- 2 days ago
مسلسل Moonflower Murders مترجم - Episode 1
Category
📺
TVTranscript
00:03It's about our daughter. She's gone missing. We think it may be because of one of your books.
00:09Atticus Punt takes the case. He was murdered at a wedding. Oh, I like that. Maybe I did say that
00:16it would make a good story, but I didn't tell him to write it. Chapter one. Melissa James had made
00:23a great many enemies. There were the hotel managers, the film producer, her financial
00:29advisor, her husband. Murder has a pattern. Oh, look at this. It's a wicked looking thing.
00:37So who do you think may have been responsible? Miss Fryer. Don't tell me you're involved in
00:43another murder. I started all this and now I'm going to finish it. You're the key witness.
00:49What did you see?
00:59What did you see?
01:02Oh, my God.
01:05Oh, my God.
01:09Oh, my God.
01:11Oh, my God.
01:20Oh, my God.
01:25Oh, my God.
01:32I'm the luckiest man in the world.
01:35When I first met this beautiful, talented, gorgeous woman,
01:42I never dreamed that two years later we'd be standing here together as man and wife.
01:49The simple truth is, I fell in love with Cecily the moment that I saw her.
01:54I didn't know anything about her, but I knew that we were made for each other.
02:01And when she introduced me to her amazing family, I felt like I'd come home.
02:06And I also want to say to my mum,
02:08I'm so glad that you were able to come down all the way from Derbyshire for today.
02:13Literally, none of this would have been possible without you.
02:17But one thing you need to know about the Trahernes
02:20is that in this family, the women have a powerful voice,
02:27which is why I'm passing the mic to my all-powerful wife, Cecily.
02:40I met the man who was to become my husband on August 16th,
02:45which also happens to be his birthday.
02:52I left the shopper, and I was trying to buy a flat of that.
03:00Well, I didn't like the flat,
03:02but I definitely took a fancy to the estate agent.
03:07I knew from the day we met that we were 100% compatible.
03:12And every day that Aiden's been here helping run the hotel with me and Lisa,
03:17I've had it proved over and over again.
03:21And I just want to say I am so proud of my mum and daddy
03:25who bought Bradley Hall all those years ago,
03:27and together turned it into the most successful hotel in Suffolk.
03:34Natasha?
03:34I want to promise you that I...
03:38He's dead!
03:52He's dead!
03:54He's dead!
03:55He's dead!
04:15He's dead!
04:19He's dead!
04:20He's dead!
04:21He's dead!
04:23He's dead!
04:26He's dead!
04:26He's dead!
04:28He's dead!
04:28He's dead!
04:30He's dead!
04:30He's dead!
04:31He's dead!
04:33He's dead!
04:34He's dead!
04:34He's dead!
04:34He's dead!
05:02Yes, sir.
05:11A cockroach.
05:12A cockroach.
05:13Yes, we look forward to seeing you. Bye-bye.
05:14In the bedroom.
05:16Is that a big deal?
05:17Well, I think so.
05:18What is this grease? It's a hot climate.
05:20It has nothing to do with the cleanliness of the hotel.
05:22Is that what you want to read on TripAdvisor?
05:24An infestation in the room.
05:26And zero sympathy or understanding from the staff.
05:30What is it exactly that you want?
05:33A reduction in the mill.
05:34Fifty percent.
05:35Come on.
06:35Good morning.
06:36Come on.
06:38Come on.
06:39Come on.
06:41Come on.
06:44Come on.
06:44Come on.
06:46What happened?
06:48What?
06:50Why?
06:51Why?
06:55Let's go.
06:57Let's go.
07:09Let's go.
07:11Let's go.
07:16What did he say?
07:17It's coming.
07:18Yeah, when?
07:20Well, he didn't exactly say when.
07:21Andres, we have no electricity.
07:24We have plenty of water, but it's all over the kitchen.
07:26What are we gonna do?
07:27We'll manage.
07:28We have 14 guests at the hotel.
07:31How are we gonna cook lunch?
07:34We'll make salad.
07:35Let's go.
07:36Let's go.
07:48Let's go.
07:49Let's go.
08:09Atticus put.
