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The Night Manager - Series 2- Episode 6 Watch Full Episode
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00:00His name is Jonathan Pine.
00:04You'll have support teams.
00:05Identify them and deal with them.
00:07Yes, it's me.
00:08I have guests.
00:10I'll leave you my findings.
00:12For your hard work.
00:14Game over.
00:15What about the guarantees I asked for?
00:18I can't give you any of those.
00:19You played me.
00:21I wire Matthew Hillis fifty million dollars
00:24to be a free man.
00:27Tomorrow morning, you'll agree to hand yourself in.
00:30If you don't, I will destroy you.
00:32I know Roper's your father.
00:34Did Roper tell you about his other son?
00:36He's used you, Tenney!
00:38There's a coup being planned in your country, Consuelo.
00:40And you're gonna help me stop it.
00:41It's an electromagnetic weapon.
00:43Tomorrow the weapon will be dropped by parachute.
00:45It'll fly to Cabrera's camp.
00:47You have to stop it from getting there.
00:49Your English friend has been listening in on the house,
00:52which means he's inside the operation.
00:54I want Jonathan Pine.
01:21I want Jonathan Pine.
01:24He wants in a vu.
01:29Kee.
01:29I want Jonathan conseonse.
01:38You can really need him.
01:41He wants to stop it.
01:44It's an 그랬 few times.
01:45It's alright.
01:46It's alright.
01:51That looks like the truth.
01:52We all do it.
01:52Well, you're too late.
01:52Like the truth.
01:52So, please.
01:53Get on why on your face is fine.
01:53I want someone to stop.
01:53Who can someone Missaan?kick,
01:58We can't touch the cow, we can't lose the cow.
02:02Uh, can we run the cow over?
02:06Ah, here he is.
02:09In water.
02:10Sit down, have a pastry.
02:12I'm not hungry.
02:14So, what's going on?
02:16All is going to plan.
02:19I want you to go to the Cabreras and tell them.
02:21Deliveries tonight, bang on schedule.
02:23You leave in an hour.
02:25Take one with you.
02:27Okay.
02:28And you?
02:29I will follow in due course.
02:31I have a small matter that requires my attention.
02:37I'll call the Cabreras to let them know.
02:47Hi.
02:50How are you doing?
02:52I'm here with Mr. Gilberto.
02:54Necesito que le diga a Cabrera que todo va según el plan.
02:56Estamos.
02:57Fine.
02:59Todo, todo.
03:01Be careful, Teddy.
03:03Ya voy para allá con el señor Carrascal.
03:05Nos vemos en el punto de encuentro.
03:08Listo.
03:15Don.
03:22Ok.
03:23I called Consuelo and she told me there's an abandoned firing range about 25 miles east of the city.
03:28It's called San Marco.
03:28We can land the plane now.
03:30We can land the plane now.
03:58Well, actually, I was more curious to know what you felt about mine.
04:02Fifty million.
04:04Join the party before it's too late.
04:09No deal.
04:10But I'll be seeing you.
04:11Soon, I hope.
04:13Sooner the better.
04:15I miss that smile.
04:16No deal.
04:20Yeah.
04:25Yeah.
04:33Yeah.
04:34Yeah, yeah, yeah.
04:43Giorgio.
04:45And he noticed Dougillon.
05:21Got it?
05:22Yep.
05:27I'll be seeing you. Soon, I hope.
05:30The sooner the better.
05:31I miss that smile.
05:34Okay.
05:35Sally reopened the connection with London.
05:37Tell Basil we're diverting the plane.
05:39Then pick up Consuelo.
05:40I want a reception committee on the ground.
05:43Colombian and international.
05:44I want it.
05:49I'll call you when I get to Teddy.
06:04How far is it?
06:05In any normal country, two hours.
06:08In Colombia, four.
06:17Are you there? Can you hear me?
06:19Yes.
06:19Yeah, they found us.
06:20I got out.
06:21I'm on a bus headed towards someone to help me.
06:23I need your help, Matt.
06:24What do you mean?
06:24Where's Tom?
06:24I don't know.
06:25I don't know.
06:25He ran.
06:27I got a call.
06:28I'll call you back.
06:28Roxana.
06:30What happened?
06:31We need to make a detour.
06:49Oye, Juan.
06:51¿Qué hablaban, Gilberto, de toda la mañana, tan secretamente?
06:54¿Se podrá saber?
