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Peaky Blinders： The Immortal Man Movie part 1 [Full Movie] [Free Online HD]Full EP - Full
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Short filmTranscript
00:00:23You'll ask for a meeting out in the open.
00:00:26Fresh air and the fine aroma of shit.
00:00:31Neutral ground, you see?
00:00:33This is hardly neutral on the ground.
00:00:36Well, it's what you've got.
00:00:39So, off of a boat.
00:00:43You see that?
00:00:44Where is Thomas? He got called away.
00:00:46He said he'd be here. Yeah, he's busy.
00:00:49I just told you he got called away. What do you want?
00:00:57There has been a peace between the Peaky Blinders and the Changrae
00:01:03family for two years now.
00:01:05Do you want some tea or not?
00:01:07If you can pour the Italians some English tea, go on.
00:01:11You don't want fucking tea!
00:01:18We want an explanation.
00:01:20Well, I'll have fucking tea.
00:01:22Explanation for what?
00:01:24The Little Venice restaurant in 4th Street was burnt down.
00:01:29Nah, nah.
00:01:29Couldn't have been us.
00:01:30Well, he was at a wedding.
00:01:31You burnt it down.
00:01:33To stop my son being at that same wedding.
00:01:36Er, it wasn't missed.
00:01:42You are such big boys now.
00:01:45But once you borrowed clothes from us to look like men.
00:01:49How's the tea off, is it?
00:01:53It's cold.
00:01:57Please tell Tommy that we pay him whatever he asks us to pay.
00:02:03We stay out of the city and off the tracks.
00:02:06But you tell him from me that my son will walk with any woman in this city.
00:02:15Any woman he chooses.
00:02:17Even if that woman works for the Emperor, Thomas Shelby.
00:02:21My son is in love.
00:02:25Sorry.
00:02:27Do excuse me.
00:02:29Carry on.
00:02:34And if he wishes, he will walk with the woman he loves.
00:02:39Okay.
00:02:42You know, it'd be hard for your son to walk anywhere with a bullet in each knee, wouldn't it?
00:02:57Too much.
00:03:00You said too much, my friend.
00:03:04Sabine says suck and swallow, but no.
00:03:08Too much.
00:03:10I spit.
00:03:18Oh, fuck you.
00:03:20It's strong.
00:03:27Oh, fuck you.
00:03:28Here you now.
00:03:28Isaiah, put two extra men on our pubs in Nichols.
00:03:33What are you talking about, Arthur?
00:03:35You're not scared of fucking eye ties anymore.
00:03:37Don't tell Tommy about the chair and clean this fucking shit up.
00:03:42You're not scared of fucking wops.
00:03:44All right, John.
00:03:47Arthur!
00:04:00This way, Mr. John Greta.
00:04:02Go, go, go, go.
00:04:04The stairs are...
00:04:06There.
00:04:09Go, go, go, go, go.
00:04:10Go, go, go.
00:04:16Go, go.
00:04:43I don't want to kill me.
00:04:44Get him fucking up.
00:04:47Stay away from Lizzie.
00:04:59By order of the P.K. fucking blinders.
00:05:20He will take the train from Napoli to Paris and then the target to London.
00:05:30And it will be here tomorrow morning, like this.
00:05:57Police! Police!
00:06:01Officer, there are some men, they mean us harm. We are in danger here. Come and escort us to the
00:06:07dock.
00:06:10Please, come with me.
00:06:13Excuse me, brother. Have you got a light?
00:06:37Give up
00:06:37levelling
00:06:37kill
00:06:37kill
00:07:05Thank you, officer.
00:07:07Let her be up.
00:07:08John Shelby.
00:07:10Is that the lad I used to teach?
00:07:13John Shelby, I smacked your arse.
00:07:16Let him go.
00:07:18Please, please let her go.
00:07:21Arthur, how many times I looked the other way
00:07:24because of your sweet smile?
00:07:26I said, let him go.
00:07:27He's coming with us.
00:07:30Not until I know my wife is safe.
00:07:33She's safe.
00:07:35I'm not going to harm her.
00:07:37Let's just get a move on.
00:07:39Look, we're disabanded Tommy's orders just by talking to you.
