00:00I
00:30Oh
00:44Oh
01:00Thank you very much.
01:39Thank you very much.
02:28Oh
02:42My dad didn't introduce me to the music, I wanted to not be musicians, I remember that I went to
02:49the first class in the academy and the truth was that this life was very hard and I didn't want
02:55to.
02:56So I got to get with a student a card and start to play my first notes in the tiple,
03:05because in the school they always programed in an event.
03:10When I got the session, I told them, dad, help me, because what do we do?
03:14And then I joined and started to teach me to play the tiple.
03:18I had an interview with my dad, I had to enter as if I didn't know me.
03:24And then the interview went well, until I asked him what was the song that I liked the most.
03:30He asked me, what is the Hacienda del Cedral?
03:33And I said, why?
03:34He said, because here is where I grew up and I can leave my rest.
03:40He said, why?
03:42And I said, why would I become a journalist?
03:44I said, why are you going to be a journalist?
03:47But well, we're going to be a song by Jorge Villamil, the rhythm of Wambuco.
04:16But what the traditional andina is always going to stay,
04:21because it is what leads us and brings us memories of things
04:28and makes us feel communicated with a past, with a present
04:35and, why not say it, with a future,
04:37which would be our heritage of what we are doing.
05:03The master Jorge Villamil gave me a song to my dad.
05:07We had a trip from Ibagué to Onda and my dad didn't manage to learn the lyrics,
05:13only the music.
05:15So my mission as copilot during the trip was to read repeatedly the lyrics
05:20and that's how I learned Oropel.
05:23No vuelvas a decir jamás que has triunfado en la vida
05:27en cosas de fortuna o en cosas del amor
05:33porque si apuestas una vez y pierdes la partida
05:39hoy juegas la ruleta y en sus ruedas locas ganas Oropel.
05:43No.
05:44No.
05:44No.
05:44No, no, no, no, no.
05:44No.
05:46Museo counties,
05:47You
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