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The Crown S02E04 [Full Movie] [Long Version]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47I've got to see you
00:03:49Bye.
00:03:56Bye.
00:03:58Bye.
00:03:59Bye.
00:04:08Bye.
00:04:20Mummy said something interesting the other day.
00:04:23Hello.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:47Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year to celebrate hitting our stride.
00:05:21Yes?
00:05:23All right.
00:05:24All right.
00:05:28So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there.
00:05:39Mummy was a nightmare.
00:05:40Oh, shit.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:44Oh.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:05:58What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:06Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:11Christ.
00:06:14So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:48Good night, Margaret.
00:06:49Good night.
00:07:01Good night.
00:08:34I'm not sure how I feel about a Russian satellite circling the Earth, just above our heads.
00:08:41What's it doing up there?
00:08:43Nationally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:56The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right.
00:09:31You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:58They say that listening is important in any marriage.
00:10:03Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time.
00:10:44I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:10:56But it is.
00:11:05It is.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:36Thank you, Martin.
00:11:38Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:54Fairy tales.
00:11:56Yes, but he does it so well.
00:11:59And to me, your Royal Highness, little less chin and...
00:12:05What do you think?
00:12:07I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:17I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:27Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:09She opens a magazine and she sees her Royal Highness's photograph.
00:13:15For one glorious, transforming moment, she becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality into a fantasy.
00:13:32Later, she will step out of her house in a new neckerchief, perhaps, for which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal which you represent.
00:13:54And now, with a one, two, three, and flash.
00:13:58Quite marvelous.
00:14:00Ding dong, the bells are ringing.
00:14:03Ding dong, the bells are ringing.
00:14:06Ding dong, the bells are ringing for you and I.
00:14:12Ding dong, the bells are ringing.
00:14:15Ding dong, my hand.
00:14:17Ding dong, the bells are ringing.
00:14:23Ding dong, the bells are ringing.
00:14:31Ding dong, the bells are ringing.
00:14:36Ding dong, the bells are ringing.
00:14:37Ding dong, the bells are ringing.
00:14:38Ding dong, the bells are ringing.
00:14:38Ding dong, the bells are ringing.
00:14:39Ding dong, the bells are ringing.
00:14:41Ding dong, the bells are ringing.
00:14:42Ding dong, the bells are ringing.
00:14:44Ding dong, the bells are ringing.
00:14:45Ding dong, the bells are ringing.
00:14:46Ding dong, the bells are ringing.
00:14:46Ding dong, the bells are ringing.
00:14:48Ding dong, the bells are ringing.
00:14:49Ding dong, the bells are ringing.
00:14:49Ding dong, the bells are ringing.
00:14:49Ding dong, the bells are ringing.
00:14:50Ding dong, the bells are ringing.
00:15:06Ma'am, Lord Blanford just telephoned to apologise
00:15:08and say that Mr Wallace may be indisposed this evening.
00:15:11They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:41Your Royal Highness, Princess Margaret.
00:15:44Out on my way.
00:15:45Oh, shit. You must keep a leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01What's going on? It's our announcement this evening.
00:16:05Unforeseen, sir, because I'm afraid. Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that. I had to do something for the pain.
00:16:16What happened?
00:16:17Wait till you hear. You'll laugh till you spit.
00:16:20Your friend, Tennant, rather took offence at something I did.
00:16:23You came to blaze with Colin.
00:16:25I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me,
00:16:35but a duel is a duel, so I stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:42No!
00:16:47If I'm completely honest, a little drink had been taken during the night.
00:16:52But we faced the dawn with clear heads and strong hearts.
00:16:58Now, Tennant wanted to motor up to Glen to get his father's old pistols.
00:17:02It would have been quite ridiculous, much too far away.
00:17:05Sir Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:13It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46Why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement,
00:17:53I've found myself quite the center of attention.
00:17:56It's as though every good-looking girl on earth has taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a beau, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:17Anyway, Tennant got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:38I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:49You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:02Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:26Margaret.
00:19:28Margaret.
00:19:30Margaret.
00:19:31Yes?
00:19:31Oh, my.
00:19:33I still do my type.
00:19:34Can someone...
00:19:34Yes.
00:19:35Oh, my.
00:19:36I've been asked to tell you...
00:19:37I've been asked to tell you...
00:19:39You know what he's lying.
00:19:41Trouble.
00:19:44Ma'am, I've been asked to tell you that Princess Margaret
00:19:47will not be announcing an engagement this evening.
00:19:51Our Royal Highnesses should explain everything later.
00:19:53Yes, I'm sure she will. Thank you, Michael.
