I stop only when you demand it.
00:41:36Until then, you move at my pace.
00:41:39You give up control not because you are weaker, but because I can hold it.
00:41:44Are you sure you want to involve me in this?
00:41:50I want you.
00:41:52Exactly as you want.
00:41:55How many more of these conditions are there?
00:41:58I'm tired.
00:41:59Look, I'm ready to go into this experiment.
00:42:02Strictly out of scientific interests.
00:42:04And I marked the closest you need to cross out.
00:42:10I won't share any single clothes.
00:42:13Either you sign everything or nothing happens.
00:42:31Yes, Professor?
00:42:33I started drafting my feedback on your hypothesis.
00:42:36And I realized that I can replace it with one word.
00:42:39What do you mean, Professor?
00:42:41Primitive.
00:42:42Your arguments, they're superficial.
00:42:44If you want your diploma, make sure your research has depth.
00:42:48Understand.
00:42:51For mothers who are ready for deeper work,
00:42:55with fear and control, I have a special contract.
00:42:57I hope I am not making the biggest mistake of my life right now.
00:43:18Those two are about to break down next, tiring.
00:43:21With confirmation that a body sheet looks good on you.
00:43:25Basically, you're complimenting yourself.
00:43:27There isn't a single detail in me I didn't choose.
00:43:31People say I have good taste.
00:43:34Anyway, we are here because one artist has fallen as feedback on her...
00:43:42How can I call that?
00:43:44Layton drawings?
00:43:53You seem tense.
00:43:55Why?
00:44:00First, this body suit is incompatible.
00:44:03Second, I just signed a contract with a devil,
00:44:07and I still don't understand all the terms.
00:44:10Okay.
00:44:11So what do you want to know?
00:44:13It's sad.
00:44:15The agreement takes effect after signing.
00:44:19I'm surprised.
00:44:21Nothing is happening.
00:44:28Are you sure it's nothing?
00:44:37What is this?
00:44:39The body suit.
00:44:40It's pulsing.
00:44:42What's wrong with this body suit, Gabe?
00:44:46Answer me.
00:44:48The body suit is lying with a delicate pulsing membrane built into it.
00:44:52Turn them off.
00:44:53I can't.
00:44:56I don't have a remote.
00:44:59Then how does it work?
00:45:01I'll program the timer.
00:45:03I thought it would happen in a car on the way home, but with traffic.
00:45:07I guess it's happening right now.
00:45:13Isn't it pleasant?
00:45:14It is.
00:45:17But let's play this game together.
00:45:27Is this against the contract?
00:45:29It is.
00:45:30As right now, it is what you're so good.
00:45:35What's wrong?
00:45:36I doubt.
00:45:38These membranes are everywhere.
00:45:41It's really not the time.
00:45:44Please.
00:45:45Let's move this somewhere less crowded.
00:45:48No, no, no, no.
00:45:49I don't see any complications.
00:45:51I don't know how to match in this ambience.
00:45:55Gabe, I'm serious.
00:45:58Something changed.
00:46:00The mood.
00:46:05I can't barely keep it together.
00:46:09Should I stop?
00:46:12No.
00:46:14I just signed the contract.
00:46:18Good girl.
00:46:20You're starting to figure it out that now I decide everything.
00:46:24I am the dominant.
00:46:26No.
00:46:41Excuse me.
00:46:43Do we know each other?
00:46:44Hmm.
00:46:46I wish I didn't know you about, unfortunately.
00:46:49What are you talking about?
00:46:50About you and Gabe.
00:46:52You don't belong anywhere near him.
00:46:56Because you want that spot.
00:47:00You're old.
00:47:02Listen to a seasoned lady.
00:47:04Don't go back to him.
00:47:07Get moving.
00:47:08And don't look back.
00:47:11Are you talking like that?
00:47:12Because you used to be his muse.
00:47:14And lost the status.
00:47:17I'm not a model, sweetheart.
00:47:20Then who are you?
00:47:21You'll find out if you don't live in.
00:47:23But you should leave.
00:47:26I'll make sure of this.
00:47:39It took a while.
00:47:41Oh, I had some small talk.
00:47:44With a lovely lady.
00:47:47Oh, yeah?
00:47:48Yeah.
00:47:50Who?
00:47:51Oh, we...
00:47:52Hey, you actually came.
