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فسيلة - transplant
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هي مكتبة رقمية تحتوي علي آلاف الفيديوهات العربية في جميع المجالات
It is a digital library containing thousands of Arabic videos in all fields.
قوائم تشغيل فسيلة
https://www.dailymotion.com/fasela/playlists
Category
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LearningTranscript
00:00What is this? God, this is a joke.
00:02Please, please, please, we can buy it.
00:04Do you see what he looks like?
00:05I don't understand what's wrong with the teapot that looks normal.
00:08He repented, the owner, for the drinks too.
00:09My dear, you'll get a discount of 1500 pounds.
00:12any?
00:131500 pounds discount?
00:14So, how many cups of tea or coffee can 1500 Egyptian pounds buy?
00:17It seems you don't love me.
00:18And I don't want our house to be ruined
00:20I want our home to be normal.
00:21The most important thing is that the need remains.
00:23It doesn't look like a dream
00:24This is the foundation
00:25This means a teapot
00:26His hand like this
00:27His face like that
00:27Pour the tea
00:28Go back like that
00:29What is this view?
00:30No, not anymore
00:31Art is important
00:32Sometimes you choose things based on their usefulness.
00:34Isn't it her appearance?
00:35Oh, of course, it's not forgiveness.
00:36So tell me then
00:37Why did you choose me?
00:39any?
00:39Yes
00:41Because they are suitable for each other
00:43So what makes me suitable?
00:44It means you and forget
00:46At childbearing age
00:48What age?
00:48So you want a fat chicken then?
00:50It doesn't mean
00:51But there must be functional reasons
00:53What does that mean?
00:55So she's not the most beautiful woman in the world, like you told me.
00:57Hello
00:58I have a feeling we should get that refrigerator you chose, it's really nice.
01:01And he also has a special charge of 1500 Egyptian pounds.
01:03Oh, for free!
01:04But don't change the subject
01:06So you chose me because of my job duties as a woman?
01:09Not because of my beauty
01:12I love it, it's trivial
01:13And I tell you that beauty is everything
01:15I will solve the problem for you.
01:16Your ring is like this
01:18Now find someone who can meet your needs without formalities
01:23Just wait
01:24I'll get you the refrigerator you want.
01:25I will change, I swear. I am a better person.
01:27I love things because of their appearance.
01:29And by the way
01:30I chose you because you look good
01:32Your eyes are completely unsuitable
01:33music
01:38music
02:01music
02:03It shines in the darkness
02:03They want a large chandelier
02:05About 20 bulbs
02:06You won't light up our house
02:07Hatnur Neptune
02:08The silver ones will say, "Hey everyone!"
02:09High quality
02:10This is the parents' wish
02:11You and your fiancée want to get the export
02:13And make atmosphere and nautical
02:15They want these balls like the ones we see.
02:17There are many videos of the prayer for opening
02:18And it sparkles and catches the eye
02:20This is a very difficult bride
02:21It contains 16 bottles of shampoo
02:23It has 60 forks
02:24It contains 130 towels
02:25Who am I drying up with all this?
02:26You are a different story
02:27We want things that are calm and simple.
02:29Not just because of good taste
02:30But in order to get
02:31Of course, this is separate from your financial situation.
02:33But we will definitely notice the disappearance of people
02:34It changed over time
02:35Many people love a calm and simple style.
02:37The one that has an idea with an artistic touch
02:39Without too much embellishment
02:40And this, my dear, is a matter of taste, not just widespread among us.
02:42But it is a phenomenon widespread throughout the world.
02:44And millions love him.
02:45One of the reasons for this is a school called the Dowhouse.
02:48The Dowhouse Dear School of Design originated in Germany
02:51In the early twentieth century
02:53I barely worked for 14 years and then I shut down.
02:55But this short period was sufficient.
02:57It changed the taste of the whole world to this day.
03:00And the world looked at every need
03:01From architecture to foundation
03:03And to find out the story
03:04We need to go back to the beginning of the twentieth century
03:06Tael, teacher
03:07At the beginning of the twentieth century, a group of German designers emerged.
03:11The sun is so small, they're protecting the architecture in Germany; it's very outdated.
03:14Architecture needs a new art form.
03:15Not just new styles
03:16We also need to incorporate new technology into construction.
03:18Of course, this sounds strange at the beginning of the century.
03:20What is technology and what are the new arts?
03:22What are we even talking about?
03:23The world is full of good people.
03:24And the buildings are complete
03:25These young people needed an opportunity to implement their ideas.