06:55No, solo estábamos atando cabos.
06:58Cabos sueltos.
07:19Where are you?
07:21I'm almost there.
07:22When you get off the bus, we'll come to the parking lot.
07:25I'll be able to see you.
07:31Matthew Ellis.
07:33¿Cierto?
07:35Puede puta lo de haber matado cuando pude sapo de mierda.
07:38Ya, enviate eso.
07:40Todo se está solucionando.
07:41¿Y cómo se está solucionando, Juan?
07:42Dime.
07:43Relájate.
07:53Esta operación es mÃa, Juan.
07:57Yo la inventé.
07:59Y me merezco saber qué mierda está pasando.
08:01Asà es que me vas diciendo, ¿no?
08:04Nuestra princesita de Miami ha vuelto al juego.
08:07Eso es todo lo que tienes que saber.
08:08Dale.
08:09¿Y Gilberto confÃa en esa puta, de verdad?
08:11Pues sÃ, fÃjate que tú también deberÃas estar agradecido con ella.
08:14¿Y por qué, Juan?
08:15¿Cómo que por qué?
08:18Tu papacito inglés te controla con un solo dedo.
08:22Dale.
08:28¡Vamos!
09:14Le voy a llamar a los Cabrera.
09:17Decirles que ya llegamos.
09:18Háganle.
09:33Decirles que ya llegamos.
09:36Decirles que ya llegamos.
09:37Decirles que ya llegamos.
09:37¿De acuerdo?
09:38No.
09:39No.
09:39I'm going to go.
09:51Yeah.
09:55Okay, I'm delayed picking up Roxana.
10:28Okay, I'm here.
10:30I can see you.
10:31Where are you?
10:34Matthew, where are you?
10:37Hello?
10:39I'm in the blue car to the left, about 30 yards from you.
10:43He's in the blue Opal Astra at the end of the car.
10:52Goodbye, Roxana. And good luck.
11:03You're going to need it.
11:05Go.
11:08Go.
11:15Go.
11:17Go.
11:18Go.
11:21Go.
11:34Go.
11:35What's going on, Juan?
11:37Go.
11:39Go.
11:39TÃo Eli se escapó.
11:42Y yo creo que alguien le avisó.
11:44¿Y quién, Juan?
11:47¿Cuánto tiempo llegan los Cabrera?
11:49¿Cómo vas a ver?
11:51¿Pero vienen, sà o qué?
11:52Por supuesto que sÃ, Juan.
11:55Eduardo, ¿de verdad llamaste a los Cabrera?
11:58No lo puedo creer.
12:01Muéstrame tu teléfono.
12:02Por supuesto que no.
12:03¿Tu teléfono?
12:03Que no.
12:07¿Qué haces?
12:08Pues como que me toca llamar a mÃ, ¿no?
12:10Venga, Juan, no es necesario.
12:12No confÃas en mÃ, de verdad.
12:15Toma.
12:17Tómalo.
12:21Malparido.
12:27Levántate.
12:29Es una mierda, Juan.
12:31Malparido yo.
12:32¿Eh?
12:33Tú sabÃas el plan de Roper, ¿no?
12:35De ir a Inglaterra sin decirme nada y dejarme aquÃ, mierda.
12:39Por supuesto que lo sabÃa.
12:41Es una mierda.
12:42Tú eres el único huevón que no tenÃa ni puta idea.
12:44Pero por favor, por favor, escúchame este y...
12:48No vales nada, mierda.
12:50Te lo suplico.
12:51¿Qué suplicas, Juan?
12:52No lo hagas, por favor.
12:52No te quiero matar.
12:53No lo hagas.
12:54Pues es que tranquilo, se me mete al carro.
12:56Está bien, por favor.
12:57Gracias.
12:58Tranquilo.
13:07Oh, my God.
13:29Ah!
13:35Ah!
13:36Ah!
13:37Ah!
13:47Ah!
13:54Photos and coordinates from Jim.
13:56You take the car.
13:58I'll find my own way.
14:02You've been kind to me, Martin.
14:05You didn't have to be.
14:09You've been kind to our people.
14:13So anything I can do?
14:16Just find Tarver, okay?
14:18Okay.
14:19And let me know where you are.
14:41We have to postpone.
14:43Nothing is being postponed.
14:45I have a deadline and I intend to meet it.
14:47It's too risky.
14:49Until you find him, I'm pulling the operation.
14:52What did you say?
