- 6 weeks ago
Category
🦄
CreativityTranscript
00:01The show was amazing. Okay, the singing and the choreography and the special effects and come on you you were
00:07amazing. Oh, stop. I'm so glad you all enjoyed it. I loved it. Okay, I loved every single thing about
00:14it. And before I forget, I also love the wardrobe and the sets and oh my God, we have the
00:20best designers and crew in the business. You know, the last set is up for probably a few more minutes
00:27if you want to take a closer look.
00:28Could I? Of course. Don't touch anything or they'll put you in Broadway jail. Nerded. I'll be right back.
00:39She's a keeper. I know. Got lucky. So happy that Port Charles has been so good to you. Now wait,
00:47how's the music scene there? Oh, it's very happy. My friend Trina's dad owns a club, the Savoy. They bring
00:53really great shows. I know they love to have you perform there.
00:56I love the Savoy. I love the Savoy. And you know, I love to perform. Obviously. Hey, I'll set up
01:03the gig with Trina's father. He'll contact your people. Port Charles is going to know what hit it.
01:08Come on, let's go. That's what I'm talking about, man. They're going to love you.
01:12I am delighted that our schedules aligned and we were able to meet for dinner. Yeah, me too. But just
01:21for the sake of clarity, we are both too young to make the early bird special a regular date, right?
01:30Please. Today's mealtime is purely a function of timing.
01:34Oh, thank you. Thank you so much.
01:39Um, you know what? There's something I have to take care of. I'll be right back.
01:43The first one. Yeah.
01:50Ah, Mayor Collins. Pleasure to see you as always. Here to save me from myself yet again.
01:59Well, that depends. Do you need saving?
02:10Need to ask you some questions.
02:13Oh, in that case, definitely come by anytime you want to unannounced.
02:16I already do, but you're sweet to say it out loud.
02:19Does your mother know you're here?
02:20The quid pro quo of my mother risking everything to protect you is I get to show up here and
02:28get all the information out of you that I want.
02:31Oh, so you're a glass half full person.
02:33Which is why I'm so sure you're going to tell me everything I want to know about Anna Duvain and
02:39Cesar Faison.
02:41How was your trip?
02:43It was fine.
02:44But I barely had a chance to unpack before you texted and insisted I meet you here immediately.
02:50Well, I really appreciate you coming.
02:53So let's get to it. I have a small window before jet lag takes me.
02:57What's the trouble? Is it James?
02:59Oh, no, no. James is great.
03:02He's taken up karate and he's mildly obsessed with it.
03:05God help the sensei.
03:08If not James, then...
03:10It's Anna.
03:11I'm assuming her progress has been minimal.
03:14I heard from Robin.
03:16And not only is Anna not making progress, she's getting worse.
03:34Finally.
03:35What took you so long?
03:36No.
03:38My job.
03:39We're going to case that and you texting me every hour.
03:42This is important.
03:43I'm sure it is.
03:44It usually is because you realize I don't answer to you, right?
03:48So I don't care if it will hurt your feelings or Pascal didn't make your tea the way you like
03:53it
03:54or you don't feel like working on the prototype.
03:56You can't come crying to me.
03:57What?
03:58I know Rocco's shot column.
04:24Nothing to see here, I promise.
04:28Another shirt on the table, Keltzman?
04:31With extra cherries.
04:32Please take it easy on the grenadine this time.
04:38Surprise.
04:40As you can see, I am still young at heart, therefore perfectly capable of changing my list in desirable ways.
04:49At least some of them.
04:50I really am glad to hear that.
04:54But remember what we talked about, though.
04:56You can call me if the pressure becomes too great for you and me, Shirley Temple Day, Kendall.
05:06If I have to, I will.
05:09Promise.
05:11Good.
05:14Enjoy your drink.
05:23What was that all about?
05:26And why is Ezra drinking something that looks like Hello Kitty made it?