08:39Are you coming to bed?
08:43What?
08:45It's not working, Andreas.
08:48The hotel, Crete.
08:52Everything.
08:53You're just tired?
08:55Yes, I'm tired.
08:56I'm tired of all of it.
08:59Come to bed.
09:01It all seemed better in the morning.
09:10We have no money.
09:14Getting a new water tank is one thing, but the whole structure of the roof is damaged.
09:20And that means rebuilding half of the kitchen.
09:22How are we going to manage that?
09:26Look at that, you.
09:28Oh.
09:29This is the most beautiful place in the world.
09:32And you want to talk about plumbing?
09:34All right.
09:35Maybe you'd prefer to talk about your cousin, Yanis.
09:37Yanis?
09:38Yes.
09:39He's supposed to be your partner, our main investor.
09:43We never see him.
09:44He never comes anywhere near.
09:45We're better without him.
09:46Can he cook?
09:47Why do you ask that?
09:49Because you may have not noticed, but we just lost our chef.
09:53Yorgos has walked because he wasn't paid.
09:56We'll find another chef.
09:57Oh.
09:59Andres.
10:01Get in.
10:06I can't think straight.
10:11I thought I saw someone that I knew today.
10:15Was it?
10:17Not sure.
10:19Get some sleep.
10:21You'll feel better in the morning.
10:27She's living in the morning.
10:32But she'll kind of go out.
10:33She's living in the morning.
10:38She's living in the morning.
10:46Okay.
10:46I can't see you.
10:47Get the change.
10:48Bye.
10:50Bye.
10:52I can't see you.
10:52Bye.
11:05Oh, good morning.
11:06Welcome to the Trefili.
11:08Um, I'm afraid the kitchen's closed at the moment,
11:11but we will be serving salads and snacks on the terrace.
11:14Actually, we're not here for lunch.
11:16We're staying at the Blue Palace in Alunda.
11:19Oh, that's very nice.
11:20Are you Susan Ryland, by any chance?
11:23Yes, that's me.
11:25We were wondering if we could talk to you about a personal matter.
11:28My name's Lauren Strand. This is my wife, Pauline.
11:33I'm sorry, what's this about?
11:34It's about our daughter.
11:36Do I know her?
11:37No, no, you've never met her.
11:40It's not easy to explain.
11:41She's gone missing.
11:43In Crete?
11:44In England.
11:45And we've travelled all this way out to speak to you, Susan,
11:47because we think it may be because of one of your books.
11:54What is it exactly that you want me to do, Mr. Tehan?
11:57Laurence, please.
11:58I am afraid it's a long story.
12:00I have to go back eight years.
12:02Laurence, I'd like to help you, but this is not a good time.
12:06The kitchen's just flooded,
12:07and there's a lot of things that I really should be doing.
12:10I completely understand.
12:11We've run a hotel all our lives.
12:13Rather large a one than this.
12:15I'll try to be as succinct as possible, Susan,
12:18but we honestly believe you're the only person that can help us.
12:22We have nowhere else to go.
12:24All right.
12:26Tell me.
12:27Did you ever read about the murder of a man called Frank Paris?
12:31Frank Paris, yes.
12:32Yes, I did read about that.
12:34At our hotel, Brandlow Hall.
12:36In Suffolk?
12:37That's right, yes.
12:39It was where our daughter got married in June, eight years ago.
12:47We stayed open for the whole weekend,
12:49and on the Friday evening, Frank Paris checked in.
13:00Good afternoon.
13:02Checking in?
13:02Yes, please.
13:03Paris, P-A-R-R-I-S.
13:05As it happened, I saw him arrive,
13:08and I knew at once he was going to be troubled,
13:12and I was proved right a very short time later.
13:15Can I help you?
13:16I very much hope so.
13:17I'm afraid I don't much care for my room.
13:21I'm sorry.
13:22May I ask what's wrong with it?
13:24It's small.
13:25It looks out over the car park.
13:27You call yourself a country hotel,
13:29so a glimpse of the countryside might be nice.
13:32He's in number 23, Mr. Tran.
13:34I did say we were full.
13:36Thanks, Eric.