14:54You heard.
14:56Myra, darling, I wonder if you know how to cook a frog.
15:01If you chuck him into boiling water, the little bugger just jumps right back out again.
15:06But if you ease him in at room temperature, gradually crank up the heat, he doesn't notice a thing.
15:12Until his brain is gently boiling in its own juice.
15:17You're the frog in this analogy because you hadn't figured that out.
15:21You're going to regret speaking to me like that.
15:24Is that a threat, Myra?
15:27Are you pondering a spot of treachery?
15:29Well then remember this.
15:31You ordered the killing of Rex Mayhew in his Surrey home.
15:34If I go down, I'll happily take you with me.
16:11Where is he?
16:18Help me.
16:46What is going to happen to him?
16:49If all this works?
16:51You know what?
17:01I was there.
17:03In the office that night in Cartagena.
17:07I saw you.
17:09When you were alone.
17:11Hurting yourself.
17:17You shouldn't have seen that.
17:18You don't have to be that person, Teddy.
17:22You can disappear into those hills.
17:25Back to your sister.
17:28Be Eduardo Vidal again.
17:33No one will ever know he can be free.
17:41But not with him alive.
18:04When did you fall in love with him?
18:07Was it in London?
18:09Was it in London?
18:11Or was it when he pulled his Lazarus act here in Columbia?
18:15You fell into his arms and in his arms you stay.
18:19I didn't tip him off.
18:20I didn't tip him off.
18:20Well then how did he know?
18:21Who told him?
18:23Is there a plan?
18:24Is he coming here?
18:26On his white charger?
18:28Is that the lure?
18:30You see Frisky and I have some experience in this area.
18:34If we want someone to share their secrets we tend to find a way.
18:36I didn't tip.
18:38Enough!
18:38Off!
18:39I warned you.
18:41I made it perfectly clear.
18:42Don't touch me you!
18:43Let me make something clear.
18:45You're right about Matthew Ellis.
18:47He is so easy to fall in love with but I chose not to.
18:51Maybe I was wise to his true intentions or maybe I'm just not capable of love.
18:56But either way I didn't lose my heart to him.
18:59And if someone did, it wasn't me.
19:13Take it back to the house.
19:24Oh, you beauty.
19:49You daughter.
19:51You look at him, brother.
19:51You look at him, brother.
19:51You've already arrived!
19:53Hey!
19:54Hey!
19:55Hey!
19:56Hey man!
19:57Hey man!
19:57Houserlade of course!
19:58A little bit.
19:59Give it to the river!
20:01Cardo!
20:02Elrarto!
20:04Hey!
20:05Caras!
20:05No!
20:11Cato!
20:12Cato!
20:13Cato!
20:14Cato!
20:25Cato!
20:26Cato!
20:26Cato!
20:26Cato!
20:27Cato!
20:27Cato!
20:28I have to show you, Jose.
20:29What?
20:30What's going on?
20:37Out.
20:38Out.
20:40What's going on?
20:45Who is this?
20:48Who is this?
20:50This gonorrhea is called Matthew Ellis.
20:53The son of a bitch.
20:54He told us that he was an investor.
20:56He put two days in an avion to Paris.
20:59What I don't understand, Jose,
21:01is how he was eating with Rupert.
21:05He told us that he was following.
21:07The imbecile drove up to this hotel.
21:10In the way, Mr. Carrascal tried to call.
21:13He took a gun.
21:15Why?
21:16That's not with us.
21:18Let's go.
21:20Let's go.
21:25Why not?
21:25What are they?
21:26Okay.
22:01This is Jane. It's happening. You need to come now.
22:19I'm at the rear exit. Orange Kia. Now.
22:23Yes. How's it going?
22:41I'll tie my hands down.
22:44Who are you? What's your name?
22:49You know what? It's Matthew Ellis.
22:51Sorry?
22:52Matthew Ellis.
22:55What's your name?
22:58It's Matthew Ellis.
23:00Not according to this, Mr. Birch.
23:04Liar. You're supposed to be in Paris, Matthew.
23:07With your ex-wife and your beautiful little daughter.
23:10What the fuck were you doing yesterday, eh?
23:13Having lunch with this man?
23:14Preservation under Andrew Birch?
23:17Who is he?
23:20Answer. Who is he?
23:21He's just an old friend. His name is Charles Merriman.
23:25I promise you just...
23:32What the fuck is he, eh?