05:32Because he's drinking a Shirley Temple.
05:37I know, I know.
05:40It's just that he had a few too many the other day at the brown dog, and I don't know,
05:46I'm still thrown out, as a matter of fact.
05:48Were there complaints filed?
05:50Were the police involved?
05:51Oh, sweetheart, I assure you, this is not a story.
05:54No.
05:55A city councilman is publicly intoxicated?
05:58It sounds like a story to me, a potentially important one.
06:01Or perhaps it's just a man who made one bad choice after another, you know?
06:06And no one was hurt.
06:08Except, of course, for him, and I think that maybe the hangover was a punishment enough.
06:14I don't get it, Mom.
06:16That guy has been nothing but a huge thorn in your side.
06:21Why are you suddenly protecting him?
06:24The doctors at the clinic were confident that rest and distance from her regular life would free Anna of her
06:32delusions.
06:34But unfortunately, that course of treatment seems to be having the opposite effects.
06:40Meaning she still convinced that Cezaya's alive and is holding her captive?
06:44Yes, her paranoia has gotten worse.
06:48She now thinks that her doctors are working for Faison and doing his bidding.
06:54She keeps trying to escape, and she's almost succeeded more than once.
07:00They beat well advice to double the guard.
07:02Anna will try again.
07:04And given her training and experience, someone may end up getting hurt.
07:09Well, that's why I wanted to meet you here.
07:14I was hoping that you could help me prevent that from happening.
07:19I'm sorry for Anna's troubles, but what can I possibly do?
07:23I've already told you everything I know about Cezaya.
07:26One of Anna's delusions is that you are part of Faison's scheme.
07:33She believes that he brought you in to give her a phlebotomy treatment and that you are still loyal to
07:42him.
07:44So, I was hoping that you and I could go to France and you could explain to her face-to
07:53-face that you are not Faison's co-conspirator and that it's all in her mind.
08:01That I cannot do.
08:05Any word on Anna?
08:06As far as I know, she's still in the hospital in France.
08:10There's no change in her condition.
08:14And there's still charges pending from her assault on that officer.
08:18What do you want to know about Anna and Faison?
08:24A little light reading?
08:26Just a little something I picked up after discovering Colum carrying it around the night of the storm at Windermere.
08:33And inside it, there was an inscription that said,
08:36For my muse, see.
08:38He was also carrying around a box of cigarrillos.
08:42Cigarrillos?
08:43Faison smoked us.
08:45So, any idea on how and why Colum would be carrying around two items so closely associated with Faison?
08:54What are you talking about?
08:56Rocco didn't shoot Colum.
08:57Jason shot Colum.
08:58You're the one who told Dante that.
09:00As good as you are at lying, it's too late.
09:03Rocco told me everything.
09:08Oh, well, that was a mistake.
09:10He wasn't supposed to tell anybody.
09:12He needed to tell someone.
09:14He's drowning in guilt.
09:16Well, if he doesn't keep his mouth shut, then feeling guilty is going to be the least of his problems.
09:21He's a kid.
09:22And he shot someone.
09:24Yes, he did it to save Jason's life.
09:26And probably mine.
09:27But now Jason is paying the price.
09:29It's a lot for him to handle.
09:30Stop it.
09:31You're not his therapist.
09:33Just worry about the work at Windermere.
09:34You let me worry about Rocco.
09:36What does that mean?
09:37That I will protect him.
09:38I'm already doing everything I can to make sure that nobody finds out what happened on the pier.
09:43Yeah, for now.
09:45But what happens when you need to score points with Colum?
09:50How do I know they're not just going to hand Rocco over on a silver platter?
09:54You really think that that's something that I would do to a 15-year-old?
09:58To Lulu's 15-year-old?
10:00Well, it's exactly what our father would do.
10:30It's exactly what our father would do.
10:43Do you have a secret career as a Broadway dancer?
10:47Oh, yeah.
10:48Only in my dreams.
