00:28You
00:38You
01:06You
01:09My daughter
01:11I
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01:17Vision
01:18You
01:21Sle
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05:32What are you doing?
05:50Okay.
05:54Okay.
05:56Okay.
06:03Okay.
06:12Okay.
06:27Hello, Madam.
06:29What was the railway station?
06:31Or how did you know your car?
06:34Now, if you know it, then you know it, madam.
06:36And if you know it, then you know it.
06:38Hmm.
06:41Afzal is your man.
06:42Which Afzal?
06:43That Afzal who was following Sajid.
06:46Is he your man?
06:48What are you saying, madam?
06:50You don't understand me.
06:51I'm saying that you are going to conceal the information of Sajid.
06:54What do you do?
06:55Conce-
06:56Conce-
07:00Ma'am, my name is Ingra Ji not so good.
07:04Hmm.
07:05He said that I have not come from direct service.
07:13You're getting personal, Sathir.
07:17I don't agree.
07:23You are going to be personal.
07:23You are going to be a criminal.
07:26Keep a case coming in.
07:34My name is B.P.K.
07:37The B.P.K.
07:37Time is over.
07:38Go.
07:41Go, madam.
07:49Sir, I have told her to today.
07:52I said, I don't agree.
08:22I said, I don't agree with him.
08:24He's killing me.
08:27Whatever you want to do,
08:30you tell me the final thing.
08:33I'll kill you.
08:34I'll kill you.
08:36I'll kill you.
08:39I'll kill you.
08:41I'll kill you.
08:41I'll kill you.
08:42I'll kill you.
08:46I'll kill you.
08:50I dare you.
08:50No, no.
09:11Hi.
10:11Well done, Rita.
10:15So finally, Aditya bhi chala gaya na?
10:20Aditya bhi chala gaya na?
10:37Hmm.
10:42How perfect this dress was.
10:45And you failed her.
10:49You know all of them?
10:51Look at me.
10:52Look at me.
10:55That boy, he was perfect.
10:57But you didn't know her.
10:59Why?
11:00Who's the reward?
11:06I don't deserve any happiness, Rita.
11:09Don't I?
11:12I thought if your dad will go home, then you'll go to Sudar.
11:16But no.
11:19You're just like him.
11:21Good for nothing, idiot.
11:24No, you go.
11:25Go.
11:26You will never be happy.
11:29Never.
11:30Never.
11:39No, you're late.
11:43Toda, you've got a office.
11:44Mom...
11:46Father.
11:47No, you're waiting.
11:52God helped me if I just moved to the front ceiling.
11:55Kind of a rhythm.
11:55Uh...
11:56Oh, my God.
11:58Ma look beautiful.
11:58Ha...
11:59It was a very intense gentleman.
12:00I gotta make it more exciting.
12:00You took me.
12:08Yes
12:14Who is that?
12:31Who stole you all this?
12:33What, madam?
12:35You're talking about this on social media.
12:38Bloody deshpande.
13:05It's not so exclusive.
13:22There's only one angle.
13:28Anand.
13:31There was another person with Sajid.
13:35His name is Anand.
13:40Our coffee tending. Why?
13:49Were you okay?
13:50Yes, I just realized I'm really late.
13:53Sorry.
13:54Did I overstep?
13:56I'm very sorry.
13:57No!
13:58Don't be silly.
13:58I'll come.
14:00I'll come.
14:06I think Sajid is the one.
14:09I feel like all kids need proof sharing.
14:13Someone's finally here.
14:15Yeah.
14:16Unlike someone who's never been on the field.
14:19Facts.
14:21Shithij.
14:23Anita, we were jammed for an angle on the recent killings.
14:27Shithij.
14:28I think this serial killer is a classic case of the intersection of drug addiction and crime. Simple.
14:36Hmm?
14:37Seriously.
14:40No one becomes an addict.
14:42Have you been to an orphanage or a rehab?
14:44Anita, please.
14:46What's your angle?
14:47Guys, the crime branch has conducted a shoddy investigation and Sajid is escape court.
14:52How do you know this?
14:54Sources.
14:54Please don't ask who.
14:56Kanika.
14:57Yeah?
14:57I got a call from this guy.
14:59Ex-cutter gang member.