00:07:43Don't push it, please.
00:07:47Come with us.
00:07:48Let him go.
00:07:48Let him go, too.
00:07:50Say it's Tom.
00:07:52Say he's in the harbor.
00:07:53He can do you no harm from New York.
00:07:55I can't do that, Miss Jenkins.
00:07:58I can't do that, sorry.
00:07:59OK.
00:08:00OK.
00:08:01No!
00:08:02Listen to me!
00:08:04Go to the cafe in Mont Street.
00:08:06Bonito will take care of you.
00:08:08Let him go, too.
00:08:10He's an old man.
00:08:11I gave you sweets and cakes.
00:08:14You can't get it.
00:08:14There are rules.
00:08:16Your husband knows the rules.
00:08:19Come on, old man.
00:08:20No.
00:08:22Sorry.
00:08:23Ray.
00:08:25We're disabying orders here.
00:08:28Let him fucking go!
00:08:32You have ten seconds or Tommy's orders stand.
00:08:36I stand.
00:08:38One.
00:08:39Two.
00:08:40Please!
00:08:43Ray.
00:08:48I love you forever.
00:08:50Four.
00:09:02I love you.
00:09:02No!
00:09:04America!
00:09:05No!
00:09:06No!
00:09:06No!
00:09:07No!
00:09:08No!
00:09:08No!
00:09:09No!
00:09:10Alexia!
00:09:10No!
00:09:11Oh no!
00:09:20No!
00:09:21A big black cloud, come. A big black cloud, come. Yeah, come to Troop-Elo. Come to Troop-Elo.
00:09:34Yonder, under horizon. Yonder, under horizon. Stop the mighty river. Set the dancing dry. Distant thunder, rumble. Distant thunder, rumble.
00:09:48Rumble, hungry like the beast.
00:09:50The beast, it cometh, cometh down. The beast, it cometh, cometh down. The beast, it cometh, cometh down. To Troop
00:09:57-Elo-Bound.
00:10:02The green come down. The black green come down. Water, water, everywhere. An old bird can't fly. No fish can't
00:10:11swim. No fish can't swim. Until the king is born. Until the king is born.
00:10:20While the chief of the Council.
00:10:35Milano hagas a friend.
00:10:39H Quem.
00:10:40H
00:10:51And I'll tell you.
00:10:57It's after seven in the evening.
00:11:02And I'm gonna keep you alive.
00:11:05Until it gets light.
00:11:12I'll not deliver the final cuts.
00:11:16Until we can both hear the blackbirds singing outside.
00:11:25It's a beautiful sound.
00:11:30Which my wife will never hear again.
00:12:03Open your eyes, or I will cut away your fucking eyelids!
00:12:11Now look at me.
00:12:14Look at me.
00:12:18This is the end.
00:12:21This is the end.
00:12:29It was your tongue that gave the order.
00:12:35I'll take your tongue first.
00:12:41Then I'll take your ears.
00:12:45And I'll take your fingers.
00:12:48And your fucking toes.
00:12:52See, I'll take your balls first.
00:12:54You drain too fast like you fuckers do.
00:13:14I'll take your tongue.
00:13:16You won't be able to explain.
00:13:19I don't want you to explain.
00:13:22I want you to explain.
00:13:41I don't want you to explain.
00:13:48What the hell do you have felt that long?
00:13:56Come on, tell me.
00:14:00I forget who I am.
00:14:03I forget who I am.
00:14:06I'm a blinder. I'll take your fucking eyes first!
00:14:15I heard the blackbird sing.
00:14:31And we let his wife board the immigrant ship to New York.
00:14:35We didn't kill Mrs. Cangretta.
00:14:39That's all right.
00:14:44We're not those kind of men.
00:14:56Oh, and this one is for bravery.
00:15:04When this one is for me.
00:15:10And everything's a dollar in this box.
00:15:17You get rid of the body, John.
00:15:20And get rid of the house.
00:15:23For good.
00:15:24Cufflinks and hubcaps.
00:15:29And trophies and paperbacks.
00:15:43Come.
00:15:51I'm really sorry to bother you again, sir.
