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Watch Vanished Season 1 Episode 2 online in HD on Dailymotion (2026).
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00:11You
00:18Hey stranger
00:19I got offered a teaching position. You and I could live together
00:26Sir, I can't. One sec.
00:30Did my boyfriend return?
00:32Uh, no.
00:37Do you know how many people are reported missing each day in France?
00:43I know where Tom got off the train. There was a door in the conductor's office.
00:48Oh, the conductor is in the conference now. This is all getting quite dramatic.
00:51His name is Marie Chirou. He was hiding something I could tell.
00:54The police are either useless or corrupt.
00:57Tread carefully, Miss Monroe.
00:59You know Tom better than anyone.
01:02Who has he been in touch with lately?
01:05Uncle Brian. He's in London.
01:08You probably know more than you realize.
01:12It's a sign I rose, Finch.
01:14Reminds me of you.
01:29If you love me with love
01:38Tell my heart which way to go
01:46Hey, look at this.
01:50What was that?
01:51Well, it's pottery.
01:54Maybe Greek.
01:56It's probably been here for hundreds of years.
01:58It's so beautiful.
02:03Here.
02:06No, you keep it.
02:08Why?
02:10During those nights when you're in one far flung corner of the earth and I'm in another,
02:15I want you to think of me with the same wonder and tenderness as you do when you look at
02:18that piece of clay.
02:19We're too weary hearts
02:21Yeah.
02:22Aglow
02:23No
02:27If you love me, let me know
02:35Once the moon should take a bow
02:42Maybe you'll find the world
02:52Hey
02:53You
04:49Hi, this is Tom Parker.
04:58Alice?
05:00Yeah, hi.
05:02I'm Alex Durant.
05:04I've heard so much about you from Tom.
05:06You have?
05:07You know Tom?
05:07Yes, of course.
05:08We used to work together in the field before I became a suit.
05:30There were some people.
05:39I'm sorry.
05:41I know he's coming here after vacation, so there's no need for him to call him before.
05:46We encourage our people to take a complete break when they're on holiday,
05:51and especially Tom, after what he's been through.
05:55What do you mean?
05:58How's he been since the incident?
06:01What incident?
06:06I'm sorry, I thought...
06:09What incident?
06:12Okay, I'm going to tell you this, but when Tom comes back all happy and healthy,
06:19I'd prefer if you kept me out of it, okay?
06:20Just tell me what happened, please.
06:25It happened about nine months ago in Jordan.
06:30There was this young boy named Malik, just eight years old,
06:36and he lived in one of the camps where things were already hard, but that night it got even worse.
06:43His mom went into labor alone in the middle of the night.
06:47She was very sick, had no one to help her, so Malik ran for four miles,
06:52all the way to where the SOS team was staying, and got Tom to drive them to the hospital.
06:58The baby was delivered safely, but the mother's condition kept getting worse.
07:04So, with his mom's sake, Malik dropped out of school, scavenging for food.
07:11He tried to take care of his family, and Tom saw what was happening.
07:18And Tom being Tom, he promised Malik that if he went back to school,
07:22he would make sure his family was taken care of.
07:26But, unfortunately, bandits raided the camp.
07:35They took women and children no one knew who had survived.
07:42And Tom was obsessed.
07:44He spent weeks searching for Malik and his family, and...
07:52Eventually, they found him.
07:56The boy alongside his mother and sisters in a mass burial pit ten clicks outside of the camp.
08:08We all have our breaking point, and that was Tom's. At least I think it was.
08:13But he didn't want to pack it in. We got him a counselor. We tried to give him support.
08:17But something in him had shifted, yeah?
08:21He disappeared, sometimes for days.
08:23There have been discussions to take him out of the field,
08:25because he wasn't himself anymore. He just seemed lost.
08:30Alice, I don't think he ever really came back from what happened.
08:41Sorry, I...
08:43You didn't know any of this?
08:45Ow.
08:48I just don't understand why he couldn't tell me himself.
08:54The world is in crisis every minute of every day.
08:57Our people here see enough depravity for a thousand lifetimes.