13:37Yeah, I'm afraid that's true.
13:38We have a wedding this weekend.
13:40It's actually my daughter who's getting married to Mom.
13:43Congratulations.
13:43But I have to say,
13:45if I wanted to stay in a shoebox
13:47with a view of a car park,
13:48I'd have stayed in Ipswich.
13:51Is there something wrong?
13:52Yes, this gentleman's not happy with his room.
13:55I've just told him we're full.
13:57I'm afraid it's one of our busiest weekends.
14:02Let me have a look.
14:05We might have something in the moonflower wing.
14:10Yes, we could move you to room 12.
14:12Isn't it taken?
14:14Yes, but the guests haven't arrived yet.
14:15A late check-in.
14:16I'm sure they won't mind.
14:18Room 12 has a half-tester and a freestanding bath.
14:24Sounds delightful.
14:26I'll take it.
14:28There you go.
14:32Derek, we'll show you up, Mr. Paris.
14:34You know my name?
14:35I, uh, saw it on the computer.
14:38Are you busy?
14:40No.
14:42Then why don't you show me up?
14:44Whatever you say.
14:47Who's he?
14:48That's Chase.
14:50He's my wife.
14:51Well, my, uh, my wife's a beast.
14:55Nice dog.
14:57Please.
15:02That was Aidan's talent.
15:04People liked him.
15:05He always dealt with the tricky customers.
15:07Oh, we could do with him here.
15:10So he was the one marrying your daughter?
15:12Yes.
15:13You mentioned a moonflower wing?
15:15Yes, the hotel has two wings.
15:17Um, we thought it would feel more homely if we gave them names.
15:20We called the other one Barnow.
15:22That was Cecily's idea.
15:24Why Barnow?
15:25It's an anagram.
15:27Oh, yes, of course, um, of Brunner.
15:31Oh, you like anagrams?
15:32Uh, not really, no.
15:33I, I, I don't like them at all.
15:35So what was Frank Paris doing in Suffolk?
15:37Well, he come from Australia.
15:38He was visiting his sister.
15:40She lived just a few miles away in Wesselton.
15:43So what happened?
15:45There was a staff party at eight o'clock the night before the wedding.
15:49Hi.
15:50Everyone would be working the next day,
15:52and Cecily wanted them to be part of the celebrations.
15:56Hello, you.
16:00Stefan Leonida was there.
16:02He was responsible for general maintenance.
16:05He'd been at the hotel for about eight months.
16:08Before that, he'd been in prison.
16:09My husband was running an outreach program for young offenders.
16:13Sadly, it didn't work out, Gustav.
16:14We had a series of petty thefts,
16:17and it turned out he was responsible for it.
16:20So our daughter, Lisa, gave him his notice,
16:22and this was his last week.
16:27Are you drunk?
16:29No.
16:29No.
16:31I'm just tired.
16:32You look hammered to me, mate.
16:34I don't blame you.
16:35Do you have any sorrows?
16:37Don't worry about it.
16:38You'll be fine.
16:39You get another job.
16:42Frank Paris was murdered in his room just two hours later,
16:46and it was Stefan Leonida who became the main suspect.
16:55The body was discovered the next day.
16:58There was a maid.
16:59She was a Russian girl, Natasha.
17:02But she didn't get to the room until mid-afternoon.
17:05Housekeeping.
17:06That was about the same time that Aidan began his speech.
17:10I'm the luckiest man in the world.
17:16Sorry.
17:20Sir?
17:23Sir?
17:27Sir?
17:39Sir, we called the police,
17:41and they arrived about 20 minutes later.
17:44Out of interest, who was in charge?
17:47His name was Detective Superintendent Locke.
17:52Why was I afraid you were going to say that?
18:00Frank Paris arrives from Australia
18:02and checks into your hotel.
18:05Nobody knows him,
18:07and yet sometime at the midnight,
18:09someone enters his room
18:10and murders him in a particularly violent way.
18:13Who would do such a thing?
18:15On this day of all days.
18:16I'm so sorry.
18:18I'm so, so sorry.
18:21So, here's my first question.
18:25The lock of room 12
18:27wasn't forced.
