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Short filmTranscript
00:12Oh, oh.
00:17Chill, man.
00:18Everything is going on.
00:20You don't know, Camila.
00:23In our opinion, there are only two things in love.
00:26One is intimacy.
00:28And the other is trust.
00:29Is it?
00:29You don't know, Camila.
00:29Whether it's a sexual encounter or not,
00:32no one will be able to take place in Honita's place.
00:34Never.
00:35This is my partner,
00:36and this and I,
00:39we won't leave one another at the age of 80.
00:41But in the age of 80,
00:42I'll be so sexy.
00:43There's no doubt in there that you're very sexy.
00:47You need to go.
00:52Keep your attention.
00:53You too.
00:56Bye.
01:03A person who's not good enough,
01:03Isn't it the truth that you're doing a lot?
01:06I can't do anything.
01:08Oh.
01:09Oy, my son.
01:10I've never seen this look.
01:12I've never seen you anyone in my mind,
01:14I've never seen anyone in my heart.
01:16Whatever you do, don't forget.
01:18Don't forget to remember that we never have before.
01:19It's too much.
01:20Okay?
01:41There you go.
01:42There you go.
01:44There you go.
01:45There you go.
01:46You're gone.
01:47I was on a set.
01:48Sorry, sorry.
01:48My mouth turned on.
01:50I was not stopped by the door.
01:50I was waiting for him to get confused.
01:53I didn't get caught up.
01:55Look, I know.
01:57I know.
01:58What can she do?
02:00But honestly, it doesn't matter
02:02that I had known for my love
02:03for my husband.
02:05Now, I don't have any thoughts.
02:08In truth.
02:10No? No.
02:11I don't have any thoughts.
02:28This is how it turns out.
02:30Yeah.
02:32I face every struggle.
02:36This is my world, my jungle.
02:40It's in my blood.
02:42Running through my veins.
02:46Please.
02:48I'm a legend and the love.
02:51I'm a legend and the love.
02:52I'm gonna bring a firestorm.
02:55I'm gonna bring a firestorm.
02:56I'm gonna burn this world.
03:00I'm queens and kings.
03:06This is how legends are made.
03:26Melkead.
03:56Melkead.
04:01Melkead.
04:12What do you want to do?
04:15Everything is okay, right?
04:16The answer to this question is you can give us.
04:18Do you have someone else's house?
04:19No, I'm Esther and I.
04:21Are you two more than anyone else?
04:23No.
04:24What's your name?
04:25Esteban Foster.
04:26Mr. Foster, you've uploaded a video from this place a half hour ago.
04:29He uploaded a video two days ago.
04:32He was also a woman's ID.
04:34I don't know what you're talking about.
04:43Five months ago, my account was transferred to my account in $20,000.
04:47I'll see it again.
04:49I'm showing the transaction of $20,000, but it's been privately done.
04:54That means that the money that our owner or their family member had sent us.
04:58And who is the owner?
05:01I'll give you a minute, but I can't give it to you.
05:05Excuse me.
05:07Hello?
05:10Yes, I'm saying that I'm the only one of Esteban's mom.
05:14What's that?
05:18Do you use only pants?
05:20I don't know.
05:21But if I do too, what do I do?
05:24What do I do?
05:27What do you do?
05:27You do?
05:28I can't believe that the death will happen when you upload a woman's death.
05:34Because that will be a rule of law.
05:36And in fact, you will be seeing a woman's life.
05:38That's why you're watching this episode's video.
05:40You're talking about a woman.
05:41I'm talking about this.
05:43Look, this video has been uploaded to your own house with your own IP address.
05:50And you told me that there wasn't anyone else there.
05:57I thought that my OnlyFans account is my only account.
05:59But I don't use it.
06:02So let's go, let's do a job.
06:04Why don't we help my IT team and save them a little time?
06:09Take this paper and write your user ID and password.