00:15:54But Chef insists on knowing what time the guests will arrive.
00:15:59Francis, for the last time.
00:16:02It's Johnny Dogs.
00:16:04They're gypsies.
00:16:05They camp down by the river.
00:16:06When they're ready, they'll walk up.
00:16:08All right?
00:16:09He says it's about preparation, sir.
00:16:12What is?
00:16:13He's us specifically.
00:16:15Will they arrive before the King's speech or after?
00:16:22October.
00:16:23He said he was new there, Chef.
00:16:26When did he join us?
00:16:28October.
00:16:33October.
00:16:36And he's fallen?
00:16:38He's Italian, sir.
00:16:39Oh.
00:16:42He's the best chef we've ever had in the house.
00:16:45No shouting or swearing or blaspheming.
00:16:48Do we owe his references?
00:16:50Yes.
00:16:53The only problem has been his assistant.
00:16:56What assistant?
00:16:57He brought an assistant with him.
00:16:59He calls him his sous chef.
00:17:05Are they still working, Francis?
00:17:07They'll be there till midnight, sir.
00:17:14All right, thank you.
00:17:16Good night.
00:17:16You can go to bed.
00:17:18Merry Christmas, sir.
00:17:22And I thought about your offer.
00:17:25I'd be happy to sit at your table.
00:17:29All right, thank you.
00:17:59This is Joe.
00:18:02Come on.
00:18:10What's your name?
00:18:11Max, Mr Shelby.
00:18:12Max.
00:18:16It's all right, don't get up.
00:18:18Oh.
00:18:20Sorry, sorry, sorry.
00:18:25You're new on Mr Shelby.
00:18:27Hello, sir.
00:18:29I haven't taken time to introduce myself.
00:18:33Antonia.
00:18:38What have you done that's so wrong, eh?
00:18:41Excuse me?
00:18:43See you, chef.
00:18:45Getting potatoes.
00:18:48It's an emergency.
00:18:49Late notice.
00:18:51Oh.
00:18:52Late notice.
00:18:54Right.
00:18:56All right, carry on.
00:19:07Antonio.
00:19:09To your ten pound.
00:19:12For the line notice.
00:19:14Please.
00:19:15Please.
00:19:25Get out of your way.
00:19:28Oh, no, no.atar
00:19:53You wanted to know if my guests would arrive
00:19:55before or after the King's speech?
00:20:00Eh?
00:20:01Yeah.
00:20:04It'll be after.
00:20:15How are you?
00:20:18Mr. Worried about tomorrow.
00:20:22Yeah, I'm worried about Antonio.
00:20:29You've been here two months and we've not met before.
00:20:32It's my fault.
00:20:33I've been busy.
00:20:36Tell Michelle, right?
00:20:41My hand has blood.
00:20:42Oh, mine too.
00:20:47Hi.
00:20:49How much do you pay, Antonio?
00:20:53I forget.
00:20:55Must be a lot.
00:20:57I was just getting 10 pounds.
00:21:00Didn't make a fucking thing to him.
00:21:06Maybe it isn't you that pays him.
00:21:20I've been reading up on you.
00:21:22Birds of Raleigh, Claridge's.
00:21:25You used to work in a place called San Marco's.
00:21:30On, uh, on Fleet Street.
00:21:36I used to know the man that owned San Marco's.
00:21:40A man called Darby Sabini.
00:21:43I've never met him.
00:21:44I've never met him.
00:21:45No.
00:21:46Maybe your, um, assistant, Antonio, maybe he's met him.
00:21:54Here's how it is.
00:21:56Antonio was sent from New York.
00:21:57I don't know.
00:21:59Please.
00:21:59Darby Sabini facilitated.
00:22:01He passed him on to you.
00:22:02He told you to bring him into my house.
00:22:04Threatened to kill you if he didn't do it.
00:22:07You got me to dress you like a dress that fucking stag.
00:22:09Please.
00:22:13You know about me.
00:22:15Right?
00:22:17You know what I do.
00:22:21You wanted to know when my guests would arrive.
00:22:23Because Antonio needed me alone.
00:22:25He's an assassin.
