- 14 minutes ago
Luther - Series 5- Episode 4
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00:02What, Jim?
00:03All I wanted to do was disappear and leave you in peace.
00:07But George Cornelius put pay to that,
00:09and that's why I'm back to wrap his knuckles.
00:12I can handle George Cornelius.
00:14No, you can't, John.
00:15Go home, Lee.
00:18Witness hasn't the clue as to what happened.
00:20The victim's an ex-pupil.
00:21Lee Peck.
00:22A killer chaser from Ballarat Street?
00:24Vivian Lake.
00:25You're being too reckless.
00:27I'm sorry.
00:28Hello, I'm Jeremy.
00:30I think she cleans up for him,
00:32and she hates him for it.
00:34My wife is very jealous
00:35because she finds out she'll strangle him.
00:39So does that mean Vivian doesn't know about Penny Leighton?
00:44Go!
00:45Where is Jeremy?
00:46Where is he?
00:48Now, I don't know what's going on between you and Luther,
00:51but you need to stay away from my office.
00:54Yes.
00:54It's a farmer.
00:56There's convenience, it's all.
01:00Leave him be.
01:01None of this is his fault.
01:02Six-one.
01:04Bright eyes.
01:04Muscular breath.
01:06Here.
01:07Now.
01:07No more chat.
01:08Alright, I'm coming, I'm coming!
01:14I'm going to send you to a series of checkpoints.
01:17You won't know the final destination until you arrive.
01:20Mark isn't a part of this.
01:21I need to know that he's walking away.
01:23Do as I say.
01:24He gets to go home and watch the one show.
01:27And Alice?
01:28Sorry.
01:30You know how it is.
01:33I still need to know he's alright.
01:34I need proof.
01:36You have my word.
01:37I said I need proof.
01:41Stay by your phone.
02:08Oh, no.
02:29I want to go home.
02:30I'm coming to the restroom.
02:32I'll go back the other day.
02:32I need proof.
02:34I can go home.
02:35I can get to the restroom.
02:35I can even record this.
02:58yes yes it is organic yes and the kitchen roll
03:05no no I got Brabens instead sorry excuse me about 10 minutes yeah love you yes yeah sorry excuse me
03:20I'm so sorry I'm afraid you drop this that's so kind thank you no no worries help me to help
04:02love is like a
04:05sin my love for the ones that feel it the most
04:15look at her with her eyes like a flame
04:23she will love you like a fly
04:52stay away from the door he said
04:53he's not here is he he's out there preparing to kill John and then you and then me
05:04well if that's what he wants why hasn't he done it already
05:07John wouldn't come here without proof of life well your life anyway mine not so much
05:19you make a good bag lady thank you listen we need to be scrapped of insulation we can find
05:25we'll be frozen to death by the time he gets here
05:38don't you give me the runaround don't you give me the runaround
05:50gov where are you so it turns out Jeremy Lake was keeping I don't know I don't know what to
05:55call it a scrapbook
05:56no Catherine I need some help what sort of help I just need you to find someone from here all
06:01right his name's uh Ronald Massey
06:05he works for a man I need to find
06:08I mean
06:09I can't just I mean who is he look Catherine I'll be there as soon as I can I'll bring
06:14in Jeremy Lake but I need you to do this first okay can you just do it
06:18boss I got for in do it
06:22you
06:22you
06:27you
06:32you
06:32you
06:34you
06:40you
06:41you
06:41you
06:41you
06:41you
06:44you
07:07you
07:17you
07:27you
07:28you
07:28the masks of lakes own face which is new behavior as far as we know
07:32but it is consistent with some of the images in the diary
07:38His condition disinhibiting him?
07:41Yeah, or maybe he knows we're breathing down his neck and he's decided to go all carpe diem on us.
07:47Do we have the faintest notion where DCI Luther is?
07:51Sorry, boss.
07:54Catherine, do you know anything I don't know?
07:59Sorry, boss, no.
08:04Vivian Lake knows her husband's mind.
08:07She's the only one who can help us get ahead in this.
08:09Let's bring her in.
