- 6 hours ago
मशहूर एक्टर शेखर सुमन ने IANS से अपने फिल्म इंस्टीट्यूट को लेकर खुलकर बातचीत की। साथ ही आज की पीढ़ी की भाषा और उच्चारण के अलावा हिंदी की बढ़ती उपेक्षा पर भी चर्चा करते नजर आए। इतना ही नहीं उन्होंने रोमन में डायलॉग लिखे जाने, 'मूवर्स एंड शेकर्स', बाल ठाकरे, अटल बिहारी वाजपेयी, बॉलीवुड के पाखंड, आज की कॉमेडी में अभद्र भाषा के इस्तेमाल, समय रैना के विक्टिम कार्ड खेलने, नेताओं द्वारा इस्तेमाल की जाने वाली भाषा और राघव चड्ढा के AAP छोड़ने पर भी अपनी राय रखी।
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NewsTranscript
00:00Thank you very much.
00:03Thank you very much.
00:06The film academy.
00:07The film academy.
00:09The film academy is new.
00:13This is just the beginning.
00:15There is so much work going on.
00:17When you start something new.
00:20There is so much excitement.
00:21There is a lot of excitement.
00:23It's a long time to do it.
00:25It's a payback time.
00:26I have said that
00:29that the film academy
00:30has entered an environment.
00:34I thought there was an important place
00:37where I am going to live.
00:39I like to read the filmenen
00:45that is important to us.
00:48It is a lot of people who have learned
00:48that you have learned how to learn.
00:49that we can't do it.
00:59So I think this is just the right time when I'm doing it.
01:02And I'm very happy because my father was a great doctor, a big doctor, but he was also a professor
01:07of surgery.
01:08So when I meet the doctors in the entire world, they are so proud of the fact that my father
01:15showed them the right way and taught them now they're big doctors.
01:19He was a very noble professional.
01:22I thought that if I have a quality of it to study and to understand, then I should have to
01:29study them and do it to me.
01:31In particular, the new generation of people in the world, they are a little confused.
01:40They want too much, too soon.
01:43So they can show the right way and the right way they're going through this path.
01:48So, yeah, we are there and excited, very excited about SSFA.
02:21It's also not.
02:23So it's the right way that when you go to the world, what do you expect us to do with
02:26the Nutsle and actors?
02:27Where in the industry, where there are Dilip and Bacchan Sahib, who go to the world and go to the
02:32world,
02:34whether they are Dean Aero, Pachino, Hopkins, Brando, those who are, Sean Penn,
02:38who are in the world, who are all of our people, who are very important.
02:41So all the things go to the world, acting, speech, behavior, etc.
02:47So I think that I think that I'm...
02:49I thought that I have to be a comprehensive course, that you have all the things you can do.
02:55and just close to the book,
02:57when people open the book,
02:58when people open the book,
02:59they should also be able to learn how to work.
03:00So, the book open the book,
03:02when people talk to me,
03:02they should also be able to learn how to drive.
03:07So, read the book, driving will go, plane will go.
03:10So, a practical training,
03:12being there in the midst of things,
03:15that's very important.
03:16That's why I like to say,
03:19if it comes from the Adish,
03:20one that comes from the Adish,
03:21then I should do it.
03:23Sir, you spoke about Zabaan,
03:25which you talked about the pronunciation.
03:28Talafuz.
03:29Talafuz, yes.
03:30So, this is very subjective.
03:32Why? Because, you know, earlier,
03:34in all the films, right from the 40s,
03:37the films that I have seen,
03:39all the actors used to speak in the same way,
03:41and it was heavily loaded with Urdu,
03:43you know, pronunciation.
03:44Now, I think it has become more diversified.
03:47Why? Because if the film is based in Haryana,
03:50they try and...
03:51That's still okay.
03:52But when you're speaking like a normal character,
03:55like even if you play a journalist,
03:57you can't be saying fir and fool.
03:59You cannot.
04:00So, you cannot...
04:02It cannot be passed off as an excuse,
04:04as part of the character.
04:05If the character so decides to speak,
04:07or he or she does, then it's okay.
04:09But otherwise also,
04:10when in front of the camera,
04:11they still speak like this.
04:12Giving interviews,
04:14they're speaking like this.
