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The.Hunting.Party.S02E09 [Full Movie] [Vertical Drama]Full EP - Full
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00:26THE HUNTING PARTY
00:56THE HUNTING PARTY
01:20THE HUNTING PARTY
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04:51THE HUNTING PARTY
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05:21THE HUNTING PARTY
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05:50Show your loved ones you care.
05:54We're here for you.
05:57Aikens Family Mortuary.
06:01Very Adams family?
06:02No Morticia.
06:04Sadly, the mom died in childbirth.
06:06That's dad, Nathan Aikens, with Colette,
06:08and on the left, older sister, Liza.
06:11The two sisters had a lot of resentment
06:12due to the mother's death.
06:14So much so that Liza's favorite pastime
06:16was locking Colette in coffins for hours on end.
06:20Good to be kids.
06:21Her dad was the only one that Colette
06:23actually felt protected her.
06:24The day of her dad's funeral,
06:26Colette decides to slit Liza's throat
06:27with an embalming knife.
06:28And then when she's finally caught years later,
06:30she tells police her dead dad told her to do it.
06:35Like she saw his ghost or something?
06:37More like a disembodied voice.
06:39Auditory psychosis can be the result
06:40of a couple different things.
06:42Brain injury, sleep deprivation, trauma.
06:44In Colette's case, they think that it was tied
06:46to the embalming chemicals that she was working with.
06:48Formaldehyde.
06:49Damn.
06:50I knew some guys back home
06:52who used to smoke weed,
06:53soaked in formaldehyde.
06:54They hear voices telling them to kill people, too?
06:57Colette's father's voice told her
06:58to do a lot more than that.
07:00He instructed her to put Liza's corpse in his coffin,
07:03bury them together,
07:03and then tell friends and family
07:05that Liza had run off to California.
07:08Okay, so Liza was the first.
07:11Who were the next ten?
07:12Women all around Liza's age
07:14that Colette saw as a replacement
07:16for her abusive older sister
07:17and activated her trauma stimulus response.
07:20She would stalk them, kill them,
07:22and then put them in coffins
07:24with other cadavers that were being buried
07:25by the family funeral home,
07:27just like she did with her sister.
07:29It is a pretty cool system for hiding bodies.
07:32No.
07:32If, you know,
07:33if you're a depraved serial killer.
07:36Plane's on the tarmac.
07:51I can't sleep.
07:59Can you sing to me?
08:02Hello?
08:03Is anyone there?
08:04Can you hear me?
08:06I need help.
08:07Help.
08:09Can you sing me a lullaby?
08:11What?
08:12No.
08:13Please, you gotta get me out of here.
08:16How about a story?
08:17Lady, I don't know any stories.
08:19Just please,
08:20let me out of here.
08:25Hello?
08:26Are you there?
08:27Are you out there?
08:30Lady?
08:31You want me to tell you a story?
08:32How about that?
08:33No, no, I don't want a story.
08:35Look, lady, it's hot in here.
08:37I can barely breathe.
08:39I really need some water.
08:42Just let me out of here.
08:44What the hell is wrong with you?
08:48There was a bone-cold winter's night,
08:50and inside a little house,
08:51the little girl lay in her bed all alone.
08:54Please.
08:55And just as she was about to fall asleep,
08:56she heard a noise.
08:57Please, I need water.
08:59Hey!
09:01Shh.
09:03I'm telling you a story.
09:06Okay.
09:07Okay.
09:08I'm listening.
09:09So the little girl heard a sound,
09:11but when she opened her eyes and looked around,
09:13she couldn't see anything.
09:14But then, through a crack in the wall,
09:18she saw what was making the sound.
09:20Look, lady.
09:21It was a mouse.
09:22I don't know what you want,
09:23but I can get it for you.
09:24And the little girl was like,
09:26hello, mouse.
09:26Would you like to be my friend?
09:28Money?
09:28You want money?
09:29Please, what do I have to do?
09:29This wasn't a cute mouse.
09:30Please, just let me out.
09:32Stop, please.
09:35What was the little girl to do?
09:37What are you doing?
09:38I said, what was the little girl to do?
09:52It turns out the mouse wasn't a mouse at all.
09:55Please, just let me out.
09:56It was a rat.
09:57A big, fat, ugly rat.