06:13Ma'am, I'm telling you that I don't know anything.
06:15I don't have any idea that you're talking about this video.
06:18Write your user ID and password.
06:50Do you know Salome Ramos?
06:53No.
06:55He was a content creator and dancer.
06:57No, I don't know him.
06:59I don't know him.
07:00And this guy?
07:02You know him?
07:04You know him.
07:08He's working in a friend's house.
07:10Why?
07:11Because he has a lot of photos on your phone.
07:15Is he your girlfriend?
07:18No.
07:23No.
07:24No.
07:24I don't know.
07:24I don't know if he has many photos.
07:26I've talked to him once again.
07:27I've talked to him once again.
07:27Because he's Lucas' friend.
07:44No.
07:45No.
07:47No, I don't know.
07:49But I am so happy.
07:52I will have to know him today.
07:53Oh, I should know him when you are.
07:53But at 6am, he was a lady.
07:55Was he supposed to know him?
07:55after Golden Lips's stage,
07:58and after 48 hours,
08:00you uploaded his video online.
08:03No, no, no, ma'am.
08:04I've already told you.
08:05And how many times I haven't uploaded anything?
08:19Dr. Duvay.
08:20Inspector Martin Aysad,
08:21how did you remember me?
08:24Do I record everything I can record?
08:27You can do anything, do anything.
08:29I want to really talk about Angela Ferrer to you.
08:33But then what do you want to learn from her?
08:35of where did you get?
08:38I came to jail.
08:42I went to her case when I was przyjnal dorado.
08:45When I got there,
08:46I noticed that
08:46high police bandanca early then,
08:48And in the second or third recession, I knew that the world will not be able to save money from
08:53all over the world.
08:54Who will not save money from all over the world?
08:57She ate what she ate in her childhood.
09:01Look, her mom was growing up to her father and she was very close to her.
09:05And her father was one of those who loved her very much.
09:09But she was never able to give this love.
09:12Can you tell Angela and her father about what kind of relationship to Angela?
09:17I'm not sure that Angela has been able to save money from all over the world.
09:21And if you believe me, she will not be able to protect her.
09:27So what do you think? What will it be?
09:29Angela's heart is the most important thing that her father has given her.
09:33She also has been a victim of Pedro Ferrer's children.
09:36She is just a victim.
09:37She is a victim.
09:39What do you have to say about her?
09:41If it happens, I don't have to keep her as a doctor.
09:44Absolutely.
09:45The truth is that you have to raise money from all over the world.
09:46But you have to keep her as a doctor.
09:49What does that mean?
09:51What's your age of age, Indira?
09:54I think of my opinion, you have no longer time for police force.
09:59To be seen, it is not easy for your career.
10:02It is also a career that is not a special career that is no longer a career.
10:05And you are also very stubborn in a case.
10:09If you don't want to go to jail, tell me, I'm not able to do anything.
10:16This is the law. You're fine, so you're going to jail.
10:20You're fine. You're fine. You're fine.
10:21You're fine.
10:23After all, what will you get, Indira?
10:27Why don't you leave?
10:30Is there anyone who wants to be in your room?
10:32If you want to retire, why don't you go to jail?
10:36Dr. Duval, do you know who Vanessa Del Rio?
10:46There's news from outside.
10:47What news?
10:48I'm getting to hear my case for the next week.
10:51What?
10:52No, no, no, no, no.
10:53Be quiet.
10:54You know what you're doing, Vani.
10:57What you're doing, how you're reacting.
11:00Be quiet.
11:01The most important thing is my decision.
11:05Okay, Vanessa.
11:05Be quiet.
11:06I don't understand.
11:07I don't understand.
11:08If you haven't done the wrong thing, then you don't know why you're left.
11:10We'll explain that with Santiyago it happened.
11:13We were just saving our knowledge.
11:14We were actually saving our lives.
11:14You are so saving.
11:18Are we going to find out what the hell you will do?