04:15What do you have to say about the shift
04:17in zabaan or pronunciation,
04:19or probably the shift in the dialogue delivery
04:22or the style that they use?
04:24It is more localized,
04:25because if you're sitting here,
04:27there's a lot of characters.
04:28So, they will speak like...
04:30Agreed.
04:31Agreed.
04:56Agreed.
05:25They don't know anything.
05:27You can understand this.
05:28That our identity has been changed.
05:29That we make Hollywood,
05:30Bollywood,
05:31and the other person
05:32call Tollywood,
05:33call Collywood,
05:34is playing games.
05:35I'm saying, why is this?
05:37We need to correct all these things.
05:39You know,
05:39if you're going to do it,
05:40this corruption will be in our bodies.
05:43If we can correct it,
05:44then we won't.
05:45This is our responsibility.
05:48We should correct it now.
05:50So, you have to make a very conscious effort.
05:52It doesn't happen easily.
05:54And that even then,
05:54Like, I think Jack-가-backs have been talking about this.
05:56Like, I think, Jayaji...
05:57You've already said...
05:59It's the first one who has started this.
06:00I'm the first one who has started this.
06:02Damn.
06:02Yeah.
06:02So, you've said Hollywood.
06:05Now,
06:05well,
06:10this one has been saying...
06:17...
06:23conscious effort that when you say it, don't say it.
06:25When you know that you can't give a film
06:27that you can't give a film, then don't give it.
06:29Why do you say it?
06:30You should be so excited.
06:32It's going, it's cool, it's new age,
06:35it's Gen Z.
06:36It's not happening.
06:38Because of lack of competence,
06:40they pass it off as this.
06:42A very valid point that you raised,
06:44that why in award functions,
06:45the actors who speak Hindi in films.
06:48Hindi films are getting award,
06:49they're giving a speech in Hollywood,
06:50they're giving a speech.
06:50I mean, let's learn a little bit.
06:55You've never seen that in Hollywood,
06:56a Hindi speech is giving a speech for your films.
06:59Colonial hangover.
07:02Colonial hangover.
07:03The hangover of British colonialism.
07:05It's never been done.
07:06The English is gone, the English is gone,
07:07the English is gone.
07:07We are now more than that.
07:10We were now doing a lot.
07:10We are not doing a lot.
07:11We are doing a lot.
07:13We are not doing a lot.
07:14We are not doing a lot.
07:16We are very strange.
07:20We need to be ashamed.
07:22We are saying Hinduism.
07:24But we are also saying Hinduism.
07:26We are also saying Hinduism.
07:26We are also saying Hinduism.
07:26We are going to London.
07:28I was shopping at the Bonn Street.
07:30We are saying Hinduism.
07:31We are not saying Hinduism.
07:33We are not saying Hinduism.
07:36We are going to London.
07:36We were going to London.
07:38We were going to buy a big chicken curry.
07:40We will not say that.
07:41So, why do we say Ram to Ramah?
07:48Why do we say Ramah?
07:50Why do we say Chakras?
07:52What is this?
07:53It is changing.
07:55Yes, it is changing.
07:56The English is not changing.
07:59We are not changing the name of the city.
08:03We are not changing the name of the city.
08:03Or the names of the city.
08:05We are changing the name of the city.
08:08We are changing the body.
08:09In fact, I am very valid.
08:10You have said that Chakras is Chakra.
08:12Yoga. Yoga. Yoga.
08:14Where is Ramah from?
08:16The same thing, there was approval on social media that Ramah who is coming to Ramah.
08:22Yes, Ramah.
08:22That is what I am saying.
08:24I am saying, Ramah Bhattara.
08:25Ramah.
08:27Thank you, Sita.
08:27The name is for the first place.
08:28We are going to go to the city.
08:30They are going to go to the city.
08:32They are like this.
08:33Did you see that?
08:35Because I think you are quite active on social media.
08:54I don't think you had ever problem reading Hindi, but a lot of actors.
09:29No, it's Hindi, it's Hindi, it's Hindi, it's Hindi.
10:00It's Hindi, it's Hindi, it's Hindi.
10:01A lot of actors in the past few years have raised this point that when you read the script, you
10:07write Hindi.
10:20It's Hindi, it's Hindi.
