- 20 hours ago
Can You Feel the Beat The Lisa Lisa Story [Full Movie] [Official Release]Full EP - Full
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Short filmTranscript
00:00:21And you don't stop, and you don't quit.
00:00:27Now I'm a man with a plan in the b-boy stance, and all the ladies in the jam know
00:00:31who I am, but the power to make it move when I write a groove, I don't snooze, I kick
00:00:36it off nice and smooth, and when the beat goes down, feet hit the ground, the breakers start spinning all
00:00:41round and round, and if the body don't stop, cause we don't stop, we just rock, you feel it, we
00:00:46don't need those drops.
00:01:06Go home, go home, go home, go home!
00:01:09No, no, go home!
00:01:11Sorry!
00:01:11Leave her alone, stop it!
00:01:19Don't touch her.
00:01:21Your fault!
00:01:23I'm going to kill you!
00:01:24Stop!
00:01:26No, Lisa! Stop! Stop!
00:01:28Stop!
00:01:29He's hurting your mommy. No! He's calling the cops!
00:01:32No! Lisa! I won't do that to your father!
00:01:59Man, I hate moving. Daddy's gonna be pissed that we're gone.
00:02:02Hey, grab those boxes and put them in the living room.
00:02:04We gotta get the truck back in an hour, so hurry up.
00:02:08Take those damn headphones off.
00:02:10Didn't you learn your lesson about having those things on?
00:02:11You're not my father. You weren't even there.
00:02:13Why do you think we're moving now? And I was working.
00:02:15Yeah, you're always working, Eladio.
00:02:17Because I got to. Maybe I wouldn't have to if our pops was worth a damn, huh?
00:02:21Who's gonna take care of this family if not me? You?
00:02:25I do what I got to to help mommy.
00:02:27And the best way you can help is to stop daydreaming
00:02:30and think about how you can pitch in around here.
00:02:32I'm not gonna have mommy working three jobs
00:02:33while you're in La La Land.
00:02:45What the fuck?
00:02:53What's up?
00:02:54You don't want anything.
00:02:54What I have to say, Eladio?ührenicola,
00:02:56A funny one...
00:02:57A registration?
00:02:59.
00:03:00Can you be zrobić a class?
00:03:02Sorry, though.
00:03:03I want to make your lunch full.
00:03:07And or...
00:03:16I don't want anyone.
00:03:18I don't want nothing at all, if you don't want it, oh, I don't want nothing at all, nothing at
00:03:28all, show me now that you really mean it, I ain't playing for these.
00:03:36Ooh, this is how you really need it, can't go on without me, I don't know, if you're gonna change
00:03:47your mind.
00:03:49Sorry, I'm here now.
00:03:55Ay, que calor, they need some air conditioning back here, how many of these are we gonna dress?
00:04:06Damn, I need a favor.
00:04:09No, please, Lisa, last time I got into trouble because of you.
00:04:14Please, I know a place where we can make double what we were making before,
00:04:18I need the money, I know you do too.
00:04:25One hour.
00:04:27But, that's it, okay?
00:04:28Okay, okay.
00:04:29I don't want to get in trouble.
00:04:30I can't stop, feet on the ground, heads to the sky.
00:04:38Oh, do you want to dance with me tonight?
00:04:43The DJ is playing that song, the mood is right.
00:04:47Oh, do you want to dance with me tonight?
00:04:51Follow me on to the floor, under flashing lights.
00:04:59Thank you, thank you, we'll be here all night.
00:05:01Damn, I gotta go.
00:05:03My brother told me to pick up stuff for dinner, and he's gonna kill me.
00:05:06Okay, all right.
00:05:08Thanks.
00:05:08Oh, my gosh.
00:05:20Use you.
00:05:21Yeah, cause you choose it.
00:05:22Oh, DJs don't refuse it.
00:05:24It ain't nothing like it's my music.
00:05:29Mira, voy a cocinar hoy un arroz con habichuelas.
00:05:32¿Tú piensas comer?
00:05:35TÃrate la carne a la olla.
00:05:39Y esa cosa, como en otras cosas.
00:05:41Mira, ya, ya, ya, que estoy comiendo, déjame comer.
00:05:53Mira, ya, ya, ya, ya, ya, ya, ya, ya, ya, ya, ya, ya, ya.
00:05:57Thank you, mommy.
00:06:09You don't worry about this.
00:06:11You hear me?
00:06:13You came here to stuff fresh.
00:06:16Okay?
00:06:20One day I'll be so rich, mommy.
00:06:22I'm gonna take care of you.
00:06:23I'm gonna buy you a new car.
00:06:27Mamita, the only thing I want you to do is to take care of yourself.
00:06:32Don't ever count on anybody taking care of you.
00:06:35Okay?
00:06:37Yeah.
00:06:39But if you just so happen to be rich...
00:06:41What?
00:06:42I want a convertible.
00:06:43I want a convertible.
00:06:44Beat that.
00:06:44Beat that.
00:06:46I...
00:06:46I got to go.
00:06:47You come straight home after work, okay?
00:06:50Yeah.
00:06:50I love you, mommy.
00:06:52I love you.
00:07:01I hear your boys are jelly bean.
00:07:03Yeah, we go way back.
00:07:05Yeah, we go way back.
00:07:06What was jelly bean?
00:07:06It's the main DJ at the boombox basement.
00:07:09Where it has it, you just got Madonna.
00:07:11Oh.
00:07:12Where this one?
00:07:13Can you introduce me?
00:07:14To jelly?
00:07:15No, Deron Reagan.
00:07:16Yeah.
00:07:17It's her thing, but you know in this city nothing's free.
00:07:20Especially when it comes to jelly bean.
00:07:22What do you want?
00:07:30Hell no.
00:07:31Jelly bean's always got any funny talent.
00:07:33Besides, Guy won't go home unless you come with us.
00:07:35I don't even like him like that.
00:07:36Girl, who said you're going to be into him?
00:07:38Just pretend it's an extra long trip in the stock room.
00:07:41Is your brother even going to let you go?
00:07:42Of course he will.
00:07:43Why wouldn't he?
00:07:44Girl, I run the show at home.
00:07:47Hell no.
00:07:48Why?
00:07:50Eladio, please.
00:07:51No.
00:07:52You know how many pervs and weirdos go to places like that to pick up on young girls?
00:07:55You're going to be with me.
00:07:57It's a bar.
00:07:58You're 15.
00:07:59It's seen that there won't be any alcohol.
00:08:01Eladio, stop and listen to me.
00:08:05I'm going to live and die in this neighborhood and never be nothing.
00:08:09I want to take care of mommy one day.
00:08:12What's that got to do with this club?
00:08:13There are going to be people there who can help me.
00:08:16Give me a shot at singing.
00:08:17There you go.
00:08:18Head in the sky again.
00:08:20I'll take out the trash for a month.
00:08:25We can make it, we can make it work.
00:08:36Coming from a far land where they never stayed.
00:08:38They don't have a contest, but they're too afraid.
00:08:40But I'm rocking the road, so let me flex the mic.
00:08:42While the DJ's special and innocent fight.
00:08:44From the west, the east, the north to the south.
00:08:46When I step into the front, people stand on account.
00:08:48Just want to have a good time.
00:08:50And people are just fine.
00:08:51All I need is 30 seconds.
00:08:52I'm going to rock around.
00:08:53Get the rest of the day.
00:08:54Is that him?
00:08:55Can you introduce me?
00:08:57I don't know him like that.
00:09:01I thought you said he wasn't home.
00:09:02I know who he is.
00:09:04He's in the set.
00:09:05Try to get us into the green room.
00:09:07Gone.
00:09:10Figure out myself.
00:09:12I'm going home.
00:09:13I got homework to do.
00:09:19Damn, my bad.
00:09:20Tell me what you got.
00:09:21Show us what you got.
00:09:23Show us what you got.
00:09:25Show us what you got.
00:09:26Jelly beans.
00:09:28Jelly beans.
00:09:28Tell me what I'm saying.
00:09:29I come first in the order of the picking.
00:09:31DJ replay.
00:09:32We stay calm.
00:09:33Drop beats like bars.
00:09:34When you're playing my song.
00:09:35Sonny, my man.
00:09:36What's up?
00:09:36We don't mind the talking.
00:09:37Parlay all day.
00:09:38I went off.
00:09:39We played offense.
00:09:40Shown on defense.
00:09:41Fox and you pretend.
00:09:42I'm getting evil.
00:09:43We got rocking.
00:09:44Beat the boys in the place.
00:09:45Getting down to the road.
00:09:46Get another group's face.
00:09:48Get rocking.
00:09:48One time a song.
00:09:50Going from the fake night to the early morning.
00:09:52Get rocking.
00:09:53Not the time for the chat.
00:09:54From doing my dance all across the map.
00:09:56Get rocking.
00:09:57I will see K-I-N-G.
00:09:58And I'll tell you she don't mess with me.
00:10:02You're going to sneak backstage.
00:10:03Take the tray.
00:10:04What?
00:10:05Take the tray.
00:10:12I mentioned it.
00:10:17How much?
00:10:18Duh.