00:22:27He needs to kill me tomorrow.
00:22:31I don't know.
00:22:33They just said bring him here.
00:22:36Oh, no.
00:22:40I'll bring him here.
00:22:47Antonio!
00:22:50Antonio!
00:22:50Vini qua!
00:22:52Ti ho bisogno!
00:23:22Oh, you got social chair there.
00:23:26Huh?
00:23:27Ah!
00:23:31Ah!
00:23:33Ah!
00:23:34Ah!
00:23:34Ah!
00:23:35Ah!
00:23:35Ah!
00:23:35Ah!
00:23:36Ah!
00:23:36Ah!
00:23:37Ah!
00:23:37Ah!
00:23:38Ah!
00:23:40Ah!
00:23:44You are a black hand!
00:23:46You are a black hand!
00:23:48How many came from New York?
00:23:50Hey?
00:23:51How many fucking came from New York?
00:23:52Oh, thank God.
00:23:55For the sake!
00:23:57Is that a curse or a number?
00:23:58What did he fucking say?
00:23:59What did he fucking say?
00:24:01What did he fucking say?
00:24:02Are you?
00:24:02Yeah!
00:24:03Ah!
00:24:14If I can please kill or be killed,
00:24:19you go back to London,
00:24:21you tell Derby Sabini,
00:24:23he picked the wrong side in this war.
00:24:26Once we dealt with the Americans,
00:24:28we're going for him.
00:24:29Come on.
00:24:31Come on.
00:24:32Come on.
00:24:33Hey!
00:24:34You tell him about us.
00:24:36How come I find you?
00:25:03Move!
00:25:06Move!
00:25:18Move!
00:25:21Come on.
00:25:27Come on.
00:25:28Oh, fuck a show.
00:25:29Got nothing better to do on Christmas morning.
00:25:31Tommy wants everybody at Charlie's yard now.
00:25:34Come on.
00:25:35Get in.
00:25:36Get in.
00:25:36What's going to happen, mate?
00:25:38It's fucking Christmas.
00:25:39Look, John, we don't have time for this.
00:25:41All right?
00:25:42Just come to the meeting.
00:25:43Have some food.
00:25:46Hey.
00:25:46Tell Tommy Shelby we can look after ourselves.
00:25:48Tommy says that they could come for us today, isn't he?
00:25:50Tommy says.
00:25:50Tommy says.
00:25:51Are you his fucking parrot?
00:25:52Look, it's the Mafia, all right?
00:25:54This is the New York Mafia we're talking about.
00:25:56And we're the peaky fucking blinders.
00:25:58No, we're not, John.
00:26:00We're not the peaky fucking blinders unless we're together.
00:26:03We were together on the gallows.
00:26:04With one man missing.
00:26:07John.
00:26:09John, come to the meeting.
00:26:10All right? Think about the kids.
00:26:12Come to the meeting, and if you want to leave, then fine.
00:26:15No.
00:26:16It's Christmas Day.
00:26:18We're the family now.
00:26:19We're staying at home.
00:26:23Get in the fucking house!
00:26:24It's me.
00:26:26No!
00:26:28No!
00:26:58We'll like sitting ducks here if the wop's come.
00:27:00Yeah, well, Tommy said we should do it in the open.
00:27:19This is how John wanted to go.
00:27:22On the smoke.
00:27:23The truth is, we died together once before.
00:27:30Arthur.
00:27:32Me.
00:27:35Danny Whizbang.
00:27:38Freddie Thorne.
00:27:40Jeremiah.
00:27:42And John.
00:27:44We were cut off from the retreat.
00:27:47No bullets left.
00:27:50Waiting for the Prussian cavalry to come and to finish us off.
00:27:56And while we waited, Jeremiah said we should sing in the bleak midwinter.
00:28:06But we were spared.
00:28:09The enemy never came.
00:28:11And we all agreed.
00:28:15And everything after that was extra.
00:28:20And when our time came, we would all remember.
00:28:24You remember that God spared you?
00:28:27Well, what did you do with that extra time that he gave you, eh, Thomas?
00:28:42Come here.
00:28:43I hope this is the place.
00:28:45Take care of the guard.