10:54It's Hindi, it's Hindi.
11:07It's Hindi, it's Hindi, it's Hindi.
11:44It's Hindi, it's Hindi.
12:07It's Hindi, it's Hindi.
12:18It's Hindi, it's Hindi, it's Hindi, it's Hindi.
12:34It's Hindi.
12:34It's Hindi.
12:35It's Hindi.
13:04It's Hindi.
13:09I mean she's a mind reader, huh?
13:12That's awesome!
13:13I mean she's a mind reader, huh?
13:15God, let's say it's true.
13:16It can be.
13:17See, there is a beginning of love,
13:20and it's crying and crying,
13:21and it's coming back,
13:22and what happens when you're gone,
13:25it's true.
13:27So now, because it's a whole generation,
13:30especially if I speak about my life,
13:31I'm going to go,
13:33I'm going to go,
13:33I'm going to go,
13:35I'm going to go,
13:37I'm going to go,
13:38I'm going to go.
13:42So now,
13:45there was a chat show,
13:48it was a kind of chat show.
13:49It was a late night talk show.
13:50Talk show, yeah.
13:52So,
13:53how do you feel that it's changed?
13:55If you're watching the chat show,
13:57what is the chat show?
14:22So,
14:24when I go back,
14:27I want to go back and ask you a question.
14:29Movers and Shakers,
14:31when you're doing it,
14:32obviously,
14:32it's your humor,
14:34and it's all on the spot.
14:35I used to rise above the script.
14:40I used to rise above the script.
15:23So,
15:24I used to go,
15:24I used to go,
15:47I used to do very sweet leg pulling.
15:49I used to go,
15:51I used to go,
15:54I used to go,
15:54you know,
16:23I used to go,
16:53I will not say it.
16:54He has not been able to do it because he is lying in a state of abeyance late night.
16:58Because he is a way to know his way and his way to know his way.
17:04Then he doesn't feel bad.
17:07You have told me about the pop star. Would you like to name him a name?
17:11I don't even remember him.
17:13Someone was there.
17:14One clip was very viral on my Twitter.
17:17You are talking to Madhwan sir.
17:21Yes, yes, yes.
17:22You were talking to Madhwan.
17:25You were talking to Madhwan.
17:27That's very viral.
17:31That's how I was enjoying that.
17:35You could not understand that.
17:39When I said something on the front of my head, I didn't know what the fuck happened.
17:43It was a bad thing.
17:45I was just on the front of my head.
17:47But it was very sad that he listened to me.
17:49He was so happy.
17:59He's highly qualified. He's an extremely talented actor.
18:03So he was also, I mean, he was doing television. How well did you know?
18:09I know everyone. This is the most important thing in the show.
18:12I've worked with everyone. I've worked with everyone.
18:14I've worked with everyone. I've worked with everyone.
18:16So it's a great comfort.
18:19Because I can then take certain liberties.
18:22I know such things that I don't know.
18:24No one doesn't know.
18:25So when we talk about it, there's a warmth from the beginning.
18:31So it's a mixture of the conversation.
18:35With Farah Khan, a few months ago, when she had come,
18:40I was wondering when she got an invite from you that she was on cloud night.
18:44Yes, yes, yes.
18:46So you were good friends?
18:47Very good person.
18:48We're going to talk to each other.
18:50And then we're going to talk to each other.
18:53And then we're going to talk to each other.
18:56And then we're going to talk to each other.
18:57But because there's so much stuff, it was quite long.
19:01It was so long.
19:03But there's a celebrity that you have to talk about.
19:27You're the bandit queen.
19:34You're the bandit queen.
19:38You're the bandit queen.
19:38You're the bandit queen.
19:40So I enjoyed just being with all of them.
19:43But nervousness is not.
19:44Because you know, I was too comfortable in my chair.
19:46So I remember that she was coming.
19:48Her name.
19:49Kiran Bedi.
19:50So Kiran Bedi was taking all the cars in Delhi.
19:53From the crane.
19:54So her name was Crane Bedi.
19:56So when she came, we said that you want to change something.
20:03I would like to pick you up from here.
20:07And with a crane.
20:09Because you have been parked here for too long.
20:12So I remember that there were very good banters.
