- 22 hours ago
The disappearance of a young woman's father and a mysterious note years later after the strange regular annual delivery of valuable pearls to her puts Sherlock Holmes on the case.
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00:00:00The End
00:01:54Come in.
00:02:03Come in.
00:02:04Come in.
00:02:05Come in.
00:02:06Come in.
00:02:07Come in.
00:02:08Come in.
00:02:34Come in.
00:02:58Come in.
00:03:26Come in.
00:03:28Come in.
00:03:28Come in.
00:03:30Come in.
00:03:5031.
00:03:5232.
00:03:5333.
00:03:5534.
00:03:5635.
00:03:5836.
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00:04:0036.
00:04:0137.
00:04:0337.
00:06:28Two sons to me at once.
00:08:52Do you hear?
00:08:53That stump.
00:08:55Stump.
00:08:57That wooden leg.
00:08:59Oh, of course you don't.
00:09:02It's only in my head, pounding there.
00:09:08I do get it.
00:09:10I do.
00:09:22Father.
00:09:42Stop! Stop!
00:09:44Father.
00:09:44Eckbar. Eckbar, go outside. There's a man.
00:09:47Stop him. Stop him.
00:09:49He's dead.
00:09:55No one here, sir?
00:09:56Someone just gone in taxi?
00:10:07He never told us where the treasure is.
00:10:26A couple of more jabs in the bank, matey, and a beautiful, spectacle of love wearing the Raj Matana bow
00:10:32will be finished.
00:10:35One more day of this, and I'd run out on you.
00:10:39Well, you had to be done, didn't it?
00:10:41No one will recognize you now as convict number 24730.
00:10:45I'd rather be out, shot, stranded, and electrocuted than go through this again.
00:10:52Oh, we can arrange that, too.
00:10:56Oh, that's done it.
00:10:58Oh, blush me.
00:11:01Oh, blush me.
00:11:03Keep your hand away, and leave it alone.
00:11:05Let it get dry.
00:11:06You can have a look at yourself.
00:11:09You're a masterpiece, that's what you are.
00:11:11And I'm the professor of what's done it.
00:11:14Think of the money people pay to look at you.
00:11:16Well, she looks a bit on the fat size to me.
00:11:19A bit of fat over your kidneys will keep you warm.
00:11:23I'll make you fat when I get my hands on those sparklers again.
00:11:26Sitting in a sofa full of food that that nice little bit of lexion I did there
00:11:30will spread out and spell, God bless Harrow.
00:11:34I've been listening to you talk about them sparklers for ten years.
00:11:41And I believe you, broke out of hand, a man with you.
00:11:45With me, we've only three more months of a sentence to do.
00:11:47Let you stick a million o's in me eyes and make me look like a blooming zoo.
00:11:51You've been lying.
00:11:52And if you ain't, let's see the color of them sparklers.
00:11:55Quick or I'll break it.
00:11:56What?
00:12:07Now then, I want you to learn.
00:12:09Be a good boy and do what Papa wants you to.
00:12:12And don't make Papa have to cave your blooming ribs in.
00:12:21Go on, matey.
00:12:23You don't think I've spitted in that stinking prison for twenty years without getting educated,
00:12:28do you?
00:12:29They said they'd send me to Quad to learn me a lesson and I learned it.
00:12:33Because I've been through Oxford.
00:12:35In the first place,
00:12:37most of the treasurer's days.
00:12:39How do I know?
00:12:41Because old Sholto hadn't got the nerve to use much of it.
00:12:44And how do I know he hadn't got the nerve?
00:12:46Because I looked at him once
00:12:48and he kicked the bucket.
00:12:51And why aren't those pretty Sholto boys sent the cops on me?
00:12:54Because I don't want me to make no noise about the sparklers.
00:12:57For fear the real owners
00:12:58will turn up and claim them.
00:13:00And for fear of losing them,
00:13:03they'll only turn them in the cash one at a time.
00:13:05But there are so many of the beauties.
00:13:08So very many.
00:13:10There'll be plenty for us
00:13:12when we get round to collecting.
00:13:16No, matey.
00:13:18There's one thing you'll never know.
00:13:21And that is
00:13:23what a beautiful thing it is to be educated.
00:13:26Oh, I know enough.
00:13:28Enough to keep your mouth shut, I hope.
00:13:31I never did thank you myself and me government haircut.
00:13:35But I can't wear these tooken dresses for long.
00:13:38They make me itch.
00:13:41I'll just put on me best
00:13:42Sunday go to meeting prop
00:13:43and give the ladies an eyeball.
00:13:59Now you stay right here in the front pair
00:14:01and keep your own fires burning.
00:14:04And mind you keep an eye on Tonga, too.
00:14:07You don't go on exhibition until next week.
00:14:16If I was to say to you,
00:14:18now for the treasure of Monte Cristo
00:14:21and the world is mine,
00:14:23you wouldn't know what I meant, would you?
00:14:25No.
00:14:27Of course, you're not educated.
00:14:31Trim.
00:14:33Ten years in the pen
00:14:34and never learned nothing.
00:14:58Hello, Mrs. Lawson.
00:15:04Good morning.
00:15:07Good morning.
00:15:10Good morning.
00:16:20There's somebody here.
00:16:22I'll put on the nut.
00:16:45One squeak out of your shelter, you'll be having breakfast with your father in the morning.
00:16:55I'm simply charmed to meet you, Mr. Shelter.
00:17:00My name's Small.
00:17:03Jonathan Small.
00:17:07Heard my name before, huh?
00:17:10Perhaps from your dear father.
00:17:13A nice man, your father, wasn't he?
00:17:18Yes.
00:17:18You're a liar.
00:17:20He was a dirty, rotten sneak thief.
00:17:23A worse crook than him ever lived.
00:17:25Did he tell you he was a murderer too?
00:17:28Did he?
00:17:29What?
00:17:30He confessed.
00:17:32All those things.
00:17:34Just before he died.
00:17:35Huh.
00:17:36Did he tell you all about the treasure?
00:17:38Did he?
00:17:40Yes.
00:17:43Maybe.
00:17:45We've been wasting our energy upsetting the gentleman's house.
00:17:48All we got to do was to ask him where my pretty sparklers were, and he'd tell us.
00:17:56Where are they?
00:17:58I don't know.
00:17:59Huh?
00:18:01Father died before he could tell us.
00:18:05I'm disappointed in you, Shelter.
00:18:07I thought you too much sense for the play with me.
00:18:10The treasure's hidden somewhere.
00:18:12We've not been able to find out where.
00:18:14All of it?
00:18:16Yes.
00:18:17Yes, yes, yes, yes, all of it.
00:18:20Hesitating a little.
