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"Westworld" de Michael Crichton(1973) avec Yul Brynner et James Brolin [Full Movie] [Trending Drama]Full EP - Full
Transcript
00:00:20Hi. Ed Renfrew for Delos again. If there's anyone who doesn't know what Delos is, well,
00:00:25as we've always said, Delos is the vacation of the future today. At Delos,
00:00:29you get your choice of the vacation you want. There's Medieval World, Roman World, and of course,
00:00:36Westworld. Let's talk to some of the people who've been there. Pardon me, sir. What is your name?
00:00:40Gardner Lewis. Just got back from Westworld. Tell us how you liked it, Mr. Lewis. When you played
00:00:44Cowboys and Indians as a kid, you'd point your fingers and go bang, bang, and the other kid would
00:00:48lie down and pretend dead. Well, Westworld is the same thing, only it's for real. I shot six people.
00:00:55Well, they weren't real people. What Mr. Lewis means is he shot six robots, scientifically programmed
00:01:01to look, act, talk, and even bleed, just like humans do. Now, isn't that right? Well, they
00:01:05may have been robots. I mean, I think they were robots. I mean, I know they were robots.
00:01:11Yes, the robots of Westworld are there to serve you and to give you the most unique vacation
00:01:16experience of your life. Thank you, sir. And you, madam? Hello. What is your name? My name
00:01:24is Janet Lane, and I was in Roman World. What is the one thing that stands out in your mind
00:01:28about Roman World? Oh, well, I think it would be the man. I just feel marvelous. I mean, it's
00:01:37just a warm, glowing place to be. Thank you very much. Oh, thank you very much. Goodbye.
00:01:46Goodbye. And you, sir? Yeah. What is your name, sir? Oh, I'm Ted Mann. I'm a stockbroker
00:01:53from St. Louis. And which world did you just come from, sir? Oh, you're not going to believe
00:01:58this, but I've just been the sheriff of Westworld for the last two weeks. Did it seem real to
00:02:03you, sir? It's the realest thing I ever done. I mean that. Thank you very much. Yeah. And
00:02:10you, sir? My name's Arthur Kane. I've been in the castle. I've had a couple of sword fights
00:02:15and three jousts, and I... I married a beautiful princess. Is that something you always dreamed
00:02:22of doing, sir? Oh, my life! Well, there are some of the comments of the people who just returned
00:02:29from Dulles. Why don't you make arrangements to take our hovercraft to Medieval World, Roman
00:02:34World, and Westworld. Was it worth a thousand dollars a day?
00:02:40Contact us today, or see your travel agent. Boy, have we got a vacation for you.
00:02:49505-345-675-Delta-9. 505-345-675-Delta-9. Read you as Kappa-505-899. And on the Y
00:02:59-axis, confirm
00:03:00a reading of Kappa-505-786. See if you have all that. Kappa-505-899. This is Dulles Control
00:03:12to Station 3. You're cleared on Vector 7-9-1-9-5. We anticipate scanning in about 8.5 minutes.
00:03:38I'm not worried at all. I'm just... I'm just curious. How much do they weigh?
00:03:45Three or four pounds. That heavy.
00:03:51Did they have much of a kick? A Gull 45? Well, I never fired one before.
00:04:03Hey, what about the thing where you go like this over the gun?
00:04:06Fanny, yeah. What about it? Is that hard to do?
00:04:10No.
00:04:15Now, when they give you the gun belt, does it have those strings to tie around your leg?
00:04:20If that's the kind you want. That's the kind I want. I think it's probably better for quick draws,
00:04:24you know?
00:04:27It all depends.
00:04:29What kind of gun belt did you have the last time?
00:04:33I had the one without the strings.
00:04:37And you could draw fast?
00:04:38Mm-hmm.
00:04:41And maybe it doesn't matter after all.
00:04:47The guns they give you are real guns?
00:04:50Mm-hmm.
00:04:51Real guns.
00:04:53That's incredible.
00:04:54Give us a shift to 197 and take it down at 4 and 4 and 3.