03:28Let people see for themselves
03:29And the opportunity came, my dear, in 1912
03:31When two engineers in the group
03:33Adolf Mayr and Walter Gropius
03:34They received a request from the owner of Fags Company
03:36He told them, "I want to build a factory with a modern and contemporary design."
03:39Latsha factory in Balkada
03:40They are both thinking
03:41New art and also modern technology
03:43Thank you, Lord, the brief is tailored to our needs.
03:45This guy came to our stadium
03:46If you asked anyone at the beginning of the twentieth century
03:48Regarding the shape of factories, he will describe to you the exact shape of the factory in front of us.
03:51Huge buildings with a dense mass
03:52Built with red bricks
03:54A system called load-bearing walls
03:56This means the building's walls are very wide.
03:57And the interior space is lost
03:59And above the building are long entrances
04:01And the gloomy doubt
04:01Our two engineers
04:03Meyer and Agropius
04:03They decided that they would shock the world with a completely different building.
04:06If you saw this building, you'd never guess it was a factory.
04:08From Kader Waw, a sweet girl who loves to live in a certain atmosphere
04:10The first building in the world to implement curtain wall
04:12Instead of building the wall with cement bricks, use a different method.
04:14So the precaution will be as you see it in front of you.
04:16Large aluminum panels that are installed in the wall in one go
04:18The building, my dear, was ingenious because of how easy it was to construct.
04:21I can also do something like a cartoon wall.
04:22It allows for natural lighting.
04:24So you can enter and light up the place from the inside
04:26Instead of seeing wide-open spaces and narrow patches
04:28Engineers use steel ladders as a construction material in buildings.
04:31And this, my dear, allowed the interior spaces to remain spacious.
04:34Therefore, movement became easier from the inside.
04:35The Azizi Company was very pleased
04:37Because this innovative design created a kind of branding for her.
04:40She created a unique identity for herself so she could market her products.
04:43Because it is the newest and best
04:44Life, my dear, is just going along like this, and everything is perfect.
04:46But what's going to happen? Do you know about it well?
04:48We are at the beginning of the twentieth century
04:50The Austrian prince and his black advisor who was going
04:52Then, my dear, World War I will break out.
04:54And suddenly Walter Gropius, one of the Dragon Engineers
04:57He himself was summoned to the city of fighting
04:59My dear engineer, his job is to build and create.
05:01He sees buildings being paved right in front of him
05:03And cities are being wiped out in the blink of an eye
05:05This paradox prevented Gropius from being a priest and a legionary.
05:07On the contrary, it reinforced his old ideas.
05:09The entire architecture needs to change.
05:10We need designs for new buildings and cities that look different.
05:14About what was destroyed
05:14And the same technology that brought us weapons of mass destruction and missiles
05:17We must use it in development and construction.
05:24Gropius, my dear, also wants to build a school
05:26It combines art with lens
05:28You might think, my dear, that this is something normal.
05:30If Malik does it, but you still get it, my dear.
05:32The man made one wish with ease and time
05:34Art wasn't necessarily linked to engineering.
05:36The goal of engineering is that it works
05:38Things that achieve other things, but
05:40But the idea of aesthetics remains.
05:42Design and these things
05:44This wasn't on the menu, so who is it?
05:46This will encourage the man to build a school.
05:47The irony, my dear, is that at the end of the first World War in 1900
05:492018 and all of it will be
05:52Finally, I'm ready for these ideas.
05:53We are eager and thirsty for it now.
05:55Imam is close to recovering from the bloodiest war
05:58Its time in history
05:59The first war, my dear, killed about
06:0120 million people surveyed in cities
06:03And complete construction off the map
06:05A devastated world that needs to be rebuilt from scratch.
06:08And creative people in all fields have begun to think
06:10This world needs to be rebuilt in a new way.
06:12An alternative form to architectural images
06:20Finally, it will begin to focus on peaceful purposes.
06:22Such as air transport technology
06:24Radio waves and broadcasting
06:25Medical services
06:26Canned food and refrigerators
06:28All of this is no longer part of the military code.
06:30Part of the ohmic state remained
06:31My dear, the war has completely destroyed the ground.
06:34For the new Grupsch school
06:36The school that will integrate art with technology
06:38I say, my dear, the school's call comes from the city of Daimer.
06:42German government center
06:43After the war, a city wants to present itself
06:45In a new way after the defeat, but let me tell you
06:48If you were to open the architecture catalogs
06:49At that time you will be surprised to find architects sitting
06:51The old-fashioned bears are buzzing
06:53They speak with utter pessimism about salvation.
06:55There is nothing new that can be dealt with at that time.
06:57How many pilots have stolen the architect's ideas?