11:24Let us know how we must be.
11:31It will be a reward for 20 years.
11:3320 years!
11:34Do you want to give another 20 years of your life?
11:37Do you want to change your life?
11:39I don't understand how many times I'm going to explain this.
11:43What will your children happen?
11:45Who will keep their children?
11:47Your mother's sons?
11:48Will they keep them?
11:49No.
11:51Sorry, I'm so sorry.
12:22Unfortunately, we want to make them to the world.
12:23You want to kill someone?
12:23Yes, you want to kill someone.
12:23I want to kill someone to kill someone.
12:24Excuse me.
12:25Yes.
12:25Especially the original "...if this lives..."
12:29Yes.
12:29We've decided that they're going to kill someone.
12:31with the marketing agency.
12:33We have a best team.
12:35We have already signed contracts, Miguel.
12:38Okay, but it doesn't mean that it doesn't matter
12:40that it will be all for Brenda.
12:42Look, Miguel, they covered 75% budget.
12:44Whatever you want to ask.
12:45Harry?
12:47How are you?
12:48Brenda.
12:48I'm happy to meet you.
12:49This is Miguel, our CEO.
12:50Hello.
12:51I'm happy to meet you.
12:52Harry.
12:53Yes, Harry Monarde.
12:55Congratulations to you for the honeymoon app.
12:57Your app is useless.
12:58I'm happy to meet you.
12:59I don't think you've ever seen the relationship type.
13:02I don't think I've seen this feature before.
13:04And look, the truth is that
13:06everyone is playing for sex.
13:08They're just different ways.
13:10Yes.
13:16Angela!
13:18Angela!
13:19Angela!
13:19Angela!
13:19Angela!
13:20Angela!
13:21Angela!
13:22Who is this?
13:25Help us!
13:26Help us!
13:28Now, how are you?
13:29I'm very angry.
13:33But I'm ready for listening.
13:36Yes.
13:37It's not necessary for your attention.
13:38It's necessary to be fine.
13:39It's necessary to be fine.
13:40It's obvious that someone wants to stop me,
13:42but they won't be successful.
13:44Neither the women who are treated,
13:46nor anyone else.
13:47The time of your visit is over.
13:49how is it going?
13:58Yeah.
14:22Good morning, Karthaina ki Rani ko mera salam.
14:26Inti?
14:27Ma, ma, ma, ma, isa ya hai chhod dhu?
14:30Wohi rak dhu, please.
14:31Thik hai.
14:35May laga dhu?
14:36Nahi, nahi, isa ki koji zarurat nahi.
14:37May khud laga lungi.
14:38Toh mai jau?
14:39Haan.
14:40Pukka?
14:40Haan.
15:04Haan.
15:25Thank you guys.
15:28No problem.
15:29One, two, three, four, two, five, six, seven, eight.
15:51Haan.
16:04Haan.
16:33Haan.
16:41Haan.
16:47Nahi, nahi.
16:48Pus mazak kar rahi thi.
16:49Nahi, satch me.
16:50Badiya lag raha hai.
16:51Haan.
16:51Tumne toh kaha tha ki tum apni dost ke baan rupnay wali thi.
16:54Phir achanak kya gai?
16:55Haan.
16:56Haan.
16:56Maan nahi uski mom se kaha ki woh mujhe ghar chholde de.
16:59Oh.
17:00Aap, yahaan kya kar raha hai?
17:03Dekhkar toh lagta hai aap kaafi mazti kar raha hai.
17:05Haan.
17:06Aau, tum bhi kar lo.
17:08Hoop.
17:11Haan.
17:20Haan.
17:21Haan.
17:22Haan.
17:22Haan.
17:23Haan.
17:24Haan.
17:24Haan.
17:25Haan.
17:25Haan.
17:26Haan.
17:28Haan.
17:33Haan.
17:39Haan.
17:42Haan.
