00:08Musik
00:24Musik und ihre Instrumenten haben lange mit dem Leben auf der Silke Road gehalten.
00:29In vielen Traditionen, sie wurden als eine Art, um die Emotionen zu beeinflussen,
00:33um Energie zu bringen und um die wichtigste Momenten zu bringen.
00:36In Andižan, in the east of Uzbekistan, these ideas are reflected in the ongoing work of instrument makers and performers.
00:44From the time of Amir Simur to the present day, musical instruments in Andižan have remained an important part of
00:51cultural life.
00:52Their sound continues to come many generations of audiences and musicians.
00:57Abdul-Malik Madrayimov has spent more than 55 years developing and producing national musical instruments such as dutar, tambour, gejak
01:06and doira in one of the country's largest specialized workshops.
01:18In his own workshop, Abdul-Malik and his apprentices produce instruments for all levels, from schools to higher education institutions,
01:26as well as for professional musicians.
01:42While in Andižan, instruments are reconstructed and refined in workshops in the southern region of Surkhandariya, they are part of
01:49a living oral tradition.
01:51Bakşi performers carry epics through memory and improvisation.
01:55This tradition is not fixed. Each performance is shaped in the moment.
02:02Bakşi learn by listening, not by reading notes.
02:04The melody passes from one generation to the next, from hand to hand, from voice to voice.
02:23From Surkhandariya, where the Dombra guides oral performance, the journey continues west to Karakal, Pakistan, where craftsmanship plays a central
02:31role in shaping sound.
02:33In this region of the country, instruments such as the Kobbiz are still made by hand.
02:41Here, in Karakal, Pakistan, traditional music remains an important part of cultural identity.
02:46Instruments like the Kobbiz and the Karakal Pak dutar carry stories that have been passed down through generations, connecting today's
02:53musicians with centuries of musical tradition.
02:55But, preserving that sound depends on a precise and time-consuming process, where every material and every step affects the
03:04final result.
03:06Our first material from Youtube is spread out through 10X.
03:14We don't want to buy admiration to us.
03:19But, after these麼-consuming Moses invent in terrible form, our first- düsting force will be some sort of choppyanchмотр.
03:30We are here in the Khabu.
03:32We are here in the Khabu.
03:33They are here in the Khabu.
03:39Alongside the Kobus, the Karagalpaq dutar reflects its own regional identity.
03:44Its structure and sound differ from dutars found in other parts of Uzbekistan,
03:49shaped by local performance traditions.
03:52Karagalpaq dutar is in the pastoralen,
03:54a new generation is discovering the Kobus,
04:06learning to express emotions through an instrument
04:09whose origins are linked to the story of Korkitata.
04:22Today, young performers are learning the dutar,
04:25continuing a tradition where Bakshi once shared the stories
04:29with entire communities through night-long performances.
04:43Today, these instruments remain part of everyday life in Uzbekistan,
04:48produced, taught and performed across generations.
04:51Khabu Tadaq
04:52Untertitelung des ZDF für funk, 2017
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