00:48:00Are you going to introduce this brave girl next to you?
00:48:04Sure.
00:48:05This is Freya, a young researcher.
00:48:08And I'm helping her with the work.
00:48:11Freya, this is Jess, the artist beyond these paintings.
00:48:15Oh.
00:48:17You disappoint me, Gabe.
00:48:19Is it really hard to find some warmer words for good old Jess?
00:48:24Then I'll introduce myself.
00:48:28The person who knows Gabe better than anyone in the world.
00:48:33Jess.
00:48:35His older sister.
00:48:38Is she really a sister?
00:48:42Yeah.
00:48:47So, what's your research about, Freya?
00:48:51Oh, it's about...
00:48:53Basically, it's about...
00:48:56About him.
00:48:59Oh.
00:49:00About Gabe.
00:49:07It's a research.
00:49:10I'm...
00:49:11I agreed to be his model.
00:49:13For a month.
00:49:15Oh.
00:49:17Sounds familiar.
00:49:20History repeats itself.
00:49:22Jess.
00:49:26Cheers.
00:49:27I'm going to grape some drink for a toast.
00:49:29No, stop.
00:49:31I'll do it.
00:49:37Okay.
00:49:39Ask...
00:49:39Ask what?
00:49:41What you stayed back for.
00:49:43You pretended you wanted a drink, knowing that Gabe would get it instead.
00:49:48So, let's not waste time on stage, awkwardness.
00:49:53Ask.
00:49:55Okay.
00:49:57What did you mean by...
00:49:59History repeats itself?
00:50:03Let me show you something.
00:50:06What are you doing?
00:50:08Tell me, what do you see here?
00:50:12Who is that?
00:50:14She was my best friend.
00:50:18But...
00:50:18Yeah.
00:50:20She looks just like you.
00:50:22She was Gabe's news, too.
00:50:25What happened to her?
00:50:29I didn't protect her.
00:50:31So, let me at least save you.
00:50:38You have to tell me what exactly happened.
00:50:41Gabe!
00:50:42Just like clockwork.
00:50:44Here you go.
00:50:45Here you are.
00:50:48I get why all those viewers are obsessed with you.
00:50:53So, let's drink to...
00:50:55Miss Tiffany.
00:50:56Let me, bro.
00:50:59Let's drink to everyone's right
00:51:02to be the honor of their own fate.
00:51:06And to say stop in time.
00:51:10Even when everything seems perfect.
00:51:14Let's go.
00:51:16Wait.
00:51:18I want to say goodbye to your sister.
00:51:22Name?
00:51:22Giselle Peters.
00:51:24Giselle Peters.
00:51:25Giselle Peters.
00:51:27That's enough.
00:51:37Rhea, come on.
00:51:40I'll turn you later.
00:51:42I'll finish up my research.
00:51:48I need to find out what happened to Giselle.
00:51:51And what secrets he's hiding.
00:51:54And what secrets he's hiding.
00:52:04Are you serious?
00:52:05How dare you make Gabe wait?
00:52:09Did you know her?
00:52:12I can see you did.
00:52:14What happened to Giselle?
00:52:16None of your business.
00:52:19Gabe's waiting.
00:52:20Go fulfill the country.
00:52:22In the studio?
00:52:26In the cave.
00:52:27The cave.
00:52:28My instincts scream danger.
00:52:31But my heart needs to know what lurks inside.
00:52:40Freya.
00:52:44You're serious?
00:52:46It's my first time.
00:52:48A little lightness wouldn't hurt.
00:52:54Darko.
00:52:55She came.
00:52:57Just lying to you she would.
00:52:59And her boundary has set for her.
00:53:01She's here.
00:53:03Just a member.
00:53:13A perfectionism I am.
00:53:28She's preparing me.
00:53:30For what I don't know.
00:53:32But I'm a willing captive.
00:53:34Shaking with a fear.
00:53:36I've never craved so much.
00:53:51Come to me.
00:53:54Don't be shy.
00:54:00Stop.
00:54:01What exactly is happening now?
00:54:03I want to teach you how to follow commands.
00:54:06Without question.
00:54:14Say yes.
00:54:16To what?
00:54:17To my mind.
00:54:20Yes.
00:54:35Looks like you are warmed up.
00:54:38Now.
00:54:39Take three steps forward.