00:10:20Duh.
00:10:20Come on.
00:10:21Those are the prices.
00:10:23Inflation, my man.
00:10:24You got better options.
00:10:25I suggest you get to it.
00:10:26I got business going on here.
00:10:40I hear you help singers.
00:10:43Singers?
00:10:45Nah.
00:10:45I help artists.
00:10:48If they're worth it.
00:10:50Well, I'm worth it.
00:10:52The best damn pipes, you're here all night.
00:10:55Okay, shawty.
00:10:56Yeah.
00:11:00I'd say you blow.
00:11:02I got time, shine, shine, light in my way.
00:11:06You're trying to be the clown, but just float away.
00:11:10Don't matter about the sticks and the stones, you say.
00:11:13Because your world's about to flood and you're in my way.
00:11:17Because I'm rolling.
00:11:19Rolling.
00:11:20Sounds good.
00:11:21Try to stop us.
00:11:22We just keep going.
00:11:23Whoo-hoo-hoo-hoo-hoo-hoo-hoo.
00:11:31All right.
00:11:33Fresh.
00:11:34I see ya.
00:11:36What's your name?
00:11:37Lisa.
00:11:38Lisa Velez.
00:11:39All right.
00:11:40Lisa.
00:11:40Lisa Velez.
00:11:42How old are you?
00:11:4418.
00:11:46Who's bugging?
00:11:48Come on now.
00:11:49Fifteen.
00:11:51Fifteen.
00:11:53Hmm.
00:11:55All right, Lisa.
00:11:56Yeah.
00:11:58Leave me your digits.
00:12:00Let's get back to the blues.
00:12:07Let me see.
00:12:08Oh, man, I just need a couple of intros.
00:12:13That's all.
00:12:16I told you, Mamita.
00:12:18Ain't no one looking for a singer with your...
00:12:22look.
00:12:23What you mean? What's wrong with my look?
00:12:25Look, I love you the way you are.
00:12:29But these record executives,
00:12:30they start bugging about silly things like looks and image.
00:12:34But you know I can sing my ass off.
00:12:37I know it.
00:12:38But they don't.
00:12:40And you don't get past the record label
00:12:42without them thinking about your image.
00:12:44Or theirs.
00:12:46And besides,
00:12:48these record labels,
00:12:49they're full of whack-ass scam artists
00:12:51just waiting to take advantage of a young buck like you.
00:12:54I ain't exactly no young buck.
00:12:57You still working with your pops?
00:12:59Sampling the product?
00:13:01It's homey.
00:13:03Dealing only leads down one path.
00:13:05So help me get another path.
00:13:17Yo, Shorty.
00:13:19I heard you singing over there.
00:13:21It was fresh.
00:13:23You from around here?
00:13:24We're on the way.
00:13:25Hell's Kitchen.
00:13:26Word.
00:13:27Well, look.
00:13:27I got this joint that I've been working on for a minute.
00:13:30Don't be pushing up.
00:13:31Whoa.
00:13:32I'm trying to talk to her.
00:13:33You know what I'm saying?
00:13:34She ain't even trying to hide.
00:13:35Look, bro.
00:13:36Homie.
00:13:37I got a band.
00:13:38And we need a lead singer.
00:13:40Jelly Bean told me that she was looking.
00:13:42Got a few producers that are interested,
00:13:44you know, if you want to audition.
00:13:45My name's Mike Hughes.
00:13:47Here's my number and address to the recording studio.
00:13:50Play drums.
00:13:51Maybe we can make some music together.
00:13:54Or just music, man.
00:13:55Time to go.
00:13:58You ain't going to know I listened to that guy.
00:14:00No, of course not.
00:14:02I know that.
00:14:09Robert, you know what I'm talking about to me?
00:14:11He's telling me he's just really dope.
00:14:12I got this guitarist.
00:14:13He's really amazing.
00:14:14I got this girl.
00:14:14She's walking me.
00:14:15She's gonna be amazing, too.
00:14:17Hold up.
00:14:17This is her.
00:14:20Hey.
00:14:20There's someone I want you to meet.
00:14:22Come over here.
00:14:24This is Rocco.
00:14:25He's the manager.
00:14:26Hi.
00:14:27Rocco, we just need five minutes.
00:14:31You got three, Mike.
00:14:33Okay.
00:14:34Lisa, come on.
00:14:35There's someone I want you to meet.
00:14:36This is Spanador.
00:14:37Nice to meet you, Spanador.
00:14:38I heard you can sing.
00:14:39I heard you can play.
00:14:40Yeah, yeah.
00:14:41Let's go.
00:14:42Did you practice a song?
00:14:43Mike wrote it.
00:14:44Yeah.
00:14:44I wrote you last night.
00:14:45Ready?
00:14:46Let's go.
00:14:47What do you think you're going?
00:14:50Record the song.
00:14:53No booth.
00:14:54One mic.
00:14:55See what you got.
00:14:57The booth.
00:14:58Come on, man.
00:15:01Guys.
00:15:02Hey.
00:15:02Just listen to them.
00:15:04Come on.
00:15:31Thanks.
00:15:32We'll let you know.
00:15:33All right.
00:15:33Come on, man.
00:15:34Let's give them another shot.
00:15:35Place of my time, right?
00:15:36We gotta go.
00:15:36We gotta talk to you.
00:15:39Hey.
00:15:41Why don't you play a song you know?
00:15:43Something you're comfortable with.
00:15:45Hey, guys.
00:15:46Back her up.
00:15:47Whatever she wants.
00:15:48Yeah, of course.
00:15:51So what you want to sing?
00:15:52Hey, guys.
00:15:53Let's give her another shot.
00:15:54Something she knows.
00:15:55Hey, guys.
00:15:56Hey, guys.
00:16:00Hey.
00:16:01Uh, town, downtown.
00:16:17The funk is on the move.
00:16:23Cartier and Louis V is sure to set the mood
00:16:31When we're alone in your mind
00:16:34Only a fool will ever try to hide
00:16:38Let your hold a stroke again
00:16:41Leave me in the head feeling high
00:16:51Yeah!
00:16:52What about Hell's Kitchen's Trio?
00:16:54Wow.
00:16:54No, that sounds like my abuel's band or something like that.
00:16:57I didn't think you could get any worse than your last suggestion, but...
00:17:00What?
00:17:01It's gotta be slick.
00:17:02It's gotta be, you know, something that screams we're all about culture, hip-hop, and music.
00:17:07And that we can jam.
00:17:08Yeah.
00:17:11Call it a jam?
00:17:12That's fly.
00:17:13Mm-hmm.
00:17:14I got it.
00:17:16Lisa and Coat Jam.
00:17:18Okay.
00:17:19I'm feeling it.
00:17:20All right, but it needs that extra flavor, you know, because Lisa ain't your everyday girl.
00:17:26That's what I'm saying.
00:17:27Mm-hmm.
00:17:27No.
00:17:28She's not.
00:17:30No.
00:17:31Lisa ain't your everyday girl.
00:17:33She's uniquely blessed.
00:17:35How about Lisa, Lisa, and Coat Jam?
00:17:42Yo.
00:17:43That's fresh?
00:17:44Right?
00:17:46Don't you think, Lisa?
00:17:47Yeah, well, it's a joint.
00:17:49I'm down.
00:17:50We got a name.
00:17:51Lisa, Lisa, and Coat Jam!
00:18:01I like the bassin' that progression.
00:18:04You're welcome.
00:18:05Would you still be your home, baby?
00:18:07Because I need you tonight, because I need you tonight.
00:18:15Brothers are some of the best producers in town.
00:18:18This is Granberry.
00:18:18Thank you so much.
00:18:20Yes.
00:18:20Lisa, sweetheart.
00:18:24Lisa, sweetheart.
00:18:24Lisa, sweetheart.
00:18:50You're incredible.
00:18:50We send a record to a few friendly DJs in the UK.
00:18:54And we'll be right back with Radio FM UK.
00:19:03The label better not have sent me rubbish like the last time.
00:19:07That was pure yank nonsense.
00:19:10I mean, if it hits, we start talking contracts.
00:19:13If not, you know, the music world is littered with one-hit wonders.
00:19:19Who is this again, mate?
00:19:23A lot of them crash and burn.
00:19:25Don't worry.
00:19:27Rocco here is going to make sure everything runs smoothly.
00:19:30Isn't that right, Rocco?
00:19:31Yep.
00:19:32So it's my job to book you gigs, find the producers, and work on promotions.
00:19:36Hey, mommy!
00:19:38Did you find it all right?
00:19:39Yeah.
00:19:40Hello, man.
00:19:43Hello, mom.
00:19:44Pleasure to meet you.
00:19:46Me too.
00:19:47Barry Connor.
00:19:47I just have a few papers that need your signature.
00:19:51Let's step out for a second.
00:19:53Okay.
00:19:55I'll catch right up to you.
00:19:58Okay.
00:19:58Turn it back on, bro?
00:19:59Maybe, uh, and then...
00:20:01You know that we can't proceed unless she signs, right?
00:20:05I mean, it's just too much risk with an underage artist, so...
00:20:09Walk her through it, okay?