18:32Who had a spare key?
18:34We all did.
18:37Cecily, me.
18:39Derek Endicott was on reception.
18:41He has a master key in case of emergencies.
18:43And Stefan.
18:45Stefan Leonido.
18:48Maintenance.
18:49He still had his key.
18:50Let's not jump to conclusions, Lisa.
18:53Well,
18:54he had a prison record,
18:56and he'd been fired just a few days before,
18:58so I imagine
18:59the detective superintendent
19:01might be interested in talking to him.
19:04A criminal record?
19:06Burglary and theft.
19:10Where is he?
19:13I was asleep.
19:15I didn't go anywhere near room 12.
19:17Well, Derek Endicott,
19:18the night manager,
19:19says otherwise.
19:20He says he saw you in the moonflower wing
19:22just before midnight.
19:23He's wrong.
19:25I understand you've been in trouble before.
19:27I was young.
19:28I made mistakes.
19:30So why did Mr. Holm fire you?
19:33She accused me of theft,
19:34but I took nothing.
19:36She's lying.
19:37Well, maybe Derek Endicott's lying too.
19:41Derek.
19:42He's a friend.
19:43He's a good man.
19:44Well, he saw you going at room 12,
19:46and it's interesting.
19:48Mr. Paris' wallet was empty,
19:49and there were bloodstains
19:50inside the fold of the leather,
19:52which suggests to me
19:53it was opened
19:54after he was killed.
19:56There's the motive.
20:04I thought you were made the truth, Stefan.
20:07Hmm?
20:09I didn't kill him.
20:12All right.
20:15Just take a look in your room.
20:38Get nosebleeds, do you?
20:43Sir.
20:52He was an open and shut case.
20:54Stefan was arrested,
20:56taken into custody.
20:57Six months later,
20:59he was found guilty of murder.
21:01By then, he confessed,
21:03so there was no doubt in the matter.
21:05He was given a life sentence.
21:06He was still behind bars.
21:08And that was the end of it?
21:10Yeah, we thought so, yes.
21:12Forgive me, Lawrence.
21:14It's a dreadful story,
21:16and I feel sorry for all of you,
21:17but you began by saying
21:19that your daughter had disappeared.
21:21Yes.
21:21And that you thought
21:22it was connected to one of my books.
21:24Yes.
21:25Which one?
21:25This one.
21:28Atticus Punt takes the case.
21:31Ah.
21:33Alan Conway came to your hotel.
21:35Yes, he did.
21:36And it's clear that he used
21:38the real events
21:39that have taken place
21:40as some sort of inspiration.
21:42We're all in the book.
21:43Lawrence and I, for example.
21:44He calls us Lance and Maureen,
21:46and he turns us into crooks.
21:48We're running a hotel
21:49that's called the Moonflower.
21:51Frank Paris,
21:51the man who was killed,
21:53becomes Oscar Berlin.
21:55Paris Berlin.
21:56Our daughter Lisa
21:57becomes an actress, Melissa.
21:59Yeah, and then there's Aidan.
22:00He turns up as some sort of
22:01idiot swindler,
22:02Algin and Marsh.
22:03What about Cecily?
22:05But she's not in it.
22:07But she read it.
22:08And then she disappeared.
22:10Yes.
22:11We all believe
22:12that the murder was far behind us.
22:14Stefan Leonides
22:15has been in prison for seven years,
22:17and as far as the police are concerned,
22:18his case closed.
22:19And he had confessed.
22:22Cecily always liked Stefan.
22:23She really wanted to believe
22:25that he was innocent,
22:26but even she'd accepted
22:27all the evidence against him.
22:29Until she read the book.
22:31Exactly.
22:32The day after she finished it,
22:33she rang me.
22:36Hey, Cecily.
22:37Dad, we've made a terrible mistake.
22:39What are you talking about, darling?
22:41Stefan Leonida.
22:42I was right all along.
22:43He wasn't guilty.
22:44He wasn't the killer.
22:45Cecily, slow down.
22:47You know that book I bought,
22:48Atticus Pund?
22:49It's got the answer.
22:51What?