00:20:19All right, all right. Settle down.
00:20:21So on my recent tour of the Pacific,
00:20:24I was introduced to a man who said to me,
00:20:27my wife is a doctor of philosophy and much more important than I am.
00:20:34To which I could only reply,
00:20:36ah, yes, sir, we have that trouble in our family too.
00:20:43You know, when I imagined our marriage in the early days,
00:20:46I imagined two people welded together
00:20:49into some sort of combined existence.
00:20:53Ten years.
00:20:55Ten years has taught me
00:20:57the secret of a successful marriage
00:21:00is actually to have different interests.
00:21:03Well, different interests, but not entirely different.
00:21:13It's a funny business.
00:21:16One sees the whole of the other person.
00:21:18You see even that part of them that they don't see themselves,
00:21:21and presumably
00:21:23they see that hidden part of you.
00:21:27One ends up knowing more about one's partner
00:21:31than they know about themselves.
00:21:33And it can be pretty tough
00:21:36to keep quiet about it.
00:21:37So you have to...
00:21:38You have to come to an accommodation,
00:21:41an arrangement,
00:21:42an arrangement,
00:21:43a...
00:21:43a deal,
00:21:45if you like,
00:21:46to take the rough with the smooth.
00:21:52But the extraordinary thing is,
00:21:56down there in the rough,
00:21:58in the long reeds of difficulty and pain,
00:22:04that is where you find the treasure.
00:22:10So I would like to propose a toast
00:22:14in the name of love,
00:22:18in the name of our beloved country,
00:22:21in the name of steadfastness,
00:22:24in the name of another ten marvellous years.
00:22:31I give you
00:22:34my Betty Shoe.
00:22:41Lilibet.
00:22:44Elizabeth.
00:22:48The Queen.
00:22:54We are the Queen.
00:22:55We are the Queen.
00:22:57We are the Queen.
00:22:59We are the Queen.
00:23:05We are the Queen.
00:23:07We are the Queen.
00:23:12We are the Queen.
00:23:19We are the Queen.
00:23:21We are the Queen.
00:23:24We are the Queen.
00:23:25We are the Queen.
00:23:26We are the Queen.
00:23:38I don't know.
00:24:13I don't know.
00:24:27I don't know.
00:24:30I don't know.
00:24:43I don't know.
00:25:10I don't know.
00:25:21I don't know.
00:26:02I don't know.
00:26:20Only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know.
00:26:29I know.
00:26:30I just can't.
00:26:32I can't have it touch me.
00:26:34Be near me.
00:26:35His weakness repels me.
00:26:40His love disgusts me.
00:26:44I know.
00:27:07I have no idea.
00:27:16Today, I bought something to cheer you up.
00:27:20Cecil's magnificent work.
00:27:23He's quite outdone himself this time.
00:27:27I can tell you which one I would choose as the official birthday portrait.
00:27:32And Cecil immediately agreed.
00:27:35But, of course, it's for you to decide.
00:27:43You names the.
00:28:12I think this has a young boy.
00:28:12But, even though, I have an old boy with a young boy.
00:28:13I would aim for it to be a young boy in a new way.
00:28:13Billy Wallace.
00:28:14Don't mention that name.
00:28:16I've had him on the telephone to me all morning, quite distraught.
00:28:20Then his mother, then his grandma.
00:28:22I'm never speaking to him again.
00:28:24Then we will find you someone else.
00:28:29I don't want you to find me anyone.
00:28:33Moritz Landsgrave of Hesse.
00:28:35He's a distant cousin.
00:28:37Now, his mother was a Catholic, but their lands are still intact.
00:28:40And he gives a very good show of himself on the polo field.
00:28:44No one!
00:28:46Someone suggested Prince Christian of Hanover.
00:28:49A descendant of Queen Victoria.
00:28:52Served in the Luftwaffe, but we won't hold that against him.
00:28:56I do know what the official duties of the lady-in-waiting are.
00:28:59Accompanying me on foreign trips, dealing with my mail.
00:29:04Do you suppose it might also include helping me climb over the wall to escape?
00:29:08I just can't bear it anymore.
00:29:11I'm having some people to dinner.
00:29:13Tonight.
00:29:16Normal people.
00:29:18Yes, they're all normal.
00:29:21But in their own way, they're all quite exceptional, too.
00:29:24You can go.
00:29:25Possibly not deferential.
00:29:29That's fine.
00:29:31As long as they still meet the main requirements.
00:29:34Which are?
00:29:36But none of them breeds horses, owns lend, or knows my mother.
00:30:04All right, all of you.
00:30:07Hello.