00:05:00Take it down.
00:05:01Acceleration of 2-2, so long as you maintain passenger comfort.
00:05:07Sequencing was transferred according to the logic of 4-1.
00:05:12The orientation on the resort will now begin.
00:05:15Please put on your earphones.
00:05:20Don't you want to listen?
00:05:21I heard it the last time.
00:05:23Consists of three separate resort areas, each with its own special appeal.
00:05:28Whichever resort you've chosen, we're sure you'll have a fascinating and rewarding stay here.
00:05:33Western World is a complete recreation of the American frontier of 1880.
00:05:37Here it is possible to relive the excitement and stresses of pioneer life to the fullest.
00:05:42Western World is a life of lawless violence, a society of guns and action.
00:05:46This is medieval world, where we have reconstructed 13th century Europe, a world of chivalry and combat, romance and excitement.
00:05:55Our teams of engineers have spared no expense in this recreation, precise to the smallest detail.
00:06:00Then we have Roman world, a lusty treat for the senses in the setting of delightful, decadent Pompeii.
00:06:07Here, the traveler experiences the sensual, relaxed morality that existed at the peak of the Imperial Roman Empire.
00:06:13Altogether, these resorts comprise Delos, the most exciting vacation spot in the history of man.
00:06:18This is Delos Control to Station 3.
00:06:21Your negative acceleration should be 2-5, and ground speed should be 3-5-5, and driving.
00:06:28The whole spectrum of technology has been employed in Delos for the vacationer's pleasure.
00:06:32Expensive and unusual, Delos is not for everyone.
00:06:35But for those that choose it, it is truly a unique and rewarding experience.
00:06:39The peak about transferable, large parts.
00:06:44Nope.
00:06:49We have you on RID-5.
00:06:53Notify ground.
00:07:01Locking in now.
00:07:06Shutdown 2.
00:07:08Shutdown 3.
00:07:13Nice job, everybody.
00:07:37Welcome to Delos.
00:07:40Please go to your color-coded tram, which will take you to the world of your choice.
00:07:45Give your name to the attendant.
00:07:50Welcome to Delos.
00:07:52Please go to your color-coded tram, which will take you to the world of your choice.
00:07:56May I have your name, please?
00:07:57John Blaine, Peter Martin.
00:08:00Please go to your color-coded tram, which will take you to the world of your choice.
00:08:07we are sure you will enjoy your stay in western was she uh probably
00:08:13that's amazing there are no rules supposedly you really can't tell except by looking at the hand
00:08:21they haven't perfected the hands yet nothing can go wrong you will enjoy your stay in roman world
00:08:27while you are there please feel free to indulge your every whim medieval world exists for you
00:08:34the guest nothing can go wrong
00:09:06so
00:09:10so
00:09:32i have a quick fade in the crt and my balance controls don't seem to help me
00:09:37we're keeping this in real time switch me over to an online status and i'll do it manually
00:09:44i don't know what to do if the stagecoach is late
00:09:47so
00:09:51so
00:09:56so
00:10:00so
00:10:24oh it's fantastic
00:10:45i reckon that's everything
00:10:50pass down the hall
00:10:52pass across you two bits for hot water
00:10:55dinner at seven breakfast at 6 30
00:10:57get lunch on your own
00:10:59a couple places in town to eat
00:11:02don't look like much here but we have everything
00:11:05just a minute
00:11:17you mean to tell me he's a robot
00:11:19that's what i need to tell you
00:11:25i'm paying a thousand dollars a day for this
00:11:28it's authentic
00:11:30the west of the 1880s
00:11:34well
00:11:34at least they could have made it a little more comfortable
00:11:38that's the point
00:11:40this is really the way it was
00:11:43you wanted comfort
00:11:44you should have stayed in chicago
00:11:46hey
00:11:46julia would have loved all this
00:11:48poking around for hours in all those funny shops
00:11:51looking for silly
00:11:52peter what the hell's wrong with you
00:11:53you're a lawyer
00:11:55you know better than anybody else
00:11:56what a ride she took you for
00:11:58well
00:11:58the kids
00:12:00fine
00:12:00the kids
00:12:01here you are six months later
00:12:03still thinking about it
00:12:04no not really
00:12:05just came to mind is all
00:12:14there's a lot to do here
00:12:15here
00:12:18it's a lot of work
00:12:34a lot of work
00:12:45we're going to talk about it
00:13:17What will it be?