22:52The real killer
22:53is named in the book.
22:55Cecily,
22:55you're not making any sense.
22:56Just read it, Dad.
22:57It's all in there.
22:59Look,
23:00if it wasn't Stefan,
23:01who was it?
23:03She didn't say
23:04someone came into her room
23:05and she ended the call.
23:06And the next day,
23:07she vanished.
23:08Susan!
23:09Susan!
23:10How's the problem with your cousin?
23:13Saligo, Vangel.
23:14Saligo, Saligo.
23:17Have you reported her as missing?
23:19Police are looking for her now.
23:21What do you think's happened to her?
23:22We think she's frightened.
23:24She's hiding.
23:25They're searching the woods.
23:27We know she's still alive.
23:28There have been sightings.
23:30Her face was in the newspapers
23:32and there was someone
23:33who was sure
23:34they'd seen her in Norfolk.
23:36What is it exactly
23:37that you want me to do?
23:38I want you to come to the hotel.
23:40I want you to read the book.
23:42You worked on it.
23:43You must know what's in it.
23:44If you can see what she saw,
23:46maybe you can help us find her.
23:48Susan!
23:49Susan!
23:51Oh, my God.
23:52What now?
23:54Oh, God.
23:55I'm sorry.
23:55I've got to go.
23:56I will think about what you said.
23:58You're at the Blue Palace.
23:59Yeah, Susan.
24:00We'll pay you £10,000
24:01if you help us find her.
24:02Just a week.
24:03That's all we ask.
24:04One week of your time.
24:06Susan!
24:08I'll call you.
24:09Susan!
24:09Yes!
24:10What have you done?
24:11You're calling me!
24:11Oh, no!
24:14Oh, Andreas!
24:16What happened?
24:17I turned the grill off
24:18after the flood.
24:18Yeah, and then...
24:19And someone turn you back on again!
24:21Ah!
25:01Chapter 1
25:02Atticus Pund
25:04was the greatest detective
25:05in the world.
25:06But his next case
25:07was going to be
25:08his greatest challenge.
25:10Now, now,
25:12to try to,
25:13obvious.
25:21Yes.
25:25Tawley was a picturesque village
25:27in the county of Devonshire,
25:28known for its lush countryside
25:30and cream teas.
25:32In the summer of 1954,
25:35its most famous resident
25:37was, without doubt,
25:38Melissa James.
25:41The British actress
25:43who had climbed to the very peak
25:44of the Hollywood Heights
25:45until an accident
25:47on the set of a Hitchcock film
25:49had brought a sudden end
25:50to her career.
25:54She had used the insurance money
25:57to purchase a small hotel
25:58one mile from the village.
26:01She renamed it
26:02The Moonflower,
26:03which was also the title
26:04of the film
26:05for which she had been nominated
26:06for her first Academy Award,
26:09and which had given her the fame
26:11which, due to the accident,
26:13she had left behind.
26:17Have a lovely stay with us.
26:21Miss James?
26:22I weren't expecting you today.
26:24Do I have to phone every time
26:25I come in, Mrs Gardner?
26:27That's not what I meant.
26:28Is Mr Gardner available?
26:30He's in his office.
26:31I'll let him know you're here.
26:33Yeah.
26:34Why don't we surprise him?
26:38And now,
26:39it's a pretty good start
26:40with Jim's love,
26:41so you can believe.
26:41All their red star
26:42and the gift of book
26:43didn't fare quite so well.
26:44Jim's love,
26:45Jim's love,
26:45Jim's love,
26:46Miss James.
26:47Mr Gardner.
26:48I hope I'm not interrupting anything.
26:50I saw part of the job,
26:51Miss James.
26:51You've got to keep up
26:52with the news.
26:53The racing news.
26:54Please, take a seat.
26:57We were just talking
26:58about you as it happened, sir.
27:00We were going through the mail,
27:01and this came for you.
27:03We knew it was from,
27:04it was soaked in lavender.
27:06I don't know
27:06what they're thinking of.
27:07Listen to this.
27:09How can you do it,
27:11dear Miss James?
27:12The screen is diminished
27:14without you.
27:15A light has gone out
27:17of our lives.