23:36Okay.
23:38One last chance. Who is he?
23:44His name... is Richard Onslow Roper.
23:50And why did you meet him?
23:52Just business.
23:53Ah, business.
23:54When you came here, you called him from the hotel phone.
23:57Didn't you?
23:58Escucha esto.
24:00Listen to this.
24:02When we meet again, the Cabreras will be dead.
24:04You and I will be on British soil.
24:07Not a mosquito or Colombian in sight.
24:11And Jose Cabrera?
24:13No regrets.
24:14Jose Cabrera is a cowboy.
24:16He's not fit for civilized company.
24:19I'll be seeing you.
24:20Soon, I hope.
24:21Sooner the better.
24:22I miss that smile.
24:37Who is the fucking mosquito?
24:39Who is the fucking mosquito?
24:42Let's go!
24:42I'm loud!
24:53Alright.
24:54Okay.
24:55I work for British intelligence.
24:57How do you know Roper?
25:01Egypt.
25:01Nine years ago, I infiltrated an operation of his.
25:04I recruited him out of the counter.
25:06I've been working there ever since.
25:07What are you doing here?
25:10If I tell you I want guarantees, I'll walk away when this is done.
25:14Flight back to London.
25:15Huh?
25:19Fuck!
25:20Fuck!
25:32You've been running weapons deals for the last two years.
25:36Six shipments.
25:38To support a rebel army.
25:40There's a military plane coming here tonight.
25:44You think it's gonna airdrop the last shipment.
25:48An electrical weapon.
25:49To ignite your war.
25:52There will be no weapon.
25:55What the fuck do you mean?
25:59It's a trap.
26:01It's Roper's idea.
26:03The plane will parachute in 50 combat paratroopers.
26:06Special Forces Brigade, La Hungla.
26:08What will they do?
26:09Hmm?
26:13They'll kill every single one of you.
26:20We need to stop that plane.
26:21Come on.
26:31It's important that the plane lands somewhere totally secure.
26:36No one knows about this place, right?
26:39No.
26:40It hasn't been used for decades.
26:45Okay.
26:57Call your team.
26:59Tell them to bring cameras and we're gonna make this a show.
27:10Yo, Trujillo.
27:11Soy yo.
27:13Venga, ágame un favor.
27:15Venga, separa San Marcos.
27:16No, no, no, no.
27:18No, no, no, no.
27:20No, no, no, no.
27:26No, no, no, no.
27:27No, no, no, no, no.
27:28Come on, Pazzo.
27:28Don't let me down.
27:30No.
27:39Fuck.
27:39Fuck.
27:43Fuck.
27:44Fuck.
27:59All okay?
28:00Yeah.
28:01All good.
28:05Yeah, I just got back and I am absolutely knackered.
28:10Being taken to a flat they've got for me.
28:13some bloody warehouse conversion and sodding batter, see?
28:18I could come over and help you settle in.
28:20I would love that, but not tonight, my love.
28:24I am getting up at the crack house of sparrows tomorrow to go up to Oxford.
28:27Sure, I'm helping out an old friend.
28:31Well, how about I come over tomorrow instead?
28:34We can have dinner.
28:35Darling, I'll call you back. Excuse me, where the hell is this?
28:38The dress-on was given. He's got a head office gag, buddy.
28:41We're clearly head office as balls dart.
28:49Oh, for goodness sake.
28:50Hold on.
28:52We'll just go and find out.
29:09Jesus!
29:11Evening, your lordship.
29:16I wouldn't bother trying to call Myra Cavendish if I were you.
29:19We've got half an army out there.
29:27What do you want?
29:29Well, first I've got something to show you, and then you and I are going to have a chat.
29:45Confirmed, Chief. Cargo's in the air.
29:46Fine.
29:50Victor, get the jeep ready. Five minutes.
29:53Yes, sir.
29:55Juan Miguel, would you be kind enough to book me a car to Bogota Airport tomorrow morning at 11am?
29:59Yes, sir.
30:00Yes, sir.
30:01Thank you, sir.
30:03Thank you, sir.
30:19My mother was a woman of great economy, and my father's auction house was struggling, as it often
30:26was in times of recession. She could change our lifestyle overnight. Out went the champagne,
30:32and in came the cheap stuff from Italy.
30:36She once persuaded the local picker, who never drank champagne in his life, poor chap.