08:10Well, she's being treated at the hospital.
08:12I don't care.
08:13Wheel her in in a gurney if needs be.
08:24Hey, Gov, I don't know what your other thing is, but the big boss, he's on his last nerve and
08:29I don't feel comfortable lying for you.
08:33Things are really kicking off here.
08:34We need you.
08:41Hello.
08:42Hello.
08:42I'm inquiring about the availability of Ileana this evening.
08:47Overnight for preference.
08:52Oh, good.
09:00Yes, hello, king of plumbers.
09:01I have a dreadful smell coming from my drains.
09:26Dr. Lake, if you would follow me, please.
09:49Boss, we should probably go.
09:50No, soddy.
09:51It's just a drill.
09:53Well, they usually say when it's a drill.
09:55It will go when the hair on your bollocks starts to sizzle.
09:59I'll just let me go and check.
10:00Hey.
10:12ANSTER
10:14Oh, shit.
10:22Oh, shit!
10:34Call him off.
10:44We're on schedule.
10:46My fish will be here soon.
10:47Yeah, I actually need you to hold off on that for a bit.
10:50Why?
10:51Because that's what I want.
10:54We entered into a contract.
10:56You'll get your money.
10:57Just tell me where they are and then take the rest of the day off.
11:01Go to the pictures or something.
11:03It's not that easy.
11:05A police officer is dead.
11:07I can't have that coming back on me.
11:09It won't come back on you.
11:10Just text me the address and then pack your sandwiches and go home.
11:14I'll make sure everything's tied off.
11:24It says a cop is dead.
11:27Yeah.
11:29That'll be your mate?
11:30Yes.
11:32For what it's worth.
11:33I didn't ask for that.
11:34Didn't you?
11:36Your mate chucked it in for free, didn't he?
11:39So where does that leave us?
11:50I came to offer you for Benny.
11:56I'm going to end this.
12:17All this eye for an eye bullshit.
12:19It's all just a game, isn't it, George?
12:22You don't want this.
12:24You don't want any of it, do you?
12:28You lost your discipline, George.
12:31You robbed Alice.
12:32She robbed you back.
12:32Now Alice is dead.
12:33That's not her fault.
12:34That's your fault.
12:35Benny's dead.
12:36That's not your fault.
12:37That's my fault.
12:38I couldn't shoot you in the head because I made a mistake.
12:40But if you can shoot me, then go ahead and do that.
12:42Doesn't change anything, does it, George?
12:44What I lost was my son.
12:54Eye for an eye.
13:00You think I won't do this and piss on your body after?
13:04Go on, George.
13:07Just do it.
13:10That's it.
13:13Go on.
13:40Stop there.
13:45You have a gun?
13:46Oh.
13:56So where's Luther?
13:58He's in the boot.
14:02Dead?
14:04There's Adodo's granddad.
14:08How did you find him?
14:10He came to me, as it happens.
14:13And how did he find you?
14:15Not entirely sure, to be frank.
14:17But there you are.
14:18He was a clever old sausage, but not bulletproof, as it turns out.
14:25Open the boot.
14:26Oh, come on.
14:27Now, if you would.
14:34Open the boot.
14:38Come on.
14:38All right.
14:39All right.
14:39As you speak, so shall it be.
14:53Oi!
15:08I don't get it.
15:10He's in our time.
15:11I'm Adolf.
15:12He's Neville.
15:13You're the Sudeten land.
15:14You're going to go down.
15:15You're going to go to prison for killing my friend.
15:16Do you understand that?
15:18And if I don't agree?
15:19I'll shoot you dead right now and tell a story to my boss.
15:38What did I tell you?
15:40You're going to jail.
15:43And you're not going to hate me.
15:47Sorry, old Beam.
15:48Couldn't take the risk.
15:54Here we are.
15:56You, smoking gun, dumbing evidence and whatnot.
16:00All in the cloud.
16:02Whatever that actually is.
16:05I'd have the gun.
16:07I think it's one of mine anyway.
16:09You're a clever one, aren't you, George?
16:13You would have been a good copper.
