Death in Paradise - Stagione 15 - Episodio 07
â–¶ Death in Paradise - Season 15 - Episode 07
Death in Paradise - Stagione 15 - Episodio 07. episodi completi in italiano. #FilmCompleto #DramaItaliano #SerieCompleta
#FilmCompleto #DramaItaliano #SerieCompleta #ShortDrama #ReelShort
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â–¶ Death in Paradise - Season 15 - Episode 07
Death in Paradise - Stagione 15 - Episodio 07. episodi completi in italiano. #FilmCompleto #DramaItaliano #SerieCompleta
#FilmCompleto #DramaItaliano #SerieCompleta #ShortDrama #ReelShort
🔤 Attiva i sottotitoli / Enable subtitles (CC)
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CortometraggiTrascrizione
00:00Commissioner, grazie per venire.
00:03Cattrì, come una foto, come la grace kelly.
00:08You do exaggerate, Mr. Buzet.
00:10Merebbe apprezzare la bellezza, quando l'ho dice.
00:13I've been meaning to thank you.
00:16Without your admirable journalism,
00:18a community initiative wouldn't have happened.
00:22Thanks, Guiters.
00:24Port Kents, our guest of honor.
00:28Simply stunning, like a young Grace Kelly.
00:34It all looks wonderful, Anton.
00:36Only what you deserve for your dedicated service to this island.
00:41One last favor, s'il vous plaît.
00:43I want to change my final column to this one.
00:46It's already gone to press, I'm afraid.
00:48Oh, don't be afraid. Just make it happen.
00:52Oh, come on, Bernie.
00:54Do 24 years of marriage count for nothing?
00:59Mm-hmm.
01:10After 30 years solving this island's problems,
01:15our beloved Agony aunt is retiring.
01:19And so, please, put your hands together
01:21to show your gratitude for this wonderful woman.
01:26Oh, dear.
01:28You don't know what that is.
01:30You don't know what that is.
01:30You have to be.
01:31Thank you to all of you, my esteemed readers,
01:35for entrusting me with this precious task for so many years.
01:40But now I'm looking forward to spending more time
01:44with my daughter Esmi.
01:55Let's see if, for the first time in his life,
01:59that imbecile was true to his word.
02:18Morning, Esmi.
02:19How was the party?
02:21Good item.
02:22Me at Earth's.
02:24That's weird.
02:25It's weird.
02:27It's weird.
02:28Maman?
02:31Maman?
02:35Maman?
02:36Maman?
02:37Maman?
02:37Maman?
02:40Maman?
02:41Grazie a tutti.
03:14Grazie a tutti.
03:48Grazie a tutti.
03:55Grazie a tutti.
03:59So I take it therapy's going well then?
04:02Um, I mean, sitting in front of a total stranger, talking about feelings, it's just not for me, you know?
04:11But you were kidnapped by your own brother, sir, almost killed.
04:15Look, I'm here now, aren't I?
04:18The best thing for me to do is just forget it ever happened.
04:21Sounds healthy.
04:23Look, I'm English, yeah? That's what we do.
04:30The deceased is Hortense Leroux.
04:33She writes an agony aunt column for the local paper.
04:36Agony aunt, that's a blast from the past.
04:40Good morning, boss.
04:42Sarge, paramedics say Madame Leroux was poisoned.
04:45Who found her?
04:46Her daughter Esme, who had plans to go on a walk with her mother,
04:50and the housekeeper, Kim Woods, who was just starting her shift.
04:54This way.
04:56So, the victim, she has a few tiny red spots on her finger,
05:03which leads me to believe that the poison came from something she touched.
05:08So, she sat down for breakfast, boiled egg and toast,
05:15read her column where someone writes in about a friend's betrayal,
05:22and dear Hortense replies with avoiding revenge.
05:27Let sleeping dogs lie.
05:29Sir, she was retiring.
05:31This would be her last column?
05:33Tragic coincidence?
05:35Tragic, certainly.
05:37Coincidence, not so much.
05:40Does this look discoloured to you?
05:47You think the poison is on the paper?
05:49Possibly.
05:50Where did this come from?
05:51We'll check with the housekeeper.
06:02Egg and soldiers.
06:04In the Breakfast Hall of Fame.
06:06That's right up there.
06:07Dipping a piece of buttered toast into a gooey yellow egg.
06:11Heaven.
06:13You're fine, sir.
06:17Sir.
06:26This egg's harder than Vinnie Jones.
06:28Dipping a soldier into that would be impossible.
06:37Sir, normally when you spot a detail, I think,
06:39not hard, man.
06:40You will definitely come back to this.
06:42But right now, I'm kind of struggling how this could possibly be relevant.
06:49Everything's relevant, Officer Roves.
07:02And the paper was delivered every day?
07:05By a boy called Clayton Powell.
07:07Can you get a hold of him, please?
07:11Esme.
07:13It's terrible, terrible news.
07:16Anton Bozette, editor of the San Marie News and Hortense's ex-husband.
07:21D.I. Wilson.
07:22I've heard a lot about you.
07:25So, what's the latest?
07:27Well, we're working on the theory that Miss Leroux was poisoned.
07:30What?
07:31Deliberately.
