00:11My artistic commitment has grown over the years and I've been dedicated to telling the stories that I really want
00:18to tell,
00:19even though my wallet sometimes is punished, because sometimes we have to do things because we have to pay the
00:25receipts,
00:25but I have had an artistic commitment very serious with myself, where I have really wanted to participate in the
00:32stories that touch my humanity
00:34and in which I feel that as artist I have something to say.
00:39So, the permission or not, it has to do with the risks that one assumes, but especially with the characters
00:46that I want to interpret.
00:47And I always go to places that have to do with women that have a complex, that have an emotional,
00:55that have a lot of things happen in my life and that they don't reduce only to be the spouse
00:59of or the amante of,
01:01but they are very complex women.
01:09My experience has taught me that it is not about to say lies,
01:14it is about to believe in the circumstances in which the character is envueled
01:20and to transmit them as truth.
01:23I believe in that because I am very wrong, I am very wrong, I am very wrong,
01:29I am very wrong, I am very wrong.
01:31So, I don't know, my experience has taught me that there is to build from a technique
01:37and with a lot of imagination, the circumstances of that character,
01:41a prehistory of that character,
01:42so that I can believe it when I interpret it,
01:46so that the audience will generate empathy and credibility
01:50towards what happens to that character.
01:57It is a career that does not allow you to create a story,
02:00because it is a very unstable work.
02:08One.
02:08Two.
02:09It is a job where sometimes you have the recognition of the public,
02:13sometimes you have the job, you finish it, but tomorrow you don't.
02:18So, it is a profession that you are always putting against the strings
02:21and one becomes more critical.
02:24So, in that way, I think that no,
02:27I think that it becomes more a perception of the people than of oneself.
02:31There is no time to believe in the story.
02:38I belong to the ACA,
02:41which is the Sindicato of Actors Colombian,
02:42and through ACA, I have realized that the majority of Colombian actors are not working
02:49because the television changed,
02:52the digital media changed,
02:54the telenovelas are not doing as they did before,
02:58they do less,
02:59even there are many that are made and stored in the channels,
03:03there are many new figures,
03:06now the young people see a lot of YouTube,
03:09people have the option to see their favorite series on their iPad,
03:14or whatever,
03:15so,
03:15the media has changed a lot,
03:18there are many actors without working,
03:20there are wonderful actors,
03:22and I think that it is a moment of care,
03:26it is a moment of care for the artists
03:30of audiovisual entertainment in Colombia,
03:32and the theatre too.
03:37It is the moment of making our own productions to protect us,
03:43it is the moment of supporting the Sindicato also,
03:47because we are not alone,
03:48we are not isolated,
03:50we belong to a group,
03:51and we have a legacy of actors who come behind us,
03:55who have worked a lot,
03:56and who deserve good conditions at the moment of their age,
03:59because now, young people,
04:01it is when we produce,
04:02when we do,
04:03but when we are old,
04:05it is very sad to die without anything,
04:11in the anonymity,
04:12in the olvido,
04:12and without even a medical insurance.
04:13the importance of taking care and taking care of the people.
04:14And once with a medical insurance,
04:19I love you too.
04:19You make a good job.
04:19And I don't know the people in my life,
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