- 6 hours ago
Detective.Hole.S01E08.540p.X265.AAC [Full Movie] [Vertical Drama]Full EP - Full
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Short filmTranscript
00:28You
00:39You
01:09You
01:09You
01:10You
01:10You
01:11You
01:12You
01:13You
01:17We
01:18We have a problem
01:19Olaf has disappeared
01:20We are on every place he was in Bank
01:23Okay
01:35I
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04:45It's possible land.
04:47It was a time I could survive.
04:49A few days ago.
04:51I moved to Prague when I was 20 years old.
04:53The city was full of alcohol,
04:56hungry tourists,
04:57and poor people.
04:58I did it.
05:00I did it.
05:01I took women,
05:03but I took what I needed.
05:05I need to be flexible.
05:19I thought I could not continue the life
05:21as long as I could.
05:23So suddenly it was an unexpected
05:24possibility.
05:29Gubben just looked at Sugit.
05:30He was a snuggler.
05:32His specialty was
05:34pentagram-formated bloodstiamanter.
05:36From Sierra Leone.
05:38He wanted to move on,
05:40so he looked after a protégé.
05:42I said, my nordiska pass,
05:45my appearance,
05:46it was a great opportunity.
05:49I accepted the offering.
05:51He took it under his wings.
05:54I was like,
05:59I'm sorry.
06:04I can't wait.
06:06I can't wait.
06:07I can't wait.
06:08I can't wait.
06:08I can't wait.
06:10I can't wait.
06:12I can't wait.
06:13I was pretty good at it.
06:15They took me just one time.
06:19Then I realized that if I could get women
06:20to love me,
06:22and get them to send me money then and then,
06:24over a longer time,
06:25I felt like a lot of money on that,
06:27without taking any risks.
06:30For three years ago,
06:31I ended up with it.
06:33Just a smoke.
06:35What did you do?
06:39Petra.
06:42Petra.
06:43Hi.
06:44Excuse me.
06:47I couldn't help noticing you from across the room.
06:51Do you want a drink?
06:57Do you know how it feels,
06:58the first time you've seen that you have money,
07:01that you have the power of yourself,
07:02and other people?
07:04I'm trying to end up with women for money.
07:07I'm going to end up with weapons.
07:08I'm going to end up with weapons,
07:09and just hold on with the blood risk for them with stones.
07:12It's more money in weapons.
07:14That's when I got contact with the prince.
07:18How was it?
07:20It was first long later that I got to know from the police.
07:24As usual,
07:25at the first meeting,
07:26I document everything.
07:28When I have someone who is a tourist in the neighborhood,
07:30I take pictures of everything,
07:31and then some of the pictures of us.
07:33If you have a client interview right for yourself,
07:35you can copy the pictures on the post,
07:37a reminder,
07:38and then there's no problem.
07:39But it didn't need to be the prince,
07:41it was the order of everything.
07:43It was always a point.
07:45So the prince was the only one who had known the Norwegian?
07:48He was the only one who had known the Norwegian.
07:50In the morning I got contact with a man.
07:52He spoke Swedish,
07:53but it looked like he had been in Norway for a long time.
07:55He had clearly done research.
07:57He knew about his mother in Oslo,
07:59and he knew about these pentagram-formated blood diamants
08:02that he had had as a specialty several years ago.
08:05What was his name?
08:08He didn't know.
08:11He knew he had to help with weapons.
08:12So he wanted to go,
08:15he wanted to have a trash-combedroom,
08:18and he gave me everything.
08:22What was it that it was, Jon?
08:24So, all the last time?
08:26He had very specific needs when it was about the delivery.
08:29I was going to go to the park.
08:31We were a little,
08:32at 5 o'clock in the afternoon,
08:34in the middle of the rush.
08:35It was great to come here and from there,
08:39I was going to take care of him.
08:40There was no risk that someone would know me in Oslo.
08:43I didn't know that many of them.
08:46I was going to take care of a norther in Prague once.
08:48He was on a wedding trip.
08:51But it was just a job for me.
08:54I was going to take care of him.
08:54I got the goods in a certain soda.