07:32How could anyone do that to her?
07:35She was truly adored.
07:37So, how did she seem recently?
07:39Anything out the ordinary?
07:41Well, she had mixed feelings about retiring, naturally.
07:45There was something at the party.
07:48I want to change my final column to this one.
07:52Do you know why?
07:53No.
07:54Can we see the original letter?
07:56They'll be in her study.
07:58OK, so, um, talk me through her morning routine, please.
08:01Um, well, she was up with the lark, made breakfast.
08:05Boiled egg and soldiers, yeah?
08:06Clayton would deliver the paper,
08:08then she would like to read her column over breakfast.
08:12And the egg.
08:13How long did she cook it for?
08:15Oh, I'm not sure.
08:18Do you know, love?
08:19Dreaming it, Cecil?
08:21She liked it to be perfect.
08:23Yeah.
08:24That's who she was.
08:25Deep breaths, darling, deep breaths.
08:28Here you are, Esme.
08:29Look, here, Inspector.
08:31Why the focus on eggs?
08:33Can I suggest that you concentrate on what is actually important?
08:37Finding the person who did this.
08:39I'm merely trying to establish the facts, Mr. Bousset.
08:42I mean, as a journalist,
08:44it surprises me you don't appreciate that.
08:50I'm sorry, the little man doesn't like strangers.
08:54Sensible chap.
09:01She really liked purple.
09:10So what's with the egg thing?
09:13Look, Hortense was the sort of woman who liked everything just so, right?
09:18Even down to how she set out her breakfast.
09:21People are funny, aren't they?
09:23Yes.
09:24People are.
09:25It's still bothering me why the egg was hard-boiled.
09:29Maybe she got distracted.
09:31Overcooked it.
09:32She had an egg timer, which she clearly used.
09:35And even if she had overcooked it, she could have made another one.
09:40Now you say it, it is a little odd.
09:44You know, I used to think these letters were fake.
09:46But people actually write in with their problems.
09:50And according to the housekeeper, she replied to every single one.
09:54Felt like it was her duty.
10:01It seems she kept every single letter as well.
10:05This is the letter she wanted to publish last minute.
10:09Dear Hortense, I've suffered a great betrayal by a friend.
10:13Well, that's different.
10:14What is?
10:15Well, all these other letters are signed anonymously.
10:18But this one is signed by Sophie Martin.
10:21So Sophie Martin wanted her friend to know she'd written this letter.
10:27But why?
10:28To send a message?
10:30Or a warning?
10:35Yes, Victor.
10:38Thank you.
10:40Okay, so that's Clayton and here's the tea.
10:44He picked up the papers from Mr Purdy's newsagent at 7am.
10:48There are various papers in the stack.
10:50The St. Marie News only being one of them.
10:53All right.
10:53He then cycled straight here, delivered the newspaper to Madame LaRue at 7.15am.
11:00And did he actually see her pick it up?
11:02He did, just like always.
11:05And we know she came inside and sat at the dinner table to read the paper.
11:09Do we know how many St. Marie News were in his stack?
11:12He said six, and none of the other people who get the paper are ill.
11:17But if so, assuming it was a targeted attack, how did he get the one poison newspaper to Hortense?
11:24Maybe they intercepted Clayton on the way, knowing he'd be coming to Madame LaRue's house first.
11:30Clayton swears he did not meet anyone en route.
11:33The only thing of note, his bike had a bust up with a pothole and all his papers fell out
11:38his back.
11:39But even if the killer had poisoned the first paper in the stack, they're all jumbled up now, right?
11:46Which means they couldn't guarantee that the poison paper would get to Madame LaRue.
11:53A one in six chance.
11:56Don't like the sound of those odds, do you?
12:07Hortense LaRue, St. Marie's favourite agony aunt, poisoned, apparently, by her own column.
12:13So, who would want to murder her?
12:16All that meddling in people's lives would make you some enemies.
12:19I read that she moved from Paris to St. Marie 30 years ago with her baby daughter, Esme.
12:27Anton Busset, Esme's stepfather.
12:30They met in 1996 when she started her column at the St. Marie News.
12:35Then there's this.
12:37Now, why would Hortense be so keen to publish it?
12:40It was posted on St. Marie, so likely the author lives here.
12:44So, our priority, find Sophie Martin.
12:52Copy that, sir.
12:54There were letters at the house.
12:55Looks like she kept them all.
12:57Might be worth checking those, too?
13:00Yes, where would you put that on the priority list?
13:02I'm thinking maybe three or four.
13:06We've got it, Sarge.
13:08As soon as we check through the victim's form.
13:10Can't help feeling Sophie is key to all of this.
13:13Making progress already?
13:15Well, Commissioner, well, you know, it's early days.
13:19Madame LaRue was highly regarded.
13:22Only last night, Catherine and I attended her retirement party.
13:26As such, the island will be watching our investigation keenly.
13:31Ah, excellent.
13:33I'm assuming you've met Anton Busset.
13:37We've had the pleasure.
13:38He won't miss an opportunity to put pressure on us.
13:43Or rather, me.
13:45Let me know when you're ready to talk.
13:49So, let's keep things as professional as we can.
13:53Of course.
13:55D.I. Wilson, a word.