30:51She would start washing the sheets once a month. At boarding school, I got sandwiches instead of the
30:59roast beef. I pride myself on being an adaptable man. When circumstances demand, I shed a skin and pick
31:08up a new one. No regrets. No nostalgia for the past. Nothing is so precious that it can't be sacrificed.
31:19Nothing and no one.
31:23My father was sentimental.
31:27But you're not.
31:28No. No, his death cured me of that.
31:35I'm shedding a skin now. Next to you.
31:43What did I do?
31:53Victor, let's go.
32:07What have you got yourself involved with, Sandy? Regime change on foreign soil? British diplomat being
32:13murdered in his own back garden? What's the parole board going to say?
32:21I have no idea what you're talking about.
32:25Oh, how was the Columbia trip? Flying visit, I hear. Was it seeing the old man?
32:35You see, I already know about the coup. I know there are arms being smuggled. I know there's British
32:40money involved. But what I still haven't got is hard evidence connecting Richard Roper with Myra
32:46Cavendish and the Columbian Plot. But you get me that. And you can walk away. Squeaky clean. You might
32:53even get to see your kids again. But you fail me on this. I will put you away for the
32:58rest of your
32:59fertile fucking life. Stop taking the bullet for Richard Roper, Sandy. Because I tell you this
33:07for free. He will never take one for you. Night-night.
33:34I will never take one for you.
33:35Cardo.
33:41Dame un segundo con este malparido.
33:46Es personal, Carlos.
33:49Ok.
34:01Roper is on his way. Let me see.
34:19We went too far.
34:21It was necessary.
34:26Hey, listen to me, okay?
34:30Deceiving Jose is one thing. Lying to Roper is another.
34:35When you're with him, you have to make him believe that you still love him.
34:42He's the man in the black car. The father you've always adored.
34:47You show him nothing less than the devotion he deserves.
34:54Like a dog.
34:58Like a dog.
35:00Like a dog.
35:07Just have faith.
35:13Goodbye, Matthew.
35:18Have faith.
35:25Okay?
35:26Let's go.
35:36Carlos!
35:46I'm sorry.
35:53I have to wake you up.
35:58I need you.
36:05I can take a moment.
36:08I can take a moment.
36:09I know.
36:15No.
36:15No, no, no, no, no, no.
36:18When the plane calls,
36:19send the pilot to the coordinates.
36:21Where do we send the plane?
36:24A I know it's a military accident, San Marcos.
36:27It's near here.
36:28It's used it to go to Mexico.
36:30I'll be sure that.
36:34These are the coordinates.
36:35Here is where we have to send.
37:08This has been a long time.
37:10I'm coming.
37:11Worth the wait, I hope.
37:13I hope so too.
37:16And there is the young master.
37:20Planes in the air.
37:21Everything go according to plan here.
37:24Everything went perfectly.
37:27Where's the cars gone?
37:29I'm going to the drop zone to make sure it's ready.
37:34Bollocks.
37:38He's doing coke in the bushes somewhere.
37:41Probably.
37:43Let's go.
37:45Here's your armor.
37:48Ready for action.
37:53Hey.
37:55How old are you?
37:57How old are you?
37:5813.
37:5913.
38:03Kings of America.
38:05That's your sir.
38:07Kings of America.
38:10Libertad.
38:11Blood.
38:12Blood.
38:22Come on, Richard.
38:23Have a seat.
38:25Well, thank you.
38:27Beer.
38:28Or champagne.
38:30Beer would be very nice.
38:31Yes, yes.
38:32Good evening, gentlemen.
38:35Good evening, sir.
38:36Very good, Trujillo.
38:37I like your efficiency.
38:38I want photos of absolutely everything.
38:41I want evidence of those English weapons in the Gulf.
38:56Oh, look at that.
38:57Bang on time.
39:00Why don't you do the honors, Jose?
39:05myths.
39:06This is Stoud Cort Jub belle.
39:11I'm going to get to the point where I'm going.
39:32Gone.
39:34How's that? How's that, eh?
39:39Shall we?
39:46Come here.
39:47It's Suela, come here.
39:51The plane's turning east. He's heading our way.
39:55Okay.
39:56We need one of these over here. Let's make sure we get everything please.
40:00Make it happen.
40:01All right, Teddy.
40:07You still angry with me?
40:09No.
40:12I was doing some thinking.
40:17I made a mistake with Matthew Elvis.
40:19I'm sorry.
40:22Well, we've all done that sometimes, haven't we?