10:01And they just kept coming around
10:02and squeaking and scratching,
10:04and the little girl couldn't fall asleep,
10:06even though she said to the rat,
10:07be quiet,
10:08or the rat just kept saying,
10:09can I please have some water?
10:11I'm thirsty.
10:11I want some water.
10:12And because the girl was a nice little girl,
10:14she gave the rat exactly what it wanted.
10:28And then everything was quiet again.
10:40But the little girl still couldn't sleep.
11:05I can help you, Colette,
11:07but you've got to talk to me.
11:08Now, let's start with where the bodies are buried.
11:12Who we are.
11:14The essence of our being
11:16is so much more than just cartilage.
11:19Now, is that something your father would say?
11:22Is he here now?
11:25He loves me.
11:27May I speak with your father?
11:29No.
11:31Why not?
11:34Because he's mine.
11:37Colette,
11:38help us reunite your victims with their loved ones.
11:42Dad says no.
11:45Sorry.
11:46Please, just tell us where the bodies are buried,
11:49and we'll leave you and your father alone.
11:54Dad says you're a liar.
11:57And not to trust a word out of your mouth.
12:02Son of Sam said a voice told him to kill, too, right?
12:05Well, that was a dog.
12:07Since when does the pit care about things
12:09like retrieving the bodies for grieving families?
12:11Probably didn't,
12:12but they couldn't resist the challenge.
12:14I mean, think about it.
12:15This woman is completely controlled by auditory psychosis.
12:18They control the voices,
12:19they control her.
12:20And to do that surgically,
12:22they sent her to...
12:23Professor Fairfax.
12:26The one and only.
12:31Looks like the pit allowed Fairfax
12:33to perform experimental surgeries on Colette.
12:35Called targeted neurocortical decoupling.
12:38Which does what, exactly?
12:40Essentially, they severed the neural pathways
12:42that created the auditory hallucinations.
12:46Took away Daddy's voice.
12:47Of course they did.
12:49Yeah, well, they might have taken Daddy's voice,
12:50but Colette still didn't give up
12:51the locations of the bodies.
12:53Are we feeling any better today?
12:55Where is he?
12:56Why won't he talk to me?
12:58If you're interested in talking,
12:59I know your therapist is eager
13:01to resume your sessions.
13:06Why can't I hear him?
13:09What did you do?
13:11Well, Colette,
13:12I like to think we brought you some peace.
13:16I know.
13:17I want you to bring him back.
13:19Removing the voice they couldn't control
13:21was just step one.
13:27Colette,
13:28it's okay, it's Dad.
13:31They brought me back to you
13:32so we could be together.
13:36That's not real.
13:38Colette,
13:40the people here,
13:41they just want to help you.
13:43Tell them what they want to know.
13:45That is quite the parlor trick.
13:48I have to get the voice right.
13:49Do you remember the commercial
13:50for the family mortuers?
13:51How could I forget?
13:52They scraped the audio
13:53and then created a program
13:54where they could say
13:55whatever they wanted in his voice.
13:57But you're doing great.
13:58Sweetie,
13:59if you tell them
14:00what they want to know,
14:01then we can get back to people.
14:07Dad?
14:10If you want to talk
14:11talk to your dad, Colette,
14:12you need to talk to us first.
14:14Some psychotic form
14:15of mind control.
14:16The holy grail of psyops.
14:18Honey,
14:19just tell them
14:20where you hid the bodies.
14:22That way we can be together
14:24forever.
14:28Heather Wilson is buried
14:29with Howard E8,
14:30section 5,
14:31lot 1443,
14:33blessed assurance lawn.
14:34It's a turnical spot
14:35with a beautiful view
14:35of the crypts
14:36on the southern slope
14:37of the cemetery.
14:38That's so twisted.
14:39It worked.
14:41They got their bodies,
14:42Colette got her father's voice back.
14:45Yeah,
14:45until the pit blew up.
14:46Now she's all alone again.
15:00Oh.
15:01Couldn't change your slogan.
15:10Police said Bradley
15:11was dead almost a week
15:12before they found him
15:13downstairs.
15:14Throat was slit
15:15with an embalming scalp.
15:17That fits.
15:18They didn't find his body
15:20until yesterday.
15:21Mortuary is by appointment only.
