The Brokenwood Mysteries S12E04 (2026)

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#video #The Brokenwood Mysteries S12E04 (2026) #moviehot2026 #trendingmovie

Transcript

00:00:05Excuse me! Excuse me! You're on!

00:00:14Welcome, everyone, to this inaugural excursion of the Brokenwood Flyer.

00:00:21The culmination of years of hard work and planning by the many dedicated pharaoh equinologists of Brokenwood.

00:00:31That's a fancy talk for Iron Horse enthusiasts, and I'm sure you all know that already.

00:00:38I'm sure you also know that we wouldn't be here today without the sheer grit, determination, and fundraising stamina of

00:00:45two of the Brokenwood Vintage Railway Society's leading lights, Rosalie Barnes and Shane Griffin.

00:00:54They have committed years to this exciting project, and today is the day when it all comes to fruition.

00:01:01Oh, my God!

00:01:03What did you do that for?

00:01:05You know what Bloom's like? He'll prattle on all day if you let him. Mrs. Baker's already in a flap

00:01:10about getting away on schedule.

00:01:11I always thought there was a touch of Mussolini about that woman.

00:01:14Eh?

00:01:15Makes the trains run on time.

00:01:17No, I think Rosalie's the one who's putting the strings.

00:01:19As usual.

00:01:20Sound bitter?

00:01:21I'm not bitter.

00:01:22No, you've spent three years pretending to have an all-consuming interest in vintage trains, hoping to catch Rosalie's glad

00:01:30eye, only to find out that the woman of your dreams has taken up with a sap of a man

00:01:36half your age.

00:01:37Shane's not half.

00:01:38Anyway, you can talk.

00:01:39You French...

00:01:40All aboard!

00:01:42When each day is a rover in the hills of snow

00:01:45Meet me right back here

00:01:56I had a dream last night

00:02:00We were riding on a silver train

00:02:05So good

00:02:11Well, congratulations, you did it.

00:02:13With a lot of help.

00:02:15If Regan's father hadn't come to the party, when he did, he'd still be back at the cake stall and

00:02:20raffle stage.

00:02:24How are we doing for time?

00:02:25Oh, relax.

00:02:26We're all on track.

00:02:27Oh, on track!

00:02:34Oh, right, so it should be me driving, you know that, don't you?

00:02:36How did you work that out?

00:02:37It's in the blood.

00:02:39Dad was a railwayman for 50 years.

00:02:41Gandy with a shovel, was he?

00:02:42The only reason it's you and not me...

00:02:46If you haven't got the upper body strength, not pretty hard yet, and...

00:02:51Oh, hey.

00:02:57There's nothing quite like it, is there?

00:02:59Hmm?

00:02:59The romance of train travel.

00:03:01You're not in a hurry.

00:03:03It's only 20 minutes to Little Lake by car.

00:03:06This will take twice as long.

00:03:08Wait, yeah, but that's not really the point though, is it?

00:03:10It's why they closed the line in the first place.

00:03:13It wasn't needed.

00:03:15Devil on horseback?

00:03:16No, thanks.

00:03:18Oh, no thank you.

00:03:33What the hell's that?

00:03:35Uh...

00:03:35There's something on the track.

00:03:36Just look.

00:03:39Oh, jeez, that's not some thing!

00:03:41That's some body!

00:03:42Stop the bloody train!

00:03:52What?

00:03:54Why have we stopped?

00:04:06What the hell do you think you're doing?

00:04:08You could've got yourself killed.

00:04:09Oh, like you care.

00:04:10Just go ahead and kill the planet instead.

00:04:13Give me strength.

00:04:14Unbelievable.

00:04:15Billy McKelvey!

00:04:17What silly game are you playing now?

00:04:19It's not a game.

00:04:20This is a wake up call.

00:04:21What's wrong?

00:04:22It's the middle of the afternoon.

00:04:23We're already awake.

00:04:24Cole is killing the planet.

00:04:27Cole is killing the planet!

00:04:29What's all this?

00:04:29Cole is killing the planet!

00:04:31Somebody call the cops!

00:04:32Cole is killing the planet!

00:04:34I will not have her ruin Rosalie and Shane's.

00:04:36I mean, everyone's big day.

00:04:38I'll deal with you up at the lake.

00:04:40Come on!

00:04:40On the train!

00:04:41No!

00:04:42You can't make me!

00:04:43You'll do as you're told or you'll make things worse for yourself.

00:04:46Come on!

00:04:47Come on!

00:04:48Don't touch me!

00:04:52Poor thing!

00:04:53Are you okay to keep going?

00:04:55We can swap places if you're feeling a bit fragile.

00:04:56Joe!

00:04:57No!

00:04:58No!

00:04:59I'm fine!

00:05:01Come on!

00:05:02Pick up the train!

00:05:03No!

00:05:05Come on!

00:05:30it's just a hobby for you lot but you're not thinking oh you don't want to know what i'm

00:05:34thinking young lady coal is killing the planet coal is killing the planet if you think the

00:05:41biggest threat to the planet is a quantum drain in broken wood your head's on wrong

00:05:45now you just don't care because you'll be dead soon no no no all right chatty kathy wrap it up

00:05:50we're almost at the stop for the lake

00:06:01everyone else in front of the party can't miss it

00:06:05it's going really well i think

00:06:08where's rosalie oh she'll be somewhere to swing with your frog i'm gonna sneak a cigarette more

00:06:12like no no no you go with the others she wants to make a big entrance i'll find you

00:06:23rosalie you there rosalie

00:06:33rosalie

00:06:47mrs baker

00:06:59mike i don't want to be rude but now's not a good time

00:07:02i'm trying to find a runaway bride

00:07:04uh i might be able to help you with that

00:07:15what's all this carry on is someone getting married that was the plan yes

00:07:21did you know anything about this all i know is i was supposed to get fed

00:07:25it's hungry business shoveling coal

00:07:27don't touch you reckon the bride's done a runner

00:07:30i sure wish i'd done a runner on my wedding day

00:07:35i don't know

00:07:37she's a fine figure of a woman

00:07:39it's truly

00:07:45thanks for keeping everybody here

00:07:48it wasn't hard

00:07:49they were expecting a picnic

00:07:51i haven't said anything about

00:07:53rosalie i wouldn't know how

00:07:55uh we'll handle that uh next of kin

00:07:57oh um oh regan

00:08:01rosalie's daughter and

00:08:04shame

00:08:04the groom

00:08:10thank you mrs baker

00:08:11good job

00:08:13what's her story

00:08:14uh we just need to interview everyone about a recent incident

00:08:18oh right that jumped up little madam on the tracks

00:08:21you think she'd be old enough to know better

00:08:24all right

00:08:26hold that thought

00:08:31we're treating your mother's death as suspicious

00:08:34she may have simply just fallen from the train but

00:08:36we need to be sure about it

00:08:39okay

00:08:40and we need someone to give us a formal id

00:08:43that should be me

00:08:45if you don't feel up to it we can ask rosalie's fiance

00:08:49the what

00:08:50the wedding was going to be a surprise

00:08:52rosalie's idea

00:08:53i thought i would have been happy with the registry office

00:08:57when was the last time you saw rosalie

00:08:59when the train had stopped

00:09:00she'd she'd gone up the front to get changed into her wedding dress

00:09:03i thought she might need a hand with the fiddly bits

00:09:06everything all right in there

00:09:06go away

00:09:08you're not supposed to see me

00:09:09it's bad luck

00:09:10so you didn't actually see rosalie

00:09:13you just spoke with her through the door

00:09:16yeah

00:09:16did anyone witness the exchange

00:09:18no i doubted everyone else had left the carriage by then

00:09:21trying to work out why the train had stopped

00:09:24we must have stopped just in time

00:09:26and then everyone got off to see what was happening

00:09:28including rosalie

00:09:30i really can't remember

00:09:31there was

00:09:33a lot going on

00:09:35more than you realised

00:09:37to what

00:09:38the surprise wedding

00:09:39you had no idea

00:09:42none

00:09:42but you knew that your mother and shane griffin were in a relationship

00:09:46everybody knew

00:09:47mum had been raving about it for months

00:09:51but shane made her happy

00:09:53for the first time in her life i think

00:09:58so neither

00:09:59regan barnes

00:10:00nor shane griffin

00:10:01remember seeing the victim

00:10:02after the train stopped

00:10:03well shane said he'd

00:10:05talked to rosalie

00:10:06through the toilet door

00:10:07and then got off the train

00:10:08with the others

00:10:08and doug and ron

00:10:10were busy letting rip at the wedding

00:10:12i talked to doug

00:10:14pinko greenie

00:10:15when she was lying on the tracks

00:10:17like some sort of damsel in distress

00:10:18and she gets up with a placard

00:10:20and starts waving it around

00:10:22going on about coal and the planet

00:10:25god knows what she was trying to achieve

00:10:26so what did the

00:10:28pinko greenie have to say for herself

00:10:30huh

00:10:31not much

00:10:32lily mckelvie

00:10:33145 old creek road

00:10:35date of birth

00:10:3627 march 2008

00:10:37and that's all you're getting

00:10:40she seems very well trained

00:10:41for an 18 year old

00:10:42are we sure she was acting alone

00:10:45uh

00:10:47afraid mrs bake is in a bit of a state

00:10:49any idea when we might get the all clear

00:10:51as long as they've given their initial statement

00:10:53and everyone's free to go

00:10:54oh lovely

00:10:55uh just not on the broken wood flyer

00:10:57we still need to inspect the carriages

00:10:59ah i see

00:11:00i'll see what i can do

00:11:01um

00:11:01what's the point in being mayor

00:11:03if i can't rustle up a council coach

00:11:04when we need one

00:11:05and uh

00:11:06lily mckelvie

00:11:07don't worry about her

00:11:08she's coming with us

00:11:09okay

00:11:14oh

00:11:14here

00:11:16let me give you a hand with that

00:11:17oh

00:11:19thank you ron

00:11:20got it

00:11:20yeah

00:11:23see jugg that's what a gentleman looks like

00:11:31hello there

00:11:33you sound relaxed

00:11:34not at all

00:11:35slogging it out

00:11:36you know how it is

00:11:36wow

00:11:37i need you to find what you can

00:11:39on a lily mckelvie

00:11:41you want to know if she has

00:11:42any kind of record of involvement

00:11:44climate process

00:11:45that sort of thing

00:11:46well you

00:11:47i will clear my desk

00:11:49give the board a wipe

00:11:50while you're at it

00:11:51we're gonna need it

00:11:58so

00:11:58Doug and Ron

00:12:00are in the engine cab

00:12:01with

00:12:01no access to the carriage

00:12:04and everyone else is in here

00:12:07black roses

00:12:08bold choice

00:12:10and then at a certain point

00:12:12rosalie moves to the front of the carriage

00:12:16to change

00:12:19but ended up down there

00:12:27before falling

00:12:28or being pushed

00:12:29onto the tracks

00:12:30while everyone else

00:12:31was preoccupied

00:12:32by lily's protest

00:12:33or

00:12:34so they want us to believe

00:12:43what if the offender

00:12:45wasn't

00:12:46one of our travellers

00:12:47someone else got on board the train

00:12:49before it left broken wood

00:12:50and waited

00:12:51for their chance to attack

00:12:53risky

00:12:53with nowhere to hide

00:12:55there's only this one cubicle

00:12:58yeah

00:12:59and a black rose

00:13:00for a corsage

00:13:01slightly weird

00:13:11or are

00:13:14you know what this means

00:13:19next step

00:13:21handwriting samples

00:13:22from everyone on the train

00:13:25what did you find on Lily McKelvey

00:13:28yeah

00:13:29brokerwood's answer to Greta Thunberg

00:13:31her socials are dedicated to protest content

00:13:34nothing about today's protest

00:13:36if you're going to go to all that trouble

00:13:37to stop a train

00:13:38you'd want the world to know about it right

00:13:40you'd be live streaming

00:13:42or at least making sure

00:13:43someone was there to record it

00:13:45well perhaps somebody did

00:13:46well maybe the protest was just a diversion

00:13:49well whatever happened

00:13:50it went down fast

00:13:53the Crimestoppers report

00:13:55about the body on the tracks

00:13:56came through at

00:13:572.47

00:13:58not long after the train moved off again

00:14:00who did that report come from?