40:26All I've ever wanted was to please you.
40:28And you do.
40:30We're here now. That's what matters.
40:34Let's dig the juke.
40:35Well, why not?
40:37No sky like a jungle sky.
40:49Up. Let's go.
41:02I hope you come along.
41:08I do have insurance policies in place.
41:16Where did you get that photograph?
41:18Oh, I've been busy, madam.
41:20Do you want to see what else I've got?
41:22The case for the prosecution.
41:25I've got emails from you to Adam Hollywell.
41:27I've got texts to Miami, Medellin.
41:31I've got phone records, arms lists, and a handwritten note from your luxurious London address, connecting you to Roper's Dirty
41:41Plot.
41:42All I need now is the shipment itself.
41:45And that's on its way, isn't it?
42:06There's a plane in the Columbia night sky right now with a shiny British weapon for Roper's Rebel Army.
42:14But Jonathan Pines is sending it to me.
42:16And when it arrives, there's going to be an international scandal.
42:19Your operation will be exposed, your investors will be publicly shamed, and Richard Roper will be no more.
42:26And as for you, you ordered the execution of Rex Mayhew, one of the gentlest men to ever grace this
42:32earth.
42:33For my choice, you'd be home-drawn and courted on Westminster Bridge for all to see.
42:38But the service wouldn't survive that.
42:41So, tomorrow morning, I want you out.
42:44Resignation letter on the desk, and you can piss off.
43:05Let's go.
43:10I despise your kind. Do you know that?
43:12It's mutual.
43:13I have nothing to apologize for.
43:17I serve my country.
43:19I do the job asked of me, and I would happily do it again.
43:23Seriously, where the fuck is Carrasco?
43:26On the hill?
43:28He will be the first one to see the plane.
43:30No, you do the honors, Richard.
43:32Like the welcome fires.
43:33Richard Roper is not a job you do.
43:37He's a choice you make.
43:39You get into bed with Roper, you get into bed with weapons of death, poison, gas, the murder of children
43:44who barely breathe God's air.
43:46You have condemned yourself to the lowest circle of hell, and I will take fucking pleasure in hearing you scream.
44:12I don't want to hear this. It'll be good.
44:15This is London.
44:18This is Consuelo Arbenz, head of the Colombian Supreme Court.
44:23I have a visual on the plane, and we're ready to document the arrival of your British weapon.
44:32The plane's late.
44:35Maybe there's a headwind.
44:38There's no wind.
44:40He should be here.
44:42Maybe it won't come at all.
44:44What do you mean by that?
44:46Jose, if that's a joke, your timing is fucking awful.
44:50I wish it was.
44:58What did you just say?
45:01What Englishman?
45:03Frank Andrew Burtz.
45:06I'm sorry, Richard.
45:10They were watching us at the restaurant.
45:13They followed me here.
45:16They know everything.
45:19The second plane's another location.
45:21You are making a very big mistake.
45:23I don't know what this man has told you, but he is a British intelligence agent.
45:27I know who he is.
45:28No, you don't.
45:29I'm telling you, this is a trap.
45:31I know.
45:31You don't know anything.
45:33I know that if I allowed that plane to drop its cargo, I'd be a dead man.
45:38But you wouldn't care, would you?
45:41I'm just another Colombian mosquito.
45:42Stop.
45:46Give up, Dickie.
45:48Game's over.
45:48Shut the fuck up.
45:51All right, Jose.
45:52I'll give you that one.
45:53You're not to blame.
45:54But I want you to listen to me very carefully.
45:57That plane's cargo contains exactly what I promised.
46:00A state-of-the-art British electromagnetic pulse weapon.
46:03Took off from a military airfield this afternoon on its way here.
46:06Teddy, tell them.
46:12Teddy, tell them!
46:14What?
46:16What do you want me to say?
46:19That you lied to me about everything?
46:22That you've been using me?
46:26That you always planned to go back to England
46:30to your only son, Danny?
46:36The one that you love so much?
46:39Let me tell you something.
46:41That...
46:42You will never see that kid ever again.
46:46You die tonight.
46:48Under my Colombian sky.
46:51And I will bury you myself.
47:05You are very good.
47:11Well, come on then, Teddy.
47:13Let's not disappoint Mr. Birch.
47:15He's come a long way for this.
47:17Show him what you're made of.
47:18Show him the blood you come from.