14:04How are the counselling sessions going?
14:07Oh, um...
14:09Extremely useful.
14:11Yeah, we're really getting to the...
14:12..the heart of the matter.
14:14Is that so?
14:15Hmm.
14:16What I've heard is directly to the contrary.
14:20You haven't said a word.
14:22I thought that was confidential.
14:24Inspector, take it seriously.
14:28Look, I'm just not into the whole going over the past stuff.
14:33The effects of trauma don't just magically go away.
14:37You've got to work through it.
14:40I know.
14:41Because I did.
14:46You had therapy.
14:48And like you, I had dogs.
14:51Men of my age, we tend to crack on with things, too.
14:57Give in to it, Inspector.
15:00You may be surprised.
15:03Okay.
15:05But I assure you,
15:06I am completely,
15:09totally,
15:10100% fine.
15:23We've got a situation.
15:25Oh!
15:28It's on.
15:32Shut up!
15:51No!
15:52Working overtime, mate.
15:53Any leads?
16:02No!
16:35Morning campers, gather round, I have a break through.
16:44Right, so, this stamp was conveniently hidden beneath this St. Marie stamp.
16:50The original stamp is from France.
16:54Hmm, so what does that mean?
16:56That it was posted from somewhere else first?
16:59Maybe Sophie meant to post it from somewhere else, but didn't for some reason.
17:02Then brought it to St. Marie to post.
17:04Why? Who knows? My stamp man in Kentish Town is on the case.
17:07And he's going to...
17:08And three.
17:11You all right, sir?
17:13Yeah, why?
17:14You seem a little energetic.
17:16Oh, that's the coffee. I've had three already. That's my fourth.
17:22Bad night?
17:24Er, no. I was just up, looking into this.
17:28Any update on Sophie's whereabouts?
17:30None on the island and no mention in the victim's contacts, either.
17:34Postmortem's in.
17:37Cortens was poisoned, as we thought. Contact poison.
17:41Cone snail venom, in fact.
17:44Cone snail? That's new.
17:46Yeah, I mean, they live in the shallow waters around here.
17:48I mean, you're warned about them as a kid.
17:50If it's in a cone, leave it alone.
17:52The toxin paralyzes the victim first, then they die a painful death.
17:59Nice.
18:00So, whoever did this wanted Hortense to suffer.
18:04It says here that the poison was only on page 35 of the newspaper.
18:09Which means we're looking at one hell of a gambler.
18:11Somehow poison one page in one paper of a pack of six.
18:15Then pray to the gods of vengeance that that paper is delivered to its victim.
18:20Risky as anything.
18:21It's more than risky. It's almost impossible.
18:23Did Hortense touch anything else?
18:25Lab's still testing. They'll get back to us tomorrow.
18:28In the meantime, Officer Rose and I have been working on something.
18:31Yes, the data.
18:33Esme, eh?
18:34I mean, totally bankrupt by her mummy.
18:36She's never had a job.
18:37She just gets her big juice yellow ones every month and, I mean, she's living her life.
18:42Well, it seems Esme might have disagreed.
18:45She'd applied for a job at a publisher's in Barbados.
18:48Then, plot twist, we find emails from Hortense to the managing director saying Esme was not fit to work
18:58and that she would sue them if her daughter had a breakdown.
19:02They took back the job offer pretty quickly after that.
19:05So mummy blew her chances of a promising career.
19:13Mm-hmm.
19:17Must have been a blow.
19:19She was right.
19:20I wouldn't have coped.
19:22Real life and me somehow never work, so...
19:25What made you apply for the job, then?
19:27Anton encouraged me.
19:28He helps me with all sorts of things.
19:32Can't help noticing you're wearing the same clothes as yesterday.
19:36Late night, was it?
19:37My mum just died.
19:39I'm allowed to grieve.
19:41Of course you are.
19:44Look, what do you want from me?
19:45You're 31.
19:47Never been anywhere.
19:48Everything you own, all paid for by your mother.
19:50It's unusual.
19:51Some might say a little controlling.
19:54She wasn't.
19:55She loved me.
19:57People get away with a lot under that label.
20:01Papillon.
20:02Papillon.
20:03Come away from there.
20:07Needs to be careful of those cone snails.
20:10I hear they're deadly.
20:11My mum was always paranoid he'd get stoned.
20:14Liked to keep him close.
20:16A bit like you, then.
20:17Please, not least.
20:18A bright new future.
20:19Suddenly, snatched.
20:21No, stolen away by your meddling mother.
20:23That'd have made me angry.
20:24But that made you angry, DS Thomas.
20:25Definitely.
20:26Maybe the anger got too much.
20:27Maybe one day you just snapped.
20:29No.
20:31That's not true.
20:36We'll be in touch.
20:42Never underestimate the quiet ones.
20:49All right, mate.
20:50What you got?
20:52For real?
21:01Curious and curious, as they say.
21:04Le Cloche de Saint-Azure, pardon my accent, was printed in Paris 30 years ago.
21:09Does that mean that this letter is also 30 years old?
21:13We can only assume so.
21:14But if that's the case, why would Sophie Martin wait to send us now?
21:19Maybe she knew Hortense was retiring and this was her last chance?