00:54:41And press your palms again to one.
00:54:45One.
00:54:46Two.
00:54:48Me.
00:54:50I like the compliance.
00:54:53I'm just learning.
00:55:16You're mine.
00:55:18Hold my hands, too.
00:55:19Yes.
00:55:34I see you already.
00:55:50What did you take?
00:55:53Yes.
00:55:54By the cell.
00:56:03No.
00:56:04No.
00:56:05No.
00:56:05No.
00:56:05Wait.
00:56:07Please stop.
00:56:10Are you sure?
00:56:11Yeah.
00:56:12Yeah.
00:56:15I'm not ready.
00:56:17Not today.
00:56:19Give me time.
00:56:21I'll get used to it.
00:56:24I can be useful in other ways.
00:56:29We can go back to the studio.
00:56:32I'll pause.
00:56:34As long as you want.
00:56:40Let me through.
00:56:41I need to talk to him.
00:56:43No need.
00:56:44The decision's already been made.
00:56:46What decision?
00:56:47He'll be waiting for you tomorrow in the studio.
00:56:51Okay.
00:56:52Which dress should I wear?
00:56:54He didn't say.
00:56:56Maybe you won't need one.
00:56:58Who knows?
00:56:59Maybe in the same prayer.
00:57:01He's no longer our ingenious's mirrors.
00:57:14So you guys cared?
00:57:16Why didn't you listen to us, Jess?
00:57:19Why ignore my warning?
00:57:21You're wrong.
00:57:23I...
00:57:23I've been thinking a lot about the girl you told me about.
00:57:27Giselle.
00:57:29He was obsessed with her.
00:57:31It was borderline sick.
00:57:33What are you talking about?
00:57:38For example, before posing,
00:57:41Gabe would get her aroused.
00:57:43But never let her climb it.
00:57:46He wanted the studio filled with her special scent.
00:57:51Jess, please, huh?
00:57:52I'm already scared enough.
00:57:55What happened to Giselle?
00:57:58First she was lifted to the sky,
00:58:02then used,
00:58:03then thrown away.
00:58:06I...
00:58:06I don't understand anything.
00:58:09I need advice.
00:58:11A recipe.
00:58:12What should I do?
00:58:13Just...
00:58:14Either be like everyone else,
00:58:16or...
00:58:17or stay his muse,
00:58:20plant the clouds,
00:58:21and wait for the...
00:58:24inevitable long.
00:58:27No, I can't live now.
00:58:30Not now.
00:58:31I have to finish the research.
00:58:34At any cost.
00:58:54Before posing,
00:58:56Gabe would get her aroused,
00:58:58but never let her climax.
00:59:01He wanted the studio filled with her special scent.
00:59:05Good.
00:59:06I wanted him to feel something else.
00:59:09My heat.
00:59:28Because you want to be told what to do.
00:59:30Magic.
00:59:32You've got a volcano of passion inside you,
00:59:34but you still don't know how to let the love out.
00:59:37What?
00:59:39This need to go.
00:59:41Dying away.
00:59:42If nothing you want to be told,
00:59:43you've got to feel it too.
00:59:46She's taking slow,
00:59:47make it happy,
00:59:48a suit.
00:59:49Talk about
00:59:50I want,
00:59:51I want
00:59:53I want
00:59:53I want
00:59:55I want
00:59:56I want
01:00:09Did you think you were the center of the universe?
01:00:14There are others better than you, obedient, disciplined, and inconvenient.
01:00:28Okay, do we still have a contract?
01:00:38Look at this, cool down. You didn't finish your work.
01:00:45Paint. I'm your muse.
01:00:51If not, let's terminate the contract.
01:00:55I had nothing to lose.
01:00:58You never had anything.
01:01:01Gabe reached out his hand when you were drowning in millions of deaths.
01:01:14You're a sadist.
01:01:17You don't see a person.
01:01:22Look.
01:01:23To you.
01:01:24To you, a woman is...
01:01:28It's clay.
01:01:37Look.
01:01:39Look what you've done to me!
01:01:41Tears break me, but I've got your weakness.
01:01:44I'll be consumed.
01:01:53I'll get you out of here.
01:01:55Stop!
01:02:02Freya.
01:02:05You are incredible.
01:02:09What happened?
01:02:13Did I ruin another painting?
01:02:17Look.