00:18:22That means you're lucky.
00:18:28Listen to me, you little rat.
00:18:29They're going to get this up anyway.
00:18:31Whether you're tennis or not, or whether you die or not.
00:18:34Just spit it out.
00:18:40Stop.
00:18:41Stop.
00:18:41I'll tell.
00:18:42I'll tell.
00:18:48Well?
00:18:50I told you the truth.
00:18:53The bulk of the treasure, we can't find it.
00:18:56Only the pearls.
00:18:58The Rajputana pearls.
00:19:00Where are they?
00:19:02I promise that my brother and myself won't be harmed.
00:19:05Unless you get funny and tell the cops.
00:19:07Well, I promise.
00:19:08I promise we won't.
00:19:10Captain Morstan's daughter has them.
00:19:12Well, where is she, huh?
00:19:14She keeps a flourish in shock.
00:19:19There you are, sir.
00:19:41Your chain, sir.
00:19:42Two and six, five and five makes sense.
00:19:45Bill?
00:19:45Thank you, sir.
00:19:46Call again.
00:19:47I will.
00:19:53I will.
00:19:59I will.
00:20:03I will.
00:21:50You certainly shot that tiger clean through the head.
00:21:54And he was a beauty, too.
00:21:59How on earth could you know?
00:22:01You're a very remarkable man, Watson.
00:22:04Me?
00:22:04The finest audience in the world.
00:22:07I never cease explaining my methods to you.
00:22:10And apparently your amazement grows deeper every day.
00:22:13But how could you possibly know what I've been thinking?
00:22:17You were looking at those tiger pictures in the paper until your eyes were nearly popping out of your head.
00:22:23Your expression then was unmistakable.
00:22:25Yes, I suppose it was.
00:22:27Yes, you came down to earth and realized that tiger shooting is no longer for you.
00:22:32Very simple, really.
00:22:34Yes, like all great things, Watson.
00:22:40You know, I owe you an apology.
00:22:42You come here for adventure and I've none to offer you.
00:22:44Very soon out of London's teeming millions, some distressed person will step up to the door and knock.
00:22:50Ring, Watson.
00:22:51The knocker doesn't function.
00:22:52You should have noticed that.
00:22:53Oh, very well, Ring, then.
00:22:56Ah, she's made up her mind.
00:22:59What?
00:23:01Who?
00:23:02Look.
00:23:07Evidently you find the young lady's case interesting already.
00:23:15A Miss Morseman to see you, sir.
00:23:17Miss Morseman?
00:23:18Did she tell you her business?
00:23:19No, sir.
00:23:20But she seems terribly upset.
00:23:23Oh, well, show her up.
00:23:26She's one of your teeming millions, Watson.
00:23:30Miss Morseman?
00:23:34Mr. Holmes?
00:23:35Mr. Sherlock Holmes?
00:23:36Is that his name?
00:23:37I'm terribly sorry.
00:23:40I think...
00:23:42I'm afraid I'm going to see.
00:23:51Right, I'll get some brandy.
00:23:53What a frightful shock of some kind.
00:23:56Thank heaven you were here, Watson.
00:23:57In such embarrassing matters as fainting women, I must refer to you.
00:24:02Thanks.
00:24:13That's better.
00:24:14Now, you'll feel all right again in a minute.
00:24:18I feel terribly ashamed.
00:24:21I apologize.
00:24:28Perhaps I'd better go.
00:24:30And deprive it of the pleasure of offering the assistance you came to seek?
00:24:40Miss Morseman, tell me, why were you so afraid of being followed here?
00:24:46How did you know?
00:24:47Well, there's hardly a mystery.
00:24:49I simply observed it from the window.
00:24:51Oh.
00:24:53Now, Miss Morseman.
00:24:55It's rather a long story.
00:24:57Shall I begin at the beginning?
00:24:58Yes, please do.
00:24:59An amateur investigator like myself can't have too many facts of a case to work on.
00:25:04A number of years ago, my father, Captain Morseman, mysteriously disappeared, whilst on his way home on leave from the
00:25:11Orient.
00:25:12It's Morseman.
00:25:14Captain Morseman.
00:25:15There's something to do with a convict settlement at, um, uh, Anderman Island, was it?
00:25:22Yes, I remember.
00:25:23You remember?
00:25:25You learned to expect such amazing things from Mr. Holmes.
00:25:29And I'm afraid that completes my knowledge of the first chapter.
00:25:33This was found in my father's belongings.
00:25:41It appears to be the diagram of a large building.
00:25:44A fort, perhaps.
00:25:46Yeah, what's this?
00:25:46Four names.
00:25:47Look, here are four crosses.
00:25:49Yes, four crosses.
00:25:51When I first saw that paper as a child, I wondered what those crosses meant.
00:25:55And today, when I saw it again on another paper...
00:25:57Again?
00:25:59Yes.
00:26:00That's the modern side of the story.
00:26:02It's all very simple to me.
00:26:06First, we does both the shoulder boys in, with a nice little bit of cutting round the jugular vein.
00:26:16And for the matter of that, sticks a knife into the Marston girl, if she won't tell.
00:26:23Then, off we go to South America with the sparklers.
00:26:29It's all very simple to me.
00:26:31When you're done with the three of them, I suppose you'll start all the whole blooming police war.
00:26:36Now, there'll be no murdering unless absolutely necessary.
00:26:41Can't do much of it without leaving some clue.
00:26:44Eh?
00:26:45Clue.
00:26:46You know what canoe is, don't you?
00:26:48Yes.
00:26:49Something you stick paper together with.
00:26:52Really?
00:26:54When we get to South America, I'm sending you to night school.
00:26:59What?
00:27:02Do you want the feel of my boot in your face?
00:27:04It ain't my fault.
00:27:06These years' safety raises.
00:27:08Here.
00:27:09What about me having to go with a straight one?
00:27:13Not on my neck.
00:27:16With so many things happening in such quick succession, first one note, then another, then the safe broke and opened.
00:27:22I didn't know which way to turn.
00:27:24I suppose I should have had more courage, in spite of the warning of death and gone to the police.
00:27:29I'm afraid I'm not as brave as I should be.
00:27:31But, Miss Morstan, there's one thing you haven't told us.
00:27:36Actually, where are the pearls?
00:27:37Miss Morstan was afraid to trust even her own safe with such valuables.
00:27:41So she's been carrying them about on her person.
00:27:44That's true.
00:27:45I have them here in my dress.
00:27:46Although this handwriting is obviously disguised, the person who sent you the pearls and the one who invites you to
00:27:53this questionable rendezvous in Acacia Road this evening is one and the same.
00:27:58I should describe him as small, extremely nervous and timid.