21:23We'll look for any Sophie Martens who lived in Paris 30 years ago.
21:26Yeah, keep me posted.
21:27Any news from the lad?
21:29No poison found on anything else she could have touched.
21:32So this newspaper was definitely the murder weapon?
21:34It looks like it.
21:36Something interesting, though.
21:38No fingerprints found on Hortense's glasses.
21:41Wipes clean.
21:42Hmm.
21:43What would that be?
21:46Right, until we know who Sophie Martin is, let's look for anyone with a motive, yeah?
21:50I found something on the victim's phone.
21:52In the trash.
21:54And I'm an uncle.
21:55Little Terrence always says, one man's trash is...
21:58It's another man's treasure.
21:59Yes, we know.
21:59Get on with it, Officer Rose.
22:01Sir!
22:02Sorry.
22:04Go on.
22:06Some anonymous text going back three weeks ago.
22:08You'll get what's coming to you.
22:10You don't deserve to live.
22:12And then just before a retirement party, wear the amethyst earrings.
22:16They bring out your eyes.
22:18Someone was out for blood.
22:20But who?
22:21A reader with a grudge, maybe?
22:23Maybe.
22:24Clearly whoever it is was watching the house the other night
22:26while Hortense was getting ready for a big bash.
22:29First thing tomorrow, talk to the neighbours.
22:31Maybe they saw someone hanging around.
22:45No, no, no.
23:14No, no, no.
23:33Something akin to anger, I'd say.
23:38You know, every time I'm near that guy, something happens it shouldn't.
23:43And sadness.
23:45In fact, I'd say mainly sadness.
23:48I wanted it to work, yeah?
23:51Believe me, I wanted us to work.
23:55But you know what?
24:00We just don't.
24:01I do not trust that guy.
24:04And if you can't trust family, then who can you trust?
24:07Would it be more helpful to talk to him about what happened?
24:11I don't know where I'd even start.
24:14Sometimes, if talking's difficult, writing it down can help.
24:19Write him a letter.
24:24Yeah, write him a letter.
24:26Yeah, could work.
24:32A letter.
24:33It'd be a waste of time.
24:35Why don't you tell him what kind of brother you wanted?
24:39Because it's a fantasy.
24:42He can't be that brother.
24:46So I need to just accept it and move on.
24:51And, sir, how will you do that unless you're honest with him?
24:54And even more so, with yourself.
24:58Catherine, you were at Hortense's party.
25:02Yeah.
25:02Did you know her well?
25:04Not really.
25:05And the family?
25:07Esme?
25:08Anton Busset?
25:09Oh, Anton.
25:12Men like him.
25:13Hungry lions.
25:15Looking at you like your tasty steak at a buffet.
25:19Oh, have you two got history?
25:21He'd like that.
25:23Do you want another drink?
25:25Oh, no thank you.
25:27I think I'll have an early night.
25:29Perhaps you should too, sir.
25:31Why's that?
25:33Seeing that you're having trouble sleeping.
25:35Another cold one for me, please, Catherine.
25:54I'll speak to him, and you take the house over there.
25:57Then we'll get to those letters, sound good?
25:59Cool.
26:00See you later, Aligheta.
26:18Oh, come on, come on, come on.
26:27What are you doing?
26:29Huh?
26:29Nothing.
26:30What's behind your back?
26:31Hi, cupboard.
26:32Don't lie to me, there's a mirror right behind you.
26:37I just promise you won't laugh, all right?
26:39I promise.
26:41Dear Hortense, there's this girl I like.
26:44If she were a chicken wing, she'd be extra hot.
26:47All summer we've chilled, but now she's gone quiet.
26:50I'm confused.
26:51She keeps watching my stories.
26:53Once she commented with a tomato emoji, what does that mean?
26:58I just want to know where I stand.
27:02You're Sebastian Rose.
27:05You know this is supposed to be a meaningless.
27:07I know that, no.
27:08Well, did Hortense write back?
27:09She did.
27:10She said something about allowing space for roots to grow or something.
27:15And happy?
27:17No.
27:18Because she might be waiting for you, you know.
27:21That tomato emoji couldn't mean this girl's interested.
27:24You can't sit back, you've got to lean in.
27:26Yeah, it may be all right.
27:29The neighbor did tell me something pretty darn spicy.
27:32Yeah?
27:40What are you doing?
27:42A game of probability.
27:44A killer somehow gets a poisoned copy of the St. Marie News
27:48into Clayton's stack of newspapers,
27:50in which there happens to be five other copies of the St. Marie News,
27:53and from which she pulls one copy of the St. Marie News at random
27:57and delivers it to Hortense.
27:58A one in six charts.
28:00One in six charts.
28:02Our only clue is the egg.
28:05Why was it hard-boiled when Hortense likes it to be perfectly dippable?
28:10Sophie Martin is a very popular name.
28:13There were about a hundred Sophie Martins in Paris around that time.
28:18Look, for any connections with St. Marie, yeah, we have to find this woman.
28:22Will do.
28:27Sorry, it's not you, it's me.
28:30So the beers didn't help then?
28:33Surprisingly, no.
28:38And the little?
28:41No, it's not a good idea.