27:18Oh, that's so lovely.
27:19It is,
27:20but it's not why I'm here.
27:22I've been looking
27:22at their camps
27:23up until February.
27:25Well, the winter months
27:26are always going to be
27:27a bit slow
27:27when you're near the seaside.
27:29That may well be the case,
27:30but even when the hotel
27:31is full,
27:32we are still losing money
27:33hand over fist.
27:34Well, I don't know
27:35a lot more we can do,
27:36Miss James.
27:37We run a tired ship here.
27:38Maybe we could put up
27:39the price of the rooms.
27:40The rooms are already
27:41the most expensive
27:42in Devonshire, no.
27:43I've asked my financial advisor
27:45to do a complete audit.
27:49An audit?
27:50When?
27:52He's already on his way
27:53down from London.
27:54I'm meeting him
27:55later on today.
27:55I'm meeting him.
27:56I'm meeting him.
28:09Oh, my God.
29:02Will you be staying for supper, Miss Jane?
29:04No, thank you.
29:05I'm going home.
29:12I'm going home.
29:13Oscar.
29:14You didn't tell me you were coming.
29:16If I had told you, would you still be here?
29:18Well, there's no need to be like that.
29:20Six weeks and I hear nothing from you.
29:23You make no reply to my letters, to my phone calls.
29:26Why don't we talk in the bar, hmm?
29:36I'm afraid I can't offer you a drink.
29:38These stupid licensing laws.
29:39I don't want a drink, Melissa.
29:41I want an answer.
29:51It is the work of almost three years, Melissa.
29:56I have the script, the director, the contract.
29:59I have the costumes.
30:01One thing I do not have, your signature, why will you not sign the contract when production
30:07begins two months from now?
30:10I've decided not to do it.
30:14What?
30:15Well, I'm sorry, Oscar.
30:16I've changed my mind.
30:18What are you saying?
30:20We are friends, Melissa.
30:22We have an agreement.
30:24In everything I've done, the finance I have raised.
30:27Without you, I have nothing.
30:29We're not friends.
30:30Oscar, this is a business arrangement, and I'm sorry.
30:34I should never have let you talk me into it.
30:36But if you back out now, do you have any idea?
30:41You will ruin me.
30:42Oh, don't be ridiculous.
30:43There are plenty of other actresses.
30:46It's a good script.
30:48It'll be a great film.
30:50I'm sorry to disappoint you.
30:53You'll just have to find somebody else.
31:00What are you doing?
31:03I was looking for you.
31:05Why, what's happened?
31:06The plan, monsieur.
31:07Can't you deal with him, Andres?
31:09You know, I don't know the grief of floods and exploding water tanks and going very rapidly
31:14mad.
31:15He speaks English.
31:18Can you give me five minutes, please?
31:21Yeah, sure.
31:33Melissa's journey took her past the local church of St. Daniel's.
31:37This was close to the home of Dr. Leonard Collins, her personal physician.
31:43As things turned out, he would be one of the last people to see her alive.
31:50But right then, Dr. Collins was not interested in his celebrity patient.
31:55Even as her life seemed to be collapsing around her, his had just taken a significant turn
32:01for the better.
32:07How much?
32:09Nine hundred and eighty thousand pounds.
32:16That's impossible.
32:19You were her niece.
32:20She had no other relatives.
32:22What about Algie?
32:24No other relatives she cared for.
32:26You are the sole beneficiary.
32:30He won't be pleased.
32:33Does he need to find out?
32:35He's my brother.
32:35I forgot to tell him.
32:38Samantha.
32:41He will spend every waking minute trying to wheedle the money out of you.
32:46And you are too soft-hearted, my dear.
32:49He'll succeed.
32:55Oh, but he's coming here.
32:58He's on his way down from London.
33:00Why?
33:01He's seeing Melissa.
33:02You know, he advises her on her investments.
33:05Don't tell me.
33:06He's draining more money from her wallet.
33:09Is he staying here?
33:10You don't mind, do you?
33:13No, of course not.
33:16Just don't trust him, Samantha.
33:20Don't say a word.
33:33And what of Melissa?