00:20:11Oh, yeah.
00:20:13Do we need a lawyer or anything?
00:20:15No.
00:20:15The contracts are standard.
00:20:17New artist usually sign as is.
00:20:19Oh, cool.
00:20:23Let's run this.
00:20:24A little beat.
00:20:30Please, mommy.
00:20:33No.
00:20:34I don't know him.
00:20:35I don't know what I'm signing.
00:20:37What if something happens?
00:20:38Nothing is going to happen.
00:20:39I do, nana.
00:20:40I see how they look at you.
00:20:43I know what these men want, and it's not just your views.
00:20:46No, you don't know what they want, mommy.
00:20:47Mira.
00:20:48Lisa.
00:20:50Everything okay?
00:20:51Yeah.
00:20:52We're almost done.
00:20:54All right.
00:20:56I'm a singer.
00:20:57I need to be singing.
00:21:00I can move us to a better neighborhood, and you won't even have to work anymore.
00:21:05Lisa, that's not your job.
00:21:08You once told me to never count on someone to take care of me.
00:21:13Mm-hmm.
00:21:15You said to do it yourself.
00:21:17So this is me doing it myself.
00:21:26Mm-hmm.
00:21:28Mm-hmm.
00:21:44All right, we need to get you guys back in the studio right away.
00:21:48Contracts are signed.
00:21:51Go home, celebrate, tomorrow we get to work.
00:21:56Come on, go, mom.
00:21:57I'm not saying the podcast.
00:21:58That's what I'm talking about.
00:22:01Hey, sweetheart, sweetheart, Lisa, talk to you a second.
00:22:05Yeah.
00:22:06There's a lot of work, time, and money that goes into making you a star.
00:22:10I need to make sure I'm not wasting any of that, so you're not pregnant or nothing, right?
00:22:17Pregnant? I'm 15.
00:22:19Like I said, there's a lot that goes into young stars.
00:22:22I need to make sure I'm not wasting it.
00:22:25I don't need a pregnant teenager on the road.
00:22:27Well, you don't have to worry about me, Mr. Khanna.
00:22:30I'm locked in.
00:22:31Good answer.
00:22:35And call me Barry.
00:22:37Yes, sir.
00:22:39Uh, Barry.
00:22:42I gotta go.
00:22:43My mom's waiting for me.
00:22:45Okay.
00:22:50Yo, Lisa, you ready?
00:22:52We gotta go.
00:22:56Yo, Lisa, we gotta go.
00:22:59Yeah, yeah, I'll be right there.
00:23:03Fight.
00:23:04Hurry up.
00:23:05We gotta get going.
00:23:06Let's get it now.
00:23:08I know.
00:23:14Huh?
00:23:14Oh, that's what was taking you so long, huh?
00:23:18Wow.
00:23:19Yo, Lisa, in a month, every girl is going to be covering her eye, trying to look just like you.
00:23:28Baby, I know you're wondering why I won't go over to your place.
00:23:35In California, Governor Jerry Brown won the Democratic nomination on the 160th day of 1982.
00:23:40In case you're coming.
00:23:41It's a time that some people were reminded that actors are people.
00:23:45So what does this mean for AIDS patients in this country?
00:23:49Pittsburgh beat the New York Mets.
00:23:50Hello, Pittsburgh.
00:23:51It's 6-2.
00:23:53And the Los Angeles Lakers won their second national basketball championship.
00:23:58Three in six years.
00:23:59L.A. comes to Boston and wins the world title.
00:24:04Oops.
00:24:07Did you know about that step, man?
00:24:08The slider's on.
00:24:10I know.
00:24:11Yo, ain't that the band on TV?
00:24:12And the two people, I was like, that's schnazy.
00:24:16Oh, uh, what's up?
00:24:17Hi.
00:24:18Oh, thank you so much.
00:24:20Yeah.
00:24:29What's up, baby?
00:24:31What's your name?
00:24:31What's up?
00:24:32You're looking mad good.
00:24:34My name's Javi.
00:24:35Take my number.
00:24:53We got a problem with it?
00:24:54What?
00:24:56Put lives wrapped around the block, Lisa Lisa in a cult jam, a catapult and freestyle.
00:25:02From New York's underground clubs into mainstream fame, and they are about to go national, baby,
00:25:07on Top American Countdown, a show that has taken some of the hottest stars of today
00:25:12and catapulted them into the stratosphere.
00:25:14And today is Lisa Lisa's turn.
00:25:16This is That Lover. You already know what it is.
00:25:19Back to you. Come on, make some noise right there.
00:25:22Come on.
00:25:25Every home in America watches the bands on this show,
00:25:28and Chuck Ryder is a titan of the industry here.
00:25:31If you don't screw up tonight, America will love you by tomorrow.
00:25:37Come on, let's go.
00:25:38Hey, where's Crafty at?
00:25:41All right, starlings.
00:25:43It's showtime.
00:25:48It feels like someone died in here.
00:25:51I'm just nervous, that's all.
00:25:54Are you ready?
00:25:58Yeah.
00:25:58Yeah, we're ready.
00:26:00Oh, we got it.
00:26:01Yeah.
00:26:01Oh, okay, I meant just you.
00:26:04Chuck likes a little personal touch, a little pre-show interview.
00:26:09I'm sorry, fellas, but don't worry.
00:26:12You can watch her right here on the live feed.
00:26:14No, but we're a band.
00:26:17And you'll play as one.
00:26:18Just a quick chat before with you.
00:26:22Let's go.
00:26:29Ladies and gentlemen, from Lisa, Lisa, and Cult Jam, please welcome Lisa, Lisa.
00:26:40I love you.
00:26:42I love you, too.
00:26:45Woo!
00:26:46Welcome to the show.
00:26:48So, how are you doing today, Lisa?
00:26:50Well, I'm great.
00:26:50Very excited to be here.
00:26:52And how does it feel to be in this position?
00:26:54Well, it's a dream come true.
00:27:08Tony, I thought you weren't dealing.
00:27:10Look, I'm not, man.
00:27:11I'm networking.
00:27:12You never know where the next gig's gonna come from.
00:27:14Besides, I think this dude right here, you know, is some record execs.
00:27:17Right.
00:27:18Sure.
00:27:22Got a line on a gig.
00:27:24Word.
00:27:25An audition.
00:27:26New band looking for backup singers.
00:27:29Man, I'm not backup.
00:27:30Tony, no.
00:27:32But look where you are.
00:27:34It's gotta be this game.
00:27:36Hey.
00:27:38You wanna spend your whole life looking over your shoulder?
00:27:40Just because it didn't work out last time doesn't mean you quit.
00:27:44Doesn't mean you stop trusting people.
00:27:47It's show business.
00:27:49It's the music game.
00:27:50And the music game takes time.
00:27:56Think about it.
00:27:57Think about it.
00:27:59All right.
00:28:01Peace.
00:28:02Peace.
00:28:07You ain't backup.
00:28:08I ain't backup.
00:28:10Not for long.
00:28:14Mike, listen, I got this.
00:28:16Figure it out.
00:28:16Figure it out.
00:28:16All right.
00:28:17Sponidor, where you gonna go with number two?
00:28:19No, number two is not gonna work, bro.
00:28:20We need another audition.
00:28:22But she looks the best.
00:28:23It doesn't matter if she looks the best, bro.
00:28:24We need another audition.
00:28:25We don't have time for another audition.
00:28:27Well, I don't know what you want me to say,
00:28:28but not one of them blend with our sound.
00:28:30Word.
00:28:31What do we do, Alex?
00:28:32We're going tour in a month.
00:28:33Well, we keep searching.
00:28:35We already behind on schedule.
00:28:37We either pick a team today or we push.
00:28:40The label not waiting on us.
00:28:43We got bands lined up right now that's ready to go.
00:28:46All right, Rocco, just give me another hour.
00:28:47I can find some ladies.
00:28:48I go around to fit that, Baptist.
00:28:50I'll find you a whole lot of girls who can sing best use.
00:28:52Make an executive decision.
00:28:53We're going with number two.
00:28:54No, we're not going with number two.
00:28:55Are we going with two?
00:28:56Are we going with two?
00:28:56It's over.
00:28:57Are we going with two?
00:28:58Staring out the window.
00:29:00Hoping to catch you walking by.
00:29:03Staring out the window.
00:29:06I think I've seen Riley and Mark.
00:29:07While these tears broke down my eyes.
00:29:09Staring out the window.
00:29:12Just can't believe it's done and gone.
00:29:15Staring out the window.
00:29:32Hey, pack your bags, folks.
00:29:33Because we're going on tour.
00:29:37Cigarettes don't affect your voice?
00:29:39No.
00:29:40I mean, they actually give it a little raspy bass.
00:29:42I don't mind having it.
00:29:43Those things will kill you, you know.
00:29:44Well, whenever the government comes out with a study saying these are bad for you,
00:29:47I'll stop.
00:29:50I'm Lisa.
00:29:52Tony.
00:29:53How long are you been singing it for?
00:29:56I grew up singing on street corners.
00:29:58Yeah, me too.
00:30:00Listen, you know it's not going to be what you think it is, right?