09:01Sometimes it just gets unusual.
09:04He just seems so normal in Paris.
09:06But maybe that dose of nomadity was the thing that shook him.
09:10But he'll show up. If it's not tomorrow, then soon.
09:13I'll call Jordan, and if he contacts anyone there,
09:16I'll make sure to let me know.
09:22Don't worry. Alice will find him.
10:47Hello?
10:48Hey, Helen, it's Alice.
10:50Hello, Alice.
10:52Has your boyfriend returned?
10:53No, he hasn't.
10:55But does the name Orly mean anything to you?
10:58Is it a place in Marseille?
11:00It could be a person...
11:01Aurélie?
11:02Where did you find that?
11:05I was looking in Tom's notebook, and it's...
11:07It was in there.
11:08Oh, really?
11:10It could be anything or anyone.
11:13Anything else in the notebook?
11:15Not really.
11:16I was just on a post-it note.
11:18Okay.
11:19Leave it with me.
11:20I will look into it.
11:51How do you know it's a boat?
11:53Oh, I don't.
11:54It's a hunch.
11:56Would you prefer it to be another woman?
12:00Look around you.
12:01What do you notice?
12:04Men paint women's names on their boats
12:07to pretend those women are central to their lives.
12:11And then...
12:12they run away to the sea with their buddies.
12:17Et voilĂ .
12:20Aurélie.
12:29Anyone here?
12:30Bonjour?
12:32Hello?
12:34Y'a quelqu'un?
12:35Mom, what are we gonna do?
12:39What the heck?
12:40What?
12:41Oh.
12:42Every good journalist carry them.
12:45Oh, my God.
12:46Keep lookout.
12:48Yeah.
12:50Yes.
12:53I'm sorry.
12:58I'll tell you what you're saying.
12:58No by the way.
13:05I won't.
13:06You should run out.
13:06This way, you should be coming.
13:07It's very good.
13:07You should.
13:07I'm done.
13:07I'm done.
13:08You should do this.
13:09I'm done with this.
13:10I'm done with this.
13:10You should be good.
13:10I'm done with this.
13:10Go away now.
13:17I think this is easiest.
13:18I want to go now.
13:18I can't see what it's all about.
13:21I don't know.
13:24I am not going to waste my time.
13:24I will run a little of several times.
13:32I'm just going to keep my time!
13:32While I got my time, I was going to try to put it in.
13:34I was like, You know, I got my time to try to keep my time.
13:52Oh, my God.
13:58Is it his?
14:06Alice, Alice, Alice, Alice, Alice, Tati?
14:33It's Uncle Brian. He's in London.
14:38It's Uncle Brian. He's in London.
14:42Who are you going to tell me about that?
14:45I was wondering when you'd notice.
14:47He may be useless with cars, but he could talk a dog of a mitra.
14:51A dog of a dog.
15:10I came as soon as I could.
15:12Hi.
15:15Yeah, I spoke to Jordan.
15:18You were right.
15:20Tom did make a call on Thursday morning.
15:24And?
15:25He wanted to be put through to one of his colleagues.
15:31Alice, there is no easy way to say this.
15:35No, I met her, actually.
15:40That woman that you're...
15:42Were they...
15:46Are they...
15:47It's really not in my place to speculate.
15:50Come on.
15:57He's not thinking rationally.
16:07So, what happens now?
16:12My goddess, he will show up somewhere,
16:14or makes contact with someone in the next 48 hours,
16:18and then you both need to decide what happens next.
16:23If I were you, I would go to Al.
16:26Go to Al.
16:27There's no need to hang around in my say.
16:30If he turns up, you'll be the first one to know.
16:33Okay?
16:35Okay.
16:37Alice, um, uh, uh, I wish I had better news.
16:40I'm sorry.
16:41No, it's okay.
16:42You've been very kind to me.
16:48Call me for Ma, yeah?
16:51If you need anything at all.
16:53Okay.
16:53I'm sorry.
17:28I don't know.
18:20I don't know.
18:37I'm buying him.
18:40Hi.
18:41Hi.
18:42Hi.