00:28:03A perfect example of the homo lupusculis or rabbit man.
00:28:07But the one who threatens your life, he's quite the opposite.
00:28:10A homo tour as powerful as a bull and with great cunning.
00:28:14A killer.
00:28:18An opponent to be reckoned with.
00:28:21And he's only one leg.
00:28:24Mr. Holmes takes such a delight in provoking my curiosity that I swear I'll never ask him again how he
00:28:30makes deductions such as,
00:28:32well, that by looking at a man's handwriting he can tell he has but one leg.
00:28:38Perhaps you can tell us, Mr. Holmes, if the colour of his eyes, if he likes white mice or...
00:28:43or if he suffers abominably from arthritis.
00:28:49I not only resent your making me appear ridiculous before Miss Morstead,
00:28:53but it grieves me to think, Watson, that you've never read my treatise on the physical and mental reactions of
00:28:59the disabled.
00:29:00For therein I described, with my feeble prose, that the whole physical being of a man who has undergone amputation
00:29:07goes through a complicated process of reorganisation, as a result of which his functional characteristics are decidedly marked.
00:29:16His subjective mind, fully conscious of the loss of physical balance, tries to make good that loss by some such
00:29:24expressions as,
00:29:27well, increasing the pressure on the down stroke of a pen, making it firm and straight so that the letters
00:29:33stand up, as it were, on their own legs.
00:29:42Do I make that quite clear?
00:29:46Perfectly.
00:29:50Miss Morstead, I don't want to alarm you unduly,
00:29:54but your homo-torus friend is unreservedly dangerous.
00:29:58For that reason, may I suggest that you accept my meager hospitality
00:30:02until the time of your departure for Acacia Road.
00:30:04Thank you so much.
00:30:06Oh, but I don't want to go there alone.
00:30:10It states in your invitation that you will be allowed two friends.
00:30:15May I have the privilege of appearing as one of them?
00:30:17Thank you very much.
00:30:23Will, will you be my other friend?
00:30:26May I?
00:30:28You're not a bit like a doctor.
00:30:32Now, Miss Morstead, I'm going to turn you over to my trusted housekeeper, Mrs. Hudson,
00:30:37who will see that you're made comfortable.
00:30:39Miss Morstead will dine with me here tonight.
00:30:44If I may be permitted to...
00:30:46Oh, yes, certainly, yes.
00:30:47Yes, yes, we'll give Dr. Watson a chop as well.
00:30:56I don't want to interrupt the violent flatterings of your heart, Doctor,
00:30:59but perhaps you'd be interested to know that never in my career
00:31:02have I encountered a more intricate case.
00:31:05Serious as that?
00:31:06Uh-huh.
00:31:07We'll need all our help, perhaps more, before we're through.
00:31:10Uh-huh.
00:31:11And under no circumstances must we allow her to go back to her shop.
00:31:14Shop?
00:31:15She said nothing about a shop?
00:31:16No, no, but I think you'll find that she runs a small florist shop
00:31:20in the west end of London.
00:31:21How can you possibly deduce that?
00:31:24Neatly, but not smartly dressed.
00:31:26If she wears an expensive orchid.
00:31:28Orchids are not a suburban trade.
00:31:31Perhaps given her by some ardent admirer.
00:31:33Oh, well, if she had one, she'd appeal to him and not to us.
00:31:36Besides, fingers used for wiring up flowers become scored, you know,
00:31:39in an unusual way.
00:31:41Yes, I...
00:31:41I think a florist shop.
00:31:44Amazing.
00:31:46No, elementary, my dear Watson.
00:31:50Elementary.
00:31:53Good friends, Watson.
00:31:55Case of need.
00:31:58Now, you'll take Miss Morse to her home.
00:32:02Torch.
00:32:03Have her change quickly into clothes that are both warmer and a little less conspicuous.
00:32:08Amen.
00:32:09My preparations here will take me about ten minutes, then I'll pick you up.
00:32:13Don't you think we could keep the appointment and leave her out of it?
00:32:16My dear Watson, if we're to catch our fishes, we must use the bait they'll bite on.
00:32:20But, uh, there's no...
00:32:21No, no, no, no, no.
00:32:21He's getting late, Watson.
00:32:22Getting late.
00:32:25Oh, you'll probably enjoy hearing she does run a florist shop.
00:32:28Oh, really?
00:32:28I'm surprised.
00:32:30Tweezers.
00:32:31Hold on.
00:32:33Hold on.
00:32:41Here's your adventure, all right, Watson.
00:32:45Miss Morse.
00:32:46Go and knock at the door.
00:32:48We'll be here.
00:32:50Watch.
00:33:03Miss Morse.
00:33:06Yes?
00:33:08You know?
00:33:11I have two friends.
00:33:15Will you give me your worthy and not policemen?
00:33:18Certainly.
00:33:20Come with me, please.
00:33:29Miss Morse.
00:33:33Mr. Holmes and Dr. Watson.
00:33:36Are you... you've kept your taxi, I think.
00:33:38Good, good.
00:33:39Your journey's not over yet.
00:33:41You've news for Miss Morse.
00:33:43First, we must visit Brother Bartholome, waiting at his house.
00:33:48Taxi.
00:33:49If we go along now, I can tell you the whole thing as we go.
00:33:59And last night, my brother found the remainder of the treasure
00:34:02under the attic flooring in Pondicherry Lodge.
00:34:06Such magnificent jewels, I'd never see it.
00:34:08I had once demanded that they should be divided according to my dying father's wish.
00:34:14I told my brother that I should add my share to yours.
00:34:18This was the only way I could repay you for my cowardice
00:34:21in divulging to Jonathan Small your name,
00:34:24and that I sent you to Pearl.
00:34:26Oh, Bartholomew was white with Pearl.
00:34:28We quarrelled violently, and then I went home and wrote the note that you got to Smallness.
00:34:33You see, I thought that if you were to come and demand your share in Perton,
00:34:38he damned with you,
00:34:39in case we should hand the whole matter over to the police.
00:34:43You acted wisely, Mr. Sholton.
00:34:45I'm glad you think I've done one right thing.
00:34:47It took more courage than I thought I had
00:34:49to face the daughter of the man that my father murdered.
00:35:11But Mordo, Mr. Thaddeus.
00:35:14All right, Mr. Thaddeus.
00:35:28That's all right, my brother. Good night.
00:35:34You're not frightened?
00:35:35Terribly. But rather thrilled, too.
00:35:41It's home.
00:35:45Oh, oh.
00:35:50Mr. Fanny, something's the matter.
00:35:53I can't get the answer from the master's room.
00:35:55He's there. He's there.
00:36:14Oh, there's something devilish in there, Watson. Look.