00:30:05What's that?
00:30:06In this music industry.
00:30:08You know, it's just like the streets.
00:30:10Use it or it'll use you.
00:30:12So you've got to watch yourself.
00:30:13Everybody's going to try to take a piece of you and you can't let them.
00:30:16Hey, where are you going?
00:30:18Look, I mean, most of these dudes want a backup singer that's something to look at.
00:30:23And I'm not that.
00:30:25Then why'd you come?
00:30:27Because I promised a friend.
00:30:29But I know the game.
00:30:33Don't smoke these menthols on the road.
00:30:36They'll mess up with your voice.
00:30:37And I can't have that.
00:30:41Whatever.
00:30:42I was trying to quit anyway.
00:30:46Hey, go home, pack a bag, because it's going to be a ride.
00:30:57Come on, baby.
00:30:58We're done soon.
00:31:00Yeah, baby.
00:31:00A little longer, okay?
00:31:01You gotta go.
00:31:03Come on.
00:31:06I mean, what's this about?
00:31:08Come on, you gotta...
00:31:09Baby, no, no, no.
00:31:10They're going to have to, you know, check my makeup again.
00:31:14Stop.
00:31:15I thought we had dinner plans tonight.
00:31:17Yo, this city's so crazy sometimes.
00:31:20Almost it's a scrap with a bunch of teenagers.
00:31:22Excuse me.
00:31:23Okay.
00:31:23Signatures.
00:31:25Okay.
00:31:25More promotional tours means more papers to sign.
00:31:30Again?
00:31:31Hey, that's the life of a big star.
00:31:33Jesus Christ.
00:31:34Wow, a commercial?
00:31:36Yeah.
00:31:38We rearranged a few things so, you know, you could sneak it in.
00:31:43Well, I was supposed to go home after this set.
00:31:47I haven't seen my family in a year.
00:31:50This is a national commercial.
00:31:52It's a lot of money.
00:31:54I just...
00:31:55It's been concert after concert.
00:31:58You said you wanted to be a star, right?
00:32:00This is the pace you have to work at.
00:32:02So, give her creative control.
00:32:05Yeah, that's not the way we do things around here, but thanks.
00:32:08Do it anyway.
00:32:10Yeah.
00:32:11I want creative control.
00:32:13Lisa.
00:32:14I want to start putting my stamp on this.
00:32:16I want to get involved in the creative.
00:32:19I want to help with the set design and the choreography and to pick up the dancers, right?
00:32:24Yeah, she does it anyway.
00:32:33Of course.
00:32:34You'll be involved.
00:32:37Let's go.
00:32:38Let's get to work.
00:32:39Yo, sweetheart, are you ready or what?
00:32:40In a minute, baby.
00:32:41The record label needs you, all right?
00:32:43This is not the other way around.
00:32:44I want you.
00:32:45All right, perfect.
00:32:45You know what?
00:32:46I want to go.
00:32:47Hurry up.
00:32:48Hold on, man.
00:32:49Lisa, come on.
00:32:49Here's your hand right here.
00:32:51Typer, you ready?
00:32:52Let's go.
00:32:52Look at the camera.
00:32:53Three, two, one.
00:32:58Perfect.
00:32:58Perfect.
00:32:59Hold on.
00:32:59Lisa, Lisa, Lisa.
00:33:00All right.
00:33:00Hold on.
00:33:01Can I get an idea, please?
00:33:02No.
00:33:03My idea is such a good house kitchen trio, bro.
00:33:06Are you for her?
00:33:06No.
00:33:07No.
00:33:08All right, bro.
00:33:08You know she's not part of this group, right?
00:33:10What do you mean?
00:33:11Yo, I'm right here.
00:33:12You could say it to my face.
00:33:13I'm talking to Lisa.
00:33:14What's your problem?
00:33:15The problem is we don't need any more voices offering our opinions on music, fashion, and
00:33:19photo shoots.
00:33:21Fellas, let's take a little break.
00:33:23What do you mean, break?
00:33:24Yeah, I had some flash spandex I wanted to flash, man.
00:33:27Well, nobody want to see you in no spandex.
00:33:30You know, we're just going to focus on a few shots of Lisa alone.
00:33:33Why don't you guys go to craft service, grab a coffee?
00:33:39Hey, yo.
00:33:40This was your band, Mike.
00:33:42You got two little girls telling you what to do.
00:33:44One is just the background, same thing.
00:33:55Hey, yo.
00:33:56Wait, wait.
00:33:56Wait, wait.
00:33:57Hey, you're good.
00:33:59We're good?
00:34:00All right.
00:34:05Come on.
00:34:05Hold on.
00:34:08Wait, wait.
00:34:09Hold on, you're good.
00:34:12Hey, wait.
00:34:12Hey, you're good.
00:34:13Hey, you're good.
00:34:14Hey.
00:34:15I just wanna make sure you know that we're a band.
00:34:17I know Lisa gonna get all the attention
00:34:19since she's the lead singer,
00:34:21but anything that we should be doing,
00:34:22we should be doing together.
00:34:26Interviews, photo shoots, everything.
00:34:32All right.
00:34:34Is that all?
00:34:41Yeah, good to hear.
00:34:43Catch up with you on tour.
00:34:45Keep up the great work, fellas.
00:34:49Fantastic shoot today.
00:34:51Fantastic!
00:34:58That's dope. Why does she have to redo it?
00:35:00Yeah, I mean, it still needs a final mix,
00:35:01but we close, Tony, we close.
00:35:04We got it, we got it.
00:35:09Sounding good, sounding good.
00:35:12What's going on?
00:35:13Hey, Lisa, you're crushing that track.
00:35:17Ha-ha, thank you!
00:35:18Come join us.
00:35:20Okay.
00:35:22Guys, the label's happy, so I'm happy.
00:35:27That's good.
00:35:27I know I don't have to tell you things are different now.
00:35:31We're playing in bigger venues.
00:35:33You guys gonna be on the road longer?
00:35:34That means more money.
00:35:36Money.
00:35:37Money.
00:35:37Hey.
00:35:38So you have to stay focused.
00:35:40You're not stars yet.
00:35:42Speak for yourself.
00:35:43Ha, I'm a star.
00:35:44I don't speak a star.
00:35:46All right, guys, hey, great job today.
00:35:48Get out of here. See you tomorrow.
00:35:50Wait.
00:35:52Hey, uh, I'm gonna go to Cal.
00:35:53I'll be there.
00:35:53All right.
00:35:54Hey, uh, Lisa, do you have a moment?
00:35:56Yeah, sure.
00:35:58It's business.
00:36:02Baby, I'll see you in a car in a second, yeah?
00:36:06I'll get the car.
00:36:10Don't be long.
00:36:10Baby.
00:36:14So Rocco, I think...
00:36:15So I picked up some papers.
00:36:17I just need you to go over some of it.
00:36:20If you need help, I can go over it with you.
00:36:24Yeah, I can, um, take a look at it later.
00:36:26Should probably get over it.
00:36:30I want to see what I asked you.
00:36:33Wait, Rocco, stop.
00:36:35That's looking good.
00:36:36Come here.
00:36:37Hey, what the hell are you doing, Rocco?
00:36:40Stop.
00:36:40No, stop, Rocco.
00:36:42You're playing too much.
00:36:44Hey, Rocco!
00:36:45Wait, stop!
00:36:47What are you doing?
00:36:49What are you doing?
00:36:49What's that all about?
00:36:50Stop playing.
00:36:52Can you stop playing?
00:36:53Rocco, stop.
00:36:54Hey, Rocco!
00:36:56What are you doing?
00:36:56Stop!
00:36:57Rocco!
00:36:59You played too much.
00:37:02See you later.
00:37:17You good?
00:37:19Yeah.
00:37:21You sure?
00:37:22I said I'm good.
00:37:23Just leave me alone, okay?
00:37:24All right.
00:37:25Whatever.
00:37:25Jeez.
00:37:36Oh, Denise.
00:37:41You ready to go spend some money?
00:37:42Hell yeah!
00:37:44Woo!
00:37:46Okay.
00:37:47Wow!
00:37:49No, this is it.
00:37:51Right?
00:37:52Oh, I love this car.
00:37:54What?
00:37:57I know.
00:37:58Do you take cash or check?
00:38:00Yeah, which one is it?
00:38:03Doesn't matter.
00:38:05I love this!
00:38:08Woo!
00:38:09Oh, yeah!
00:38:10Yeah!
00:38:12Bye!
00:38:13Bye!
00:38:13But you had something in mind for us.
00:38:17Ooh!
00:38:19When I look into your eyes, I can't stop the rhythm.
00:38:23Should've known it only was a daydream.
00:38:28What did I expect?
00:38:31Giving you my heart.
00:38:33I just play it up.
00:38:35Baby, stop.
00:38:36Baby, stop.
00:38:37Hey!
00:38:38Lisa, let's get out of here.
00:38:39Let's go.
00:38:39Come on.
00:38:41Yo, this is flop.
00:38:42Right?
00:38:43What?
00:38:43Nikki, can you find me this in a medium, please?