18:42Hi.
18:43Uh, Tom.
18:44Rafiq.
18:46Okay.
18:48You came.
18:49Well, one thing I learned living here, if an attractive woman invites you to a party on a Friday
18:55night, you go.
19:19Is everyone here from the dig?
19:22Yeah.
19:23Yeah.
19:23Why?
19:24I kinda want you to show me your world.
19:30Come on.
19:38Yeah, this is totally illegal, you know.
19:40We get caught.
19:42What?
19:43Well, I could get fired.
19:47What's that man back there, your boss?
19:50Rafiq?
19:51Yeah.
19:51Why?
19:53I think your job is safe.
19:57Whoa.
19:59What?
19:59Really?
20:00Mm.
20:01Come on, let's go.
20:05Come here.
20:10Yeah.
20:11This was built by the Nepotians.
20:15Oh, so what's that?
20:16Ninth century?
20:17Fourth century.
20:18A.D.?
20:19B.C.
20:19B.C.
20:20Cool.
20:22Did you say the Nepotians?
20:24No.
20:24Oh, you didn't hear me?
20:25No.
20:25Oh.
20:25Now you know.
20:28That's what all it was.
20:29Yeah, sure.
20:30You know, it actually flourished due to trade routes, incense, spices, silks, and of course
20:35its gorgeous rock-cut architecture.
20:39It was annexed by the Romans and fell into total disrepair.
20:42By the time the earthquakes hit in the sixth century, entire infrastructure was basically
20:47destroyed.
20:48So when the Ottomans got here, they didn't know what to do with it.
20:51They just kind of left it.
20:55As is.
21:00Is that interesting to you?
21:03Very.
21:03Okay.
21:12Are they working?
21:16Actually?
21:23I'm just not having enough time to go right away.
21:34He's coming back.
22:02He's coming back.
22:52He's coming back.
23:02He's coming back.
23:38He's coming back.
23:41He's coming back.
23:41He's coming back.
23:42He's coming back.
23:50He's coming back.
24:21He's coming back.
24:35He's coming back.
24:46He's coming back.
24:54He's coming back.
24:54I think she slept together about a month ago.
24:56It wasn't a big deal, kind of casual, but now it is a big deal because I'm pregnant with Maurice's
25:00child.
25:01I need to speak to him right now.
25:02What's this?
25:09What's he's coming back?
25:16I'm sorry.
25:17I'm sorry about my colleague.
25:18Sorry.
25:19Of course, I give you his address. Thank you
25:49Oh
26:05Stop
26:34My baby, what are you doing ?
26:36I lost you, it's what the hell ?
26:38Come on, why don't you talk about me ?
26:40I promise you won't be like mine !
26:42Alex, 20 minutes !
26:44Let me give you 20 minutes !
26:49Do you think you're so gay ?
26:50You're a f**k, you're a f**k !
26:51Back up !
26:52Oh !
26:55Get out of my way !
26:56Why are you still alive ?
26:58Tranquille !
27:00How are you ?
27:01How about you ?
27:02You're going to be hurt, stop !
27:04It's obvious that she hasn't taken it !
27:06Yeah, it's obvious !
27:08It's like that I'm holding you !
27:09Why don't you trust me ?
27:14How are you doing now ?
27:15What's up ?
27:19Look at me, I'm going to talk about it !
27:27Come on !
27:27Come on, let's dance to the bachata, come on !
27:29Come on, let's dance to the bachata !
27:30What are you doing ? I call the police !
27:32Oh !
27:34You hear me ? Are you sick ?
27:35Come on, let's go !
27:37Put your mouth on the head !
27:39What are you doing ?
27:40You're talking to me once again like that, I'm just in column !
27:43No, no !
27:44I call your mother !
27:48You're talking about for a minute !
27:50No, let's go !
27:58OK mĂĄĂ© !
27:58He knows where he pulls, he does you !
28:00No, no !
28:05He went up !
28:08Hello !
28:08Man !
28:10Look at him !
28:11Put out, I have the edges !
28:14We're going up !
28:14No, no !
28:14The full eldest !