00:36:19Mrs. Blountstone! The lamp!
00:36:42He's dead some hours, I think. Watson, that's your affair.
00:36:47He's been murdered.
00:36:48Please don't move about.
00:36:54Well, Watson?
00:36:55Not a natural death.
00:36:57Tetanus at some kind.
00:36:59Extreme contraction, far exceeding the usual riga mortis.
00:37:02Precisely.
00:37:02Some powerful alkaloid poison.
00:37:04Like Stricti.
00:37:10Mr. Holmes!
00:37:11Look!
00:37:12The treasure's gone.
00:37:15It was there on the table.
00:37:18That's the hole we lowered it through.
00:37:20He's been robbed.
00:37:21And he's been murdered.
00:37:24The police.
00:37:26They'll be called in.
00:37:30They'll find out about the treasure.
00:37:32And say I did it to get the money.
00:37:35You...
00:37:36You don't think I had a hand in it, do you?
00:37:39I...
00:37:40Gentlemen, I...
00:37:41I didn't.
00:37:42I...
00:37:42I swear I didn't.
00:37:44I...
00:37:45Steady, steady, steady.
00:37:47Yes.
00:37:47Mr. Shelter, go straight down to the police station and report the matter yourself.
00:37:51Yes.
00:37:52Offer to assist them in every way.
00:37:53Yes.
00:37:54Now it's your wisest call.
00:37:55Well then, Watson.
00:37:56We have a few minutes before the representatives of the law arrive.
00:38:03Ah.
00:38:04I expected this look here.
00:38:05Do you see?
00:38:06Just behind the ear.
00:38:14Like a thorn!
00:38:15Don't touch it, Watson.
00:38:16It's deadly poison.
00:38:18This is a dart that's been shot at such force from a...
00:38:21a pro pipe.
00:38:23But before the victim can recover from the shock of the impact, the poison takes to fit.
00:38:27Causing almost instantaneous death.
00:38:30Such weapons are used by the natives of the...
00:38:33lay peninsula.
00:38:37And the Andaman Island.
00:38:39Andaman?
00:38:41Yes.
00:38:42Yes, that's pretty conclusive, isn't it?
00:38:46Look here.
00:38:47Look here.
00:38:48It's the same four crotties.
00:38:50Sign of four.
00:38:52Jonathan Small.
00:38:53No, possibly not, Watson.
00:38:55Remember, Small's only one of four.
00:38:56But more significant still,
00:38:59these crotties have been made with a tattooing needle.
00:39:02A tattooed man!
00:39:05Oh!
00:39:05Ha!
00:39:06Well, it's quite simply, isn't it?
00:39:09Is it?
00:39:09Well, now we know who did it.
00:39:11All we have to do is to catch him.
00:39:12Is that all?
00:39:13Will you go out and catch him?
00:39:15And I'll wait here till you come back.
00:39:16Yes.
00:39:20But where'll I go?
00:39:23Exactly.
00:39:24Let's leave jumping the conclusions to the professional detective.
00:39:27I prefer to employ my usual method of carefully reconstructing the crime
00:39:33in the hope of finding some clue that will lead us to the whereabouts of the criminal.
00:39:38Let us stand on one side, will you, Watson, so that your footmarks don't complicate matters.
00:39:45Now, how did he come?
00:39:47And how did he go?
00:39:54The window fastened on the inside.
00:39:57All the framework's solid.
00:40:02No drain pipe, nothing.
00:40:05And he couldn't have come in that way.
00:40:09Yes, but he did.
00:40:12Here's a print of a foot in mould on the sill.
00:40:15And a curious circular muddy mark.
00:40:23Right, there it is again upon the floor.
00:40:29And here again by the table.
00:40:33Do you see that, Watson?
00:40:36A perfect demonstration.
00:40:38Is that not a footmark?
00:40:39No, it's something much more valuable to us.
00:40:41It's the impress of a wooden stump, my dear Watson.
00:40:44A wooden-legged man?
00:40:45Yes, precisely.
00:40:49Yes, but no one could scale that wall.
00:40:51Must let a man without one with only one leg.
00:40:53No, but suppose he had a friend here, who lowers a good stout rope.
00:40:59How have you got in?
00:41:00Not the window.
00:41:03Not the chimney.
00:41:04That's too small.
00:41:06Lend me a hand, Watson.
00:41:09Now we'll have a look at the secret room where the treasure was found.
00:41:12We can surmise that Homer Taurus was here.
00:41:15But the number one man, the one who was killed in the use of a blowpipe.
00:41:19Who is he?
00:41:20The tattooed man.
00:41:22No, I think not, Watson.
00:41:23No one but a native could have such deadly aim with such a strange weapon.
00:41:31The tattooed man is described by both Sholto and Miss Morstan as a giant.
00:41:36And we must look for someone small who could scale the side of a house without making a sound.
00:41:43Ah, you are, Watson.
00:41:44It's a huge trap door leading onto the roof.
00:41:48Now, if I can push it back with ease.
00:41:51Well, that's our number one, ain't it?
00:42:00There you are.
00:42:02What did I tell you?
00:42:04One of those in the feet of a child.
00:42:07Not exactly.
00:42:08There's something devilishly like it.
00:42:11Now, let's see where that curious foot went to.
00:42:14What's the impression down there?
00:42:16We know that our toes are generally all cramped together.
00:42:19You see, each one of those is divided temperately.
00:42:30I guess you'd better rejoin Miss Morstan downstairs, Watson.
00:42:34You might be frightened when the police arrive.
00:42:44You observe the angle at which the thorn struck?
00:42:46Yes, and it's been shot from the attic.
00:42:49Oh, bravo, Watson.
00:42:51Bravo.
00:42:55What's your theory about these footprints?
00:42:58Well, apply my method, Watson.
00:43:00And you'll probably find that they'll lead you in directly the opposite direction
00:43:03to that of my old friend Detective Inspector Athelny Jones, whom I can hear blowing his way upstairs.
00:43:08Yes, sounds like him.
00:43:09Yes, unmistakably.
00:43:10He'll begin by telling me that a nuns of practice is worth a ton of theory
00:43:14and then proceed to arrest everybody on the spot.
00:43:19The house seems as full as a rabbit, Warren.
00:43:22You stay here.
00:43:23Sergeant, have a look at the other rooms.
00:43:24Yes, sir.
00:43:26Hello. Who are you?
00:43:29Why, if it isn't Mr. Sherlock Holmes, the amateur.
00:43:34How are you, sir?
00:43:35I'm all right, Jones, thank you.
00:43:36How are you?
00:43:36You know Dr. Watson.
00:43:38How are you, Doctor?
00:43:39How are you?
00:43:40Hmm.