00:38:47You look amazing.
00:38:50Oh, my God.
00:38:51Where's the guy?
00:38:52How's it how you been?
00:38:53We gotta go.
00:38:53Oh, I'm sorry.
00:38:54I love you.
00:38:55Love you, too.
00:38:56I'm sorry.
00:38:57I hope you see everyone on my tour.
00:38:58Hey, chill, chill, chill.
00:39:00Watch out.
00:39:01Come on, come on.
00:39:02Sorry, guys.
00:39:02So nice to meet you.
00:39:03Bye.
00:39:03You're back.
00:39:04You're back.
00:39:07Wow.
00:39:10Please, I love you.
00:39:11It's the first time mommy will come see me.
00:39:14No, just get on the train and come on.
00:39:18Shh.
00:39:19Let me hear the sound.
00:39:20Mommy!
00:39:23Mommy!
00:39:24Hi, mom.
00:39:25Oh, I'm so glad you're here.
00:39:27You're beautiful.
00:39:28Oh, my God.
00:39:29You lost weight.
00:39:30I've got a surprise for you.
00:39:31Yeah, I'll show you after the show.
00:39:33Come on.
00:39:39This is for you.
00:39:41What do you mean?
00:39:44It's yours.
00:39:47No, I can't believe this.
00:39:50Did you see what Lisa bought me?
00:39:52Oh, my God.
00:39:52Why did you do this?
00:39:53You know we were all saving up the bitch in and buy her car.
00:39:55I know.
00:39:56I know.
00:39:56I just wanted to do this for her.
00:39:57No, no.
00:39:58That's not the point.
00:39:59Ay, Eladio.
00:40:00Why can't you just be proud of me?
00:40:01For once in your life, don't you just say,
00:40:03I'm proud of you, Lisa?
00:40:05Why can't you do that?
00:40:07It kills you to think that I can leave and do something more
00:40:09and you're just stuck here.
00:40:10You don't know what you're talking about.
00:40:12Oh, my.
00:40:15Look at her.
00:40:16Just let her have this.
00:40:20Mommy, look at this.
00:40:22The power's here.
00:40:24Oh, and check the glove company.
00:40:27Yeah.
00:40:34What is that?
00:40:35This, this, this isn't.
00:40:38What is it?
00:40:41Well, thank you, God.
00:40:44Thank you, God.
00:40:47Glory to God.
00:40:49I bought the house.
00:40:52It's yours, Mommy.
00:40:53Oh, my God.
00:40:54Forever.
00:40:56No one can take it away from you.
00:40:59You don't gotta worry about anything ever again.
00:41:03Oh, my God.
00:41:04My mommy.
00:41:05Well, everything's just perfect now, isn't it?
00:41:09Eladio.
00:41:11Eladio!
00:41:14I love you, but I can't be sitting around waiting for you.
00:41:18You heard?
00:41:18Okay.
00:41:19You know how my job is.
00:41:21And I told you, you can come on the road with me.
00:41:24Yeah.
00:41:24I'm not gonna follow you around like a little pet, okay?
00:41:27I'm a man.
00:41:28I know.
00:41:28I know you are.
00:41:29And I need to work.
00:41:30Okay?
00:41:31And I've been trying to be supportive.
00:41:34Let me tell you something.
00:41:36When you're gone, I feel like my only job is to wait on the phone.
00:41:40Mommy.
00:41:41And I mean what?
00:41:42That's the only thing I've been doing these past few months.
00:41:45I'm surprised you remember it was my damn birthday.
00:41:49Yeah.
00:41:49I told you.
00:41:51I'm working.
00:41:52Mm.
00:41:52I don't know how many times we have to have the same argument over and over again.
00:41:56Does working include letting a bunch of guys all up in your grill?
00:41:59What the hell are you talking about?
00:42:02Let them touch you?
00:42:03Feel all over you?
00:42:04Hmm?
00:42:05Is that what you like?
00:42:05Okay, I don't know where this is coming from, but you bugging me.
00:42:07Oh yeah?
00:42:08I'm bugging?!
00:42:11Stop.
00:42:12Javi, wait, wait!
00:42:14What?
00:42:14What do you want?
00:42:15What do you want?
00:42:16What do you want from me?
00:42:17Hmm?
00:42:18You wanna be with me?
00:42:19Of course.
00:42:22Marry me.
00:42:25I love you.
00:42:27Okay?
00:42:27I do.
00:42:29But I don't want to sit here wondering if you're mine.
00:42:37Maybe I'm yours.
00:42:38Yeah.
00:42:39Then marry me.
00:42:40Marry me or I'll go home, pack my things and leave.
00:42:44Because as is, this isn't going to work.
00:42:51It's a choice.
00:42:54Okay.
00:42:57Okay.
00:43:00Really?
00:43:01Let's get married.
00:43:04It's okay.
00:43:04What?
00:43:05What?
00:43:06We're getting married?
00:43:08Are you out of your mind?
00:43:09What is your problem?
00:43:10Lisa, you guys are 20 years old.
00:43:14How do either of you know what a commitment is?
00:43:16You guys are just two kids playing house.
00:43:19Don't do this.
00:43:20Wait until you're older and out of this game.
00:43:22You don't understand, Eladio.
00:43:24All the time it's the same thing.
00:43:25I understand plenty.
00:43:26You trust people when you shouldn't.
00:43:28Mami, say something, por favor.
00:43:31Mamita, please.
00:43:33Why?
00:43:34Why do you want to get married so young?
00:43:37I love him, Mami.
00:43:39Oh, you know it's love.
00:43:41Nana.
00:43:43You will find someone who will love you.
00:43:48You will.
00:43:50I saw it in my dreams.
00:43:52A man who will love you.
00:43:54Who you will have children with.
00:43:59But it's not Javi.
00:44:04What's the difference?
00:44:09You have to listen to me.
00:44:10A friend very sincere.
00:44:13You have to listen to me.
00:44:15You have to listen to me.
00:44:17You have to listen to me.
00:44:19You have to listen to me.
00:44:19I have to listen to me.
00:44:22I have to listen to me.
00:44:27Got it.
00:44:28Woo!
00:44:36Some guys will promise you a marriage made in heaven,
00:44:40but I'm gonna stick to my guns.
00:44:44Lisa Lisa of Lisa Lisa and the Cult Jam began simply as Lisa,
00:44:49a young Puerto Rican girl who dreamed of being a singing sensation.
00:44:53That dream started to come true in 1985
00:44:55when the music producer group were looking for a female lead
00:44:59and stumbled across the 16-year-old singing.
00:45:02In that same year, they renamed the band Lisa Lisa and Cult Jam,
00:45:06producing three top-selling hits which brought the band to platinum status.
00:45:13Both Lisa and the band attribute their success to their streetwise sound.
00:45:20Lisa Lisa has been compared with other top-selling artists
00:45:23such as Debbie Gibson, Paula Abdul, and even Madonna.
00:45:27Their most recently released album is purposefully called Straight to the Top,
00:45:32a place where Lisa Lisa and Cult Jam hope to be for a very long time.
00:45:38Man, I'm glad I ain't got no sisters.
00:45:41Wake up.
00:45:44There they are.
00:45:52Okay, listen.
00:45:54Shaving is like farming.
00:45:56You better start with little strokes and go up each side.
00:46:00Like that.
00:46:02Can't believe you never did this before.
00:46:03Don't you have sisters?
00:46:07No.
00:46:10You got me now.
00:46:13Hello?
00:46:14Oh, hey, babe.
00:46:16Of course, I'm in my hotel room.
00:46:18Where else would I be?
00:46:21Oh.
00:46:28All right.
00:46:30I'll be home in two weeks.
00:46:34Okay.
00:46:37I love you.
00:46:47He's going out with his boys again, huh?
00:46:50Yeah.
00:46:54It's the third time this week.
00:46:55I mean, I think it's funny, huh?
00:46:56He always wants to know where you're at,
00:46:57but you never ask him where he's going.
00:47:00No need.
00:47:01I trust him.
00:47:03Javi!
00:47:03I'm home!
00:47:16Baby!
00:47:50You know, if Barry finds out...
00:47:52I know.
00:47:56Are you sure it was positive?
00:47:58Like, does your mom know?
00:48:01What'd she say?
00:48:08She said not to have his child.
00:48:14She said that he reminded her of my dad,
00:48:16and reminded me what a mistake it was to marry him.
00:48:22I don't know.
00:48:27Maybe I loved him because I wanted a man to love me.
00:48:31If my father didn't do it.
00:48:41Why don't you ever talk about your family?
00:48:47Ain't nothing to talk about.
00:48:52What do you do when you go back home?
00:48:54Where do you go?
00:48:54I got places.
00:48:58Look, I mean, most kids...
00:49:01Most kids have memories of being a kid.
00:49:05Like, happy memories of love and their parents and family,
00:49:09and...
00:49:10I just don't got that.
00:49:13And I'm okay with it.
00:49:16That's why I enjoy moments like this.
00:49:18Making new memories.
00:49:20Time with you.
00:49:22One of my best friends.
00:49:25One of your best friends?