20:16Sushma Sura ji came and said,
20:17Everyone has convinced me that don't go to this show.
20:21Don't forget to go to the movers and shakers.
20:23But my daughter said,
20:24If you want to go to the show,
20:26then go to the show.
20:27Thank you so much.
20:28But I got everybody, the XPM to Shah Rukh,
20:31to Allah Raka, to Zakir Hussain,
20:33to everyone.
20:34Possible.
20:35There were some people who were talking about.
20:37I didn't have to talk about it.
20:37I didn't have to talk about it.
20:38I didn't have to talk about it.
20:39I didn't have to talk about it.
20:41But Dave said,
20:42I talked about it.
20:43And the biggest thing is,
20:44I talked about it.
20:44I talked about it.
20:45No show didn't come.
20:47But I called him.
20:49I called him.
20:49I called him.
20:49And I called him.
20:49And I called him.
20:49And he called me.
20:51And he said,
20:53I saw my episode.
21:22He came.
21:25I was going to get married.
21:26I was going to go there.
21:27I thought, I'll get to see.
21:29But when I reached,
21:30I was going to go.
21:31I sat in the car.
21:32I was going to go.
21:33I was going to go.
21:34I was going to go.
21:35I was going to go.
21:38But while I was going in the car,
21:40I was going to go.
21:41I turned around.
21:42I think he saw me.
21:50I was going to go.
21:53I was going to cut out at the
21:57time .
21:58I told him.
22:06He yelled,
22:06He yelled at me.
22:08He said he was going to kiss.
22:09You were telling him.
22:16So continue.
22:17So continue.
22:18So continue.
22:19So continue.
22:19So continue.
22:19I think that this is the moment that I have freezeed in my mind.
22:22Because it's a big trophy, it's a big award, it's a big award.
22:28It's a big thing that the Prime Minister has stopped me and I think it's a great thing.
22:34It's a big thing for democracy, there should be voices all around.
22:40Of course.
22:42But you also use the word roasting, which is an entirely different thing.
22:48You know, talking to someone or having fun with someone or having humor.
22:53Yeah.
22:53You know, you have a man.
22:55So you can see a man.
22:58You can see a man.
23:00You can see a man.
23:03Okay.
23:03You can see a man.
23:05You can see a little bit of a man.
23:06But you don't have a man.
23:07You can see a man.
23:10You can see a man.
23:22You can see a man.
23:33so roasting roasting is a good thing then
23:35I'll get there
23:35Gali garage
23:36I can't go
23:37Gali y'all
23:38this is just
23:38I'll be here
23:39which shows
23:39give me
23:42comedy show
23:43what I'm gonna get
23:45this led
23:45to I've been
23:48this world
23:48you guys have
23:49and if you guys
23:58and if you have
23:59and if you have
24:00and if you have
24:02and if you have
24:08I think you are talking about the entire young lot
24:12Samirah
24:13I don't know.
24:43I don't know.
25:40I don't know.
25:43I don't know.
25:46I don't know.
26:04I don't know.
26:34I don't know.
26:37I don't know.
26:38I don't know.
27:37I don't know.
27:38I don't know.
27:46I don't know.
27:50I don't know.
28:19I don't know.
28:50I don't know.
29:28I don't know.
29:32I don't know.
30:05I don't know.
30:05I don't know.
30:06I don't know.
30:06I don't know.
30:07I don't know.
30:23I don't know.
30:38I don't know.
30:42I don't know.
30:58I don't know.
31:03I don't know.
31:05I don't know.
31:10But in this academy.
31:12You are going to train Gen Z.
31:14Also.
31:16Also definitely.
31:16All kinds of people.
31:17I don't know.
31:18to be ville.
31:19I don't know.
31:20I don't know.
31:24It's very difficilies.
31:29I don't know.
31:34I don't know.
31:35I don't know.
31:35I'm not, I don't.
