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The Crown S02E04 [Full Movie] [Full Version]Full EP - Full
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00:00:01We are gathered together here in the sight of God and in the face of this congregation
00:00:06to join together this man and this woman in holy matter.
00:00:16Instituted of God in the time of man's innocence, signifying unto us the mystical union that
00:00:23is between Christ and his church.
00:00:25Therefore, it is not by any to be enterprised, nor taken in hand, unadvisedly, lightly, or
00:00:33wantonly, to satisfy men's carnal lusts and appetites like brute beasts that understand
00:00:40nothing, but reverently, discreetly, advisedly, soberly, and in the fear of God, duly considering
00:00:50the causes for which matrimony was ordained.
00:00:55Now I've crowned you my princess
00:01:03Though there's nothing in a name
00:01:15Others would have sounded pretty tame
00:01:23If you were poorer
00:01:29I could be no surer
00:01:36That you're a princess
00:01:42May I call you princess
00:01:49If you say
00:01:51Love
00:01:53Thank you very much
00:01:54Very, very fresh
00:01:55Full of vitality, thank you
00:01:57And we're going to do another one when we're ready
00:02:02I'm your prince
00:02:03Thank you
00:02:04And to me everyone
00:02:05And...
00:02:06Next
00:02:07Pride and gruel
00:02:08Pride and gruel
00:02:13Bloody awful things
00:02:15Weddings
00:02:16Dreadfully upsetting
00:02:18Unless it's one's own of course
00:02:24Another couple
00:02:24Another couple offer to build a castle
00:02:27Lower the portcullis
00:02:28Pull up the drawbridge
00:02:29How do you mean?
00:02:31Couples do that, don't they?
00:02:33They turn to each other
00:02:34They turn to each other
00:02:34And all we see is their backs
00:02:38So what am I to do, really?
00:02:43They all want to take me on, apparently
00:02:48Through daunting a prospect
00:02:51I could keep it again
00:02:54Don't be silly, old friend
00:02:57Yes, but isn't that the first quality one should look for in a husband?
00:03:01In the olden days people weren't confused
00:03:04People married for sensible reasons
00:03:06Marriage was a consolidation of assets
00:03:09Also of other things
00:03:13Friendship
00:03:15Valued
00:03:18Outlooks
00:03:21We breed Derby winners
00:03:24Have an army of children
00:03:26They leave
00:03:27Look, and I know the rules
00:03:30I know the rules
00:03:31And your family all know me
00:03:33And I think are not averse
00:03:36Oh, they adore you
00:03:37And I, you
00:03:41Always have
00:03:45I'm your old faithful, after all
00:03:47No
00:03:52No
00:03:53No
00:03:53No
00:03:58No
00:03:58No
00:04:16But
00:04:20Mummy said something interesting the other day.
00:04:23No.
00:04:26She said that the first ten years of marriage were just an overture.
00:04:32That there's often a crisis at ten years, but then you work it out and settle in.
00:04:40And it's only then that it really gets into its stride.
00:04:48Do you suppose that's what's happened to us?
00:04:53Possibly.
00:04:58I was thinking perhaps we should have a big anniversary party this year.
00:05:05To celebrate hitting our stride.
00:05:14All right.
00:05:21Yes?
00:05:23All right.
00:05:27So how was it?
00:05:31Oh, it somehow managed to lift the spirits and make one want to kill oneself in equal measure.
00:05:37It took forever to get there. Mummy was a nightmare.
00:05:41Mercifully, they sent a helicopter to bring us back.
00:05:47And I had this horrible feeling that somewhere, in the middle of it all, I agreed to get married myself.
00:06:00What?
00:06:01To whom?
00:06:03Billy Wallace.
00:06:04Yes.
00:06:05Goodness.
00:06:07Congratulations.
00:06:10Oh.
00:06:12Christ.
00:06:15So if I were to accept, it would be a yes from you?
00:06:23Yes, of course.
00:06:25An emphatic yes.
00:06:27And Philip and I were just discussing having a party for our tenth wedding anniversary.
00:06:33And you and Billy could use the occasion to announce your engagement, if you wanted.
00:06:40That's a nice idea.
00:06:42Well, that's settled then.