06:59The first pilot is a neoclassical pilot
07:02This is a traditional millstone in a dome
07:04And columns and decorations and the other
07:06A more technology-oriented approach
07:07Especially the hadith of the back
07:09The one who revolutionized construction in the 19th century
07:11This is because it builds structures faster, bigger, and cheaper.
07:14But the problem is if it looks like a fake.
07:17It's as if she's trying to imitate classical buildings.
07:19For example, a crystal fals model
07:21And here you are as an architect, you have no one but Halim.
07:23It is replaced in the old school with ornamentation and obom
07:26Poor iron degrades aesthetically
07:28And we get rid of the decorations
07:29The Weimar government found that the life raft was in this new dose school.
07:32This is the man who calls for combining the two ideas.
07:34For art and modernity
07:35The government provided full sponsorship for Gropius School
07:37To produce generations of engineers who will change the shape of architecture
07:42Dear Bauhaus, the school began in 1919
07:44I started to imagine the semi-art colleges of today.
07:47Students take foundation courses
07:49And its preparation is professional workshops
07:51And they cover many fields
07:52Such as ceramics, mural painting, sculpture and textiles
07:55For Gropius
07:56The student didn't care that they were tested on all these virtues
07:59It doesn't matter to him if they succeed, if they buy his book and hand it over to the devil.
08:02no
08:02He wanted artists who understood, not just memorized.
08:04That's why he'll choose his teachers very carefully.
08:06Not just people with a new design vision
08:08no
08:08These are people whose eyes see science in a completely different way.
08:11Teachers who are able to encourage students to view knowledge through reading.
08:14Saya Abu Ahmed see science through reading
08:15Come in, my dear, if you decide to see everything around you through the eyes of engineering.
08:19He called out, "Look at this tree!"
08:20If the engineer saw it through the lens of engineering
08:21He will simplify it down to its basic elements completely.
08:23He will strip it of all its elements.
08:25He makes it a circle and a line
08:27The mountain, with its varied topography, can only be drawn as a triangle.
08:30This, my dear, is simply something called abstraction.
08:32We focus on the essence of the thing and depict it in its simplest form.
08:35For example, I am the one stripped of myself.
08:37His body is dark, he claims to be a star, and he's happy with his own light.
08:40If we're talking about the Bauhaus teachers, one of its most important teachers is...
08:43Basil Kandinsky
08:44You'll always find his work is based on this idea.
08:46The idea of abstraction
08:47What is this, Johamd?
08:48This is one of the most important teachers at the Bauhaus.
08:49This is my official notebook, cleaner than this one.
08:51What is this, my dear? Any five-year-old child can apply the meaning of the word "abstraction" without understanding it.
08:56You'll find him drawing like this, and look at your drawing notebook.
08:58You'll find yourself drawing a human figure from a circle and a bunch of sticks.
09:02The sun, for example, remains a circle with lines extending from it.
09:05To get an X-ray
09:05This, my dear, is the essence of the Bauhaus.
09:07You see the world around you differently
09:09It is completely free from ornamentation and outdated looks.
09:12A child will see the world and express it in the simplest way possible.
09:15And this, my dear, isn't just about buildings, it's about everything.
09:17If I told you, for example, to design a corset, that was a long time ago
09:19You'll see a notebook that imitates him; it's huge, massive, and gilded.
09:22It has many details and a lot of work involved.
09:24Now let's look at the notebook designed by Asad Zens of the Bauhaus.
09:26Basta Mafish
09:28But you want to host Drovk in the GameMoveTrons booth
09:30No, that's not what we're here for. We want simplicity, simplicity.
09:33simplicity
09:34If you want to make her go to any school with a woman at the Allies
09:37Bauhaus designs are very luxurious
09:39Simple, without embellishment or embroidery
09:42Complete abstraction, Masha and Tarzaa.
09:44Come here, my dear, let me take you by the hand and we'll go to Grandma's kitchen.
09:46If you remember the ornate china set that was in the china cabinet
09:49You'll find drawings, shapes, and decorations on it, just like you see here.
09:53Let him go somewhere else or show you the Bauhaus design.
09:55For something as simple as Murad's tea, the beauty is here.
09:57It is summarized in geometric shapes
09:59Not in the details or the embellishment
10:00Circle and a half circle and a ring
10:02I created a shape and structure for a jug
10:04The best thing, my dear, is if we think about the job
10:06We will find that these designs perform the same function.
10:09With utmost efficiency
10:10If you saw the Bauhaus notebook, you might find it uncomfortable.
10:13And you won't be able to handle it, and I'll add to it when I take it.