10:51In this strip.
10:54It's been a dream.
10:56Only you made it real.
10:59I'd do anything for you.
11:11You know, I've been so worried about my grandma that I haven't really had time to think about anything else.
11:19And you took my mind off of that for a little while.
11:23I don't know how I'm ever going to thank you for such a magical night.
11:26I'll think of something.
11:29And you took my mind off of that for a little while.
11:57It's Anne at the back station.
11:59I am a girl.
12:00I love meeting you.
12:02Hey, I'm going to give Curtis to book Michael at this point.
12:06Oh, no, that's so fun.
12:07We'll see you in Fort Charles.
12:09I can't wait.
12:14I know that you and Anna have a complicated history.
12:18But she deserves every chance to come out of this with her sanity intact.
12:23You misunderstand.
12:26It's not that I don't want to help Anna.
12:28It's that I'm not capable of it.
12:31If I go to France with you, my presence would only reinforce her delusions and cause her further harm.
12:38Why, you'd be with me.
12:41She'd believe you'd been co-opted by Cesar's network.
12:45Hmm?
12:46You say Anna claims that I'm working with the captors and that I gave her medical attention.
12:52In her mind, the only reason I would do that is because I'm still married to Cesar.
13:00But you could find a way to prove to Anna that you're not, couldn't you?
13:05From what you've described, she believes I'm still working for a man who so disgusted me.
13:14I repudiated him years ago.
13:16How can I convince her of anything when she won't believe a word I say?
13:20Isn't that at least worth a try, Cesar?
13:23I realize I'm the latest try you're grasping in an attempt to save your friend, and I commend you for
13:30your effort.
13:31But if you were thinking more rationally, you'd see that Anna would interpret a visit from me as another one
13:37of Cesar's manipulative tactics.
13:40I'm sorry, but I cannot save Anna.
13:46Why would Colum be carrying a copy of this book with a pack of cigarillos?
13:53Colum was the WSB Phazon expert.
13:56Maybe he's using them as an opportunity to get back in the man's head.
13:59Okay, but what's the end game?
14:02Well, it's no secret that Anna was haunted by Phazon's obsession with her.
14:11Colum would have known that she was emotionally vulnerable when it came to him.
14:16Okay, so what?
14:18You think Colum was using these items as props to help him set Anna up?
14:22Yes, but the timeline does not work because Colum was in town when Anna was picked up in France.
14:31There is a connection, but I'm not seeing it.
14:35What the hell is it?
14:42Our father wouldn't see Rocco as a person.
14:44He'd see him as leverage.
14:46They wouldn't hesitate to use Rocco if it helped him achieve his desired outcome.
14:50I am not our father.
14:52Everything that I have done since I showed up on that pier has been about shielding Rocco.
14:57I am the one that took him out of a crime scene and brought him back to Lulu.
15:00I am the one that made sure both of them knew in no uncertain terms that no one was to
15:06know that he picked up the gun and pulled the trigger.
15:09Isn't that exactly what you'd do if you wanted to use Rocco for leverage yourself?
15:16Get him to trust you.
15:18Act like you're helping him keep a secret.
15:20Until the time comes when you can use that information to your own advantage.
15:23Look, I get that I don't hold a candle to St. Nathan, but do you really believe that I want
15:31Colum to know that Rocco shot him?
15:34Because then Colum knows that Rocco knows that he's a double agent and he will kill Rocco just like he
15:41killed Marco.
15:43I don't need your gratitude for what happened on the pier or for saving your life, but you need to
15:49get something in your head.
15:50I will protect Rocco.
15:52Nothing bad will happen to him, and that is a promise.
15:58Can you get it together, please?
16:01What if somebody was downstairs and had heard you?
16:04If Colum has driven Anna insane by playing on her worst fear, I will not stop until I have destroyed
16:11him.
16:11I will put him in a padded room screaming at an audience of no one.