00:13:18Whiskey.
00:13:19What about you?
00:13:21I'd like a martini on the rocks with a twist of lemon.
00:13:23Very dry, please.
00:13:24Just give him whiskey.
00:13:26He's new in town.
00:13:32You've got to get into the feel of the thing.
00:13:34I feel silly.
00:13:36Why?
00:13:38Looks like a joke.
00:13:40It's not a joke.
00:13:41It's an amusement park.
00:13:43The best amusement park in the world.
00:13:45All you have to do is have fun.
00:13:49Some pretty rough-looking customers here.
00:13:52How many of them are...
00:13:53Guests like us?
00:13:55Who knows?
00:13:56That's the beauty of this place.
00:13:57It doesn't matter.
00:13:59It may look rough, but it's still just a resort.
00:14:17There's no way to get hurt here.
00:14:19Just enjoy yourself.
00:14:30What is this stuff?
00:14:33It doesn't say.
00:14:35God!
00:14:37Give me this.
00:14:38It puts hair on your chest.
00:14:39Yeah.
00:15:03Slop it with your drink.
00:15:15Give this boy a bib.
00:15:20Go on.
00:15:28He needs his mama.
00:15:32I'll kill her.
00:15:41You talk too much.
00:15:49You say something, boy.
00:15:56I said you talk too much.
00:16:06Why don't you make me shut up?
00:16:30Your move.
00:16:56I said you talk too much.
00:16:58I said you talk too much.
00:17:20pretty realistic huh listen are you sure he was uh of course you don't really think he shot
00:17:26anybody do you wow hey john how do i know i'm not gonna kill another guest with this thing
00:17:41try it
00:17:45shoot me
00:17:49go on shoot
00:18:01the gun is a sensing device it won't fire at anything with high body temperature
00:18:07only something cold like a machine
00:18:09i thought of everything
00:18:15black knight won't be repaired till tomorrow afternoon there's a distortion
00:18:19the lighting is five five five five yeah i have the banquish schedule you better check the
00:18:25industry if that conforms
00:18:31Oh, my God.
00:19:12What do folks do for companionly entertainment in this town?
00:19:15I wouldn't know about such things. I'm just running this hotel.
00:19:19Miss Carey has a real nice saloon down at the end of the street.
00:19:22Now, I won't have talk of that woman in this house. Not over my dinner.
00:19:27Food's real good, ma'am.
00:19:29Thank you, stranger. You're a gentleman of some breeding.
00:19:32Here's a seat to everything.
00:19:35Who's Miss Carey?
00:19:55Come on.
00:20:26Yep.
00:20:28Whiskey.
00:20:30Just passing through.
00:20:33Maybe.
00:20:34Looking for some fun?
00:20:38Maybe.
00:20:40Well, you come to the right place.
00:20:42There's plenty of fun here.
00:20:45That's Cindy.
00:20:46And Arlette.
00:20:48Arlette's from Paris.
00:20:51Perhaps your gentlemen are taking a liking to him.
00:20:54Perhaps.
00:20:55They're real accommodating.
00:20:58There you go.
00:21:00You're lucky.
00:21:01Gentlemen.
00:21:02Why don't you just go on upstairs and we'll break an account later.
00:21:05John, that sounded good to me.
00:21:07Are those two girls machines?
00:21:10Now, how can you say this thing like that?
00:21:14Come on.
00:21:28What's going on?
00:21:31They're robbing the bank.
00:21:32Robbing the bank?
00:21:34Hey, maybe we ought to go help out.