15:01He's saying that he has some exclusive news about Sajid.
15:04What's your name?
15:06Chandu Nayak.
15:10I got a announcer.
15:11I got a little.
15:13I'm a little man.
15:15Oh, man.
15:16Oh, my round.
15:17Ano, you're gonna get out of the field.
15:21Come on, let's go.
15:24Go, go.
15:25We will get into it.
15:29Well, we'll get into it.
15:32How is the camera now?
15:34I don't want to meet Sajid with me.
15:52What did he say to you?
15:55Sajid.
15:57He said, if anything happens, you'll have to go to Chandu.
16:01What did he say to you?
16:02He came to Sajid.
16:04He took a full foot.
16:07He came to sleep.
16:10He gave him a place to sleep in the morning.
16:12He was in sleep.
16:16He said, what did he say to you?
16:21He said, he wasn't the first Sajid.
16:24He came to sleep in the last year.
16:28Where did he go?
16:30He said, where did he go?
16:31What was his name?
16:33Sita, Gita, Nashamukti Kendra.
16:38Hey, stop.
16:44You know what I mean?
16:50You know what I mean?
16:51He went to the orphanage.
16:55You didn't say it to me.
16:56I don't know anything about it, but I don't know anything about it.
17:01I've never seen a photo of Fernando's hand in his hand.
17:07He didn't work like a farmer.
17:13Hey, tell me!
17:16It's a little bit.
17:17Like this
17:53Congratulations, Rita. Another big case solved. Well done.
17:56I don't think the case is solved. You said it's not a serial kill and we are just jumping to
18:01conclusions now, sir.
18:03Well, I was wrong. Anyway, let's close it.
18:06Listen, I called you for a favor.
18:09Don't pounce on me.
18:11That home minister wants to meet you.
18:14He's a film grad and doing a video in Film City.
18:17Just hop in for some time, right?
18:20Please? For my sake?
18:22Sir, I would have loved to help you, but honestly, I have no time right now, sir.
18:25Hey, Rita. I called myself to the phone last night.
18:29And I could not say no. Neither can you, isn't it?
18:32Sir, we are in such an important case. For me, the case is not solved, sir. I'm really sorry. I
18:37can't do this.
18:37Okay, right? You'll handle Vikram in the future.
18:40You just go and show your face. Okay?
18:47Fuck.
18:52Nurse.
18:53Over-dose, sir. Time will take time. The patient hasn't recovered yet.
18:57What? It's all over-dose. It's all over-dose.
19:01It's all over-dose.
19:02It's all over-dose. Don't worry.
19:05Don't worry.
19:05Sajid.
19:06I'm sorry.
19:07Huh?
19:11Huh?
19:15Huh?
19:16Huh?
19:19Huh?
19:19Huh?
19:27Huh?
19:28We've got this aura of this really powerful personality.
19:30By the way, my girlfriend is a huge fan of yours.
19:33So, I want to use this historic and iconic moment from the Pilawadi raid, with the kid and you walking
19:38on the ramp with this big picture-
19:48We don't have all day, so please hurry.
19:51Okay.
19:51Yeah.
19:52Sure.
19:55Oh, guys.
19:59What do you think of Desh Pandey?
20:01I don't have any idea of what he's trying to do.
20:05He's trying to give Vikram the lead on this case, Matre.
20:07Madam.
20:08Why did you give me a promotion?
20:10Because I'm a woman.
20:11He's made a fucking PR prop out of me.
20:14Madam, I'm looking at you.
20:19Open Fernando's case file.
20:21Open.
20:22Read Sajid's confession.
20:25Fernando was doing wrong with a girl.
20:28With a girl with a girl.
20:31What's in the investigation file?
20:33It was a job of theft.
20:35Wallet was stolen.
20:36What happened?
20:36It's a botched-up investigation, Matre.
20:39And it's very evident.
20:40What did you get in Fernando's room?
20:42Wig.
20:43Lipstick.
20:44Dede's perfume.
20:45Talcum powder.
20:45Why?
20:47Why would Fernando keep this?
20:49Ma'am.
20:50You're already ready.
20:55This is it, ma'am.
20:55The pilawadi moment.
20:56We're just going to recreate that.
20:57Okay?
20:58You just have to pick the kid up.