00:14:02well someone who saw something

00:14:04but didn't want to get involved

00:14:05called it in anonymously

00:14:06well Lily might be more forthcoming

00:14:09now that she knows that somebody has died

00:14:12oh um

00:14:13Gina's gonna be expecting

00:14:15one of us soon

00:14:16so fight amongst yourselves

00:14:17heartbreaker

00:14:18uh

00:14:19what was that you volunteering?

00:14:21nice one

00:14:25thank you

00:14:29I'm assuming you

00:14:31weren't actually tied to the tracks

00:14:33I'm not an idiot

00:14:34did you have any help

00:14:35getting into position?

00:14:36lying down isn't hard

00:14:39at my age anyway

00:14:40hmm

00:14:42uh no one to cheer you on?

00:14:44no

00:14:47thanks for your phone Lily

00:14:50who's Noah?

00:14:53at 2.45pm you got a text

00:14:56just two words

00:14:57you okay?

00:14:59from someone called Noah

00:15:01he's my boyfriend

00:15:03did he know about your protest?

00:15:06no

00:15:06then why the text?

00:15:08why those words?

00:15:09you okay?

00:15:09he was just tricking in

00:15:11I guess

00:15:12just

00:15:13it's the kind of guy he is

00:15:15tell me a bit more about him

00:15:19I cannot be precise

00:15:20about the time of death

00:15:21no I get it Gina

00:15:22usual terms and conditions apply

00:15:24but when I arrived at the scene

00:15:25what we call

00:15:26the tracking of the eyes

00:15:27had not begun

00:15:28Impalo Mortis was not complete

00:15:29it can only have been

00:15:30a matter of minutes

00:15:3115 or 20

00:15:33that's pretty precise

00:15:35what do you mean?

00:15:36I am very precise

00:15:37yeah of course

00:15:38but you just

00:15:39do you think

00:15:40my job is easy?

00:15:42no but you just

00:15:43you want me to hand you the bone saw?

00:15:45knock yourself out

00:15:47no

00:15:47I'm good

00:15:48good

00:15:49now

00:15:50cause of death

00:15:51see here

00:15:53one significant impact wound

00:15:55and the number of small scrapes

00:15:58and bruises

00:15:59along her right side

00:16:00she died when she hit the rail track?

00:16:03not necessarily

00:16:05what does this

00:16:06tell us?

00:16:09she bounced

00:16:13Mike would understand

00:16:14well Mike's not here

00:16:16so

00:16:16perhaps she was fatally hit

00:16:17on one side of the head

00:16:19and then

00:16:19thrown from the train

00:16:22and landed

00:16:22on the other side

00:16:23very good

00:16:25now

00:16:25we have a guest

00:16:32come through

00:16:42that's her

00:16:44that's my mum Rosalie

00:16:46thank you

00:16:48was it quick?

00:16:49very

00:16:50if you'd like

00:16:51we can keep you up

00:16:52has anyone told dad?

00:16:55Hayden Barnes

00:16:56as in Barnes Farming Supplies

00:16:59Regan's father

00:17:00and Rosalie's ex-husband

00:17:02Simms is with him now

00:17:04excuse me

00:17:05I'm here for my daughter

00:17:07you must be Mr. McKelvey

00:17:10Troy

00:17:10could you get Miss McKelvey please?

00:17:13of course

00:17:16come on through

00:17:20I'm Bridget

00:17:20Lily's grandmother

00:17:21where is she?

00:17:23she'll be here soon

00:17:24you do realise

00:17:25she's only 18?

00:17:26yeah

00:17:26old enough

00:17:27to be charged

00:17:28with breach of the police

00:17:29not today however

00:17:30we're letting her off

00:17:31with a warning

00:17:32you just thought

00:17:33you'd scare her

00:17:33by keeping her here

00:17:34all afternoon

00:17:35hey kiddo

00:17:36you alright love?

00:17:37can we go please?

00:17:40your granddaughter

00:17:41has been helping us

00:17:43with our inquiries

00:17:44into a suspicious death

00:17:46a woman died on the train

00:17:47that was stopped

00:17:48by her protest

00:17:49she didn't say anything

00:17:50about that when she rang

00:17:52does the name

00:17:53Rosalie Barnes

00:17:53mean anything to you?

00:17:58you were close

00:17:59used to be

00:18:00old school friends

00:18:02we travelled overseas together

00:18:03it was a long time ago

00:18:04how did it?

00:18:07what happened?

00:18:07we'll be releasing a statement

00:18:09in due course

00:18:10right

00:18:11I should go

00:18:13Lily told us

00:18:14that she was in a relationship

00:18:16with one of your farmhands

00:18:18Noah

00:18:19Noah Dunphy

00:18:20if you see him

00:18:21could you tell him

00:18:22to get in touch?

00:18:23why do you want to

00:18:23talk to Noah?

00:18:24we'll explain that

00:18:25when we see him

00:18:26alright

00:18:27I'll pass that on

00:18:29thanks love

00:18:32it's hard to believe

00:18:34she had a big train

00:18:35launch this afternoon

00:18:36I thought

00:18:37she'd be swilling

00:18:38champagne all day

00:18:38I have to ask you this

00:18:41where were you

00:18:42around 2.45pm?

00:18:44quarter to three

00:18:45I was here

00:18:47yeah

00:18:48you can ask Dan

00:18:49and when was the last time

00:18:51you saw Rosalie?

00:18:52a few weeks ago

00:18:53we met to sign

00:18:54the divorce papers

00:18:54it was all very amicable

00:18:55if you're wondering

00:18:58my daughter

00:18:58does she know?