00:06:46My pleasure.
00:06:47Good night, Margaret.
00:06:57Good night.
00:06:58Good night.
00:07:08And now?
00:07:25Thank you for enjoying the music.
00:07:26Thank you for listening!
00:07:26I know God.
00:08:34I'm not sure how I feel about a Russian satellite circling the Earth.
00:08:39Just above our heads. What's it doing up there?
00:08:43Nationally, it's providing information about the density of the Earth's upper atmosphere.
00:08:48Of course, its darker purpose is to demonstrate to everyone the extent of Russian military power and technical capacity.
00:08:56The same rocket that launched this satellite is capable of firing a nuclear warhead into enemy territory with pinpoint accuracy.
00:09:05Imagine the effect this will have on the Americans.
00:09:08Great crisis of self-doubt, if I'm not very much mistaken.
00:09:12We must seize this opportunity to help the Americans and work together in a joint effort to meet the Russian
00:09:19threat.
00:09:19That is the way to repair Anglo-American relations, which, as you know, have deteriorated terribly due to the Suez
00:09:29Crisis.
00:09:31Right. You know, after the war, they said that I...
00:09:34I'm absolutely determined to restore the special relationship that exists between our two countries.
00:09:39We're bound by so much more than just language and shared history.
00:09:45It's a kind of marriage, as in any marriage.
00:09:49There'll be ups and downs, but one must work to get things back on track.
00:09:58They say that listening is important in any marriage.
00:10:03Does that mean, then, that we can learn just as much from this satellite as the Russians?
00:10:19Well, how are we going to do this?
00:10:21I think the driver should drop me first, then take you onto the station.
00:10:25Or I could wait.
00:10:28I don't think that would be wise.
00:10:32Why?
00:10:34How long do you need with him?
00:10:37A day.
00:10:40Maybe two.
00:10:42It's the last time.
00:10:44I promise.
00:10:45Don't make promises you cannot keep.
00:10:47No.
00:10:49I'm determined to mend it.
00:10:51It's time, now that you're Prime Minister.
00:10:54Yes, it is.
00:10:57Yes.
00:11:31With a one, two, three, flash.
00:11:34Oh, quite magnificent.
00:11:37Why does it always have to be Cecil Beaton taking my official Berkeley portrait?
00:11:42What's wrong with Cecil?
00:11:43When it came out last year, everyone said how pretty you look.
00:11:47No, they said how much I look like you.
00:11:50Well, quite.
00:11:52Cecil does just one thing.
00:11:55Fairytales.
00:11:56Yes, but he does it so well.
00:11:59And to me, your Royal Highness, little less chin and...
00:12:06What do you think?
00:12:07I asked my new lady-in-waiting here today...
00:12:10Your Majesty.
00:12:11...to offer her opinion.
00:12:14Having at least one foot in the real world.
00:12:16I think birthday portraits should evolve and mature with age.
00:12:21Like the subject.
00:12:23Show change in the character.
00:12:25Complexity.
00:12:26Reality.
00:12:30No one wants complexity and reality from us.
00:12:34Do sit down.
00:12:37People have enough of that in their own lives.
00:12:40They want us to help them escape.
00:12:43Indeed, Your Majesty.
00:12:45Imagine this, if you will.
00:12:48A young woman.
00:12:49A commonplace creature.
00:12:51She sits in her drab little scullery.
00:12:53So much work to do.
00:12:55So much washing up.
00:12:57How she longs for comfort.
00:13:00For hope.
00:13:01And again.
00:13:02One, two, three, and flash.
00:13:05She wants to believe her life has some meaning.
00:13:08Beyond chores.
00:13:10She opens a magazine.
00:13:11And she sees Her Royal Highness's photograph.
00:13:15For one glorious, transforming moment.
00:13:19She becomes a princess too.
00:13:22She is lifted out of her miserable, pitiful reality.
00:13:25Into a fantasy.
00:13:32Later, she will step out of her house in a, a new neckerchief, perhaps, for which she has saved.
00:13:41Oh, she will hold her head up high.
00:13:43She is renewed.
00:13:45And all thanks to you, Your Royal Highness.
00:13:49And to the ideal which you represent.