28:15Tchockier !
28:15Cubanera !
28:15irgendwie old !ŃĐșĐžŃ
28:16!
28:40Hello, Mr. Giroux.
28:56Oh, my God.
29:12Oh, my God.
29:14Oh, my God.
29:15Oh, my God.
29:17No, no, no, no, no.
29:19Okay.
29:25Oh, my God.
29:26What the fuck?
29:32Madame?
29:35Madame?
29:37Madame.
29:37Madame, hold on.
29:38Wait, wait, wait.
29:39Hold on.
29:40It's okay.
29:40I know.
29:42I'm sorry.
29:43I don't know.
29:44I just got in here.
29:45Oh, my God.
29:47Oh, my God.
29:50Oh, my God.
29:51Come on in!
29:52Come on!
29:55Come on!
30:09Come on!
30:11Look at this, it's the one of the other people.
30:14It's not professional.
30:15Yeah!
30:18Oh!
30:19Oh!
30:21Oh!
30:23Oh!
30:23Oh!
30:24Oh!
30:25Oh!
30:26Oh!
30:27Oh!
30:28Oh!
30:30Oh!
30:32Oh!
30:34Oh!
30:37Oh!
30:39Oh!
30:39Oh!
30:40Ta meuf elle trace de ouf, ouai !
30:44EhĐœĐŽ ìí©!
30:45Vas-y sĆur on t'a grillĂ© !Detćque
30:46as putain je vais m'occuper de toi ! Je connais chaque
30:54rencontre et chaque ŃŃai d'ici ! Mack Mack,
31:01alle, tu quoi... Elle a dĂ»
31:01filer par lĂ ? Venez on a
31:02carrément pour la rue !
32:04It's not a matter of policies.
32:06It's a matter of marketing.
32:08When did you get so cynical?
32:09Come on.
32:10Excuse me.
32:15Something has happened.
32:16I need to see you right away.
32:18Alyssa, is everything okay?
32:21I thought you'd left.
32:21No.
32:22No, it's not.
32:23I just went to see the conductor, the one from Tom's train, and when I got there, he
32:27was dead.
32:27He was dead.
32:28He was dead.
32:28He was dead.
32:29Wait, wait, wait.
32:30Slow down, okay?
32:31Are you okay?
32:32Yeah, I saw the man who did it.
32:36What man?
32:37He was very muscular.
32:38He had very dark hair with like a bun.
32:40Mm-hmm.
32:42Where are you?
32:44I'm at the Hotel Perron, room 218.
32:48Okay, I'm coming.
32:49Okay, thank you.
33:07She saw you.
33:10She's at the Hotel, room 218.
33:14Go there.
33:15Now.
33:17Go there.
34:00What?
34:01I was right about the conductor.
34:03What?
34:04I went to his apartment, but when I got there, he was already dead.
34:06Someone slit his throat.
34:09Who have you spoken to?
34:12Um, just one person from Tom's charity.
34:14He's coming actually to meet me right now.
34:16Alice!
34:17Which hotel?
34:18Which hotel are you staying at?
34:20Perron.
34:21I'm coming now.
34:23Do not speak to anyone.
34:25You hear me?
34:25Do not speak to anyone.
34:40Oh!
34:59I heard you.
35:00I heard you...
35:01Oh!
35:06Yeah, I heard you.
35:14I have a delivery for Alice Monroe.
36:06I have a delivery for Alice.
36:18Get in! Now! Quick! Quick!
36:32Are you okay?
36:35Yes? Okay?
36:37I'm having a panic attack.
36:39Breeze.
36:41Oh, my God.
36:42Breeze, Breeze, slowly.
36:44Oh, my God.
36:45You're safe, Alice.
36:48It's Durand.
36:49The works at SOS, not Anthem.
36:52No, he's been helping me.
36:53I cannot protect you if you do not want to be protected.
36:57Uh...
36:58Does he know which hotel you are staying at?
37:00Yes, but who else knows?
37:03I guess Inspector Drax knows, but...
37:05Okay, so at least one of them is trying to kill you, huh?
37:11I didn't tell you about SOS.