00:18:59yeah

00:18:59she identified the body

00:19:00so she may need

00:19:01some support

00:19:02alright Bob

00:19:03okay I'm here

00:19:04I'm here

00:19:04it's gonna be okay

00:19:12I did some research

00:19:14on the McAlvys

00:19:15found this

00:19:16Bridget and her best friend

00:19:18Rosalie

00:19:18protesting the closure

00:19:19of the Brokewood railway line

00:19:21way back in the 80s

00:19:22the line was closed anyway

00:19:24but the track

00:19:24was never pulled up

00:19:25and then

00:19:2640 years later

00:19:27Rosalie's the driving force

00:19:29behind the Brokewood flyer

00:19:30which was bitterly opposed

00:19:32by Bridget's son Troy

00:19:33he was pushing

00:19:34his own plan

00:19:35to turn the track

00:19:36into a cycle trail

00:19:43well it was either

00:19:44restore the rails

00:19:45or pull them up

00:19:46council had been

00:19:47shunting that position

00:19:48down the track

00:19:49for about 30 years

00:19:50excuse the pun

00:19:51I would have done the same

00:19:52if I'd not know

00:19:53what a kerfuffle

00:19:53it would turn into

00:19:54what swung it in favour

00:19:56of the vintage railway

00:19:57only word

00:19:58Rosalie

00:20:00she was a bit of a steam engine

00:20:01herself if you get my drift

00:20:02a hard woman to say no to

00:20:03helped that she had

00:20:04Hayden Barnes's money

00:20:05behind her

00:20:06before the divorce I mean

00:20:08though I imagine

00:20:09she took a good chunk

00:20:10of it with her

00:20:10when they split

00:20:12he bought the engine

00:20:13and carriages

00:20:13paid for the restoration

00:20:15Troy McKelvey

00:20:16must have found it

00:20:16hard to compete

00:20:17he just couldn't promise

00:20:18the investment

00:20:19we were looking for

00:20:20whatever he had himself

00:20:21he sank into

00:20:22buying up land

00:20:22along the tracks

00:20:23it's a grand scheme

00:20:25for accommodation

00:20:25and a cafe

00:20:27actually I've got it

00:20:28here somewhere

00:20:31yeah

00:20:33how are you expected

00:20:34to pay for it

00:20:35I have no idea

00:20:38this is the

00:20:39McCobby farm here

00:20:40yeah what's left of it

00:20:41Troy's been

00:20:42selling bits off

00:20:43trying to claw back

00:20:44his investment

00:20:46do you mind

00:20:47if I get a copy of this

00:20:48would be a pleasure

00:20:51follow me young man

00:20:54brand new photocopier

00:20:56Larry flange

00:20:58voice activated

00:21:01and copy

00:21:06got it

00:21:07you have to say it

00:21:08right

00:21:08and copy

00:21:13annoying

00:21:14might just

00:21:16use the old

00:21:17digit there

00:21:27Trudy

00:21:28there's a Noah Dunphy

00:21:30drink here

00:21:30friend of yours

00:21:32is he

00:21:32it's a professional

00:21:33inquiry

00:21:34thought so

00:21:35don't make me say it

00:21:37it's not knocking

00:21:38if he hasn't done

00:21:39anything wrong

00:21:40sure

00:21:42Lena

00:21:45on my tab

00:21:47what was that you just did

00:21:48but you know what a tab is

00:21:50don't you

00:21:50no the nose tab you think

00:21:51what's that all about

00:21:53Trudy nose

00:21:55that's all that matters

00:21:57okay so

00:21:58Noah comes in with his mates

00:22:00every now and then

00:22:00and

00:22:01you know

00:22:02well he was always

00:22:03hitting on me

00:22:04I mean I got there

00:22:05and it was just

00:22:06nothing

00:22:07two pails

00:22:09and

00:22:09a hazy

00:22:10thanks very much

00:22:11appreciate it

00:22:15thanks again

00:22:17do you like cats

00:22:20yeah

00:22:20cats are

00:22:21cats are cool

00:22:22cool

00:22:23I have a cat suit at home

00:22:24you know I mean like for

00:22:26special

00:22:27occasions

00:22:29okay

00:22:30uh

00:22:31that's

00:22:32that's um

00:22:33that's interesting

00:22:34yeah

00:22:35thanks

00:22:36Lena

00:22:44I thought you said

00:22:46he

00:22:47hit on you

00:22:48he did

00:22:49he said I was interesting

00:22:50and he's cute

00:22:52I mean not

00:22:53not as cute as Chad

00:22:54oh

00:22:54you think so too

00:22:55no I just

00:22:57but then

00:22:57no one is

00:22:58but he is a little bit

00:22:59bad boy

00:23:00which is nice sometimes

00:23:01right

00:23:03thanks Lena

00:23:03yeah

00:23:05oh

00:23:07hello

00:23:07you're here for that pizza

00:23:09for Shane

00:23:09well normally I would have

00:23:10cooked him something

00:23:11but

00:23:11I don't know

00:23:12I can't seem to settle

00:23:13I'm all the quiver

00:23:14it's all good

00:23:16Mrs Baker

00:23:17how's Mr Griffin

00:23:18holding up

00:23:19do you really need to ask

00:23:21oh I'm sorry

00:23:22I know you're only

00:23:24doing your job

00:23:24and

00:23:25that's how the police

00:23:26mind works

00:23:27isn't it

00:23:27the nearest and dearest

00:23:29are the biggest suspects

00:23:30but I am telling you

00:23:31Shane

00:23:32is one of nature's

00:23:33gentlemen

00:23:34he wouldn't hurt a fly

00:23:35and

00:23:36Hayden Barnes

00:23:37would you say the same

00:23:39about him

00:23:41well

00:23:42that's a different story

00:23:52thanks

00:23:53so

00:23:54it's hard to say

00:23:55if it's intel

00:23:56or just gossip

00:23:57but

00:23:58according to

00:23:58Mrs Baker

00:23:59Hayden and Rosalie's

00:24:01split

00:24:01wasn't

00:24:02as amicable

00:24:03as he tried to make out

00:24:07I am not a bloody

00:24:09ATM for your pet project

00:24:11oh

00:24:11grow up

00:24:13this is bigger than us

00:24:15us

00:24:15what us

00:24:16you've already got yourself

00:24:17a new toy boy

00:24:18is everything alright

00:24:18you're welcome to the

00:24:19gold digging cow

00:24:21good luck to you

00:24:24obviously

00:24:25Rosalie liked her men

00:24:26younger

00:24:26she had 10 years

00:24:28on Hayden as well

00:24:30did Hayden know about

00:24:31Rosalie and Shane's

00:24:33wedding yesterday

00:24:33he didn't say

00:24:34but Mrs Baker

00:24:35insisted that

00:24:36no one knew about it

00:24:37not even her own daughter

00:24:38Regan

00:24:39check in with Shane

00:24:40find out if

00:24:41he or Rosalie

00:24:42got any more aggro

00:24:43from Hayden

00:24:44or the McKelvies

00:24:46for that matter

00:24:46oh

00:24:47well

00:24:48Lily clearly

00:24:49isn't a fan

00:24:50and Rosalie

00:24:51and Troy

00:24:52were practically

00:24:53feuding

00:24:53over rival schemes

00:24:58this is the

00:24:59McKelvey farm

00:25:00and this is the

00:25:01additional land

00:25:02that Troy bought

00:25:03for the tourist

00:25:04development

00:25:06right next to where

00:25:07Lily stopped the train

00:25:08and Bridget's

00:25:09old friend

00:25:10Rosalie

00:25:10was killed

00:25:19what do you got

00:25:21Noah Dunfer

00:25:21is still not responding

00:25:22to my calls

00:25:23but that could be

00:25:24because he has a

00:25:24history of prior arrests

00:25:26disorderly behaviour

00:25:27assault

00:25:28assault on who

00:25:29was related to

00:25:30a protest action

00:25:31bit of pushing

00:25:32and shoving

00:25:33on the front line

00:25:34of a march

00:25:35climate protest

00:25:36coal

00:25:36mining oil

00:25:37anything that messes

00:25:38with the environment

00:25:39he's against it

00:25:40so his text to Lily

00:25:42moments after his stunt

00:25:43was in no way

00:25:44a coincidence

00:25:44gotta go

00:25:47Lily

00:25:48I was hoping

00:25:48you could help us

00:25:49I've already told you

00:25:50everything

00:25:51we've been trying

00:25:52to track down Noah

00:25:53but we can't

00:25:53yeah me too

00:25:54so if you see him first

00:25:55let him know from me

00:25:55that we're done

00:25:56okay

00:26:03I think the kids

00:26:04call it ghosting

00:26:08was there something

00:26:09else you wanted

00:26:10yes actually

00:26:13why are you so

00:26:14interested in Noah

00:26:17well he's Lily's

00:26:18boyfriend

00:26:19for now

00:26:20it's reasonable to

00:26:21assume that he knew

00:26:22about a protest

00:26:24maybe he filmed it

00:26:26I mean after all

00:26:27you know

00:26:28what's a protest

00:26:29these days

00:26:29of it isn't

00:26:30all over the internet

00:26:30well it's a bit

00:26:31of a stretch

00:26:32to go from being

00:26:33a protester

00:26:34to a murderer

00:26:35isn't it

00:26:36we had an anonymous

00:26:38tip off

00:26:39about Rosalie's body

00:26:41whoever made that

00:26:42report may have seen

00:26:43more than they

00:26:44initially shared

00:26:45right

00:26:45the incident

00:26:47happened very close

00:26:48to your land

00:26:48did either of you

00:26:50see anything

00:26:51out of the ordinary

00:26:51I was here

00:26:53making jam

00:26:54head down over

00:26:54the kitchen bench

00:26:55I was up in

00:26:56old creek paddock

00:26:58fixing some fences

00:27:00nowhere near

00:27:01meanwhile your daughter

00:27:02was tying herself

00:27:03to railway tracks

00:27:05did you know

00:27:06about that

00:27:08she's always up

00:27:09to something

00:27:10thought she was

00:27:11just going to

00:27:12wave a sign

00:27:12we've always

00:27:13encouraged Lily

00:27:14to think for herself

00:27:16she's so compassionate

00:27:17and engaged

00:27:18and that's something

00:27:19to be admired

00:27:20isn't it

00:27:20chip off the old

00:27:22block perhaps

00:27:24do you think

00:27:27Lily's protest

00:27:28was inspired

00:27:29by this

00:27:32well you'd have

00:27:34to ask her

00:27:34you had your own

00:27:35reasons to oppose

00:27:36the vintage railway

00:27:38your failed

00:27:39development plans

00:27:40oh come on

00:27:41must have been

00:27:42very frustrating

00:27:43well not to mention

00:27:44expensive

00:27:45we lost that fight

00:27:47ages ago

00:27:48and accepted it

00:27:49ages ago

00:27:49why are you giving

00:27:50me and my mum

00:27:51the third degree

00:27:52we weren't even

00:27:53on the train

00:27:54shouldn't you be

00:27:55chasing the people

00:27:56who were

00:27:57all lines of inquiry

00:27:59are being explored

00:28:00which is why

00:28:01I'm going to need

00:28:01a handwriting sample

00:28:03from each of you

00:28:10here you go

00:28:12are you going to win

00:28:13any awards for

00:28:14calligraphy with that

00:28:15thank you

00:28:16sorry to disturb you

00:28:17it's fine