16:15No.
16:16Too honest to have been a copper.
16:20Schenk came to me, John.
16:22He knows something's not right between me and you.
16:25I'll sell this to Schenk.
16:28You trust me.
16:30So do I.
16:31But only because I've got this.
16:41Alice?
16:42Alice?
16:43Alice?
16:48Alice?
16:48Alice?
16:48Alice?
16:48Alice?
17:14That is.
17:29Oh, shit.
17:42Is your friend in there?
17:44Yeah.
17:45Aren't you going to call someone?
17:47I'll find him.
17:49We can't just leave him, yeah?
17:51We have to.
17:53For God's sake, he's your friend.
17:56He got himself killed trying to protect us.
18:01Do you think I want to be doing this, Mark?
18:03Do you think I want to be doing this?
18:18And he's dead.
18:20The man that killed him is dead.
18:21And all I'm trying to do is handle it so that your name is clear.
18:33What time does your wife get back?
18:34I have seven.
18:37I think we need to get back and clean the scene.
18:42What's happened to you, John?
18:43Huh?
18:53What's going to be doing?
18:56Man?
19:13What about the George Cornelius problem?
19:16Have you dealt with it?
19:19Yeah.
19:20Let's not be coy. Is he dead, John?
19:22Yeah.
19:23Because it's the only way.
19:26He'll kill us both. You do know that.
19:27An assistant.
19:30You wouldn't lie to me, would you, John?
19:33Not about something this important.
19:41No.
19:43Because you're the only person I ever knew
19:45who always told me the truth.
19:49Come what may, you never lied to me.
19:56It's done.
20:21That'll be your fancy lady calling you in for tea.
20:24Oh, why don't you just give it a rest? I've got to deal with this thing.
20:26Deal with it, then.
20:27Just go home and we'll talk later.
20:29Do that with your whatnot.
20:30Stop.
20:53Hello?
20:54Hello?
20:57Hello?
20:58Who's this?
21:33I hope you're not too uncomfortable.
21:36A young woman just stabbed me. Of course I'm uncomfortable.
21:41I'm afraid that a number of doctors have certified you fit to be questioned.
21:46And if there's one thing we can all agree on is, well, you can always trust a doctor.
21:52Mate.
21:57We know your husband is gravely ill, Vivian.
22:01Jeremy doesn't have long.
22:03One more Christmas, perhaps.
22:06But he'll never see another summer.
22:09Now, if we can find and detain him, his case will never get to court.
22:15He'll never go to prison.
22:17The worst he can expect is a few months in a secure hospital.
22:24But he will stop.
22:29This will stop.
22:36This will stop.
22:46And this.
22:53This will be close.
22:54It will stop.
23:06This will stop.
23:26I have no idea about Jeremy's activities.
23:30I'm as horrified as you are.
23:33Oh, I doubt if you have the capacity.
23:35And to be fair, we did catch you in a plastic lined room getting ready to disarticulate Penny Layton with
23:42surgical tools.
23:43I'm afraid you misinterpreted that situation.
23:46Actually, I was there to rescue her.
23:49Get her out of there. Poor thing.
23:52But you were wearing surgical scrubs and were attacking her with a hammer.
23:58I was defending myself from a very confused and frightened young woman
24:03who understandably, given her state of delirium, misread the situation and believed incorrectly
24:09that I was there to do her ill.
24:18I have to make a call.
24:21We've had some urgent news.
24:25Let's hope it's the news we all want, eh?
24:32T.S. Halliday, if you would hold the fort, please.
24:48Where have you been?
24:52I got called away to something that didn't pan out, boss.
24:57And he knew St. Benny.
25:00No.
25:01No, he called in sick.
25:06I've been called away.
25:08I want you in there with Vivian Lake.
25:10I'm on my way.
25:27What do I need to know?
25:29Sir, we were investigating reported gunshots.
25:32You might want to get somewhere private.
25:35I am somewhere private. You can go ahead.
25:53We found a disposable phone in the glove box.
25:56Call reports.
25:58Most likely any calls were made to another burner.
