00:00Well, to take the cameras and leave the one hand the missile to grab the movie Memories Guerrilla
00:07showed the fear that we had our combatants at the moment in leaving the missile.
00:11First, for the trajectory of the traiciones that has had the government with the peace
00:14and second, because the missiles guarantee our lives.
00:21I understood that it is much more difficult to leave the missiles than to take them.
00:26I understood that in the cameras, in the audiovisual, it is another tool in which we can express and show
00:40the realities
00:41that often are uncomfortable for some sectors and communicate these two realities that exist in Colombia,
00:48the two Colombians that exist and that are not known.
00:51And the audiovisual is a medium propitious to reconciles these two visions of the country.
01:00And the last one is the talent that we found in The Muchachada, in The Guerrillerada,
01:05that didn't have the opportunity to study.
01:07We found directors, writers, actresses and a lot of talent that was there ocult.
01:16That, without a doubt, if they had the opportunity to study audiovisual or theater,
01:22they would have been great professionals.
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