00:49:27I better be at the top of that very short list, Miss Toni.
00:49:31That's why I should have never said nothing.
00:49:35Aw, you call me your best friend.
00:49:37You're so cheesy.
00:49:38That's why I don't open up to people, okay?
00:49:42Seriously, though.
00:49:44What are you gonna do?
00:49:48I can't have a baby.
00:49:51They'll lose everything, Toni.
00:49:53I'm gonna help you.
00:50:03Can you just leave me all up for a minute?
00:50:08Like it is, like it is.
00:50:10The more I think about
00:50:13How much I let me down
00:50:17I need another day to start the rest
00:50:21Time to get back to me
00:50:24Gotta go
00:50:24Oh, yes, I know it
00:50:33Hey, but you see Shorty over there?
00:50:36You think I'll get her a little drink?
00:50:37I mean, she look good, but I mean
00:50:39It's up to you, really.
00:50:41Come on.
00:50:41Yo, what up, Toni?
00:50:42What's up?
00:50:43Damn.
00:50:44Girl, you look busted.
00:50:45You go get some sleep.
00:50:47Trying to, dude.
00:50:49Needed a little something.
00:50:51How's Lisa?
00:50:52I know she wasn't feeling well.
00:50:53She's good.
00:50:54You sure?
00:50:55Yeah, it's just tired.
00:50:56That's all.
00:50:57So I think Javi's on the outs.
00:50:58Thank God.
00:51:00Hated that dude.
00:51:01Yo, what can I get for you?
00:51:03Bartender, let me get, um, uh...
00:51:04Let me get a whiskey.
00:51:06Double.
00:51:07Oh, damn.
00:51:09You drink like a dude.
00:51:24You drink like one, too.
00:51:28Excuse me, fellas.
00:51:30Got some business to take care of.
00:51:38Oh, no.
00:51:39Come on.
00:51:40Come on.
00:51:42Damn.
00:51:43Oh, Mike.
00:51:45Mike, man.
00:51:46She's stealing your girl.
00:51:47Again.
00:51:49I gotta use a baffle.
00:51:51Oh, Mary, snap it up.
00:51:53Why am I paying the tab on time?
00:51:55You must have just got your hand.
00:51:56I got it, I guess.
00:52:01Yeah.
00:52:06Under the pale moon rising
00:52:08A minute to midnight
00:52:11Yeah, we know
00:52:13Time is running out
00:52:18Never mind
00:52:19Keep on smiling
00:52:21Now, Lisa, it's important
00:52:23That you listen to what I have to say.
00:52:25Okay?
00:52:26Okay.
00:52:27We just got your results back.
00:52:30And, uh, it says
00:52:32That you have ductal carcinoma
00:52:34Breast cancer.
00:52:37You'll need to start treatment
00:52:38Right away.
00:52:40I have work.
00:52:42No, I-I-I have to travel
00:52:44For a few concert dates.
00:52:45I'm afraid that's not possible.
00:52:47If you don't treat it now,
00:52:49The chances of it spreading
00:52:50Rapidly increase.
00:52:51Limiting the chances of survival.
00:52:56Survival?
00:52:56Mm-hmm.
00:53:01I can't stop touring.
00:53:04I'll lose everything.
00:53:06Is there someone we can call?
00:53:07No.
00:53:08No one.
00:53:10No, no, I-I don't want anyone
00:53:11To know about this.
00:53:14Doctor?
00:53:15Can we prepare a
00:53:16Travel kit for her to do treatments?
00:53:19Yeah.
00:53:21I can coordinate with the hospitals
00:53:23In the city that she's traveling to
00:53:25And we can monitor her that way.
00:53:26That works.
00:53:29We can start your treatment tomorrow.
00:53:33A word with you, please?
00:53:42That is my place.
00:53:43Do you understand?
00:53:46Okay?
00:53:46Okay?
00:53:47I understand.
00:53:47All right?
00:53:48All right?
00:53:59Hey, mamita.
00:54:02I know.
00:54:04If I stop touring, it all stops.
00:54:08The music, the sponsorships.
00:54:13And I just paid off my mom's car.
00:54:17Your house.
00:54:19You know, I took advancements to...
00:54:23I took advancements to make that happen.
00:54:26And I can't, I can't stop.
00:54:30My mommy, my mommy's just gonna...
00:54:33She was so happy.
00:54:35She was so happy.
00:54:39I can't stop.
00:54:40You understand? I can't stop.
00:54:43We're gonna fix it.
00:54:44We're gonna fix it so that you don't have to stop, okay?
00:54:48You're gonna be okay.
00:54:51You're gonna be okay.
00:54:53We're gonna pray for you.
00:54:55Here, mama.
00:54:56Here, here, take this.
00:54:58Oh, yes.
00:55:03You're gonna be okay.
00:55:08By the way, my daughter, she loves your music.
00:55:15She does.
00:55:17She looks up to you so much.
00:55:20A lot of little Latinas look up to you.
00:55:23I...
00:55:25Listen, mama.
00:55:27You got this, okay?
00:55:29You're gonna be okay.
00:55:32You hear me?
00:55:34You hear me?
00:56:00Something seems off notice your pay
00:56:04Yeah, yeah, it's been a little life. I haven't thought about it. I'm exhausting. We talk about it later
00:56:09Tony said that was Tony's not a part of this band
00:56:14We need to have a conversation between us and just us Lisa I gotta go Mike we need to do
00:56:20it soon
00:56:24Look I'm sick and tired Alex
00:56:26Tony
00:56:28What is this to pay check thought I'd hand delivery why what do you want?
00:56:36You're not one to beat around the bush. Maybe you are I
00:56:40Wanted to ask about friendship with Lisa my friendship
00:56:44Reporter was prying the other day assuming she's a lesbian and I corrected her of course, but
00:56:50Having those kinds of questions doesn't benefit anyone does it?
00:56:57Back off Lisa
00:56:59You know yeah, yeah, I think so. Thanks
00:57:22Hey, you got a lighter on you?
00:57:24Yeah, let's make time for a chat over the break. I don't want to see everything slip away over one
00:57:32person
00:57:33We'll have lunch, okay?
00:57:59I'm gonna need an advance on those jobs robber arranged sure got a few bills that booked up
00:58:05Um
00:58:07What upcoming jobs? I don't see anything. Oh the commercial I I signed the paperwork a while back
00:58:19Here it is
00:58:22It seems like that deal fell through what?
00:58:25Yeah, did they say why
00:58:27Did they say why client pulled out?
00:58:30No, no that can be I I I just spoke to them. I had a whole creative
00:58:36Conversation about about the commercial and what I wanted to do with it. I they were excited about us
00:58:44Look I heard Barry said he didn't agree with the creative and that was a deal breaker for them
00:58:49So he turned down the commercial
00:58:51Hmm
00:58:54I'm so sick of this
00:58:55I've had enough
00:58:56Whoa, whoa, whoa
00:58:56Get your hands off of me. Mr. Barry
00:59:00How dare you
00:59:02Excuse me
00:59:04We are the band
00:59:05You don't turn down a job without letting all of us decide
00:59:11Okay
00:59:12This is how the industry works
00:59:15You sign the contract
00:59:17You belong to us
00:59:19We decide what's best or we find another band who will accommodate us as we need them to do
00:59:32Go home
00:59:34Get some rest you look like hell
00:59:38Yeah
00:59:39Hold on
00:59:40Lisa
00:59:43Remember
00:59:43There's plenty of girls waiting in line to take your place
00:59:50Hey
00:59:51Hey, yeah, no
00:59:52No, I just had to give someone a little attitude adjustment
00:59:55Uh-huh
00:59:57Do you have a phone I can use?
00:59:59Sure, baby
01:00:05It's room to hear
01:00:06Thank you
01:00:07Lucas
01:00:09We gotta talk
01:00:10I stopped by accounting
01:00:12And pulled up all contracts
01:00:14And?
01:00:15Barry and Rocco turned down that commercial
01:00:18Man, what the hell are we gonna do?
01:00:20I think we should bring in Toni
01:00:22She's done this before
01:00:23She's a backup singer, period
01:00:25Okay, do you have a problem without female schooling you? That's your problem
01:00:27Knock it off!
01:00:28Both of you
01:00:29We need to figure out how to get out of these contracts before we tear each other apart
01:00:34They the bad guys, not us, man
01:00:36Yeah
01:00:37Right
01:00:38I know a guy
01:00:39Who's done this before
01:00:40I'm gonna give him a call
01:00:42Oh, so we can't call Toni
01:00:43But we can call a stranger we barely know
01:00:46Great
01:00:47Lovely
01:00:47Please
01:00:48We need to figure out what we're gonna do first
01:00:50Before we'll let him know
01:00:51Yeah?
01:00:52What?
01:00:54There's a few execs at the label that are concerned with your friendship with Toni
01:00:57Who cares if I'm friends with Toni?
01:00:59You just listen to her way too much
01:01:01You don't like the fact that I'm close to her?
01:01:04Or that she's gay?
01:01:05What?
01:01:06That's ridiculous
01:01:06You know how many gay musicians are out there?