00:28:19anything to help

00:28:20find whoever hurt

00:28:20Rosie

00:28:22can you think of

00:28:23anyone who might

00:28:23want to do that

00:28:24no

00:28:25no she was wonderful

00:28:26she was very caring

00:28:27very passionate

00:28:29although her passion

00:28:30could rub some

00:28:31people up the wrong

00:28:31way

00:28:32like Hayden

00:28:33if Rosie had done

00:28:34me

00:28:35if Rosie had done me

00:28:35I'd be devastated

00:28:35too

00:28:37how did you

00:28:37and Rosie

00:28:38get together

00:28:39well there was

00:28:39no overlap

00:28:40if that's what

00:28:40you're getting at

00:28:41understood

00:28:42we were both

00:28:43on the committee

00:28:43for the train

00:28:44project

00:28:45lots of

00:28:46long nights

00:28:47and weekends

00:28:51I keep thinking

00:28:51she's going to come

00:28:52out of the bedroom

00:28:53or bring me

00:28:54a glass of wine

00:28:57you and Rosie

00:28:58weren't the only ones

00:28:59who gave a lot

00:28:59to the rail project

00:29:01Hayden Barnes

00:29:02made a huge

00:29:02commitment too

00:29:03didn't he

00:29:04it was his money

00:29:05that was

00:29:05Rosalie's money

00:29:06as well

00:29:06that's what

00:29:07marriage means

00:29:07sharing everything

00:29:12I wonder how much

00:29:13Hayden shared

00:29:13with Rosalie

00:29:14in the divorce

00:29:15hmm

00:29:16and who's in line

00:29:17for it now

00:29:18yeah I'll chase

00:29:18out the will

00:29:19but Regan

00:29:20you'd think

00:29:21and probably

00:29:23Shane

00:29:23and they were

00:29:24both on the train

00:29:25Shane may have

00:29:26been the last person

00:29:27to talk to Rosalie

00:29:27hmm

00:29:28the romantic

00:29:29political door exchange

00:29:30but what did he do

00:29:31after that

00:29:35Mrs. Baker

00:29:38I was wondering

00:29:39if I could get

00:29:39my things

00:29:40from the train

00:29:41my clipboard

00:29:41and what not

00:29:42I've got another

00:29:43wedding this weekend

00:29:44I can only hope

00:29:45that that couple

00:29:45hasn't caught wind

00:29:46of my involvement

00:29:47with this debacle

00:29:50R.I.P. Rosalie

00:29:51obviously

00:29:52your timing

00:29:53is immaculate

00:29:54Mrs. Baker

00:29:55we're in need

00:29:56of your insight

00:29:59please

00:30:00come on through

00:30:01oh

00:30:04it's all that

00:30:05thing

00:30:06isn't it

00:30:08actually being part

00:30:09of a murder

00:30:09investigation

00:30:11could you

00:30:12talk us through

00:30:13what happened

00:30:13starting at the

00:30:14beginning

00:30:17well

00:30:17um

00:30:18Ron and Doug

00:30:19we're at the front

00:30:20anyway

00:30:20I should drive

00:30:21I have seniority

00:30:23seniority

00:30:24what you have

00:30:25is being scared

00:30:26of hard work

00:30:28um

00:30:28we're not

00:30:29so worried

00:30:30about them

00:30:31can you remember

00:30:33where everyone

00:30:33was on the train

00:30:36well the catering

00:30:37was in this one

00:30:38and then we

00:30:39were all in the

00:30:40back

00:30:40there was

00:30:41um

00:30:42gentlemen

00:30:43like

00:30:47do you recall

00:30:48where Shane

00:30:49Griffin was

00:30:50oh

00:30:50um

00:30:51he was mainly

00:30:53talking to a

00:30:54friend

00:30:54fellow train

00:30:56geek

00:30:56a special breed

00:30:57to those

00:30:59pharynquinologists

00:31:01Shane

00:31:01told us

00:31:02he went

00:31:02to speak

00:31:02to Rosalie

00:31:03through the

00:31:03cubicle door

00:31:04when the

00:31:05train stopped

00:31:05oh yeah

00:31:06that sounds

00:31:07about right

00:31:07he was the

00:31:08only other

00:31:09person on the

00:31:09train

00:31:09who knew

00:31:10what she

00:31:10was really

00:31:10doing

00:31:11I'll tell you

00:31:11what

00:31:11it wasn't

00:31:12easy keeping

00:31:13that a secret

00:31:13sorry

00:31:15so

00:31:16was Shane

00:31:16with you

00:31:17when you

00:31:17got off the

00:31:18train

00:31:18or was he

00:31:19still back

00:31:19with Rosalie

00:31:21I remember

00:31:22him turning

00:31:22up at the

00:31:22tracks

00:31:23it's not a

00:31:24game

00:31:24this is a

00:31:25wake up

00:31:25call

00:31:26what for

00:31:26it's the

00:31:27middle of

00:31:27the afternoon

00:31:27we're already

00:31:28awake

00:31:28Cole is

00:31:30killing

00:31:30the planet

00:31:31Cole is

00:31:32killing

00:31:32the planet

00:31:33what's all

00:31:34this

00:31:34I can't be

00:31:35certain how

00:31:36long he was

00:31:36on the

00:31:37train before

00:31:37he joined

00:31:37us

00:31:38Lily was

00:31:38very

00:31:38distracting

00:31:39and he

00:31:43no

00:31:44no

00:31:44not Shane

00:31:45Griffin

00:31:45he would

00:31:46never

00:31:46he was such

00:31:47an integral

00:31:48part of

00:31:48the

00:31:48planning

00:31:49there was

00:31:50a theme

00:31:51I had it

00:31:52all worked

00:31:52out

00:31:52champagne

00:31:53flutes

00:31:54tick

00:31:55doilies

00:31:56tick

00:31:56flower

00:31:57oh what in

00:31:58the blazes

00:31:59are those

00:31:59I was very

00:32:00clear with

00:32:00that florist

00:32:01when I

00:32:01wanted

00:32:01I'll be

00:32:02having

00:32:02strong

00:32:02words

00:32:02with

00:32:02Jenny

00:32:03Monroe

00:32:03I don't

00:32:03quite like

00:32:04them

00:32:04actually

00:32:04really

00:32:09no

00:32:09they were

00:32:10not from

00:32:10me

00:32:10definitely

00:32:11not part

00:32:11of my

00:32:12catalogue

00:32:13besides

00:32:14black roses

00:32:15are a terrible

00:32:16omen for a

00:32:17wedding

00:32:18they symbolise

00:32:19death

00:32:20would Rosalie

00:32:21have known

00:32:21that

00:32:28no

00:32:28it could

00:32:29have been

00:32:29attached to

00:32:29the flowers

00:32:31and I

00:32:31know where

00:32:31else I've

00:32:32seen black

00:32:32roses recently

00:32:40I'm not

00:32:40much of a

00:32:41flowers man

00:32:41but I

00:32:42imagine these

00:32:42are pretty

00:32:42rare

00:32:44yeah I

00:32:44suppose

00:32:46so if a

00:32:46bunch of

00:32:47black roses

00:32:48were to

00:32:48show up in

00:32:49the vicinity

00:32:50chances are

00:32:50they would

00:32:51have come

00:32:51from your

00:32:51garden

00:32:52there are

00:32:52florists

00:32:53here on

00:32:53your

00:32:53note

00:32:53sure but

00:32:54I'm talking

00:32:55about a

00:32:55handpicked

00:32:55bunch

00:32:56tied with

00:32:56the ribbon

00:32:57delivered with

00:32:57the note

00:33:00is this your

00:33:01writing

00:33:03yes it's an

00:33:05interesting

00:33:05message given

00:33:06that black

00:33:06flowers symbolise

00:33:07death

00:33:07is there

00:33:09anything you

00:33:09want to

00:33:09share

00:33:10Hayden

00:33:10look black

00:33:11roses don't

00:33:12just symbolise

00:33:13death

00:33:13okay their

00:33:14transformation

00:33:15new beginnings

00:33:17endings

00:33:19farewells

00:33:20yeah I

00:33:21know I'm

00:33:21not exactly

00:33:21the type

00:33:22but Rosalie

00:33:22planted this

00:33:23bush

00:33:24she told

00:33:24me all

00:33:24about it

00:33:25she would

00:33:26have known

00:33:26what I

00:33:26was saying

00:33:27mum was

00:33:27wearing one

00:33:28of the

00:33:28roses on

00:33:28her dress

00:33:29she wouldn't

00:33:30have done

00:33:30that if

00:33:30she thought

00:33:30dad was

00:33:31being

00:33:31threatening

00:33:32you told

00:33:32us you

00:33:33weren't at

00:33:33the launch

00:33:33and that

00:33:34you haven't

00:33:34seen

00:33:34Rosalie

00:33:34for weeks

00:33:35dad

00:33:36couldn't

00:33:36handle

00:33:36actually

00:33:37being

00:33:37there

00:33:37and

00:33:37seeing

00:33:38her

00:33:38with

00:33:38shame

00:33:39can you

00:33:40blame him

00:33:41so I

00:33:42said I'll

00:33:42drop the

00:33:42flowers off

00:33:44right

00:33:46excuse me

00:33:48Gina

00:33:50you'll be

00:33:50okay

00:33:51I've got to

00:33:51take my

00:33:52part to

00:33:52the garage

00:33:52see you

00:33:53soon

00:33:53yeah just

00:33:54a service

00:33:55I should

00:33:56only take

00:33:56a few

00:33:56hours

00:34:01for me

00:34:02nothing can

00:34:03beat the

00:34:03appeal of

00:34:03a steam

00:34:04train

00:34:04the

00:34:05Trans-Siberian

00:34:06Railway

00:34:06it's on

00:34:06my

00:34:07bugger

00:34:07list

00:34:08your

00:34:09what

00:34:09my

00:34:10bugger

00:34:10list

00:34:10you know

00:34:11when you

00:34:11say

00:34:12bugger

00:34:13it

00:34:13let's

00:34:13just

00:34:13do

00:34:13it

00:34:14it's

00:34:15a

00:34:15very

00:34:15common

00:34:16expression

00:34:16Mike

00:34:16I'm

00:34:16surprised

00:34:17you don't

00:34:17know

00:34:17it

00:34:17I

00:34:18think

00:34:18you

00:34:19mean

00:34:19bucket

00:34:19list

00:34:19well

00:34:20things

00:34:20you

00:34:20want

00:34:20to

00:34:20do

00:34:21before

00:34:21you

00:34:21kick

00:34:21the

00:34:21bucket

00:34:22but

00:34:22what

00:34:23has

00:34:23the

00:34:23bucket

00:34:23done

00:34:24to

00:34:24you

00:34:24well

00:34:25it's

00:34:25a

00:34:25saying

00:34:25well

00:34:25anyway

00:34:26the

00:34:26broken

00:34:27wood

00:34:27flyer

00:34:27it's

00:34:28not

00:34:28of

00:34:28the

00:34:28same

00:34:28league

00:34:28of

00:34:29course

00:34:29but

00:34:29one

00:34:30day

00:34:30I

00:34:31hope

00:34:31for

00:34:31a ride

00:34:31now

00:34:32I

00:34:33have

00:34:33something

00:34:33I

00:34:34think

00:34:34you'll

00:34:34like

00:34:34fire

00:34:35away

00:34:36when

00:34:36I

00:34:37looked

00:34:37closer

00:34:37at

00:34:38the

00:34:38two

00:34:39headwinds

00:34:40I

00:34:41found

00:34:41something

00:34:41interesting

00:34:42metallic

00:34:43fragments

00:34:43in

00:34:44both

00:34:44of

00:34:44them

00:34:44so

00:34:45the

00:34:45murder

00:34:46weapon

00:34:46was

00:34:46metal

00:34:46same

00:34:47as

00:34:47the

00:34:47railway

00:34:48tracks

00:34:48same

00:34:49age

00:34:49same

00:34:50wear

00:34:51same

00:34:52rust

00:34:52pattern

00:34:52Rosalie

00:34:53was

00:34:54hit

00:34:54with

00:34:54the

00:34:54length

00:34:55of

00:34:55rail

00:34:55line

00:34:55a

00:34:56small

00:34:56length

00:34:57unless

00:34:58the

00:34:58offender

00:34:58was

00:34:59very

00:34:59strong

00:35:03Mrs.