00:13:54And now with a one, two, three, and flash.
00:13:58Quite marvellous.
00:14:22In the twenty or so years, we've known the hapless, misshapen crane that is Billy Wallace.
00:14:26Has any woman ever looked at him as an object of desire?
00:14:30I mean, even remotely.
00:14:32Certainly not.
00:14:34Then how can one begin to explain that?
00:14:36I'm so sorry.
00:14:39Oh, my God.
00:14:42You'll be my turn and on the job.
00:14:44Touch him.
00:14:46Touch me.
00:14:47Oh, yeah.
00:14:48Oh, yeah.
00:14:49I love you.
00:14:49I love you.
00:14:51I love you.
00:14:52I love you.
00:14:55I love you.
00:14:57I love you.
00:14:58I love you.
00:15:02I love you.
00:15:05I love you.
00:15:06Ma'am, Lord Blanford just telephoned to apologize and say that Mr. Wallis may be indisposed this evening.
00:15:12They can't be indisposed. We're announcing our engagement.
00:15:15Something about an injury. Rather a serious injury.
00:15:33Where is he?
00:15:41Your Royal Highness, the Princess Margaret.
00:15:44Out of my way.
00:15:45Oh, shit. You must keep a leg up, sir.
00:15:48Billy?
00:15:49It's all right, Simpson.
00:16:01Well, what's going on? It's our announcement this evening.
00:16:05Unforeseen cirques, I'm afraid. Rather a dust-up in the early hours.
00:16:10Are you drunk?
00:16:12Don't be like that.
00:16:13I had to do something for the pain.
00:16:15What happened?
00:16:17Wait till you hear. You'll laugh till you spit.
00:16:20Your friend Tennant rather took offense at something I did.
00:16:23You came to blaze with Colin.
00:16:24I believe the word duel was mentioned.
00:16:28A duel?
00:16:30Tennant issued the challenge.
00:16:32A little childish in this day and age, if you ask me, but a duel is a duel, so I
00:16:36stepped up to the mark.
00:16:40That's what a gentleman does.
00:16:42No!
00:16:44No!
00:16:47If I'm completely honest, a little drink had been taken during the night, but we faced the dawn with clear
00:16:54heads and strong hearts.
00:16:58Now, Tennant wanted to motor up to Glenn to get his father's old pistols.
00:17:02Would have been quite ridiculous, much too far away.
00:17:05So Blamford offered his.
00:17:07That was a bloody stupid mistake.
00:17:09A duel is not just a test of marksmanship.
00:17:12It's a test of character.
00:17:16Ten paces.
00:17:19One.
00:17:20Two.
00:17:22Three.
00:17:23Four.
00:17:25Five.
00:17:27Six.
00:17:28Seven.
00:17:30Eight.
00:17:32Nine.
00:17:33Ten.
00:17:37Fucker shot me in the leg.
00:17:39Bloody awful thing.
00:17:40Anyway, I survived with a small flesh wound.
00:17:46Why was he angry with you?
00:17:49It's the strangest thing, but ever since word got out about our engagement, I've found myself quite the centre of
00:17:55attention.
00:17:56It's as though every good-looking girl on earth's taken the news as a personal challenge.
00:18:01I'm not used to the idea of being a bow, much less a catch.
00:18:06It seems to have gone to my head, rather.
00:18:10Had a bit of a fumble at Blenheim.
00:18:12It was rather a beauty.
00:18:14It was in pictures, you know.
00:18:15An actress.
00:18:18Anyway, Tenant's got wind of it.
00:18:19It's gone very cross.
00:18:27Yes, with reason.
00:18:32A pathetic, weak, contemptible fool.
00:18:39I never even wanted to marry you.
00:18:42You were only ever an act of charity or desperation.
00:18:48And now you insult me.
00:18:50You.
00:18:51People like you don't get to insult people like me.
00:18:53You get to be eternally grateful.
00:18:58And you've quite the way with women.
00:19:01Take a look with this face.
00:19:04A picture of disappointment and disgust.
00:19:09This is the look that every woman you ever know will come to share.
00:19:14This is what the next 40 years of your life will look like.
00:19:25Margaret.
00:19:27Margaret.