00:43:40Well, I'll be off.
00:43:44And what brings you gentlemen here?
00:43:46Oh, just a little private investigation.
00:43:49Oh, I thought you'd given up our line of business long ago.
00:43:52No.
00:43:53You know, I only take cases too difficult for the official police.
00:44:00Ah, what do you make of this one?
00:44:04Bad business, eh?
00:44:05Yes.
00:44:06You'd hardly thank me for theorizing over it.
00:44:10But let's see, eh?
00:44:12What I always say to you, Mr. Holmes, an ounce of practice is worth a ton of theory.
00:44:17Yes, yes.
00:44:18I've heard you say it.
00:44:22Sherlock Holmes will never rest until this mystery starts.
00:44:26What do you think of this theory, Mr. Holmes?
00:44:29Yes?
00:44:29The fellow Thaddeus was with his brother last.
00:44:32The brother dies of a fit, on which Thaddeus makes all for the money.
00:44:36Yes, and on which the dead man very considerably gets up and locks the door on the inside.
00:44:42Oh, well, there may be a flaw, but we can get over that.
00:44:46Yes, well, Jones, before you actually hang the man, I should like to point out this printer of wood.
00:44:58Ah, nasty looking thorn.
00:45:00Yes.
00:45:00Be careful, Jones, it's poison.
00:45:03It was found in the dead man's head.
00:45:07Does that fit in with your theories?
00:45:10Perfectly.
00:45:12The only question is, how did he depart?
00:45:16Ah, of course.
00:45:18The hole in the ceiling.
00:45:20He knows the house.
00:45:21I suppose you noticed the hole in the ceiling.
00:45:24Eh, yes.
00:45:26Yes, I did notice it, in passing.
00:45:28There's a cracked door leads to the roof.
00:45:30There.
00:45:31You've proved my case.
00:45:33Pretty quick, eh?
00:45:34I can safely say, Jones, that I've never seen anything quite like it.
00:45:39Oh, an ounce of practice.
00:45:41Well, well.
00:45:42Constable.
00:45:43Sir.
00:45:43Ask Mr. Thaddeus Sholto to step up here.
00:45:45Hello, my dear Jones.
00:45:47Now, Mr. Holmes.
00:45:48I know you like poking your nose in these things, but you'd better leave this to me.
00:45:54Mr. Thaddeus Sholto, I must ask you to accompany me to the station.
00:45:58It is my duty to inform you anything you say may be used in evidence against you.
00:46:02Don't be alarmed.
00:46:03I think I can engage to clear you of the charge.
00:46:05Oh, you do, do you?
00:46:06Well, you'd better not promise too much.
00:46:09All right, Sergeant.
00:46:10Take him away.
00:46:11I shall want to question the others.
00:46:12They may all be in this.
00:46:17I'll watch it.
00:46:19Miguel, all right?
00:46:20Yes.
00:46:20Good.
00:46:21You can't have anything further?
00:46:23Yes.
00:46:23But I have to pay a visit to Mordecai Smith.
00:46:27Is that the name of the murderer?
00:46:28No.
00:46:29No, it's the name of the man who's been engaged to help our little band of super criminals to escape.
00:46:34Well, how did you find that out?
00:46:36Well, quite simply, Watson, this rope told me all about it.
00:46:39Huh.
00:46:39I've heard of Walls having ears, but never of a rope that could torque.
00:46:42No, well, this one can.
00:46:44I found it on the roof.
00:46:45It was brought here by Small and used by Number One to get him up the outside of the house.
00:46:51You see, Jonathan Small, like most master criminals, never commits a crime until he's perfected the method of his escape.
00:47:00But with only one leg, this isn't easy.
00:47:03He can't leave by one of the channel ports because the authorities would immediately search all one-legged men.
00:47:08He can't stay in this country because sooner or later he'd be hunted down.
00:47:11So he arranges to be taken to sea in a fast, small boat and then transferred to some camp steamer,
00:47:18found for Africa or South America.
00:47:20Perhaps he's already escaped.
00:47:21Not Small.
00:47:23He's waited 20 years in prison, planning his revenge, and he won't leave till he's completed it.
00:47:27He won't leave without the Rajputana Pearl, the most valuable part of the treasure.
00:47:32And pearls are easier to dispose of than diamonds and other jewelry.
00:47:36Well, where did the rope come in?
00:47:39Mordecai Smith.
00:47:40If you may mind?
00:47:41No, but it might as well be.
00:47:45In the first place, it's been bleached and soaked by long immersion in salt water.
00:47:50If you like to taste it, Watson.
00:47:52No, thanks.
00:47:53You see, at this end there's a spliced loop,
00:47:56which bears the imprint of constant chafing caused by a small ship's brass capstan.
00:48:01The rope is made of cotton.
00:48:02It's not strong enough to hold a large boat.
00:48:05And it's of so soft a texture,
00:48:07that it has evidently been used to protect a highly varnished surface, which suggests a speedboat or a launch.
00:48:14On the end of the rope used for tying the boat to a wharf, I found embedded a quantity of
00:48:19powdered malt,
00:48:20which led my thoughts to a warehouse where malt is unloading.
00:48:24Near a set of warehouse lives a man that I've known for years,
00:48:28who runs a small pub as a sideline, but whose real underworld business is smuggling.
00:48:32He smuggled contraband to a drop boat at sea.
00:48:36And sometimes his contraband are criminals that the authorities are after.
00:48:41So you see, I really must go to Mordecai Smith.
00:48:44Positively amazing.
00:48:46Shall I come with you?
00:48:47No, Watson, no.
00:48:48You asked for the job of looking after Miss Morstan, so see that you'll do it.
00:48:53Oh.
00:48:55Request Inspector Jones, very courteously,
00:48:59to assign several of his men to guard Miss Morstan, day and night.
00:49:05Don't forget, Small's still at large, and so are his diabolical helpmates.
00:49:10Yes, protecting Miss Morstan is no small task.
00:49:14Come.
00:49:21Good day.
00:49:23Oh, very good.
00:49:23Good day.
00:49:27Good day.
00:49:39Good day.
00:49:48Well, we'll get a long time.
00:49:49Good night, Mrs. Smith.
00:49:50Name me in the morning and the children.
00:49:52Good night, Mrs. Smith.
00:49:54Hello, Mrs. Smith.
00:49:54Hello, Mrs. Smith.
00:49:55Hello, Mrs. Smith.
00:49:56Hello, Mrs. Smith.
00:49:59How are you?
00:50:00Hello, Mrs. Smith.
00:50:01How are you?
00:50:02What do you have?
00:50:03Oh, even it's dawn.
00:50:04Please, my.
00:50:04You'll have it with me tomorrow.