15:23The janitor came in
15:24for his weekly service
15:25and he found the body
15:26in here last night.
15:27The cops are bringing him
15:28down to talk to us right now.
15:33Could this have been
15:34a territorial thing?
15:36She comes home
15:37to find the family business
15:38being run by somebody else,
15:39somebody who isn't dad?
15:41Or maybe Colette
15:42came back for her trophies.
15:45Hey, guys.
15:46Hey, she'll be out
15:47in a second.
15:47All right.
15:49I'm so good.
15:54Hi.
15:56I understand you're
15:56the one that found the body,
15:58Special Agent Rebecca Henderson.
15:59Franco.
16:00Do you mind
16:00if I ask a couple questions?
16:02Okay.
16:03How long have you worked here?
16:05Almost three years.
16:07Was that space
16:07always empty?
16:08No, ma'am.
16:09Usually there's a coffin
16:10on it.
16:11Fancy one, too.
16:12Okay.
16:12When did it disappear?
16:14It was here
16:15the last time I was here.
16:17Is there any chance
16:18that Mr. Bradley
16:18could have sold it
16:19before he passed?
16:20It's the floor model.
16:24Have you noticed
16:24anything else missing?
16:26There is
16:28usually a work van
16:29out back.
16:32Colette's childhood trauma,
16:33her M.O.,
16:34it's all tied to coffins.
16:35There's one missing
16:36along with a van.
16:37We'll put out a bolo.
16:39She didn't come here
16:39to kill.
16:40She came here to steal.
16:41We're thinking
16:42robbery gone wrong.
16:43Mom, she stole the coffin.
16:45She planned to put
16:45someone in it.
16:52Oh!
17:02Oh!
17:03Oh!
17:03Oh!
17:05Oh!
17:31Thanks, you can just leave it on the porch.
17:33Actually, I need a signature.
17:35Okey dokes.
17:39Yes, sirree,
17:41Mr. Mailman,
17:42I hope that
17:43package is for me.
17:45Ba-ba-da-da-da.
17:47Good morning.
17:48Here you go.
17:49Thanks.
17:50Ah!
18:11Wife came home to find a mess,
18:13and her husband missing.
18:14We got the 911 call.
18:15Are we sure it's Colette?
18:17Brain cameras are dragging
18:19him out of the house.
18:19I mean, I don't know.
18:20It's not like him.
18:21I mean, I came home,
18:22and his phone was there,
18:24and then the lamp was broken,
18:26and nobody will tell me anything.
18:27Where is he?
18:29The police won't tell me anything.
18:30Did somebody take him?
18:31Why would anyone kidnap my husband?
18:34We don't know.
18:35But you'll find him, right?
18:38Look,
18:39we are going to do everything possible.
18:41I promise.
18:43Excuse me.
18:44Hey,
18:45sorry to interrupt.
18:47Hey, Sue,
18:48did you go to
18:49Washington High School?
18:50Yes, we both did.
18:52It's the biggest high school
18:52in the county,
18:53so most of us went there.
18:55This is Marty's mother.
18:57Excuse me.
18:59Hi.
19:02What's up?
19:03So,
19:04Marty went to
19:05Washington High School,
19:06graduated in 2004.
19:08Guess who else graduated
19:09from Washington High in 2004?
19:12Colette's sister.
19:13And Colette graduated from here
19:14two years later.
19:16Marty's mom is on her way over.
19:18Uh, Sue,
19:19you and Marty went to
19:20the same high school
19:20as Liza and Colette Akins?
19:22That was our dubious claim to fame,
19:24or notoriety, I guess.
19:26What were they like?
19:27I never really got to know
19:28either of them.
19:29It was such a shocker
19:30when we found out what happened.
19:32Colette murdering Liza that way.
19:34Colette was the quiet one, too.
19:36What about Marty and Liza?
19:37Did they know each other at all?
19:40Why do you ask?
19:42Uh,
19:43no stone unturned.
19:45As far as I can remember,
19:46Marty never talked
19:47to either one of them.
19:49Different circles.
19:50Liza was one of the popular kids.
19:52You know how high school is.
19:54Marty spent most of his time
19:56in choir practice.
19:59Marty is the kindest person I know.
20:02Why would anyone want to hurt him?
20:05Dex.
20:08Hey, Sue.
20:10Sue, listen to me.