00:35:04Baker

00:35:04can

00:35:05vouch

00:35:05that

00:35:05everyone

00:35:06got

00:35:06off

00:35:06the

00:35:06train

00:35:06at

00:35:06the

00:35:06same

00:35:07time

00:35:07she

00:35:07did

00:35:07except

00:35:08for

00:35:09Shane

00:35:09Griffin

00:35:14hello

00:35:19you

00:35:20want to

00:35:20talk

00:35:20to

00:35:20this

00:35:20guy

00:35:21Noah

00:35:22you

00:35:22are

00:35:23a

00:35:23hard

00:35:23man

00:35:23to

00:35:23find

00:35:24not

00:35:24really

00:35:33get in

00:35:34that's

00:35:35beautiful

00:35:35not

00:35:36for

00:35:36me

00:35:37you

00:35:37idiot

00:35:37you

00:35:38have

00:35:38to

00:35:38talk

00:35:38to

00:35:39the

00:35:39police

00:35:39or

00:35:39they'll

00:35:39think

00:35:40you

00:35:40killed

00:35:40her

00:35:41look

00:35:42he

00:35:42knows

00:35:42his

00:35:42rights

00:35:43so

00:35:43don't

00:35:43try

00:35:43anything

00:35:43dodgy

00:35:44okay

00:35:44wouldn't

00:35:45dream

00:35:45of it

00:35:45just

00:35:46because

00:35:46he has

00:35:46priors

00:35:47doesn't

00:35:47mean

00:35:47he's

00:35:47done

00:35:47anything

00:35:48wrong

00:35:49ghosting

00:35:50your

00:35:50girlfriend

00:35:50isn't

00:35:51technically

00:35:51a

00:35:52crime

00:35:55it

00:35:55was

00:35:55one

00:35:55text

00:35:56the

00:35:56timing

00:35:56was

00:35:56freaky

00:35:57it

00:35:57doesn't

00:35:57mean

00:35:57anything

00:35:58you

00:35:58weren't

00:35:59exactly

00:35:59in a

00:35:59hurry

00:35:59to

00:35:59talk

00:36:00to

00:36:00us

00:36:00though

00:36:01so

00:36:01you're

00:36:01saying

00:36:02despite

00:36:02your

00:36:02prior

00:36:03history

00:36:03of

00:36:04protest

00:36:04action

00:36:04you

00:36:05had

00:36:05no

00:36:06idea

00:36:06what

00:36:06your

00:36:06girlfriend

00:36:07was

00:36:07planning

00:36:07to

00:36:07do

00:36:07look

00:36:08the

00:36:08real

00:36:08target

00:36:08should

00:36:09be

00:36:09the

00:36:09freight

00:36:09trains

00:36:09carrying

00:36:09the

00:36:10coal

00:36:10from

00:36:10the

00:36:10mines

00:36:10and

00:36:10she's

00:36:11out

00:36:11here

00:36:12trying

00:36:12to

00:36:12shut

00:36:13down

00:36:13a

00:36:13vintage

00:36:13train

00:36:14it

00:36:14was

00:36:14pathetic

00:36:22socials

00:36:22about

00:36:23it

00:36:23so

00:36:24if

00:36:24we

00:36:24checked

00:36:24your

00:36:24phone

00:36:25there

00:36:25wouldn't

00:36:25be

00:36:25any

00:36:26footage

00:36:26of

00:36:26Lily's

00:36:27protest

00:36:29lo

00:36:30and

00:36:30behold

00:36:32he

00:36:33obviously

00:36:33was in

00:36:33one of

00:36:34the

00:36:34trees

00:36:34by

00:36:34the

00:36:34line

00:36:35there's

00:36:36Doug

00:36:36and

00:36:36Ron

00:36:37exiting

00:36:37the

00:36:38engine

00:36:38cab

00:36:38first

00:36:39everyone

00:36:40else

00:36:40piling

00:36:40out

00:36:40of

00:36:41the

00:36:41carriage

00:36:41Mrs

00:36:42Baker

00:36:43Mayor

00:36:44Bloom

00:36:44all

00:36:45the

00:36:45others

00:36:45alibis

00:36:46confirmed

00:36:46that's

00:36:47something

00:36:47there's

00:36:48Regan

00:36:49but

00:36:50where's

00:36:50Shane

00:36:51he

00:36:51said

00:36:52he

00:36:52was

00:36:52checking

00:36:52in

00:36:53with

00:36:53Rosalie

00:36:53yep

00:36:54wait

00:36:54for

00:36:55it

00:36:56so

00:36:57Regan

00:36:57gets

00:36:58back

00:36:58on

00:36:59briefly

00:36:59presumably

00:37:00to

00:37:00alert

00:37:01her

00:37:01mum

00:37:02and there

00:37:03she is

00:37:03stepping

00:37:04back

00:37:04off

00:37:04followed

00:37:05by

00:37:05Shane

00:37:06which

00:37:07means

00:37:07he's

00:37:08getting

00:37:08off

00:37:08the

00:37:08train

00:37:08a

00:37:08good

00:37:09minute

00:37:09after

00:37:10everyone

00:37:10else

00:37:10enough

00:37:11time

00:37:12if

00:37:12he

00:37:12worked

00:37:13fast

00:37:13you

00:37:14can't

00:37:14see

00:37:14the

00:37:14back

00:37:14of

00:37:14the

00:37:14train

00:37:15from

00:37:15this

00:37:15angle

00:37:15why

00:37:16would

00:37:16he

00:37:16want

00:37:16to

00:37:16kill

00:37:16someone

00:37:17he

00:37:17supposed

00:37:17to

00:37:17be

00:37:17marrying

00:37:19well

00:37:22Shane

00:37:22is

00:37:23a

00:37:23main

00:37:23beneficiary

00:37:24in

00:37:24the

00:37:24will

00:37:24as

00:37:25is

00:37:25Regan

00:37:26is

00:37:27this

00:37:27all

00:37:27the

00:37:27footage

00:37:27according

00:37:28to

00:37:29Noah

00:37:29I

00:37:30stopped

00:37:30recording

00:37:30when

00:37:30Lily

00:37:30got

00:37:31taken

00:37:31onto

00:37:31the

00:37:31train

00:37:32and

00:37:32did

00:37:32you

00:37:32see

00:37:33anything

00:37:33else

00:37:33or

00:37:34anyone

00:37:34else

00:37:34no

00:37:35we'll

00:37:36need

00:37:36your

00:37:36phone

00:37:36and

00:37:37there

00:37:37was

00:37:37nothing

00:37:37unusual

00:37:38in

00:37:38his

00:37:38call

00:37:38log

00:37:39ditto

00:37:39his

00:37:40search

00:37:40history

00:37:40so

00:37:41if

00:37:41Noah

00:37:42is

00:37:42to

00:37:42be

00:37:42believed

00:37:43he

00:37:43wasn't

00:37:44the

00:37:44person

00:37:44who

00:37:44called

00:37:45Crimestoppers

00:37:45well

00:37:46he said

00:37:46he took

00:37:47off

00:37:47once

00:37:47Lily

00:37:47was

00:37:48on

00:37:48board

00:37:48the

00:37:48train

00:37:48where

00:37:49did

00:37:49you

00:37:49go

00:37:50back

00:37:50home

00:37:52well

00:37:52Lily

00:37:53told

00:37:53us

00:37:53you

00:37:53were

00:37:53ghosting

00:37:54her

00:37:54so

00:37:54presumably

00:37:55she

00:37:55couldn't

00:37:56find

00:37:56you

00:37:56there

00:37:56I

00:37:56didn't

00:37:56stick

00:37:57around

00:37:57for

00:37:57long

00:37:57I

00:37:58went

00:37:58to

00:37:58a

00:37:59mate's

00:37:59place

00:37:59well

00:38:00we

00:38:00will

00:38:00need

00:38:00to

00:38:00speak

00:38:00to

00:38:01that

00:38:01mate

00:38:01oh

00:38:01you

00:38:02can't

00:38:02he's

00:38:02in

00:38:02Sydney

00:38:03I

00:38:03needed

00:38:04some

00:38:04space

00:38:04to

00:38:04myself

00:38:04so

00:38:05I

00:38:05crashed

00:38:05out

00:38:05there

00:38:06instead

00:38:09why

00:38:10work

00:38:10out

00:38:10what

00:38:10I

00:38:10was

00:38:10going

00:38:10to

00:38:10do

00:38:11dump

00:38:12Lily

00:38:12and

00:38:13leave

00:38:13town

00:38:14to

00:38:14make

00:38:14it

00:38:14sound

00:38:15worse

00:38:15than

00:38:15it

00:38:15was

00:38:17I

00:38:17was

00:38:17over

00:38:18it

00:38:18this

00:38:19train

00:38:19thing

00:38:19was

00:38:20the

00:38:20last

00:38:20straw

00:38:20and

00:38:21I

00:38:21just

00:38:21wanted

00:38:21to

00:38:21bail

00:38:21without

00:38:22more

00:38:22of

00:38:23Lily's

00:38:23drama

00:38:24yeah

00:38:25I'm

00:38:25not

00:38:25sure

00:38:26I'm

00:38:26buying

00:38:26that

00:38:26agreed

00:38:27where

00:38:28is

00:38:28he

00:38:28now

00:38:28at

00:38:28the

00:38:29McAlvey's

00:38:29but

00:38:29we

00:38:29told

00:38:30him

00:38:30to

00:38:30stick

00:38:30around

00:38:31good

00:38:44about

00:38:44here

00:38:44you

00:38:44reckon

00:38:45yep

00:38:46clear line

00:38:47of sight

00:38:47to the

00:38:47tracks

00:38:50the

00:38:51train

00:38:51would

00:38:52have

00:38:52obscured

00:38:52whatever

00:38:53was

00:38:53happening

00:38:53to

00:38:53Rosalie

00:38:54at

00:38:54the

00:38:54back

00:38:54of

00:38:54it

00:38:55once

00:38:55it

00:38:55moves

00:38:56off

00:38:56though

00:38:57thanks

00:38:58guys

00:39:00hi

00:39:01what

00:39:02am I

00:39:02not

00:39:02allowed

00:39:02to

00:39:03not

00:39:03on

00:39:03my

00:39:03train

00:39:04protocol

00:39:05hardly

00:39:05the worst

00:39:06thing

00:39:06has

00:39:06happened

00:39:06on

00:39:06your

00:39:06train

00:39:07is

00:39:09it

00:39:10if

00:39:11Noah

00:39:11was

00:39:11still

00:39:11close

00:39:12by

00:39:12after

00:39:12the

00:39:13train

00:39:13moved

00:39:13off

00:39:13he

00:39:14would

00:39:14have

00:39:14been

00:39:14able

00:39:15to

00:39:15see

00:39:15Rosalie's

00:39:15body

00:39:16but

00:39:16he

00:39:17claims

00:39:17he

00:39:17didn't

00:39:17make

00:39:17the

00:39:18crime

00:39:18stopper's

00:39:18report

00:39:19but

00:39:20he

00:39:20might

00:39:20have

00:39:20seen

00:39:20who

00:39:20did

00:39:21or

00:39:21he

00:39:22committed

00:39:22the

00:39:22crime

00:39:22himself

00:39:24could

00:39:25the

00:39:25phone

00:39:25have

00:39:26been

00:39:26on

00:39:26a

00:39:26tripod

00:39:27he

00:39:27left

00:39:28it

00:39:28here

00:39:29while

00:39:29he

00:39:29boarded

00:39:29the

00:39:29train

00:39:30the

00:39:31footage

00:39:31is

00:39:31pretty

00:39:31shaky

00:39:32had

00:39:32to

00:39:32be

00:39:32handheld

00:39:33or

00:39:34he

00:39:34was

00:39:34working

00:39:34with

00:39:35someone

00:39:35else

00:39:35he

00:39:35gave

00:39:36them

00:39:36the

00:39:36camera

00:39:36while

00:39:37he

00:39:37went

00:39:37to

00:39:37the

00:39:37train

00:39:37if

00:39:38he

00:39:38is

00:39:38hiding

00:39:39something

00:39:40what's

00:39:40his

00:39:40motive

00:39:47sorry

00:39:47don't

00:39:48know

00:39:48what

00:39:48else

00:39:48I

00:39:48can

00:39:48tell

00:39:48you

00:39:49well

00:39:49what

00:39:49I

00:39:49can

00:39:49tell

00:39:49you

00:39:50is

00:39:50that

00:39:50we've

00:39:50got

00:39:50footage

00:39:51that

00:39:51confirms

00:39:52your

00:39:52story

00:39:52about

00:39:53being

00:39:53last

00:39:53off

00:39:53the

00:39:53train

00:39:54okay

00:39:55good

00:39:56what

00:39:57I'm

00:39:57interested

00:39:57in

00:39:57is

00:39:58what

00:39:58you

00:39:58were

00:39:58doing

00:39:58before

00:39:59that

00:39:59point

00:39:59I

00:40:00told

00:40:00you

00:40:00I

00:40:00was

00:40:01talking

00:40:01to

00:40:01Rosalie

00:40:01she

00:40:02was

00:40:02changing

00:40:03and

00:40:03I

00:40:03thought

00:40:04after

00:40:04that

00:40:04she

00:40:04probably

00:40:04had

00:40:04a

00:40:04cigarette

00:40:05so

00:40:05I

00:40:05left

00:40:05it

00:40:05to

00:40:07it

00:40:08here

00:40:08you

00:40:08are

00:40:08you

00:40:08have

00:40:09to

00:40:09help

00:40:09with

00:40:09what

00:40:09mrs

00:40:10baker's

00:40:10yelling at

00:40:10someone

00:40:11I

00:40:11don't

00:40:11know

00:40:11what's

00:40:11going

00:40:11on

00:40:11okay

00:40:13everything

00:40:13on mrs

00:40:14baker's

00:40:14schedule

00:40:14was

00:40:15time

00:40:15to

00:40:15the

00:40:15minute

00:40:15so

00:40:15I

00:40:16knew

00:40:16she

00:40:16be

00:40:16in

00:40:16a

00:40:16flat

00:40:17had

00:40:17the

00:40:17delay

00:40:18so

00:40:19what

00:40:19schedule

00:40:20yeah

00:40:20nothing

00:40:21left

00:40:21to

00:40:21chance

00:40:24it's

00:40:24like

00:40:24holding on

00:40:25to a

00:40:25little piece

00:40:25of her

00:40:26which

00:40:26is

00:40:27silly

00:40:27I

00:40:28know

00:40:30but

00:40:30I

00:40:30can

00:40:30tell you

00:40:30that

00:40:31when

00:40:31I

00:40:32spoke

00:40:32to

00:40:32rosalie

00:40:32it

00:40:32was

00:40:33around

00:40:332.35

00:40:33p.m

00:40:34changing

00:40:35time

00:40:36can

00:40:36I

00:40:37take

00:40:37that

00:40:38you'll

00:40:39get it

00:40:39back

00:40:41sure

00:40:43I can

00:40:43email you a copy

00:40:44of that too

00:40:44if you like

00:40:44thanks

00:40:46why is it so

00:40:47important to know

00:40:47what I got off

00:40:48the train

00:40:52mrs baker said

00:40:53you might go down

00:40:54that route

00:40:55we're following

00:40:55all lines of

00:40:56inquiry

00:40:57you've got this

00:40:58so wrong

00:41:01that's

00:41:01another branch

00:41:02of

00:41:02the old rail line

00:41:03that's right

00:41:04it's never part of

00:41:05the restoration plan

00:41:06though so

00:41:06most of the tracks

00:41:07were pulled up

00:41:07years ago

00:41:08how were they

00:41:09disposed of

00:41:10no idea

00:41:11suppose it would have

00:41:12been taken off

00:41:12for scrap

00:41:14thank you

00:41:18what's that

00:41:19Regan Barnes

00:41:20yes

00:41:20on bereavement

00:41:21leave of course

00:41:22poor thing

00:41:22just popped in

00:41:23to get a few

00:41:23things

00:41:24yes

00:41:25yes

00:41:26yes

00:41:42yes

00:41:44yes

00:41:45yes

00:41:46yes

00:41:48yes

00:41:52yes

00:41:54yes

00:41:57Hello?

00:41:58Hi there.

00:41:59You alright?

00:42:00Yeah, just taking a walk.

00:42:03Helps me think.

00:42:05Am I right in thinking that this used to be the old Johnson sawmill line?

00:42:09It's going back a bit, but yeah.

00:42:12Is Troy around by any chance?

00:42:14Well, he's out just now, but he shouldn't be too long.

00:42:18I'm happy to wait.

00:42:29Oh, you'd better come up to the house then.

00:42:32Oh, well, if you insist.

00:42:38And this is where you tell me I haven't changed a bit.

00:42:41Apologies, they caught my eye.

00:42:43That's okay.

00:42:44I took a long stroll down memory lane last night.

00:42:46This is you and Rosalie?

00:42:48Hmm.

00:42:50You, uh, obviously had some adventures.

00:42:52Oh, Rosalie, she was the adventurous one.

00:42:55She taught me into all sorts of things.

00:42:56There's one that I saw on a roller coaster somewhere.

00:42:58The look on my face.

00:42:59Is this Troy?

00:43:01Hmm.

00:43:03He was born overseas?

00:43:05Poland.

00:43:06And I hope you're not going to ask me about the father.

00:43:09No.

00:43:10Well, that is the end of the adventures.