00:28:46Leave the smoke to the Spanish.
00:28:49Come here and go.
00:28:50Come here.
00:28:51Come here.
00:28:52Come here.
00:28:53Come here.
00:28:54Come here.
00:28:55Come here.
00:28:56Come here.
00:28:58Come here.
00:29:00Come here.
00:30:02Do not return fire.
00:30:04I repeat, do not return fire.
00:30:07Stand down.
00:30:09The men doing the firing are on our side.
00:30:33I took the trouble of getting an invitation to Aberamma Gold.
00:30:40Oh, fuck.
00:30:42Now it's begun.
00:30:48Put it out in the open on purpose.
00:30:52You used John's funeral fire as a fucking beacon.
00:30:56We were never in any danger, Polly.
00:30:58You set a trap.
00:30:59Finn?
00:31:00Finn?
00:31:01Go to the yard and light the fires.
00:31:03You set a trap with us as fucking bait!
00:31:08Who's dead?
00:31:10Our enemies.
00:31:16Who's dead?
00:31:17You want to know, Paul?
00:31:20Two fucking local Italians heard about the vendetta.
00:31:22Tried to make a fucking name for themselves.
00:31:24That's who.
00:31:25We got word to them about the funeral.
00:31:28The where, the when.
00:31:30Tell them where to stand for the best shot.
00:31:33And Aberamma Gold will do the rest.
00:31:36That's the language of vendetta.
00:31:38I take one of ours.
00:31:39We take two of theirs.
00:31:42You used your own brother's funeral.
00:31:50When did we vote on this, Tommy?
00:31:55Curly?
00:31:56Get a boat ready to take the bodies to the city.
00:32:00And another boat.
00:32:01For anyone.
00:32:02Anyone who wants no more part of this.
00:32:05Because this is how it's going to be.
00:32:08Polly?
00:32:11I'm not staying for this, Arthur.
00:32:13I'm going home.
00:32:15Oh, yeah?
00:32:17Arms 57 Watery Lane.
00:32:19You go there.
00:32:21Lock the doors.
00:32:23You wait for me.
00:32:37Key to number 57.
00:32:38I'm going home to the country.
00:32:39You will stay here until it's over.
00:32:41Take the fucking key, Linda.
00:32:42Look, away from here,
00:32:43you are a weakness to all of us.
00:32:45They will take you hostage.
00:32:47And the baby.
00:32:48They will use the baby.
00:32:51Take it.
00:32:52Put the kettle on.
00:32:54Wait for your husband.
00:33:02The only way any of you Shelby's will leave this place is on a cloud of smoke like John.
00:33:07Well, you're a Shelby now, too, Linda.
00:33:14Five hundred each, a thousand for the brace.
00:33:16Where do you want them?
00:33:18Charlie, take them to the yard.
00:33:20What?
00:33:34Should all be ready?
00:33:37I don't know.
00:33:38I don't know.
00:33:39Bye.
00:33:40Bye.
00:33:47Let's go.
00:34:18Champagne, please.
00:34:19Of course.
00:34:22Madam, women alone are not allowed at the bar.
00:34:27Will someone be joining you?
00:34:30What do you think?
00:35:01What do you think?
00:35:16This is public enough, no?
00:35:20Yes.
00:35:25So?
00:35:27The boy in the hospital's out of bounds, and I'll ask you to spare Finn and Arthur.
00:35:35In the turn for what?
00:35:42Tommy Shelby.
00:35:49And why should I trust you?
00:35:54Because you know our history.
00:35:59You know what happened between us.
00:36:03You are an unlikely Cassius.
00:36:13You know, my mother.
00:36:18My mother knew your mother.
00:36:22She thought how to read.
00:36:26Did she tell you that John and Arthur spared her life when Tommy wanted her dead?
00:36:31Yeah.
00:36:34And now she's given me the information about you people.
00:36:38So Tommy Shelby was right.
00:36:44His, uh, ruthlessness was justified.
00:36:51You should have killed her when you had the chance.
00:36:57John was a good boy.
00:37:02Arthur tries.
00:37:06Tommy's different.
00:37:09You take Tommy.
00:37:11Spare the rest.
