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Μουσικά όργανα του Δρόμου του Μεταξιού: διαφύλαξη ήχου και παράδοσης

Από τα εργαστήρια έως τις προφορικές παραδόσεις, η μουσική εξακολουθεί να ενώνει τις γενιές μέσα από όργανα, ερμηνεία και πολιτιστική κληρονομιά.

Σε συνεργασία με Center for the Production of Content for Mass Media under the Administration of the President of the Republic of Uzbekistan

ΔΙΑΒΑΣΤΕ ΕΠΙΣΗΣ : http://gr.euronews.com/2026/05/12/instruments-of-the-silk-road-preserving-sound-and-tradition

Γίνε συνδρομητής! ! Το euronews είναι διαθέσιμο σε 12 γλώσσες

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00:00Υπότιτλοι AUTHORWAVE
00:30In many traditions, they were seen as a way to influence emotion, bring energy and accompany important moments in life.
00:36In Andižan, in the east of Uzbekistan, these ideas are reflected in the ongoing work of instrument makers and performers.
00:44From the time of Amir Simur to the present day, musical instruments in Andižan have remained an important part of
00:51cultural life.
00:52Their sound continues to come many generations of audiences and musicians.
00:57Abdoumalik Madrayimov has spent more than 55 years developing and producing national musical instruments such as dutar, tambour, gejak and
01:06doira in one of the country's largest specialized workshops.
01:17In his own workshop, Abdoumalik and his apprentices produce instruments for all levels from schools to higher education institutions as
01:26well as for professional musicians.
01:42While in Andižan, instruments are reconstructed and refined in workshops in the southern region of Surkhandahya, they are part of
01:49a living oral tradition.
01:51Bakshi performers carry epics through memory and improvisation.
01:55This tradition is not fixed. Each performance is shaped in the moment.
02:02Bakshi learn by listening, not by reading notes.
02:04The melody passes from one generation to the next, from hand to hand, from voice to voice.
02:23From Surkhandahya, where the Dombra guides oral performance, the journey continues west to Karakal, Pakistan, where craftsmanship plays a central
02:31role in shaping sound.
02:33In this region of the country, instruments such as the Kobus are still made by hand.
02:41Here in Karakal, Pakistan, traditional music remains an important part of cultural identity.
02:46Instruments like the Kobus and the Karakal Pak dutar carry stories that have been passed down through generations, connecting today's
02:53musicians with centuries of musical tradition.
02:55But, preserving that sound depends on a precise and time-consuming process, where every material and every step affects the
03:04final result.
03:06This is the most important part of the material of the American María's tree, which is about 7.
03:13This is the basic term of the tree from the trees that affects Grazai 그다음에…
03:19….. On the left of this tree, the trees will then fight given up Crawford...
03:23….. and each tree is on the left of the tree.
03:30For a month, I'll show up in the tree to the footing.
03:33So, this tree will change the tree.
03:33The tree will be moved on and back to the tree.
03:34And the tree is the tree.
03:35The tree will be moved on, after the tree.
03:39Από τις αύξανές η Κ渡ب intent is its own regional identity.
03:44Its structure and sound differ from Dutar's found in other parts of Uzbekistan,
03:49shaped by local performance traditions.
03:51Υπότιτλοι AUTHORWAVE
04:22Υπότιτλοι AUTHORWAVE
04:55Υπότιτλοι AUTHORWAVE
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