00:21:36Oh.
00:21:37Well, you don't know.
00:21:38It might be fun to fight bank robbers.
00:21:39Look, Pete.
00:21:41This is better.
00:21:42You don't know.
00:21:48Oh.
00:21:56Oh.
00:21:59Oh.
00:22:04Oh.
00:22:06Oh.
00:22:06Oh.
00:22:07Oh.
00:22:07Oh.
00:22:10Oh.
00:22:25Uh, there, uh, there is something I have to tell you.
00:22:30I don't know if it matters, but it matters to me.
00:22:41I, uh, I haven't ever had a, uh, uh, well, I hardly know you, if you know what I mean.
00:22:50I mean, uh, we just met a few minutes ago, and, uh, you're probably very nice.
00:23:17I feel funny.
00:23:23Why?
00:23:27Why?
00:23:33Why?
00:23:40Why?
00:23:49Why?
00:24:16I think you're very nice.
00:24:27How was it?
00:24:29Wasn't it terrific?
00:24:30Boy, machines are the servant of man.
00:24:33Wasn't that great?
00:24:35Not bad.
00:24:37Not bad.
00:24:38Now you're the big lover.
00:24:42Well, you know how it is.
00:24:43Some guys have a way with women.
00:24:47Shooting stopped.
00:24:50I guess we missed the robbery.
00:24:54You can't have everything.
00:24:57Mm-mm.
00:24:59John?
00:25:01Hmm?
00:25:02This place is really fun.
00:25:04Yeah.
00:25:31I know.
00:28:37I think it's the gyro unit.
00:28:46What do you think?
00:28:47I wonder if we shouldn't try and rewire them.
00:28:49No, I'd replace the whole unit rather than try to repair it.
00:28:52With a 10?
00:28:53Use an XX50 if we have any in stock.
00:28:55The XXs have a longer lifespan.
00:28:56The 50 may not fit in here.
00:28:58Well, maybe you can shift the integrator unit further up into the cavity.
00:29:02I'll try.
00:29:08Hmm.
00:29:09Balanced servo again?
00:29:10Yeah, she fell over this afternoon.
00:29:13I think it's the sensor.
00:29:16But if it's a central unit, we'll have to open her up.
00:29:18Well, you get a confirmation before you do that.
00:29:25What's he in for?
00:29:26Central malfunction.
00:29:28Another one?
00:29:42Another one?
00:29:45Hmm.
00:29:46From the day we opened the resort, we had a failure in breakdown rate conforming to computer predictions.
00:29:50That is, 0.3 malfunctions for each 24-hour activation period, concurrent or not.
00:29:56Now, this was an anticipated operations aspect of the resort, and we were fully able to handle it.
00:30:01The majority of the breakdowns were minor or peripheral until about six weeks ago.
00:30:07Then, Roman world had a rise in breakdown rate which doubled in a week.
00:30:12In addition, we saw a disproportionate rise in central as opposed to peripheral breakdowns.
00:30:17Now, we identified some problems with humidity control and regained homeostasis.
00:30:23Well, despite our corrections, the breakdown rate continued to climb.
00:30:27Then the medieval world began to have trouble.
00:30:29Now we're seeing more western world breakdowns.
00:30:32And there's a clear pattern here which suggests an analogy to an infectious disease process,
00:30:38spreading from one resort area to the next.
00:30:40Perhaps there are superficial similarities to disease.
00:30:43It's only a theoretical concept.
00:30:45There are many ways to order that data.
00:30:47I must confess, I find it difficult to believe in a disease of machinery.
00:30:52We aren't dealing with ordinary machines here.
00:30:55These are highly complicated pieces of equipment.
00:30:58Almost as complicated as living organisms.
00:31:00In some cases, they've been designed by other computers.
00:31:04We don't know exactly how they work.
00:31:14That input goes out of level 537.
00:31:18I'm not getting sound pickup from the 10th quadrant.
00:31:20We'll try to stabilize there.
00:31:43Thank you so much, sir.