26:02Fine.
26:04So, I will need you to determine where that phone was last year.
26:10See if you can find any CCTV footage corresponding with the time and place of that usage.
26:16Absolutely.
26:17You have all the resources you need, but none of the time.
26:20I want this now.
26:21No.
26:22And this stays still.
26:27Are we clear?
26:29Nobody says a word.
26:32Okay.
26:33Anyone else in the area?
26:54Sorry I'm late.
26:58I've had a very busy day.
27:10So, where did you meet you and Jeremy?
27:17Is that relevant?
27:19I don't know.
27:24We struck up a conversation at a dinner party talking about Tony Blair over baked brie and raspberry jam.
27:31That's not true.
27:33You met at a play party, basically a fetish club.
27:40You really are bourgeois little prudes, aren't you?
27:45Thought police.
27:47Sex police.
27:49You're erecting an edifice of speculation on a foundation of puritanical distaste.
27:55No.
27:56That's not what I'm doing.
27:57I'm basically trying to establish whether you would like to protect your privacy and the answer turns out to be
28:02yes, which I find very interesting.
28:05Did you know that Jeremy kept a diary?
28:12Bit of a leap to conclude that's a diary, isn't it?
28:15It looks more like a sketchbook to me.
28:20Okay.
28:21What about these?
28:22These are actual drawings of murder sings, which makes me think about these other sketches too, which are, well, I
28:31don't know.
28:31I mean, are these real too?
28:33Clearly not.
28:35It's an explication of Jeremy's fantasy life and outlook.
28:39Masturbatory aid, nothing more.
28:42Yeah, possibly, could be.
28:44But it's not just the drawings, is it?
28:46I mean, it's the text.
28:51Well, that'll be a cipher text of Jeremy's own construction.
28:55Well, God knows what it says.
28:57Do you think you could decipher it for us?
28:59Oh, I'd love to.
29:00But, uh, very much dealt I'd be able.
29:10You have to get rid of this stuff properly, no throwing it away in your own bin.
29:15Oh, thank heavens I'm here with a criminal master night.
29:18Otherwise, whatever would I have done?
29:20I have to go, Mark.
29:22I promise you won't see me again.
29:25Well, that'll be a shame.
29:26Hmm.
29:30Some valedictory advice.
29:33Don't let John Luther back through your door.
29:37Not under any circumstance or for any reason.
29:42He's not what you think he is.
29:49Alice.
29:52You have to stop.
29:56Oh, God knows you are what you are.
29:57You're not a psychopath.
29:59You're not without conscience.
30:01You cannot live like this.
30:05I know.
30:07Do you need help?
30:08Is there something I...
30:12Hello?
30:24I had a boss once.
30:26Her name was Rose Teller.
30:28Really good cop.
30:30She used to say, um,
30:32an assumption is something you don't know you're making.
30:38Do you know the assumption you're making, Vivian?
30:45Oh, I might be able to help answer that.
30:51You're assuming that Jeremy doesn't want people to read what he's written.
30:56Then why employ a ciphertext in the first place?
31:00Because he doesn't want you to know what he's written.
31:04He doesn't want you to know that he's written it all down.
31:09Everything that you've done.
31:11Together.
31:13Dates.
31:14Times.
31:16Places.
31:18Because that's the difference between you and him, isn't it?
31:21I mean, you are very private.
31:23Don't want anyone to know the truth about you.
31:25Not ever.
31:26And he is very proud of what he's done.
31:29He's done with being anonymous.
31:31He's done with someone else taking the credit.
31:35This isn't a diary.
31:36It's a confession, isn't it?
31:41And where does that leave you?
31:44I don't know.
31:44Yes, you do.
31:46You do, Vivian, don't you?
31:49You know exactly where that leaves you.
31:53If Jeremy has implicated you as an accessory to murder,
31:56you know exactly what that means.
31:58Well, obviously you wouldn't do that.
32:00Are you willing to bet the rest of your life on that?
32:03No, of course you're not.
32:05Because he has been letting you down recently, hasn't he?
32:10Come on, Vivian.