00:50:06Me, Dad.
00:50:07It's a new old Santa Claus.
00:50:09What do you think of that, Al?
00:50:12I'm not so old.
00:50:13Neither of my proud beauty.
00:50:15Well, proud beauty?
00:50:16Yes.
00:50:17That's not what the husband calls me.
00:50:18Oh, I mean, you don't half appreciate this.
00:50:20You've got it right?
00:50:21Right, you are.
00:50:22By the way, where is old Morty from, right?
00:50:24Right here.
00:50:25Well, he ain't here.
00:50:26See for yourself.
00:50:27That is, if you can't see.
00:50:28See.
00:50:28Oh, he's down the river with that putt-putt in Chathlebys.
00:50:31I don't know.
00:50:32I bet he is.
00:50:32The black one.
00:50:34With the green light.
00:50:36Just where he is.
00:50:37Yes.
00:50:38But he ain't a tub.
00:50:40Let me tell you that.
00:50:40He's the park of North Stan River.
00:50:43And she ain't slack neither.
00:50:44She's all a lovely creme.
00:50:46With two little black pots out there.
00:50:48Oh, I don't name him a.
00:50:50Nothing like.
00:50:52Named after me.
00:50:54Rory.
00:50:56Rory.
00:50:57Delighted.
00:50:59Oh, I love you.
00:51:01You like it?
00:51:02Oh, come on, you old gunk.
00:51:04You'll pull your lip, I don't care.
00:51:06Back in a place.
00:51:07I'll bet you take the old gunk down the river to see that new floor that would aren't wonderful.
00:51:12Oh, no, he won't.
00:51:13He won't have no time for you.
00:51:15I'll pay the price, eh?
00:51:16Yes, all his trouble comes to me.
00:51:18Who is he?
00:51:19Oh, you a nosy old parker, eh?
00:51:22Todd, you wouldn't know him anyhow, because he's a stranger.
00:51:25He's only got one leg.
00:51:27Well, if a stranger was one leg who paid the price, then would an old friend with two?
00:51:30Oh, no, he won't.
00:51:33Because it's the old one leg.
00:51:34He just paid him to stand by to use when he wants it.
00:51:37Why, he's paid him a week's money already and he ain't up at this yet.
00:51:40We've actually made his analogy.
00:51:41He'll be ready for me tomorrow.
00:51:42No, he wouldn't do that neither.
00:51:45Because if he was here a little too ago, he told me he wouldn't want Lory Care not till tomorrow.
00:51:49And perhaps not till the day after.
00:51:50Oh, well, you'll mind mine.
00:51:52I'll have another boat.
00:51:53See, I'll have another one in a better one.
00:51:56Oh, will you?
00:51:57You'll find a better one, me lad.
00:51:59There ain't a better one.
00:52:00I'll let you mean the Florence Bee and he found it.
00:52:02The Florence Bee?
00:52:04That's right.
00:52:05And we'll kill him.
00:52:05I don't waste now.
00:52:06Give him this.
00:52:07Ah, sweet daddy.
00:52:08You're going to have no dance with you.
00:52:10Come on, me lad.
00:52:11You old old wrecker.
00:52:13Come away with your waste in my time.
00:52:16Now, what do you have to drink?
00:52:17Nothing.
00:52:17No dogs, no bucks, so no beer.
00:52:25Did you see that, Harold?
00:52:27You don't fancy himself, don't you?
00:52:29One foot in the grave and smell glasses.
00:52:40Tonga.
00:52:41Tonga, right, sir.
00:52:44Nice pretty diamonds in here, Tonga.
00:52:46Is Tonga a good boy?
00:52:47You get some.
00:52:48Tonga, good boy.
00:52:50Put that in a snake box.
00:52:52No one will look for it there.
00:52:59I'll grab you.
00:53:00Good, Tonga.
00:53:01Well, grab a couple of your friends around yourself and keep you warm.
00:53:05Got to sleep again.
00:53:08I'll grab you.
00:53:17Good, Tonga.
00:53:18Well, grab a couple of your friends around yourself and keep you warm.
00:53:21Got to sleep again.
00:53:26What do you think you're doing with them fireworks?
00:53:29I ain't taking no chances.
00:53:31No.
00:53:32What's the matter with you?
00:53:33You lose everything in a ghost.
00:53:34It's worse than that.
00:53:36The cops is after us.
00:53:40How do you know?
00:53:41Went round by the ghost, flat over the florist shop.
00:53:43Cops and plane cars went all over the place.
00:53:45No mistaking what they're after.
00:53:47Put them up on her, eh?
00:53:48Come and squeal.
00:53:49Come on.
00:53:49Let Morrison keep her close.
00:53:51Let's take what we've got to knock it.
00:53:52Shut up.
00:53:53Crack them out.
00:53:54I'm going to have them all.
00:53:55Sides.
00:53:56Pearls are hard as a trace.
00:53:57And therefore easier to sell than the diamonds than the other stuff.
00:53:59Well, give me mine now.
00:54:00Now I'll look at it.
00:54:01You haven't got a chance to get away with your brains.
00:54:02Well, let's get out of here anyway.
00:54:03Listen to me.
00:54:05How many times do I've got to knock into your block?
00:54:07Then when you do something the law says you shouldn't,
00:54:09don't start changing to new places.
00:54:11It's then that you get spotted.
00:54:13Stick to your business as usual,
00:54:15and look as innocent as an angel.
00:54:17We stay right here in the fun fair,
00:54:19and show tomorrow night the same way as we've always done.
00:54:22Me, you, and Tonga.
00:54:24Understand?
00:54:25And tomorrow night...
00:54:29Who, who is this?
00:54:30Besides, Dr. Watson.
00:54:32Oh, come in.
00:54:35Just inspecting your guard.
00:54:38We've got one officer outside the door here,
00:54:40two downstairs,
00:54:42and one in the courtyard outside.
00:54:45Can that give you a feeling of protection?
00:54:47I suppose so.
00:54:49It seems an eternity since this morning.
00:54:51You must try and get some rest.
00:54:53Wipe today clean out of your memories.
00:54:56I'll be all right.
00:54:57I think I'll have a good cry.
00:55:00That'll make me relax where I should sleep.
00:55:02You absolutely insist on weeping.
00:55:05Can I offer you my shoulder?
00:55:07I fainted once today in front of you.
00:55:09I think I'd better have my cry in private.
00:55:14Please go.
00:55:15I feel terribly weak.
00:55:37Well, I'll wait.
00:55:39What's your business?
00:55:40Well, it's none of yours anyway.
00:55:42All right, my fine cockleurum.
00:55:45We'll see about that.
00:55:47Mr. Holmes told me to come here.