00:19:29Margaret.
00:19:31Margaret.
00:19:33Margaret.
00:19:34Margaret.
00:19:35Margaret.
00:19:44Ma'am, I've been asked to tell you that that and Princess Margaret will not be announcing
00:19:48an engagement this evening.
00:19:51Our Royal Highness says she'll explain everything later.
00:19:53Yes, I'm sure she will.
00:19:54Thank you, Michael.
00:20:19all right all right settle down so on my recent tour of the Pacific I was
00:20:25introduced to a man who said to me my wife is a doctor of philosophy and much more important than
00:20:31I am to which I could only reply ah yes sir we have that trouble in our family too
00:20:43you know when I imagined our marriage in the early days I imagined two people welded together
00:20:49into some sort of combined existence ten years ten years has taught me the secret of a successful
00:21:00marriage is actually to have different interests but different interests but not not not entirely
00:21:12different so it's a funny business one sees the whole of the other person you see even that part
00:21:19of them that they don't see themselves and presumably they see that hidden part of you
00:21:27one ends up knowing more about one's partner than they know about themselves and it could be pretty
00:21:34tough to keep quiet about it so you have to you have to come to an accommodation an arrangement a
00:21:42deal
00:21:45if you like to take the rough with the smooth the extraordinary thing is down there in the rough in
00:21:58the long
00:21:59reeds of difficulty and pain that is where you find the treasure so I would like to propose a toast
00:22:14in the name of love in the name of our beloved country in the name of steadfastness in the name
00:22:24of
00:22:25another ten marvellous years I give you mon petit chou
00:22:40little bit elizabeth the queen
00:26:19I want only you.
00:26:21I've tried again with Harold.
00:26:25Tried and tried.
00:26:27I know.
00:26:29I know.
00:26:30I just can't.
00:26:32I can't have it touch me.
00:26:34Be near me.
00:26:35His weakness repels me.
00:26:40His love disgusts me.
00:27:05I can't see you.
00:27:07I can't.
00:27:08I can't see you.
00:27:16I bought something to cheer you up.
00:27:20Cecil's magnificent work.
00:27:23He's quite outdone himself this time.
00:27:27I can tell you which one I would choose as the official birthday portrait.
00:27:32And Cecil immediately agreed.
00:27:35But of course, it's for you to decide.
00:28:11I'll see you next time.
00:28:14Don't mention that name.
00:28:16I've had him on the telephone to me all morning, quite distraught.
00:28:20Then his mother, then his grandma.
00:28:22I'm never speaking to him again.
00:28:24Then we will find you someone else.
00:28:29I don't want you to find me anyone.
00:28:33Moritz Landsgrave of Hesse.
00:28:35He's a distant cousin.
00:28:37Now, his mother was a Catholic, but their lands are still intact.
00:28:40And he gives a very good show of himself on the polo field.
00:28:44No one!
00:28:46Someone suggested Prince Christian of Hanover.
00:28:49A descendant of Queen Victoria.
00:28:52Served in the Luftwaffe, but we won't hold that against him.
00:28:56I do know what the official duties of the lady-in-waiting are.
00:28:59Accompanying me on foreign trips, dealing with my mail.
00:29:04Do you suppose it might also include helping me climb over the wall to escape?
00:29:09I just can't bear it anymore.
00:29:11I'm having some people to dinner.
00:29:13Tonight.
00:29:16Not normal people.
00:29:18Yes, they're all normal.
00:29:21But in their own way, they're all quite exceptional, too.
00:29:24You can go.
00:29:25Possibly not deferential.
00:29:29That's fine.
00:29:31As long as they still meet the main requirements.
00:29:34Which are?
00:29:36But none of them breeds horses, owns lend, or knows my mother.
00:30:04All right, all of you.
00:30:07Hello.
00:30:09Everyone.
00:30:10I'd like you to say hello to our guest of honour,
00:30:14Her Royal Highness, the Princess Margaret.
00:30:19Hello.
00:30:19Hello.
00:30:22Are you ready, ma'am?
00:30:24Here come the introductions.
00:30:26Here we have Dudley on the piano.
00:30:31And this here is Shilpa.
00:30:37Oh, God, Jane.