16:15Hey, hey, can we press pause on your revenge plan really quick?
16:20Because it doesn't matter why you want to bring Colum down.
16:23All I care about is that you get it done.
16:25And in order for you to do that, you need to get a grip.
16:29Okay?
16:30So can we start by remembering nobody can know you're here?
16:35What else do you want from it?
16:36I want information.
16:39And not just on Colum, on everybody he's working with.
16:42So, Sidwell broke Marco before he was killed?
16:46What about Nathan West?
16:49Is there any possibility that he's involved in this?
16:55Okay, let's...
16:57Let's say I believe you're going to protect Rocco.
17:00My next question is how are we going to make sure he stays safe?
17:05We are not going to do anything.
17:07I will handle this.
17:09You are not keeping me out of this.
17:11No, you're going to keep yourself out of this.
17:12Because the best thing you can do for the kid is to make sure that Sidwell and Colum are happy.
17:18I'm already doing that.
17:19I'm working every chance I get.
17:21I just spent the whole night in the lab at Windermere.
17:24And as far as Rocco goes, you are going to need my help.
17:27What am I going to need you for?
17:29Because I found Rocco in Colum's hospital room.
17:32When?
17:33What was he doing in Colum's hospital room?
17:35His community service.
17:36He didn't realize it was Colum's room when he was sent in there.
17:39By the time I walked in, they were already talking.
17:42About what?
17:43Nothing.
17:43But I got Rocco out before Colum could suspect anything.
17:46But if I hadn't shown up, who knows what would have come up.
17:49So...
17:50So you just...
17:51You find Rocco in Colum's hospital room and you just yank him out of there
17:56and you don't think that Colum is going to find that the least bit strange?
17:58I'm not going to leave Rocco to fend for himself.
18:01Rocco knows he's not supposed to tell anybody what he did.
18:04So why did he tell me?
18:05I don't know.
18:06Well, I do.
18:07Because Rocco is scared and traumatized and feels guilty.
18:11He told me because he needs my help.
18:13He doesn't need your help.
18:14He needs his mother.
18:15And that ain't you.
18:22Maybe a better place to serve is how did you even know about Ezra's vendor at the brown dog?
18:29Oh, Dante.
18:30He stopped by my office to let me know that he was at the brown dog while on his way
18:35to making a spectacle of himself.
18:37Dante did.
18:38Why?
18:39Because he knows how many times Ezra has exploited me.
18:42He thought maybe I would want to use Ezra's bad line out to my own advantage somehow.
18:48Well, but instead of giving as good as you got, you went to the brown dog to help the city's
18:55most obnoxious councilman.
18:57Okay, well, I'm not the type of politician to tear down my political opponents.
19:05And besides, much to my surprise, I found myself feeling kind of badly for him.
19:12Mom, that has got to stop.
19:18Your passion has been a constant my entire life.
19:22And I had been its beneficiary in a million different ways.
19:27But Ezra Boyle is a public servant, and I could argue that the people of Port Charles deserve to know
19:34that a member of their town council is going off the rails.
19:38I know you could.
19:40You don't even have to get involved.
19:41I could follow up with a bartender, and I could get the story out that way.
19:46Yes, I know you can, but I really hope that you won't.
19:50Pardon the interruption.
19:52But if you allow me, I would love to pick up your tab as a small token of my thanks.
19:59That's not necessary, councilman.
20:02Your mother did me a kindness.
20:06That's one way of putting it, I guess.
20:10Keeping you off the hook for public intoxication is another.
20:17I was thinking about writing the story myself
20:20to highlight my mother's good deed, of course.
20:24But my mother convinced me that there wasn't a story there.
20:31So I'm going to let it go.
20:32Just another reason you should be grateful to her.
20:37I see.
20:40Ah, well, Mayor Collins,
20:44I do my best
20:45to lead by example,
20:48but when will you learn?
20:51You have me right where you want me.
20:54You have the advantage.