00:30:08Hello, everyone.
00:30:10I'd like you to say hello to our guest of honour,
00:30:14Her Royal Highness, the Princess Margaret.
00:30:19Hello.
00:30:19Hello.
00:30:22Are you ready, ma'am?
00:30:24Here come the introductions.
00:30:26Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:33Oh, there's a dog.
00:30:34What are you?
00:30:35This is a bottle.
00:30:37Oh, God, Jeremy.
00:30:39Oh, God, Jeremy.
00:30:39I'm thinking that I'm going to call you to rub it.
00:30:41You must have a shilpa.
00:30:44I'm going to ask you.
00:30:46Oh, I'm going to ask you.
00:30:47And I can always ask you.
00:30:48Do you know that our designer's crack?
00:30:51Oh, I'm going to ask you.
00:30:53I said it was because I didn't usually run with me.
00:30:54Really?
00:30:55I thought the hell wrong.
00:30:56But I probably agree that that's fine.
00:30:58But this is tonight.
00:30:59I feel it's ready outside the line.
00:31:01Discussing me, please, please.
00:31:03Or do you have to be afraid with you?
00:31:06I should be afraid.
00:31:11You're feeling a little left out.
00:31:15You're thinking to yourself,
00:31:18these dabblers and freaks all seem to know one another very well.
00:31:28Then you'd be absolutely right.
00:31:32Now, be honest.
00:31:35Can you remember any of the names?
00:31:41No, not really.
00:31:42Can't remember me either.
00:31:45You know what we've met?
00:31:46We have.
00:31:48Where have we met?
00:31:50Perhaps they'll come to you.
00:31:53Now, where to begin?
00:31:56Huh.
00:31:56Far corner.
00:31:58The irresistible so-and-so with the mustard-colored pearly neck.
00:32:01Irresistible?
00:32:02Oh, come on.
00:32:03A nine, surely.
00:32:05Seven.
00:32:07It's called Jeremy.
00:32:08He's heir to a chocolate fortune.
00:32:10Married to the blonde beauty opposite.
00:32:14Oh, she's an eight.
00:32:15Isn't she?
00:32:17Yes, they dazzle in public, those do.
00:32:20They don't disappoint in private, either.
00:32:23More of that another time, I think.
00:32:24Who's next?
00:32:26Ah, yes.
00:32:27Our flushed and fleshy friend in Paisley.
00:32:30His name's Ken Russell.
00:32:31Makes documentaries for the BBC.
00:32:33Travels everywhere on a bus.
00:32:38You've probably never been on a bus, have you?
00:32:43You know.
00:32:45Pity.
00:32:46You really do meet the best people.
00:32:51Tell me about the woman with the, uh, extraordinary eyes.
00:32:57Brown is Frankenstein.
00:33:00She played opposite Boris Karloff in that movie, you know, actress.
00:33:05No one can quite make out why she left a rather brilliant film producer for a dreary politician.
00:33:13No, his name's John Perfumo.
00:33:16Fucking dull.
00:33:17It's true.
00:33:18It's true.
00:33:19But the older gentleman beside her.
00:33:23Oh, no, no, no, no, no.
00:33:23I know who that one is.
00:33:24That's Don Betcham.
00:33:25Poet.
00:33:26Um.
00:33:29Books from boots and country lanes.
00:33:32Free speech.
00:33:33Free passes.
00:33:34Class distinction.
00:33:36Distinction.
00:33:39Democracy.
00:33:40Democracy.
00:33:41Democracy and...
00:33:42Robber dreams.
00:33:43Robber dreams.
00:33:45Just so.
00:33:50Is it really true he has two wives?
00:33:54I hope so.
00:33:56Better if he has three.
00:33:59We don't want anyone conventional around here.
00:34:10Now, tell me about you.
00:34:12Oh, God, you don't remember?
00:34:14No.
00:34:15I'm a photographer.
00:34:18Oh, the wedding photographer.
00:34:20Ah, that was a favor.
00:34:21It's not my normal line of work.
00:34:23What is?
00:34:26This.
00:34:31What, these are yours?
00:34:34Yes.
00:34:36Portraits.
00:34:37I don't like that word.
00:34:39It's so stuffy and traditional.
00:34:41Oh, sorry.
00:34:43What are they, then?
00:34:46People.
00:34:46Faces.
00:34:47They're the most interesting subject that I've found so far.
00:34:52If you can think of anything more interesting, do let me know.
00:34:57Oh, I like them.
00:35:00As if there's no camera at all.
00:35:03Caught them off guard.
00:35:05It's all luck, really.
00:35:07Made the ugliness beautiful.