00:31:52better check you do okay send it down to central control room council three
00:31:56what was that no grounding unit five yeah try a bypass
00:32:02readings at all units five included hold on all right let's stand by for resort activation
00:32:15you ready on phase four four three
00:32:21four four three okay we're going to activate at five nine
00:32:29lower gain alpha two
00:32:34ready on six on five on four on three on two activate now
00:32:57oh
00:32:58oh
00:32:59oh
00:33:24oh
00:33:26give me a home where the buffalo and the deer and the antelope play
00:33:36where seldom is heard a discouraging word and the skies are not cloudy all day
00:34:14what do you want
00:34:35how do you know sense of
00:34:45no no
00:34:47no no
00:34:50no no
00:35:19Was he bothering you?
00:35:22He's not going to bother you again.
00:35:24Well, I'm here to tell you the things have changed.
00:35:26There's a law here now.
00:35:27You can't go around plugging whoever you please.
00:35:31But, Sheriff, it was self-defense.
00:35:33It's what they all say.
00:35:35You shot a man, you'll have to stand trial.
00:35:38The judge will be here next week.
00:35:40If I were you, I wouldn't trouble over your friend here.
00:35:43Judge Benson likes to hang him.
00:35:45Hang him high.
00:35:46Look, Sheriff, beat it.
00:35:51I said beat it.
00:36:11I've never been in jail before.
00:36:15First time for everything.
00:36:20But I haven't done anything wrong.
00:36:22You shot a man, that's something.
00:36:26Where are you from?
00:36:27Chicago.
00:36:30Chicago's a long way from here, fella.
00:36:33A thousand miles and more.
00:36:38Chicago's a living rock.
00:36:38But I've never been in jail yet.
00:36:56The only reason I've never been in jail is now.
00:36:58You've had the煮 regardez.
00:36:58Are anyone else in jail?
00:37:02For whatever reason, we really hacerlo will be.
00:37:02Maybe you 들cią a man, that's a wix.
00:37:02A thousand miles and more.
00:37:02Where are you from?
00:39:26I guess that sort of makes us desperados.
00:39:30Yeah, I guess.
00:39:34Well, what do we do now?
00:39:36Well, the way I figure it, anything we want.
00:39:39There's no law in that town now.
00:39:40I'll say.
00:39:42We go in there.
00:39:43We go in there.
00:39:43We do anything we want.
00:39:46You know what?
00:39:48What?
00:39:50I almost believe all this.
00:39:52Why shouldn't you believe it?
00:39:54It's as real as anything else.
00:39:57Yep.
00:39:58I reckon.
00:39:59What can you give me in grid seven?
00:40:01We have that on SM514.
00:40:03There's nothing wrong with it.
00:40:05No.
00:40:06Frequencies here at 2527.
00:40:08Transfer.
00:40:10Reschedule.
00:40:11Listen, she wants to meet the king, and we have to restructure for that.
00:40:14I can't disappoint a guest.
00:40:15Yeah, listen.
00:40:15This is the third day in a row that I've called you about my laundry.
00:40:18You've got all my shirts and most of my...
00:40:20You're re-checking the tapes on the mechanism now.
00:40:23We have programmed infidelity, and the queen has of two minutes ago.
00:40:29All right.
00:40:29Coming up on the castle.
00:40:31Zero.
00:40:33Now.
00:40:33It also conforms with your five-year history at this time of year.
00:40:40Leave me now.
00:40:57My queen.
00:41:03If the king should hear of this, we would both be put to death.
00:41:07I would be more than happy to die for you, my lady.
00:41:11Let us pray it shall not be so.
00:41:14I have news.
00:41:16The black knight has returned and seeks a match with you.
00:41:21The black knight?
00:41:22None other.
00:41:24Is he pretty tough?
00:41:26He has the strength of ten and cunning besides.
00:41:31But his sight is weak in his left eye.
00:41:35Stay to his left and you will prevail and win the day.
00:41:38Confirmation of the reprogramming of that black knight
00:41:41for left lateral weakness and instability for tomorrow.