08:57The money was sent in for the Contour Schweiz
08:59in the previous way.
09:01The day after the delivery,
09:02he would call him and
09:04he would have a new delivery.
09:05The same place,
09:06the same procedure.
09:08This was done in the same way,
09:11three times a while.
09:12Five days later.
09:13The last time he wanted to have two delivery
09:15on Saturday and on Sunday.
09:17That day,
09:19the night earlier in the afternoon.
09:20The ribbon at the back the back the office
09:23was the opportunity for you.
09:25Hmm.
09:31Hi.
09:32Hi, it's Harry.
09:34Hey, Harry.
09:35How good you invited me,
09:36because I just talked with Mariaminoff.
09:38There are people who take pictures
09:40and such pictures.
09:43Can you help me?
09:45What do you mean?
09:46It's true for my part.
09:49Definitivt.
09:56So Overbetjent Hole
09:58has taken a series of murderers from the rest,
10:02and no one knows where they are?
10:05We have a little and experienced group on the case
10:10and we have to take care of Wohler.
10:12It's also Wohler who leads the lead.
10:14Why aren't the patrols orientated?
10:17And the crime?
10:21We thought we would wait after this meeting.
10:25Hear...
10:26Hear what you thought, Ivar.
10:29What did you think about it?
10:30Wohler has promised to find them in one day.
10:34So far we have control over the spread of information.
10:37It's us four,
10:38and it's Groth who knows that he's left.
10:41We have all the opportunities to put a lock on this,
10:44until Wohler and his group have...
10:48solved the problem for us.
10:53You don't say anything, Bjarne.
10:54What are you thinking now?
10:58I don't understand what's going on here.
11:00It's...
11:03It's getting over.
11:06It's getting over.
11:08It's getting over?
11:10If it goes out that we have a lock on this,
11:13then we'll be close-fested.
11:16But if it comes out that we have missed a series of murder,
11:19then we'll be close-fested.
11:21There is still a possibility to solve this in all quiet.
11:27Woller?
11:29The only chance to solve this is that I do this completely on my own self.
11:35And that means that I keep everyone in this room completely outside.
11:40I'm very generous, Woller, but I can't take away what I feel like.
11:46With all respect, I don't want to take a vote.
11:59It's 9pm.
12:02It's about 15 minutes.
12:04The press is out about the disappearance.
12:07This meeting has never happened.
12:11Spore these numbers.
12:14Shall we see here, Woller? Why?
12:17Why?
12:18Because I say it.
12:23Yeah, good morning. This is Beate Lund from Oslo Politi.
12:26I ring regarding your guided trips in Frogner Park.
12:39Okay.
12:42Okay.
12:45Okay.
12:56Okay.
12:57Okay.
13:10Okay.
13:13Okay.
13:19Okay.
13:20Okay.
13:39Okay.
13:39Okay.
13:39Okay.
13:52Okay.
13:54Okay.
13:55Okay.
14:08Okay.
14:09Okay.
14:10Okay.
14:10Okay.
14:13Okay.
14:16Okay.
14:17Okay.
14:17I'll take back to the house.
14:18Okay.
14:20Okay.
14:20Okay.
14:20Okay.
14:20Okay.
14:20Okay.
14:22Okay.
14:23Okay.
14:26Okay.
14:27Okay.
14:29Okay.
14:29Mm-hmm.
14:30but he's still on the other side.
14:33But what about him?
14:35There's no one who's murdered on Saturday,
14:37so you don't have to worry about anything.
14:40No, but that means that something he says is true.
14:46Great.
14:49I need help now.
14:51What we've talked about now,
14:52how are you going to help us?
14:54I need someone to show you that this is worth it.
14:57Come on.
14:57What are you doing now?
14:58That you can see a picture of yourself.
15:01You're so empty in your head.
15:03I can't give you.
15:04It's the only card I have.
15:06If I play now,
15:07can you finish the rescue session?
15:10I can't stop it.
15:12We don't find any pictures of you here,
15:14the day Barbara Svensson was killed.
15:17And it's a bit strange,
15:18you think,
15:19when the tourists have been bombed the whole summer?