01:02:25The tears.
01:02:26The tears.
01:02:27They blur the outline.
01:02:30You step beyond your limits.
01:02:33Are you mocking me?
01:02:44Everyone except Freya out.
01:02:51You need dinner, Gabe.
01:02:53I'll have the table set.
01:02:54I told you what to do.
01:02:59This...
01:03:00This is perfection.
01:03:04You are not new, Freya.
01:03:06You are not new, Freya.
01:03:08Vyranda, call the auction house.
01:03:11This piece goes insane immediately.
01:03:19Freya.
01:03:22I knew he'd break you.
01:03:26You are not new.
01:03:32I know you can't.
01:03:35This is very dangerous.
01:03:37It's true.
01:03:47It's true.
01:03:48It's true.
01:03:49It's true.
01:03:49You have to go.
01:03:50You're not new.
01:03:50It's true.
01:03:51You're not new.
01:03:52Ladies and gentlemen,
01:03:53Thank you for coming.
01:03:55Although it's still unclear who should thank who.
01:03:58Because today Helge is presenting his best work.
01:04:02Without exaggeration.
01:04:04Therefore the starting price for this masterpiece is 10 million dollars!
01:04:1910 million!
01:04:21And that's just the starting price.
01:04:25Who offers more?
01:04:2711.
01:04:28Happy?
01:04:32No, I just wanna see how much they sell.
01:04:36Someone else is applying for.
01:04:43You won't break me some...
01:04:45You should know one detail.
01:04:47This work was literally created with the model's tears.
01:04:51What?
01:04:5314!
01:04:5615!
01:05:01What's happening here is far from reality.
01:05:05Giselle?
01:05:06I told Giselle about you.
01:05:08That's why she's here.
01:05:11You are following my pattern.
01:05:14With your attention, your worship.
01:05:16Gabe gives you an honor in terms of dopamine.
01:05:20It feels incredible.
01:05:22You feel like you're the only one in the world.
01:05:26You are the only one in the world.
01:05:27But any small disobedience to the genius in your close time.
01:05:37Then the doctor was still.
01:05:39I will never forget.
01:05:40You are the only two in the world.
01:05:41You have to be enchasing that familiar dopamine hit by any means possible.
01:05:46Wake up, Freya, if you don't want to end up in the rehab like I did.
01:05:52I don't need saving.
01:05:54I post for Gabe just for my research.
01:05:57I don't care about fear.
01:05:5930 million!
01:06:03Deadly, what you're saying?
01:06:06All of this is just Gabe's spill.
01:06:10And you are just the lab rabbit in it.
01:06:1445 million dollars! Going once!
01:06:18What are you hoping for me?
01:06:21Twice!
01:06:22That he will be grateful for your inspiration and ask you to be his wife?
01:06:28He is not capable of that.
01:06:31You are used to material, like Mia does as other girls.
01:06:37Tomorrow I'll go back to the campus and this will be over.
01:06:4345 million dollars! Sold!
01:06:49Congratulations.
01:06:50You just officially became a mysterious.
01:06:54And finally lost your son.
01:07:05So, a month of research fully confirmed my scientific hypothesis.
01:07:11Well, that was pretty obvious.
01:07:13Madam Dean, would you begin or would you rather not?
01:07:16Why not?
01:07:18I would, with pleasure.
01:07:21This is one of the strongest works by our graduates that I have ever seen.
01:07:31And so, I think it would be a big mistake to let go of such a valuable asset to our
01:07:37alma mater.
01:07:38So, I would like to offer you a position at our university.
01:07:45Would you join us? If you don't have any other plans, of course.
01:07:53No, is that a no?
01:07:57No, I'm sorry. No, I don't have other plans.
01:08:01It was my dream. Thank you, Madam Dean.
01:08:04Of course, I accept.
01:08:08Well, thank you.
01:08:10Your regrets.
01:08:16Can we congratulate you?
01:08:19Honestly, I still can't believe I'll be working in the university.
01:08:23I'm not congratulating you with job.
01:08:25Open social media.
01:08:27You're a star now.
01:08:28What are you talking about?
01:08:30Someone launched a hashtag in your honor.
01:08:32Freyaism.
01:08:34What does it mean?
01:08:35Read it.
01:08:36Thousands of women are sharing their stories about being fed fairy tales about how inspiring they were.