33:35And what of Melissa?
33:35She was not in a good mood as she returned to her home at Clarence Keep.
33:41And the sight of her husband's car in the driveway only made things worse.
33:54Good evening, Miss James.
33:56Hello, fellas.
33:57Mr. Spencer is waiting for you in the drawing room.
34:01I've left you a light supper for after the opera.
34:05It's just some cold ham and salad.
34:07Are you going out tonight?
34:08Yes, Miss James.
34:09It's Wednesday.
34:10My evening off.
34:12I'm visiting my sister in Biddeford.
34:13Is Eric going with you?
34:16He's driving me.
34:17You did say we could take the car.
34:21Yes, of course I did.
34:23Well, have a nice time.
34:32Haven't you done that yet?
34:34I'm doing it now.
34:35You should have finished an hour ago.
34:38Come on, we're going out.
34:42Is that her?
34:43Who do you think it was?
34:45Marilyn Monroe?
34:47Did she say anything?
34:49No.
34:50But she knows.
34:52I don't know.
34:53Why don't you ask her?
34:56You can't do that.
34:59We'll soon find out if she does.
35:00And what do you think is going to happen then?
35:04It's what you deserve.
35:23I was waiting for you.
35:25Sorry.
35:26I got held up.
35:27Did you see the gardeners?
35:29Yes.
35:30Sir, what did you say?
35:32I don't want to talk about it.
35:37Well, aren't you going to change?
35:40Actually, John, I'm not going to join you.
35:42I've got Algernon coming to the house.
35:44What?
35:46Well, when?
35:47He's on his way now.
35:48Why?
35:49I need to talk to him.
35:50But we bought the tickets weeks ago.
35:52Sorry.
35:56Well, I'll stay.
35:58I don't want to go without you.
36:00I don't need you, John.
36:01I need Algernon.
36:03We're talking about money.
36:04Something you just take for granted, which I've always worked for.
36:10I don't even want to go.
36:11I don't even like the bloody opera.
36:12That's not true.
36:14It's the marriage of Figaro.
36:15You loved it when we saw it at Glyndebourne.
36:17I was bored stiff when we saw it at Glyndebourne.
36:19And I don't want to see it tonight.
36:25You don't get it, do you?
36:27You and I are from different worlds.
36:29You and your posh friends.
36:32Oh, a night at the opera with mummy and daddy and lord and lady so-and-so.
36:36Black tie and political chit-chat at the interval.
36:39It's just not me.
36:42Not interested.
36:47I think you're forgetting something, Melissa.
36:48My parents cut me off when I married you.
36:50Oh, I wasn't good enough for them.
36:51I didn't care.
36:52I gave up everything for you.
36:53As you've told me a thousand times.
36:55Look, I don't want to have this argument now.
36:58Just go.
37:02Don't do this to me, Melissa.
37:06And you can sleep in the spare room when you get back.
37:12Try not to wake me.
37:19Don't do this to me.
37:22Don't do this to me.
37:53Not you don't
37:59Oh
37:59Hello
38:01I think Melissa's expecting me
38:03Mr. James is upstairs, sir
38:07Would you like to go into the living room?
38:10Sure
38:11I don't suppose you could rustle up a whiskey and ginger, could you?
38:40Mr. Morris is waiting for you in the living room, Miss James
38:43Thank you, Phyllis
38:46I'd like to have a word with you and Eric before you leave
38:50If you don't mind
39:00Melissa, darling
39:01Please, will you sit down, Antonin?
39:03What's the matter?
39:05You look a bit rough
39:09I've been having a terrible day, if you want the truth
39:11Oh, well, that makes two of us
39:14A rotten journey down
39:16Also, if you're not in the mood for a drink, what can I do for you?
39:21I want to sell my shares in Days End Holdings
39:24What?
39:26What do you mean? I thought you wanted to talk about the hotel
39:29I do want to talk about that
39:31I want to talk about everything
39:33I need money
39:34This house, the hotel, my marriage
39:37I feel I'm being sucked dry
39:39But that is why I've recommended Days End
39:42It'll make you rich
39:42Well, so far, it hasn't made me a penny
39:46When have I ever given you bad advice?