00:41:44I shall see you on the morrow.
00:41:46My lady.
00:42:16He's scheduled tomorrow a.m.
00:42:18It's his last day in the resort.
00:42:19Let's make it a lulu.
00:42:21You'll have to switch over.
00:42:22Tomorrow a.m. broad source.
00:42:24Schedule alive.
00:42:25We have a problem with the air conditioning and beta section.
00:42:27Send a crew out.
00:42:29Yes.
00:42:30He can be sheriff any time he wants.
00:42:31That is correct.
00:42:32Just give him the badge.
00:42:45Now I'm the new law around here.
00:42:49You think you can handle things?
00:42:54You want to try me?
00:43:23A thousand pardons, my lord.
00:43:27What is your name, child?
00:43:31Daphne.
00:43:33Daphne.
00:43:36Oh, I love this place.
00:43:39I love my horse.
00:43:40I love my horse and I love Julie.
00:43:42Oh, shut up.
00:43:44I like the spots on my horse.
00:43:46Did you see the spots on the horse?
00:43:48The horse is beautiful.
00:43:49Yeah, thank you very much.
00:43:50I liked yours, too.
00:43:53Look out.
00:43:54Let me handle it.
00:44:02Get it.
00:44:04Jump.
00:44:19God damn it.
00:44:20Do you suppose it's real?
00:44:22Hell no.
00:44:24That's not supposed to happen.
00:44:26Maybe it is.
00:44:26Maybe it's part of the thing.
00:44:28The hell goddamn machines anyway.
00:44:31That's not supposed to happen.
00:44:34The rattlesnake struck a guest?
00:44:35Yeah, he was shooting at it.
00:44:36He missed.
00:44:37Even so, the snakes are programmed never to hit on a strike.
00:44:39Was the guest injured?
00:44:40His minor puncture was?
00:44:42Inexcusable to injure a guest.
00:44:44Pick up that snake for a total post at once
00:44:46and check all the snake central mechanisms tonight during the repair period.
00:44:57Isn't anything work around here?
00:45:27That's right.
00:46:29Many elements of the Delos resort are potentially dangerous. That's part of the appeal. But if they should become truly
00:46:34dangerous...
00:46:34I agree. We can announce that the resort is overbooked and not allow any further new guests to arrive.
00:46:41I think we can take care of the ones already here.
00:46:43If we can't ensure the safety of the guests, we're going to be in desperate trouble.
00:46:46But we can ensure their safety. Everything's fine.
00:47:33All right, let's start that bar fight.
00:47:36Cheat!
00:47:44John, what do you say?
00:47:46Uh, it's...
00:48:07Now, that's just rude.
00:48:13Do what?
00:48:14Whoo!
00:48:16Oh!
00:48:16Hay, hay.
00:48:21Hey.
00:48:21Oh, oh, oh.
00:48:23Oh, yeah!
00:48:27Wow.
00:48:29Ha ha ha!
00:48:31Ooh.
00:48:38Whoa!
00:48:39Oooh.
00:48:39Woo!
00:48:41Ah!
00:48:48I don't know.
00:49:19Come on, let's go upstairs.
00:49:21Come on, let's go upstairs.
00:50:07Come on, let's go upstairs.
00:50:11Come on, let's go upstairs.
00:50:41And we're increasing audio sensitivity.
00:50:48You called for me, my lord?
00:50:50Yes.
00:50:53How long have you been in the palace, Daphne?
00:50:56Since I was three, my lord.
00:50:59Charming.
00:51:01I think we ought to get to know each other better, Daphne.
00:51:04Better, my lord?
00:51:05I can reward you well.
00:51:12My lord.
00:51:14Daphne.
00:51:15My lord.
00:51:17Daphne.
00:51:21My lord forgets himself.
00:51:24Uh-oh.
00:51:25Problem with the girl.
00:51:26Program breakdown.
00:51:28What's the trouble?
00:51:29One of the castle machines isn't responding.