00:30:39Oh, God, Jane.
00:30:41You must be sure it's time to go.
00:30:43She's here.
00:30:44Oh, thank you.
00:30:47And I can always ask you.
00:30:48You know that our designers crap.
00:30:51Ooh.
00:30:52I feel it was designed to be used to run with me.
00:30:54Really?
00:30:55What the hell wrong?
00:30:56But I don't agree that that's fine.
00:30:58But this isn't tonight.
00:30:59Actually, it hasn't been read the outside of my mind.
00:31:01Discussion.
00:31:02Leave the voting party to create with you.
00:31:11you're feeling a little left out
00:31:15you're thinking to yourself
00:31:18these dabblers and freaks all seem to know one another very well
00:31:28then you'd be absolutely right
00:31:32now be honest
00:31:34can you remember any of the names
00:31:38you're not really can't remember me either
00:31:44not we've met we have
00:31:48where have we met
00:31:50perhaps he'll come to you now where to begin
00:31:56far corner the irresistible so-and-so with the mustard-colored pearly neck
00:32:01irresistible
00:32:02oh come on a nine surely
00:32:05seven
00:32:07it's called jeremy he's heir to a chocolate fortune married to the blonde beauty opposite
00:32:14oh she doesn't eat isn't she yes they dazzle in public those do
00:32:20they don't disappoint in private either more of that another time i think
00:32:24who's next
00:32:25oh yes our flushed and fleshy friend in paisley
00:32:30his name is ken russell makes documentaries the bbc travels everywhere on a bus
00:32:38you've probably never been on a bus have you
00:32:43you know
00:32:45pete
00:32:46you really do meet the best people
00:32:51tell me about the woman with the extraordinary eyes
00:32:57brown is frankenstein
00:33:00she played opposite boris carloff in that movie you know actress
00:33:04no one can quite make out why she left a rather brilliant film producer for a dreary politician
00:33:13no
00:33:13his name's john perfumo
00:33:15fucking dull
00:33:17well it's true it's true but the older gentleman beside her
00:33:23oh no no no i know who that one is that's don betcham
00:33:25the poet
00:33:26um
00:33:29books from boots and country lanes
00:33:31free speech free passes
00:33:33class distinction
00:33:36distinction
00:33:39democracy
00:33:40democracy and
00:33:41property
00:33:45just so
00:33:50is it really true he has two wives
00:33:54i hope so
00:33:56better if he has three
00:33:59we don't want anyone conventional around here
00:34:10now tell me about you
00:34:11oh god you don't remember
00:34:13no
00:34:15i'm a photographer
00:34:18oh the wedding photographer
00:34:20uh that was a favor it's not my normal line of work
00:34:23what is
00:34:26this
00:34:31what is yours
00:34:34yes
00:34:36portraits
00:34:37i don't like that word
00:34:39it's so stuffy
00:34:40and traditional
00:34:41oh sorry
00:34:43what are they then
00:34:45people
00:34:46faces
00:34:47they're the most interesting subject that i've found so far
00:34:52if you can think of anything more interesting do let me know
00:34:57oh i like them
00:35:00as if there's no camera at all
00:35:03i caught them off guard
00:35:04uh it's all luck really
00:35:06you made the ugliness beautiful
00:35:09i despise posturing and pretentiousness and humbug
00:35:14don't you
00:35:17is that why you took up photography
00:35:21maybe
00:35:23maybe it's just a good way to get behind closed doors
00:35:26somebody's door in particular
00:35:27just doors generally
00:35:29the facade is only useful as a markup or something one has to get behind or beyond
00:35:33the surface is so dreary i don't think
00:35:36what people want to show themselves the idealized versions of no interest to me
00:35:41what people hide
00:35:44that interests me
00:35:49but you get so close
00:35:53isn't it rather an intrusion
00:35:55it's very much an intrusion yes
00:35:57that's exactly what photography is
00:36:00i use a small light hand i think fancy
00:36:03a natural light which means that i can prowl around