31:37so
31:39I think I'm a goat
31:41so
31:42I feel like it's a very good
31:46and very good
31:48and very good
31:49now
31:50it's a little bit
31:52that it's a little bit
31:53it's a little bit
31:55it's a little bit
31:56it's a little bit
31:57this is a country
31:58this is a country
31:59they are amazing people
32:00and they are
32:02they are very good
32:02and they are
32:03they are
32:04they are
32:04some of our
32:05Sanskriti
32:06something
32:06they are
32:06as I am
32:15it's a little bit
32:18he is
32:20imagine
32:20this is a
32:21which is important
32:22modernity
32:23is very good
32:23it is
32:24a little bit
32:27new
32:29midway
32:30you
32:30you
32:31can't
32:31it's a good
32:32but
32:32it's a good
32:33you have to
32:35not
32:35it's a good
32:42You also spoke about Janadjesh Pratajah sir's film and he makes issue based on his film and I think Janadjesh
32:51is the same as a democracy.
32:54Do you think that in today's time when the audience is going to theatres, they have changed, their likes have
33:00changed, their preferences have changed
33:02So now there is a lot of time that we have made a lot more relevant.
33:15If we look at social media, we don't have to go to the government, we don't have to go to
33:20the government, we don't have to go to the government.
33:23If you don't have to go to the government, you don't have to go to the government.
33:27Then why do you do it?
33:29The government is not the government.
33:32That is the message.
33:33I think it's beautiful.
33:34So now it resonates with us.
33:36The generation will resonate with us.
33:39This is the time we have to go to social media.
33:42That has become very unforgiving.
33:44If you don't have to go to social media, law enforcement, and trolling, this is the same thing you get.
33:54One thing is good that you will remain.
33:57That will be such a good thing.
33:59Unless you want that to happen to you,
34:00کہ چلے بھائی بدنام ہوں گے
34:04تو کیا نام نہ ہوگا
34:05تو لوگ کچھ اپنی بدنامی جان کے کرواتے ہیں
34:07کہ کم سے کم نیوز میں تو رہے کم سے کم
34:09ہے نا
34:10تو ٹھیک ہے
34:12بات تو کرنے تو
34:14اچھی باتیں ہو رہی ہیں
34:16یہ کہاں ایسا سر لگتا ہے
34:17اسے لوگ بھی کہاتے ہیں
34:18جیسے ہم بھی بات کر رہے ہیں
34:20اس کا مقصد یہ نہیں ہونا جائے
34:21کہ میں جو بھی بولوں اس کو آپ sensationalize کر دیں
34:24اس میں آپ اچھی باتیں دیکھیں
34:25باتوں کی گہرائیوں کو دیکھیں
34:27تو آپ resonate کریں گے ہمیشہ
34:28ابھی میں اگر یہاں بیٹھ کے
34:30میں دس طرح کے controversial باتیں کر سکتا ہوں
34:32پر اس سے حاصل کیا ہوگا
34:34آپ کو کچھ likes کروڑوں کی مل جائیں گے
34:36آپ وائرل ہو جائیں گے
34:37پر مجھے وہ
34:38وائرالیٹی نہیں چاہیے
34:39مجھے وہ likes نہیں چاہیے