28:43And that's an end of it.
28:44Okay.
28:48Sergeant Fletcher?
28:50We know who's been sending those messages.
28:52The neighbour was taking out the bins on the day of the party
28:55when he overheard an argument between Kim and Hortense.
29:00Did he hear what was said?
29:02Certainly did.
29:03It's you, isn't it?
29:05You have been sending these foul messages.
29:08Who else would know those things?
29:09And guess what?
29:11Hortense said she'd report her to the police the next day.
29:20I would never do anything so stupid.
29:23So why would Hortense think it was you?
29:25No clue.
29:26Those texts contain personal details that only someone close to her would know.
29:30So how long have you worked with Miss LaRue?
29:32Oh, about six months or so.
29:34Was she a good boss?
29:36Madame was a diamond.
29:37It's a tragedy that she's gone.
29:39From what we've heard, she was more dragon than diamond.
29:42She certainly gave her daughter a hard time, didn't she?
29:44Well, she was a mite overprotective.
29:46But she cared, which is more than most.
29:48If she was like that with her own flesh and blood,
29:51it's not a stretch to imagine she'd do the same to you.
29:53Perhaps you decided to get your own back.
29:57Frighten her.
29:58But then she found you out, didn't she?
30:00You'd have faced criminal charges.
30:02You'd have lost everything.
30:04So I killed her?
30:07You've got this all wrong, officers.
30:09I've been around the block more times than I care for.
30:12Life's good here, better than I hoped.
30:14Why would I risk losing that?
30:19You know what I said to her?
30:21Go ahead, report me.
30:23Any decent investigation team would discover that I didn't send those texts.
30:27Convenient.
30:28What is?
30:29Well, she never got the chance, did she?
30:31And now here you are, free as a bird.
30:41She does have a point.
30:43I don't see what she gains from scaring Hortense.
30:46Well, who else?
30:49Well, I'm not overly thrilled about talking to Anton Busset.
30:52But if it was an angry reader who sent those texts,
30:54then you're going to have to.
30:57Huh?
30:57Sir, you're sure you can keep cool?
31:03As a cucumber.
31:14So, Hall 10s of LaRue didn't mention anything to you about these text messages?
31:19Ever since the divorce, we didn't have the same intimacy, you understand.
31:24Please, sit down.
31:25No, I'm all right standing, thank you.
31:27Any hate mail sent to the office?
31:29Complaints, people calling in to talk to her?
31:32You don't give up, do you?
31:34Oh, she deceptively heavy.
31:35Is this real gold?
31:36Can you put that down?
31:39I've already said I don't know who was sending these messages.
31:42And whoever she is, won't be easily found.
31:45She?
31:46But you just said whoever she is.
31:48I misspoke.
31:50They.
31:51Unusual for a man in your line of work to misspeak.
31:54Unusual for a man in your line of work to behave like an amateur.
31:58Excuse me?
31:59Let me be crystal clear.
32:00Stop wasting time asking obtuse questions.
32:04And go about doing your actual job.
32:07Let me be crystal clear.
32:09These obtuse questions are to find out who murdered your ex-wife.
32:13Sir?
32:13But the fact that you can't see that is because your head is so far up your own ba-
32:19Well, that escalated.
32:22Look, I get it.
32:24Sir, what you went through was something no one should ever have to.
32:29But you can't keep pretending.
32:31Pretending?
32:32Yes, pretending like you're okay.
32:34I am not.
32:34Your judgment is clearly off because you're not sleeping.
32:38And you're not sleeping because you have this thing with Solomon hanging over your head.
32:41What do you suggest?
32:42I don't know.
32:44Write the letter.
32:45Whatever.
32:46Get it off your chest.
32:47We have a murder to solve.
32:49All right.
32:50Fine.
32:52I'll do it.
32:53Thank you.
32:58So what are we going to do about Mr. Busset?
33:01He obviously suspects who's sending those texts.
33:06Well, we need a tactical rethink.
33:13I have an idea.
33:23Who knew St. Marie was so high-tech?
33:26Found it in the back of the evidence store.
33:29Don't think it's been used for a while.
33:31You surprise me.
33:33It's from 1986.
33:35Can't beat quality.
33:37Thanks for doing this, Miss Baudet.
33:39A pleasure.
33:40I feel like one of Charlie's angels.
33:43Now, remember, you're there to find out who Anton thinks is behind the text messages.
33:48But don't go straight in for the kill.
33:50Act natural.
33:50Re-in-check is your code word if anything goes wrong.
33:54It won't.
33:55Trust me.
34:04We're good?
34:10The Golden Goose has landed.
34:17Anton!
34:19How lovely to see you.
34:21Likewise.
34:21I was surprised when you called me.
34:25Pleasantly surprised, of course.
34:28Thought a drink would help take your mind off things.
34:31Much appreciated.
34:35That clown inspector was at the office today.
34:39Poking his nose in where it's not wanted.
34:42Oh, like a dog without a bow.
34:45What does she have to say?
34:46Shh, wait.
34:47She knows what she's doing.
34:49Did the police have a theory today?
34:52Oh, they were bothered about what these nasty messages Hortense was receiving.
34:57Thank you.
34:59You seem like a woman of good sense and judgment.