32:11Help us and we can help you.
32:15You are going to prison, Vivian.
32:19But for how long is really up to you?
32:30May I have a glass of water, please?
32:32No, you may not.
32:43Jeremy's most outre fantasy, and I have to stress to the best of my knowledge it was just a fantasy,
32:50was to play a game of what he called happy families.
32:56To sit in a house and summon people to him.
33:00Have them turn up the door.
33:04Lambs to the slaughter.
33:13What's up?
33:22What's up?
33:25What's up?
33:26What's up?
33:26What's up?
33:31Kevin.
33:32You're dead.
33:32I've got it.
33:43Sir, the phone was used here. He arrives alone. George Cornelius.
34:04All right, George. You wanted it old school.
34:21Thanks for coming so quickly.
34:22Yeah, no worries. I'm sorry what you're looking at.
34:25Through there.
34:36So Jeremy Lake's gone to ground. He's holed up somewhere, getting people to come to him.
34:42How are we supposed to find him? There are like 60,000 streets in London.
34:46And previous murders, they don't tell us anything. There's no pattern. They're random.
34:50They're not disorganised, are they?
34:54I mean, everything he's doing, he's doing to tell himself how clever he is.
34:58And oh, the audacity of that. I mean...
35:03He can take care of whoever he wants, whenever he wants.
35:07He can have the police run around in circles.
35:10He can make the police blame the wrong man. Then he's come to an end.
35:16Which means he's gone somewhere, significant, with meaning.
35:20To who?
35:20To us.
35:23To him. I mean, if you were him, like, where's the most audacious place you could go?
35:29Uh, if I were him, I would go home.
35:33No. Too big a police presence.
35:36Where's the next best equivalent?
35:41Well, if I couldn't go to where the police are, I'd go to where they just left.
35:47Left. Right. Yes.
35:48Battle Extreme. The school teacher.
35:51Yeah.
35:53Shall we tell someone?
35:55No. Not until we've checked it out.
35:59Are you sure?
36:00I am sure. Come on.
36:01Oh, come on.
36:10When did you go?
36:10Come, okay.
36:19Come on.
36:22Come on.
36:28Eliana.
36:30Wow.
36:30Wow, you need a coffee?
36:35Please
37:08Oh
37:39Move to the counter
37:44Do not move
37:57Martin, I think it's time maybe we discuss getting me some legal protection
38:03I can't put it together, George
38:06I've tried, but I can't work out what happened
38:12I need a show of goodwill
38:14An upfront payment
38:17Right now
38:48I told you Martin, your lads are wronging
39:02Hey boss
39:04DS Halliday
39:06Are you with DCI Luther?
39:10Yeah, I am
39:11Now I need you to listen to me very carefully
39:16Without alerting DCI Luther to this order
39:19I need you to bring him back to the station as soon as possible
39:25Okay, yeah
39:26If you alert him to this there is every chance that he will run
39:31Do you understand me?
39:34Yeah, got it
39:35Good
39:37Now get him back to the station
39:41Tell him I have some interesting news that I want to give him face to face
39:55Of course
39:55Shenk has asked you to bring me back in, hasn't he?
39:58Uh, yeah
39:59Yeah, he said that he's got some news, something he wants to tell you
40:05Fair dues
40:20I'm not going anywhere into this
40:22He's dealt with
40:26You think he's in there?
40:28I know he is
40:29How?
40:32Plumber's van
40:33Pest control
40:35Food delivery
40:36All people that would come to you
40:38We can get back up in nine, ten minutes
40:42No, I've got no evidence
40:45If we call it in
40:46We'll have to go for due process
40:48Get a warrant
40:49It'll go on and on and on
40:50What does that mean for anyone that's alive in there now?
40:58If you found out tomorrow
41:00That if we weren't in there today
41:01You could have saved someone's life
41:02Would you be okay with that?
41:03Boss, that's not fair
41:08Right, do what you have to do
41:43I'm sorry
41:49Because I didn't get back up
41:50I've been here
41:50What if you had a entspreched
41:56I don't know.