15:24They've got bad news for you and your history,
15:26so,
15:27there's a picture of you and you.
15:31There's a picture of you and you.
15:32But then I'm trying.
15:34Fine.
15:35You can call your neighbor,
15:36so you can email it to Beate Lund,
15:39on Krim Teknisk.
15:40I will see a picture of you and Tom,
15:43and she's 45 minutes from now.
15:45If not,
15:46let me sit here,
15:48and tell you where you are.
16:09You have to leave this dude.
16:12Chris?...
16:19You have to leave this man.
16:21Kdo voláš? Martin? Is that you, Martin?
16:30Yeah. Why, it's me. I need your help.
16:50Krimteknisk, we hold to løn.
16:52Hey da, Harry. Du?
16:55Ring meg på mobilen.
17:04Varså?
17:07Vårt varningsprogram och tackning visar att all kommunikation till och från Krimteknisk just nu blir checkad av någon tredje part.
17:15Alla vårder är ingen annars.
17:16Ja, jag vet. Så du vet om att du har ringt mig, vilket innebär att jag inte kan hjälpa dig
17:21mer, Harry. Sorry.
17:23Sambaren till Aminov, vi mejlarar ett bilde. Det visar Aminov och vårder sammen på ett möte i Braha.
17:29Jag vill att du ska se på det, och si om det är vilket du verder.
17:33Jag tror att du ser om jag får något jävla mejl från Prag just nu.
17:37Vad?
17:38Och så måste jag få någon jävla förklaring till varför du har ringt mig också nu, så vad ska jag
17:42säga?
17:44Du trenger inte säga något som helst, för jag har inte ringt dig.
17:48Vad? Du har ringt mig tre gånger redan.
17:50Ja, men det vet inte de. Jag brukar en veldig gammal mobiltelefon som jag har bytt med en kompis.
17:58Så du visste att det här skulle komma, alltså?
18:00Ikke att jag skulle våkna andra, men jag tänkte att jag skulle spola telefonen min, ja.
18:05Okej, det här vill jag veta minst möjligt om Harry, okej? Skicka inte någonting hit.
18:10Okej.
18:13Jag får gå upp de faste signalerna var halvtime, men de är ju spredt utover hela byen.
18:17Ja, jag ser det.
18:19Men det är ju hit och dit, och någon gång tillbake, likvidt där han allerede har varit.
18:23Alltså det är ju ingen plan.
18:28Jag är från politiken. Har du en PC-kanal där?
18:53Okej.
18:56Det här är ju från förra måndag och det är tatt cirka halvsex.
19:00Trönta en halvtime efter att Barbara Svensson skulle ut på Karbarnir.
19:04Så du cykler ju lett därifrån till Frognerparken på en halvtime.
19:07Sykkerbödet?
19:08Kanske.
19:09Ser du det där?
19:11Vadå?
19:11Ser ut som ett plåster.
19:14Alltså du menar att vi ska ju leite efter folk med plåsterboken?
19:17Eller ett R för fläkt, tatuering, något som är döljer.
19:21Ja, men först och främst så må vi finna ut om detta faktiskt kan vara morderen.
19:25Ja.
19:26Ja.
19:27Och så i helvete gör vi det.
19:31Vi besöker den enda mannen som vi vet har sett mördan på nära håll.
19:37Klausen.
19:39Är du färdig snart?
19:41Nästan.
20:04Du tror du vet hur det är?
20:06Ja alltså det är bara en teori.
20:07Jag vet inte om det här är cykelbödet moden ännu.
20:09Jag har ju ingen bevis på det.
20:11Det är bara en teori ser du?
20:14Jag vet inte.
20:19Jag vet inte.
20:21Jag vet inte.
20:21Jag kan naturligt vara tillfälliga det här.
20:23Jag har stor tro på att det är tillfällighet är det här.
20:25Men bara inte akkurat den här.
20:30Jag vet inte hur jag måste göra.
20:37Jag kan förklara att jag kommer hem sent till natt.
20:41You...blowder.
20:46Yeah, I thought there was a little play on the hytta, so we played a little too much.
20:50Come in.
20:59Maybe.
21:01Maybe.