37:14How do you know that's where Tom worked?
37:20How do you know that's where Tom worked?
37:25It's my job.
37:27What is?
37:30To... to know things.
37:32Okay, you better start telling me some truths or I'm gonna call him back.
37:34Don't be so stupid.
37:36Okay, fine.
37:36Don't be so... please!
37:42Tom got off the train because of me.
37:45What?
37:46I will explain.
37:47What?
37:48First, first, we need to go somewhere safe.
37:51First.
37:54I...
37:54Shit, my bags are at the train station.
37:57Okay.
37:58Don't worry.
37:59Let's go to the train station.
38:01Seriously, what is going on?
38:23I'm something like a bed noir for your former lover.
38:30The truth is, for the past six months, I've been investigating him.
38:36On the train, I was following him.
38:40Either he saw me or someone told him I was on it and he must have panicked and got off.
38:47Why on earth are you investigating him?
38:51I believe Tom Parker runs one of the largest human trafficking operations in the Middle East.
38:59Tom.
39:00Yes.
39:06I have reason to believe.
39:09Oh, no.
39:09You are... you are so, so far off on this one that Tom would never, ever...
39:16Did you know he kept a boat in Marseille?
39:20So you knew about the boat?
39:22Yes, of course.
39:25So you lied to me.
39:26No.
39:27I withheld the truth.
39:28That's very different.
39:30I thought you were helping me.
39:32I was investigating you.
39:37Who do you work for?
39:38Oh.
39:39I'm freelance.
39:41Suits me better.
39:42Yeah, when did they let you go?
39:47Five years ago.
39:50Yes.
39:51I'm not going to listen to any more of this nonsense.
39:53You don't know Tom at all.
39:54I'm leaving.
39:56Where to?
39:56Who?
39:57It's the police, obviously.
40:00You told me only two people knew you were staying at Le Perron, right?
40:05Durand and Drax.
40:07So the question is, which one is trying to kill you?
40:11If I had to choose, I would bet on Durand.
40:14He's too smooth, too polite, too, too German.
40:17Okay, no.
40:17No.
40:18Alex has been kind.
40:19He's been helpful.
40:20Okay.
40:20So Drax.
40:22Hmm.
40:23The city is packed with dirty cops.
40:25Maybe he plans to set you up for Gero's murder.
40:28Oh my God.
40:28This is insane.
40:30There has to be a very simple explanation for all of this.
40:33Explanation?
40:34For what?
40:35A guy showing up at your door, ready to kill you?
40:38Give me a simple explanation for that.
40:45Have you seen the news?
40:50Un crime brutal a bouleversé Marseille ce soir.
40:53La police a ouvert une enquĂȘte aprĂšs la dĂ©couverte du corps de Maurice GĂ©rou, 45 ans, retrouvĂ© sans vie Ă
40:59son domicile en début de soirée.
41:01Selon les premiÚres informations, une femme aux cheveux bruns aurait été vue quittant les lieux peu aprÚs l'agression.
41:06Elle est désormais activement recherchée et considérée comme principale suspecte.
41:10You have nowhere to go.
41:11ContrÎleur Maurice Gérou, nous recherchons activement la suspecte numéro 1.
41:16Une Américaine dénommée Alice Monroe, la trentaine.
41:19Vous avez la moindre information concernant cette personne.
41:22Vous avez la moindre information.
41:24Contactez la police.
41:28Commentez-nous sur le terrain ?
41:35Tout le monde, Ă©videmment.
41:36Tout le monde, nous recherchons davantage de la nuit.
41:36C'est la sortie du corps qui est négligible.
41:38C'est la sortie des marismans, une tracée.
41:38Une blouse des marismans.
41:43Il y a fort, c'est la sortie.
41:43Aux et des marismans.
41:43MĂĄs de la nuit.
41:43Tout le monde, il est boncane.
41:43Il y a plus.
41:45Il y a plus.
41:47C'est la sortie du corps.
41:49Il y a plus.
41:49Bien.
41:50Un argent.
41:50Il y a plus.
41:51Il y a plus.
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