00:55:51What for?
00:55:52Because...
00:55:53Because I know who's done the murder.
00:55:59See?
00:56:00Oh, do you?
00:56:01Yes.
00:56:02And I've come here for the reward.
00:56:05See?
00:56:07Because if we ain't here, well, then I'll go.
00:56:11No, you won't.
00:56:13No, you won't.
00:56:13You stay here.
00:56:16Who are you?
00:56:18Detective Inspector Asselney Jones.
00:56:20Scotland Yard.
00:56:20Well, why ain't you wearing your hat in the house?
00:56:27Onions.
00:56:28Getting fresh, are you?
00:56:30If you know anything, you'll stay here until I get it out of you.
00:56:33It's a nice way to treat the person I don't think.
00:56:45Come on.
00:56:46Find the other way, my dear Jones.
00:56:47The lock is reversed.
00:56:48Ah!
00:56:50Groot!
00:56:51Oh, my God.
00:56:52What did happen to give me?
00:56:54Witchkin soda, Mrs. Hudson.
00:56:58Whatever have you been doing in that get up?
00:57:00Attending a fancy dress ball.
00:57:02Yes.
00:57:02Pleasure before business, eh?
00:57:04I thought you took your detective work seriously.
00:57:07Well, this case is so simple, Jones.
00:57:08It hasn't required much thought.
00:57:10That's right.
00:57:11I've got the murderer in custody now.
00:57:13Ah.
00:57:13No doubt.
00:57:14Jones, by the way.
00:57:16I'm expecting some further developments tomorrow.
00:57:18I may need a lot of help.
00:57:20Will Scotland Yard stand by?
00:57:22At your service, Mr. Holmes.
00:57:24Always believe in encouraging you amateurs.
00:57:26Someday you really might find something.
00:57:28Who knows?
00:57:29Flatterer.
00:57:30Will you be at the examination of the prisoners tomorrow?
00:57:32No.
00:57:33The case couldn't be in better hands.
00:57:35That's what I like about you, Mr. Holmes.
00:57:38You appreciate me.
00:57:39Good night.
00:57:40All right, dear.
00:57:45Oh, I do hope Mr. Holmes is certainly a bit successful.
00:57:49It's been awful cooped up here all day.
00:57:51Under guard like a prisoner.
00:57:53Waiting for something.
00:57:55Heaven knows what to happen.
00:57:57I've been doing a little detective work on my own.
00:58:01Unbeknown to Holmes, of course.
00:58:05Would you recognize that tattooed man again if you saw him?
00:58:07Yes, I'm sure of it.
00:58:10You know, the whole idea of a tattooed man, tattooing needles, native feet and so forth, sounds to me like
00:58:17a circus.
00:58:18Yes, to me too.
00:58:21Well, there's one just behind King's Cross.
00:58:22A fun fair, they call it.
00:58:24My cook was telling me about it.
00:58:27Would you risk going there with me?
00:58:29I'd go anywhere with you.
00:58:31Besides, I don't think I'm in danger anymore.
00:58:34Well, we can leave the guard here in case they give us a visit.
00:58:37There's just a chance we might find something.
00:58:40And oh, how I'd like to put it over on Holmes.
00:58:44Shall we go?
00:58:45Will you?
00:58:46I'll get my coat.
00:59:11Yes, sir.
00:59:13It took ten long, painful years to make me the world's greatest human creature gallery.
00:59:18There are seasons on my body too terrible and shocking to describe.
00:59:22We'll blend into these marvelous pictures you see on me.
00:59:25The professor is why I can duplicate on you in a few minutes.
00:59:27So you wouldn't rather have a lovely view of Mount Mastuvius in full eruption?
00:59:31Or leave the diver in a white hole.
00:59:33No fear.
00:59:35It's only a sentimental bitter work.
00:59:38I want a broken heart split in two and bleeding a little.
00:59:44And with the initial B on one side of the birth, that's my name.
00:59:50And on the other side, a S for dolly.
00:59:55S for dolly?
00:59:56You mean D for dolly?
00:59:58No, S.
00:59:59Yes, her name's dolly.
01:00:02But I always called her sugar.
01:00:07That is a sweet name to be sure.
01:00:09Ladies and gentlemen, look how the dead name by the blood of little Tonga fondles and caresses him.
01:00:16But it ain't love.
01:00:17It's fear.
01:00:18Why?
01:00:19Why?
01:00:20Oh, she bites off her head.
01:00:22They've seen it done hundreds of times.
01:00:24And so can you.
01:00:26A tuppence.
01:00:27Look at him.
01:00:28I believe we've come in the right place.
01:00:29The nature of you mean?
01:00:30He looks like a murderer.
01:00:35Look.
01:00:36There's a tattoos man.
01:00:38It's the loudest.
01:00:38It's supposed to be a detective.
01:00:39Oh, yes.
01:00:40What is strange?
01:00:40You simply must see him.
01:00:42There's everything from Trojan's animals, Daniel and the lion's den, beautiful ladies,
01:00:47It's the hardest model which we've been leaving and moving about for the hardest appreciation of the men.
01:00:53That's the man who wants to fly.
01:00:54Well, shut up.
01:00:56The answer's shut down.
01:00:57It's too thin, too.
01:00:57Move up close, men.
01:00:59Move up close, men.
01:00:59Have a look at this.
01:01:00Have a baseball of this here, men.
01:01:02A tuppence more.
01:01:04You can see the old figure and the old marvellous show.
01:01:08Well, who's coming inside, ladies?
01:01:10Who's coming inside?
01:01:12Come on.
01:01:13Let's telephone home.
01:01:15Just a minute, Prince.
01:01:16I'll give everything I've paid for you.
01:01:23That's better.
01:01:24What's that?
01:01:25I'll blow, Doctor.
01:01:30That girl from the forest shop.
01:01:32I've just seen her.
01:01:33With a friend.
01:01:34Are you sure?
01:01:34Yes.
01:01:34She looks a 16-year-old, mate.
01:01:37Yes, I got this.
01:01:38Get up.
01:01:41Sorry, Bert.
01:01:42Can't finish her out today.
01:01:43Call again tomorrow.
01:01:44I'll do a nice wreath for you for nothing.
01:01:46Thank you, Professor.
01:01:47You do it anyway.
01:01:51I'll only be a minute.
01:02:00Look out.
01:02:01Slate your glue.
01:02:13I'll get rid of them somehow.
01:02:14Come on.
01:02:15Give me that bag.
01:02:15Quick.
01:02:18You too, Doctor.
01:02:20Come along.
01:02:20Ah, forget your thing.
01:02:21Come along.
01:02:22I'll buy us some more.
01:02:23It's not a matter.