20:59Walk there.
21:00And we're going to crane up.
21:01As soon as we crane up, we're going to see the expanse.
21:03Do you see it?
21:04Sorry.
21:05Okay.
21:06HMU.
21:09I'm at the monitor.
21:15I'm at the monitor.
21:17Okay.
21:26All right.
21:27Going for take.
21:28Come on.
21:29Ma'am.
21:30We're going for take.
21:31Ma'am.
21:32Ma'am.
21:34Ma'am.
21:34Ma'am.
21:36Ma'am.
21:38Oh, ma'am.
21:39What?
21:40Arim.
21:42Arim.
21:44Arim.
21:48Arim.
21:54What the hell, Rita?
21:55You can't leave the shoot just like that.
21:57I gave Kirkar my word.
21:58Just go back.
22:10Ah.
22:15Oh, wait.
22:16Hello, Kirkar.
22:16Ma'am.
22:19I'm sorry.
22:20Do you want me to leave the hair sample as well?
22:21I have to leave the hair sample for the entire time.
22:22The clothes that is called the hair sample, my dear.
22:24Madam.
22:24That's the hair sample as well.
22:24Where is the legwork?
22:25I don't think I'm getting all of it, madam.
22:26If Anand was married,
22:28then why would she wear her legs?
22:30Ha?
22:36Come on, madam, you are very sensitive to the commissioner.
22:40If you want to raise your hand, you will have a lot of problems.
22:44Sorry, madam, I don't understand.
22:46What do you understand?
22:48Registered to girls from 2005 to 2015.
22:51Now, just now.
22:53Madam, this is a boys' orphanage.
22:55Huh?
22:57When?
22:57From you.
22:58From the beginning.
22:59It's written.
23:11Then why did Sajid say that he was wrong with the girl?
23:19Check their records.
23:21Call me something.
23:23Yes, madam.
23:46Sir, this is a girl, Sergeant.
23:48He was in juvenile.
23:49This is a case of a murder and murder.
23:51Look, Sergeant, what did you say?
23:53He was wrong with the girl.
23:55He was wrong with the girl.
23:56He was wrong with the girl.
23:57He was wrong with the girl.
23:57He was wrong with the girl.
23:58His family was wrong with the girl.
23:59And what did she write in the file?
24:00He had written in the investigation.
24:01What was the job of theft?
24:03What can his work?
24:06The murder of Fernando is no longer right than Sajid.
24:11Drums!
24:12Drums!
24:13Oh!
24:14Oh!
24:18Oh!
24:22Oh!
24:23Oh!
24:23Oh!
24:27Sajid was cutting his left hand.
24:31Sajid is on the left side.
24:49Forensic report has come.
24:51Sajid has a fingerprint.
24:53But there is no record of the other fingerprint.
24:57The hair sample from Prabhat's house,
24:59is a big one.
25:01If Anant is a girl,
25:03why does WIC print it?
25:04This is a boy's orphanage.
25:06WIC, woman's perfume, calcium powder.
25:09Why?
25:10With a girl.
25:10I'm a girl.
25:14I'm a girl.
25:16I'm a girl.
25:16I'm a girl.
25:19And I'm a girl.
25:38I'm a girl.
25:44I'm a girl.
25:46I'm a girl.
25:53I'm a girl.
25:59I'm a girl.
26:00I'm a girl.
26:05I'm a girl.
26:12I'm a girl.
26:14I'm a girl.
26:16I'm a girl.
26:17I'm a girl.
26:19I'm a girl.
26:20I'm a girl.
26:20I'm a girl.
26:21I'm a girl.
26:22I'm a girl.
26:24I'm a girl.
26:25I'm a girl.
26:25Oh, my God.
26:55Oh, my God.
27:28Oh, my God.
27:34Oh, my God.
27:59Oh, my God.
28:01Oh, my God.
28:09Oh, my God.
28:11Oh, my God.
28:41Oh, my God.
28:42Oh, my God.
29:15Oh, my God.
29:17Oh, my God.
29:35Oh, my God.
30:27Oh, my God.
30:35Oh, my God.
31:30Oh, my God.
31:43Oh, my God.
32:22Oh, my God.
32:43Oh, my God.
33:04Oh, my God.
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