21:02It's possible, yeah.
21:05It's the same clothes, the same helmets, the same lights.
21:09Plaster you on your knees?
21:12Yeah, as I said, I'm not so excited to study men's strength.
21:16So, in-going.
21:17But if I can enjoy you,
21:20I feel like this is the same man I saw.
21:28So...
21:29What are you doing?
21:33This is Harry Hole.
21:34I want to hear you very well.
21:36I have information about sykebrudmordene,
21:40about a weaponsmuggling,
21:41about a man and your colleague.
21:43You have everything exclusively to the net,
21:46and you can send it to the post so fast as possible.
21:48What is it from Ringre Hole?
21:51It doesn't matter who I am here.
21:54I have an explanation that shows that Martin Aminov is not the
21:57bicycle-mordene.
21:58And that a leading police officer is in one of the
22:01weaponsmuggling ligas that has operated in Norge for several years.
22:03All right.
22:04All right.
22:05All right.
22:06All right.
22:07All right.
22:12All right.
22:14All right.
22:16All right.
22:30All right.
22:30I understand how you think.
22:31But if I don't look at this properly,
22:33I can be determined.
22:34All right.
22:36All right.
22:37All right.
22:41All right.
22:42All right.
22:54All right.
22:56What have you ever heard,
22:57what do you know?
22:57All right.
23:02All right.
23:14Okay.
23:18Okay.
23:19Ex-chauffeur, a mobile snore and fart around the bus all the time.
23:22Okay, you're up to that.
23:24Let's continue.
23:34Did you talk to me?
23:36Hold the left knee after cut, soar, or birth.
23:40Wait a minute.
23:43Look at the left knee.
23:49No, there's nothing there.
23:51What was that?
23:52Klausten has just identified that the bus is the same man who was in the park in the park.
23:58What?
24:05Okay.
24:07What did he say for you?
24:10He thinks he knows who the murder is.
24:19But after that's from the right telling you to blah black Moore.
24:36Merida Alsvane, thank you.
24:38Merida Alsvane.
24:38Where did Merida Alsvane go?
24:40We should go a straight year.
24:41I'm sitting in the same way.
24:50Do you want to write down the letters?
24:51No.
24:54No.
24:56I hate the letters.
25:01It's true.
25:04I mean, the letters are the letters.
25:06I don't know.
25:12Uh...
25:13Stay up.
25:21Can you...
25:30Hey.
25:33Hey.
25:35Um...
25:35I'll just let them know.
25:37One, two, three, four, four, five, five.
25:55You can select the bus.
26:01You know, we can go up to the skogen.
26:08Up there.
26:21Take off that, that I go here, so...
26:25You know, stay alone.
26:26You know, it's gone.
26:27The last time I paid 40.000 for the ride, so...
26:32What do you think about?
26:34If you want, I can buy a new car.
26:36And then it will come up and drive.
26:42Which phone should you have?
26:47Your phone, or...
26:50Harry Holas?
26:55I don't think so.
26:56You talked about something like that.
26:58But the ride here, it doesn't stop now.
27:02I don't think so.
27:05Eikeland.
27:15It says in your papers that you're intelligent.
27:18So I think so.
27:20I'm going to understand what you're looking for.
27:29What's Harry's phone?
27:34Is it the bagage?
27:36Is it the bagage?
27:37Is it the bagage?
27:42Is it the bagage?
27:46Is it the bagage?
27:49Is it the bagage?
27:52Is it the bagage?
27:52So, you do it.
27:59I got them to.
28:01Yeah.
28:03If you turn the alarm button,
28:06then I will die there.
28:07I understand.
28:09I did it several times.
28:11The only time I saw it around.
28:14Where are you, Ariola?
28:18The last chance, Ekeland.
28:20Where are you, little friend?
28:22Where are you?
28:26Ari!
28:37No, no.
28:40Papa.
28:41Papa.
28:42Papa.
28:43Papa.
28:44Papa.
28:45Papa.
28:47Papa.
28:47Papa.
28:48Papa.
28:48Papa, big.
28:50Let him go all the way down.
29:00I'm going to go to five.
29:03One.
29:04Two.