00:36:06all the while i'm getting closer and closer
00:36:09and in the end it's kind of like
00:36:11what's uh
00:36:13intrusion
00:36:17intimacy
00:36:38how would you feel about taking my photograph
00:36:40well i'd consider it
00:36:43on one condition
00:36:46go on
00:36:47when you come to my slum studio
00:36:49leave the titles and princess outside
00:36:53happy to
00:36:54and for the duration of the session
00:36:56you do everything i say
00:37:00don't look like that
00:37:03you're dying to miss
00:37:06dying to what
00:37:09be a supplicant
00:37:13i can tell
00:37:14it was the first room i've ever been to
00:37:21when nobody got up
00:37:22bowed
00:37:23curtsied
00:37:25some just carried on having conversations
00:37:27if i wasn't there at all
00:37:29those that did talk to me
00:37:30did it with such
00:37:32indifference or
00:37:34nonchalance it verged on
00:37:37impertinent
00:37:38there was this one
00:37:39in particular
00:37:42tony
00:37:42anthony surely
00:37:43no he insisted
00:37:45tony
00:37:45armstrong jones
00:37:47this is
00:37:48photographer
00:37:49mike sissor
00:37:50no nothing like sissor
00:37:52couldn't be less like sissor
00:37:54well maybe a bit like sissor
00:37:56he's obviously queer
00:37:58interestingly elizabeth denies it
00:38:00elizabeth who
00:38:02cavendish
00:38:02i called when i got home last night
00:38:05interrogated her
00:38:05what are the five most important things
00:38:07i need to know about that man
00:38:09why five
00:38:10i don't know
00:38:11it felt like the right number
00:38:12why not three
00:38:13it's more interesting than three
00:38:17so what did she say
00:38:18one
00:38:20it is welsh
00:38:21is that interesting
00:38:22no not particularly
00:38:24well he had polio as a child
00:38:26he has a passion for inventing things
00:38:30and he would never dream of being anything as straightforward as simply queer
00:38:34what on earth does that mean
00:38:36not altogether sure
00:38:39but
00:38:41i'm also not even curious to find out
00:38:43what was number five
00:38:45you can go
00:38:46that was five
00:38:47no margaret that was four
00:38:48well all right
00:38:49five is
00:38:52i liked him
00:38:54yes
00:38:55i can tell that
00:38:58there's a contempt in him
00:39:00what for
00:39:04for me
00:39:06for us
00:39:08for everything we represent
00:39:14i actually think you'd like him
00:39:17that's what's so dangerous about him
00:39:21upstairs
00:39:21guys
00:39:23you
00:39:24and
00:39:43you
00:39:45you
00:39:45you
00:39:46you
00:40:01Right.
00:40:06Wait there.
00:40:13Back in the room.
00:40:17Right.
00:40:23Right.
00:40:31Right.
00:40:32I don't know.
00:41:04I don't know.
00:41:35I don't know.
00:42:07I don't know.
00:42:49I don't know.
00:42:52I don't know.
00:42:53I don't know.
00:42:54I don't know.
00:43:08I don't know.
00:43:13I don't know.
00:43:20I don't know.
00:43:38I don't know.
00:43:40I don't know.
00:44:20I don't know.
00:44:30I don't know.
00:45:08I don't know.
00:45:28I don't know.
00:45:40I don't know.
00:45:41I don't know.
00:45:41I don't know.
00:45:42I don't know.
00:45:43I don't know.
00:45:44I don't know.
00:45:46I don't know.
00:45:47I don't know.
00:45:48I don't know.
00:45:51I don't know.
00:46:02Do nothing.
00:46:14What's up, guys?
00:46:19Got it.
00:46:20Right.
00:46:21Back to my place for a drink.
00:46:25Your place?
00:46:26Where's that?
00:46:28Well, get dressed and I'll show you.
00:46:31I'll show you what I'm going to do with it.
00:47:25I'll show you what I'm going to do with it.
00:47:26I'll show you what I'm going to do with it.
00:47:28I'll show you what I'm going to do with it.
00:47:31I'll show you what I'm going to do with it.
00:47:33I'll show you what I'm going to do with it.
00:47:36I'll show you what I'm going to do with it.
00:48:15I'll show you what I'm going to do with it.
00:48:24Yeah, come on, have a look at this.
00:48:26This might amuse you.
00:48:36What, people have signed their names?