20:57Why are you not using it?
20:59Who says I'm not?
21:10Oh, man.
21:13So, my publicist, also Michael,
21:16gots you a reservation at my favorite after-theater spot.
21:20He'll meet you out in the front,
21:21and I will see you at the Ciboli.
21:24Thanks again, man.
21:26You're the best.
21:27You're the best.
21:29He's a special man.
21:30I'm never going to forget him.
21:32He better not.
21:33Okay.
21:36Okay.
21:39He's in our lives.
21:53So, you do have something up your sleeve.
21:55Care to share?
21:57Just following your example,
21:59and you are the one who told me
22:01that politics was all about trading favors.
22:04I'm only surprised you'd be willing
22:05to take a page from the old Ezra Boyle playbook.
22:08I'm happy to learn from anyone.
22:10Even you.
22:12And how will I be repaying you
22:15for this favor, Madam Mayor?
22:17You are going to give me 100% of your support
22:22when I announce my next initiative,
22:25Universal Pre-K for Port Charles.
22:28And if I don't support you?
22:30Ooh, I may suddenly feel the urge
22:34to do a deep dive into your patronage
22:36at the Brown Dog Bar
22:37and your habit of spending time with escorts.
22:43No need.
22:45Just tell me when and where
22:46and I will be there,
22:48nodding and smiling.
22:49I can even match my tie
22:51to whatever outfit you plan on wearing that day.
22:53No, don't do that.
22:55Ever.
22:56Mm-mm.
22:58You know, um,
23:00it's not really a favor
23:01because your initiatives
23:03are always so sensible
23:05and popular with the voters.
23:07I support you.
23:08I come out smelling like a rose.
23:10Win-win.
23:13Have a funny evening, ladies.
23:22Well played, Mom.
23:24Right back at you, daughter.
23:26Nathan's an Eagle Scout
23:28who has all his badges.
23:29Nathan's an Eagle Scout
23:30who's been missing for seven years.
23:32And then all of a sudden
23:34he turns up out of the blue
23:35unable to remember
23:36anything that happened to him
23:38yet somehow manages
23:40to pick up his life
23:41right where he left off.
23:43And you think maybe
23:44he'd help making that happen?
23:45Well, it's not an impossible leap, right?
23:48Look at Britt.
23:49We know what happened to her
23:51and that Faison's people were behind it.
23:53Why shouldn't Faison
23:55be behind Nathan's disappearance?
23:57More likely than not.
23:58So you agree
23:59that Nathan's hiding something?
24:01Not necessarily.
24:01It could be that he has no memory
24:03of what happened to him.
24:05I mean, there are ways
24:06to manipulate the human mind.
24:07I would imagine Faison's disciples
24:09know some, if not all of them.
24:11So either an innocent man
24:13has been returned to live his life,
24:15which would make Nathan
24:16the one exception
24:17to the all Faisons are criminals rule.
24:20Or Nathan is just as dangerous
24:21as the rest of them.
24:23And you should leave my mother.
24:28It's tragic what's happened to Anna.
24:31Such a strong, vital woman
24:32incapacitated because of a delusion.
24:36But I understand
24:37how it could have taken hold
24:40if anyone could return from the dead.
24:44It would be Cesar.
24:46Do you know something?
24:49I know that my children
24:50have come back to me.
24:52And it gives me pause
24:53that Anna,
24:56the object of Cesar's obsession,
25:00is the one insisting she has seen him.
25:04Is there any chance
25:06that Anna's assertions
25:07are grounded in fact
25:09and that he is somehow alive?
25:12I can see how you want that to be true
25:15because it would mean
25:16that your friend is sane.
25:18However,
25:19for the sake of my children,
25:24I think that Anna is wrong
25:28and that Cesar is long dead.
25:33Colm knows that you care about him
25:35which means he can use that
25:37against you.
25:38So, I don't know,
25:38maybe try not making things
25:40worse for the kid?