20:12We're going to do whatever it takes
20:13to bring Marty home, okay?
20:15They found a body.
20:27That's not Marty.
20:30So she kills Henry Bradley,
20:31he's in at the mortuary,
20:33kills this guy,
20:34and hides him in a grave?
20:36Bradley was a means to an end.
20:38She got the coffin,
20:38the van.
20:39You think this guy serves
20:40a different purpose?
20:42Yeah.
20:43His name's Nelson Stewart.
20:45Hooked at a nursery.
20:47What, like, with babies?
20:49No, like, plants.
20:52Ah.
20:53They're missing a week.
20:54Cemetery employees
20:55dug this grave this morning,
20:56and they got back from lunch.
20:58Half the soil was topped back in
20:59with this poor guy underneath it.
21:01Yeah, well, Colette probably thought
21:02they'd just put a coffin
21:02on top of him and not even notice.
21:04The medical examiner will confirm,
21:06but I'd be surprised
21:07the time of death
21:07was over 24 hours ago.
21:09Well, Colette must have kept him
21:10somewhere for a while.
21:11Why go to the trouble
21:12of kidnapping someone
21:13if you're just gonna kill him
21:14and leave him out here?
21:16She needed the coffin
21:16for someone else.
21:18Well, Marty.
21:19Did Nelson go to school
21:20with Colette as well?
21:21No, he's not even
21:22from around here.
21:23There's gotta be a connection.
21:24Well, we better figure out
21:25what that is,
21:26or that's exactly how
21:26we're gonna find Marty's body.
21:28Come on, I'm gonna wait
21:28to get him.
21:52Hello?
21:54Hello?
21:55What's going on?
21:57Hello?
21:59Somebody, please!
22:01Hello?
22:05Oh, good, you're awake.
22:08What's happening?
22:10Where am I?
22:14Oh, God.
22:16Let me out of here.
22:16Please!
22:18I can't do that.
22:20What?
22:21But as long as you do
22:22as I say,
22:22you don't have anything
22:23to worry about.
22:24You like to sing, don't you?
22:28You're gonna sing to me.
22:33I can't believe it.
22:34Of all the scenarios
22:35I imagined
22:36why Nelson didn't
22:37show up this week,
22:38murdered was not one of them.
22:40Yeah, I can imagine
22:41it would be a shock.
22:42What do you know
22:43about his background,
22:43friends, family, hobbies?
22:45He was a hard worker.
22:46He was great with the orchids.
22:49He brightened up the place.
22:51He talked about
22:52moving to Nashville.
22:53He wanted to be
22:54a singer-songwriter.
22:55He has this great...
22:58He had a great voice.
23:02The kind of voice
23:03you don't hear very often.
23:05So what,
23:06she's going after singers?
23:07What do you want to bet
23:08Colette's dad sang to her?
23:10Maratlas,
23:11I need you to run a search.
23:12I remember some entries
23:13in her pit file
23:13that mentioned singing.
23:15Already on it.
23:16Sending you something now.
23:19I can't sleep.
23:21I'm sorry, sweetie.
23:23Dad, can you...
23:24Can you sing to me
23:26like you used to?
23:27Of course, baby.
23:30Hush, little baby,
23:32don't say a word.
23:34Mama's gonna buy you
23:35a mockingbird.
23:37And if that mockingbird
23:39don't sing...
23:41That's good news for Marty.
23:43You think?
23:45She wants Marty
23:46to sing for her.
23:46Dead men don't sing.
23:48That didn't help Nelson.
23:49Well, maybe he refused
23:50or he panicked,
23:50but as long as he's singing,
23:52she's gonna keep him alive.
23:53What I don't understand,
23:54though, is how she's
23:54targeting them.
23:55I mean, Marty was
23:55a school teacher.
23:56Nelson worked
23:57at a garden center.
23:58She must have heard
23:59him sing somewhere.
24:01Maratlas,
24:02I need to cross-reference
24:02our socials,
24:03see if Marty and Nelson
24:04both went somewhere.
24:05Church choir,
24:06community theater,
24:07voice lessons, anything.
24:08I'm on it.
24:12Start again.
24:15Ash, little baby,
24:18don't say a word.
24:20Daddy's gonna buy you
24:22a mockingbird.