00:35:09I despise posturing and pretentiousness and humbug.
00:35:14Don't you?
00:35:17Is that why you took up photography?
00:35:21Maybe.
00:35:23Maybe it's just a good way to get behind closed doors.
00:35:26Somebody's door in particular.
00:35:27Just doors, Gemini.
00:35:29The facade is only useful as a mark-up or something one has to get behind or beyond.
00:35:34Service is so dreary, don't you think?
00:35:37What people want to show themselves, the idealized version of no interest to me.
00:35:41What people hide, that interests me.
00:35:49But you get so close.
00:35:53Isn't it rather an intrusion?
00:35:55It's very much an intrusion, yes.
00:35:57That's exactly what photography is.
00:36:00I use a small Leica, nothing fancy, a natural light, which means that I can prowl around.
00:36:06All the while, I'm getting closer and closer.
00:36:09In the end, it's kind of like, it's an intrusion.
00:36:17Intimacy.
00:36:38How would you feel about taking my photograph?
00:36:41Well, I'd consider it.
00:36:43On one condition.
00:36:47Go on.
00:36:47When you come to my slum studio, you leave the titles and princess outside.
00:36:53I'm happy to.
00:36:54And for the duration of the session, you do everything I say.
00:37:00Don't look like that.
00:37:03You're dying to, Missy.
00:37:07Dying to what?
00:37:09Be a supplicant.
00:37:13I can tell.
00:37:19It was the first room I'd ever been to when nobody got up.
00:37:22Bowed.
00:37:24Curtsied.
00:37:25Some just carried on having conversations if I wasn't there at all.
00:37:28Those that did talk to me with such indifference or nonchalance it verged on impertinence.
00:37:38There was this one in particular.
00:37:41Tony.
00:37:42Anthony, surely.
00:37:43Tony.
00:37:43No.
00:37:44He insisted.
00:37:45Tony.
00:37:46Armstrong Jones.
00:37:47Mrs. Photographer.
00:37:50Mike Cecil?
00:37:50No, nothing like Cecil.
00:37:52Couldn't be less like Cecil.
00:37:54Well, maybe a bit like Cecil.
00:37:56He's obviously queer.
00:37:58Though, interestingly, Elizabeth denies it.
00:38:00Elizabeth who?
00:38:02Cavendish.
00:38:03I called him when I got home last night and interrogated her.
00:38:05What are the five most important things I need to know about that man?
00:38:09Why five?
00:38:10I don't know.
00:38:11It felt like the right number.
00:38:13Why not three?
00:38:14It's more interesting than three.
00:38:17So, what did she say?
00:38:19One.
00:38:20It is Welsh.
00:38:21Is that interesting?
00:38:22No, not particularly.
00:38:25Well, he had polio as a child.
00:38:27He has a passion for inventing things.
00:38:30And he would never dream of being anything as straightforward as simply queer.
00:38:35What on earth does that mean?
00:38:37Not altogether sure.
00:38:40But, I'm also not even curious to find out.
00:38:43What was number five?
00:38:45That was five.
00:38:47No, Margaret, that was four.
00:38:49It was alright.
00:38:50Five is...
00:38:52I liked him.
00:38:54Yes.
00:38:55I can tell that.
00:38:58There's a contempt in him.
00:39:00What for?
00:39:04For me.
00:39:06For us.
00:39:08For everything we represent.
00:39:13I actually think you'd like it.
00:39:17That's what's so dangerous about him.
00:39:21Upstairs!
00:39:21Hey, guys.
00:39:22Hey!
00:39:40Bye-bye.
00:39:42Bye-bye.
00:39:45Let's get out of here.
00:39:47See you, guys.
00:40:00Right.
00:40:06Wait there.
00:40:12Back in a minute.
00:40:24Back in a minute.
00:40:28Back in a minute.
00:40:32Back in a minute.
00:40:36Back in a minute.
00:40:38Back in a minute.
00:42:52Don't smile like that.
00:42:54It's lovely, eh?
00:42:55Pretend.
00:42:57Too lovely?
00:43:01For my taste, yes.
00:43:03Oh, I see.
00:43:04You prefer me to be un-lovely.
00:43:08I prefer you to be yourself,
00:43:10although I realize it's asking the impossible.
00:43:12Why?
00:43:15Because I'm un-cooperative.
00:43:17Because you have no idea who you are.
00:43:19Up to the window?
00:43:20So I know perfectly well.
00:43:22No, not the faintest idea.
00:43:26Window.
00:43:39I don't know who you are either.
00:43:43We don't know who you are either.
00:43:56Like this.