25:42Rocco opened up to me.
25:44It's obvious.
25:45He needs someone to talk to,
25:47someone he can trust.
25:48And I promised him
25:49that I would fix this.
25:50He doesn't need you to do that.
25:53He has Lulu.
25:54He has me.
25:56Together,
25:56she and I will get him through this.
25:58Oh, my God.
25:59How dense are you?
26:01There is no you and Lulu.
26:03There can't be.
26:07Oh!
26:13I may have eaten too much.
26:15I definitely did.
26:17And I blame Michael James Scott.
26:20Why?
26:20He's the one who made that reservation.
26:22Well, everything on the menu
26:24was incredible.
26:25It's not like we could stop eating.
26:27We're not robots.
26:29Merely humans.
26:32As soon as I get up the energy,
26:40I'm going to call him
26:42and I'm going to thank him.
26:44That was incredible.
26:47I thought you said you were stuffed.
26:50It's our dessert.
26:52Hey, I wasn't judging.
26:54I'm good.
26:57Are you going to share?
27:00Oh, for sure.
27:04You know,
27:05if we're not planning to annihilate ourselves
27:07at every meal,
27:10maybe next time we're in this city,
27:11we should eat at the bus station.
27:14Uh, first of all...
27:16Ugh.
27:17Second of all,
27:18there's going to be a next time?
27:20Yeah, I mean, I hope so.
27:22I mean, I don't know
27:23if I could top this adventure, but...
27:25Joe, you don't have to top anything.
27:27You are the adventure.
27:31I don't know about that.
27:33Oh, I do.
27:35When I'm with you,
27:36I see the world with new eyes.
27:39Well,
27:40New Year's, but...
27:41What do you mean?
27:43You see the world through New Year's.
27:46Music and sound,
27:48that's a part of your soul.
27:50Walking down the street,
27:52you know,
27:53when you hear the garbage trucks
27:55and the subway.
27:57I can see you taking that in.
28:00Trust me,
28:00it's not the way that I do.
28:03Yeah.
28:05The subway,
28:07it's like a...
28:08It's like a tiny orchestra.
28:11Right.
28:14It really is.
28:16Like the...
28:18The subway rumble.
28:20Oh, it's like the bass.
28:23And the subway horn,
28:25it's like a French horn.
28:27Obviously.
28:28Naturally.
28:29And the subway brakes.
28:30It's like a...
28:32It's like a low.
28:34Or maybe like a...
28:35Like an E-flat clarinet.
28:37What about the people?
28:39Yeah, the throne.
28:42It's like...
28:43It's like muted violin strings.
28:48And it may be a bassoon.
28:52It's like a cymbal roll for sure.
28:56Kitchen at all these.
28:58Oh.
28:59Oh, man.
29:01That's like the whole percussion section,
29:03including the triangle.
29:05Ding, ding.
29:07And you opening the dessert back.
29:11Angels singing from up above.
29:16Gio.
29:17Call me Aaron.
29:20It doesn't matter
29:22where we go
29:23or what we do.
29:28You are my whole new world.
29:35How is Rocco's hand?
29:38It's...
29:38Healing.
29:39Not as fast as he or anyone would like,
29:41but...
29:42It's getting there.
29:44Well, I guess you can't really
29:45call yourself a cook
29:46unless you've got a scar
29:47or two to show
29:48for your time spent in the kitchen, right?
29:50Rocco's more of a microwaver
29:53and occasional vegetable slicer.
29:55Retired.
29:56No.
29:57Oh, he'll be back.
29:58I hope so.
30:01Why do you think he won't be?
30:04It's not just his hand.
30:08Rocco's been distant lately.
30:11I know that he's upset
30:16about Danny's situation
30:18and what happened to Jason.
30:20Yeah, well, he's not the only one.
30:22And Rocco feels things so deeply,
30:24especially about people
30:27who he really cares about,
30:28like Danny.