01:01:09A lot
01:01:10You have a lot on your plate
01:01:12We just don't need another voice in your head giving you advice
01:01:16Yeah, come on, Lisa
01:01:18This is our band
01:01:19We started this together
01:01:20Lisa
01:01:21Hey
01:01:22I like Toni
01:01:24Okay?
01:01:25And I don't care what she does for her free time, you know, but
01:01:29This
01:01:31This could hurt us
01:01:34No, it won't
01:01:35Lisa
01:01:36She's like a sister
01:01:37She's my best friend
01:01:40Come here
01:01:40Time is money
01:01:42Let's do it
01:01:43Let's do it
01:01:44He can do it
01:01:44Listen
01:01:45Stop worrying about Toni
01:01:47And start looking into the contracts and how we keep losing money because of these guys
01:02:00We need you, alright?
01:02:01This is not the only place
01:02:02I told you
01:02:03We don't need her
01:02:03She's wet
01:02:04Don't stab at me like that
01:02:05How to get out of these contracts before we tear each other apart
01:02:08We need us to our band's best
01:02:10Or
01:02:10We find another band
01:02:11Who'll accommodate us as we need them to do
01:02:15I'm a man
01:02:16There are plenty of girls waiting in line
01:02:17We started this together
01:02:19But there's a few execs that are labeled that are concerned with the first year
01:02:21I see how they move
01:02:26The band's here to take a good call
01:02:28Lisa, come on
01:02:29Yeah, I'll be right there
01:02:31Lisa
01:02:32What are you doing?
01:02:33Rocco says the place is packed
01:02:35I can't hear you
01:02:37I can't hear you
01:02:38I can't hear you
01:02:39You're ready
01:02:40Yeah, I said I'll be right there
01:02:42I feel so much better
01:02:50This is a great turnout
01:02:57I can't do this anymore
01:02:59What?
01:03:00I need a break
01:03:01Alright, you'll get a break soon
01:03:03I promise
01:03:03No, now!
01:03:04Girl, you better calm down
01:03:06I said you would get a break
01:03:08Alright?
01:03:09The sooner you start
01:03:10The sooner you will finish
01:03:12Get back to work
01:03:14Oh
01:03:18Hey, I'm sorry about that
01:03:19I'm okay
01:03:26That should never happen
01:03:27But, you know
01:03:29That's right
01:03:31Hi
01:03:31Thank you so much for the patience
01:03:33Thank you
01:03:36Oh, this is such a great thing, Charlotte
01:03:38Come on, Lisa
01:03:38I've been waiting all day
01:03:39Hey, can I please get a kiss?
01:03:40I'm sorry, no, this is not a kiss
01:03:41Come on, you look fine
01:03:42Okay
01:03:42Come on, Lisa, please fine
01:03:43Sorry, just an autograph
01:03:44I said no, man
01:03:46Tony!
01:03:47Oh, we good?
01:03:47We good?
01:03:49What the hell are you doing, Tony?
01:03:51What?
01:03:51You can't be like dudes get all grabby like that
01:03:53These are fans
01:03:53They're the reason why we're here
01:03:55We can't be handling things like this
01:03:57What the hell is that supposed to mean?
01:03:58It means how we gotta be more thoughtful
01:04:00How you handle situations, Tony?
01:04:02Not everything is a confrontation
01:04:04What the hell is the matter with you?
01:04:06You've never had an issue before, alright?
01:04:08You look tired and I mean
01:04:09Okay, you're one to talk
01:04:12You know what?
01:04:13I don't need this, alright?
01:04:15Because all I was doing was making sure
01:04:16You were alright like I always do
01:04:18Oh, you don't!
01:04:19Don't check on me for once
01:04:21I already have a brother
01:04:23I don't need another one hovering over me
01:04:46You good?
01:04:48Yeah
01:04:49I'm good
01:04:50Just tired
01:04:54You know
01:04:56What's going on?
01:05:06Oh man
01:05:08Riding in style
01:05:08That's nice
01:05:09Look at this man
01:05:10What is lame ass Tony riding with us to the show for?
01:05:15I don't know man, ask Lisa
01:05:17I will
01:05:18What you asking you for?
01:05:19Not a mind reader?
01:05:29Why aren't you listening to Rocco?
01:05:31The label doesn't want her around
01:05:32And she's messing with our money
01:05:33I invited her, Mike
01:05:35Yeah, and that's the problem
01:05:36We keep making all these decisions without consulting the group
01:05:38And we're sick and tired of it
01:05:40Right, Alex?
01:05:41Guys, listen, look
01:05:42I'm a lover, not a fighter, alright?
01:05:44Can we just talk about it later?
01:05:45Right now we just need to focus
01:05:46We can't talk about it later
01:05:48I was going to keep this between just us
01:05:52But I had a lawyer look over everything
01:05:54And those contracts that we signed
01:05:55Put Rocco in charge of everything
01:05:58He screwed us
01:05:59Nah, you screwed yourself
01:06:02I already told you, the music game
01:06:04You either hustle or you get hustled
01:06:06And you got hustled
01:06:09Yeah
01:06:10Just like your daddy be hustling you, right?
01:06:12Who the hell are you talking to?
01:06:13I'm talking to you
01:06:13I'm talking to you
01:06:16I'm talking to you
01:06:16Chill
01:06:17Chill
01:06:17Chill
01:06:17Chill
01:06:17You need to be out of here
01:06:20Now, chill out
01:06:21Mike, stop dissing her
01:06:25This is the biggest night of our careers
01:06:27And you guys are wild and in a damn car?
01:06:31Huh?
01:06:40Man, what are we going to do about these contracts?
01:06:42Nothing
01:06:42What do you mean nothing?
01:06:43Those contracts are signed
01:06:45We signed them
01:06:47I just bought my mom a house
01:06:49My brother a car I'm paying for my sister's college
01:06:52That can all go away tomorrow like that
01:06:56Let's just ride this wave until we can renegotiate
01:06:59Cause I ain't going back to folding sweaters in the stockroom
01:07:01You hear me?
01:07:24I think I love you from hand to toe
01:07:30Oh no
01:07:33You can't fight everybody Tony
01:07:35You're lucky Barry wasn't there
01:07:37Me? I don't care about Barry
01:07:39Alright, he's the one that started
01:07:40Stop! Stop!
01:07:42I can't handle this
01:07:43Handle what? The truth?
01:07:45I've been saying the same thing over and over and over
01:07:47Now what's happening? Now what's the problem?
01:07:50What is up with you?
01:07:51You've been acting different for once now
01:07:53You never acted like this
01:07:54I always kept it real with you
01:07:57He in fact has been talking to me crazy
01:07:59And I'm not going to keep around with it
01:08:00Maybe you don't know what the hell you're talking about Tony
01:08:03Okay
01:08:03Maybe I can stick up for myself
01:08:06Do it
01:08:11The rise of hip-hop and electronic dance music
01:08:13Is forcing the freestyle genre to fade
01:08:34I'll be back in a minute to check on you
01:08:40It's Lisa Lisa
01:08:42Hi
01:09:03She's killing it right?
01:09:05Now let's see what you got
01:09:09Yeah that's it
01:09:11Nah keep going
01:09:16What's up?
01:09:17I just stopped by to get my chick
01:09:19I didn't know when he was rehearsing
01:09:21Who was that?
01:09:22She's cute
01:09:24Tony
01:09:27Do you have a minute?
01:09:28Yeah, come a minute, man
01:09:37I do it
01:09:54I'm trying to find out
01:09:59Maybe I missed out
01:10:26I need a job, man.
01:10:31Is that all you need?
01:10:37Hey!
01:10:40I told you.
01:10:43You'll be back.
01:11:01We can make it, we can make it work.
01:11:05Hey, that was good.
01:11:06I want to do it one more time, okay?
01:11:08Hey, look who's back.
01:11:10It's so good to see you, Lisa.
01:11:14You look terrible.
01:11:16You're not pregnant, right?
01:11:17Shut up, Spanador.
01:11:19Who's that?
01:11:20Um, don't change anything.
01:11:22That is, um...
01:11:24Spanador?
01:11:27Mike.
01:11:28Mike!
01:11:30Lisa, hear me out.
01:11:32Where's Stoney?
01:11:34Where's Stoney?
01:11:37Lisa!
01:11:42I told you.
01:11:48Barry!
01:11:50I'm gonna have to call you back.
01:11:52What happened to Tony?
01:11:54I was gonna explain it to you.
01:11:56Who the hell stepped to let her go?
01:11:57It was a group decision.
01:11:58I'm a part of this group.
01:12:01Tony's toxic, okay?
01:12:03She's violent.
01:12:04We do not need an individual like that on the road.
01:12:07She's a liability.
01:12:08I need her.
01:12:08I need her on the road.
01:12:10I want her back.
01:12:11No.
01:12:12What?
01:12:13It was a management decision.
01:12:15I'll just go bring her back here.
01:12:16You know, if you go after her, I have to believe that you are not serious about your career.
01:12:22You could lose everything you have worked for.
01:12:26And for what?
01:12:28Some lesbian?
01:12:30How dare you?
01:12:32What does it matter who she sleeps with or who she is?