00:43:13Well, it started a new one, I suppose.

00:43:15Parenthood.

00:43:17Oh, solo parenthood.

00:43:20I moved home when Troy was a few months old.

00:43:23We'd be back in here with mum and dad.

00:43:24And they were remarkably non-judgmental, given the circumstances.

00:43:30And Rosalie?

00:43:33Three years in New York.

00:43:38Two in Paris.

00:43:39And God knows where after that.

00:43:40We lost touch.

00:43:42Our lives were so different.

00:43:52Shane mentioned he went up to the cubicle, just after the train stop.

00:43:56I guess so.

00:43:58What, you didn't see him go?

00:44:00I saw him come back, if that helps.

00:44:02Everyone else had got off by then, so I got back on to find him.

00:44:06I told him Mrs Baker was stressing out and he should go and see what was up.

00:44:09And did he?

00:44:11Yes, but I got off before him.

00:44:13So there was a time when she and Shane may have been the only two people in the carriage.

00:44:23You don't think?

00:44:24No, we're just trying to establish a timeline, that's all.

00:44:27But if you do have reason to believe that Shane wanted to harm your mother, then you should tell us.

00:44:35Regan?

00:44:37Mum was super rich and Shane is super broke.

00:44:41The only thing he has is thousands of dollars of debt.

00:44:46I don't know where Troy's got to.

00:44:47He should be back by now.

00:44:49Oh, sorry.

00:44:52Sims.

00:44:53Regan Barnes is suggesting Shane Griffin has money issues.

00:44:55I see.

00:44:57Bring her in.

00:44:58Copy that.

00:45:00I'm just calling Troy.

00:45:02Tell him I'll catch up with him another time.

00:45:13It's a big call you've made suggesting that Shane Griffin killed Rosalie for her money.

00:45:19I didn't say that.

00:45:20No, you stopped just short.

00:45:22I don't want to believe it, but the facts are the facts.

00:45:25I thought you should know.

00:45:27This debt of Shane's, how do you know about it?

00:45:30I work for the council, in the rates department.

00:45:32Shane's house is owned by his dad, who's in a dementia care unit, but he hasn't paid his rates for

00:45:37the last 20 years.

00:45:38And Shane is responsible for that?

00:45:40He has power of attorney.

00:45:41But no way of paying.

00:45:43Well, it's nearly $200,000.

00:45:46The council's been talking about forcing the sale of the house.

00:45:49Well, Shane wanted access to Rosalie's money.

00:45:52Surely marrying her would get him that.

00:45:53It was still her decision what to do with it.

00:45:56Maybe she didn't know about the debt.

00:45:57She never mentioned it.

00:45:59Why didn't you tell her?

00:46:01And lose my job for breaking confidentiality.

00:46:03Did Rosalie ever mention changing her will to include Shane?

00:46:07Not to me.

00:46:10She did, though, didn't she?

00:46:13But whether Shane knew that is another question.

00:46:22This way.

00:46:25How'd you get along with the council?

00:46:26I'm still on hold.

00:46:28But they said my call was very important to them.

00:46:30Be quick and walk.

00:46:33Hmm.

00:46:34Uh, talk to Shane.

00:46:36See what he has to say for himself.

00:46:38Yes, I'm afraid Dad did let things get out of hand.

00:46:42I don't know if it was his dementia or just sheer bloody-mindedness.

00:46:45How's that?

00:46:46Well, there was a dispute with the council over a boundary line years ago.

00:46:50Dad used to get pretty worked up about it.

00:46:52So he stopped paying his rates.

00:46:55Did Rosalie know about the debt?

00:46:57Yeah, of course.

00:46:58We didn't have any secrets.

00:47:00Good news, I think.

00:47:02Case closed.

00:47:03No, our case.

00:47:04Not yours.

00:47:05Or is it?

00:47:06Closed, I mean.

00:47:07I mean, I wouldn't know, would I?

00:47:09How could I?

00:47:10I mean, could I?

00:47:11No.

00:47:11Sorry.

00:47:13I've been talking to the council about it, and I'm paying it off in instalments,

00:47:16but it's just, it's all the interest and the penalties.

00:47:19It's a real cooker.

00:47:21I bet.

00:47:24No, that was DSS Shepard calling from the council office.

00:47:28Your father's rates debt was paid in full today,

00:47:33a scheduled payment from the account of Rosalie Barnes,

00:47:36with the reference wedding gift.

00:47:53It was Regan, wasn't it?

00:47:56Who told you about the debt?

00:47:58I knew she didn't think much of me, but I didn't think she'd think to that.

00:48:00Well, she's just lost her mother.

00:48:02She's looking for answers.

00:48:04I feel sorry for her.

00:48:06They never really got along.

00:48:07Well, Rosalie was a wonderful woman, but motherhood was not her forte.

00:48:11She was always fighting fault with Regan, with her hair and with her clothes and with her attitude.

00:48:17Mothers and daughters, eh?

00:48:20The last big blow-up was a few weeks ago.

00:48:22We'd asked Regan to meet us for a drink, and while I was running late...

00:48:26I don't believe this.

00:48:29You're a sad, old, miserable drunk.

00:48:32Darling, I'm trying to help you.

00:48:34No, you're just trying to control me!

00:48:36What's new?

00:48:38Regan.

00:48:39Regan!

00:48:40Get back here!

00:48:43What was that about?

00:48:46A man.

00:48:48Did she say who the man was?

00:48:50Oh, I didn't think it was my business.

00:48:52Not her father.

00:48:58I don't.

00:48:59I don't.

00:49:00I don't.

00:49:01I don't.

00:49:02I don't.

00:49:03I don't.

00:49:04You don't know that.

00:49:06No, I think I do.

00:49:07Anyway, that's not the point.

00:49:09I'm just saying I wouldn't like it, but I wouldn't bash her over the head with a piece of railway

00:49:13line.

00:49:14I don't think Regan went that far either.

00:49:16Noah's video and all the other evidence suggest that she didn't get the opportunity.

00:49:21Shane, on the other hand.

00:49:22Senior.

00:49:29Yeah, Mum said you wanted to see me.

00:49:32I was out your way.

00:49:33I thought a chat might be useful.

00:49:35You've probably seen our search team working along the railway tracks.

00:49:39Yeah.

00:49:40Yeah, we need to extend the search into the surrounding properties.

00:49:44There's a chance the offender has disposed of the murder weapon somewhere in the area.

00:49:49Right.

00:49:51What was the weapon?

00:49:52We're still ascertaining that.

00:49:55If you have no objections, I could come out with a team this afternoon, take a look around.

00:50:00Yeah, go for it.

00:50:01You're wasting your time, mate.

00:50:02Yeah, very likely.

00:50:03It's all part of the job, though.

00:50:06That's it, then.

00:50:07One more thing.

00:50:08You said you were working on a fence that afternoon.

00:50:11Yeah.

00:50:12Did anyone see you?

00:50:14Yeah, Jock Wilson.

00:50:16He's got the neighbouring farm laid up with a broken ankle.

00:50:19But, uh, gave me a wave around, uh, three o'clock.

00:50:24Oh.

00:50:25Good to know.

00:50:34Hey, Sums.

00:50:35Get your gunboats.

00:50:37Get your gunboats.

00:50:54They look like railway tracks, don't they?

00:50:56Yeah, they were, uh, lying around out by the road for years.

00:51:01What are your eyes, sir?

00:51:04Nobody wanted them, so, uh...

00:51:06So, you decide to help yourself.

00:51:08Thought they might come in handy one day?

00:51:11I had a mother-in-law that was like that with ice cream containers.

00:51:18So, I had a word to Jock, and, yes, he does remember seeing Troy working on the fence at exactly

00:51:25three o'clock.

00:51:26He knows it was three o'clock because he'd just turned on the wireless to listen to the news.

00:51:31Yes, Jock, old school.

00:51:32Then I got a full rundown of the day's activities, starting with Wordle, first thing in the morning, he got

00:51:38it in three, through till five o'clock when he sat down to watch The Chase, which is when he

00:51:42happened to glance out the window and see Troy still at it.

00:51:45Hard worker, that boy, needs feeding up.

00:51:48It's chicken soup from Jock's freezer.

00:51:50Yeah, ta.

00:51:51Thanks again for your time.

00:51:52I'm so full of shit!

00:51:54Pass off and leave me alone!

00:51:59Any idea what that was about?

00:52:01Yeah, young love.

00:52:09They were just lying there.

00:52:13Undisturbed by the look of the weeds.

00:52:16Then again, someone could have just slid one out from the back.

00:52:19Those things weigh a ton.

00:52:20If you're going to use it as a weapon, you'd want to cut it down, right?

00:52:23There were tools in the shed that could have done that.

00:52:26Who had access?

00:52:27To the rails?

00:52:28Uh, Troy, Bridges, Lily, Noah.

00:52:32Or anyone who knew where they were and wanted to point the finger at the McKelvies.

00:52:36Yeah, maybe.

00:52:37I'm wondering how quickly I could get from the crime scene to the Old Creek paddock fence line.

00:52:43Where Jock saw Troy working at 3pm.

00:52:46Lily's protest stopped the train here at 2.40.

00:52:50It moved off again five minutes later and Rosalie's body was reported on the tracks at 2.47.

00:52:56So, if Troy's our man, he had less than 20 minutes to get from point A to point B.

00:53:04Is that even doable?

00:53:06There's only one way to find out.

00:53:12Okay, here we go.

00:53:15Ready.

00:53:18Set.

00:53:19Go!

00:53:33Come on, man, we don't have all drag.

00:53:5422 minutes, 43 seconds.

00:53:58Too slow.

00:54:02So, unless Troy McKelvey can run like Usain Bolt, he probably doesn't kill Rosalie.

00:54:11You know, I gotta say, I thought you'd be faster.

00:54:14It was soft, underfoot.

00:54:15Challenging conditions.

00:54:17Usain Bolt couldn't run like Usain Bolt in that terrain.

00:54:19Hang on.

00:54:22Hang on.

00:54:24Is that...

00:54:34Going somewhere, Noel?

00:54:36We thought you were told not to leave town.

00:54:38I had to get away from Lily.

00:54:39She's doing my head in.

00:54:40You're not having much luck with this hitchhiking thing, are you?

00:54:43No, this is, uh, this is perfect.

00:54:46You guys are going to be my first stop.

00:54:48Good idea.

00:54:49Good idea.

00:54:55Is he bad on me?

00:55:00Right, Noah.

00:55:02What have you got for us?

00:55:03Oh, well, I may have not given you the full picture earlier.

00:55:07Come on, back on the train!

00:55:22On the train left, I didn't know what to do, so I started heading back to the house.

00:55:26You know, she's Lily's nana.

00:55:27They gave me a place to stay.

00:55:28I felt like I owed them some loyalty.

00:55:30So that's why you didn't tell us, but did you tell Lily?

00:55:34What, that her nan's a murderer?

00:55:38Yeah.

00:55:39Yeah, yeah, I did.

00:55:40Eventually, uh, well, you saw how that went.

00:55:43You are so full of shit!

00:55:44Lily, what?

00:55:45Puss off and leave me alone!

00:55:46At least you didn't want to believe me.

00:55:48There's no coming back from that.

00:55:49It's better you just head the road.

00:55:56So she was protesting about coal trains, then got run over by a coal train.

00:56:01Karma can be cruel at times.

00:56:03Well, that's not quite.

00:56:05Frodo, you know I can't comment on an ongoing investigation.

00:56:08Yeah, no.

00:56:09Of course.

00:56:11Excuse me.

00:56:13Regan, I just want to thank you for bringing Shane's rates issue to our attention.

00:56:19No worries.

00:56:20You might not be up with the latest, but the debt has been paid off.

00:56:25What?

00:56:25By your mother.

00:56:27Um, scheduled payment.

00:56:29A wedding gift.