00:37:17You know.
00:37:20My mother used to say this about you.
00:37:24She said, that Polly Gray, that child would never let go of the grievance.
00:37:35And she loves to dance.
00:37:41What do you say, hmm?
00:37:45Want to dance?
00:37:52I don't dance anymore.
00:37:56Yeah.
00:37:57That's a shame.
00:38:05Because you're dancing with me.
00:38:22What are you doing?
00:38:27Oh, shit.
00:38:53Where I'm from, the head on the bends, the lurking.
00:39:02My family, who say it brings doubt, maybe, maybe that's what happened.
00:39:15Last time my man was sent to you, you got lucky.
00:39:29Now, it looks my mouth.
00:39:34I'm sorry.
00:39:39I'm sorry.
00:39:40I'm sorry.
00:39:41I'm sorry.
00:40:06And tell your mother, we have a deal.
00:40:17There's a devil inside of me, he's so dead on, and I don't know if he's staying for how long.
00:40:32There's a devil inside of me, he's so dead on, and I don't know if he's staying for how long.
00:40:45Parties, you know, is that what it is?
00:40:48What's this a party, eh?
00:40:50I've got a heart of it!
00:40:52Look at that house!
00:40:58You say, I wasn't going to hit you, but that wasn't fucking nice.
00:41:16Don't fucking move!
00:41:19Don't fucking move!
00:41:20Don't fucking move!
00:41:21Don't fucking move!
00:41:25Fuck your fucking revolution!
00:41:27If I don't ride back at the stars…
00:41:37I won't fucking move!
00:41:41Ah!
00:41:42Yeah…
00:41:55If I'm not walked back!
00:41:57Because of me!
00:42:12All right, let's go.
00:42:46Oh
00:43:05What are you guys?
00:43:07Come here.
00:43:09Fucking hit, man, are you?
00:43:11You know what you are?
00:43:14Both of you shall be, I.
00:43:16That's who you wanted.
00:43:19What about...
00:43:20What about fucking...
00:43:22John Shelby?
00:43:24What?
00:43:51John.
00:43:52John.
00:43:52Oh!
00:43:54Oh!
00:43:56Oh!
00:43:58Fuck!
00:43:59Oh, my God.
00:44:29Oh, my God.
00:45:01Well, why don't you move it out of the way?
00:45:03What?
00:45:06I said, why don't you clear it so that we can get past?
00:45:10What's that accent?
00:45:12We're Americans.
00:45:14We're here on business, so...
00:45:16Well, you're going to have to wait.
00:45:19Jesus Christ.
00:45:20We waited for you fucking yanks until 1918.
00:45:25It'll be clear in 20 minutes, all right?
00:45:27Yeah, all right.
00:45:28Thank you, officer.
00:45:30Big fucking hell.
00:45:33You're talking about the war.
00:45:42Everything here is about the war.
00:45:57Well, come on.
00:45:58Let's go move it ourselves, fucking idiots.
00:46:11What's this?
00:46:12Which wagon is that?
00:46:14They're gypsies.
00:46:15Tribe of fucking gypsies.
00:46:22I said it'd be clear in 20 minutes.
00:46:26Let's go.
00:46:30Hold on another way out of here.
00:46:37Go.
00:46:39Get us the fuck out of here.
00:46:42Come on, fucking move.
00:46:46Mikey, fucking move.
00:47:13Put the guns down!
00:47:15Put the guns down!
00:47:17We're good to get us.
00:47:17Let's go.
00:47:19Oh, no!
00:47:21Oh!
00:47:28policemen
00:47:29Oh!
00:47:33Oh!
00:47:43Aku!
00:47:44Hey.
00:47:45Nice.
00:47:4610,000.
00:47:50Save time.
00:48:20Come on!
00:48:34Go, go, go!
00:48:39I'm here!
00:48:41What do you do, brother?
00:48:50Come on.
00:48:52Come on.
00:49:05It's all right, love.
00:49:06It's all right. Come inside.
00:49:08Come inside. Come inside.
00:49:09Listen to me. Stay inside.
00:49:11It's the dugout.
00:49:19Go in.