01:08:43But in reality, they were just used.
01:08:45Every post ends with the phrase, don't be like Freya.
01:08:50Don't confuse with harassment.
01:08:53Congrats.
01:08:54You've become the most hated person in the country.
01:08:58Mhm.
01:09:05Did you do this?
01:09:07No.
01:09:08But it's a fair ending.
01:09:10I'm coming to inform you that your contract has been terminated.
01:09:13You've become a media target.
01:09:15You can't stay near Gabe.
01:09:17You'll put him at risk.
01:09:18Pack your things.
01:09:20And get out.
01:09:27Remember, class number one of your contract is keeping Helga's real identity safe.
01:09:38None outstanding debt obligations.
01:09:43Great.
01:09:58That's it?
01:10:00No.
01:10:04I'm not ready to let her go.
01:10:08Move.
01:10:09I need to talk to her.
01:10:11No.
01:10:11Stop.
01:10:12You can't help her now.
01:10:13Yes, I can.
01:10:15I'm a famous psychologist.
01:10:17I sought after guests on talk show.
01:10:18Even at the White House charity events.
01:10:20Of course I can.
01:10:21That's exactly the point.
01:10:24You're still everyone's beloved psychologist.
01:10:27And that girl just lost herself.
01:10:30Have you read what they're writing about her?
01:10:33No.
01:10:34Today he paints with her tears.
01:10:37And tomorrow with what?
01:10:40Millions of dollars is a nice compensation for trauma.
01:10:45She stayed quiet.
01:10:47So she consented.
01:10:49Come on.
01:10:49This is just one word story at best.
01:10:51Okay?
01:10:52And you know that.
01:10:53And everybody will start talking about some wasted singer who fell asleep behind the wheel.
01:10:57And that's all.
01:10:58No.
01:10:59No, bro.
01:11:00This is serious.
01:11:01It's a smear campaign that could ruin that innocent girl.
01:11:06Exactly.
01:11:07So only go near Freya if you know how to protect her.
01:11:12Do you?
01:11:29Oh, look.
01:11:29There she is.
01:11:31Could've spoken up.
01:11:32Why were you silent?
01:11:33Was opposing voluntary?
01:11:34How much did Helgi pay for it, huh?
01:11:37Did he pay it to keep it quiet?
01:11:49Tell us his name.
01:11:51Who is Helgi?
01:11:53What did he do to make you cry?
01:11:55Is it true that he hit you?
01:11:56Answer us.
01:11:57Speaking up will help you.
01:12:00Just say Helgi's real name.
01:12:03Will you tell us who he is?
01:12:07Will you tell us who he is?
01:12:20I can't say that.
01:12:21A accomplice.
01:12:22He's coming for here.
01:12:24Beach.
01:12:28You love money, don't you?
01:12:30He stabbed your mouth with it.
01:12:40Freya, wait, wait.
01:12:44Freya.
01:12:45Freya, stop.
01:12:47Stop.
01:12:48Please stop.
01:12:48We need to talk.
01:12:49Right now you are warmed up.
01:12:51You need to calm down.
01:12:52Calm down?
01:12:54How...
01:12:55How could you?
01:12:57Why did you do this to me?
01:13:01I trust you.
01:13:02Shh.
01:13:03I don't want to do this here.
01:13:04So please let's go home.
01:13:05I talk calmly, okay?
01:13:07You still don't get it.
01:13:10You betrayed me.
01:13:12And you lost me.
01:13:14Forever.
01:13:20That's it.
01:13:23You will never see me again.
01:13:36Ladies and gentlemen.
01:13:38I have a sensational comment.
01:13:40You are psychologist, right?
01:13:42I don't think so.
01:13:43Just wait.
01:13:44I am Helgi.
01:13:52Yes.
01:13:53I take responsibility for what I did to Freya.
01:13:57I'm not hiding behind heart.
01:13:59I'm not looking for excuses and I'm not asking for forgiveness.
01:14:03The only thing I'm begging for.
01:14:06Leave Freya alone.
01:14:17Here are my proposals for the curriculum.
01:14:20Just like that you noticed.
01:14:27Professor?
01:14:28I've managed to convince the Dean to hold off on her decision.
01:14:33Hold off on hiring me?
01:14:35Why?
01:14:36It's a question of reputational risks.