17:44Haan.
17:44Haan.
17:45Haan.
17:45Haan.
17:47Haan.
17:47Haan.
17:48Haan.
17:52Haan.
17:54Haan.
17:59Oh
18:00Oh
18:01Andrea, what's going on? What's going on?
18:02I don't know. Look at the doctor.
18:03He'll reach the dressing room. Hurry up.
18:13I'm going to send someone to this place.
18:24Come right now.
18:30favourite duå
18:32love
18:33favourite du DOMgraduate
18:42duå
¬ favourite
18:53du digne et
18:54I'm holding you now, watching you now.
19:15When did you get a girl on Tinder,
19:19when did you get married?
19:21I don't know.
19:23Wow.
19:23Uh-huh.
19:25But you were like,
19:28you won't be so serious.
19:31What?
19:31In truth.
19:32No, in truth.
19:33But if you look at me,
19:35you love Miguel.
19:37Right?
19:38Yes.
19:40Look, the truth is,
19:41my relationship with Miguel is strong.
19:44I wish I could not go far too far.
19:47Yes.
19:48What is the difference between Miguel?
19:51Is there another person?
19:55Is there another person?
19:56Is there another person?
19:57No.
19:58I just...
20:00I want to experiment with my life.
20:02I want to experience everything.
20:04I want to feel everything.
20:06I want to feel everything.
20:07I want to feel something new.
20:08I want to feel different.
20:10I want to feel different.
20:53I want to feel different.
20:54No.
20:54No.
20:54I will die.
20:56I will die.
20:59I will die.
20:59I know.
21:01Is there a friend in the problem or all of them?
21:04You got a friend with your previous trip.
21:07That's the way you are changing.
21:13Cheers.
21:15Cheers.
21:16You are welcome to our second house.
21:21You both will be your own.
21:24What do you mean?
21:25Give yourself a shout out to everyone.
21:27Because we are very...
21:28...we are very...
21:29...we are very...
21:29...we are very happy.
21:30Yes, we are very happy.
21:34Today I am very happy to be on stage.
21:37Especially because...
21:38...where you will be...