10:14But when the neighbor sits on it, she'll find it's not like that at all.
10:16You'll find that she endures, not just endures
10:18No, this one is also designed with specific measurements.
10:21And it's designed to achieve
10:22Maximum comfort
10:24Also, the teapot that does its job without decorations
10:26Useful and very portable in its grip
10:28More than just drawings and decorations that he could finish
10:30You'll deal with Maya, she's boiling too.
10:32We can't afford the risk, as seen in Bauhaus designs.
10:34Products that are simpler and more beautiful in design, and also
10:36Cheaper and easier to manufacture than other products
10:38It's full of details and can be expensive.
10:40It's pointless, just wait a little while, the message is full and it will come to you.
10:42Your simple and expensive work is wasted
10:44A large part of genius
10:47In the ideas of the Bauhaus, it was
10:48Its foundation is the school climate he created
10:50Dropius was saying
10:54Architecture begins at the point where it ended
10:56Then engineering, if we start
10:58We need open minds, not closed ones.
11:00In old, rigid rules like a child
11:02When he works, scribbles, and strips
11:04The shapes without thinking
11:05The Bauhaus artist must be completely free in order to be able to communicate with
11:07His mind is unconscious and thoughts come from it.
11:09Automatically, for example, my dear
11:11The Bauhaus teachers were calling on the students to be
11:14They contemplate, says the Bauhaus engineer
11:15He needs to see the world in a different way.
11:17And the things he does, like, for example, his food
11:19It might change his view of the world
11:21The Bauhaus students studied the concept of emptiness very well.
11:23Human movement in geometric space
11:26They were conducting courses in which students would move around
11:27By performing almost head
11:29They were wearing very strange clothes
11:30You feel like there are aliens in front of you putting on a show
11:32Mohammad, I know engineers. I'm not hearing the word for the first time.
11:36And no one tells me that the doctor
11:37He wears this outfit and is present at the lectures.
11:39Is the emirate gone? Has it been destroyed?
11:41She cut me off, my dear, and I didn't tell you.
11:43Actually, my dear, there was no building.
11:45What? What's in the architecture school?
11:47Why would I lie to you, my dear? There was no such thing as architectural engineering.
11:49What happened was that the Daimer government wanted a new building.
11:52But at the same time, she wanted to make sure that this architecture school
11:54The money we're wasting
11:55You will build safe buildings and infrastructure.
11:57It's easy for people to live there and it has no problems.
11:59That's why they were a bit cautious; they would support the architecture team to allow the school to build the buildings immediately.
12:05But this government's caution will turn into a state of extreme anxiety and turmoil.
12:08You, my dear, are in front of a very free school of thought.
12:11People reflect and change their thinking about everything.
12:13From the very first piece of furniture to the smallest device you see
12:16And the government also didn't see an engineer standing there, working tirelessly.
12:20Not the traditional look of a man with a nice helmet
12:22Sometimes the engineer is drawing a work of art.
12:24But it is he himself who makes the artwork
12:26Look, my dear, at the houses
12:27The government had the right to overturn things at this time.
12:29Can you imagine the countries that are supposed to build the country?
12:31A country that is hidden in the first hundred spears
12:33If you had entered the Bauhaus school in their time
12:34You'll find the students holding parties every now and then in this manner.
12:37The creatures resemble those of Menin Black
12:38Grubus, my dear, saw that all this curvature
12:41Ultimately, on the long term
12:43It will help with creativity
12:44By God, Muhammad, these pictures I'm seeing
12:46I can't believe this is happening at the Faculty of Humanities.
12:48At the College of Childhood
12:48Joking aside, my dear
12:50So, the truth is
12:51We were indeed faced with a school that was historically very influential.
12:54And indeed, her creativity is progressing
12:55But her way of being able to release her excesses
12:57And let them think freely
12:59It contradicts and breaks with traditions very much
13:01This was met with disapproval from German society at the time.
13:04And the government started to be more secretive about throwing money at a strange school.
13:07She doesn't understand her curriculum or teaching methods, and she doesn't know how to talk to the students.
13:10He explained that this guy, Grubis, scammed us and took our property.
13:13He promised his companions, drank it, and satisfies them, and he wrote down their fantasies.
13:16Because, my dear, in 1922 the government said, "I just want to know where the money went."
13:20My dear, the government has given the school a year to prepare an exhibition of student work.
13:24And it is evaluated definitively
13:25This whole cosmetics and Halloween thing needs to end; we want to see graduation projects.
13:28The exhibition was opened in 1923.
13:31The city's residents, industrialists, and officials are invited.
