00:00Υπότιτλοι AUTHORWAVE
00:30In many traditions, they were seen as a way to influence emotion, bring energy and accompany important moments in life.
00:36In Andižan, in the east of Uzbekistan, these ideas are reflected in the ongoing work of instrument makers and performers.
00:44From the time of Amir Simur to the present day, musical instruments in Andižan have remained an important part of
00:51cultural life.
00:52Their sound continues to come many generations of audiences and musicians.
00:57Abdoumalik Madrayimov has spent more than 55 years developing and producing national musical instruments such as dutar, tambour, gejak and
01:06doira in one of the country's largest specialized workshops.
01:17In his own workshop, Abdoumalik and his apprentices produce instruments for all levels from schools to higher education institutions as
01:26well as for professional musicians.
01:42While in Andižan, instruments are reconstructed and refined in workshops in the southern region of Surkhandahya, they are part of
01:49a living oral tradition.
01:51Bakshi performers carry epics through memory and improvisation.
01:55This tradition is not fixed. Each performance is shaped in the moment.
02:02Bakshi learn by listening, not by reading notes.
02:04The melody passes from one generation to the next, from hand to hand, from voice to voice.
02:23From Surkhandahya, where the Dombra guides oral performance, the journey continues west to Karakal, Pakistan, where craftsmanship plays a central
02:31role in shaping sound.
02:33In this region of the country, instruments such as the Kobus are still made by hand.
02:41Here in Karakal, Pakistan, traditional music remains an important part of cultural identity.
02:46Instruments like the Kobus and the Karakal Pak dutar carry stories that have been passed down through generations, connecting today's
02:53musicians with centuries of musical tradition.
02:55But, preserving that sound depends on a precise and time-consuming process, where every material and every step affects the
03:04final result.
03:06This is the most important part of the material of the American María's tree, which is about 7.
03:13This is the basic term of the tree from the trees that affects Grazai 그다음에…
03:19….. On the left of this tree, the trees will then fight given up Crawford...
03:23….. and each tree is on the left of the tree.
03:30For a month, I'll show up in the tree to the footing.
03:33So, this tree will change the tree.
03:33The tree will be moved on and back to the tree.
03:34And the tree is the tree.
03:35The tree will be moved on, after the tree.
03:39Από τις αύξανές η Κ渡ب intent is its own regional identity.
03:44Its structure and sound differ from Dutar's found in other parts of Uzbekistan,
03:49shaped by local performance traditions.
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