21:41...I believe that she will be on stage.
21:43...we are very happy to be on stage.
21:44And after that, I am very happy to be on stage.
21:47Oh, that's a good thing.
21:49Yes.
21:50Then we are very happy.
21:51A little bit.
21:52A little bit.
21:53The dance is my life.
21:55It's my life.
21:57That's why I opened this club.
22:01There is no problem.
22:06Oh, my goodness.
22:29Wow!
22:32I don't think this is the right place to be for it.
22:35And it may be the right time.
22:37And who did it?
22:39The title of this club.
22:40Oh
23:19Oh
23:49Oh
24:11Oh
24:16ą¤ą¤æ ą¤¤ą„ą¤®ą„ą¤¹ą„ą¤ ą¤Ŗą¤øą¤ą¤¦ ą¤ą¤Æą¤¾
24:18ą¤ą¤æ ą¤ ą¤¹ą¤¾ą¤ ą¤ą¤° ą¤®ą„ą¤°ą„ औाऔ ą¤ą¤æ ą¤¦ą¤æą¤®ą¤¾ą¤ ą¤ą¤°ą¤¾ą¤¬ ą¤¹ą„ ą¤ą„या ą¤ą¤Øą¤ą„ साऄ ą¤øą„ą¤Øą¤¾ ą¤ą¤¾ą¤¹ą¤¤ą„ ą¤¹ą„ ą¤Ø ą¤¤ą„ą¤®ą„ą¤¹ą„ą¤ ą¤ą¤øą¤¾ ą¤ą„ą¤Æą„ą¤
24:30ą¤²ą¤ą¤¤ą¤¾ ą¤¹ą„ ą¤ą„ą¤Æą„ą¤ą¤ą¤æ ą¤¤ą„ą¤® सब ą¤ą„ साऄ ą¤Æą¤¹ą„ ą¤¤ą„ą¤ ą¤ą¤¤ą„ ą¤¹ą„ ą¤Ŗą¤¹ą¤²ą„ ą¤®ą„ą¤°ą„ ą¤ą¤¾ą¤ ą¤ą„ साऄ ą¤ą¤° ą¤
ब ą¤®ą„ą¤°ą„ औाऔ
24:40ą¤ą¤²ą„द ą¤øą„ ą¤ą¤²ą„द ą¤
ą¤Ŗą¤Øą„ ą¤²ą¤æą¤ ą¤ą¤ ą¤Øą¤ ą¤Øą„ą¤ą¤°ą„ ą¤¢ą„ą¤ą¤¦ą„ ą¤ą„ą¤Æą„ą¤ ą¤ą„ą¤Æą„ą¤ ą¤ą„ą¤Æą„ą¤ ą¤ą¤æ ą¤¤ą„ą¤® ą¤ą¤ ą¤µą„ą¤¶ą„या ą¤¹ą„ą¤ ą¤¹ą¤¾ą¤ ą¤¹ą„ą¤ ą¤¤ą„ą¤®
25:02ą¤®ą„ą¤ą„ सठबता ą¤øą¤ą¤¤ą„ ą¤¹ą„ą¤ ą¤ą„या ą¤¤ą„ą¤® ą¤¹ą„ ą¤Øą„ ą¤ą¤øą¤ą„ ą¤ą¤¾ą¤Ø लą„
25:09ą¤
ą¤Ŗą¤ą„ ą¤²ą¤ą¤¤ą¤¾ ą¤¹ą„ ą¤®ą„ą¤ ą¤ą¤æą¤øą„ ą¤ą„ ą¤ą¤¾ą¤Ø ą¤²ą„ ą¤øą¤ą¤¤ą¤¾ ą¤¹ą„ą¤ ą¤¬ą„ą¤ą¤¾ ą¤¤ą„ą¤® ą¤øą¤ ą¤¤ą„ ą¤¬ą¤¤ą¤¾ą¤ ą¤®ą„ą¤ सब समाल ą¤²ą„ą¤ą„ ą¤¬ą„ą¤²ą„
25:16ą¤ą„या ą¤¹ą„ą¤ ą¤Øą¤¹ą„ą¤ ą¤®ą„ą¤ ą¤®ą„ą¤ą¤Øą„ ą¤Øą¤¹ą„ą¤ मारा ą¤øą¤ ą¤ą¤¹ रहा ą¤¹ą„ą¤ ą¤®ą„ą¤ ą¤¤ą„ą¤® ą¤®ą„ą¤ पर ą¤ą¤°ą„सा ą¤ą¤° ą¤øą¤ą¤¤ą„ ą¤¹ą„ą¤
25:24ą¤ą¤¬ रहा ą¤¹ą„ą¤ ą¤¹ą„ą¤ ą¤
ą¤°ą„ ą¤¬ą„ą¤²ą¤¾ ना ą¤Øą¤¹ą„ą¤ मारा ą¤¤ą„ ą¤Øą¤¹ą„ą¤ मारा ą¤¦ą„ą¤ą¤æą¤ ą¤®ą„ą¤°ą„ ą¤¬ą„ą¤ą„ ą¤Øą„ ą¤ą¤æą¤øą„ ą¤ą„ ą¤ą¤¾ą¤Ø ą¤Øą¤¹ą„ą¤
25:32ą¤²ą„ ą¤Æą¤¹ ą¤¬ą„ą¤ ą¤
ą¤øą„ą¤° ą¤¹ą„ ą¤ą¤Ŗ ą¤ą¤øą„ ą¤ą¤¾ą¤Øą„ ą¤¦ą„ą¤ą¤æą¤
25:34Look, Laura, your son is a victim of a murderous case in the case.