35:03I like to think so.
35:05This stays between us.
35:07A few years ago, Hortense told me something.
35:11Esme isn't her child.
35:13She took her from Paris when she was a baby.
35:15This is big!
35:16Sadly, the father wasn't able to take care of her.
35:19A drug addict agreed.
35:21I'm assuming she agreed to this.
35:24The way Hortense told it sounded like she was too out of it to notice.
35:28Hortense couldn't have children.
35:31But the authorities, did they not realize?
35:34She came here, forged her papers.
35:37She was Esme's mother in all but flesh and blood.
35:41And Esme has no idea?
35:43No.
35:43And I wanted to stay that way.
35:46This would break her.
35:47So, you suspect it's Esme's birth mother sending those messages?
35:54Who else?
35:58Enough doom and gloom.
36:00Would you do me the honor of a dance?
36:02Oh, well, um...
36:04It might be better.
36:05If I rain check.
36:07No reason.
36:09I doubt that very much.
36:10Come on.
36:11Sorry, Anton.
36:12I must rain check.
36:17We've lost her.
36:18Sergeant Fletcher.
36:23Why do you keep saying rain check?
36:37Sorry, Matt.
36:38Yeah, I tried.
36:40This won't be the last to hear of me.
36:42I'll be calling your commissioner.
36:44Qu'est-ce qu'il s'est passé?
36:46I was saying the code well.
36:48It was a technical age.
36:49I am so sorry.
36:53We can now assume that the friend's betrayal written about in Sophie Martin's letter is referring to Hortense stealing Sophie's
37:00baby 30 years ago.
37:01Which means Sophie is Esme's real mother and finally explains why Hortense was so desperate to publish the letter.
37:09She knew it was Sophie coming for her.
37:12Her response?
37:13Back off.
37:14Esme's mine.
37:15But why wait 30 years to send this?
37:18Don't know yet.
37:19But we will.
37:20And if Miss Martin is also behind the text messages, as Anton suspects...
37:25You'll get what's coming to you.
37:27You don't deserve to live.
37:28She's here on this island with one hell of a motive.
37:32But where?
37:44I hope you don't mind, Angel.
37:46Oh, no, not at all.
37:48Such a great loss.
37:50If you ever need someone to talk to, I'm here.
37:55You're kind.
38:15Solomon.
38:17I've been thinking about what to say for a while, but I haven't managed to find the right words.
38:38Yes, I see beaucoup.
38:41Morning.
38:43Morning, sir.
38:44That was the Paris police.
38:45My thinking was, addicts are more likely to have criminal charges.
38:51And there are three Sophie Martons on file.
38:55Two for possession, one for aggravated robbery.
38:57I've asked them to send over the records.
39:00Good work.
39:01What's that, sir?
39:03Oh, um, this is it.
39:06My letter to Solomon.
39:08I've got it off my chest.
39:10Did it help?
39:14Uh, yeah, it did, actually.
39:17You know what I realised?
39:18I want, no, I need my space from it.
39:26I'm so sorry, sir.
39:27No, no, no, it's all good.
39:28It's for the best.
39:29I just needed a little time to accept it, that's all.
39:35Where is everyone?
39:37Following a lead, if Sophie Martin was outside Madame Rourou's house that night, it's possible
39:43she followed her to the party.
39:45So we went through the photos online, and look at this one.
39:55Yes, she does look about the right age that Sophie will be.
39:58An uninvited guest.
40:00The waiter said she got into a green VW camper van, and luckily, Matty knows the one garage
40:07that fixes them.
40:11Yeah, talk with the devil.
40:14We think we found Sophie.
40:15So someone matching her description came into the garage last week, goes by the name of
40:20Calypso.
40:21Said she normally parks up by Coral Beach.
40:24We need to get there pronto.
40:25You already here, sir?
40:27We've got an eyeball.
40:32Are you hearing you good?
40:33You think that I'm that shy girl's mother?
40:37You're mad.
40:38I don't even know this woman you're talking about.
40:42Then why did you sneak into the party that night?
40:45Just passing.
40:47Felt thirsty.
40:48It's not a crime.
40:50No, but stalking is.
40:52See, our theory is you are Sophie Martin.
40:55You assumed a new identity to come to St. Marie and enact revenge on Hortense Leroux, starting
41:01with Phil's threatening text messages.
41:04Uh-uh.
41:05I just like to stay off-grid, that's all.
41:08We should be free to roam, as the birds do.
41:11You know we can trace the sim to the shop you brought it in.
41:14Check their CCTV.
41:17Okay, here's the truth.
41:20That woman you're talking about, Sophie Martin, that ain't me.
41:25But those texts, I sent them.
41:31Not for the reason you think, though.
41:33Why then?
41:35Two months ago, I sent dear Hortense a letter.
41:40Hortense told me to cut my mother out of my life.
41:44Toxic mothers shouldn't be allowed to act that way, she said.
41:48A bit hypocritical coming from her.
41:50I did what she said.
41:52Know what?
41:54My mother died alone in her bed.
41:58If I hadn't listened to that loud-mouthed woman, I would have been there.
42:01That must have made you angry.
42:03Not enough to kill her.
42:05I wanted to scare her.