30:29And it is a really wonderful quality,
30:31but in this case,
30:32it's just taking its toll.
30:34Well, it's an awful situation.
30:36At least both boys
30:39can lean on family.
30:41And I'm trying to be patient
30:42and just give him some time.
30:46And I am trying my best
30:48not to hover.
30:51Trying.
30:52It turns out that
30:54hovering is my default setting.
30:56No.
30:57One of the hardest things
30:59to do as a mother
31:00is to know when
31:01to take a step back
31:03and then to actually do it.
31:05I know.
31:06And I don't think
31:07I can do it at all
31:09if...
31:11if it weren't for Nathan.
31:16You know it's not right.
31:18Lulu thinks she's sleeping
31:19with courageous,
31:21honest, loyal Nathan West
31:23and not...
31:24Yeah, I know, I know.
31:25Not treacherous, lying Cassius.
31:27Well, yeah.
31:29Look,
31:30most of the time
31:31I'm not in a position
31:32to judge.
31:33That's the first time, sure.
31:34But I'm not in a relationship
31:36pretending to be someone else.
31:38You need to put distance
31:40between you and Lulu.
31:42What about James?
31:44Where am I supposed to
31:45distance myself from him
31:47because I'm not his real dad?
31:49In a perfect world, yes.
31:51But it's too late with James.
31:53You're already in his life
31:55as his father.
31:55You made that little boy love you.
31:58If you were to pull away from him now,
32:00it would break his heart.
32:02But Lulu is an adult.
32:04Most of the time.
32:06You can still back away.
32:09Say you...
32:10Say you decided
32:11you couldn't betray Maxie
32:13or mess up your friendship
32:15with Dante,
32:15who is also your boss.
32:17Take your pick.
32:18Lulu will survive.
32:20But you need to do it now
32:21before she really
32:23falls for you.
32:26Do it for Rocco's sake.
32:30Your concern is touching,
32:32but I don't answer to you.
32:34Are you answering
32:34to anyone right now?
32:39Kristen, I recognize
32:40your professional competence.
32:43Agent Jax, I do.
32:44I'm not arguing with you
32:46right now as a colleague.
32:47I'm arguing as a friend
32:48of your mother's.
32:49I've seen it firsthand.
32:51She's agonizing over you.
32:53Every minute of every day.
32:56Doesn't every parent
32:57feel that way?
32:59Yes, I suppose that's true,
33:00but this is an extreme circumstance.
33:04You're in a lot of trouble.
33:06I don't think you should
33:07go looking for more.
33:17Hello.
33:20That's right.
33:23Great.
33:25I gotta go.
33:27You please tell me
33:28that you heard me.
33:30I heard you.
33:32But it doesn't mean
33:33I'm gonna listen.
33:42Dr. Obrecht?
33:44Hi, Dr. Obrecht.
33:47I'm so happy to see you.
33:49Do you have a minute to chat?
33:50I'm afraid I was just leaving.
33:52I've recently returned
33:53to Port Charles
33:53after a very long journey,
33:55and I'm ready to go home.
33:56Oh, well, this will only
33:57take a minute.
33:58Perhaps we can catch up
33:59some other time.
34:00Last time we spoke,
34:02you thought it was possible
34:04that someone was impersonating
34:05your ex-husband?
34:06Do you still believe that?
34:08Why do you ask?
34:10Because I think you're right.
34:13Do you think that someone
34:14could be your son?
34:21Oui, bonjour.
34:22Je suis le Dr. Kevin Collins.
34:25Ça va bien, merci.
34:28J'ai besoin de quelques informations
34:31concern le péché, s'il vous plaît.
34:34Il y en a de 20.
34:36It sounds like things
34:37are going well
34:38with you and Nathan.
34:41They are as tough
34:42as things have been
34:44with Rocco.
34:46Nathan's been
34:47a consistent bright spot.
34:50Good.