13:34Everyone is confused, everyone is surprised, everyone is wondering what they'll see inside.
13:38The Bauhaus engineers started offering them some of the things mentioned above.
13:41Simple chairs, tea coolers, and boards
13:43Of course, my dear, you see these things and you're not surprised by them.
13:46But back then, those were some really awful things; it's natural that you'd be fed up with the Bauhaus.
13:50IKEA is drowning us in debt, but you were living in a time when even the church wasn't booby-trapped.
13:54For people at the time, this was a shock: What is this painting? What is this chair? What is this garbage?
13:57The decision was made to halt government support for the Bauhaus and expel them from the city.
14:01In 1925, the Bauhaus school moved to an industrial city called Dessau.
14:05Here, Gropius was able to develop his project and establish a college of architecture.
14:09And we've seen the Uncle Saqr, haven't you wanted to see the liberal ideas and the school you don't like?
14:14If you want to see the architecture, I'll show you the architecture.
14:16Gropius built a structure in Dessau that is still considered a model of the Bauhaus style.
14:21All of this, my dear, is what Gropius said about a school at that time.
14:24And people didn't understand that he would put it in this building.
14:26A building without decorative elements, its walls made of glass.
14:28It allows the natural duke to enter the interior
14:30It also allows you to see the building's interiors.
14:33Here, my dear, function is more important than decoration.
14:35Function Overpower
14:36But also, if I come to the building, it looks nice, it looks beautiful.
14:39If you look closely, you'll find that the building's masses are not represented.
14:42But at the same time, it is visually balanced and comfortable for the eyes while you are watching it.
14:46Gropius also made the building's aesthetics civilized
14:48Unless you go in and see the workshop layout there
14:51Besides workshops, we see work rooms and student accommodations.
14:54And understanding the combination of art and engineering
14:56This is a very important principle at the Bauhaus
14:57The building's importance is incomplete.
14:59Unless you interact with it and move within it
15:02It looks beautiful from the outside, oh my joy!
15:03The important question is, how does he get a job? What service does he provide?
15:06How do we utilize the space inside it?
15:07It's possible the building feels similar to many of the buildings you've seen.
15:10But I want you to remember again, you're used to this look.
15:13Because this was a very influential form throughout the history of architecture
15:21For example, buildings where the location of the entrance is not clear.
15:23If you look at the entrance, you'll find it in the last place you'd expect.
15:26simple red door
15:27Oh, this picture of Muhammad, does that mean the Bauhaus stole in proletarianism?
15:30No, my dear, no one stole from anyone.
15:31The protease you didn't differentiate from
15:33And you made a difference to her, huh?
15:35A school that spread after the Second World War
15:37This building dates back to 1925.
15:39This, my dear, also confirms to Bauholk that the Bauhaus
15:41Her ideas were part of an architectural modernization movement worldwide.
15:44And among them is proteasomnia itself
15:45So, my dear, greet him, the Bauhaus
15:48Her early era made her a pioneer
15:49But it also made it vulnerable to a difficult period in history.
15:52My dear, you are coming out of the First World War
15:54Gathering your remains
15:55Nazism will come at you with open arms, telling you
15:57Where are you going, my dear? Just a second, Abu Ahmed.
15:58It is the relationship between Nazism and engineering.
16:00Nazism also had a connection to the media.
16:01It is the Nazi relationship to science and technology
16:04It's just like anything else in the world.
16:05Nazism was not just an ideology
16:07The Nazi regime had a clear vision
16:09For philosophy and beauty
16:11You were Hitler's people before that whole thing.
16:13What did he want to be, an artist?
16:14The artist who failed because he remains an artist
16:17Joy teaches the whole planet with a bed of blood
16:20Pallet sand and red clay
16:21Hitler, my dear, had a vision for the German citizen.
16:23The German should have special specifications.
16:26The German must be agile
16:28I feel a beautiful white complexion
16:30As it was depicted in Roman and Greek art
16:33And it presents humanity in its most complete and degraded form
16:36Hitler's standards for German citizens
16:38The second ending, my dear, is to look at modern art.
16:40And the Bauhaus in our story
16:41They were the complete opposite of the Nazi vision.
16:43Enough of the past, its ideas, and the mountainous sentiments.
16:46They want to stay away from this kind of talk as much as possible.
16:48They tried to see humanity in a much simpler way.
16:50More commercial than the images shown
16:52And with the rise of the Nazi pilot
16:54Anyone who saw something like the Bauhaus
16:55A threat to German culture
16:57Groppio was forced to resign in 1928
17:00The next manager was someone named
17:02Hans Mayer told you, "I'm telling you, let's get this art and beauty out of here."