00:51:32Refusing a guest seduction.
00:51:34Get her out of there and report it to Central Repair.
00:51:36There's limits.
00:51:36Right.
00:51:37Turn it off and bring out another order.
00:51:38Refusing any other animals in trouble.
00:51:57Did you find the trouble?
00:51:58No apparent trouble.
00:51:59But she wasn't following programming.
00:52:01She refused a guest seduction and she is a sex model.
00:52:04Certainly is.
00:52:06You think they're going to shut down?
00:52:07No, the director's field to close down now would hurt tourists' confidence.
00:52:10No.
00:52:11I don't like it.
00:52:20Breakfast.
00:52:22Breakfast.
00:52:23Breakfast.
00:52:24Breakfast.
00:52:25Breakfast.
00:52:25Breakfast.
00:52:26Breakfast.
00:52:27Breakfast.
00:52:40I'm never going to drink again.
00:53:08Okay, I've gained four, three, seven.
00:53:10I'm not getting sound pickup from a tele-quadron.
00:53:12Please check my leads to console.
00:53:14Okay, guys, good.
00:53:32Hold, Barlet.
00:53:43Are you speaking to me?
00:53:45None other, sir.
00:53:48Look, I'm hungry and I...
00:53:52Prepare for thy doom, thy scurrilous knave, huh?
00:53:56Wait a minute.
00:53:57Can't we talk this over?
00:53:59What have you?
00:54:00No spine, Barlet?
00:54:01Well, I...
00:54:03Aha.
00:54:04The Queen.
00:54:09Full monitor.
00:54:14Okay.
00:54:16Let him go.
00:54:33Come on, Barlet.
00:54:38Hold on back!
00:54:39We can.
00:54:40We can.
00:54:53We can.
00:54:55We can!
00:55:14Oh, hangover.
00:55:39Aye, Barty. Aye.
00:55:45We're losing a little tolerance. Bring me up.
00:56:17Oh, shut down. Shut down immediately.
00:56:25Section sponsor.
00:56:27Then cut the robot power.
00:56:29Power cut.
00:56:31Oh, my head.
00:56:39It's freezing.
00:56:46Gotta get to the hotel.
00:56:50I think I'm gonna be sick.
00:57:03Then I'm responding.
00:57:04Should we cut the main power grid, sir?
00:57:06It'll kill the light.
00:57:06Shut it all down. Shut it all down.
00:57:18Hold it.
00:57:21Oh, God.
00:57:25Come on. Not now. Not you again. It's too early.
00:57:33Let me do it this time.
00:57:38Your move.
00:57:50I'm shot.
00:57:52What?
00:57:54I'm shot.
00:58:05Joe.
00:58:18Oh, my God.
00:58:23draw
00:58:35sir we have no control over the robots at all
00:58:50the
00:58:57the
00:58:58the
00:58:58the
00:58:58the
00:59:02the
00:59:04I don't know.
00:59:43I don't know.
01:00:04Turn the main grid back on.
01:00:06The relays must be frozen.
01:00:07We can't get back our power.
01:00:09Hello.
01:00:10Hello, hello!
01:00:52How are we going to get out of here?
01:00:53All these doors are electrically powered.
01:00:57I get these doors open in here before we all suffocate.
01:06:05THE END
01:06:35THE END
01:07:10THE END
01:07:41THE END
01:07:54THE END
01:08:01THE END
01:08:10THE END
01:08:19THE END
01:08:28THE END
01:08:37THE END
01:09:04THE END
01:09:09THE END
01:09:41THE END
01:10:12THE END
01:10:16THE END
01:10:17THE END
01:10:25THE END
01:10:25THE END
01:10:33THE END
01:10:34THE END
01:10:43THE END
01:10:44THE END
01:10:49THE END
01:10:49THE END
01:10:50THE END
01:10:59THE END
01:10:59THE END
01:10:59THE END
01:10:59THE END
01:11:00THE END
01:11:05THE END
01:11:06THE END
01:11:06THE END
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