00:48:38Oh, their nicknames, yes.
00:48:41Who's Tigger?
00:48:43Cleole.
00:48:47Snitch?
00:48:48Doug Bogart.
00:48:53Oh, look, you already have a princess.
00:48:56That's Tony Richardson.
00:48:59Will you sign?
00:49:01I keep a diamond to the purpose.
00:49:05Go on.
00:49:07I'm not sure I've ever had a nickname.
00:49:10What shall I put?
00:49:12Something that'll throw them off the scent.
00:49:16Beryl.
00:49:18Beryl?
00:49:18Hmm.
00:49:20All right.
00:49:38Rhymes with peril.
00:49:46Put it back.
00:49:52Right.
00:49:55Shall we look at the photograph?
00:49:56Yes.
00:49:58Yes.
00:50:08Yes.
00:50:15Yes.
00:50:18Yes.
00:50:21Yes.
00:50:22Yes.
00:50:24Yes.
00:50:25Yes.
00:50:26I don't know.
00:50:56Right.
00:51:14First, the chemicals.
00:51:30You knew when we first knit, I was sure you were queer.
00:51:44Why?
00:51:46Just the way you talk to women.
00:51:49Understood women.
00:52:03Then you put it into the water.
00:52:10Here.
00:52:15Not to mention your tidy little hips.
00:52:18All vanity and fastidiousness.
00:52:21I'm not vain.
00:52:24You're insufferably vain.
00:52:29But now I see you're not queer.
00:52:35Then you're pushing us the fixer.
00:52:44This hill routine is hard to practice and well oiled.
00:52:49Woman after woman has been here before me.
00:52:55Beautiful women.
00:52:58Then?
00:52:58Mm-hmm.
00:53:00Yeah.
00:53:07Will you hang her up?
00:53:21What do you think?
00:53:27Margaret I've never seen before.
00:53:31No one's ever seen before.
00:53:35No.
00:53:38Look, it's in this photo.
00:53:39You're not a princess anymore.
00:53:46There's someone I would like you to send her to.
00:53:50Can I give you an address?
00:53:54Sure.
00:53:57Then I must go.
00:54:04You, um...
00:54:05You want to stay a little longer?
00:54:09No.
00:54:11This is where the routine ends.
00:54:15For now.
00:54:18All right.
00:54:20You come with the driver?
00:54:23Yes.
00:54:24He's waiting outside.
00:54:26Good. Then he can follow us.
00:54:27You're right.
00:54:30Andrew!
00:54:35Thank you, Father.
00:54:42I'm really happy to be an honor to be the host of Istana Indah.
00:54:47We're most honored to have been guest in your majesty's beautiful home.
00:55:03Oh
00:55:22Thank you so much.
00:55:24It would have been a pleasure.
00:55:26Thank you very much.
00:55:30God, I thought that would never end.
00:55:32Yes, it did go on rather.
00:55:34On and on and on and on.
00:55:36And on.
00:56:07Definitely not queer.
00:56:13Keep it.
00:56:34My love must be a kind of blind love.
00:56:42I can't see anyone but you.
00:56:46I can't see anyone but you can't see any.
00:56:48I can't see any.
00:56:49I cannot see anyone.
00:56:54Every time.
00:57:02I do not know.
00:57:07I should.
00:57:10I can't see any.
00:57:14I should.
00:57:15I don't know if it's cloudy or dry
00:57:21I only have eyes
00:57:29I can't do it
00:57:41The moon may come from behind
00:57:46But I can't see a thing in the sky
00:57:55I only have eyes
00:58:03For you
00:58:15I don't know if we're in a garden
00:58:46I don't know if we're in a garden
00:58:57Maybe millions of people
00:59:01I don't know if we're in a garden
00:59:27For you
00:59:33Oh, gracious
00:59:49Oh, la, la
00:59:52Oh, oh, oh, oh, oh, oh
01:00:24There you are
01:00:25Finally
01:00:36How was that?
01:00:38What is it?
01:00:56It appears she's...
01:00:57Naked
01:01:26Yes
01:01:27Oh, la, la
01:01:30Oh, oh, oh, oh, oh, oh, oh, oh also
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