42:07Make her suffer.
42:09The same way I've been suffering.
42:11Walking about this earth with a perfect life.
42:14Little care for the people whose life she ruins.
42:24Miss Jones, with no disrespect, but
42:28it kind of seems like you're more angry at yourself.
42:33Look, I'm no expert, but
42:36it doesn't help to
42:38hold on to things.
42:54So we're still having a scooby, how the killer pulled off this murder.
42:57A stack of six papers, and he managed to poison one,
43:00and have it delivered practically straight into Hortense LaRue's hands.
43:03And let's not forget about the egg.
43:05What happened that morning to make her ruin a perfectly good breakfast?
43:10Sir...
43:10Hold that thought.
43:11I'm late.
43:15I'll be back.
43:23How do you feel?
43:26Better.
43:28Definitely better.
43:30I mean, everything here is just
43:35You know, gone.
43:36All I need to do now is post it.
43:39Well done.
43:40Thank you.
43:41Now, can we talk a little more about your life here?
43:45How long have you got?
43:47About half an hour.
43:49No, I meant...
43:57She timed it.
43:59Why didn't she take it out?
44:02And the egg, how long did she cook it for?
44:04Dreaming it, social.
44:06He then cycled straight here,
44:07delivered the newspaper to Madame LaRue at 7.15am.
44:11I'm sorry, the little man doesn't like strangers.
44:14There were no fingerprints found on Hortense's glasses.
44:17I wanted to scare her.
44:19I wanted her to suffer the same way I've been suffering.
44:22Of course.
44:23That's the reason why.
44:25Why what?
44:26The egg was hard-boiled.
44:27I can see everything clearly now.
44:33Thanks for your patience.
44:36I know who the killer is.
44:37I know how they did it.
44:39Those photos are from the Paris police.
44:40Have they come through?
44:41Just in.
44:42Right, we need a search warrant.
44:44And then we can have a little family reunion.
44:53Agony Arts are known for giving advice
44:56to help solve difficult problems.
44:58However, I doubt they've ever been asked
45:00to advise on a problem as difficult as this one.
45:04Hortense's LaRue was poisoned.
45:07Effectively by her own column.
45:08But we had no idea
45:10how the killer managed to poison the newspaper
45:13and get it delivered straight to her
45:15when the paper boy took one at random from his stack.
45:20But with the help of a hard-boiled egg...
45:23Not this again.
45:25...we finally cracked it.
45:29You, Kim.
45:31It was you who murdered Hortense.
45:33Me?
45:34No.
45:35I told you I was telling the truth.
45:38As Miss LaRue's housekeeper,
45:40you knew her morning routine,
45:41that she liked to read her column
45:43whilst having her breakfast.
45:45You also knew that Clayton drops the paper
45:48on the porch at 7.15am,
45:51and Papillon barks to alert Hortense,
45:54as he always does when someone's at the door.
45:56So, earlier that morning,
45:59you went to another newsagent
46:00and bought a copy of the St. Marie News.
46:04Let's call this Paper A.
46:07You then laced the problem page
46:08with cone snail poison.
46:11Something you knew about
46:12from Hortense's fear of her dog
46:13getting stung by one.
46:15My mum was always paranoid he'd get stung.
46:17Then you dropped Paper A onto the porch
46:20some time before Clayton usually arrived.
46:24Hortense must have been
46:25in the middle of preparing her breakfast.
46:29Papillon barked as normal,
46:30so she went outside to collect the newspaper
46:33she thought had just been delivered.
46:39She went back into the kitchen,
46:41eager to see if her request
46:42to change her final column had been carried out.
46:45In doing so,
46:46she came into contact with the poison
46:48and subsequently died.
46:51A painful death by all accounts.
46:56You then came into the house
46:58through the back
47:00and put on Hortense's purple gown,
47:03a wig matching her hair
47:04with a purple headband.
47:06And finally,
47:07the item that was unmistakably Hortense,
47:11her statement,
47:13purple glasses.
47:14As usual,
47:16at 7.15,
47:17Clayton delivered the newspaper,
47:20Paper B,
47:21and Papillon barked.
47:23Kim,
47:23now dressed as Hortense,
47:25opened the door
47:26and waved to him.
47:27As Clayton cycled away,
47:29he wouldn't have known
47:30that it was in fact you
47:31waving at him
47:32and not Hortense.
47:34You then
47:34came back into the kitchen
47:36and returned Miss LaRue's glasses,
47:39wiping away any prints first.
47:42Now,
47:43we come to the egg
47:44and your ultimate downfall.
47:46You see,
47:48in your haste
47:48to stage the scene
47:49before Esme arrived,
47:51you almost forgot
47:52Miss LaRue's egg
47:52was still boiling away
47:53on the stove.
47:54You needed everything
47:56to look exactly as it should,
47:58to fit the timeline
47:59of Hortense
48:00making breakfast,
48:01then reading her column.
48:03So,
48:04you hurriedly took
48:05the now hard-boiled egg
48:07out of the pan
48:08and clumsily
48:09put it in the egg cup.
48:10Then you left the house
48:12through the back
48:13the same way you came,
48:15got into your car
48:16that was parked
48:17around the corner
48:17and drove around the front
48:19to time perfectly
48:21with Esme's arrival.