01:14:39Miss Davis, you've got a toxic trail behind you.
01:14:42Do you really want to hurt your alma mater?
01:14:45I need to talk with the Dean.
01:14:47No, no, I'm sorry.
01:14:49That's impossible.
01:14:50She won't listen to you.
01:14:55But there is a solution.
01:14:56The Dean.
01:14:58She really respects my judgement.
01:15:01And I can push her either way.
01:15:03If you're obedient,
01:15:05then I can whisper the right decision into her ear.
01:15:10The decision's already been made, Professor.
01:15:15Here's the decision.
01:15:16You are suspended from all your duties effective immediately.
01:15:21All your courses will be transferred to other faculty members, including Miss Davis.
01:15:27And now, step away from Freya.
01:15:31You can't do this!
01:15:32I just did!
01:15:34Now!
01:15:41Are you okay?
01:15:43I...
01:15:45Unfortunately, I'm used to a question.
01:15:47I'm so sorry, but...
01:15:50I guess your nightmare is over.
01:15:52What do you mean?
01:15:53I was actually on my way to show you this.
01:15:58Yes.
01:16:00I take responsibility for what I did to Freya.
01:16:02I'm not hiding their heart.
01:16:03I'm not looking for excuses.
01:16:05And I'm not asking for forgiveness.
01:16:07The only thing I'm begging for.
01:16:10Leave Freya alone.
01:16:18Don't bring me some cold water in me, Randa.
01:16:30Proud of yourself.
01:16:42That's not heroism.
01:16:44It's irresponsible.
01:16:46You've ruined more than just your own fate.
01:16:50I'm done too.
01:16:51Do you realize that?
01:16:53You had a good salary.
01:16:55I am the one who's done for...
01:17:02Goodbye.
01:17:09Yeah, goodbye.
01:17:27I'll get something, Randa.
01:17:29I'll get something, Randa.
01:17:30Where are you hoping it was, Miranda?
01:17:43I saw your speeches at the university.
01:17:48It was brave.
01:17:50It was the only right decision.
01:17:53So you...
01:17:54You come to what's my done for?
01:17:58Now I'm here to ask you...
01:18:02If you wanna be with me.
01:18:08Unexpected.
01:18:12Yes.
01:18:14Yes, of course I wanna be with you.
01:18:18But the real question is...
01:18:20Do you wanna be with someone like me?
01:18:24No.
01:18:25There can't be anything between me and the Gabe and you until today.
01:18:30But...
01:18:31With the Gabe who...
01:18:33Admitted his mistake...
01:18:36Maybe...
01:18:37There is a chance.
01:18:41In your terms?
01:18:43No submission.
01:18:45And no contracts.
01:18:50Are you ready for everything to be voluntary?
01:18:54Or...
01:18:55Really clean...
01:18:57To being in the control?
01:19:08For a long time I thought control was strength.
01:19:12And actually?
01:19:14It was fear.
01:19:17Fear of rejection.
01:19:21I really know it felt like a punishment to me.
01:19:26So when you didn't accept my dark side...
01:19:30I...
01:19:31I feel real pain.
01:19:33And now?
01:19:35Now?
01:19:38Now my reputation is being torn apart.
01:19:41I'm running on every channel.
01:19:44Honestly, I don't give a shit.
01:19:47I don't care that I can control it.
01:19:51Because now...
01:19:55Something else matters.
01:19:57Go on.
01:19:59I'm curious what...
01:20:00Strength is admitting a dark side.
01:20:03And not letting it break anyone ever again.
01:20:05Do you believe?
01:20:06I've changed.
01:20:09Words...
01:20:09Aren't enough for me.
01:20:12You have my heart, Rio.
01:20:16No one's ever done that before.
01:20:20I love you.
01:20:22My innocent engine.
01:20:26And honestly, I...
01:20:27I don't know how else to provide change to.
01:20:32There is a way...
01:20:34To test that...
01:20:36Pretty easily.
01:20:38Mm-hmm.
01:20:48All Holders.
01:20:51All wizards.
01:21:10To be smooth.
01:21:11に mycket.
01:21:15So when your life has to be known...
01:21:15In my life, I'm in the center
01:21:24But I won't tell you me
01:21:31When I get back no more to give
01:21:39Say yes
01:21:40To what?
01:21:42To be mine
01:21:45Yes
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