01:12:38You don't like Tony because she sees through your lies.
01:12:42Mm-hmm.
01:12:44You don't like her because she teaches me about snakes like you.
01:12:49I'm not gonna go on without her.
01:12:53Period.
01:12:54Whoa, whoa, whoa, whoa.
01:12:55You're from the ghetto.
01:12:57You never graduated from high school.
01:12:59You cannot make it in this business without someone like me.
01:13:11Watch me.
01:13:25Have you seen Tony?
01:13:27Can I get a pizza?
01:13:28I'm so sorry, girls. I can't find you.
01:13:31Lisa?
01:13:32Why are you looking for Tony?
01:13:35Is she using again?
01:13:36I didn't know she used.
01:13:37You don't want to know she used.
01:13:41Maybe not.
01:13:42Well, Pops, she's using again. She'll be with him.
01:13:44He's a drug addict pimp.
01:13:46Living somewhere in the projects.
01:13:48If you find him, you'll find her.
01:13:51Thanks.
01:13:52Hey, Lisa, you got to save her.
01:13:55If she stays in the projects, she'll end up just like her father.
01:13:59Yeah, music's all she has.
01:14:03Can we just get an autograph?
01:14:05Get out of the way!
01:14:05Hey, Lisa, be careful.
01:14:08Project's no place for a girl after sunset.
01:14:12Yo, I don't think she's breathing.
01:14:15She'll be all right.
01:14:18I don't know, B.
01:14:19We need to do something.
01:14:21This your daughter, man.
01:14:23It's a grown-ass woman.
01:14:25She ain't did nothing she ain't want to do.
01:14:27Tony!
01:14:28What the hell is that?
01:14:29Tony!
01:14:29Are you here?
01:14:31Hey, get the peace, man.
01:14:32Hold me down.
01:14:34What the hell you doing here?
01:14:38You hear me talking to you?
01:14:39Tony.
01:14:40Tony.
01:14:41Tony.
01:14:41Hey!
01:14:42Tony!
01:14:43Tony!
01:14:43Tony!
01:14:44No, no.
01:14:45Get up.
01:14:46Get up.
01:14:47She's barely breathing.
01:14:49She ain't going nowhere.
01:14:54She's gonna die.
01:14:56We all gotta go sometime.
01:14:58But you?
01:14:59You ain't going nowhere, Bodecua.
01:15:09There are off-duty police officers waiting for me outside.
01:15:14If they come over here, and they spot that pile of cocaine you got there,
01:15:20they're gonna pick you up for the multiple warrants you probably have,
01:15:24and you will die in prison.
01:15:26You hear me?
01:15:35Don't get outside.
01:15:39Having babies don't make you a father.
01:15:42Caring for them does.
01:15:45You ain't no father.
01:15:48Hey, Bodecua.
01:15:50Don't ever let her come back here.
01:16:01Come here.
01:16:15What day is it?
01:16:17Tuesday.
01:16:19You've been out all night.
01:16:25Oh.
01:16:27This?
01:16:29It's the latest in accessories.
01:16:32The chemo pack.
01:16:36I've had her for a while.
01:16:40Doc told me after...
01:16:43Javi and I split up.
01:16:49But why didn't you say anything?
01:16:53I didn't tell anyone, because I was...
01:16:58Because I was scared.
01:17:00Scared of what?
01:17:03Scared of losing everything.
01:17:07You know, when I was a kid, I would stand on a chair in the kitchen, and just dream I
01:17:14was on a stage, singing.
01:17:17And that I was the one coming out of Radio City Music Hall in a limo, and that I would
01:17:25take care of mommy, and that I would make Belalio proud.
01:17:30They'd see me all successful.
01:17:36For a while, it felt like everything we were living was that dream.
01:17:46And the moment anyone said cancer, I would...
01:17:52I would just lose it all.
01:17:57That everything would be gone.
01:17:59And, you know, the tour, the bands, the money.
01:18:05You?
01:18:08I was terrified of losing you.
01:18:12And I was so angry at you.
01:18:17Why did you do that?
01:18:20I once asked a junkie, how did he start getting high?
01:18:31This guy was a track star.
01:18:33He, I don't know, he ended up strung out in the projects most nights.
01:18:40But he said when you spend your life being numb,
01:18:48Drugs help you to feel something.
01:18:51And I guess I just, I just wanted to feel something.
01:18:55I mean, selling rock for my pops, it was never about the money.
01:19:00I just wanted him to love me.
01:19:05Tony.
01:19:06I guess I just, I gotta accept the fact that he'll never be able to do that.
01:19:15You can't force anyone to love you the way you want.
01:19:20I know that.
01:19:23Now.
01:19:26Do you?
01:19:36You're my best friend.
01:19:39My sister, my family.
01:19:43I don't ever want to lose you.
01:19:46Do you ever lose me?
01:19:48You got that?
01:19:52Then no more secrets.
01:19:57No secrets.
01:20:00Because sisters don't keep secrets.
01:20:03Okay?
01:20:07No more secrets.
01:20:10I think there's one more person you need to tell.
01:20:16Lisa!
01:20:17My sister, my sister, you're not going to see her!
01:20:20My sister!
01:20:21My sister!
01:20:23My sister!
01:20:23My sister!
01:20:24My sister!
01:20:24It's been so long since I've seen you, baby.
01:20:28What are you doing here?
01:20:29I'm sorry, Mommy.
01:20:32I've been busy.
01:20:34I have so much to tell you.
01:20:35But what are you doing Saturday night?
01:20:39You can fight for me.
01:20:44I can't believe it.
01:20:49I can't believe it.
01:20:49It will be a death.
01:21:02We did it, Mom.
01:21:06Yes, we did.
01:21:32Hi, Mommy.
01:21:35I got you seats in the front row.
01:21:40We'll eat after, yeah?
01:21:43Yeah.
01:21:46Yeah, baby.
01:21:48So cute.
01:21:51Oh, my God.
01:21:55Yeah?
01:21:57It's time.
01:22:02I'll see you later.
01:22:03Yeah.
01:22:06Hey, I got you something.
01:22:11What?
01:22:13I thought I lost them.
01:22:15It was in some of the boxes from when you moved.
01:22:18I figured you might need it,
01:22:20since you never went anywhere without them.
01:22:34Lisa?
01:22:37It's not that I didn't think you could take the D train alone,
01:22:40or pay for Mama's bills,
01:22:45or do all of this.
01:22:49I just...
01:22:51I wanted to be the one to do that for you.
01:22:56So you didn't have it as tough as I did.
01:22:59I just...
01:23:01I wanted to be the one to take care of my little sister.
01:23:11And if I never told you this...
01:23:15I've never been more proud of anyone in my entire life.
01:23:19I love you, sis.
01:23:23I love you, sis.
01:23:24Oh, yeah.
01:23:26Oh, yeah.
01:23:39Oh, yeah.
01:23:40Oh, yeah.
01:23:45Oh, yeah.
01:23:51Can you feel the beat within my heart? Can you see my love shine through the dark?
01:23:59Can you feel the beat within my heart? Can you see my love shine through the dark?
01:24:03Can you see that you must be a part of that beat in my heart?
01:24:09That beat in my heart
01:24:20I'm Lisa
01:24:22Tony
01:24:22Let me hear you scream!
01:24:46After all that we've been through
01:24:50I can't seem to face the fact that though I'm losing you
01:24:54Do away your tears through the tears
01:24:55We're gonna do this my way?
01:24:58We're not at all
01:24:59I tried not to let it show
01:25:05Now I don't know what to do
01:25:07I tell myself I'm lying
01:25:09Don't you have sisters?
01:25:11Yeah
01:25:11You got me now
01:25:12My heart cause double B's for you
01:25:14Woo
01:25:15Oh
01:25:16Now you know
01:25:18I love
01:25:20I'm broken
01:25:21I know
01:25:23I know
01:25:24I know
01:25:24I know
01:25:25I know
01:25:26I know
01:25:26You got me now
01:25:29I know
01:25:44I know
01:25:44Can you feel the big wheels in my heart?
01:25:47Can you see my love shine through the dark?
01:25:49Can you see that you must be a part of that
01:25:52Tony! Tony! Get up! Get up!
01:25:55That beat in my heart
01:25:59That beat
01:26:00Let's go!
01:26:10You're my best friend. I don't ever want to lose you.
01:26:18You want to know about my life?
01:26:22Well...
01:26:23Here you go.
01:26:25This is how you'll be back
01:26:28Another day
01:26:30This is how you'll be back
01:26:34Oh yeah
01:26:35You've been back
01:26:39You've been back
01:26:40Not to lie
01:26:41You're home
01:26:42You've been back
01:26:44Oh yeah
01:26:45Yeah
01:26:46You'll be back
01:26:51You've been back
01:27:03Oh yeah
01:27:05Oh yeah
01:27:09Oh yeah
01:27:28Oh yeah
01:27:31This is taking over
01:27:33And it seems life is tomorrow
01:27:38When it seems so hard to make tomorrow come
01:27:47You've been back
01:27:48You've been back
01:27:49You've been back
01:27:51You've been back
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