47:20If it were done when tis done, then twere well it were done quickly.
47:25Teddy what?
47:26Why don't I count you down?
47:29One thousand!
47:30Teddy, come on!
47:32Nine hundred and...
47:38I do believe that's mine.
47:41Don't.
47:42Hey, hey, hey!
47:43Don't move!
47:45Don't move!
47:46Don't move!
47:46I'm sorry, how's he?
47:47This is a call you want me to take?
47:55Evening, Frisky.
47:57You're fuckin' late!
47:59Sorry, Jeep.
48:00Bring her in, will you?
48:06Now, where were we?
48:16What's that?
48:18That, my friends, is an aeroplane.
48:29There are no soldiers, Jose.
48:33What are they doing here?
48:35I don't know.
48:36See, there are two sides to every story,
48:39just as there are sometimes two aeroplanes
48:42with two very different cargoes.
48:47Watch the cops, Jonathan.
49:09Move it! Move it! Move it! Move it!
49:17Move it! Move it!
49:32What's going on?
49:33Do you want to open your present, Jose?
49:35You'll never doubt me again.
49:42Quiet! Quiet!
49:52Hello, I need a help.
49:53I need a help.
50:17Dad, the alarm is here.
50:18As I promised.
50:33He sent us a fucking red rose.
50:41Case dismissed.
50:45Guess I'll see you around.
50:48Must visit you in France one day.
50:56You're a real big game hunter, aren't you, Jonathan?
51:01First, my American sweetheart in New Yorker.
51:05Now, my very own son.
51:08Always the prize trophy.
51:11Just like you're hell-bent on plunging a stake into my fucking heart.
51:17You demand love.
51:20By tyranny.
51:22Richard.
51:23It'll only get you so far.
51:27We'll see how far it gets me.
51:32As for you, Eduardo.
51:37When you were a baby, you had the face of an angel.
51:50Te perdono.
51:54I forgive your immortal soul.
52:00But not, your mortal one.
52:03No!
52:04No!
52:08No!
52:18No!
52:19No!
52:21No!
52:22No!
52:24No!
52:25No!
52:26No!
52:38Just so you know, Jennifer, my alpha was real.
52:47We could have done so much together.
52:51Richard, leave that piece of shit to you.
52:56Get out!
52:56Vamos!
52:57Get out of the world!
53:04Find him!
53:07Doug!
53:08No, let's move on, sir.
53:10Are you kidding?
53:12What?
53:15Help.
53:25I can't lose them.
53:26Hold on!
53:33Llévatelo!
53:33Llévatelo!
53:34Go!
53:37Go!
53:39Go!
53:39Go!
53:41Go!
53:44Go!
53:48Go!
53:55Go!
53:56Go!
53:57Go!
53:59Go!
53:59Go!
54:00Go!
54:00Go!
54:03Go!
54:03Go!
54:04Go!
54:07Go!
54:14Go!
54:25Go!
54:26Nothing is so precious that it can't be sacrificed.
54:29Nothing and no one.
54:33I'm shedding a skin now.
54:35Next to you.
54:46I've dug deep into the Hollywood fires and there's something else.
54:49There's something beyond Roper.
54:51There's a bigger game, Mum.
54:53And I haven't.
54:57.
55:03.
55:07.
55:09.
55:09.
55:09.
55:09.
55:12Oh, my God.
55:57Oh, my God.
56:37Oh, my God.
56:41Hello, Danny.
56:44Hi.
56:48Miss your old man?
56:51Oh, my God.
57:06Oh, my God.
57:12Ready?
57:13Where are we going?
57:14I thought I'd bust you out of jail for the weekend.
57:17Give you a tour of the new place at Oxfordshire.
57:20Sandy show you the pictures?
57:21Yeah.
57:22Um, it looks cool.
57:26There's a tennis court at the back.
57:29Well, I should warn you.
57:30I've been practicing.
57:35See, Pop.
57:39Oh, Danny, there was something I wanted to ask you.
57:43How would you feel about us getting some dogs?
57:48Sounds good.
57:51In Colombia, the death toll has risen to 600 overnight
57:55as civil war rages following Monday's sudden power cut.
57:58As thousands flee Medellin in panic, the army...
58:13Now, you masters of war...
58:19You that build all of the guns...
58:26You that build the dead plains...
58:33You that build the big bombs...
58:39You that hide behind walls...
58:45You that hide behind...
58:48You that hide behind...
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