39:49Look, please don't argue with me, Algernon
39:50I've come to the end of the road
39:51There's no money in the bank
39:53I need to cash in my shares
39:56Now
40:00Yes
40:06Shares aren't worth anything, of course
40:07Because Algernon's ripping her off
40:09And Algernon is based on Aiden
40:11So what's that meant to tell me?
40:15I'm not going to find the answer written in a book eight years ago, am I?
40:20How am I supposed to know what's happened to Cecily Traherne?
40:23It's got nothing to do with me
40:24Is that true?
40:29All right
40:32Alan may have mentioned something
40:38He showed me a picture of Frank Paris in a newspaper
40:42A murder on a wedding day
40:44And maybe, maybe I did say that it would make a good story
40:48But I didn't tell him to write it
40:49Murder is the worst of all crimes
40:53Not only because of the lives it destroys
40:56But they're also the reverberations
40:59It's like a stone
41:02Dropped into the sea
41:04The ripples
41:05And all the way to the shore
41:09Did you put that in your book?
41:11The landscape of criminal investigation
41:14Of course
41:15Of course
41:17But I'm not a detective
41:20I can go to the hotel
41:22But I can't investigate
41:24I wouldn't know where to begin
41:26Do you believe that Cecily Traherne is dead?
41:30She's been missing for five days
41:33Then that is where you must start
41:39She sees something
41:42In the book
41:42That tells her who killed Frank Paris
41:45She calls her parents
41:46And someone overhears the conversation
41:51And that person kills her
41:55Perhaps
41:58Yes, but the book is set in a boutique hotel
42:02In Devonshire
42:03It's about a famous actress who gets strangled
42:05It's got nothing to do with what happened at Branrow Hall
42:09So, what was it that Cecily saw?
42:13I don't know
42:17I have no idea
42:20I should leave this alone
42:22But you won't
42:26I can't
42:30Not if it's my fault
42:46Wait a minute, wait a minute
42:47Two seconds coming
42:54What can I get you, madam?
42:56I'll have a glass of wine, please, barman
42:57Coming right up
43:12Andreas, I'm going back to England
43:18When?
43:19Soon
43:22Tomorrow
43:30For how long?
43:33I don't know
43:35I've been offered a job
43:37In publishing?
43:38No
43:39Has it got something to do with Alan Conway?
43:42I saw you reading the book
43:43Yes, it has
43:45You know that everything to do with that man is bad, eh?
43:48Last time you were almost killed
43:50I've been offered 10,000 pounds
43:53To find a missing chapter?
43:55No, not this time
43:56To find a missing person
43:58Cecily Traherne
44:02We need the money, Andreas
44:05Without it
44:07We're finished
44:09So you'll come back when you find her?
44:12I don't know
44:14I still love you
44:16But this world
44:16Is not for me
44:18Changing beds, chasing plumbers
44:20It's not making us happy
44:22I'm happy
44:23We argue all the time
44:26We don't have any fun, not like we used to
44:28I never said it would be easy
44:30Well, you never said it was going to be miserable either
44:35I miss books
44:39I miss being an editor
44:41My old life
44:43Your old life burnt down, Susan
44:45Well, I want to build another one
44:48But I'm not sure I want it to be here
44:51You must do what you have to do
44:53Let's not make any decisions
44:55Let's just take one day at a time
44:57But you're still leaving?
45:00Yeah, I have to do this
45:02Don't be angry with me
45:06Think of the money
45:07Can you get an advance?
45:12Namas
45:48I'm not sure if I'm not sure if I could get an advance
45:54I'd beoperable to make my money
45:56I'm not sure if I could get down by the price you want
46:10To be continued...
46:28And what would her husband, John Spencer, do after she had rejected him?
46:39Fear and hatred lead to an inevitable conclusion.
47:11I'm trying to find Cecily before it's too late.
47:14What do you think's happened to your sister?
47:15He answers you in the book.
47:17I think he wants you to investigate.
47:19So who do you think may have been responsible?
47:21You can't blame yourself.
47:22But I do.
47:53We'll see you next time.
47:56We'll see you next time.
Comments