01:02:23Come on.
01:02:24Come on.
01:02:27Come on.
01:02:33Come on.
01:02:33Come on.
01:02:34Come on.
01:02:35Yes.
01:02:36Yes.
01:02:36Yes, we've got his man.
01:02:57You can't do that.
01:02:59You can't do that.
01:02:59Yes, I can't.
01:03:00You don't call no coppers round here.
01:03:02Yes, yes.
01:03:02Let's go boy.
01:03:03Don't worry, Watson.
01:03:05I don't want the police here yet.
01:03:08She's gone! What did you say you've been fool enough to bring her here?
01:03:11Yes.
01:03:12Then Small's got her.
01:03:13What?
01:03:14They're on their way to Mordick Ice Base.
01:03:16We need help. Free up Scotland Yard.
01:03:17I'll take her quick to the ground.
01:03:22Now, see what's happening.
01:03:23We've been looking closer around.
01:03:25Somebody's found out in my office.
01:03:26Keep your hands off her.
01:03:27I was looking for the pearls.
01:03:28She's got them on her somewhere, all right.
01:03:30We'll search her for them when we get to the boat.
01:03:32If she hasn't,
01:03:34I shall never see them again, that sucks.
01:03:37Go on, Fred. Faster.
01:03:42Give up, sir.
01:03:44We get to the river. Goodbye.
01:03:46Oh, they're gone.
01:03:47Let's get a taxi.
01:03:50Thousands of places in London.
01:03:51How do you know they've chosen Mordecai Smith?
01:03:52Certain of it.
01:03:53What if they get away in a fast boat before we can catch it?
01:03:55I've engaged the faster one this morning, the Florence B.
01:03:57How do you know it, Tar?
01:03:58Well, I know it.
01:03:59Don't ask me how I know it, Watson.
01:04:01Gee, what a colossal mistake you've made.
01:04:02I mean, I had those fellas, all of them, right in my hand.
01:04:05I only had to discover where the jewels were.
01:04:07And then I could have made my captain.
01:04:08I'll throw my brains out of a fella to do any good.
01:04:10That's what I haven't been much use to you, old fella.
01:04:12I'd keep your head, you'll need it.
01:04:13And your fists too, before we're through with this.
01:04:16Go on a call.
01:04:16Walk it down river.
01:04:17Come on, quick.
01:04:42Come on.
01:04:42You keep your mouth shut.
01:04:43Come on, baby.
01:04:44Your role is just down here.
01:04:45Come on.
01:04:47Come on.
01:04:50Come on.
01:04:50Come on.
01:04:57Come on.
01:04:57Get to South Street.
01:04:58Commercial Street.
01:04:59Two minutes more.
01:05:07Let's go!
01:05:20Ferret! Ferret!
01:05:37Let's go!
01:06:00Get in for us!
01:06:03Made it on us, too!
01:06:06That's a bit of Florence, please!
01:06:09That beautiful engine, Ferret.
01:06:11Yes, sir.
01:06:13Police, come to head!
01:06:15Get in there! Stop!
01:06:16Not the hell with her! Surround her!
01:06:18They'll never catch this boat!
01:06:20No, they'll kill us for the balls!
01:06:25I ain't gonna take a chance like that!
01:06:27You do it, I tell you!
01:06:30It's Clayley's warehouse!
01:06:31We'll dodge in there!
01:06:33All right!
01:06:34We're out of tight!
01:06:35Get on with it!
01:06:53I don't think it's a slip!
01:07:00I don't know this river like a book!
01:07:02So do I, Mr. Holmes!
01:07:03We'll follow him there!
01:07:05Now, there are two trap doors underneath the warehouse floor!
01:07:25Up there, Tonga!
01:07:27Up there, Tonga!
01:07:40Come on!
01:07:41Come on!
01:07:42Where are those pearls?
01:07:43Come on!
01:07:43Where are they?
01:07:50There they are, my mutant!
01:07:52I've got Tonga place where you can do the most good!
01:07:54We're gonna fight for it if they find us!
01:07:56It's hanging if they catch us anyway!
01:07:58We've nothing to lose!
01:07:59No, but I have!
01:07:59We don't need you!
01:08:02We don't need you!
01:08:32We don't need you!
01:08:33Any more and more?
01:08:36Go!
01:08:37Woo!
01:08:41Go!
01:08:45I'll try it!
01:08:46Go!
01:08:46Go!
01:08:47Go!
01:08:47Go!
01:08:48Go!
01:08:48Go!
01:08:49Go!
01:08:50Go!
01:09:55Don't shoot.
01:09:56I'll give up.
01:09:58Wise man, Spall.
01:10:32Where's Mary?
01:10:33We'll find her.
01:10:41Mary!
01:10:42Holmes, in here!
01:10:44Oh, Mr. Morse.
01:10:46Believe me, I'm never so thankful to see anyone in my life.
01:10:52I'll be all right.
01:10:53Perhaps you think I'm not glad to see you.
01:10:55Oh, Mr. Holmes.
01:10:56Yes?
01:10:57Small-headed satchel underneath that sack.
01:11:03Are you hurt?
01:11:04No, I'm all right.
01:11:06The treasure of Agra.
01:11:15Oh, Holmes.
01:11:16Welcome, Jones.
01:11:17Welcome.
01:11:18Listen, there's a one-legged man mixed up in this and a tattooed man, too.
01:11:21Oh, really?
01:11:22Really?
01:11:22Well, we've left them for you to have a look at.
01:11:24By the way, they left this satchel behind.
01:11:26It's probably of no value.
01:11:30No value.
01:11:31What?
01:11:31Full of sparklers.
01:11:33You amateurs always overlook the important things.
01:11:36Here's Mordecai Smith.
01:11:37You want him?
01:11:38What's he got to do with it?
01:11:40I want to know where the pearls are.
01:11:42Yes, where are they?
01:11:44Moore's taken them.
01:11:45Then they're at the bottom of the river, where we can find them.
01:11:47Because now you'll be so terribly restricted.
01:11:49I can't even claim you as a friend.
01:11:51Much less ask you.
01:11:53What?
01:11:53Sorry to do the distasteful of you, Miss Morstead, because I had the pearls.
01:11:57I took them from Jonathan Small when we first came to grips.
01:12:00I didn't want them to get wet.
01:12:02So I'm afraid you'll have to have them back.
01:12:05Amazing.
01:12:06Elementary, my dear Watson.
01:12:08Elementary.
01:12:09Please ask me.
01:12:13Will you...
01:12:14Yes.
01:12:23Amazing.
01:12:27Elementary, my dear Holmes.
01:12:29Elementary.
01:12:31Elementary.
01:12:34Elementary.
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