24:25If that mockingbird
24:28don't sing,
24:30Daddy's gonna buy you
24:32a diamond ring.
24:34If that diamond ring
24:38don't shy...
24:40You're doing it wrong.
24:42Wait, wait, wait.
24:44Look.
24:45This song.
24:48It's obviously
24:50important to you.
24:54Somebody must have
24:56sung it to you
24:56when you were little.
24:58Am I right?
25:01What?
25:02What was that?
25:04Your mother?
25:07No.
25:11She died the day
25:12I was born.
25:18I'm sorry.
25:19I'm sorry.
25:20I didn't know.
25:21That must have been
25:22really hard.
25:23What it is
25:23is none of your business.
25:24Okay.
25:27Um...
25:28Um...
25:30Your father?
25:32Then?
25:33He loved me.
25:36He believed in me
25:37when no one else did.
25:39I understand.
25:40My mom's
25:41like that too.
25:44He's a very kind person.
25:49Just like your dad.
25:52I'm sure
25:52he wouldn't want
25:54you to
25:54hurt me.
25:56If you can't
25:58help me
25:58I'm gonna have to
25:59find someone
26:00who will.
26:00No!
26:01No, don't go!
26:02Wait!
26:03Hello?
26:04Hello?
26:06Hello?
26:06You little baby
26:08don't say a word!
26:10Daddy!
26:16Guys, I think
26:17I found something.
26:18Marty doesn't
26:19have social media
26:20but I found a picture
26:21of him on his friend
26:22Emily's Snap Mac page.
26:24Turns out
26:25he was at a karaoke bar
26:26the night before
26:27he was abducted.
26:28And get this
26:28Colette's other victim
26:30Nelson and his friends
26:31were at the same
26:32karaoke bar.
26:33The same night?
26:34No.
26:35As far as I can tell
26:36they've never met
26:37one another.
26:37But they were both
26:38at the same karaoke bar
26:39within weeks
26:40of getting him out.
26:41Nice work Morales
26:42to send us the address.
26:49I'm crazy for feeling
26:57so lonely
27:03I'm crazy
27:08Hey, you think it's possible
27:10if you do not look like a cop?
27:13I don't look like a cop.
27:16You look like a cop.
27:18I do not look like a cop.
27:20Well now you look
27:21even more like a cop.
27:22Whatever, man.
27:24You look like a cop.
27:31Can I get you anything?
27:31Um, actually, yeah.
27:34I was in here
27:35a couple nights ago
27:36I met this woman
27:37I was wondering
27:38if you might have seen her
27:40just trying to
27:41trying to hunt her down again.
27:44Yeah.
27:46She comes in here a lot.
27:54So, bartender recognized
27:56Colette's photo
27:56says she's in here
27:57most nights
27:58apparently she's
27:59AO.
28:00What's AO?
28:01Audience only.
28:02She doesn't sing
28:03she just watches.
28:05Ah, makes sense.
28:07She's in here
28:07trolling for her next victim
28:08not blowing off steam.
28:11Okay, supposing
28:12she does show up
28:14what's the plan?
28:16We follow her
28:17and if Marty's still alive
28:18we've got to know
28:19where she's holding him.
28:20What if she doesn't show?
28:21Do you have a better plan?
28:23I'm going to take a lap
28:24to see what the song selection is.
28:26I do a mean Cyndi Lauper.
28:28I'm sure you do.
28:36You okay?
28:38Hmm?
28:39Yeah.
28:41Um
28:43my wife and I
28:44went to a karaoke joint
28:45like this
28:46on our first date.
28:48That's sweet.
28:52Hey
28:54I've been thinking
28:57Colette
28:58is literally
28:59murdering folks
29:00seeking that
29:01connection
29:01with her father.
29:03Yeah, and?
29:11You think Shane's
29:12going to do
29:12some of your regrets
29:12for Lazarus?
29:13I'm just saying
29:14push comes to shove
29:15who's he going to choose?
29:17I think we give
29:18Shane some space.
29:23I just
29:24still don't love
29:25the fact that
29:25he lied to us
29:27especially about
29:27something personal.
29:29Do you still trust him?
29:30A hundred percent?
29:33I do.
29:34Yeah.
29:38I trust you
29:39too
29:41even if you
29:41left a few things
29:42out of your story.
29:55When did you find out?
