00:02Hello to all our lecturers of El Espectador, we welcome from the Center of Artes of Elia Zapata,
00:07where we are taking the premiere of Griselda, this new Netflix production
00:11that is based on the life of the narcotraficant Griselda Blanco.
00:16We will also see several actors, like Christian Tappan,
00:20and we will also have the participation in this production of Carol G.
00:25We will have the opportunity to talk with some of them
00:27and tell us what we are going to see in this series.
00:30We hope for them to join us.
00:35Well, I think they will have very memorable characters.
00:38I think the people will have access to those characters
00:40that, by the masculine universe they live,
00:44have to reach with strong steps.
00:47My case with Marta Ochoa is that I also had very little time in the series
00:51to create an impact and mark the life of Griselda
00:54and the people around her.
00:59I think that a series like this is very necessary,
01:02because it also happens from the woman who has a dream
01:07and wants to achieve what she wants,
01:09and has the desire to achieve that,
01:11and can achieve a lot of that and see her fall.
01:14And I really think there is nothing romantic in the fall of a narcotraficant,
01:18and that is what people are going to see.
01:19Because the series also takes risks like showing you
01:22the reality crud and hard,
01:23because the blood is,
01:25because the deaths are,
01:27because it is without filters,
01:29and I think that is what has made in many of our stories.
01:33We have stayed with one side of the version of the stories,
01:35but here we also have an antagonist,
01:37who is a detective who wants to grab Griselda
01:39and who is also fighting in a world where men are more powerful.
01:47The process of construction of Rafa Salazar was complex,
01:53and very academic,
01:56because I had to investigate a lot about the character,
01:59how he could be the character,
02:01because he had no information about his,
02:03and about what position he could occupy
02:07in the status quo of the narcotrafic of that moment.
02:11He was a kid,
02:11he was a kid,
02:13he was a kid,
02:14he was a kid,
02:14he was a kid,
02:14he was a cowardly,
02:17he was a cowardly,
02:17he was a cowardly,
02:19he was a cowardly,
02:19and he was a kid.
02:21In the real life,
02:21this character had 25,
02:2326 years of age
02:24in the moment in which happen all these things.
02:30It was very fun,
02:31because one is playing,
02:33so in the game,
02:34everything is worth,
02:36and I think that I had more clear that rivalry
02:39at the beginning of the game than me,
02:42so I had to get a little bit like,
02:44ok, here I have to be a professional level,
02:48but also,
02:50I'm willing to take a lot of things,
02:52because to have that consciousness
02:54and that energy,
02:56that weight,
02:57that's Sophia Vergara,
02:58I can't make her to be a kid
03:00I can make her to be a kid,
03:00I can't make her to be a kid.
03:05I would like to resumir
03:06that Griselda is the biggest project
03:09that I've done in my career,
03:11for many reasons,
03:13I have the level of production
03:15that is huge,
03:17I think it's the biggest project
03:20that I've done Netflix,
03:22atrevo decir que para el mundo no sólo para latinoamérica pero además significa haber
03:27trabajado al lado de sopía vergara que es nuestra gran actriz nuestra gran diva a nivel mundial además
03:34trabajar con el elenco maravilloso con el que estuvimos estar viviendo en los ángeles en unas
03:41condiciones absolutamente inmejorables y trabajar en unas condiciones increíbles entonces por donde
03:48lo mire es un proyecto ya para la vida sofia llevo más de diez años duró estudiando la posibilidad de
04:02hacer griselda y no creo que haya sido gratuito no creo que lo haya hecho porque porque se quiere
04:08hablar de narcotráfico sino porque ella quería hablar de ese empoderamiento quería hablar de la
04:13potencia de griselda como mujer una mujer que se para enfrente de de unos machos que dominan el
04:20negocio violento del narcotráfico no sólo se para frente a ellos sino que los supera los doblega y
04:26se convierte en la madrina entonces creo que eso todo es pensado pero además la antagonista la
04:31policía es mujer entonces los dos personajes principales son mujeres y hablan de eso de empoderamiento femenino
04:43hay una cosa particular en este personaje es que yo no quise que fuera un personaje más violento
04:49ya he hecho muchos de narcotraficante en historias de narcotráfico yo no quería que tuviera la
04:55testosterona a flor de piel quise que fuera un personaje mucho más blanco mucho más bonito mucho
05:02más afable amable abrazable buen consejo un personaje blanco en una historia oscura y
05:09perteneciendo a un cartel entonces creo que que será como mi afán creativo no por repetirme porque
05:15creo que no me he repetido sino por no irme a la parte fácil que hubiera podido ser para hablar
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