00:49:21Fork that.
00:49:31Yes.
00:49:32Yes.
00:49:36Yes.
00:49:37Yes.
00:49:38Yes.
00:49:39No.
00:49:39Yes.
00:49:41Yes.
00:49:41No.
00:49:42Yes.
00:49:43Let's go.
00:50:20Get away from the window.
00:50:22Right, stay inside, stay down.
00:50:37Everyone stay indoors!
00:50:39Stay down!
00:50:40I'm all of the pinky blinders!
00:51:14I don't know.
00:51:35Come here.
00:51:45Which way?
00:51:46Which way did he go?
00:51:51You sure?
00:51:53You sure?
00:51:55You sure?
00:51:59I don't know.
00:52:45I don't know.
00:52:55I don't know.
00:53:29I don't know.
00:53:32Let's go!
00:53:33No!
00:53:34It's a strange place.
00:53:36No, no.
00:53:38We have a lot of money.
00:53:40Let's go!
00:53:53Let's go!
00:53:55Let's go!
00:54:13Let's go!
00:54:14Let's go!
00:54:15Let's go!
00:54:16Let's go!
00:54:17Let's go!
00:54:19Hey!
00:54:21I know you own the cops in this dirty fucking town, but you're gonna be dead before they
00:54:27get here.
00:54:29Come on!
00:54:30Me and you, Tommy!
00:54:33Come on!
00:54:43Come on!
00:54:44Yeah!
00:54:47Señor hizo!
00:54:51La vaneta de todo!
00:54:55Padre mío!
00:54:58Guardame!
00:55:01Esta vaneta!
00:55:04Peppa rapatio!
00:55:15Peppa rapatio!
00:55:28Peppa rapatio!
00:55:30No!
00:55:32No!
00:55:34No!
00:55:35No!
00:55:37Enough!
00:55:38I said enough!
00:55:39I said enough!
00:55:42Get out of me!
00:55:43Get out of me!
00:55:45Enough!
00:55:46Fuck you, don't you?
00:55:48I'm saving your life!
00:55:50Always!
00:55:51I'm a police officer, Tommy!
00:55:53I'm a fucking police officer, right?
00:55:56Doing my duty!
00:55:57Stopping all this!
00:56:02Three bodies!
00:56:04We're cleaning up!
00:56:05No!
00:56:06Enough!
00:56:07Tell the people who live in these houses that they are afraid to go about their lawful
00:56:14business!
00:56:15Tell them that the rule of law has been restored!
00:56:20Haven't you heard something?
00:56:21Eh?
00:56:23Soldiers are coming!
00:56:34I believe it!
00:56:36Where's he going?
00:56:37Sit down and watch the fights, eh?
00:56:38What's that?
00:56:39Come here!
00:56:40Let me do my fucking job!
00:56:51I miss you!
00:56:52Oh, my God.
00:57:35Oh, my God.
00:57:54Oh, my God.
00:57:54Oh, my God.
00:58:23Come on, buddy, boy.
00:58:25Buddy, come on, kill him.
00:58:33Oh, my God.
00:58:40Come on, buddy.
00:58:42Oh, my God.
00:58:51Come on.
00:58:54Come on.
00:58:58Come on.
00:58:59Come on.
00:59:04Come on.
00:59:24Arthur?
00:59:38Oh man.
00:59:58No.
01:00:00Ah!
01:00:01Yeah!
01:00:03Oh!
01:00:06Oh!
01:00:21Ah!
01:00:25Ah!
01:00:30Ah!
01:00:38Ah!
01:00:42Ah!
01:00:44Ah!
01:00:45Ah!
01:00:46Ah!
01:02:09Yes!
01:02:10Yes!
01:02:12Tommy, what's happened?
01:02:16Arthur's dead.
01:02:18He's dead.
01:02:32Tommy, we have the other wap.
01:02:35Couldn't have had a wire in his pockets.
01:02:46Go on, Finn!
01:02:49Go on, Finn!
01:02:53Take his eyes, Finn.
01:02:55Do it for Arthur.
01:02:58Take his fucking eyes!
01:03:03No!
01:03:06No!
01:03:09No!
01:03:12No!