29:58When you were in the hospital.
30:01Figured someone
30:02to let your wife
30:02know that you got shot.
30:09I don't like
30:10to talk about it.
30:11You don't have to.
30:19She died two years ago.
30:24Were you with her?
30:26Nope.
30:29It was halfway
30:30around the world.
30:34My parents were
30:37and the kids.
30:53Not that I really know you
30:54but you know
30:55the most things
30:55in the world
30:56that it's a problem.
31:00Khalid is here.
31:11All right.
31:12Next up we've got
31:13Bobby.
31:14Bobby, come on up here
31:15and show us what you got.
31:17Hey.
31:18Hey, uh,
31:18I just want to let you know
31:19that there's some people
31:20that are looking for you.
31:23Okay.
31:24Yeah, we just got made.
31:26Uh-huh.
31:28Oh, wait.
31:28We gotta go.
31:31Hey, Colette.
31:34Colette, we just want to talk.
31:36Colette.
31:37Colette, stop.
31:39Colette!
31:40Get out.
31:40Get out.
31:41Everybody get out.
31:42Stay calm.
31:43Keep moving.
31:43Move behind me.
31:44Go.
31:44Get out.
31:45Stay back.
31:47Drop it.
31:49You first.
31:50Please, don't.
31:51Shut up.
31:54You put the gun down right now
31:56or I'll kill her.
31:58I'll do it.
31:59Hey, hey, hey.
31:59Hey.
32:00It's just us.
32:01Okay?
32:02We just want to talk.
32:03I don't want to talk.
32:04I want you to let me out.
32:06Now put the gun down.
32:07You can't do that.
32:08Okay, okay, okay.
32:10Guns down.
32:11Guns are going down.
32:13You see?
32:15His gun's down,
32:16my gun's down.
32:17All right?
32:18Your turn.
32:18Put the knife down.
32:20Look,
32:22I know that you're scared right now
32:23and I know that you don't want to hurt her.
32:26But if your dad was here,
32:27what would he say?
32:28Don't talk about him.
32:29Okay?
32:29Okay.
32:31Why don't you talk about him?
32:32Tell us.
32:32Tell us what he was like.
32:34He loved you very much, right?
32:38He kept you safe.
32:39We are trying to keep you safe right now.
32:42He protected you
32:43when you were young
32:45from Liza.
32:45She's horrible.
32:48She charms everybody
32:50and they don't know the real her.
32:51She told me all the bodies
32:53downstairs woke up at night
32:55and if I didn't stay real still
32:56in my bed would come up
32:57and find me
32:57so I didn't even get up
32:58to go to the bathroom
32:59and everyone loved her
33:00and hated me
33:01except my dad.
33:06Go.
33:06Mind me.
33:07Go.
33:07Move.
33:07Stop moving.
33:08Nice.
33:08Got it.
33:09Stop.
33:12Calm down.
33:15Look at me.
33:17Where's Marty?
33:21Where are you keeping Marty, Colette?
33:24He was pretty dehydrated
33:25when I left.
33:27I don't think he has much time.
33:39Hey.
33:39My name is Special Agent Rebecca Henderson.
33:41I am not here to intimidate you.
33:43I'm not here to threaten you.
33:44I'm here to talk to you.
33:46Okay?
33:47You're a liar.
33:52I'm lying.
33:54Hey.
33:56Hey.
33:56Hey.
33:59Clock's ticking.
34:00Local PD's upstairs
34:02taking statements.
34:03I told them we were serving
34:03an interstate warrant.
34:05Okay.
34:05If we have to turn her over
34:06to Lazarus,
34:07Marty's as good as death.
34:09She says Marty's alive
34:10but do we believe her?
34:12I do.
34:14The challenge is getting her to talk.
34:18Give me a couple minutes.
34:20Shh.
34:21Shh.
34:22Shh.
34:23Shh.
34:23Shh.
34:24Shh.
34:25Shh.
34:27Shh.
34:34I know it doesn't seem like it
34:35but I am actually here
34:36to help you.
34:39Fair enough.
34:41You don't care about me.
34:44The only one who cared about me
34:45was my dad
34:47and he's gone now.
34:49What if he doesn't have to be?
34:53I'm gonna lay out
34:54your two options, okay?
34:55Option one.