17:04Why all this talk?
17:05Our customers are prints that are a blessing.
17:08These countries don't want art or beauty; they want a reasonable price.
17:10Countries that want cheap things
17:12We discourage them from paying the cost and incurring the expense.
17:13The year covered the new thinking of the Bauhaus
17:15The Nazis were amazed, but the Nazis...
17:17Didn't I tell you to wait, wait, wait, wait?
17:19Anshaif is comfortable and stylish
17:21I see interest in the workers
17:24A labor issue: They return to cheap housing.
17:25And what about his statement that some of it is young? No
17:27There are no companions on this return journey here.
17:28So, my dear, the Nazi party was the National Socialist Workers' Party.
17:32Nazi is the abbreviation
17:33They were socialists, my dear, but they were Nazis.
17:36What about the Nazis? They're getting more and more oppressive.
17:39About school until Uncle Hans resigned
17:41Next up, my dear, is a very well-known engineer named
17:44Nice Vandroh
17:45This, my dear, is one of the masters of the Bauhaus and architecture.
17:49In the twentieth century
17:50We talked about it, my dear, in an episode called "The More You Tell Me"
17:52A very nice episode, watch it, I recommend it
17:54By the old, sly one, I know that's how they lead him.
17:56Ahmed Helmy's old movies
17:57Miss Vandroe halted all student political activity.
18:00Qaluku, what's up with this guy, Abbo Shand? He's not joking.
18:02And he will focus solely on art.
18:04This was creative despite the difficult climate at the time.
18:06Barcelona Pavilion presents an architectural masterpiece
18:08The principle in front of you seems simple.
18:10But architects consider it
18:12The foundation of the global style that is widespread in the world today
18:15And this, my dear, is a very millennial building.
18:17The building is like a modern building.
18:18It means that I'm building a very nice-looking building.
18:20He performs his job with utmost efficiency.
18:22The simplest possible dilemmas remain.
18:24Very limited lines, as you can see.
18:26The ceiling feels like it's mounted on a very thin sheet of paper.
18:28The columns are supposed to be inside
18:30And it's so thin and strong, you almost don't feel its presence.
18:32Although she performs the same function
18:34The old-fashioned columns
18:35giant columns
18:37Despite all this, the building's area is much larger than older buildings.
18:40If you enter the building, my dear, you won't find it very poor or beautiful at all.
18:43But at the same time, it's not decorated like it used to be.
18:46Nor are there paintings that the artist has been working on for years.
18:48But you'll find that natural marble creates a very distinctive look.
18:51It's like a diamond, naturally occurring.
18:56And every designer has put it here
18:57The difference between the two buildings is that they completely overturned the structure.
19:00And thanks to him, my dear, the spotlight was shone on the school that fulfilled its promises.
19:05She will be able to combine art with optics
19:07And it will offer a new architecture that is simpler, more beautiful, and easier.
19:09Architecture that fulfills all the functions of ancient architecture
19:12The story, my dear, never ends. Happy Eid!
19:14The Nazi party's influence is growing in the city of Dessau
19:16His first action was to immediately close the Bauhaus.
19:20And indeed, my dear, the Bauhaus artists were expelled in 1932.
19:24Miz Band Al Raw will go to Berlin with a request for his consent.
19:26One year later, the Nazis besieged his school.
19:29And this time they agree that he can open
19:30Provided that he rejects the requests of Jews and communists
19:33Like, my dear, he knew this was the end.
19:36The school members gathered and drank a final toast to the health of the Bauhaus.
19:39And they all left, my dear, and closed the school.
19:41Perhaps, my dear, you feel that this is a sad ending to the story.
19:45But just as World War I gave birth to the Bauhaus
19:48So, the Nazis' rudeness was actually in the Bauhaus's best interest.
19:52Honestly, my dear Nazis, if they had focused this much on the Allies...
19:55They were among those who lied, saying they were going to enroll in an engineering school.
19:57The one who's all wearing wigs and a winning hat
19:59Hey man, focus on your war!
20:01What I'm telling you, my dear, is that closing this school might be
20:03The greatest decision was in favor of the Bauhaus.
20:05Because of him, the students and teachers became scattered.
20:07They spread the school's ideology throughout the world.
20:09Grubbs, for example, traveled to America and became the head of the architecture department at Harvard University.
20:13This is a testament to his experience for generations of engineers.
20:16Miss Fender Ro went to Chicago
20:17MISK, Department of Architecture, Illinois Institute
20:19He redesigned the architectural curriculum to emulate the Bauhaus philosophy.
20:23And this, my dear, is how the Bauhaus spread in America.