48:24You later
48:26disposed of
48:28Paper B
48:28and the wig
48:30at your home.
48:31We found these
48:32in the bin on your street.
48:34An audacious
48:36yet brilliant plan.
48:37but
48:39why go to such lengths?
48:43Kim Woods
48:44isn't your real name,
48:46is it?
48:47You are in fact
48:49Sophie Martin.
48:5230 years ago,
48:54Sophie Martin
48:55moved to Paris
48:56from the UK
48:57with her boyfriend
48:59who was escaping
49:00some trouble
49:00back home.
49:01She was living
49:02in a commune
49:03in Montmartre
49:04and it's there
49:05she met
49:06Hortense,
49:07an ambitious writer.
49:09Sophie
49:12was a drug addict
49:14with a newborn baby.
49:18You were doing
49:19your best
49:19no doubt
49:20but from what
49:21we now know
49:22about Miss LaRue
49:23she had a
49:24saviour complex.
49:25Through our
49:26undercover investigation
49:28we discovered
49:29her secret.
49:31Hortense stole
49:32your baby
49:33in the night
49:34and went
49:35as far away
49:36as she could
49:38to St. Marie.
49:41that baby
49:42was you
49:43Esme.
49:46You're my mother.
49:49Hortense
49:49was my friend
49:52and she offered
49:53to look after you
49:54and yes
49:56I was struggling
49:57but I loved you
49:58so much
50:00and then one morning
50:02I woke up
50:02and you was gone
50:03and I didn't sleep
50:05the day
50:05searching for you.
50:08But then you
50:09found out
50:09Hortense was here
50:10didn't you?
50:12Through her column.
50:14So all those
50:15years ago
50:17you wrote
50:17this letter
50:18to Dear Hortense
50:20the same letter
50:22Hortense wanted
50:23to publish
50:24at the very
50:25last minute
50:26for her final issue.
50:28I wanted her
50:29to know
50:30I was coming
50:30for her.
50:31Then you were
50:32arrested?
50:33The guy I was
50:34going out with
50:35at the time
50:35he told the police
50:36that I was
50:37involved in
50:38an armed robbery
50:39and someone
50:39got really
50:40badly hurt
50:41and it was
50:42all lies.
50:43I had nothing
50:44to do with it
50:45he was not
50:46a good man
50:46and I didn't
50:47get a chance
50:48to send the
50:48letter.
50:50They put me
50:51away for years.
50:53Time after time
50:54my parole was
50:55refused
50:56and I lost
50:57all hope
50:58until one day
50:59I finally got
51:00myself together
51:01got myself
51:02clean.
51:03that day
51:04came
51:05and I knew
51:06what I had
51:07to do
51:08I had to
51:09find you
51:10and hurt
51:11Hortense
51:11for what
51:12she'd done.
51:13I came to
51:14St. Marie
51:16first place
51:17I went
51:17was the
51:17news
51:17agent
51:18and I
51:18saw the
51:18ad
51:19for her
51:19housekeeper
51:20it felt
51:21like fate.
51:22Come in.
51:24You've
51:25I did your
51:25time
51:26working out
51:27the perfect
51:27murder plan
51:28and when
51:29Hortense
51:30received your
51:31letter
51:31she must
51:32have known
51:33you were
51:34gunning
51:34for her.
51:35You read
51:36her response
51:37she didn't
51:38regret it
51:40nor one
51:41bit.
51:44Esme I
51:45don't expect
51:46you to
51:46forgive me
51:47but I
51:47would really
51:48like you
51:48to understand
51:49that once
51:50she did
51:51destroyed
51:52me
51:54killing her
51:55was the
51:55only way
51:56I could
51:56ever
51:57have a
51:57relationship
51:58with you.
52:00Officer Rose?
52:03So for
52:04Martin
52:05I'm arresting
52:06you for the
52:06murder of
52:07Hortense
52:07Leroux
52:08you don't
52:09need to
52:09say anything
52:09but it
52:10may harm
52:10your defense
52:11if you
52:11do not
52:11mention
52:12when
52:12questions
52:12something
52:13which
52:13you later
52:13are lying
52:14in court
52:14and think
52:15you do
52:16say
52:16may be
52:16given
52:16evidence.
52:18So
52:19my whole
52:19life
52:20been
52:20alive.
52:23Hortense's
52:24love
52:24for you
52:25that was
52:27real.
52:38Sì
53:09Sì
53:27Sì
53:30Sì
53:31Sì
53:33Sì
53:33Sì
53:42Sì
53:44Sì
53:44Sì
53:45Sì
53:46Sì
53:48Sì
53:49Sì
53:49Sì
53:51Sì
53:53Sì
53:56Sì
54:04Sì
54:05Sì
54:06Sì
54:15Sì
54:16Sì
54:17Sì
54:18Sì
54:19Sì
54:28Sì
54:29Sì
54:31Sì
54:33Sì
54:34Sì
54:34Sì
55:02Sì
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55:04Sì
55:04Sì
55:08Sì
55:09Sì
55:09Sì
55:15Sì
55:17Sì
55:17Sì
55:17Sì
55:23Sì
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