34:56You go back to prison
34:57completely alone.
35:02Option two.
35:03You can go back with your dad.
35:05His voice at least
35:07just like in the pit.
35:10All you gotta do
35:11is tell me where Marty is.
35:15Why would I believe
35:16anything you say?
35:17You people told me that
35:18the last time
35:19and then you took him away.
35:20No, Colette.
35:21We did not take him away.
35:23There was an explosion.
35:24Do you remember that?
35:28Have you ever seen someone
35:29who's died of dehydration?
35:33The skin on their face
35:34shrivels up
35:35and contorts
35:36like a scream.
35:38I can give you
35:39some suggestions
35:40so he looks better
35:41for the funeral.
35:44That's okay.
35:47New plan then.
35:49You'll like it.
35:52You'll like it.
36:07You'll like it.
36:08You'll like it.
36:09No!
36:09No!
36:25Hey.
36:28Hey.
36:31Let me out!
36:33Hey, little sis.
36:41Stop it.
36:42I hear you have been very bad, haven't you?
36:49I know you're dead.
36:51Dead? Alive?
36:54Who we are.
36:56The essence of our being.
36:58It's so much more than just cartilage.
37:03No?
37:04This isn't real.
37:06And I guess spending eternity together wouldn't be a problem for you.
37:13Look, all I want to know is where you're keeping Marty.
37:19Let me out of here.
37:20Why should I?
37:21You didn't let those men out.
37:23So, why should I let you out?
37:32How about this?
37:34You tell me.
37:36We're Marty.
37:37Or I'll let you rot in there.
37:39No!
37:50Hush, little baby, don't say a word.
37:54Daddy's gonna buy you a mockingbird.
37:57It's not doing that.
37:59And if that mockingbird don't sing.
38:01Shut up. Shut up.
38:03Daddy's gonna buy you a diamond ring.
38:07And if that diamond ring is black.
38:11Daddy's gonna buy you a looking glass.
38:18I'm so sorry.
38:19I couldn't hear you through the coffin.
38:24Abandoned farmhouse, Route 13, Farm Road 8.
38:38It is found, Marty.
38:40It's going to be just fine.
38:45Marty!
38:46Marty!
38:47Oh, my God, Marty!
38:49Oh, my God.
39:02Lighting in my bed, I hear the clock ticking.
39:08I think of you caught up in circles.
39:13Confusion is nothing new.
39:18Flashback warm nights almost left behind.
39:23I don't think this is what the TV is meant for.
39:26Suitcase memories.
39:28Time after some time you pictured me.
39:33He's quite good.
39:34I don't think you should tell him that.
39:36He'll keep going.
39:39How about you?
39:39Marty, are you okay?
39:44I don't know.
39:46What do I do to Colette?
39:48Hey, hey, hey.
39:49You did what you had to do.
39:52That was the only way to save Marty's life.
39:55I know that's supposed to make it easier, but it just doesn't.
40:05I know the lines can get blurred out here.
40:10But trust me, you're on the right side of this thing.
40:13Who's coming?
40:14Who's going to come up and sing with me?
40:16Who's going to join me?
40:16Come on.
40:17Oh, you're up.
40:18Nope.
40:19I don't sing.
40:20Yes, you do.
40:20I don't know.
40:21Backs.
40:21Oh, sorry.
40:22I, uh, saved by the bells.
40:25So convenient.
40:26Don't leave me singing by myself.
40:27Get into it, Henderson.
40:28Come on.
40:30Come on.
40:31Here.
40:34Here you go.
40:35Come on.
40:35Come on.
40:36Come on.
40:40After my picture fades and darkness has turned to rain.
40:46I've been looking into Colonel Lazarus.
40:48There's something you should know.
40:49Hmm.
40:50Seven years ago, a new hire candidate at the pit was flagged on their security clearance.
40:54Colonel Lazarus personally pushed it through anyway.
40:57Made sure he got the job.
40:58Sure.
40:58The warden, Oliver O'Dell.
41:01No.
41:01Shane Florence.
41:04If you're lost, you can look and you will find me.
41:10Time after time.
41:12It seems like Colonel Lazarus has known about Shane for a long time.
41:16Got it.
41:17Time after time.
41:20Time after time.
41:22Time after time.
41:55Transcription by CastingWords
42:06CastingWords
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