00:56:30That must be a relief for Shane.

00:56:33Excuse me, I have to go.

00:56:42Simps.

00:56:42A witness has Bridget McKelvey at the scene.

00:56:44Yeah, I'll be there.

00:56:50We have a witness that puts you with Rosalie's body after the train left.

00:56:54What witness?

00:56:55Are you denying that you were there?

00:56:58Okay, all right.

00:57:01Despite everything, I wanted to see the line in action again.

00:57:08And the train had moved off while I was watching, and that's when I saw her.

00:57:13Did you see anyone else there?

00:57:15No.

00:57:16A report was made to Crimestoppers around that time.

00:57:18Was that by you?

00:57:20One last act of kindness for your former friend, perhaps?

00:57:24If we checked your phone, would we find evidence of that call?

00:57:33Yes.

00:57:35What was me?

00:57:43Well, I couldn't just leave her there.

00:57:47After what you'd done.

00:57:49What?

00:57:50Where you had motive.

00:57:51Your conflict over the railway line.

00:57:53Access to the likely murder weapon on your property.

00:57:56And opportunity.

00:57:57You were there when the train stopped.

00:58:00Did you climb aboard and murder Rosalie Barnes?

00:58:05You might want to call a lawyer, Ms. McKelvey.

00:58:12That feels like the closest we're going to get to a confession.

00:58:16What we have is only circumstantial, and I think Bridget knows that.

00:58:19Hmm.

00:58:20How did she know that the train would stop?

00:58:22Or that Rosalie would be at the front of the carriage?

00:58:25Maybe the details of Lily's protest are in the family group chat.

00:58:30Let's find out how chatty they were.

00:58:45I've just called Dad.

00:58:47He'll be here soon.

00:58:49That's fine.

00:58:51Lily, how much did your nan know about your protest?

00:58:54What do you mean?

00:58:55Did she know exactly when you'd be stopping the train?

00:59:00I doubt it.

00:59:01Why would you want to know that?

00:59:06What?

00:59:07So she could get on board and attack Rosalie or something?

00:59:10No.

00:59:11No, wait.

00:59:12She would never do something like that.

00:59:14It was just me and Noah.

00:59:16Okay?

00:59:17Nan had nothing to do with it.

00:59:18Nothing to do with what?

00:59:19I was about to inform Lily.

00:59:22We've arrested Bridget for Rosalie's murder.

00:59:25What?

00:59:27Wanted to talk to her?

00:59:28Well, you can't just yet.

00:59:30You got it wrong.

00:59:31Have we?

00:59:33Bridget was seen on the tracks next to Rosalie's body.

00:59:36Your mother has found herself in a serious situation.

00:59:38As will Lily if we find out that she's been lying to us.

00:59:45Do you think we got to Troy?

00:59:48Without a murder weapon, it's hard to make those charges stick.

00:59:53Hey, what have you got?

00:59:55Mrs. Baker's run sheet.

00:59:57Everyone who had it would have known that Rosalie was scheduled to be at the front of the carriage to

01:00:02change outfits.

01:00:03So, Mrs. Baker, Rosalie, Shane?

01:00:06Yeah, but there was someone else.

01:00:09Shane emailed me a copy of the run sheet.

01:00:11And as I scrolled back through the chain, I saw all the recipients.

01:00:14Including someone who received it in error.

01:00:19Hi, it's Becky.

01:00:21I'm mortified.

01:00:23When DC Chalmers called, I could have kicked myself.

01:00:25In my defence, it was an easy mistake to make.

01:00:27Her address was very similar to Rosalie's.

01:00:31Regan Barnes.

01:00:32Well, she said she didn't know about the wedding.

01:00:35I guess it is possible she never read the email.

01:00:38Or...

01:00:39She's lying to us.

01:00:42Hey, I've got a little job for you.

01:00:48Hi, Regan.

01:00:49It's Detective Sims.

01:00:51I was hoping we could have a chat.

01:00:58Sorry to intrude.

01:00:59Well, you actually shut up.

01:01:01We were just going through some photos for the remembrance board.

01:01:04Thought we'd do it over at Pimm's.

01:01:06So much to choose from.

01:01:07It's such an amazing life she had.

01:01:09Could we have a private word?

01:01:10Sure.

01:01:11What about this one of you and your mum?

01:01:13Yeah or nay?

01:01:13No.

01:01:15Some people find their baby photos embarrassing, I suppose.

01:01:19Did not rock the boat.

01:01:23Regan, some of the things you told us don't match up to what we've discovered elsewhere.

01:01:28Did you like me to spell them out for you or would you like to tell me yourself?

01:01:33God, um, I was afraid this would come up.

01:01:36I did tell a white lie but it was only because I wanted to protect him.

01:01:40Who?

01:01:41Dad.

01:01:43Keep talking?

01:01:44When the other guy was asking Dad about the bunch of roses,

01:01:47I told him that I'd been the one to deliver them to mum.

01:01:51But that wasn't true.

01:01:52Dad was there that day.

01:01:54He was on the train.

01:01:59I need to see my nana.

01:02:00Which person is yours?

01:02:02How many old women do you have in custody, you factious pigs?

01:02:05All right.

01:02:06Take it down a notch.

01:02:07No, where is she?

01:02:09If you calm down, you can come on through.

01:02:14You good?

01:02:19Where's your dad?

01:02:21Shouldn't be alone when you're this upset.

01:02:22I don't know.

01:02:23He took off after those other cops came around.

01:02:26I'll make you a cup of tea.

01:02:27Try calling him again.

01:02:42Okay, yes.

01:02:44I put the roses on the train.

01:02:45I promise you.

01:02:46I took off before I saw Rosalie.

01:02:48Why give her flowers at all?

01:02:49I wanted her to know I wished her well.

01:02:51It was her big day.

01:02:52You knew about the wedding.

01:02:54How?

01:02:55She told me.

01:02:56After we signed the papers.

01:02:57Two champagnes.

01:02:59First date, right?

01:03:00Last, actually.

01:03:01We just got divorced.

01:03:03Oh, slave.

01:03:04Sorry.

01:03:05No, not at all.

01:03:07We are celebrating closure.

01:03:10To the end of our journey.

01:03:20Happy ex-wife, happy life, right?

01:03:22Do you really mean that?

01:03:24Don't tell me you want half the house after all.

01:03:26I want something from you, but not that.

01:03:29What?

01:03:30Shane and I are going to get married.

01:03:33Quite soon.

01:03:35I'd love it if you would give us your blessing.

01:03:38Yeah, she'd ask for the moon, that one.

01:03:40And not for a second think why you might not be able to give it to her.

01:03:43Well, I got there in the end.

01:03:44That's what the flowers were.

01:03:46Closure for me.

01:03:47A new start for her.

01:03:48So why lie about your whereabouts that day?

01:03:51Or rather, why I let Regan lie for you.

01:03:53I was in shock.

01:03:54And I suppose I was worried how it might look to you lot.

01:03:57How's that?

01:03:59Like the angry ex did it.

01:04:01You would have heard about those fights we had in public.

01:04:04But that was early on.

01:04:05I got over it.

01:04:06What about Regan?

01:04:08Not so forgiving.

01:04:10I blamed her mum for the breakup.

01:04:11She always took my side, even though I was no angel.

01:04:14I never asked her to lie.

01:04:16Anyhow, I didn't think it would matter, since I had an alibi.

01:04:21You're Gardner.

01:04:23So, why do you think Regan decided to tell the truth now?

01:04:26No clue.

01:04:28I love that girl to bits.

01:04:30But Rosie had that girl in therapy for years.

01:04:31I still have no idea what makes her tick.

01:04:41The tickies have Regan's laptop.

01:04:43They should be able to find out if she opened that run sheet attachment or if it went straight

01:04:48to spam, like she claimed.

01:04:49Since she's been erratic with the truth, I wanted to check on her movements.

01:04:54I saw her get picked up by someone at the council offices while her car was in for a service.

01:05:00I've got the council CCTV footage.

01:05:09Okay.

01:05:10That ute.

01:05:12That's Troy McKelvey's.

01:05:13So he was playing taxi.

01:05:15Well, that makes sense.

01:05:16Helping her out as she grieves her mother.

01:05:18An olive branch, perhaps?

01:05:19Well, I saw him parked outside Hayden's place today.

01:05:22He took off when he saw me.

01:05:23And they were both at the coffee cart today?

01:05:25Together?

01:05:26No.

01:05:27Regan took off when she saw him.

01:05:29It's almost like she's not going to be seen with him.

01:05:31Because the families hate each other?

01:05:34Or an illicit love affair?

01:05:36Well, Shane did say that Rosalie and Regan had been arguing about a guy she was seeing.

01:05:40Well, there you go.

01:05:41Romeo and Juliet.

01:05:43And Troy kills Rosalie so that he and Regan can be together.

01:05:46Well, they are both grown adults.

01:05:49They don't need parental permission to be in a relationship.

01:05:52And killing your partner's mother is hardly a romantic gesture.

01:05:58Can you tell me when Troy shows up to pick up Lily?

01:06:09Troy and Regan.

01:06:11What do you know about their relationship?

01:06:13There isn't one.

01:06:14They hardly know each other.

01:06:15Yes, given the hostility between your families.

01:06:19How far back does that go?

01:06:20What do you mean?

01:06:22Troy and Regan, did they know each other when they were young?

01:06:24I told you.

01:06:26After Rosalie came back here, we didn't have much to do with each other.

01:06:29Well, I was busy with Troy trying to make a go of the farm.

01:06:32And Rosalie was busy snagging herself a rich young husband.

01:06:37Different worlds.

01:06:39And then there was the conflict over the rail.

01:06:41Oh, Rosalie always had to get away, no matter who she hurt.

01:06:45I guess that almost counts as a motive.

01:06:48What?

01:06:49You seem determined to prove that you have one.

01:06:53Troy McHelvey's here.

01:06:54He wants to talk.

01:06:58But whatever mum might be saying, she didn't kill Rosalie.

01:07:02How can you be so sure?

01:07:03Well, she's pretty fit for her age.

01:07:06But it's still a big ask, isn't it?

01:07:08To think that she could climb onto a train, attack Rosalie, throw her off the back and then jump off.

01:07:15All in a matter of minutes.

01:07:17Well, you seem to have a very clear idea of what happened.

01:07:20Do you want to tell us about the murder weapon too?

01:07:23Well, how about I tell you that we believe it was a length of sawn-off rail line.

01:07:27The likes of which were lying around on your farm that Bridget would have had access to.

01:07:33She also had a motive.

01:07:34So did I.

01:07:36It doesn't prove anything.

01:07:37Well, it could be either of you.

01:07:39It could be both.

01:07:41Were you working together?

01:07:43No.

01:07:45I was in the paddock.

01:07:48Jock saw me.

01:07:49You remember?

01:07:50I do.

01:07:51So unless you want to change your story, Bridget will remain in custody.

01:07:57Why don't you tell us about your relationship with Regan Barnes?

01:08:01There is no relationship.

01:08:03You've been seen near each other multiple times recently.

01:08:07Today, for example, when I saw you waiting outside her house,

01:08:11picking her up from the council offices yesterday.

01:08:13We hung out a few times, that's all.

01:08:16You dated?

01:08:18Regan pulled a pin long before it got close to that.

01:08:20Because her mother disapproved?

01:08:24Rosalie interfered?

01:08:25Regan called time?

01:08:28And how did that make you feel?

01:08:30Angry?

01:08:33No.

01:08:34It wasn't like that.

01:08:36So why have you been trying to see her?

01:08:37The woman just lost her mother.

01:08:39I was offering her condolences.

01:08:42That's all.

01:08:44Nothing concrete to charge him with?

01:08:47Hopefully his concern for Bridget will keep him close by.

01:08:49Bye.

01:08:51Gina.

01:08:55I brought you this.

01:08:56Oh.