42:28I don't know.
42:52I don't know.
43:30I don't know.
43:30I don't know.
44:00I don't know.
44:30I don't know.
44:49I don't know.
44:50I don't know.
44:50I don't know.
45:12I don't know.
45:26I don't know.
46:01I don't know.
46:19I don't know.
46:20I don't know.
46:49I don't know.
46:56I don't know.
46:59I don't know.
47:00I don't know.
47:11Oh why are you making such a fuss I mean this is what happens isn't it to those of us
47:17who are no
47:17longer useful who's next hmm could it be me I wonder well no uh I won't let that happen John
47:29I can't allow it did nothing to you Alice neither my parents really or Henry Madsen or Ian Reed it
47:42never
47:42seemed to you never seemed to mind really though did you what are you gonna do this time DC I
47:48lose
47:48sir arrest me well yes you should we won't will you you'll let me go because think of the tales
47:56I
47:57could tell how how are you gonna cover this up I wonder what lies can you tell quick John think
48:10of a lie come on come on think of a lie put it down make me liar liar next one's
48:21in your mouth put it
48:23down on us in a minute liar oh oops
48:59uh
49:04so
49:07Hey! Hey! Hey! Hey!
49:53Hey! Hey! Hey! Hey!
50:16Hey!
50:37Hey!
51:29How many more bullets Alice?
51:31Come and see John.
51:37Honestly, I'm embarrassed.
51:41I can't believe it took me so long to see that Zoe was right about you.
51:47I don't care about anyone, John.
51:50Not unless they can feed your compulsions.
51:54Friends, enemies, it's all the same to you. It doesn't matter.
51:58Even Zoe, you loved her so much more when she was dead.
52:00You need to stop!
52:01I gave you an excuse to behave exactly how you wanted.
52:04You need help!
52:06It's just words, isn't it, Alice?
52:09It's just words trying to justify what you really came here to do.
52:13And what's that, please? Do tell me.
52:14Well, free yourself from this, from me and you.
52:23If you're coming back, and coming back, and coming back, but you're never going to get what you want, Alice.
52:29Never.
52:32Because what I want doesn't exist.
52:33No.
52:34So how many more bullets, Alice?
52:36Yeah, well, I've got enough. Enough.
52:38Ah!
52:39Ah!
52:43Ah!
52:50Ah!
52:51Ah!
52:53Ah!
53:00Ah!
53:02Ah!
53:02Ah!
53:04Ah!
53:07Ha!
53:09Burns!
53:09What now, John?
53:12Ah!
53:15Ah.
53:16Alice Morgan.
53:16I received you for The Murder Off!
53:20OK!
53:22For the murder, Sergeant Katharine Halladay.
53:29Of course you are.
53:33You have the right to remain...
53:37The thing is, John, you don't understand, love.
53:40You can mimic it.
53:42You can recognise it in others, but you can never understand it.
53:47Is this it?
53:49Is this it? Love?
53:53Yes.
53:55Guess what?
53:56I lied to you.
53:58There's one bullet left.
54:04They just needed us to be really close.
54:15Goodnight, John.
54:29Alice.
54:31You need to help me.
54:35No, Alice.
54:41Alice.
54:43Alice!
54:50No.
54:54No.
55:09Oh!
55:32Oh
55:33Not like that
55:49Oh
55:51Oh
55:53Ah
56:11Oh
56:24Baby you understand me now
56:30If sometimes
56:32You see that I'm mad
56:36Don't you know
56:38No one alive can always
56:40Be an angel
56:42Sometimes
56:43I find myself alone
56:46Regretting some
56:47Little foolish thing
56:49Some simple
56:51Thing that I've done
56:53Than
56:55Just a soul
56:57Whose intentions are done
57:00Oh
57:01Lord
57:02Please don't let me be
57:06Misunderstood
57:10Don't let me be
57:12Misunderstood
57:13I try so hard
57:16So please
57:17Don't let me be
57:19Misunderstood
57:20There
57:22The
57:23I
57:23I
57:23I
57:24I
57:24I
57:25I
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