34:42مجھے چند لوگ ہی like کریں
34:43لیکن وہ like کریں جو میری باتوں کے مرم کو
34:46سمجھتے ہیں
34:47میں
34:49میں جس خاندان سے آیا ہوں
34:51جہاں پڑھا لکھا ہوں
34:52جیسے پڑھا لکھا ہوں
34:55سچائی پہ
34:57اڑے رہنا بہت ضروری ہے
34:58جو حقیقت ہے
34:59اس کو پکڑ کے رکھنا بہت ضروری ہے
35:01ورنہ گالی گلوچ دے کے
35:03کپڑے اتار کے
35:04یا کچھ controversy کر کے
35:06تو سب لوگ آگے بڑھ جاتے ہیں
35:08میرے خال سے
35:09بڑی بات یہ ہے
35:10کہ جب آپ اپنے
35:13تمیز کے دائرے میں رہ کے
35:15جو ہندوستانیت ہے
35:16اس کے دائرے میں رہ کے
35:18ہندوستانی بن کے
35:19اچھا کام کریں
35:20اچھا بولیں
35:23اور میں یہ کہتا ہوں
35:24کہ زیادہ کچھ
35:25میسیجی بننے کا بھی
35:26ضرورت نہیں ہے
35:27کہ بھائی پریچنگ کر رہے ہیں
35:28اور یہ کر رہے ہیں
35:29آپ دیکھئے
35:29آج اس سے بات نکلی ہے
35:31آج کتنے ڈھونگی
35:32بابا یہ سب کتنے
35:33بڑھ گئے ہیں
35:34میں سوشل میڈیا
35:35کیسے کیسے ڈھونگی بابا
35:36تو غلطی کس کی ہے
35:37جو لوگ جاتے ہیں ان کے پاس
35:39ہر کوئی دکان کھول کے
35:40بیٹھا ہوا ہے
35:41اور
35:43گندے گندے نام
35:44رکھے ہوئے ہیں
35:45بابا کے
35:45اور سر
35:46جا کے لوگ سر
35:47جو ہیں ان کے
35:49پاؤں پہ رکھ رہے ہیں
35:50اور بابا صاحب
35:51فائدہ اٹھا رہے ہیں
35:52پھر آپ دیکھتے ہیں
35:53پولٹیکلی وہ گھج بھی جاتے ہیں
35:55پھر کوئی
35:55بڑا سا ایک بزنس
35:57کھول دیتے ہیں
35:57پھر کوئی ایک سیٹ بھی
35:59ان کو مل جاتی ہے
35:59یہی سب تو ہو رہا ہے
36:01تو غلطی
36:02صرف اور صرف
36:03ہم سب کی ہے
36:04جنتہ کی
36:05ہمیں جگنا
36:07ہوگا
36:07ہمیں اپنے آنکھیں
36:08کھولنی ہوگی
36:09ہمیں سمحلنا ہوگا
36:10یہ بہت ضروری
36:11جیسے دن ہم ہوگئے
36:12سب کو اکھاڑ پکیں گے
36:13پھر اچھے لوگ آئیں گے
36:14پھر اچھے لوگ دیش کو چلائیں گے
36:16دیش اچھا ہوگا
36:17یہ اوبرنائٹ پروسس نہیں
36:18اس میں سالوں سو سال
36:19دو سو سال لگ جائیں گے
36:20ہوتا ہے کرانتی
36:21تو دبے پاؤں آتی ہے
36:23چلتے چلتے چلتے
36:24پھر اچانک آتی
36:25لیکن کرانتی
36:26تب آتی ہے
36:26جب برانتیاں ہڑ جاتی
36:27تو وہ ہوگا
36:29وہ بھی ہوگا
36:44مجھے لگتا ہے
36:45کہ ہر چیز پہ
36:46بندش کرنا
36:47ضرور نہیں ہے
36:48ہمیں خود یہ
36:48سیلف سینسرشپ
36:50خود ہم سوچیں
36:51سمجھیں
36:53کتنے کو
36:53آپ کوڑے مار لیں گے
36:54بندوق مار لیں گے
36:55یا قانون ان پہ لگا دیں گے
36:57یہ خود کو سمجھنا
36:58بہت دور ہوئی
36:59کہ میں جو کر رہا ہوں
36:59غلط
37:00میں کل سے ایسے نہیں کروں گا
37:02میں اپنی بات کروں گا
37:02میں شاید ہارشلی بھی کروں
37:04میں اگریسیولی بھی کروں
37:05پھر میں گالی نہیں دوں گا
37:06میں ہمیلیٹ نہیں کروں گا
37:07ویسے بھی بات کی جا سکتی
37:09پہلے کی زمانے میں ہوتے تھے
37:10کیسے لوگ
37:11لوگ چلاتے بھی تھے
37:12لیکن دوسرے کو آپ کر کے
37:13آپ ایسے ہیں
37:14اب تو تو تڑاک پہ نیتا بات کر رہے ہیں
37:18تو تڑاک
37:20بڑے بڑے پدھوں پہ
37:21نیتا اس طرح کی باتیں کرتے ہیں
37:22تو بہت حیرت ہوتی ہے
37:23کیونکہ پھر آپ