29:07Three.
29:09Four.
29:15I'm going to go to his car.
29:17Where are you?
29:21Wait, wait.
29:23Wait.
29:23Wait.
29:23Wait.
29:25Wait.
29:26I got to stay at the pool.
29:31We've been back.
29:32Try again you idiotas.
29:35Cause.
29:37That was in.
29:38In the wine area where the...
29:40Yes.
29:41They were where the uh...
29:47It's there.
29:48In the movie.
29:49lost four hours in our city inose. Defoot
29:52in, which is where you're not.
29:54I love you.
29:58unsh sh sh sh.
30:06house.
30:10What?
30:13dask at 5 pm.
30:16okay.
30:18I would like to put up so many as you can.
30:26Okay, to the center, thank you.
30:30Okay.
30:44You're totally sure that the hall has not been here?
30:47I'll see you.
31:20Hello?
31:22No show.
31:23What should I do?
31:29I'll see you later.
31:30But, Thomas...
31:38No, of course not, but...
31:42What are you going to do with Harry?
31:44Have a book, Eric.
31:47Are you sure that the journalists have fallen?
31:50No.
31:51I just mentioned the man of the police.
31:54And what she said, it means that she knew that I was there.
32:01And that's just one way she could find out.
32:03She has asked her to ask you.
32:04Yes, or she was just trying to say it.
32:06But I felt more like she tried to advise me.
32:10Maybe the stories of the conversation, I don't know.
32:12Maybe I've looked at us.
32:13Do you have a problem with paranoia?
32:17Yes, maybe.
32:18But it doesn't mean that...
32:20Not that they're not out after you, I don't know.
32:23Or not.
32:24There are probably other journalists.
32:26No, there's no one I'm talking about.
32:29I don't think I'm going to call me with the phone here.
32:33They're going to tell us.
32:35Definitely no one.
32:38Why do you want to call me with the phone?
32:42Why do you want to call me with the phone?
32:42The meeting with my other-year-old friend, it was that he would call me from a call center
32:47in Greenland.
32:48More than five or six if everything was okay.
32:50And now it's about ten over six.
32:54So it means that I've already known about the phone.
32:58And that I'm on the phone.
33:00And that I'm on the phone.
33:02I'll call you to get us here.
33:04PHONE RINGS
33:05PHONE RINGS
33:08Beatelem?
33:08No, it's for the laboratory.
33:10It's called the Frö.
33:19I don't know.
34:01I don't know.
34:40I don't know.
34:41I don't know.
34:49I don't know.
34:54I don't know.
35:01Are you talking about it?
35:07No.
35:08What do you want?
35:10I want to give you a chance.
35:13What do you want?
35:14I want to give you a chance to keep your job.
35:16We know that Hole called you from his taxi-pullers car.
35:20Where is he?
35:22I don't know.
35:23Answer!
35:27Where is he?
35:28Where is he?
35:30I don't know!
35:33Where is he?
35:36I don't know.
35:37I don't know!
35:39I break my arm.
35:41I break my arm.
35:42I break my arm.
35:43Answer!
35:44Fuck!
35:46I don't know!
35:47Now!
35:53If you say one word,
35:55I will fucking die.
35:57What do you want?
35:58I won't go with my arm!
36:06What'd you say?
36:07Yeah!
36:13I don't enough.
36:15But you are so much!
36:28No, no, no, no, no, no.
37:04No, no, no, no.
37:49No, no, no, no.
38:11No, no, no, no.
38:20No, no, no, no.
38:36No, no, no.
38:38No, no, no, no.
39:11No, no, no, no.
39:15No, no, no, no.
39:16No, no, no, no.
39:46No, no, no, no, no.
39:57No, no, no, no, no, no.
40:20No, no, no, no, no.
40:24No, no, no, no, no, no, no.
40:50No, no, no, no.
41:47No, no, no, no, no, no.
42:17No, no, no, no, no, no, no, no.
42:34No, no, no, no, no.
43:04No, no, no, no, no.
43:34No, no, no, no, no.
44:06No, no, no, no, no, no.
44:13No, no, no, no, no.
44:13No, no, no, no.
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