01:08:57The love train.

01:08:59A trans-Siberian journey into the heart of Russia.

01:09:01You were so interested yesterday.

01:09:03The translation is poor, but the story...

01:09:05Oh, thank you.

01:09:10Actually, are you free tomorrow morning?

01:09:13For you?

01:09:13Yes, of course.

01:09:15Work or pleasure?

01:09:16What, sir?

01:09:17But both.

01:09:18Let's call it field work.

01:09:19I look forward to it.

01:09:25What?

01:09:26What?

01:09:27I said it was work, didn't I?

01:09:40I say that.

01:09:41Well, you'd better get it in there quicker than this.

01:09:50So romantic.

01:09:52Steam travel.

01:09:54Thank you for this, Mike.

01:09:56I'm taking it off my bucket list.

01:09:58Where's the noise?

01:09:59Huh?

01:10:03What?

01:10:17Come here.

01:10:23Oh, hungry.

01:10:24Oh, my.

01:10:26Oh, my.

01:10:41Right, this is where the work part of the trip begins.

01:10:47Okay, start the train up again, same speed as the other day.

01:10:51I'll tell you when to stop.

01:10:52Roger that.

01:10:53Yeah, I'll roger that too.

01:10:58I'll tell you when to stop.

01:11:28I'll answer.

01:11:29Is this like her?

01:11:30Not the first time she's taken off to get her head together.

01:11:33Stop here, please.

01:11:34What?

01:11:35No, no, not you. Keep looking.

01:11:36Gotta go.

01:11:44There are better spots for a picnic further back.

01:11:48Eight minutes.

01:11:49Mike, if this is all you needed to calculate, I could have done it with simple mathematics.

01:11:54If a train leaves point A, traveling at X kilometers per hour...

01:11:59Ah, yes.

01:11:59But what would happen if a person jumped from a moving train, traveling at X kilometers per

01:12:04hour?

01:12:05I think this is not a hypothetical question.

01:12:08If they were fit and strong in their role on landing, they could survive jumping from

01:12:13a moving train with no injuries.

01:12:16Still need to clear the fence and make it to the paddock, though, to be seen from Jock's

01:12:20house.

01:12:27Oh, move a bit slower.

01:12:34Imagine you're carrying a heavy murder weapon.

01:12:36I often imagine this for my job.

01:12:41Mike, some of these fence posts are made of iron.

01:12:45A very particular iron.

01:12:49Yeah, and a person of interest was seen here on the day, mending the fiends.

01:13:09And a person of interest was seen here on the day, mending the fiends.

01:13:39But put the knife away, Regan.

01:13:41Put the knife down, Regan.

01:13:42Put it down, Regan.

01:13:43That's a good idea, Regan.

01:13:44You have to help me.

01:13:45He killed my mother.

01:13:46Yeah, that's the conclusion I came to.

01:13:48You have to arrest him.

01:13:50Take him away.

01:13:50He's dangerous.

01:13:51I can certainly take care of things from here.

01:13:54Regan, put the knife down, please.

01:13:55You have to arrest him.

01:13:57I will, but I can't do that until you put the knife down.

01:13:59You won't let him get away.

01:14:01Backup's on the way.

01:14:02You're not going anywhere, are you, Troy?

01:14:05Except jail.

01:14:06Regan.

01:14:10Regan.

01:14:18What are you doing?

01:14:19No, no, it's him.

01:14:20He killed her.

01:14:21But he didn't do it alone.

01:14:23Regan Barnes, I'm arresting you as an accomplice in the murder of Rosalie Barnes.

01:14:27So you have a right to remain silent.

01:14:28You do not have the right...

01:14:29No, I didn't do it.

01:14:31Give it up, Regan.

01:14:33Give it up.

01:14:34There ain't no point lying anymore.

01:14:38I'm going to take your handcuffs off of you now.

01:14:47She won't do it.

01:14:49She won't want to leave.

01:14:51Oh, she won't do it.

01:14:53She won't do it.

01:14:56You don't have to say anything, remember?

01:14:58No.

01:15:06It was always about her.

01:15:08Everything was always about her.

01:15:10She never pulled me first.

01:15:12And some mothers are supposed to do this first, but they told us first.

01:15:14But she never said she was selfish.

01:15:18And she used people.

01:15:20Everyone.

01:15:21Me.

01:15:22And Dad.

01:15:24And Bridget.

01:15:25And everyone.

01:15:29Why?

01:15:34The psych team are on their way.

01:15:36What color were your mother's eyes?

01:15:41What songs did she sing to you in the night?

01:15:45Did she comb your hair and tie it up?

01:15:50When she looked at you, did she see herself?

01:16:07Take me to the place where you grew your home.

01:16:19It took me a while to figure out how you did it.

01:16:22For starters, how did you know that Rosalie would be in the cubicle when the train stopped?

01:16:27And then I realized, Regan knew.

01:16:31She got sent the run sheet by mistake.

01:16:36The only place to change is at the front of the carriage.

01:16:39There's a cubicle.

01:16:39That's where she'll be.

01:16:41You knew enough about Lily's protest to know where she would stop the train.

01:16:46So you lay in wait.

01:16:51You wanted Rosalie's death to look like an accident.

01:16:54So your weapon matched the rails that Rosalie would fall on.

01:17:08And then with everyone preoccupied by the protests, you made your move.

01:17:16Oh, fortune tell them

01:17:20Don't tell me

01:17:23Tomor

01:17:28Count it on my fingers

01:17:48What you didn't know is that Bridget saw you.

01:17:52What?

01:17:53She was there.

01:17:55She saw it all.

01:18:08You then hid in the cubicle, quicker to train to Old Creek Paddock than to run.

01:18:22Making it in time to be seen by Jock at 3pm, you returned later to conceal the murder weapon,

01:18:28having welded it back to the rail.

01:18:44Buried, it became part of the fence line.

01:18:55Smart guy, aren't you?

01:18:56To be fair, I didn't have it all figured out.

01:19:00I mean, I could see what your motive would be, but Regan, why would she have wanted her

01:19:07mother dead?

01:19:09Look, I've never seen her like that before.

01:19:13Completely out of her mind.

01:19:20You shouldn't be here.

01:19:21The police think I had something to do with it.

01:19:23Yeah?

01:19:24Well, showing up here isn't going to make you look more innocent.

01:19:26Well, what do I do?

01:19:29Regs, listen to me.

01:19:31The cops think it was Mum.

01:19:32They've arrested her.

01:19:34What?

01:19:35She's letting them think it was her.

01:19:39I tried to talk to her.

01:19:42Talked some sense and she wouldn't listen.

01:19:44What the hell is the matter with you?

01:19:45But that's good.

01:19:46If she's prepared to take the blame, that's good.

01:19:48Look, I can't do that to Mum, I can't.

01:19:50But if Bridget's already convinced...

01:19:51Look, it doesn't matter.

01:19:54I'll leave you out of it, I promise.

01:19:56What?

01:19:56The cops don't need to know you had anything to do with it.

01:19:59It's just me.

01:20:00No, they'll know.

01:20:01They'll work it out.

01:20:02You'll say the wrong thing.

01:20:03Please, don't...

01:20:04They will believe me.

01:20:06For Mum's sake.

01:20:15Make them believe you.

01:20:17Show them how desperate you are.

01:20:22I'll help you.

01:20:23Put the knife down, Regan.

01:20:24Put the knife down.

01:20:25Come on, put the knife away, Regan.

01:20:27She wanted you to look guilty by taking your own life.

01:20:31That's a rather extreme suggestion.

01:20:34It's the only way she could trust me not to drop her in it.

01:20:37Rosalie disapproved of your relationship.

01:20:40You see, that's the bit I couldn't understand.

01:20:44Until I spoke to Bridget again.

01:20:47The photo of Troy as a baby, it was taken at a maternity hospital.

01:20:52In Poland, I told you.

01:20:53I saw a similar photo yesterday.

01:20:56Same curtain, same pictures on the wall.

01:20:58Same baby.

01:21:00Only the woman holding him was Rosalie.

01:21:03So?

01:21:04She was there on the day?

01:21:06Of course she was.

01:21:08She was wearing a hospital gown.

01:21:10And a patient bracelet.

01:21:11The last letters of your name were clearly visible.

01:21:15It was Rosalie who gave birth, but to the hospital was Bridget McKelvey.

01:21:19It was your name on the birth certificate.

01:21:23Who were we hurting?

01:21:26I wanted a child.

01:21:29And Rosalie wasn't ready to be a mother.

01:21:32Never really was.

01:21:34Asked Regan.

01:21:35Did Troy know all this?

01:21:37Oh, Aunt Regan must have told him.

01:21:40She came to me in a state a few weeks back.

01:21:43Is it true?

01:21:44What?

01:21:45What my selfish cowl of her mother said, is it true?

01:21:48I finally find a decent man.

01:21:49And mum has to ruin it.

01:21:51She can't stand, send anyone else happy.

01:21:53Least of all me.

01:21:54She just has to hoard it all for herself.

01:21:56All the attention, all the love.

01:21:58She's just sick.

01:21:58Regan, listen.

01:22:00No, just tell me.

01:22:01Is it true?

01:22:03It's Troy, my brother.

01:22:16If it were up to me, Troy would never have known.

01:22:21He's mine.

01:22:23And that's all that matters.

01:22:27Regan obviously told you.

01:22:30And you didn't say anything to Bridget.

01:22:35It didn't change anything between us.

01:22:37But it changed everything with Regan.

01:22:40She told me at the pub.

01:22:42And yeah, she was a little dark on it.

01:22:44Hey.

01:22:47If Rosalie had been a better mother to her,

01:22:50she might have been able to let it go.

01:22:53But...

01:22:55Ah, something snapped.

01:22:59She was obsessed with getting back at her.

01:23:02And then, at a point,

01:23:04she shared her plan with you.

01:23:11Don't bail on me now.

01:23:15We deserve some happiness.

01:23:16So does Bridget.

01:23:19Since we can't be together,

01:23:20we can at least get us all some money.

01:23:22You went along with her plan to frame Shane.

01:23:30Proof of his debt, Mr. Doyle.

01:23:32I bloody hope so.

01:23:33You believed that Regan would inherit a large chunk of money from Rosalie.

01:23:39Regan offered to share it with you.

01:23:41Maybe it was enough to clear your debts.

01:23:44Keep Bridget in her old age.

01:23:47What you didn't know was that Rosalie had already committed most of her funds to clearing Shane's rates bill.

01:23:54You killed her for money that was never coming your way.

01:24:16Thank you for a lovely service.

01:24:18May she rest in peace now.

01:24:19Time for a Pimms, I feel.

01:24:23Trains keep on rolling

01:24:30throughout the little town

01:24:37it all feels different

01:24:41without you around

01:24:46Lovely, isn't it?

01:24:48How a funeral can bring people together.

01:24:51Funerals and free beer.

01:24:53Excuse me?

01:24:55Put it on my tab.

01:24:57Not until mention what kind of tab you're running.

01:25:00Tell him.

01:25:01Now.

01:25:03Trudy offered me a year of free tab beer

01:25:06because I did a favour for her.

01:25:09Shifting some stolen goods.

01:25:12It wasn't as dodgy as it sounds.

01:25:15And don't think I haven't been keeping track either.

01:25:18Your year's up as of yesterday.

01:25:19Shut up.

01:25:20Excuse me, I don't want to come between you two lovebirds.

01:25:23What the hell is that supposed to mean?

01:25:25Just try to keep it seemly, eh?

01:25:26This is a wake, after all.

01:25:29Another beer?

01:25:30Yeah, I reckon.

01:25:32On your tab?

01:25:32I haven't got a bloody tab.

01:25:34Start one.

01:25:40That's right.

01:25:42Let's go.

01:25:43Let's go.

01:25:44Alright.

01:25:44Just wait.

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