01:03:14No!
01:03:26No!
01:03:29No!
01:03:30No!
01:03:32No!
01:03:33No!
01:03:33No!
01:03:33No!
01:03:34No!
01:03:35No!
01:03:37No!
01:03:38No!
01:03:39No!
01:03:45No!
01:03:47No!
01:03:47No!
01:03:47No!
01:03:47No!
01:03:47No!
01:03:48No!
01:03:48No!
01:03:48No!
01:03:50No!
01:03:52No!
01:04:05No!
01:04:07No!
01:04:07No!
01:04:07No!
01:04:10No!
01:04:12No!
01:04:16No!
01:04:20No!
01:04:21No!
01:04:51It's alright, let her go.
01:04:52Welcome.
01:05:02Please, until we're finished.
01:05:25Your note talked about making terms for peace, but my son says there are no terms.
01:05:34You took my husband and my son.
01:05:38We took two of your brothers.
01:05:43The vendetta is done.
01:05:45We say the vendetta is won.
01:05:48We will take everything you have.
01:05:51All your business is signed over to us.
01:05:56You agree to this.
01:05:59Or my son will kill you all, one by one.
01:06:06The vendetta is won.
01:06:09That's it.
01:06:13No more killing.
01:06:16Did you think you were Mr. Shelby?
01:06:20Okay.
01:06:24Okay.
01:06:35Okay.
01:06:40Bye bye.
01:06:41Bye bye.
01:06:43Bye.
01:06:45Bye.
01:06:55Bye bye.
01:07:21All that's left are the peaky fucking blinders.
01:07:47I've had my lawyer draw up these papers, cover, uh, every enterprise
01:07:56in your possession, bars, restaurants, warehouses, every fucking thing that you have taken all
01:08:08these years to gather together.
01:08:13You all signed them all over to my family.
01:08:22Or you're gonna die right here.
01:08:35I would have buried you all.
01:08:39But my mother, she, uh, she knows you.
01:08:43She said it'll be worse for you if I let you live and take away everything that you have.
01:09:01Search him.
01:09:12Especially don't trust this bitch.
01:09:15Search him.
01:09:44So, sign every fucking one of them.
01:09:55You can sign them on your knees, on the floor.
01:10:11Get on your fucking knees and sign!
01:10:18A friend of mine once said,
01:10:22Ah, big fuck small.
01:10:26So I had to find someone bigger than you.
01:10:30You may know there are two families in Brooklyn
01:10:33who want to take over your monopoly
01:10:35and the import of liquor into New York.
01:10:37But if they move against you in New York,
01:10:40they'll start a war between the families.
01:10:43But if you were to die in a vendetta
01:10:47with some fucking bookmaker in Birmingham,
01:10:51I could take over your business without a war.
01:10:56We also contacted a businessman in Chicago.
01:11:03He's also interested in moving into the liquor business in New York.
01:11:08His name is Alphonse Capone.
01:11:13You've been talking to that fat fuck.
01:11:17See, all the blood relatives you brought with you from New York,
01:11:20they're all dead, Mr. Cangretta.
01:11:23And these men here,
01:11:25they worked for money for the highest bidder.
01:11:28They now have new orders.
01:11:32Is that right?
01:11:38Is that right?
01:11:45I'm there.
01:12:04Very welcome.
01:12:18Oh, my God.
01:12:41Arthur's been injured, but he's all right, Paul.
01:12:46We need to make them believe that he's dead.
01:12:51To everyone but you, me, and Linda.
01:12:57Arthur Sharpie is dead.
01:13:01I've got it all worked out.
01:13:03I can use his death to win this war.
01:13:18Tell your people in Chicago that Michael Gray
01:13:23will sign the import license to New York.
01:13:26300 barrels of English dry gin a month.
01:13:30Leave.
01:13:32All of you.
01:13:36Tell your boss what you saw here today.
01:13:39Tell him.
01:13:43You don't fuck with the Peaky Blinders.
01:13:56Tell your boss.
01:13:56Tell your mom a couple.
01:13:56Did you hear me?
01:13:56Tell your mom a couple.
01:13:56You don't fuck with it.
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