37:25لوگوں کو کیا سکھا رہے ہیں
37:26وہ تو وہی سکھیں گے
37:27جو وہ سن رہے ہیں
37:27دیکھ رہے ہیں
37:28جب ان کا نیتا ہی ایسے بولے گا
37:29تو وہ بھی ایسے بولنے شروع کر دیں گے
37:31ابھی رہے ہیں
37:33رہے ہیں
37:33دوراندھر
37:34نے so much money
37:36اور کامرشلی
37:36one of the biggest hits
37:38of indian cinema
37:38تو
37:39there was a lot of debate
37:40ایک
37:41obviously hit
37:41اس لئے کیونکہ
37:42public نے جا کر دیکھا
37:43but also there was
37:44you know
37:45a section of people
37:46who thought that
37:47it was very violent
37:48تو
37:49اس طرح کے
37:50جو
37:50filme آتی ہے
37:51جس میں
37:52ایک
37:52کہانی
37:53ان کی تاریب کی جاتی ہے
37:54but
37:54دوسرا section
37:55کہتا ہے
37:55کہ
37:55violence
37:55اس طرح سے
37:56کھا گیا
37:56تو
37:57اس پر آپ
37:57رہے ہیں
37:59how did you like it
38:01i loved it
38:02وہ تو ایک کہانی ہے نا
38:04وہ ایک کہانی ہے
38:04اور کہانی
38:05violent بھی ہوتے ہیں
38:06ہمارے زندگی
38:06اخبار کھول کے دیکھئے
38:07کوئی کسی کا
38:08سر کاٹ رہا ہے
38:08ہاتھ کاٹ رہا ہے
38:09کس طرح کی خبریں ہیں
38:10تو کچھ میں
38:11دوراندھر اس کے سامنے
38:12تو
38:12بہت
38:13اچھی سی چیز
38:14نظر آتی ہے
38:14کچھ بھی نہیں ہے
38:15جس طرح کا
38:16violence
38:16میں نے ایک
38:18کہانی پڑھی
38:18یہاں نہیں
38:19ہونگ کونگ میں
38:19ایک لڑکا
38:29اس نے اپنے
38:30ماں باپ کو
38:30کاٹ کے چاول ملاک
38:31کھلا دیا لوگ کو
38:33آپ نے سنی
38:34ایسے کہانی
38:34پر حقیقت ہے
38:35یہ ہوا ایسا
38:37he killed his parents
38:38made
38:39mince meat out of that
38:40چاول ملاک کھلا دیا
38:41سب کھائے
38:42اور بولا میں نے
38:43ماں باپ کو آج مار دیا
38:43بہت مزا آیا دیکھو کھانے میں
38:45تو اس طرح ہے
38:45کہ جب sickness آ جائے
38:47تو دوراندھر کیا ہے
38:48اس کے سامنے
38:48کچھ بھی نہیں
38:49it's like a
38:50teddy bears picnic
38:51تو
38:52اور
38:53وہاں تو
38:53ٹکٹ خرید کے جاتے ہیں
38:54مد جائیے
38:56کوئی فورس تو
38:57کر نہیں رہا
38:57آپ کے گھر پہ
38:58جب رن کو
38:59ٹی وی پہ
38:59تو چلا نہیں رہا
39:00آپ کو کوئی
39:00کہتو نہیں رہا
39:01کے دیکھیں
39:01مد دیکھیں
39:02the choice is yours
39:03تو
39:03disclaimer تو
39:04رہتا ہی ہے
39:04تو
39:05اس میں کوئی
39:07غلط ماننے
39:08والی بات
39:08نہیں ہے
39:09میرے حساب سے
39:10کوئی غلط ہی
39:11نہیں ہے
39:11violence
39:11اپنی جگہ ہے
39:13ہے
39:18وہ بہت ضروری
39:19دیکھیں
39:19ویب سریز
39:20جو ہیں
39:20وہ دیکھیں
39:21گھروں میں
39:21دیکھا جاتا ہے
39:22ٹی وی پہ
39:23دیکھا جاتا ہے
39:23اس میں اس قسم کا
39:25sexual
39:26explicit sex
39:27اور
39:28اتنی گالیاں
39:29ہر بات پہ
39:30جہاں ضروری
39:31نہیں ہے
39:32گالی کو بھی
39:33لگتا ہو
39:34کہ کیوں
39:34خام خام
39:35میرا مطلب
39:35استعمال کر رہے ہیں
39:36میری تو ضرورت نہیں تھی
39:37مجھے ہر گھڑی
39:38بلا لیتے ہیں
39:38ہر کسی
39:39character کے زبان میں
39:40ڈال لیتے ہیں
39:40اس کو گالی دو