25:37Tell me one thing. You don't know who you are.
25:41I'm waiting for you. I'm very happy.
25:50Let's go, let me leave you.
25:52Let me drop you here.
25:53Okay, let's go.
26:04Let's go.
26:06Keep your mind.
26:13Do you want to stop for a drink?
26:19When I saw the police station,
26:23I thought that my son will be right behind me.
26:29She said that she is a baby.
26:31Yes, but I was sitting there.
26:34She was asking her.
26:35Now, Esteban will never forgive me for me.
26:39She will think that my mother is not a victim.
26:43Laura,
26:46you are a better mother.
26:49I can say this to you.
26:54I'll give you another drink.
26:56I'll give you.
26:57I'll give you.
26:58I'll give you.
26:58I'll give you.
27:04Get here.
27:04Turn to a star.
27:07I see you fall away and
27:10leave me.
27:13Keep looking closer.
27:16Turn to a star.
27:19I'll give you pay.
27:33This is true that Esteban doesn't know about that murder,
27:36because he is not aware of his beliefs.
27:38But it's true that he was following the victim on social media.
27:43If he hasn't uploaded a video,
27:45then he will have to send his IP address.
27:47If he hasn't uploaded a video,
27:49he will go to his house easily.
27:53Either this girl is talking to her,
27:55or he wants to go to his house.
27:58And he's a person who will have to get rid of Salome Ramos's death.
28:03If you believe or not,
28:05he is Angela Ferrer and his case.
28:09Okay, let's do it.
28:10We keep our knowledge.
28:11We have no evidence.
28:13But when we don't get evidence,
28:15we will live in all of a sudden.
28:16What will we get?
28:17There is no difference.
28:19The Ferrer family wants to do what she wants to do.
28:22Angela Ferrer is what she wants to do.
28:25I know so much.
28:26She's also gone to jail.
28:29She's also gone to jail.
28:30Look,
28:31if this woman has killed all of her,
28:33then I will give her a lot of pain.
28:37But we're going to have a lot of time.
28:39We're going to have a lot of time.
28:40I've said,
28:41that we can't sit down with her hand and sit in the back of Salome Ramos's death,
28:46because he's a kill of the death profile of Salome Ramos's death.
28:48We're going to have a lot of time.
28:48The way that we're going to have the victims are different.
28:52The way that we're going to have some kind of abuse,
28:52Riviera Esmeralda is going to have a good move.
28:54What's that?
28:55Camilla Romana has arrived at the house of Camilla Romana's house,
28:57but he's not a bad move.
28:59He's not a bad move.
28:59This is Rodrigo Portales and Honnita Edwards.
29:02These are both victims.
29:03They are against frauds and frauds.
29:05Oliver Harrah.
29:15Vanessa.
29:39What did I do?
29:50I came to you.
29:52I came to you.
30:04What are you doing here?
30:05Let's go.
30:07I believe that everything is okay.
30:10I wanted to meet you.
30:12I wanted to give you a message.
30:18I will only see you.
30:18Okay?
30:28Who did this?
30:30I will be able to find her.
30:33You tell your story.
30:37You were right, you were right.
30:40You are going home.
30:43Angela Filler is not enough for the war.
30:45I don't have to worry about it today.
31:05Tom, chill, man.
31:07I'm just going to meet my friend.
31:11I've just reached a boutique hotel.
31:12Yes, I'll send a location.
31:20Hello?
31:52Hi, baby.
31:53Hi, baby.
32:11Hi.
32:15Hi.
32:16Hi.
32:30Hi.
32:32Hi.
32:42Let's go.
33:03Let's go.
33:34Let's go.
34:14Let's go.
34:40Let's go.
34:45Let's go.
34:51Let's go.
34:53Let's go.
34:56Let's go.
34:56Let's go.
34:57Let's go.
35:02Let's go.
35:29Let's go.
36:03Let's go.
36:30Let's go.
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