20:24To the point that it became an integral part of architectural modernism.
20:28My dear, simply put, the founders of the Bauhaus were working in America.
20:31Those who don't know how to do it in Germany
20:32And instead of it, they'll build a factory or a shabby building.
20:34They kept building and building more and bigger.
20:37He was arrogant and savage, and the shark played with him.
20:39Miss Fender, for example, during his stay in America
20:41Bane'a built a lot of buildings
20:42The most famous is Seagram Building in New York
20:44Which has become an architectural icon
20:46Embodying the new global style
20:48The architects were all from all over the world.
20:50They go and see him and try to imitate him.
20:52Hans Mayrf took a completely opposite direction
20:54The late Al-Ittihad Al-Subiti studied architecture at Moscow University.
20:57After the war, he traveled to Mexico to implement his ideas in urban planning there.
21:01These, my dear, are just the masters of the Bauhaus.
21:03Imagine the impact of this multiplied over many years.
21:06Thousands of students are scattered all over the world
21:08Each one of them goes and applies the ideas in the place that he loves.
21:11There's no spirit now for any architecture student, and it's simple in his library.
21:13You will find a book called
21:14I hope I'm from Tosa, right?
21:15We say excess
21:15A simple new book that explains dimensions and standards
21:18It covers everything you can imagine.
21:20From the first width and length of the human body while seated
21:23Or even when he is standing alone
21:24Or he is standing in line
21:25Up to the appropriate window and door heights for the human body
21:29Everything is available
21:30This, my dear, is the architect's guide.
21:32You will also find in it how to design a suitable office size
21:35The hospital, the football field, or the stands
21:37Any architect needs these standards to make their design effective.
21:40Accustomed to a comfortable environment
21:42Its design makes it very practical for human use.
21:44The book was written by a person named Ernest Neuwirth
21:46As you might expect, he had to be a Bauhaus graduate.
21:49Because it is the most important school
21:50Don't just look at the architecture and the building.
21:52You don't see the buildings as drawings on paper.
21:54It has nothing to do with the person who will live there.
21:56The building isn't just meant to please people outside.
21:58It should also appeal to the people who will be sitting in it.
22:00The Bauhaus school begins with the human being.
22:01And the spaces I occupy in the void
22:03Length, width, and height
22:04If an engineer were to design a sleeping mat, you'd find two options.
22:07One person plants their land, and thank you, whatever happens, happens.
22:09These areas turned out just as they turned out
22:11Big or small, it's not my problem. Big, we'll call it Mr. Small, we'll call it Kads.
22:14Uncle, you'll find another engineer who designs the structure based on the human being in it.
22:18He determines everything based on tragedy.
22:21Keep moving around in the steering wheel and use the things in it easily and smoothly.
22:24You'll find the engineer designs everything and its location in a way that makes it easy for you to use.
22:28Any factory designer or engineer would consider this basic fact.
22:32But all this way of thinking is based on the Bauhaus.
22:34The school that started with the human being
22:36And the truth, my dear, is as I concluded.
22:37The Bauhaus was not primarily an architectural school.
22:40This caused it to be ruined from the outside, outside the realm of architecture.
22:43To the product space
22:44To the design space in general
22:46She has a different perspective on the world, as I showed you in the design of the chairs and the teapot.
22:50This made its future presence much further away than its owners expected.
22:53If you are a housewife and use kitchen utensils
22:55You're definitely familiar with the Braun brand of home appliances.
22:58Which I struggled with in a kettle and a mixer in a shaving room
23:01In the fifties
23:01The head of design at Braun was from the Bauhaus school.
23:04His name is Detl Rams
23:05He was responsible for defining the company's visual and design aesthetics.
23:09And the one who put the Bauhaus stamp on it is clearly visible
23:11This rapper, my friend, set ten rules for the next design.
23:14All these rules are influenced by the Bauhaus.
23:16These rules have become a reference in product design.
23:20Inspirational rules for generations to come
23:21We'll find the same thing in Apple's designs, for example.
23:23A practical and beautiful design without extravagance or embellishment.
23:26The same Bauhaus philosophy
23:27By the way, my dear, the first generation of iPods released by Apple was directly inspired by the design of a portable radio.
23:33The Voct Radio released by Braun
23:35Because the Bauhaus had a vision for everything around it, even clothing companies created limited editions inspired by Bauhaus design.
23:41Of course, my dear, the company that we can consider the most direct embodiment of Bauhaus ideas is IKEA.
23:47To the point that some people say
23:49Bauhaus is a time when IKEA is our destiny
23:51And this is a really big limit
23:52Both share practicality, simplicity, and a lack of ornamentation.