39:42اتنے آرام سے
39:43ماں بہنوں کو
39:43دعوت دیتے ہیں
39:44ان لوگ مو سے
39:44تو وہ
39:47ضرورت نہیں ہیں
39:47سب چیزوں کی
39:48پہلے بھی تو
39:49سب چیزیں بنتی تھی
39:50کہاں گالی گلوج کے
39:51آپ تو کھڑے ہو کے
39:51ججوں کو گالی دے رہے ہیں
39:53پولیس والے کو
39:54گالی دے رہے ہیں
39:54اس کو مار رہے ہیں
39:55اس کو مار رہے ہیں
39:56کیا جانے کون سے
39:57زمانہ میں آگئے ہیں
39:58پر بہت زیادہ
39:58ٹاکسک ہو گیا ہے
39:59اور یہ
40:01ٹھیک ہے
40:01یہ ایک
40:02فیز ہے
40:02دیکھیں گا
40:03آپ گھوم پھر
40:03کہ ہم لوگ پھر
40:04اسی اچھائی میں
40:05اسی واپس
40:06ستیوگ میں آ جائیں گے
40:08واپس تریتا
40:09ہدواپر یوگ میں
40:09پہنچیں گے
40:10ایک دن
40:10اور پہنچنا چاہیے
40:11سب بکور بھی
40:12میں یہ جاننا چاہوں گے
40:14پر اتساب
40:15to
40:16today
40:17کس طرح سے
40:18آپ اپنے پورے سفر
40:19اور جرنی کو دیکھتے ہیں
40:20اتساب
40:22میں پوری جرنی کو اتساب
40:24مانتا ہوں
40:24so every day I celebrate
40:26every day I celebrate
40:27my craft
40:28every day I celebrate
40:29my life
40:30every day I celebrate
40:31my profession
40:32every day I celebrate
40:33what I do
40:35ایسے اب کیونکی
40:37میں نے بول دیا تھا
40:37last time
40:38but then one question
40:39پوچھے نا
40:40there are
40:41I think 1000 people
40:42must have spoken to you
40:43about Rekhaji
40:44so میں بھی جاننا چاہتی ہوں
40:45that
40:46she is an enigma
40:47but still I want to know
40:49that one thing
40:50that world doesn't know
40:51about Rekhaji
40:51and you know
40:52and you noticed
40:53while working with
40:54Dharia Tutsa
40:54that she is
40:56a complete professional
40:58and she is like
40:59a little baby
41:01what I know about her
41:02is that
41:02she likes becoming a baby
41:04تو وہ بچوں کی آواز میں
41:06بات کرنے لگتے ہیں
41:06گھنٹوں
41:07وہ بچے کی طرح
41:08بھی حیو کرنے لگتے ہیں
41:09and
41:11she is
41:12obsessed
41:13by Mumtaz
41:14which very few people know
41:15and she mimics her
41:16very well
41:17تو میں نے ان سے
41:18کروایا ابھیتا
41:18ادائیگی میں بھی
41:19وہ ہے
41:20جھلکیاں
41:21وہ آپ دیکھیں گے
41:21so there's very few people
41:22know
41:23that Rekhaji
41:24اگر سن رہی ہیں
41:25تو پتہ نہیں
41:25خوش ہوں گی
41:26یا ناراض ہوں گی
41:26but
41:27she is obsessed
41:28اور ان میں ایک
41:30جو بچہ ہے
41:31وہ ابھی تک
41:33زندہ ہے
41:34اور بہت زوروں سے
41:35ہاتھ پاؤں مار رہا ہے
41:36تو وہ
41:37تو یہ انگمہ
41:38جو ہیں
41:38اس طرح کے انگمہ
41:39جو ہیں
41:40once in a while
41:40آتے ہیں
41:41اور وہ
41:41بہت خوبصورت انسان ہیں
41:43بہت خوبصورت
41:44اپنے اتری ہیں
41:44اور کہاں سے کہاں
41:45پہنچی ایک لمبا
41:46سفر ان کا
41:47اور
41:49میرے خیال سے
41:51سالوں بعد بھی
41:52دنیا ان کو
41:53یاد رکھی گی
41:53بہت خوبصورت
41:55بہت خوبصورت
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