34:51So you feel supported
34:52by him completely.
34:53Good.
34:54It's really easy
34:55to lean on him.
34:56Well, that's a relief
34:58because you had
34:59misgivings about
35:00getting involved
35:01with him initially.
35:02I did.
35:04I think part of the reason
35:06I was able
35:06to get over them
35:10is because I know
35:11exactly
35:11who Nathan is
35:14and he's always
35:15honest with me.
35:19I think he might be
35:22the best thing
35:23that's happened to me
35:24in a really long time.
35:26Oh, sweetheart.
35:30When Lulu finds out
35:31who you really are
35:32it is going to break her.
35:35Maybe she will put
35:36herself back together
35:36again, maybe not.
35:38But either way
35:39Rocco's going to suffer.
35:41I hear you, Britt.
35:43Okay, but that's
35:43not going to happen.
35:46Because I'm in love
35:47with Lulu.
35:50That was fast?
35:51Yeah.
35:52And I'm going to keep
35:53being Nathan
35:54for as long as it takes
35:55to hold on to her.
35:56And then what?
36:00What's your
36:01long-term plan?
36:04That's what I thought.
36:06One way or another
36:07the truth will come out.
36:09It always does.
36:11So if you really
36:13love Lulu
36:14you need
36:14to end it
36:16now.
36:33probably not the best idea.
36:35Yeah.
36:35Your friend's already
36:36doing us a
36:37big favor
36:38by letting us
36:39stay here.
36:41Yeah.
36:42Yeah, we should
36:42probably leave
36:43this couch
36:45alone.
36:47And you know
36:48what they say
36:48friends don't
36:49canoodle
36:50on other
36:50friends' couches.
36:52Mm-hmm.
36:53Mm-hmm.
36:55But hey,
36:56you did buy him
36:57some really
36:58nice olive oil
36:59though.
37:00Yeah.
37:00Yeah, I mean
37:01it's the least
37:01I could do
37:02to thank him
37:02for letting
37:03us stay here.
37:05And you
37:06bought Olivia
37:06some because?
37:09Because I love her.
37:10And I want
37:11to make her happy.
37:11And cooking
37:12makes her happy.
37:13and I thought
37:14she could use
37:15it when she cooks.
37:16And maybe
37:17if she cooked
37:18something with it
37:19she might let
37:19you try it?
37:21I was planning
37:21to cut you
37:22in on whatever
37:22she made.
37:23Oh, well then
37:24it's the perfect
37:24gift.
37:27Tell me the truth.
37:29No regrets
37:30about not seeing
37:31your family
37:31on this trip.
37:34No.
37:36No, we'll
37:37see them next
37:37time.
37:38And that
37:39will be
37:39an adventure.
37:41Well, I'll
37:42start preparing
37:42now.
37:44And it was
37:44great meeting
37:45Michael.
37:46He's a great
37:47friend.
37:48I missed
37:49him a lot.
37:53And you
37:53really don't
37:54miss out
37:55on all the
37:55glamour
37:56and excitement
37:56of the theater
37:57when you saw
37:58him?
37:58I got all
37:59the excitement
37:59I can handle
38:01right here.
38:07What is it?
38:09No, you
38:09have a glitter
38:10on you
38:10from hugging
38:11Michael earlier.
38:12Is you?
38:14no.
38:17I'm like
38:18I thought
38:20you did.
38:21It's just
38:22you.
38:27You just
38:28sparkle.
38:37on the next
38:37general hospital
38:38at the right
38:39price, you
38:40would eliminate
38:41Sidwell?
38:42Learn that
38:42lethal move
38:43from your
38:44father.
38:45I think
38:45Colum played
38:46a direct
38:46role in
38:47Anna's
38:48breakdown.
38:48What do you
38:49have for me?
38:49Your life is
38:50riding on this,
38:51don't you
38:51understand?
38:52I don't know.
38:52I don't know.
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