00:44:04Oh.
00:44:08Jesus.
00:44:11I'm sorry, but, uh...
00:44:14Cecil is a disgrace.
00:44:19Well, he's been good to the family.
00:44:22Why would you care about the family?
00:44:26Have they been good to you?
00:44:31Well, they're my family.
00:44:34Yes.
00:44:41But their business with Peter Townsend...
00:44:47Cruel.
00:44:54Was he really as dreary as he seemed?
00:45:01He was decent to end.
00:45:03Old-fashioned.
00:45:08Easy qualities to mock.
00:45:18Easy to miss, too.
00:45:36Easy to miss, too.
00:45:51Easy to miss.
00:45:53Easy to miss.
00:46:02Do nothing.
00:46:07Easy to miss.
00:46:09Easy to miss...
00:46:14Sometimes.
00:46:19Got it. Right.
00:46:21Back to my place for a drink.
00:46:25Your place? Where's that?
00:46:27Well, get dressed and I'll show you.
00:46:49So, this is home.
00:46:56It's marvellous.
00:47:04Whiskey or cinzana?
00:47:07Whiskey, please.
00:47:19Who's she?
00:47:23Friend.
00:47:24What kind of friend?
00:47:27A friend.
00:47:30And this one?
00:47:32Couldn't you cheer her up a little?
00:47:34That's Sarah McMillan, the Prime Minister's daughter.
00:47:37Or is she?
00:47:39The word is, it's not.
00:47:42This is Bob Boothby's love child.
00:47:44No.
00:47:46Thirty years, they say, the affair's been going on.
00:47:48Right under the PM's nose. Can you imagine?
00:47:53I don't think I'm ever going to get married.
00:47:56Quite right.
00:47:59Ghastly business.
00:48:02Makes being happy so very difficult.
00:48:10Oh, what's this?
00:48:13Oh, it's something I'm working on.
00:48:15A design.
00:48:16It's fragile. Get off.
00:48:20Oh, sorry.
00:48:24Yeah, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:42Cleo Leigh.
00:48:47Snitch.
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:06I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:19Mm.
00:49:20All right.
00:49:39Rhymes with peril.
00:49:46Put it back.
00:49:52Right.
00:49:55Shall we look at the photograph?
00:49:57Yes.
00:50:17I think.
00:50:25I'm not sure if I look for a gentleman.
00:50:25Oh, I'm not sure.
00:50:26He's a question.
00:50:26I'll tell you.
00:50:26Oh, my God.
00:50:26I'm not sure I'm jealous, but she'll be here to myself.
00:50:27But, but I'm not sure.
00:50:27I won't tell him what you do,
00:50:56All right.
00:51:15First, the chemicals.
00:51:30You knew when we first knit.
00:51:34I was sure you were queer.
00:51:45Why?
00:51:47Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips, all vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24I'm sufferably vain.
00:52:30But now I see you're not queer.
00:52:35Then you're pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:50Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Mm-hmm.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Because in this photo, you're not a princess anymore.
00:53:46Someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:04You, um...
00:54:06You won't stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:25Good.
00:54:26Then you can follow us.
00:54:40We are so proud to become a guest in Istana Indah.
00:54:47We are most honored to have been guest in your majesty's beautiful home.
00:54:51Huh.
00:54:53We are so proud to have been guest in Istana Indah.
00:55:04Hold tight.
00:55:22Thank you so much.
00:55:24Thank you very much.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on and on.
00:55:37Hmm.
00:55:38Hmm.
00:55:39Hmm.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:49I can't see anyone but you.
00:57:16I don't know if it's cloudy or dry.
00:57:22I only have eyes.
00:57:28I can't see anyone but you.
00:57:58I only have eyes for you.
00:58:15I don't know if we're in a garden.
00:58:46I don't know if we're in a garden.
00:59:04I don't know if we're in a garden.
00:59:20I don't know if we're in a garden.
00:59:33I don't know if we're in a garden.
00:59:55I don't know if we're in a garden.
01:00:25I don't know if we're in a garden.
01:00:37What's that?
01:00:37What is it?
01:00:39I don't know if we're in a garden.
01:01:35I don't know if we're in a garden.
01:01:38I don't know if we're in a garden.
01:01:54I don't know if we're in a garden.
01:02:08I don't know if we're in a garden.
01:02:21I don't know if I can.
01:02:21Leave me alone.
01:02:27I don't know if it's rude to me.
01:02:28I don't know if you're in a garden.
01:02:31I don't know if I can.
01:02:32But it's pretty deep.
01:02:34I don't know if I can fix it.
01:02:42To be continued...
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