23:56Both prefer clear, straight lines.
23:58Both are designed in a way that makes them easy to produce in factories.
24:01Don't forget, my dear, that the Bauhaus's main goal
24:03Finding household and fashion products that combine art with modern technology at an affordable price was a challenge.
24:09And that, my dear, is exactly what IKEA does.
24:10Of course, it's not exactly the right price.
24:12But for a European citizen, its price remains very reasonable.
24:15Of course, my dear, I don't need to tell you that the Bauhaus has been subject to criticism and accusations throughout its history.
24:21From being a liberal school that offends public taste to being accused of communism and being a danger to the state
24:26My dear, I'm accusing a girl from an old, terrified time who's hostile to everything new.
24:30But now we are in a much more recent era
24:32That's why contemporary criticism of a school of thought might contain much more important ideas.
24:36The Bauhaus did indeed begin as an attempt to understand humanity and use it as a unit of measurement for everything around it, as I explained to you in the point about the book.
24:42Neufert
24:42From here I started designing architecture and spaces, and then products.
24:46And she designed it for the sake of this person's comfort.
24:49Her attempt to find the best human design ended up being an attempt to design a better human.
24:54This is through her vision of the human being of the future.
24:57What will humans need in the future?
24:59What should its architecture look like?
25:00What should art be?
25:02What are the daily tools that are supposed to be needed?
25:04And other questions
25:06Suddenly, the very school that worked to liberate humanity began to oppress it.
25:09I'm burdened with many consumer demands
25:11Look, this human being is like a robot.
25:13A robot tied to things it has to buy to look its best
25:17Not because he actually wants her
25:18The problem, my dear, is that over time, the Bauhaus products, which were based on
25:21It is a simpler, cheaper, and easier process than the old-fashioned methods and work.
25:25All of them are now very expensive houses
25:26And some of them, over time, become like a rare artistic phenomenon.
25:29Remember, for example, the piece of marble I replaced for you in Barcelona Pavlin?
25:31The design is placed there to make it look simpler.
25:34Something from nature
25:35But in reality, to find a piece of marble like this
25:37And knowing how to get it to you was a very different thing
25:39You need a specific cut; you'll find it with very strong support.
25:42What's this, my dear? Many things in the Bauhaus seem simple.
25:44But this simplicity requires more difficult capabilities.
25:46Greater capabilities than the average person
25:48And this, my dear, is the flaw in economics and simplicity.
25:50The Bauhaus was trying to achieve this through its designs.
25:53Over time, it becomes a false simplicity.
25:55Its purpose is to show
25:57The Bauhaus became a center
25:58Each one of us now needs thousands of euros.
26:01To buy a Bauhaus-designed corset
26:02Or a plate or kitchen utensil
26:04You didn't create it for simplicity.
26:05Weren't you doing it for the workers?
26:07In conclusion, we can say that the Bauhaus has transformed from a symbol of simplicity
26:10A capital-driven consumer product that the average citizen cannot afford
26:14Ultimately, we want you to know that this program neither glorifies anything nor denies anyone's contributions.
26:20We're not here to say whether it's something great or something bad.
26:23But we are hoping for ideas from artists in a school
26:25She didn't even turn 14, yet she managed to change everything around her.
26:28And it also managed to change your perspective on things.
26:31I knew what was simple and what was complicated.
26:33What is beautiful and what is ugly
26:34From the first giant buildings to the point of buying furniture with your engagement
26:37Perhaps the truest thing in the Bauhaus philosophy is that everything begins with the individual.
26:41That's why you have a different perspective on everything around you.
26:43Always try to remember that you are surrounded by it at every moment.
26:46Design is made all around you in architecture and objects.
26:49To make you see the world in a certain way
26:51Are you wondering if this method really suits you?
26:53And it doesn't suit you
26:54The person who related to you during this period is strong, my dear.
26:55It's about seeing the life that has passed.
26:56And you see the limit has come
26:57To look at its sources
26:57And we have to share in it.
26:58You will see beauty in the design
26:59Greatness in presentation
27:00Zero cost
27:01They are 1200 media outlets
27:02All the profits go to me.
27:04Your country, my dear, once humiliated, heard Mary
27:05I propose to his girlfriend
27:06But they rejected you because of it.
27:07That in the end, he succeeded in marrying her.
27:09And what did Abu Ahmed Al-Zali do?
27:10Mahan Azizi was a factory
27:11This is the design
27:12Now you see my design
27:13In what way should I tell you, "What's the point of my manhood?"
27:42Translated by Nancy Qanqar